Web Of The Spider | Full Movie | Antonio Margheriti | Anthony Franciosa, Michèle Mercier, Klaus Kinski, Peter Carsten

4 months ago

WEB OF THE SPIDER
| Horror | 1971 |

Plot:
The journalist Alan Foster makes a bet than he can spend one night at the haunted Blackwood Castle. As he learns, the rumors of ghosts at the castle are indeed true. On All Soul's Eve the ghosts of the castle search for blood to tide them over for another year. In the castle Foster meet and fall in love with Elizabeth Blackwood.

Crew:

• Directed by: Antonio Margheriti
• Written by: Bruno Corbucci, Antonio Margheriti, Giovanni Addessi
• Starring: Anthony Franciosa, Michèle Mercier, Klaus Kinski, Peter Carsten
• Produced by: Giovanni Addessi
• Music by: Riz Ortolani
• Cinematography: Guglielmo Mancori, Sandro Mancori
• Edited by: Otello Colangeli, Fima Noveck

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Transcript

00:00:00You

00:00:30You

00:01:00You

00:01:30You

00:02:00You

00:02:30You

00:03:00You

00:03:30You

00:03:47Palette is a ghost from a tomb a servant entered the library and he was staring like a madman and he spoke to me

00:03:56In a voice

00:04:00Trembling and suffocated

00:04:04He stood there straining

00:04:06Straining his tereblocked vocal chords into producing some semblance of speech

00:04:11He was desperately trying to tell me something

00:04:14But I couldn't really understand him

00:04:16I could only catch a bit of what he was trying to say

00:04:19He mentioned something about a mad scream which had pierced the silence of the night

00:04:24The gathering together of the entire household

00:04:27And now they all rushed to the spot

00:04:29Where the screaming sound had come

00:04:32And now they had searched

00:04:34And had found the place

00:04:36And at this moment

00:04:38His voice became frighteningly clear

00:04:41And he went on to talk about a violated tomb

00:04:45A body wrapped in a sedarium

00:04:48Horribly disfigured

00:04:49But still breathing, still palpitating

00:04:52Still alive

00:04:57Still alive

00:04:58The servant just stood there

00:05:00And then suddenly

00:05:01He was pointing at my clothes

00:05:04They were covered with mud

00:05:07And intermingled with the mud

00:05:09There were spots of fresh blood

00:05:11Still wet and sticky

00:05:23The servant

00:05:24Then came towards me

00:05:27And very gently took my hand

00:05:29Like this

00:05:32He pulled me closer

00:05:34And I looked at the hand

00:05:37The flesh had been torn

00:05:39It was covered with deep human fingernail scratches

00:05:42And suddenly he turned his attention to an object against the wall

00:05:45And stared at it for some time

00:05:48It was a shovel

00:05:53A bloodstained shovel

00:05:57A bloodstained shovel

00:06:05Realization came to me

00:06:07And with a shout

00:06:08I reached across the chamber

00:06:10And grabbed the box that was lying there

00:06:15But I was unable to open it

00:06:19In my eagerness

00:06:20The box ripped from my trembling hands and fell to the floor

00:06:22Shattering in pieces

00:06:24And all at once

00:06:25I was aware that there

00:06:27There on the floor

00:06:29Were the 32 magnificent teeth

00:06:31Of my dear cousin, Miss Melanita

00:06:34Those same teeth that had obsessed me during her illness

00:06:37Right up to the time of her death

00:06:39Six months before the night of my story

00:06:47Mr. Poe

00:06:50Mr. Poe

00:06:51Mr. Poe, it's Alan

00:06:55It's Alan Foster

00:06:58How do you do, sir?

00:07:02You know

00:07:03I've read that story of yours

00:07:04But hearing you tell it, it sounds real

00:07:07Oh, yes

00:07:10Yes, I recognize you now

00:07:12From your voice

00:07:14May I introduce you to Lord Blackwood?

00:07:17How do you do, sir?

00:07:18I invited him here especially for you

00:07:20Oh, really, sir?

00:07:21You know this Alan Foster

00:07:22The American reporter I told you about

00:07:25He's been following me around like a hound for an interview

00:07:30What he's going to write about, I have no idea

00:07:32He's probably going to talk badly about me

00:07:35Oh, well

00:07:36He always does

00:07:37I admit I have been following you, Mr. Poe

00:07:39But one thing should be reasonably obvious

00:07:41I wouldn't have to come all the way to London

00:07:43Just to say

00:07:45To say bad things about you, sir

00:07:46Well, this is my first visit to England

00:07:49And it'll definitely be my last

00:07:53Why is that?

00:07:55Has England disillusioned you?

00:07:58Well, first let me explain that I'm not a novelist

00:08:01But a reporter like you

00:08:03Everything that I've written to date

00:08:06Actually

00:08:07But, Mr. Poe

00:08:10Mr. Poe

00:08:12You have revealed in your stories

00:08:14That death is only the beginning of something

00:08:18That's against the facts

00:08:21Certainly everything ends

00:08:23Like finishes at the very point of death

00:08:27But there's nothing after death

00:08:29Nothing

00:08:31You're confusing the tomb with death, Mr. Foster

00:08:37What do you mean?

00:08:38Whiskey, sir

00:08:39Thank you

00:08:41I don't understand

00:08:42No, of course not

00:08:44Your health, sir

00:08:45A slab of marble which closes a tomb

00:08:47Gives us a certainty of her tomb

00:08:51What of the other tombs that are populated

00:08:53By a great number of living beings unofficially?

00:08:58But you can't possibly believe that

00:09:01I mean, it's

00:09:02It's just not possible

00:09:03I beg to differ

00:09:04I'm willing to wager a hundred pounds

00:09:06That you don't have the courage

00:09:07To spend a night in my castle at Providence

00:09:09Alone

00:09:12I'm not alone

00:09:13Yes

00:09:14Alone

00:09:17Are you saying that I'd flee with terror?

00:09:20No

00:09:21You wouldn't flee

00:09:23Of all those who have tried

00:09:25And Mr. Poe well knows this

00:09:26No one has ever come out of the castle afterwards

00:09:32It's a pity, but I can't take on your wager

00:09:34I'm sorry

00:09:35You're a very wise young man

00:09:36I've heard a great deal of this Providence castle

00:09:38And was seriously thinking of writing about it

00:09:41You see

00:09:42I've asked Mr. Poe to find me a courageous man

00:09:45In the hope that you

00:09:47I hope that he

00:09:48Could put an end to this terrible legend

00:09:51But you're a

00:09:52Likeable young man

00:09:54And I'm glad

00:09:55That you can't accept the wager

00:09:59It's not that I don't want to

00:10:00It's just that I don't have

00:10:01A hundred pounds

00:10:02You mean

00:10:04You would be disposed for ten pounds?

00:10:06Yes, certainly

00:10:07Whenever you'd like me to

00:10:08Tonight then

00:10:10Could be you'll have an adventure

00:10:12Which will convince you

00:10:13That I do not tell stories of pure fantasy

00:10:17Tonight it is

00:10:19All right

00:10:20Tonight it is

00:10:22If it's to be tonight

00:10:23We must go at once

00:10:24The castle's some distance away

00:10:26It's at least a two hour drive

00:10:28Thank you

00:10:29Do you mind if we continue our discussion during the drive?

00:10:31The interview, I mean

00:10:33Thank you

00:10:34If it's that important to you

00:10:35We can, by all means

00:10:36I have many questions I want to clear up

00:10:39Thank you

00:10:40You're welcome

00:10:44Good night, Mr. Poe

00:10:45Sir, your lordship

00:10:47Good night

00:10:48Thank you

00:10:49Good night

00:11:06This, sir

00:11:07May give you courage

00:11:09I don't need to take it, folks

00:11:16Does it have bullets?

00:11:17Of course

00:11:21Mr. Poe

00:11:22Why is it that most of your characters

00:11:25Many of your characters

00:11:26Lose their sanity

00:11:27And often their lives

00:11:29It's very simple, Mr. Foster

00:11:31Because of the expanded

00:11:33Expanded consciousness

00:11:39When one is so completely terrified

00:11:42It is too much for the soul to take

00:11:45And the resulting transition makes

00:11:47To my mind

00:11:49One of the most interesting subjects

00:11:51To write about

00:12:05We're there, Mr. Foster

00:12:15You still have time to change your mind

00:12:17And return without

00:12:18Oh, no, not on your life

00:12:19And anyway, we've got ten pounds on us

00:12:21And I want it

00:12:22And besides, as Mr. Poe very well knows

00:12:23We Americans don't believe in ghosts

00:12:25Perhaps that's because you're still a young nation

00:12:27Perhaps

00:12:28Then perhaps it's because we don't have cash

00:12:30No, because youth feels itself immortal

00:12:33Yes, you may have a point there

00:12:35We shall return tomorrow at dawn

00:12:37Here's the key to the door

00:12:39Thank you

00:12:40Good night

00:12:41Good night, sir

00:12:42Oh, Mr. Poe

00:12:43I hope we can continue this interview

00:12:45Tomorrow

00:12:46Yes

00:12:47With your permission, I mean

00:12:48First thing in the morning

00:12:49Good luck

00:12:51Well, see you in the morning

00:12:52Oh, I forgot

00:12:53What?

00:12:54You'll find torches in the

00:12:55In the stables at the end of the garden

00:12:57At the end of the garden

00:12:59Thanks

00:13:10And this is who did nothing to dissuade him

00:13:12I don't know how to run films

00:13:15A protagonist is essential to any new story

00:13:31That must have been a good spirit

00:13:38Good night

00:13:43Drive us home, Anna, sir

00:13:46See you at dawn

00:14:12Good night

00:14:42Good night

00:15:13Quack, quack, quack

00:15:15Quack, quack, quack, quack

00:15:42Quack, quack, quack

00:16:12Quack, quack

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00:20:31Hmm, just a coincidence

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00:23:19Quack, quack, quack

00:23:26Hmm, it's broken

00:23:41Quack, quack, quack

00:23:49Hey, who are you?

00:24:11Who are you?

00:24:41Quack, quack, quack

00:24:52Quack, quack, quack

00:25:00Quack, quack, quack

00:25:07Quack, quack, quack

00:25:37Good evening

00:25:45Quack, quack, quack

00:25:52Quack, quack, quack

00:25:59Quack, quack, quack

00:26:05You thought that I was just a painting, didn't you?

00:26:09Were you sent here by my brother?

00:26:16Lord Blackwood is your brother?

00:26:18Yes

00:26:21My name is Al, Alan Foster

00:26:23And I am Elizabeth Blackwood Donovan

00:26:30I'm most terribly sorry

00:26:32But your brother told me that the castle was...

00:26:35was uninhabited

00:26:38Oh, well, that's because, you see, as far as he is concerned

00:26:44I'm dead

00:26:46Dead?

00:26:47He never wanted to see me again

00:26:51After I had deserted his world

00:26:55To search for a happiness which unfortunately I never found

00:26:59Didn't you ever try for a reconciliation?

00:27:01No

00:27:02You see, I have remained here for a long time now

00:27:09Well, perhaps I'd better leave

00:27:11Does finding me here upset you?

00:27:13No, no, no, it's just that...

00:27:15Well, it's just that the wager takes on a different aspect

00:27:18I see

00:27:19The wager my dear brother likes to make

00:27:22To give credence to the fantastic tales circulating about this castle

00:27:28It won't make you that much richer

00:27:32But I'll help you to play a trick on my brother

00:27:35Now come with me

00:27:36I've prepared a room upstairs for you

00:27:38Wait a minute

00:27:39You knew I was coming here?

00:27:50Now get the candle

00:27:58Look at that

00:28:00At what?

00:28:01The portrait, the painting

00:28:10Oh, it's nothing

00:28:11It must have been the flickering candlelight

00:28:14Playing tricks on me again

00:28:16What are you talking about?

00:28:18It's just that the portrait suddenly seemed to...

00:28:23Suddenly seemed to come to life, that's all

00:28:25I assume it's one of your ancestors

00:28:28No

00:28:31Julia is not a Blackwood

00:28:34You'll meet her shortly

00:28:37She'll return soon enough

00:28:56Up here you'll find things in better order

00:28:59Your room's this way

00:29:01You see, unfortunately I have no servants now

00:29:04So I've had to neglect the rooms downstairs

00:29:25Tell me, what's happening in the world outside?

00:29:47Oh, nothing but the traditional foolishness

00:29:51But I'd much rather talk about you

00:29:53It's been a long time since I've met such...

00:29:56Such loveliness

00:29:58You're very kind

00:30:00I'm flattered

00:30:01No, no, really, it's the truth

00:30:03A beauty like yours is very rare

00:30:05Very rare indeed

00:30:08For a long time I haven't felt myself a woman

00:30:12As I feel now with you

00:30:15Now please, tell me something about yourself

00:30:23There's nothing much really to tell

00:30:24Except that I'm American, a bachelor

00:30:27A creative writer and sometimes a journalist

00:30:31That's about it

00:30:32Oh, and no romantic attachments

00:30:36I too am alone, Alan

00:30:38Desperately alone

00:30:40Can I be of company to you?

00:30:54Ah, you must be Julia

00:30:57Well, it's a pleasure to meet you in person

00:31:00I see Elizabeth has spoken to you about me

00:31:03Yes, she has, as a matter of fact

00:31:05And what did she tell you about me?

00:31:08I told him your name

00:31:10And nothing more

00:31:11Do you think I should thank you for your discretion?

00:31:14No

00:31:15I think that you would have done better to stay away

00:31:18Why?

00:31:19Am I by chance disturbing you?

00:31:21No, no

00:31:22We were just having a chat before going to bed

00:31:27Oh, I see

00:31:29Julia!

00:31:30Oh, pardon me

00:31:32I didn't mean what Elizabeth imagined

00:31:34She obviously thought that I was inferring that you would be going to bed

00:31:38That's enough

00:31:47Good night, Mr. Foster

00:31:51Good night

00:31:58I think it's best if I bid you good night myself

00:32:01Even if now it won't be for you

00:32:05Really, I don't quite know what you mean

00:32:07Oh, don't you, Alan?

00:32:09No, I don't

00:32:12How did you know my name is Alan?

00:32:13I heard Elizabeth mention it just as I was entering the room

00:32:18Good night, Alan

00:32:21Good night

00:32:51Good night

00:33:22Good night

00:33:44Oh, I'm sorry

00:33:47Your brother gave me this

00:33:49I'm terribly sorry, excuse me

00:33:51I wondered if you were sleeping

00:33:54I...

00:33:55I'm sorry for what happened

00:33:58You mean Julia?

00:33:59Yes

00:34:01No need to apologize, I'd forgotten all about it

00:34:03I was just reading

00:34:06Please, won't you come in?

00:34:08Are you sure I'm...

00:34:09I'm not disturbing you?

00:34:10I'm positive

00:34:12Then...

00:34:13Do you mind if I stay here?

00:34:16And keep you company for a while?

00:34:17Fine

00:34:22It would be my pleasure

00:34:25I couldn't sleep

00:34:28Would you like a drink?

00:34:30Why yes, thank you, I would

00:34:32I have some excellent whiskey

00:34:38This bottle was left here by a previous guest

00:34:52I hope you like it

00:35:05Yes I do, it's excellent

00:35:18Come

00:35:22Are you interested in medicine?

00:35:24Yes

00:35:25At least I was at one time

00:35:27It was my father's influence

00:35:29He wanted me to follow in his footsteps

00:35:31This is heavy reading

00:35:34Let me select a better one

00:35:36No

00:35:37Don't go

00:35:39Don't go, please

00:35:40Stay here next to me

00:35:44I want you close to me where I can look at you

00:35:47Your eyes, how I would love to read what's written in your eyes

00:35:51What's written in my eyes, Alan?

00:35:55I can't answer you now

00:35:56I don't know yet

00:35:58I'll tell you

00:36:02Kiss me

00:36:05Hold me tight

00:36:07Take me

00:36:09That's what's written

00:36:13I'm yours, Alan

00:36:16Yours

00:36:17I never delude anyone I like

00:36:19And I like you very much

00:36:23Even for a moment

00:36:26Let me feel the warmth of your body

00:36:30Yes

00:36:32Kiss me

00:36:35Yes

00:36:49Oh, you

00:36:51You make me feel alive

00:36:54You do, my love, you do

00:36:57I feel alive in your arms

00:37:00I feel alive only when I'm alive

00:37:19Julia

00:37:26Where are you going?

00:37:27Stay out of it, please

00:37:28None of your business

00:37:30Oh, but it is

00:37:32I love her still

00:37:34Leave her alone

00:37:35And why should I?

00:37:37Why should you always treat me this way?

00:37:39Herbert must be informed

00:37:41And right away

00:37:49I'm afraid we met too late, my love

00:37:52What matters is that I've found you

00:37:54We must never leave each other like that

00:37:56Words are easy, Alan

00:37:58But I'm destined to remain here

00:38:01And you have your work outside

00:38:05I'm going to take you with me, Elizabeth

00:38:08That's impossible

00:38:10It would be much easier

00:38:12I'm going to take you with me

00:38:14That's impossible

00:38:16It would be much easier

00:38:18For you to remain here

00:38:37Elizabeth

00:38:40Elizabeth

00:38:43Elizabeth

00:38:47Yes, Alan

00:38:49No, it's nothing

00:38:51I thought for a moment

00:38:53I thought for a moment

00:38:55Your heart was beating

00:38:58No, Herbert, not him

00:39:00No

00:39:05Elizabeth

00:39:13Elizabeth

00:39:43Elizabeth

00:40:07Elizabeth

00:40:13Elizabeth

00:40:44Impossible

00:40:46It's impossible

00:40:49Hold me tight

00:40:52Take me

00:40:54I never delude anyone I like

00:40:57Let me feel the warmth of your body

00:41:01Yes

00:41:03Kill me

00:41:05Yes

00:41:07Elizabeth

00:41:09Elizabeth

00:41:11Elizabeth

00:41:14Elizabeth

00:41:41Elizabeth

00:41:43Where are you?

00:41:52Elizabeth

00:41:57Where are you?

00:42:02Where are you?

00:42:06Where are you?

00:42:10It's impossible

00:42:15Everything is possible on this particular night

00:42:27Who are you?

00:42:29Where is Elizabeth?

00:42:31Tell me where she is

00:42:33Where is she?

00:42:34Calm down

00:42:36She will return

00:42:38Soon

00:42:39I must find out where Elizabeth is

00:42:40She's been hurt

00:42:41Tell me where Elizabeth is

00:42:42Will you?

00:42:43You must relax your nerves

00:42:46Come

00:43:05I can understand how you feel, Mr. Foster

00:43:23Your name is Foster, isn't it?

00:43:28How do you know my name?

00:43:30I heard you talking to Elizabeth

00:43:35Elizabeth

00:43:40You say you heard me talking to Elizabeth

00:43:43I heard it all

00:43:45I know everything

00:43:47But there was no way that I could intervene

00:43:51But I see you're quite upset

00:43:53Perhaps you need a good, strong drink

00:43:56I have a reserve of that excellent whiskey

00:43:59That you like so much

00:44:02I don't know who you are, sir

00:44:04But you seem to be an excellent lawyer

00:44:07I am Dr. Carmus

00:44:09Oh

00:44:11I'm sure, Mr. Foster

00:44:13That you are aware of my books

00:44:15On the subject of metaphysical medicine

00:44:18Yes, I have read your books

00:44:20But I thought you had disappeared

00:44:21I heard you were

00:44:23Dead?

00:44:24Yes

00:44:26It would be more exact to say

00:44:28That I stopped living uselessly in a world

00:44:30Which would not grant me the possibility

00:44:32Of finishing my studies

00:44:34Here's your drink, Mr. Foster

00:44:36You have lived through a metaphysical experience

00:44:39Populated with people who do not pertain

00:44:41To your idea of time

00:44:43Momentary apparition

00:44:45Like that of Elizabeth

00:44:47I imagine it must be

00:44:49A noteworthy experience for a journalist

00:44:52Who is really

00:44:53A poet

00:44:56I'm sorry, Dr. Carmus, but

00:44:58But now look, you can't convince me

00:44:59That Elizabeth was just an apparition

00:45:02A figment of my imagination

00:45:03I'm sorry

00:45:05She's very much alive, doctor

00:45:06Very much alive

00:45:08I felt her body close to mine

00:45:10I felt her sweetness

00:45:12I felt her loveliness

00:45:14Yes, indeed

00:45:15She's really very much alive, doctor

00:45:16As I said

00:45:19Only because in that moment

00:45:21She was living with the strength of her senses

00:45:23Which do not die so easily

00:45:27I don't understand what you mean

00:45:29In every human being

00:45:30There are three forms of life

00:45:33That of the body

00:45:34Which is the weakest

00:45:36That of the spirit

00:45:38Which is indestructible

00:45:41And that of the senses

00:45:43Which can continue for a long time after death

00:45:46Especially when life

00:45:48Is taken away

00:45:49In an act of violence

00:45:51That is

00:45:53In a particular moment

00:45:55When the senses are living

00:45:56An intense emotion

00:45:57In other words

00:45:59One does not die completely

00:46:02Unless one is actually

00:46:04Willing to die

00:46:07It is completely absurd

00:46:09Completely absurd

00:46:10You think so

00:46:12Then I will demonstrate it

00:46:14If you like

00:46:27Don't

00:46:29The unmated snake

00:46:31Is very poisonous

00:46:34At this moment

00:46:36The snake's senses

00:46:38Are tensed

00:46:42In a violent effort

00:46:44Of self-defense

00:46:58You see

00:46:59In theory

00:47:01It should have died

00:47:03In the same moment

00:47:04In which I struck the blow

00:47:07Doctor, I've conducted these experiments

00:47:08A thousand times

00:47:09When I was a little boy

00:47:10With lizards

00:47:12Their tails continued

00:47:13To wiggle for a while

00:47:14And then

00:47:17Look

00:47:19You see

00:47:21It has stopped living

00:47:22For good, doctor

00:47:23It is dead

00:47:24It is gone

00:47:25Forever

00:47:27But now try to pick up the head

00:47:31Sure

00:47:34Careful

00:47:35The snake is dead

00:47:37But its sense of defense

00:47:39Continues to live

00:47:42But it doesn't last very long

00:47:45Of course not

00:47:46The blood no longer circulates

00:47:48A process of decomposition

00:47:49Takes place

00:47:51And even the sensory motors die

00:47:54I came here

00:47:56To continue my studies

00:47:57On this theory

00:47:59Away from the rest

00:48:00Of the world

00:48:03All right, all right

00:48:05The theory may hold true

00:48:06As far as

00:48:07As far as lower forms of life

00:48:08Are concerned

00:48:10But never human beings, doctor

00:48:12Never

00:48:15You are wrong

00:48:16Mr. Foster

00:48:27And I'll show you

00:48:28You're wrong

00:48:30Come with me

00:48:40Only Poe's demented mind

00:48:41Could send you here

00:48:42On such a night

00:48:44The second of November

00:48:45Dr. Carmel

00:48:48How do you know about that?

00:48:50How do you know about Mr. Poe?

00:48:57Just a moment

00:48:58You've got to tell me what you know

00:49:01Doctor

00:49:02Will you please tell me what you know?

00:49:04Tell me please, will you?

00:49:06Doctor

00:49:10Dr. Carmel

00:49:11It's imperative you tell me exactly

00:49:12The hour has come

00:49:14Words are now useless

00:49:18Look

00:49:27Look

00:49:54Oh, there's Caroline

00:49:55This is a wonderful party.

00:49:57Right. Elizabeth's parties are always good.

00:49:59Oh, indeed they are.

00:50:06We had better return to the party or our guests will think we've abandoned them.

00:50:11This is too important a gift.

00:50:14Perhaps I don't deserve it.

00:50:17Why might you not deserve it?

00:50:20William, life here has been sad.

00:50:23You've been away so long.

00:50:25And I've been alone.

00:50:27Well, now I'm back home again.

00:50:29And I'm staying home.

00:50:31You won't be alone again.

00:50:53Oh, Elizabeth, my dear, we missed you.

00:51:18Elizabeth, what a lovely necklace.

00:51:20It's splendid.

00:51:22Something to pardon your long absence. Is that it, William?

00:51:35Oh, how they sparkle. They're lovely.

00:51:37Thank you, my dear.

00:51:40Shall we dance?

00:51:41Yes.

00:51:42Excuse us.

00:51:52Would you like a drink, darling?

00:52:06Yes.

00:52:09Our cloaks, please.

00:52:10Yes, sir.

00:52:11Good night.

00:52:12Good night.

00:52:22Good night.

00:52:23Good night.

00:52:53What do you want?

00:52:55It makes me furious to see the way you carry on with him.

00:52:58Come outside.

00:53:00Wait for me at the table later.

00:53:02Now go away.

00:53:23Ah, there you are, darling.

00:53:24Do not fear.

00:53:25I was here to watch you.

00:53:27Thank you, Julia.

00:53:28All these many months I've been away, you've so kindly looked after her.

00:53:32And now it is my turn to look after my wife.

00:53:45Magnificent family portrait.

00:53:47But you're leaving already?

00:53:48Yes, William.

00:53:49I must go to London tonight.

00:53:50I have many matters to take care of in the morning, and I hate early rising.

00:53:53I see.

00:53:54You are no longer the famous hunter that gets up early in the morning.

00:53:58City life has changed you, hasn't it?

00:54:01The honor of the hunt.

00:54:03I leave to you, my dear sister.

00:54:07Thank you for the splendid party and the pleasure of finally seeing you together again.

00:54:12William, try not to leave her alone too much.

00:54:15I've sold all my estates in America.

00:54:17There's no real reason for me to travel now other than for pleasure.

00:54:20What do you say to a long cruise in the Mediterranean this spring?

00:54:23France, Italy, all of us together.

00:54:25Hmm, not a bad idea.

00:54:27Come and see me in London soon, and we'll talk it over.

00:54:30Good.

00:54:31We'll have lunch at my club.

00:54:32Let me see you to your carriage.

00:54:33No, William.

00:54:34I'll...

00:54:35I'll go with them.

00:54:36You stay with the guests.

00:54:37I'll be back soon.

00:54:38Allow me.

00:54:39Goodbye.

00:54:40Goodbye, Margaret.

00:54:42Good night, William.

00:54:43Good night, Oliver.

00:54:44See you in London.

00:54:53William, it's marvelous to have you in England again.

00:54:56How was your trip to America?

00:54:57Oh, it was a period of time in the 17th century.

00:54:59Ah, well, that's the important thing.

00:55:02Goodbye, Elizabeth.

00:55:03Good night, Margaret.

00:55:07Goodbye, Elizabeth.

00:55:08Have a good hunt tomorrow.

00:55:10Yes, Tom.

00:55:31Why are you avoiding me?

00:55:49Are you crazy?

00:55:53Come with me.

00:56:02I don't want you to return to that man.

00:56:04Don't be a fool.

00:56:05He's my husband.

00:56:06So what?

00:56:07You mustn't go back to him.

00:56:09You belong to me.

00:56:11You're mine now.

00:56:14I've shown you what love really is during the past few months

00:56:17we've been together.

00:56:18He'll leave again soon.

00:56:19You'll see.

00:56:20Now, let me alone.

00:56:21No.

00:56:22You will stay here with me.

00:56:23I'll kill you if you go back to William.

00:56:25Let me go.

00:56:27All right, Elizabeth.

00:56:28You can go.

00:56:31Ah.

00:56:38What you have seen just now of the past

00:56:40is merely to prepare the scene.

00:56:43The real tragedy starts now.

00:56:46Follow me, Mr. Foster.

00:57:00Come on.

00:57:02Come on.

00:57:28Forgive me.

00:57:31Forgive me.

00:58:01Forgive me.

00:58:02Forgive me.

00:58:11No.

00:58:32No.

00:58:39No.

00:58:40No, Abbott.

00:58:42No.

00:58:45No!

00:59:01Don't cry.

00:59:07You know how I hate to see you suffer.

00:59:10It happened and that's that.

00:59:11I despise you.

00:59:12Oh.

00:59:13Oh.

00:59:14Oh.

00:59:15Oh.

00:59:16Oh.

00:59:17Oh.

00:59:18Oh.

00:59:19Oh.

00:59:20Oh.

00:59:21Oh.

00:59:22Oh.

00:59:23Oh.

00:59:24Oh.

00:59:25Oh.

00:59:26Oh.

00:59:27Oh.

00:59:28Oh.

00:59:29Oh.

00:59:30Oh.

00:59:38Oh.

00:59:48I'm here.

00:59:50I told you, I told you.

00:59:53I told you you didn't have to get involved.

00:59:55But you have.

00:59:56Oh, come on, hit me.

00:59:57I'll drink to that.

00:59:58But you have to promise me you'll forgive me.

01:00:00You promise, do you know how to forget?

01:00:03I promise.

01:00:04You promise, do you know how to forget?

01:00:06I promise.

01:00:09You promised.

01:00:11Promise.

01:00:12But if you don't forget, then you'll have to bring him to me.

01:00:16Promise.

01:00:17Karmus!

01:00:23He's hiding. I know you're here.

01:00:26Where are you, Karmus? Karmus, where are you? Karmus!

01:00:33Karmus, do you hear me?

01:00:39Karmus, I know you're here in this house.

01:00:43You're here in this house. Come out!

01:00:46Karmus!

01:00:49Karmus, don't try to fool me. Come out!

01:00:51Where are you?

01:00:57You're phony books.

01:01:00I know you're in there, Karmus. Come out.

01:01:02Come out, Karmus! I know you're in there.

01:01:05I know you're in there.

01:01:12Karmus, open this door, will you?

01:01:15Get out of this house.

01:01:39Karmus?

01:01:45Karmus!

01:02:15Karmus!

01:02:39Karmus!

01:02:45Karmus!

01:02:51I know I'm standing right here in front of you.

01:02:53So talk to me, Karmus.

01:03:15Karmus!

01:03:45Karmus!

01:04:15Karmus!

01:04:45Karmus!

01:05:15Karmus!

01:05:45Karmus!

01:06:15Karmus!

01:06:17Karmus!

01:06:20Karmus!

01:06:45Karmus!

01:06:47Karmus!

01:07:13Karmus!

01:07:17Karmus!

01:07:36Convinced, Mr. Postoff?

01:07:38Now you've seen why and in what way I'm dead.

01:07:44Are you afraid?

01:07:46Come here.

01:07:54I want you to see for yourself.

01:07:58They're all...

01:08:00They're all buried down there.

01:08:04Buried, Mr. Foster.

01:08:17Karmus?

01:08:21Karmus!

01:08:46Karmus!

01:08:58Well?

01:08:59Oh, Morris.

01:09:00It's marvelous to return to the castle.

01:09:02Our first night was unforgettable.

01:09:04A first night of love and of terror.

01:09:06If what Lord Blackwood says is true.

01:09:08You won't leave me, will you?

01:09:09Don't talk, they'll hear you.

01:09:10No noise.

01:09:11Please, don't.

01:09:12Why?

01:09:13Are you afraid, Mrs. Burnley?

01:09:15A little.

01:09:16But I'll just have to get used to it, won't I?

01:09:20Don't you hear me?

01:09:21Don't you see me?

01:09:22Well, if that's the case, you provocative...

01:09:24No, no, no, don't.

01:09:25I'm a girl.

01:09:26No, no.

01:09:27You cannot get away from me.

01:09:30Oh, no!

01:09:37You can't escape from me.

01:09:40You're in my castle.

01:09:42And I have the right to use my knot.

01:09:45So you want to get away, huh?

01:09:47You're in my castle.

01:09:49And I have the right to use my knot.

01:09:52So you want to get away, huh?

01:09:54You're in my castle.

01:09:56And I have the right to use my knot.

01:09:59So you want to get away, huh?

01:10:01Yes, my lord.

01:10:02Because I love another man.

01:10:04Another man?

01:10:05Yes, my lord.

01:10:07I love my Morris.

01:10:09Do you really love him very much?

01:10:13Yes, my lord.

01:10:15Yes, my lord, very much.

01:10:27If you love him so much, why then did you kiss me?

01:10:34Because I crave for kisses like I do champagne.

01:10:38That reminds me, Morris.

01:10:40You promised we'd find a marvelous wine cellar here at our disposal.

01:10:44Ah, that's true.

01:10:45And Lord Blackwood gave us the key.

01:10:47I'll run and fetch a bottle.

01:10:57No, don't leave her alone.

01:10:59Don't leave her alone.

01:11:00Come back.

01:11:26No, no.

01:11:50My husband will be back in a moment.

01:11:53Go away.

01:11:54Or I'll scream.

01:12:00No!

01:12:03Elsie! Elsie! Elsie!

01:12:24Elsie! Elsie! Elsie! Elsie!

01:12:54No!

01:13:24No!

01:13:39It's no use trying to run away.

01:13:44Follow me! Follow me!

01:13:59Elizabeth!

01:14:07Elizabeth! Where are you?

01:14:13Oh!

01:14:43Oh!

01:15:11Oh!

01:15:25I'm... I'm... I'm...

01:15:44No!

01:15:54Oh!

01:16:16Go away!

01:16:30It's getting late.

01:16:35It's almost done!

01:16:46Oh!

01:16:58The darkest hour is just before the dawn.

01:17:01For you it is too late.

01:17:07You cannot escape.

01:17:10Your fate is decided.

01:17:12We don't want to renounce this brief moment of life.

01:17:17Stop!

01:17:19We need your blood, Foster.

01:17:21Blood is life.

01:17:24No!

01:17:26Your blood is our life.

01:17:30No way! No way!

01:17:34You cannot escape, Foster.

01:17:38Why? Why?

01:17:42Because we need you, Foster.

01:17:44Your blood is our life.

01:17:46Foster, we need it now.

01:17:53Alan!

01:17:54You?

01:17:55Yes, Alan.

01:17:56Maybe I can manage to save you.

01:17:58Come with me.

01:17:59Why? Why is this happening?

01:18:01What do they want from me?

01:18:03The same thing I should want.

01:18:05The life and blood.

01:18:07It's the only way to assure us.

01:18:09Another night of living.

01:18:10A year from now.

01:18:11Come on, Alan.

01:18:15Elizabeth.

01:18:16I want to know how.

01:18:18If this is true,

01:18:20why should you help me?

01:18:22I would like to be alive, Alan.

01:18:23But I love you and want you to return to that life which was denied me.

01:18:27Come.

01:18:29Run quickly.

01:18:32Go before it's too late.

01:18:38No, Alan.

01:18:40No.

01:18:42No.

01:18:43No.

01:18:46No.

01:18:47Save yourself.

01:18:48Save yourself.

01:18:49They're coming, Alan.

01:18:51No.

01:18:52Once you get through the gate, you're free.

01:18:55First you must get through the gate.

01:18:58Let go.

01:18:59Let go of me, Alan.

01:19:00Please.

01:19:01No.

01:19:02You don't understand.

01:19:03I'm dead.

01:19:04Leave me, Alan.

01:19:05Now you're coming with me, Elizabeth.

01:19:06No.

01:19:07No.

01:19:08No.

01:19:10Let me go.

01:19:11I'm dead.

01:19:12Don't you understand, Alan?

01:19:14For me, you're alive.

01:19:15Alive.

01:19:16Alive.

01:19:17Dead.

01:19:18No.

01:19:19I'm dead.

01:19:20No.

01:19:21Alive.

01:19:22Alive.

01:19:42Alive.

01:19:43Alive.

01:19:44Alive.

01:19:45Alive.

01:19:46Alive.

01:19:47Alive.

01:19:48Alive.

01:19:49Alive.

01:19:50Alive.

01:19:51Alive.

01:19:52Alive.

01:19:53Alive.

01:19:54Alive.

01:19:55Alive.

01:19:56Alive.

01:19:57Alive.

01:19:58Alive.

01:19:59Alive.

01:20:00Alive.

01:20:01Alive.

01:20:02Alive.

01:20:03Alive.

01:20:04Alive.

01:20:05Alive.

01:20:06Alive.

01:20:07Alive.

01:20:08Alive.

01:20:09Alive.

01:20:10Alive.

01:20:11Alive.

01:20:12Alive.

01:20:13Alive.

01:20:14Alive.

01:20:15Alive.

01:20:16Alive.

01:20:17Alive.

01:20:18Alive.

01:20:19Alive.

01:20:20Alive.

01:20:21Alive.

01:20:22Alive.

01:20:23Alive.

01:20:24Alive.

01:20:25Alive.

01:20:26Alive.

01:20:27Alive.

01:20:28Alive.

01:20:29Alive.

01:20:30Alive.

01:20:31Alive.

01:20:32Alive.

01:20:33Alive.

01:20:34Alive.

01:20:35Alive.

01:20:36Alive.

01:20:37Alive.

01:20:38Alive.

01:20:39Alive.

01:20:40Alive.

01:20:41Alive.

01:20:42Alive.

01:20:43Alive.

01:20:44Alive.

01:20:45Alive.

01:20:46Alive.

01:20:47Alive.

01:20:48Alive.

01:20:49Alive.

01:20:50Alive.

01:20:51Alive.

01:20:52Alive.

01:20:53Alive.

01:20:54Alive.

01:20:55Alive.

01:20:56Alive.

01:20:57Alive.

01:20:58Alive.

01:20:59Alive.

01:21:00Alive.

01:21:01Alive.

01:21:02Alive.

01:21:03Alive.

01:21:04Alive.

01:21:05Alive.

01:21:06Alive.

01:21:07Alive.

01:21:08Alive.

01:21:09Must be work.

01:21:40Don't need to worry.

01:21:46I'm on the way.

01:21:51You hear that?

01:21:57I'm alive.

01:21:58Forget me now.

01:22:23I'll draw that as well.

01:22:51He's waiting there at the gate.

01:23:19Alan!

01:23:25What the devil?

01:23:37No one has ever been successful on this particular night.

01:23:56Unfortunately you lost the wager, my boy.

01:24:05I'll arrange to have him buried in the grounds.

01:24:14And you, Mr. Poe, are the real winner.

01:24:17Yes.

01:24:18Yes.

01:24:38When I write the story, no one will believe it.

01:24:45It's always the same.

01:24:52He has probably discovered the truth in eternal darkness.

01:25:15Did you stay for me, Alan?

01:25:35Yes, Elizabeth.

01:25:43Goodbye, Alan.

01:25:54Goodbye.

Web Of The Spider | Full Movie | Antonio Margheriti | Anthony Franciosa, Michèle Mercier, Klaus Kinski, Peter Carsten

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