klass 95 Capitulo 9 Completo en Español
klass 95 Capitulo 9 Completo en Español
Category
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Short filmTranscript
00:00CC-BY-NATURAL-NON-SYSTEMS
00:10Well, tell me what you know.
00:13Well, when Kelly and his mom entered the warehouse,
00:16they almost had to close their mouths
00:18so that their saliva wouldn't seep out.
00:20Yeah, Holman got to the warehouse,
00:22but he didn't dare to go in.
00:24No, that's not how it happened.
00:31We're here.
00:33Stop, stop, stop.
00:37Oh, thank you.
00:39Come on in, please.
00:41What a shame. Thank you.
00:44Welcome. Come on in.
00:46Oh, it's beautiful.
00:48Keep going, keep going. Come in.
00:53Wait for me here.
01:14Good morning, brother.
01:15How can I help you?
01:17Holman was going to enter the warehouse,
01:19but he didn't let him.
01:25I came to see some furniture.
01:27Oh, no, what a shame.
01:28But today we're only open to exclusive customers.
01:33Exclusive customers.
01:34But what do you mean exclusive customers?
01:36I saw two people come in right now.
01:38Yes, they are exclusive customers.
01:40No, they are not exclusive customers.
01:41Look, brother, I don't know how to make you understand
01:44that today we only serve exclusive customers.
01:50Oh, well.
01:52Good morning.
01:54See you later.
01:57See you later.
02:10Holman pretended to leave,
02:11but he actually went to hide in the taxi
02:13so as not to lose track of them.
02:18The guy waited outside until Kelly left.
02:22Let's see, wait, wait, wait.
02:23We should talk first about what the Domingues were doing
02:25while all this was happening.
02:28Now you're going to tell me
02:29how I have to tell my story.
02:32My idea.
02:34Let's see, Juanita, I'm going to explain something to you.
02:36I don't know what you're up to
02:38or why you want to get into telling my story,
02:40but I've already taken a lot of risks
02:41and I'm not going to lose it for you.
02:43Capiche?
02:44I'm going to explain something else to you.
02:46You need me.
02:48If you don't want Kelly to come and kill you in two seconds.
02:50Capiche?
02:51Capiche?
02:53I also want to tell this story well.
02:55I want to tell you what happened to Kelly,
02:57to Najeeb,
02:58and above all, what Nicolás did to me,
03:00to you, to Bernie, and to everyone.
03:04What do you want?
03:05Well, let's tell this story together
03:07and tell it well.
03:10You correct your book,
03:12I authorize you to publish it,
03:13and everyone is happy.
03:16Deal?
03:19Deal.
03:21Deal.
03:24While Edgar was trying to figure out
03:26who Kelly and his mother really were,
03:28the Domingues were finding the mansion
03:30that was going to make them famous.
03:33What?
03:48I'm going to leave it here.
03:54What do you want me to explain?
03:56Hello!
03:57How are you?
03:58What is this?
04:00Moni!
04:02No!
04:05What do you mean?
04:06How was it?
04:07Well...
04:09Moni!
04:10I needed you to come and see this.
04:12Crazy, right?
04:14Can you imagine?
04:15Outside, our class 95 sign.
04:17And this salon, perfect for makeup,
04:19costumes, all because of the light.
04:21I love it.
04:22We're going to be a legend.
04:24Moni, this is spectacular.
04:27Spectacular.
04:29Are you going to rent a boat?
04:33You don't even have a first business.
04:36Oh, no. Look at this.
04:42No, this house is divine.
04:44Yes.
04:45But first we have to win the casting of the campaign.
04:48Because then...
04:49We're going to do the casting here.
04:51Come on.
04:52The owner is one of the guys who danced with fear
04:55all night and was killed with them.
04:57So he told us to design the house
04:59and that if we liked it,
05:01he would rent it to us without any fiat money or anything,
05:03just with our signature.
05:06With the only condition that we invite everyone.
05:09Very invited.
05:11No, that's great.
05:13We're going to rent it right here.
05:15The office is going to be divine here.
05:20Well, then, to what we came for.
05:22Take out the photos, please.
05:25We're going to choose who we're going to call.
05:30There are some divine, right?
05:31What happens is that the photos don't help.
05:34She's pretty, but you're right.
05:36Look at the picture.
05:37Who would have told you that you would look sexy dressed like that?
05:40If you saw how the queens came to my mom's house
05:43and how they left.
05:44Well, I think there are no ugly people,
05:46but as bad advice, right?
05:49Well, the point is that we are going to take some photos
05:52and a video that will leave the client speechless.
05:56I hadn't thought of that.
05:58With what camera?
06:00And what photographer?
06:01Well, I had thought of Agustín.
06:04Santi's friend.
06:06That guy is tough.
06:10You know him because you don't call him.
06:13Me?
06:14I called him Laura.
06:16He's the only boyfriend of the guy for years.
06:20Well, that's true.
06:22Then that contact is yours. Call him.
06:24Yes, I'll see.
06:25How did he get the mansion?
06:28Well, and we're supposed to give him that.
06:31Which is also a casting to try.
06:33Let's see if he knows.
06:35Chayo, for God's sake.
06:36He's the best photographer in the country.
06:38He's not going to come for free.
06:40Well, he may be the best photographer in the country,
06:42but he's never worked with class 95, right?
06:45Besides, you haven't always told us
06:47that we have to be unattainable.
06:49Yes.
06:50That he begs us.
06:52Or uses his charms.
06:54Just like he did with that real guy who drove him crazy, right?
07:01Well, Elevita, I need you to call all these models
07:03and tell them that tomorrow we are going to take the photos and the video.
07:06That they bring a swimsuit.
07:08I'm sure that with the ones we have here and the ones we're going to call,
07:11we'll find the one.
07:14I'm just worried about one thing, David.
07:16Edguita?
07:17I'll come up with something.
07:18Yes.
07:19Accept it.
07:20You already lost that fight a while ago.
07:21Edgar is on a class 95 bus
07:23and no one is going to stop him.
07:25And when I get home,
07:27he's going to want to decorate it.
07:28That's not going to happen.
07:30If I don't lose the gringo partner,
07:32there's no way.
07:33Edgar is not going to be a partner of this agency.
07:35I need that.
07:36Miss Chayo, what a shame to interrupt you.
07:38What happens is that I have realized your concern.
07:40And I took the courage, not for gossip,
07:43but I called a colleague of the VIPER agency
07:46and she gave me this information about Edgar.
07:48I'm sure it will help you.
07:57I can't be so good.
08:00What is it? Tell me.
08:02Listen to this.
08:03There are three messages.
08:04One says, ready, the appointment for the US visa 7am.
08:08The other, friend consul, see you at the embassy.
08:11And the other, consul HP, is going to pay me.
08:14He's going to pay you.
08:17He's going to kill his friend, consul.
08:20No.
08:21They denied him the visa.
08:23Edgar has no entry to the United States.
08:26Is this true?
08:27Elenita.
08:29You don't know what you just did.
08:32Can I give you a hug?
08:35A hug.
08:37Thank you, thank you, thank you.
08:38You are the president of this agency,
08:40of the house, of the mansion, if you want.
08:43Wait, wait.
08:44Why are you so sure?
08:45What if the consul didn't want to attend to you personally?
08:49What do you mean nothing in particular?
08:51Yes, or ...
08:52Or that he screwed you up differently.
08:54Why don't you call the consul?
08:56Don't you have this hand?
08:59Elenita.
09:00Do you have the phone book there?
09:02Of course, miss.
09:06And yes, the girl has been preparing for modeling for a long time.
09:09That's why it's so important
09:11that tomorrow's casting can be done.
09:13And since you are the owner of the agency,
09:15I wanted to see if you could give me a hand.
09:19And I'll find out if Kelly stayed after the photos.
09:22Don't go and say that maybe they'll choose
09:24and leave her outside.
09:26What do you say?
09:27Why don't you call your partners?
09:29And help us with that.
09:30And see if maybe ...
09:31Also see how it went for us.
09:33How they see her.
09:34If maybe they see her as ...
09:41Sir.
09:43Hello.
09:46The girl is very pretty, right?
09:49But you did hear me, right?
09:51Oh, do me that favor.
09:52Look, it costs you nothing.
09:55I imagine that if you brought me here to drink alcohol
09:58and you are looking at me that way,
09:59it's because I look very pretty to you.
10:01And photogenic, right?
10:04I'm not going.
10:06Then don't pretend you haven't heard my mom there.
10:08Collaborate.
10:09You are a partner of the agency, right?
10:11Then tell your partners to call me.
10:13I need to win that casting.
10:15To take those photos and be able to campaign.
10:18And be a model once and for all.
10:27Come.
10:28There it is.
10:29Come.
10:30Come.
10:39Hello.
10:40Edgar, how are you?
10:42What a coincidence.
10:43I was just thinking about you.
10:46What a shame I couldn't call you before,
10:48but I was solving some things about the trip we have.
10:51What trip?
10:52Well, I talked to Brandon
10:54and he wants us to go to Houston.
10:56Everything is ready, right?
10:58We are obviously with everything about the campaign
11:01and the casting,
11:02but on Tuesday we present the casting
11:04and that same day we can travel.
11:07Is it okay with you or do you have a problem?
11:10No.
11:11No, no.
11:12No problem.
11:13No, no, no.
11:14There is no problem.
11:15It would be a matter of reviewing the agenda
11:18and canceling some appointments.
11:20And we left.
11:23Edgar,
11:24you know that one needs a visa to travel, right?
11:27That all the papers are up to date.
11:31Don't worry, I have everything organized.
11:34Chayo, Chayo.
11:35Since you called, I wanted to ask you something.
11:37I saw a spectacular girl at the agency.
11:40I think she could be our date.
11:42And I wanted to know if you were going to call her for the casting.
11:45Kelly Sepúlveda is her name.
11:49Yes.
11:50Yes, yes, yes.
11:51I...
11:54Yes.
11:55Kelly.
11:56Of course.
11:57But why?
11:59Do you know her?
12:00Is she a friend of yours?
12:02Let's say I think she could be the ideal one.
12:07Done.
12:08I love that we think alike, Chayo.
12:09That's why we're partners, right?
12:11Well, see you at the casting.
12:12I'm going to organize everything about the trip
12:14and I'll call you if anything.
12:15Bye.
12:19What did he say?
12:24The casting is yours, Kelly.
12:26Let's go.
12:30The guy has a visa.
12:33And he also recommended Kelly to me for the campaign.
12:38His favorite.
12:41Well, she's divine.
12:43Very sharp.
12:45She's by far the best of all.
12:48Damn it.
12:49Chayo, wait.
12:52Don't tell me you're going to discard her just because she's a friend of his.
12:55It's not her fault.
12:57Besides, what we need is to win that casting anyway.
13:00I know, that's what worries me.
13:01That I want to win this casting.
13:03But I don't want Edgar to have anything to do with this.
13:06Yes, you're right.
13:07Helenita, call everyone.
13:10Let's see if we can find someone better.
13:12Of course, Miss Chayo.
13:13Of course.
13:14At least for this campaign.
13:19It's time, right?
13:20Are you very hungry?
13:21Yes.
13:26And Andrea Vanessa?
13:28I mean, I never understood how she got to the casting.
13:32All thanks to Angelo.
13:34I hardly know Angelo's life.
13:37Tell him.
13:38Explain.
13:41Angelo is a very important guy in this story.
13:43He was the man who invented artificial intelligence before it existed.
13:47Hello, Angelito.
13:48What's up, John? How's it going?
13:50Good, good, good. How are you?
13:52All good.
13:53How are you, brother?
13:54Look, I need you to take a photocopy of me from 3 to 28.
14:00But skipping 9, 8 and 15 as well.
14:03It would be three copies of Argollada, Angelito, please.
14:06Three copies.
14:07Ready.
14:08All right.
14:09Come back in 45 minutes, brother.
14:10Do it. Thank you.
14:11Do it.
14:12Come back what?
14:14I didn't write it down well or understand it well.
14:16But the guy never...
14:17Listen to me.
14:19He was never wrong.
14:25What does it have to do with the story?
14:28It has everything to do with it.
14:30As if it were one of those books that he photocopied.
14:32Angelo was the one who finished Argollada, this story.
14:35Well, Bernie had promised him that he was going to take a model to Chailo,
14:38but he didn't really have anyone.
14:40He came to bring me the data of his friend, the model.
14:42We're going to call them.
14:43No, precisely.
14:44I come to take her for a walk,
14:46because I want to show you something that interests you.
14:48Bernie, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
14:51I came to take her for a walk because I want to show you something that interests you.
14:54Bernie, no walks.
14:56I left because I thought I had the data of your friend.
14:58Is it serious that we are already with the casting?
15:01Come on, let's go for a while.
15:02It's not going to take long either.
15:04You don't have any model, do you?
15:06Look, I don't just have a model.
15:07I have THE model.
15:09Maybe, look,
15:10divine.
15:11Give me the data.
15:13You send me a beeper at the exact time of the casting.
15:15Here you have it.
15:17Bye.
15:22What happened?
15:24Nothing.
15:25I was giving me the data of a friend who modeled for the campaign.
15:29Is she pretty?
15:31Yes, yes.
15:32Well,
15:33the more the motorcycle sounds, the more ordinary it is that you drive it, right?
15:36Can we go inside and I'll show you what I've thought for my business?
15:39Or do I have to buy a motorcycle?
15:41Yes, so you can buy me balls.
15:42Suddenly.
15:43Stop the nonsense.
15:44An ordinary plane, just like his.
15:46He had no one.
15:48He just did it to be able to call her and see her.
15:50And now he had to keep his mouth shut.
15:58See you later.
15:59All right.
16:00Well, then?
16:02Bro, I have to get a model anyway.
16:04But you must have many divine friends of those who train in the gym, right?
16:08Think about who can help you.
16:10Let's see, the problem is that all those who could be models
16:12know them or are friends of that.
16:14So,
16:15they don't work for me.
16:16And I promised I was going to take someone spectacular,
16:18or rather divine.
16:19Angelo, I need a favor.
16:21Can you help me see how I have to get to the university tomorrow?
16:25Of course.
16:26I have to go very early because I have to collect the registration form.
16:29No, that's very easy.
16:30Look, you go out to the corner,
16:31go up a block and take a bus that says Timisa Centro.
16:34Then ask someone you see there with confidence where Caracas is.
16:38Get off.
16:39Then take a bus straight to Caracas until 72.
16:41Go up two blocks and that's it, you're there.
16:44And what is Caracas?
16:50Oh my God, this girl doesn't know anything at all.
16:52They're going to eat her alive.
16:54Do you know what time she has to leave?
16:55But I can't help her tomorrow because I have to stay all day here in the miscellany.
16:59But if I let her go alone, they'll beat her up.
17:01What?
17:02You are very beautiful.
17:03If you want, I can accompany you.
17:08I mean, anyway, I have to go for a few laps there.
17:11What a shame I haven't introduced you.
17:13Bernie Gomez, a friend of the neighborhood.
17:15She is Andrea Vanessa.
17:16She just arrived from Barranca.
17:17She is staying here at home with her cousin, her aunt and her mother.
17:20A pleasure, Andrea Vanessa.
17:22Look, I know how difficult it is to get to this city and adapt.
17:25So, if you want, I can take her on my motorcycle.
17:27I wouldn't have any problem.
17:29I mean, I would have to go on a date later, but there is my motorcycle.
17:36No, calm down.
17:37He is my lifelong friend and we also go out every day to ride a bike.
17:41I trust him, you can trust him.
17:45And do you get up early?
17:47Because we have to leave here around seven.
17:50I'll be here in two days at seven.
17:52Ready?
18:00And there the missing ones got together.
18:04Ah, Chayo said he has to wear a swimsuit.
18:07It has to be a divine one, okay?
18:09Oh no.
18:11Oh, how so?
18:12Yes, it's going to be very difficult for us.
18:14Because since she is so over it, our designer here, my sister, will not be able to make it.
18:19Oh, maybe you, as you know so many people,
18:21maybe you know someone who can make it easier for us, one or two.
18:24What's more, if you want, the girl will give them away, right?
18:28Just like what happened with you.
18:30Mom, don't do that again.
18:32I'd rather give them away to you.
18:35Sorry.
18:36Callie!
18:38Callie!
18:39Did you go crazy?
18:41How could you do that to such a gentleman?
18:43And you run off like that?
18:45How could you?
18:46Come here.
18:47Come here.
18:48Now, calm down.
18:49Never do that again in there.
18:50Never in your life.
18:51What are you talking about?
18:52You were the one who talked to him about the casting.
18:54What's wrong with you?
18:55Well, yes, but I didn't offer him anything in return.
18:56Instead, you what?
18:57You offered me a swimsuit.
18:58Are you going crazy or what?
18:59Hey, Callie.
19:00What are you saying?
19:01I didn't offer it.
19:02Don't be unfair.
19:03Do me a favor and go apologize.
19:04Apologize.
19:05Don't go.
19:06Yes, ma'am.
19:07Come on.
19:12He almost killed her.
19:17Holman is alive.
19:18What happened?
19:19He almost fell, Holman.
19:20What happened?
19:21How could he?
19:22What happened?
19:23What happened?
19:25Is he okay?
19:26Yes, yes, no.
19:27It's just that since he didn't have breakfast,
19:28and he started drinking that mimosa,
19:30his sugar level went down.
19:31Look at how he is.
19:33Man, I didn't offer him anything to eat.
19:34I knew she hadn't eaten well.
19:35Come on.
19:36Help me there.
19:37Come on, come on, come on.
19:38Don't stop.
19:39Do me a favor.
19:42Holman is alive.
19:43I saw him.
19:44No.
19:45No.
19:46That was the hunger.
19:47What hunger?
19:48My God, and the nerves, the nerves.
19:50You have to calm down, Kelly.
19:52You are about to achieve everything you have always wanted.
19:55And please don't think about that anymore.
19:57Come on.
19:59Well, Kelly, you have to eat.
20:02Otherwise, how are you going to work?
20:04I'm a little dizzy, but that's it.
20:06Here are some cheeses.
20:08How do you feel?
20:09Thank you very much.
20:10Do you want me to call a doctor to take care of you?
20:12No, no, no, don't worry.
20:13With all this, I'm going to get very well.
20:16Sure?
20:17Yes.
20:18Well, I already solved the bathroom dresses, right?
20:22I spoke to a friend who has a spectacular store
20:25and she will give you everything you need.
20:28No, no, don't worry.
20:29I can get them myself.
20:30I can fix them.
20:31Very formal.
20:32We are going to choose the best thing your friend has.
20:35I promise you.
20:36Right, Kelly?
20:37Kelly, if you're going to be at my agency, you have to shine.
20:40Why do you think I'm doing all this?
20:43To talk to you?
20:45Or because I'm going to ask you for something in return?
20:47No.
20:48I'm doing it for my agency.
20:50Okay?
20:51And if you want, you can come here too.
20:54This is my hairdresser,
20:55so I can fix you up and make you look pretty for the cast.
20:58The best there is in the country.
21:00Is that where you get your hair done?
21:03Yes.
21:04And will this be very expensive?
21:06Don't worry.
21:07The agency runs with expenses.
21:09I'm going to tell Elvira to take you around
21:11and pick you up first thing tomorrow
21:13so you don't have any trouble getting to the casting.
21:15Okay?
21:17Well, may God bless you.
21:19Because we don't know how we're going to thank you
21:22for your kindness.
21:24Well, I can think of a couple of ideas, Najib.
21:27Come here and I'll tell you.
21:29Come on.
21:32Mom.
21:36First of all, I want to tell you one thing.
21:39The only way I can pay you so kindly
21:43is with work.
21:45Look, I know we've only just met,
21:47but I have business experience.
21:49I've done inventory management.
21:52I've worked with suppliers.
21:55I've done customer service.
21:56Everything that has to do with the company...
21:57Najib.
22:00I do want you to work for me.
22:03And then you have more companies.
22:05The agency.
22:09I saw how you acted with my partners.
22:11I saw how you got what you wanted in less than a minute.
22:14And how can I help you there?
22:16I've never worked at a modeling agency.
22:19I don't have experience in that, but I can learn.
22:21I want you as an informant.
22:24I want you to get in the agency and report everything you see.
22:28Everything you do.
22:29You go in the representation of your daughter,
22:31but you tell me everything that happens there.
22:33Everything is everything.
22:34Books. Ideas.
22:36Whatever you say.
22:38Public life. Private life.
22:42I want you to stand up and earn the trust of thousands.
22:48Najib, you do your job well.
22:51And I swear to God that you will have everything in life with me.
22:54You and your daughter will have everything.
22:59But what if they were your partners?
23:01Oh, no, they are.
23:03But they are a team.
23:05On the other hand, I am alone.
23:07And if I don't put someone who cares about my interests,
23:09someone who takes care of me, do I screw up?
23:11No, and yes. Yes.
23:12Yes, you're right.
23:13You and I are made of the same, Najib.
23:21Deal.
23:23But...
23:25We haven't talked about...
23:27I already told you that you won't be missing anything from me.
23:33Deal.
23:36They got hungry with the desire to eat.
23:40Najib had sold his soul again.
23:42And besides, he hadn't sold only hers, but also Kelly's.
23:45And he couldn't be happier.
23:53How are you going to believe that I still live?
23:56He is dead. Buried.
24:00Mom, you can't imagine the look on his face.
24:02I'm sure it was him.
24:06That's the guilt.
24:07And don't think about that anymore.
24:09Rather, think about starting your career as a model tomorrow.
24:16And as a driver.
24:19And Edgar was trying to save his skin.
24:22Yes.
24:24I am...
24:25I am...
24:26I am...
24:27Very friend Shayo, sister and cousin.
24:31I am very important designer here in Colombia.
24:35And I am a partner in agency.
24:38Well, no, no, no, sir. Please.
24:40Be clearer, because I don't understand anything.
24:43What about you, Shayo?
24:45It's good that you speak Spanish, Brandon.
24:47I am a very good friend of Shayo and partner of the company, of the agency.
24:51And why are you calling me? What can I do for you?
24:55I call you to invite you to Bogotá.
24:58Well, I was thinking that if we are going to be partners in the agency,
25:02I wanted to surprise my partners by bringing you here.
25:04Obviously, without them knowing.
25:07No, but sir, I don't know anything about you.
25:09Nobody has told me about you.
25:12What partner are you?
25:13The investor, Brandon.
25:15I am the one who finances the operation.
25:17I am the one who finances the operation?
25:20It seems very strange that Shayo has not told you about me.
25:22Yes, it seems strange to me too.
25:24Because Shayo only told me about his sister and his cousin.
25:27And we agreed that it was only them.
25:30Do you realize, Brandon?
25:32That's precisely why you have to come here.
25:36You can't set up an agency with the most divine models in Colombia and not be here.
25:40Well, first I'm going to talk to Shayo.
25:42Man, he's going to tell you no.
25:44He's going to tell you that she does everything alone.
25:48It is obvious that she does not want you here.
25:50You would bring her glory.
25:52Brandon, Shayo does not even mention you here.
25:57If you come, I can offer you one of those women,
26:01several of those divine women that you have already seen in the catalog of the agency.
26:06And also everything that is forbidden where you live.
26:10Everything.
26:11Everything is everything, without limits.
26:13Party, rumba, food, women.
26:16Everything you want.
26:18Are you serious?
26:20As the partners and friends are told.
26:22Completely serious.
26:24Brandon, this is going to be the best trip of your life.
26:27I swear you won't regret it.
26:29Colombia is waiting for you, my friend.
26:40The next day, the Domingues and all the people who called for the casting took the mansion.
26:45The tables go in the living room that says make-up, please.
26:48And the chair too.
26:53Follow him.
26:59But for this campaign, I think it's better that we do this corner.
27:03We have windows, all the natural light comes in, right?
27:06Plants.
27:07Life is what we need.
27:09Yes, the truth.
27:10My love.
27:11Laurita, we can't take pictures here.
27:13Nicolas, we know perfectly well what we want, okay?
27:17Well, it doesn't seem like it.
27:18Look, I'll tell you.
27:19If I learned something in my specialization about sales in Boston,
27:23is that people want what they can't have.
27:25Something aspirational.
27:26Like what happens to Bernie with my life, right?
27:29Something like that.
27:30And this is not aspiration.
27:32Nicolas, thank you, thank you.
27:33Nico, why don't you go and tell Oscar about the sweets?
27:37He's in charge.
27:38Thank you, Nico.
27:39I'm going to confess now.
27:42What did you do to get Agustin to do this free casting for us?
27:46I told him that tonight, after the casting, he could invite me to him.
27:52Okay, he invite you to you?
27:54Yes.
27:55Wow, he's the most stingy in the world.
27:58So, what we're going to do is the following.
28:00We're going to start rehearsing with those instant ones,
28:04and then we're going to take the pictures from your camera, okay?
28:07Yes, perfect.
28:08Bernie's recommended, has it arrived?
28:10No, not yet.
28:11And neither does 2403.
28:13Kelly, Mr. Edgar's recommended.
28:15I'm going to give you a VIP.
28:17Of course, Edgar's.
28:20But well, you are very good to have met that Mr. Edgar.
28:23And partner of the agency and everything, right?
28:25Oh, how?
28:26Then that casting is yours.
28:28I'm going, Mrs. Dani.
28:30You know what?
28:31I think that with that casting,
28:33all those bad things that happened to him are going to be left behind.
28:37That's how it's going to be.
28:38Well, it's time.
28:39Let's go.
28:40Come on, let's go.
28:41Come on.
28:42Come on.
28:43Come on, love.
28:44May you take me very well to college.
28:45Me?
28:46May the Virgin accompany you.
28:47Amen.
28:53What a mess.
28:55Kelly, calm down.
28:56Oh, that's because it's closed.
28:58Oh, let's see.
28:59Let's go, let's go.
29:01Miss Kelly.
29:02Miss.
29:03Let's go.
29:05Let's go.
29:07Stay like this.
29:09Let's go.
29:19Get in, I'll take you.
29:20Oh, Mom.
29:31So, everything ends up organized.
29:34If they ask you about the civil registration form, it's this one.
29:37If they ask you about the postage, it's this one.
29:41Everything else is here.
29:43The photocopies, everything.
29:44Hello.
29:45How are you?
29:46Good morning.
29:47So?
29:49Good morning.
29:50Nice to meet you.
29:51Drive carefully because I want to see you back in one piece.
29:54Don't go out with the story that you lost a knee, an elbow.
29:59Hold those papers well so they don't smell.
30:01Don't worry, I'll take you slowly.
30:03Give me that cup.
30:10It's so divine of you to introduce him to such a special and handsome boy.
30:14Oh, it's just that Bernie is an elegance.
30:16The man is pure finesse.
30:18I have to go to the store to buy some things.
30:21Do you want me to bring you something?
30:22Well, if I give you a coffee, I don't get angry.
30:26How much sugar do I put on it?
30:28Very sweet.
30:45Well, this area of the city, do you know it?
30:47No.
31:07There is no one I want to see.
31:10I don't watch TV or magazines.
31:14I don't see anything I can't do.
31:23I think it can serve us for a magazine or maybe as an intermediate campaign.
31:28But not Pasarela, who doesn't give at all.
31:31Of course.
31:32Yes, but he has a divine record.
31:34He has a great body.
31:35Yes, yes.
31:36Next.
31:37Follow the one that follows.
31:38Let's see, there the mark.
31:39Oscar, lower the flex a little bit.
31:41Hello.
31:43I did know that you were associating me with the left.
31:45Excuse me.
31:47This is the most beautiful morning.
31:49Perfect, Oscar.
31:51Keep doing what you're doing.
31:53My recommendation has already passed.
31:56And what would be your recommendation, Edgar?
32:01That's fine.
32:02That's fine.
32:04Very good.
32:05A little more of...
32:06Ready.
32:07Next.
32:09Next.
32:28Go, go.
32:29This side.
32:30Mom, can you wait for us on that side?
32:32She's so kind.
32:34And that girl is so divine.
32:37I don't know, but if you want, I'll go and find out.
32:41I invite you to be my photographer.
32:42Hey.
32:44Do we know each other?
32:46What brand have you worked for?
32:48Answer, Mom.
32:52No, I...
32:53This is my first job.
32:54I haven't worked yet.
32:56Well, I thought it had been years.
32:57Well, get in line.
32:58Let's see how much wood you have.
33:00Let's continue, please.
33:05Oscar, the flicks.
33:06Up.
33:07Very good.
33:09Let's see.
33:21What happened to her?
33:23What's wrong with her?
33:25What's wrong with her?
33:27What happened?
33:28Did someone disrespect her?
33:29Did they mistreat her?
33:30Tell me, because if that's the case,
33:31I'll go and get her right away.
33:32No, don't worry.
33:33Don't worry, it wasn't anyone.
33:35And then?
33:36It's me, I'm a brute.
33:39And I think that with loving things
33:41and being a good student,
33:42it's going to be enough.
33:44Look.
33:45Look how much it costs.
33:50Damn it!
33:51I thought the hardest thing
33:52was getting here.
33:54How old are you?
33:57Seventeen.
33:59Seventeen years old.
34:02You're going to be fine.
34:04Don't worry.
34:06You can go to college
34:07next semester
34:08or next year
34:09and there won't be a problem.
34:10You don't understand anything.
34:12This is all I want.
34:14Look at me.
34:16I'm not telling you
34:17not to study.
34:19All I want to tell you
34:20is that there are many ways
34:22for you to reach
34:23the goal you have.
34:25This college will be here
34:26for a long time.
34:27How long have you been here?
34:28100 years?
34:29It's going to be another 100 years.
34:30You're only 17 years old.
34:32There's still time.
34:34Yes, of course.
34:35You can stay there for 100 years.
34:36But I'm not going to work
34:37100 years to get
34:38all that money you need.
34:43Do you want me to try
34:44to help you
34:45get that money?
34:49Well, then.
34:51Come on.
34:52I'll show you
34:53how to get that money.
34:54No, but wait a minute.
34:55What do you mean?
34:56What are you talking about?
34:57Trust me.
34:58It's nothing bad.
34:59It's just that
35:00there's a way
35:01I can show you.
35:02Come on.
35:08Get in. Get in.
35:09Get in.
35:18I want us to start
35:19having a stronger expression,
35:20but don't lose
35:21that sensitivity
35:22you have in your eyes.
35:25Well, for me,
35:26the ones we have so far...
35:30Yes, yes.
35:3118.
35:33That's it.
35:34Let's do one last one.
35:35That's it.
35:36Next, please.
35:38Divine.
35:40Oh, this is divine.
35:41Wow.
35:42Let's see.
35:43Perfect.
35:44Look at me.
35:45Look at me.
35:46I want you to be a little serious,
35:47but also extroverted.
35:48Do you understand me?
35:49So, 90 flex.
35:50One, two.
35:51Go.
35:52That's it.
35:53Divine.
35:54Perfect.
35:55Look at me hard,
35:56but soft.
35:57Hard, but soft.
35:59Very nice.
36:00That's it.
36:01Very bitchy,
36:02but also very manly, my love.
36:03That's it.
36:04Divine.
36:05Now, three quarters.
36:06Look at me like that.
36:07Position.
36:08That's it.
36:09Beautiful.
36:10One last one.
36:11That's it.
36:12Next, please.
36:13That's it.
36:14Divine.
36:16Lines.
36:17Color.
36:18Yes, I don't like
36:19the color palette.
36:20Hello.
36:22Can I go change now?
36:25I'm a little cold.
36:27Yes, of course.
36:28Don't worry.
36:29We're going to start revealing
36:31tonight.
36:32So, when we make a decision,
36:34we'll let you know.
36:36No, we're not going to leave.
36:38We're going to stay here.
36:39The girl is going to change
36:40because she's cold,
36:41but we're going to stay here.
36:42Oh, okay.
36:43We're waiting for you
36:44to tell us.
36:45Yes.
36:47Bye.
36:48Bye.
36:49Particular, right?
36:50Okay.
36:51And this one,
36:52the one with the hair.
37:04Look.
37:05I brought some...
37:06I brought some...
37:19Motherfucker!
37:20Son of a bitch!
37:22What are you doing?
37:24I'm going to wet your mother!
37:27Say something to her too!
37:29No, but how are we going
37:30to do that?
37:31Say something.
37:32I'll help you dry a little.
37:33Come on, come on, come on.
37:34I'll help you.
37:36Kelly is definitely
37:37the best of all.
37:39She's the prettiest.
37:40I don't even have to
37:41look at the pictures.
37:43I know.
37:44She's divine.
37:47I can't believe
37:48Edgar's recommendation
37:49is so accurate.
37:51Did you see that guy's face?
37:53Yes, there are some divine
37:54and everything,
37:55but not like
37:56for a soap campaign.
37:57It's just that
37:58if you don't have triplets,
37:59you have cellulitis,
38:00acne, chubby,
38:01we'd have to look
38:02for more models
38:03and we wouldn't have time.
38:06I think we have to accept
38:08that Kelly is the best.
38:13What was that?
38:18I don't know.
38:19I don't know, but look,
38:20I need to know
38:21what happened
38:22with the other model.
38:23Yes, yes, yes.
38:24Let's go.
38:35Ay.
38:38Ay.
38:49Hey, hey, what's this?
38:54This is a modeling agency
38:56and inside is Sayo,
38:57a friend of mine.
38:58She's looking for a woman
38:59like you
39:00for a very important campaign.
39:01What? No, no, no, no.
39:03I'm sure it was the campaign
39:04that my cousin came to do.
39:05No, no, I would have said.
39:07Have you ever thought
39:08that if you become a model
39:10and do campaigns,
39:11you can pay for the university?
39:13That's what my cousin does.
39:15She's the one who's a model.
39:16I'm going to be an administrator.
39:18Look, I would have said before
39:19we had saved the avenue
39:20up to here.
39:21Let's go now.
39:28You know what?
39:29Wait for me here.
39:31Where are you going?
39:33If you find Sayo over there,
39:34tell him he's on my side, okay?
39:35Uh-huh.
39:41Come on, sir.
39:42If you don't mind,
39:43can you lend me a towel?
39:44Of course, ma'am.
39:57No, and we achieved
39:58very good things,
39:59but I was missing
40:00the argument.
40:02Excuse me, ma'am.
40:04Ay, mi vida.
40:05Dame todo eso.
40:07No seas tan mala.
40:09Me vas a matar.
40:30Hey, hey, un segundo.
40:31No.
40:32No se vaya.
40:33No se vaya.
40:40¿Quién es usted?
40:41Sayo dijo algo
40:42que desató
40:43la tercera guerra mundial.
40:45Mire, no sé
40:46cómo llegó acá,
40:48pero estoy segura
40:49que es la modelo
40:50que estamos buscando
40:51para la campaña.
40:52No, yo no creo.
40:53Solo déjeme hacerle
40:54un par de fotos.
40:56Es solo eso.
40:57Solo un par, ¿sí?
40:58Sí.
40:59Venga.
41:01Ey, por favor.
41:02Es solo un par de fotos.
41:04Es un registro, nada más.
41:06¿Sí?
41:07No, no, no, no.
41:08Es que ella no va a hacer
41:09ninguna fotografía
41:10ni ningún casting
41:11porque es que
41:12ella ya se va a ir de aquí.
41:14Kellycita, mamita, espere.
41:15Espere, Kelly.
41:16¿Se conoce?
41:17¿Cómo así que espere?
41:18Yo no...
41:19¿Qué está haciendo aquí?
41:20Pues yo no vine
41:21a hacer nada
41:22de ninguna foto.
41:23Yo nada más vine a alabarme.
41:24Mire cómo estoy.
41:25Ay, ¿y vino a alabarse
41:26para uniérse
41:27delante de las señoritas
41:28para que la vean, no?
41:30¿Qué fue eso?
41:31¿Pelea de camisetas mojadas?
41:32No, nunca.
41:33¿Qué le quiere usted?
41:34¿Por qué es así de mierda?
41:35¿Yo qué le he hecho?
41:36No, pues nada.
41:37Yo tampoco le he hecho nada.
41:38Y nada más vine
41:39con el amigo de Angie.
41:40Pues arranque
41:41que pan quieres tarde, mamita.
41:42Pues ya no me quiero ir
41:44porque usted es muy alta de edad.
41:46Y es mi mamá
41:47de que toda la casa
41:48sea por culpa suya.
41:49No se puede venir huyendo
41:50porque usted mató a ese...
41:51No, no, no, no.
41:52No, no, no, no.
41:53¡Ey, cuidado!
41:54Ay, qué pena
41:55cuando se disculpen.
41:56Lo que pasa
41:57es que esto
41:58es una confusión.
41:59La niña
42:00no quiere ninguna foto,
42:01¿cierto, mamita?
42:02Dígale.
42:03Ella no quiere ninguna foto.
42:04A ella ni siquiera le gusta.
42:05Vaya para la casa, mamita.
42:06Ya arreglamos, ¿sí?
42:07¿Arreglamos qué?
42:08¿Y ahora por qué salía de ver
42:09si yo no he hecho nada?
42:10A ver.
42:11Afuera de mi familia
42:12se va exactamente
42:13para la casa, mamita.
42:14Usted sabe
42:15lo que le ha costado
42:16a que le llegan a esta casa.
42:17Así que nada más...
42:19Cuando ella les haga un trabajo,
42:20ella le colabora.
42:21Pero váyase ya.
42:22No sea mierda, ¿sí?
42:25¿Qué hay que hacer?
42:26Ya estoy lista.
42:27Oscar.
42:28Vamos a dar las fotos
42:29y ya todos a su sitio.
42:30Vamos.
42:31¿Tenemos tripulación?
42:32Sí, sí.
42:34Oigan, oigan.
42:35Sayo, yo creo que
42:36debíamos esperar un momento.
42:37Edgar, no me importa
42:39lo que ustedes crean
42:40en este momento.
42:41Esta mujer es una bomba
42:43y estoy segura
42:44que con ella
42:45me va a ganar la campaña.
42:46Sí, pero yo...
42:47Permiso.
42:53Ella solo es el poder
42:55de la belleza.
42:58.