止められるか、俺たちをDare to Stop Us (2018) Movie EngSub
Transcript
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00:01:11Oh my goodness.
00:01:28What's your name?
00:01:34Pink movie.
00:01:37What about the director?
00:01:39Mr. Adachi.
00:01:41Masao Adachi.
00:01:43I'm shooting with Koji Wakamatsu,
00:01:46but I can't decide on an actress.
00:01:53Hey.
00:01:56Pink directors...
00:02:00can't be actresses.
00:02:25Pink directors can't be actresses.
00:02:28Pink directors can't be actresses.
00:02:31Pink directors can't be actresses.
00:02:34Pink directors can't be actresses.
00:02:37Pink directors can't be actresses.
00:02:40Pink directors can't be actresses.
00:02:43Pink directors can't be actresses.
00:02:46Pink directors can't be actresses.
00:02:49Pink directors can't be actresses.
00:02:52Pink directors can't be actresses.
00:02:55Pink directors can't be actresses.
00:02:58Pink directors can't be actresses.
00:03:01Pink directors can't be actresses.
00:03:04Pink directors can't be actresses.
00:03:07Pink directors can't be actresses.
00:03:10Pink directors can't be actresses.
00:03:13Pink directors can't be actresses.
00:03:16Pink directors can't be actresses.
00:03:19Pink directors can't be actresses.
00:03:22Pink directors can't be actresses.
00:03:25Pink directors can't be actresses.
00:03:28Pink directors can't be actresses.
00:03:31Pink directors can't be actresses.
00:03:34Pink directors can't be actresses.
00:03:37Pink directors can't be actresses.
00:03:40Pink directors can't be actresses.
00:03:43Pink directors can't be actresses.
00:03:46Pink directors can't be actresses.
00:03:49Pink directors can't be actresses.
00:03:52Pink directors can't be actresses.
00:03:55Good morning.
00:03:58Hey, this is a little different.
00:04:01What's the theme?
00:04:04We have the old Japanese soldiers who fought as guerrillas.
00:04:07What about stealing from the local farmers?
00:04:11Or killing people?
00:04:14Isn't that what high school students do?
00:04:17Or killing people?
00:04:20We're the ones who lost to them.
00:04:23High school students are guerrillas on the mountain.
00:04:26So high school students don't know defeat.
00:04:29So high school students don't know defeat.
00:04:32They will lose again.
00:04:35The actresses?
00:04:38Do you think you can be a film director?
00:04:40I can, but it's hard work.
00:04:42Even men run away from it.
00:04:44Do you want to be a film director?
00:04:46Or do you want to be a director for Koji Wakamatsu?
00:04:49Oh, Adachi-san and Okishima-san.
00:04:53Komizu-san.
00:04:54Call me Gaira.
00:04:56Megumi.
00:04:57What about Miyoshi?
00:04:58Yoshizumi.
00:04:59Oh, I'm Yoshizumi Megumi.
00:05:05Good morning.
00:05:06Good morning.
00:05:08What's up with you guys?
00:05:10You've been talking about books all day.
00:05:13We were talking about books.
00:05:15You were drawing a bunch of flowers.
00:05:19Did you find an actress?
00:05:22Yeah.
00:05:23Thank you.
00:05:24Bring me a pink actress.
00:05:26I won't shoot her.
00:05:27This girl will find the actress.
00:05:30Director, I'm Yoshizumi Megumi.
00:05:32I want to be a film director.
00:05:34Oh, that guy.
00:05:36He's the guy from Shinjuku.
00:05:41He's a female director.
00:05:45Do you watch his films?
00:05:48What do you like?
00:05:50When Taiji is on the run.
00:05:52Oh, I see.
00:05:54I couldn't leave the room for a second.
00:05:57Everyone was going crazy.
00:05:59The director was swinging a toy ax.
00:06:02That's what was in the film.
00:06:04In the film...
00:06:06What is it?
00:06:09I wondered if I could do this in a film.
00:06:18Ms. Nozomi.
00:06:20You don't drink?
00:06:23I'm Megumi.
00:06:24Yes.
00:06:25Oh, I see.
00:06:28We don't charge you.
00:06:31I'll do it from now on.
00:06:34We'll drink on our own.
00:06:38You'll be a director in three years.
00:06:43I'll do my best.
00:06:45No, you'll work too hard.
00:06:48Come back tomorrow.
00:06:52We, the student council, have been talking about you.
00:06:57Everyone has a problem with the school and the student council.
00:07:01We can't agree on that.
00:07:08Cut.
00:07:10Okay.
00:07:12Megumi, you're good at talking.
00:07:17Okay, cut.
00:07:18Megumi, do it again.
00:07:21Like this?
00:07:24Cut.
00:07:25I'll bring the camera.
00:07:27You said you'd take care of it.
00:07:29I'm sorry.
00:07:31Okay.
00:07:34The gun is important.
00:07:41Good.
00:07:42I don't need that.
00:07:44Yes, burn it.
00:07:46Yes.
00:07:48Okay.
00:07:51Maruta, Kinuyo.
00:07:53Yes.
00:07:57Murayama, Akiko.
00:07:58Yes.
00:08:00Musyamoto, Seiichi.
00:08:01Yes.
00:08:04Minami, Goro.
00:08:05Yes.
00:08:12Burn it.
00:08:17Cut.
00:08:19Okay.
00:08:21I see.
00:08:23Ido, is it okay to do it alone?
00:08:26I'll do it with Tokiko.
00:08:28You can't do it all at once.
00:08:30Good morning.
00:08:31You can't do it all at once.
00:08:34Hide it.
00:08:35The theme of this movie is that high school students make a good statement.
00:08:40If you make a good statement,
00:08:42you and the students...
00:08:44I don't care about the logic.
00:08:46The logic doesn't show in the movie.
00:08:49That's why I don't care about your logic.
00:08:51But...
00:08:53Let's do it in one take.
00:08:55In one take?
00:08:56Change the role.
00:08:57Dairo.
00:08:58Yes.
00:08:59Change the role.
00:09:03What are you doing?
00:09:04We're going home.
00:09:06Everyone, get on board.
00:09:07Hurry up.
00:09:14Girl.
00:09:15Can you hold the gun?
00:09:17Yes.
00:09:18I'm sorry.
00:09:19Hurry up.
00:09:22What are you doing?
00:09:23Be nervous.
00:09:25Be nervous and do your job.
00:09:26I'm sorry.
00:09:27Okay.
00:09:28Change the role.
00:09:32You're not in the scene.
00:09:34Go over there.
00:09:35Okay.
00:09:36Excuse me.
00:09:37I'm taking a picture of your face.
00:09:38Is the camera there?
00:09:39Yes.
00:09:40I'm taking a picture.
00:09:41Excuse me.
00:09:42Where is it?
00:09:43What is it?
00:09:44Cut number.
00:09:46Cut number?
00:09:47I don't care.
00:09:48Give it to me.
00:09:50Go over there.
00:09:51Don't get in my way.
00:09:53Go.
00:09:55Hurry up.
00:10:01Dairo.
00:10:02Wait a minute.
00:10:03Don't be in a hurry.
00:10:04The sun is going down.
00:10:05Shoot.
00:10:09Good.
00:10:10I don't know.
00:10:14It must be hard.
00:10:16Yes.
00:10:19I...
00:10:22I came to Wakamatsu Pro
00:10:26because I was disappointed
00:10:29that the assistant director was just a labor force.
00:10:34Well, the construction of Wakamatsu is hard,
00:10:37but the difficulty is different.
00:10:40The sun is up.
00:10:46Cut.
00:10:48How is it?
00:10:49Okay.
00:10:50Okay.
00:10:52This is how you shoot a movie.
00:10:55I wonder if it will be good when it gets hot.
00:10:58Yamato, let's go home.
00:11:00It's a girl.
00:11:03Thank you for your hard work.
00:11:05Yamato.
00:11:08Yamato.
00:11:10Don't push yourself too hard.
00:11:13But...
00:11:17There are a lot of people who want to go home,
00:11:19but it's okay to take a break.
00:11:21Megumi.
00:11:22Yes.
00:11:23Everyone, come back.
00:11:26I'm sorry.
00:11:27I made a noise.
00:11:32Is it okay?
00:11:33Yes, it's okay.
00:11:38Director, I'm ready.
00:11:41Obake, are you ready?
00:11:43Yes.
00:11:44Let's go.
00:11:46Thank you.
00:12:03Why did the star's tail grow into a shooting star?
00:12:21Why did the star's tail grow into a shooting star?
00:12:51Why did the star's tail grow into a shooting star?
00:13:21Why did the star's tail grow into a shooting star?
00:13:27Did you add the word Geba Geba?
00:13:29No, I didn't.
00:13:31I added the word Geba Geba because it's a young girl.
00:13:36How was Yamato?
00:13:40He's amazing.
00:13:43He's wonderful.
00:13:45Yamato, are you serious?
00:13:47Of course.
00:13:50If you make a pig, it will climb a tree.
00:13:54But the young girl is good.
00:13:56Mr. Matsuda, are you saying that compared to me?
00:13:59No.
00:14:00The young girl is more experienced than the young girl.
00:14:04That's the interesting part.
00:14:07Well, it's not good.
00:14:09Ekishima, go home.
00:14:14Who's supporting the director?
00:14:16Let's do it.
00:14:17Well, well, well.
00:14:18Let's continue with Miya.
00:14:21What's wrong with you guys?
00:14:23You said bad things about me again.
00:14:29Nozomi.
00:14:31Yes.
00:14:32I'm Megumi.
00:14:33Megumi.
00:14:34Let's go.
00:14:36If you go to drink with us after school,
00:14:39you have to pay 1000 yen.
00:14:41Go out with her.
00:14:43Me?
00:14:44Megumi.
00:14:45Ekishima.
00:14:47Yes.
00:14:49Excuse me.
00:14:58What's so funny?
00:15:02You just eat, shit and sleep.
00:15:05Don't you have anything to be angry about?
00:15:09What are you doing?
00:15:11I want to destroy it.
00:15:13This rotten world,
00:15:15and all the movie theaters.
00:15:18That's why I'm making movies.
00:15:20Wasn't it because you wanted to kill the police?
00:15:24Those dogs are really the worst.
00:15:28They don't think of people as people.
00:15:30They're overwhelmed by power.
00:15:34Those guys are my friends.
00:15:36I want to destroy them.
00:15:38I want to destroy them.
00:15:40They even saw through my butt hole.
00:15:43Where did they see you?
00:15:45The prison.
00:15:49You don't know?
00:15:51Young girl.
00:15:53This is it.
00:15:55Shinjuku's Yasuda army.
00:15:59Was it a war?
00:16:01Yes.
00:16:03When I was 17,
00:16:05I ran out of the house.
00:16:07I made my mom cry.
00:16:09Hello.
00:16:11Welcome.
00:16:13Welcome.
00:16:15It's hard.
00:16:17Every day, every day, every day.
00:16:19It's the limit.
00:16:21Okay, let's drink.
00:16:23Megumi.
00:16:24What are you talking about?
00:16:26Hakumon, drink.
00:16:28You're young.
00:16:30It's annoying to be alone with a young woman.
00:16:32She's a new director.
00:16:34Sorry.
00:16:36What were you talking about?
00:16:38About the baby.
00:16:42I was fighting with her.
00:16:44I was arrested.
00:16:48I was in the prison.
00:16:50I was in a terrible situation.
00:16:52I was trying to kill a cop in the movie.
00:16:54I was trying to get revenge.
00:16:56I was washing my feet in the yakuza.
00:16:58I was a director.
00:17:00In a movie,
00:17:02you can do anything.
00:17:04You can kill anyone,
00:17:06but you can't kill the sun.
00:17:10You're right.
00:17:12Megumi.
00:17:14You can kill anyone.
00:17:16You can change the world.
00:17:18You can do anything.
00:17:20But you can't do that in a movie.
00:17:22You can't be a director.
00:17:26Okay, young man.
00:17:28Let's go.
00:17:30Let's go.
00:17:35What's up, young man?
00:17:37We want to show the world
00:17:39that we can do anything.
00:17:41That's why
00:17:43we came to Shinjuku
00:17:45to show the world
00:17:47that we can do anything.
00:17:49Let's do it.
00:17:51Young man.
00:17:53How do you feel?
00:17:55Stop it.
00:17:57Let's go to the world.
00:18:03Hey, you!
00:18:06Hey, you!
00:18:08You're good at this.
00:18:10Let's go.
00:18:12What?
00:18:14Oh, my.
00:18:16It's so hot.
00:18:18Oh, bear.
00:18:20It's a bird.
00:18:27Hey, you!
00:18:29How's this?
00:18:31You should be one of us.
00:18:33Hey, you!
00:18:34How's this?
00:18:36You should be one of us.
00:18:38Hey, you!
00:18:40You should be one of us.
00:18:42Hey, you!
00:18:44You should be one of us.
00:18:46Hey, you!
00:18:48I'm confident
00:18:50to fight
00:18:52against You Put theabloze
00:18:54than the civilians
00:18:56I know how much influence a single line of the main character has in a serial drama.
00:19:22There's no way to use it.
00:19:24In my movie, for example, the death penalty is not allowed.
00:19:29It's not allowed to discriminate.
00:19:31Only those who are aware of the problem can see it.
00:19:33Well, death penalty is not allowed.
00:19:35Discrimination is not allowed.
00:19:36It's only a self-confirmation.
00:19:38But the expression has to shake up the sense of value by showing it to those who are not aware of the problem.
00:19:44The public is caught up in the beatings of Ken Takakura and Koji Tsuruta.
00:19:49Well, in that sense, unfortunately, our movie...
00:19:52Even if you have enough expression, you don't have enough power to express it.
00:19:55It can't be helped for people who want to change the world to taste the world.
00:20:00You can provoke the tea from the back door.
00:20:03The Ultraman you wrote was amazing.
00:20:05It's a story about an astronaut turning into a monster and coming back.
00:20:08I saw it, too.
00:20:09It's a story about a man who was a victim of science turning into a monster and revenging the people who killed him.
00:20:17It's a story about an Ultraman killing an original human being.
00:20:20It's a great show for children.
00:20:22As Ebara said, it's the second and third Vietnam War.
00:20:25Whether it's a movie or TV.
00:20:28There are too many writers who don't have that kind of awareness.
00:20:30Mr. Yamadoya and Mr. Okishima look delicious on TV.
00:20:34Am I different?
00:20:35Ak-chan is Japanese.
00:20:37I love watching TV, too.
00:20:40Wakachan is a wide show, right?
00:20:42Wide show in the day and night.
00:20:44Wide show in the day and night.
00:20:46But I want to make a movie.
00:20:51I want to make a movie where I stab the audience with a knife.
00:20:58But that movie is no good.
00:21:01I want to tear it all apart and destroy it.
00:21:07Right, Mr. Okishima?
00:21:10I want to tear it all apart and destroy it.
00:21:14That's the spirit of Koji Wakamatsu.
00:21:17We'll treat you today.
00:21:19With the money we made on TV.
00:21:22Okay, let's toast.
00:21:24To the creators and Wakamatsu Bros.
00:21:28Cheers!
00:21:33I don't know what I want to do yet.
00:21:36Me, either.
00:21:38I don't have a movie I want to make.
00:21:40Me, either.
00:21:42I'm not interested in politics.
00:21:44Me, either.
00:21:46Don't be ridiculous.
00:21:48You can draw, write, and compose.
00:21:52I just have to clear the problems in front of me.
00:21:57If I have something, I don't have to think about anything.
00:22:04That's my goal.
00:22:08What?
00:22:16A ghost!
00:22:29I'm Koji Wakamatsu.
00:22:31I want to make a movie.
00:22:33Don't play around with your phone.
00:22:36Just shoot a bomb.
00:22:39Kill the police.
00:22:41You have to be serious.
00:22:43You can't change anything.
00:22:48I'll tell you what I do.
00:22:53First, I'm a broker.
00:22:57Excuse me, do you have Charlie Ningus, the director?
00:23:00Ningus?
00:23:01Director, when I listen to a new record, I get an image.
00:23:06Next, I'll look for an actress.
00:23:08Students, windmills...
00:23:11Even amateurs look for good girls.
00:23:14Director, I don't like actresses who act like Pink on purpose.
00:23:28Good morning.
00:23:30Good morning.
00:23:31Good morning.
00:23:34Sit over there.
00:23:50It's a book about superhuman culture.
00:23:53What do you mean?
00:23:55It's a book about the world.
00:23:58It's not about the victim.
00:24:00It's not about a good scenario.
00:24:03It's only about Fukuma-kun.
00:24:05It's more about the outside world.
00:24:07It's a story about a high schooler.
00:24:11Yes.
00:24:12If you don't get angry, you'll get into a fight.
00:24:19Yes.
00:24:21By the way, you're the main character.
00:24:24Me?
00:24:25There's an actress.
00:24:38Who are you?
00:24:40I'm Takama.
00:24:42Kenji Takama.
00:24:43We're from the same university.
00:24:46Kenji Fukuma and Kenji Takama?
00:24:48Kenji Fukuma!
00:24:50Kenji Takama!
00:24:51Kenji Takama!
00:24:54We have the same birthday.
00:24:56That's confusing.
00:24:57Are you going to be in the film?
00:24:59No, I'm not.
00:25:01Are you going to act?
00:25:03No, I'm going to film.
00:25:05You were a director in the next film, right?
00:25:07Yes.
00:25:08Did it go well?
00:25:10Yes.
00:25:12I didn't think I had the talent to be a director.
00:25:17I'll tell Ito-san.
00:25:20Thank you.
00:25:22I'm hungry.
00:25:24Let's eat.
00:25:26Go ahead.
00:25:29Hey, hey.
00:25:31Say something.
00:25:33It was good, wasn't it?
00:25:35What do you think?
00:25:40What's funny?
00:25:41Because...
00:25:42Because what?
00:25:43Because it wasn't funny at all.
00:25:46Yamazaki-kun was like that.
00:25:48He didn't look down on me.
00:25:50Cut!
00:25:51What's wrong?
00:25:52The film fell.
00:25:54I'm sorry.
00:25:55What are you doing?
00:25:57You were doing well!
00:25:59You can't act like a student.
00:26:03Be nervous.
00:26:05Are you nervous?
00:26:07Yes.
00:26:08I'm sorry.
00:26:10That's enough.
00:26:12Don't get in my way.
00:26:14Go home.
00:26:16I'm going home.
00:26:17Change the film.
00:26:20I'm sorry.
00:26:21Let's do it again.
00:26:23Let's go home.
00:26:25Thank you.
00:26:27Thank you.
00:26:30Here's your lunch.
00:26:32I don't need it.
00:26:34Are you sure?
00:26:43Here's your lunch.
00:26:50I don't need it.
00:26:54You don't need it.
00:26:56Megumi.
00:26:57Yes.
00:26:58Prepare your lunch.
00:26:59I'll do it.
00:27:02I'll get used to it.
00:27:09It's a monster film.
00:27:13It's a good poster.
00:27:16Where can I go?
00:27:18I'm Wakamatsu.
00:27:20I can't go to Tojorei or Kenjorei.
00:27:25I can't sell it in the city.
00:27:28I've sold hundreds of posters.
00:27:31Can you give me a poster fee?
00:27:38I see.
00:27:39I understand.
00:27:41Thank you.
00:27:44Get out of my way.
00:27:47I won't sell it.
00:27:53I don't think it's good.
00:27:57It's not good for the image.
00:28:01It's a poster.
00:28:03It's a folk guerrilla.
00:28:05It's getting harder to live in the world.
00:28:08It's not just a movie theater.
00:28:10The poster is influential.
00:28:14It conveys a message to people who don't watch movies.
00:28:18How to occupy the empty space.
00:28:21Are you going to remake it?
00:28:24I understand.
00:28:26Who's going to pay for it?
00:28:28You have a lot of reasons.
00:28:34What are you going to do?
00:28:38Take responsibility.
00:28:40What's going on?
00:28:43I was deceived.
00:28:46You can sell it again.
00:28:50Don't say that.
00:28:52It's hard to find a movie theater.
00:28:55I'm going to write a book.
00:28:58I'm going to make a movie.
00:29:01I was told.
00:29:05It's hard to make a movie.
00:29:08It's not good for the image.
00:29:11It's a movie that has a lot of techniques.
00:29:16I'll change my name.
00:29:20I'm going to change my name.
00:29:25Start.
00:29:27Ah!
00:29:29Help me!
00:29:32Let's try to move it.
00:29:35Move it, move it!
00:29:40Ouch, ouch!
00:29:42Ouch, ouch!
00:29:44Ouch, ouch, ouch!
00:29:57You're a coward. You won't lose to me.
00:30:02What did you say?
00:30:17I'm sorry.
00:30:19I didn't mean to.
00:30:21I'm sorry.
00:30:23I'm sorry.
00:30:25It's a commercial.
00:30:27It's a commercial.
00:30:29It's not a commercial.
00:30:31It's not a commercial.
00:30:35You're a commercial.
00:30:37You can't make a commercial.
00:30:39Sit down.
00:30:41What is this?
00:30:43What is this?
00:30:45Let's talk.
00:30:47Let's talk.
00:30:49I'm sorry.
00:30:51I'm serious.
00:30:53I'm serious.
00:30:55I'm serious.
00:31:01Director.
00:31:03Director.
00:31:05This movie is not what you want.
00:31:07This movie is not what you want.
00:31:09It's a movie.
00:31:11It's a movie.
00:31:15It's not a movie.
00:31:17Why do you have to say that?
00:31:19I don't know that.
00:31:23I'm sorry to worry.
00:31:25Wakamatsu is making money to make a movie.
00:31:27We are making a movie together.
00:31:29We are making a movie together.
00:31:31I don't believe it.
00:31:33I don't believe it.
00:31:35You're going to make a movie.
00:31:37You're going to make a movie.
00:31:39And you're just having fun.
00:31:45Finish it.
00:31:47This is the only way to survive as an independent professional.
00:31:54All right, Atsushi.
00:31:56Let's see if you're up for it.
00:32:00How about a close-up of the roof of the Central Apartment?
00:32:05Yeah.
00:32:08Okishima, Gaira.
00:32:10You guys should start preparing for your own director.
00:32:17Okay.
00:32:24Is it really okay for me to publish that book?
00:32:27Do you approve of it?
00:32:29What? You're saying the same thing?
00:32:31You were angry, too.
00:32:33Even if I think so, I get angry when people talk to me.
00:32:36Megumi, you've completely fallen for a young girl's trick.
00:32:39Don't change the subject.
00:32:42You make a movie you like with your own money.
00:32:45It's harder than we think to make a movie with your own money.
00:32:49But...
00:32:50I don't have that much money.
00:32:55You want to borrow money from a yakuza.
00:32:57You've been walking on thin ice for a long time.
00:33:01How many times have you been made a fool of
00:33:03with your erotic and blackmailing movies?
00:33:06But you didn't back down and made it this far.
00:33:10You're only 33 years old.
00:33:12There are a lot of people who haven't made a single movie yet.
00:33:17I know.
00:33:18I know that.
00:33:21But...
00:33:24I'm asking you, as a writer, what you think of Masao Adachi.
00:33:28He wrote a book with all his heart.
00:33:31He's a good father and a good son.
00:33:33If it's just that part, it's better.
00:33:35If it's bad, just say it's out.
00:33:39Here.
00:33:41If you write the same thing the next day, it's OK.
00:33:44That's the kind of person he is.
00:33:51I see.
00:33:52So you like the director.
00:33:55Don't say it like a homo.
00:33:56It's definitely a homo. A mental homo.
00:34:00You have a bad drinking habit.
00:34:05Can't you go home today?
00:34:08I'm going home.
00:34:11Ikura!
00:34:12Ikura!
00:34:36Are you strong?
00:34:39I'm weak.
00:34:42I'm weak, but I'm strong.
00:34:45I'm going out.
00:35:00Goodbye.
00:35:03Goodbye.
00:35:10Did you love me?
00:35:15Mama.
00:35:17I'm going out.
00:35:32OK!
00:35:33OK!
00:35:34This is a masterpiece.
00:35:35The roof is in an abnormal state.
00:35:37That's all.
00:35:38I'll get the steel.
00:35:39Next is the boy and girl on the Meiji-doge.
00:35:42Yes, I'll test the car.
00:35:43I'll help you.
00:35:44Thank you.
00:35:45You're rare.
00:35:47You don't need a president.
00:35:49You can always do this seriously.
00:35:51Shut up!
00:35:55Takuma!
00:35:56Take this too.
00:35:58Yes.
00:36:00If you do that, you'll be arrested by the police.
00:36:03You'll be caught red-handed.
00:36:05It's okay to be caught.
00:36:07Young people have a lot of money.
00:36:09Shut up!
00:36:10You can't do that.
00:36:12Let's go.
00:36:13Cheese!
00:36:29It's been a long time.
00:36:44I'm going to quit.
00:36:49The second girl is a masterpiece, isn't it?
00:37:03Yes.
00:37:06I may never be able to make such a movie again.
00:37:12But...
00:37:14I don't know the feeling of a pink movie.
00:37:20But...
00:37:22There are a lot of young girls in Sasoriza.
00:37:30But...
00:37:32I can't reach them.
00:37:37It can't be helped.
00:37:49A good movie is a movie that people who are not interested in politics or sex can watch.
00:38:04It makes people move.
00:38:08I want to see a world that is as good as the world is.
00:38:14A world with bright eyes.
00:38:18But...
00:38:20I can't do that.
00:38:23Then...
00:38:25I have no choice but to find a different way.
00:38:35I've only been in Wakamatsu for a year and a half.
00:38:43But I've used up all my energy.
00:38:48So...
00:38:51I have to save my energy again.
00:38:58You have to be a ghost to be strong.
00:39:02I'll be fine with Megumi.
00:39:05You can't replace a ghost.
00:39:09Megumi is Megumi.
00:39:16I don't know what kind of movie I want to make.
00:39:22I don't know if I can do it.
00:39:28We have plenty of time.
00:39:34It's cruel.
00:39:39We are...
00:39:41Tomorrow's Jo.
00:39:46Yodobo's Sekigahara.
00:40:04Don't drink too much.
00:40:14Bye.
00:40:22See you.
00:40:53Let's go.
00:40:56Open.
00:40:58Ready.
00:41:01Start.
00:41:06Okay.
00:41:07I'll bring my mom's sex.
00:41:09What kind of sex?
00:41:11Like this.
00:41:14Don't be selfish, Megumi.
00:41:17I told you not to wear a mask.
00:41:19Sorry.
00:41:20Ready.
00:41:21Start.
00:41:22Okay.
00:41:23I'll bring my mom's sex.
00:41:24What kind of sex?
00:41:25Like this.
00:41:26Okay.
00:41:27Start.
00:41:28Run.
00:41:31Run.
00:41:39I'll bring my mom's sex.
00:42:06Cut.
00:42:08Next.
00:42:09I'll bring my mom's sex.
00:42:16Next.
00:42:20I'll bring my mom's sex.
00:42:27Are you okay?
00:42:29It's like yoga.
00:42:30It's okay.
00:42:33Didn't you do it?
00:42:34No.
00:42:36I'll bring my mom's sex.
00:42:37What's the score?
00:42:3864.
00:42:39Really?
00:42:41How many left?
00:42:4248.
00:42:43I'm the best in Japan.
00:42:46Megumi.
00:42:47Take 2 or 3 more.
00:42:49What?
00:42:50You can do it.
00:42:52No.
00:42:53I'll do it.
00:42:55Megumi.
00:42:58Megumi.
00:42:59Do it again.
00:43:00Megumi.
00:43:01Are you okay?
00:43:02Yes.
00:43:03Megumi.
00:43:04Are you okay?
00:43:05Yes.
00:43:11Megumi.
00:43:25I don't know what I'm doing with my life.
00:43:27I don't know what I'm doing with my life.
00:43:29I don't know what I'm doing with my life.
00:43:31I don't know what I'm doing with my life.
00:43:33I don't know what I'm doing with my life.
00:43:35I don't know what I'm doing with my life.
00:43:37I don't know what I'm doing with my life.
00:43:39I don't know what I'm doing with my life.
00:43:41I don't know what I'm doing with my life.
00:43:43I don't know what I'm doing with my life.
00:43:45I don't know what I'm doing with my life.
00:43:47I don't know what I'm doing with my life.
00:43:49I don't know what I'm doing with my life.
00:43:51I don't know what I'm doing with my life.
00:43:53Good evening.
00:43:57I heard you're starting your second film.
00:44:02Why?
00:44:04Cinema, art, and film criticism are not good.
00:44:09You know, Sasaki Mamoru.
00:44:12He's doing it because he made money on TV.
00:44:16And you've already got a series of death threats.
00:44:20Why do you regret it?
00:44:22I can't show it because it's a waste.
00:44:25You can't show it because it's a waste?
00:44:27I can only show the scenery.
00:44:31You can't show it because you don't want to see it?
00:44:36He likes things that don't make money.
00:44:41You only like things that make money, don't you?
00:44:48What?
00:44:49A woman? A man?
00:44:51A woman!
00:44:57What are you doing?
00:45:07Let's drink.
00:45:09Which one?
00:45:12I'll drink.
00:45:13Come here.
00:45:16Sit down.
00:45:18Thank you.
00:45:20I'm sorry I lied.
00:45:22Don't worry about it.
00:45:49I'm sorry.
00:45:59Megumi.
00:46:02You're next.
00:46:08What about Gaira?
00:46:11He's a director now.
00:46:14I guess it's the opposite.
00:46:18I can't be a good director even if I continue to be a female director.
00:46:28You don't like Nakamachi anymore?
00:46:43No.
00:46:57It's too comfortable.
00:47:05Stop being a ghost and go home.
00:47:08Don't look at me like that.
00:47:11It's not a goodbye forever.
00:47:14I'll come back if you call me.
00:47:20I'll have Koji drink Shikotama.
00:47:34Good morning.
00:47:35Good morning.
00:48:05Good morning.
00:48:23Are you alone?
00:48:26Why are you filming?
00:48:28I'm sorry.
00:48:31What about everyone?
00:48:32Well...
00:48:43I stopped being a ghost and Gaira.
00:48:48I see.
00:48:52Are you going to be a director?
00:48:55I haven't decided yet.
00:48:57I see.
00:49:01I see.
00:49:05Okay.
00:49:27I'm sorry.
00:49:31Wait.
00:49:34Here.
00:49:36No.
00:49:58Why are you with me?
00:50:12What?
00:50:13You can hit me when you're angry.
00:50:15Even if you can't exchange.
00:50:19I'm serious.
00:50:22That's why I came here.
00:50:24That's why I came here.
00:50:26What are you serious about?
00:50:28Tell me.
00:50:29I don't understand.
00:50:30Tell me about you and that you're going to die.
00:50:35I'm serious.
00:50:39Cut.
00:50:40Good.
00:50:41You have a good sense.
00:50:43Are you okay?
00:50:45I'm okay.
00:50:46I didn't see anyone.
00:50:48What about me?
00:50:50It's okay.
00:50:51It's okay.
00:50:52It's a good scene.
00:50:54I'll try to look like a ghost.
00:51:01Mieda.
00:51:02Come here.
00:51:03Yes.
00:51:06First, remember the size of the lens.
00:51:08How many millimeters are there?
00:51:10Yes.
00:51:11Look at the camera.
00:51:12What do you see?
00:51:13What do you see?
00:51:14Yes.
00:51:15Run.
00:51:16Yes.
00:51:18Let's do it.
00:51:19Let's do it.
00:51:20Let's do it.
00:51:21What are you doing?
00:51:23Hurry up, you idiot.
00:51:25The actor is on board.
00:51:26You're in my way.
00:51:27You're an idiot.
00:51:28I'm sorry.
00:51:29Number four.
00:51:30Number four.
00:51:38Megumi made me work this time.
00:51:42I didn't expect Megumi to have such a tough schedule.
00:51:45If there's anything else I can do to make money, please tell me.
00:51:48This is the first time I've seen such a boss.
00:51:50Hey.
00:51:52I'm waiting for Takama.
00:51:54Are you ready?
00:51:55Grab.
00:51:56Even the director.
00:51:57The director praises you.
00:51:59You're a good team.
00:52:00I'm a good team.
00:52:02Let's go.
00:52:03Yes, let's go.
00:52:19Thank you.
00:52:25Thank you.
00:52:37Be careful.
00:52:39Everyone says you're a hit.
00:52:43Why?
00:52:44Of course.
00:52:46It's just a bad word.
00:52:53Hello, Arai.
00:52:54It's been a long time.
00:52:58Yes.
00:53:00You didn't think you'd lose.
00:53:05You're trying to make up for your defeat.
00:53:08You're trying to find hope by holding on to despair.
00:53:11That's not what it is.
00:53:13What?
00:53:14That's not what it is.
00:53:16That's why you and I can live like this.
00:53:22Don't write bad things about other people's movies.
00:53:24Why don't we make a movie together?
00:53:26It's more fun that way.
00:53:28Come to the office once.
00:53:31Did you hear that?
00:53:32What?
00:53:33What do you mean, what?
00:53:34Don't say that.
00:53:36Yukio Mishima got on the train and died of hunger.
00:53:42Mishima wasn't playing.
00:53:46It's amazing that he died of hunger.
00:53:51But if he dies, it's over.
00:54:07It's not something you can just cut.
00:54:11You have to cut towards the world.
00:54:13Arai, it's not easy to cut a pencil.
00:54:37What do you mean, towards the world?
00:54:41It's okay, Arai.
00:54:43What?
00:54:44I've never been asked to write a script.
00:54:48Do you want to write a script?
00:54:50If I don't, I can't be a director.
00:54:52Do you want to be a director?
00:54:57I won't forgive you if you want to be a director.
00:55:00You don't have to want to make a movie.
00:55:03You're right.
00:55:06I want to be a director.
00:55:08But I don't know what kind of movie I want to make.
00:55:24I feel the same way.
00:55:27Really?
00:55:28I thought a director was something only an intellectual could do.
00:55:31I thought a director was something only an intellectual could do.
00:55:36Wakamatsu-san, I haven't seen a movie or read a book.
00:55:41When I look at him, I think anyone can make a movie, even me.
00:55:48But I don't know if I can put up with it for three years.
00:55:52You're right.
00:56:01Can you help me with this?
00:56:03I'm heavy.
00:56:05Are you okay?
00:56:06Be careful.
00:56:11Arai, are you sure you're okay?
00:56:13I can carry my own luggage.
00:56:15That's the second floor.
00:56:16The second floor?
00:56:17It's heavy.
00:56:18Hold it properly.
00:56:20It's heavy.
00:56:22Wait a minute.
00:56:24Are you really a guard dog?
00:56:26You try it.
00:56:28Shut up.
00:56:29Shut up.
00:56:39Megumi and Shinohara just got to know each other through you, right?
00:56:42That's right.
00:56:43But they started living together right away.
00:56:45Are you okay, Arai-kun?
00:56:47What if Megumi takes Shinohara away from you?
00:56:50That would be interesting.
00:56:53Arai-kun, you can't have sex.
00:56:55Why are you helping me?
00:56:57Are you dating Megumi?
00:56:59What are you talking about?
00:57:01I'm the only one who has a driver's license.
00:57:03I don't care.
00:57:06I know Megumi won't be able to work at Wakamatsu if she doesn't have a girlfriend.
00:57:12But it won't be long.
00:57:15It won't be long?
00:57:19I don't have a girlfriend.
00:57:21That's why I have a girlfriend.
00:57:23That old man is being rude.
00:57:25Get out of here.
00:57:29You always get involved with me.
00:57:31You're in love with him, aren't you?
00:57:36That's right.
00:57:39I need to go to the bathroom.
00:57:41What?
00:57:42Megumi got dumped.
00:57:45She ran away.
00:57:46Idiot.
00:57:48Arai-kun, shut up.
00:57:49In this lonely night without a mother.
00:57:59I have a strange dream.
00:58:04Shut up.
00:58:06I have a dream.
00:58:19Megumi, you drank too much.
00:58:22I'm sorry.
00:58:25I'm sorry for the dissection.
00:58:28No one knows what I'm like.
00:58:34The other day, a high school girl jumped out of a school building and killed herself.
00:58:38That girl's clothes.
00:58:41I wonder if this will be in the movie.
00:58:45Do you want me to draw the inside of something I know?
00:58:49So help me.
00:58:53I don't know how to draw it.
00:58:57I don't hate how you draw it.
00:59:00Show me the inside.
00:59:14I don't hate how you draw it.
00:59:37Is there anything?
00:59:44I don't know.
00:59:57The suicide of a 17-year-old high school girl in 1949.
01:00:08Nobuko Nagasawa.
01:00:11She didn't die in the war, but she killed herself.
01:00:14She didn't die in the war, but she killed herself.
01:00:18Why do I use the word departure?
01:00:21This is not a sight or a feeling.
01:00:25My life so far has always been an unbearable advance.
01:00:30It was an unbearable defeat for me.
01:00:35Why don't you put the clothes of the children who died when they were young in the movie?
01:00:43The main character is not a high school girl, but a junior high school student.
01:00:47She's pregnant.
01:00:49She doesn't know whose child she is.
01:00:52I'm going to give birth to her and raise her as everyone's child.
01:00:56I see.
01:00:58I see.
01:01:02But I don't think men can understand that.
01:01:08I'll ask her whose child she is.
01:01:10That's why the conflict between men begins.
01:01:22Arai, is there anything else?
01:01:26Arai, think about it.
01:01:32Let's get married.
01:01:34If you're going to suffer like an adult and have a baby, let's get married.
01:01:40I told you to leave me alone.
01:01:42I can't leave you alone.
01:01:45We couldn't beat sex.
01:01:49I didn't feel my body, and I didn't feel my heart.
01:01:53Cut.
01:01:56Something's wrong.
01:01:58I don't feel like I'm pregnant.
01:02:00Yes, I understand.
01:02:02One more take.
01:02:04It's not a take.
01:02:06One more take.
01:02:08One more take.
01:02:13Ready.
01:02:15Start.
01:02:18Our movies have been very popular lately.
01:02:21Let's make a movie that will change the world.
01:02:27Mr. Kuzushi, how about Soka Jiro exploding Tokyo with a bomb?
01:02:36Soka Jiro?
01:02:39A series of bombs?
01:02:41Do you understand the young people these days?
01:02:44The young people are doing ATG.
01:02:47I want to do something destructive.
01:02:51I see.
01:02:55Wako.
01:02:56Yes.
01:02:57Say hello to Director Wakamatsu.
01:02:59Yes.
01:03:02I've seen his movies many times.
01:03:07My name is Wako.
01:03:10Please make me your disciple.
01:03:14Please come to my office.
01:03:16Is that okay?
01:03:18Thank you.
01:03:19That's great.
01:03:20Thank you.
01:03:24Director, I'll think about Soka Jiro.
01:03:32Thank you.
01:03:39It was too dramatic.
01:03:41It's okay.
01:03:43Director Wakamatsu made a movie.
01:03:46Director Wakamatsu is doing ATG, too.
01:03:51By the way,
01:03:53there's a movie at Tsurikomi Ryokan.
01:03:56It's a one-hour movie.
01:03:58Cut it in half and make it 30 minutes.
01:04:02Two hours of break is a long time.
01:04:05That's right.
01:04:06You can make a 30-minute movie.
01:04:09I brought the money.
01:04:12How about this?
01:04:14It's a 30-minute movie.
01:04:1930 minutes.
01:04:23How about telling an old story?
01:04:26Okay.
01:04:27It's like telling a story that happened a long time ago.
01:04:33Okay.
01:04:34Momotaro has sex instead of Kibi Dango.
01:04:38It's a story about fighting against demons.
01:04:43You can make a series.
01:04:47It'll be a hit.
01:04:49Can you finish it by tomorrow?
01:04:52I have ATG, too.
01:04:55I can't leave it to young people.
01:04:57Megumi, Anan, can you finish it quickly?
01:05:02Megumi, if you finish it, I'll make you a director.
01:05:07Yes.
01:05:10Eat all the beans.
01:05:12Leave some.
01:06:06Thank you.
01:06:22Thank you.
01:06:36Thank you.
01:07:07Taro Urashima
01:07:13If a turtle comes out, it's Taro Urashima.
01:07:23How is it?
01:07:26He meets strange adults like us.
01:07:29He can't go back to the windmill.
01:07:34It's done.
01:07:36The people who came to pick him up will see it.
01:07:40You have to take care of it.
01:07:45I'll take care of the white rabbit.
01:07:50Yoshizumi, it's a game.
01:07:58You are Taro Urashima.
01:08:04You don't want to get married.
01:08:09Then you meet this old man.
01:08:11You feel the pleasure of sex you've never felt before.
01:08:16This man is Otohime for you.
01:08:21This room is Ryugu-jo.
01:08:23Do it with that feeling.
01:08:25Good.
01:08:32I got it.
01:08:37It's good.
01:08:40I'll take this scene.
01:08:44Takano-kun, can you take it like a real man?
01:08:49You mean I move like a real man?
01:08:53Yes.
01:08:56Yes.
01:08:57Can you do it?
01:08:58Yes.
01:09:00Don't forget Otohime's feeling.
01:09:03Ayako, do it like a real man.
01:09:04Yes.
01:09:06Let's do it.
01:09:09Ready.
01:09:11Start.
01:09:13My life has changed since I met you.
01:09:16I'll destroy everything.
01:09:19It's wonderful.
01:09:25No.
01:09:26Oh.
01:09:27Yes.
01:09:28Yes.
01:09:36From now on?
01:09:37Yes, from now on.
01:09:38Yes.
01:09:39I'm sorry.
01:09:42I'm sorry.
01:09:43No.
01:09:45No.
01:09:55Megumi, it was good, wasn't it, Arai-kun?
01:10:12Yeah.
01:10:14I think it was good that the French film had a manly look.
01:10:19Right, Adachi-san?
01:10:21Yeah.
01:10:25Yeah.
01:10:32Hey, Arai.
01:10:34It was good, wasn't it, that the French film had a manly look.
01:10:37Right, Adachi-san?
01:10:39Yeah.
01:10:41Hey, Arai.
01:10:43It was good, wasn't it, that the French film had a manly look.
01:10:45Right, Adachi-san?
01:10:47Yeah.
01:10:49Megumi.
01:10:55Yes?
01:10:57How long have you been living here?
01:11:00A little over two years.
01:11:03Then it can't be helped.
01:11:06Then it can't be helped.
01:11:16Let's go, Arai.
01:11:18I'll treat you to something good.
01:11:46I'm glad you're here, kid.
01:11:48Hey, kid.
01:11:49Yes, Oshima-san?
01:11:51Are you alone?
01:11:55I heard you're going to Palestina on your return to Cannes.
01:11:58That's right.
01:12:00I heard it's worth about 8 million yen.
01:12:04So I asked you what you wanted to do.
01:12:07You said, we've already made a lot of films.
01:12:10So we wanted to start over from the basement.
01:12:13So I asked you what the basement was.
01:12:15And you said, Palestina.
01:12:17Right?
01:12:18In Japan, the only thing people care about is the Vietnam War.
01:12:24No one knows about the Palestina issue.
01:12:26So if we film Palestina guerrillas fighting Israel,
01:12:29it might be a problem.
01:12:32In Japan, no one has filmed it yet.
01:12:34It's going to be a big hit on TV.
01:12:37Do you know why no one has filmed it?
01:12:43Because it's too dangerous?
01:12:46Most of the world's movie theaters
01:12:48and Hollywood movie companies are Jewish.
01:12:53If you want to keep fighting against the world,
01:12:57you have to be careful.
01:13:00I heard Godard filmed a Palestinian guerrilla documentary
01:13:04called Until the Day of Victory.
01:13:07But there was a problem during editing.
01:13:10Godard might have ruined the project.
01:13:16So you can do it alone.
01:13:21Wakamatsu is with you.
01:13:23You can do it.
01:13:25Like I said, Wakamatsu just wants to film it
01:13:29and sell it to a TV station.
01:13:32I'm not worried about that.
01:13:36Now that you've said that, I'm ready.
01:13:40Don't worry. Thank you.
01:13:44It's my dream to produce a movie
01:13:46about young people fighting against the world.
01:13:55Are you looking for something?
01:13:57Where's my flower vase?
01:13:59Flower vase? I have one.
01:14:01Are you taking it with you?
01:14:03I have it.
01:14:05Are you taking the camera?
01:14:06I'm going to Palestine.
01:14:08Palestine?
01:14:09To sell it to a TV station.
01:14:11All right.
01:14:18Stop singing!
01:14:20I don't like it.
01:14:22I see.
01:14:23Gevaron and Castoro are revolutionaries.
01:14:28They're not good.
01:14:31The poor will die in the front line of the revolution.
01:14:35It's like a war.
01:14:37You have to be a good soldier.
01:14:42Right?
01:14:43That's right.
01:14:46Bye.
01:14:48I'm counting on you.
01:14:55Do you have your passport?
01:15:01I'm counting on you.
01:15:03Bye.
01:15:11If you don't betray yourself quickly,
01:15:16you won't be able to kill or commit a crime.
01:15:30That's impossible.
01:15:32You don't have to kill me.
01:16:00Director Wakamatsu, are you influenced by anyone?
01:16:16I'm not influenced by anyone.
01:16:19I'm just making a film.
01:16:30It's not open yet?
01:16:33You can't open it unless you're Micho-chan.
01:16:36What's going on?
01:16:39Long time no see.
01:16:40Long time no see.
01:16:41Micho-chan is here.
01:16:43You're still here.
01:16:45What's up?
01:16:46What are you doing?
01:16:47I can't open it.
01:16:48Let me see.
01:16:52You have to do it properly.
01:16:57It's open.
01:17:01You're the thief king of Shinjuku.
01:17:04Where's Megumi?
01:17:05She's not here yet.
01:17:08I'm back.
01:17:10Long time no see.
01:17:12Is that bread?
01:17:16Caviar.
01:17:17I bought some other things.
01:17:20You're full of thieves.
01:17:22I bought a lot.
01:17:25Mama.
01:17:28I'm going out.
01:17:33Mama.
01:17:36The tour bus has stopped.
01:17:41The tour bird will cry.
01:17:47No see you again.
01:17:55I didn't betray you.
01:17:58I didn't give you the money.
01:18:01I'm a thief.
01:18:07I'm a normal person.
01:18:10I'm a normal person.
01:18:13I'm not a thief anymore.
01:18:18I'll show up.
01:18:21The red neon lights are back on.
01:18:26The whole body is red.
01:18:32It's not hot anymore.
01:18:40You two should go home.
01:18:42Megumi doesn't feel that way.
01:18:46Then let's make our favorite movie.
01:18:50It's hard to like someone.
01:18:54It's the same for women.
01:19:00What?
01:19:05Arai, you're seriously injured.
01:19:09I'll prescribe you some medicine.
01:19:15Arai, it's medicine.
01:19:19Please drink it.
01:19:29He's back.
01:19:49A naked lunch.
01:19:52A bloody lunch.
01:20:06Shigenobu, let's take a picture.
01:20:19Let's go.
01:20:21Let's drink the world's best honey.
01:20:24Me too.
01:20:26Me too.
01:20:28Megumi, stop it.
01:20:32Megumi.
01:20:34Why?
01:20:36Why?
01:20:38Me too.
01:20:40Ready?
01:20:42Fire!
01:20:45Me too.
01:20:47Ladies and gentlemen.
01:20:51This is the birth of Wakabayashi.
01:20:54The birth of Wakabayashi.
01:20:57Let's go.
01:21:15Sorry.
01:21:40Ready?
01:21:45It feels so good.
01:21:50We should have invited Arai.
01:21:52It's good to be together.
01:22:02Arai is not ready yet.
01:22:05I don't want him to be with Arai.
01:22:09I don't want us to be together.
01:22:12I don't like Arai.
01:22:18I don't like Atsushi.
01:22:24I like Atsushi too.
01:22:28But he doesn't see me as a woman.
01:22:42I'm a woman.
01:22:59What are you doing?
01:23:05Hey.
01:23:13Hey.
01:23:25I've been training all day.
01:23:29When I woke up at 6 in the morning,
01:23:31I had a shooting practice with the commander.
01:23:35I dug ditches and dug sand.
01:23:39I was praised for being a good commander.
01:23:46I'm good at it.
01:23:50I'm good at aiming.
01:23:54When I shoot, it hits the tree.
01:23:59I was praised for being a good commander.
01:24:03It's been two weeks.
01:24:07I did all the shooting today.
01:24:10I did everything I wanted to do.
01:24:14I was so excited.
01:24:19I did everything I wanted to do.
01:24:22Suddenly, I was told to go down the mountain.
01:24:29I was so close to everyone.
01:24:33When I got home, everyone hugged me.
01:24:36They kissed me.
01:24:40I went down the mountain with a good feeling.
01:24:44I managed to get back to Beruta.
01:24:48The next morning,
01:24:54Shigenobu came to the hotel.
01:24:58It was terrible.
01:25:00Most of the mountains were destroyed.
01:25:08When I looked at the newspaper,
01:25:11I saw a picture of the commander hanging.
01:25:23I cried a lot.
01:25:31They were so kind.
01:25:38I thought they were kind.
01:25:45I knew they would attack us.
01:25:49So I went down the mountain.
01:25:53I told them.
01:25:57We died once.
01:26:01We have to forget about them.
01:26:06Let's stop being on TV.
01:26:11Are you going to make a movie with that material?
01:26:14Yes.
01:26:16This is not a movie that can be made in a movie theater.
01:26:19We will organize a screening team and do screening all over the country.
01:26:23We will buy a bus and do screening all over the country.
01:26:27This movie is about something new.
01:26:34This is a revolutionary movie.
01:26:39We will paint the bus red.
01:26:42We will write a big title on the bus.
01:26:49The title has already been decided.
01:26:52Please tell me.
01:26:54Sekigun P.F.L.P.
01:26:57World War Declaration.
01:27:00It's good, right?
01:27:02It's cool.
01:27:04I want to make it even better.
01:27:07We will ride the bus together.
01:27:11What do you think, Rai?
01:27:13You are the leader of the screening team.
01:27:15I wanted to quit politics.
01:27:18That's why I came here.
01:27:20I don't care who you are.
01:27:23But you have to pay me.
01:27:25I won't change my mind.
01:27:27Of course you won't.
01:27:28How much do you think you spent over there?
01:27:33I have to get another ticket before I get the E.T.G.
01:27:37Megumi.
01:27:39I'm counting on you.
01:27:41Yes.
01:27:43You haven't eaten at all.
01:27:46Eat it all.
01:27:48Eat it all.
01:27:54Don't leave any.
01:27:56Eat it all.
01:27:58How was it?
01:28:00It's the same as always.
01:28:49It's good so far.
01:28:59Here.
01:29:01After this,
01:29:03can you change the title to Heavy Artillery?
01:29:08Why do you want to change it?
01:29:11The command can't be aimed at the people.
01:29:14I see.
01:29:17Do you know the audience?
01:29:19It's okay.
01:29:21It's not an ordinary audience.
01:29:24I see.
01:29:26Megumi, are you here?
01:29:29Do you have something to do?
01:29:31No.
01:29:39Heavy Artillery.
01:29:41You always think about that, don't you?
01:29:45It's a good idea.
01:29:47If you make a mistake, you'll be called a nonsense.
01:29:51I see.
01:29:54Banko.
01:29:55Yes.
01:29:57I don't have enough paint.
01:29:59Yes.
01:30:11Do it, Sasaki.
01:30:14Here.
01:30:16Thank you.
01:30:18Do you want some, Megumi?
01:30:20Yes.
01:30:29Megumi.
01:30:39Shirohara.
01:30:41Shirohara.
01:30:50Have you ever had a baby?
01:30:54A baby?
01:31:00Yes.
01:31:02I had a baby when I was about to leave.
01:31:06Tadai was with me.
01:31:09I see.
01:31:15You're still young.
01:31:18Yes.
01:31:29Are you working?
01:31:30Thank you.
01:31:33Megumi.
01:31:35Yes.
01:31:36What are you doing?
01:31:38Who's going to make the movie?
01:31:43I am.
01:31:59How do you feel about coming back from Palestine?
01:32:05Yes.
01:32:12Well...
01:32:15Politics or the movie...
01:32:17It's a difficult question.
01:32:25Won't you write for Wakamatsu anymore?
01:32:28No.
01:32:29I'm writing a manga called Lupin the Third.
01:32:34Lupin the Third.
01:32:37I see.
01:33:04Good morning.
01:33:16Good morning.
01:33:21Who are you?
01:33:24Yes.
01:33:28What's your name?
01:33:30Toyama.
01:33:32Toyama.
01:33:33Have you ever had a rice ball?
01:33:37No, I haven't.
01:33:39I haven't even been in a revolutionary movie.
01:33:50Will you ride a red bus?
01:33:53I don't think so.
01:33:55I know.
01:33:58If you go to politics, you won't have anyone to make a movie with.
01:34:03The director said that too.
01:34:07Wakamatsu is not a movie producer anymore.
01:34:11It's more like an activist.
01:34:19Urashima Taro.
01:34:21What?
01:34:24I think I understand how he feels now.
01:34:33You can do it next time.
01:34:36Let's go.
01:34:37Can you do it?
01:34:40It's heavy.
01:34:50I don't think I'll make a movie.
01:34:54I don't think I'll make a movie.
01:35:10I'm going to see my dad.
01:35:13What?
01:35:15He asked me this when I first went to bed.
01:35:20I shouldn't have said that.
01:35:34Sex is not a big deal.
01:35:37If we all have sex, have babies, and raise them well,
01:35:42we might be able to win sex.
01:35:47If you have a baby, you lose.
01:35:53You couldn't even win sex.
01:35:58Why are you doing this?
01:36:10I've loved movies since I was a kid.
01:36:17I was born in Hokkaido.
01:36:20I went to school in Tokyo.
01:36:23I was in fourth grade.
01:36:26I dropped out of high school.
01:36:30My mother got married twice.
01:36:33We never saw each other again.
01:36:36I didn't meet my father.
01:36:39My grandmother took care of me when I was a kid.
01:36:43Sometimes my mother came to see me.
01:36:47That's how I lived.
01:36:52My mother told me to do what I wanted to do.
01:36:57I think that's a good way to live.
01:37:00I see.
01:37:03It's hard to be a female director in a pink movie.
01:37:10That's true.
01:37:14I think I was not able to do what I wanted to do.
01:37:19I had to work hard.
01:37:25It's different from watching a movie or shooting a movie.
01:37:30It's a different dimension.
01:37:33It's like a movie.
01:37:36Even if you talk for a long time,
01:37:39you can't convey what you want to say.
01:37:43That's the beauty of a movie.
01:37:46The beauty of a movie?
01:37:51But...
01:37:54I had to be a director.
01:37:58I had to do what I wanted to do.
01:38:03I had to do what I wanted to do.
01:38:07I had to do what I wanted to do.
01:38:14I had to do it without violence.
01:38:19Movies are really difficult.
01:38:24I don't know if I can win or lose to you.
01:38:31You?
01:38:42Yes, this is Matsubara.
01:38:45Do you know me?
01:38:48Yes.
01:38:51I'm going to Hokkaido.
01:38:54I'm going to take a picture of the railway.
01:38:58I see.
01:39:03I'm in the middle of a documentary.
01:39:09See you.
01:39:20I'm in the middle of a documentary.
01:39:44I'm changing one by one.
01:39:48I don't want it to end.
01:39:54It's like I've got everything I need.
01:40:01Including that you're a woman.
01:40:18Megumi, I just got a call from Arai.
01:40:21He said that the red-haired guy is done.
01:40:24He wants to see you and Makiko.
01:40:26Megumi is coming too.
01:40:29Really?
01:40:31I'm going to go.
01:40:35I'm going to go.
01:41:06Yume no naka de yume wo miru yume
01:41:19Tokidoki
01:41:25Hahano nai kono you ni
01:41:32Takaeru yume wo miru
01:41:42Hikari no chibusa ni tsutsumareru yume
01:42:01Hikari no chibusa ni tsutsumareru yume
01:42:31Hikari no chibusa ni tsutsumareru yume
01:43:01Hikari no chibusa ni tsutsumareru yume
01:43:31Hikari no chibusa ni tsutsumareru yume
01:44:02Hello, it's me.
01:44:10Yeah.
01:44:12It's been a while.
01:44:15How are you?
01:44:19How about you?
01:44:22How are you?
01:44:25I'm fine.
01:44:29How about you?
01:44:38I just wanted to talk to you.
01:44:58Yeah.
01:45:11Thank you.
01:45:16I love you.
01:45:28I love you.
01:45:37Takaeru yume wo miru
01:45:46Hikari no chibusa ni tsutsumareru yume
01:45:58Hikari no chibusa ni tsutsumareru yume
01:46:08Hikari no chibusa ni tsutsumareru yume
01:46:18Hikari no chibusa ni tsutsumareru yume
01:46:26Kanashimi wa kiteiru
01:46:56Hikari no chibusa ni tsutsumareru yume
01:47:06Hikari no chibusa ni tsutsumareru yume
01:47:16Hikari no chibusa ni tsutsumareru yume
01:47:26Hikari no chibusa ni tsutsumareru yume
01:47:36Hikari no chibusa ni tsutsumareru yume
01:47:46Hikari no chibusa ni tsutsumareru yume
01:48:07It's been a while.
01:48:13Takuma.
01:48:16Is that you, Hiroshi?
01:48:19Where's Megumi?
01:48:25Takuma.
01:48:29Don't you know?
01:48:31Know what?
01:48:37Megumi.
01:48:43She's dead.
01:48:46She took sleeping pills and whiskey.
01:48:51She said she'd come to the house on the 12th
01:48:56because she was going to shoot at that house.
01:49:00So I peeped through the door.
01:49:06Megumi was snoring and sleeping.
01:49:11So I thought I'd wake her up.
01:49:17I went home once and came back.
01:49:22Megumi.
01:49:29Megumi.
01:49:52Megumi.
01:50:03Megumi.
01:50:07She was pregnant.
01:50:12When we discharged her,
01:50:15she was six months pregnant.
01:50:23I understand.
01:50:33Well, then.
01:50:35See you.
01:50:36Take good care of him.
01:50:39See you.
01:50:44Tohgo, watch over Tohoku.
01:50:47We all will.
01:50:49See you.
01:50:51I'll be going now.
01:50:53I'm counting on you.
01:50:55See you.
01:51:05What is it?
01:51:06It's an activity fund.
01:51:11Make sure you keep half of it.
01:51:14And what happened to the book?
01:51:17I wrote it and left it at the office.
01:51:21Wake up, my dear.
01:51:26The dawn is breaking.
01:51:30The grass is withering.
01:51:34The flag is burning.
01:51:39I'm singing the national anthem.
01:51:41You're not going to sing it, are you?
01:51:43I'm singing the national anthem.
01:51:47I'm singing the national anthem.
01:51:51I'm singing the national anthem.
01:51:56I'm singing the national anthem.
01:52:00I'm singing the national anthem.
01:52:13I'm singing the national anthem.
01:52:43I'm singing the national anthem.
01:53:13I'm singing the national anthem.
01:53:19I'm singing the national anthem.
01:53:32I'm Akamatsu.
01:53:34Is Mr. Kudzui here?
01:53:37Yes, I'm Wakamatsu, I'm an A.T.G., but I'm going to quit the Soka Jiro project.
01:53:52I'm going to use a bomb to blow it up.
01:53:58I'm going to use a bomb to blow it up.
01:54:08I'm going to use a bomb to blow it up.
01:54:18I'm going to use a bomb to blow it up.
01:54:28I'm going to use a bomb to blow it up.
01:54:48I'm going to use a bomb to blow it up.
01:54:58I'm going to use a bomb to blow it up.
01:55:08I'm going to use a bomb to blow it up.
01:55:18I'm going to use a bomb to blow it up.
01:55:28I'm going to use a bomb to blow it up.
01:55:38I'm going to use a bomb to blow it up.
01:55:48I'm going to use a bomb to blow it up.
01:55:58I'm going to use a bomb to blow it up.
01:56:08I'm going to use a bomb to blow it up.
01:56:18I'm going to use a bomb to blow it up.
01:56:28I'm going to use a bomb to blow it up.
01:56:38I'm going to use a bomb to blow it up.
01:56:48I'm going to use a bomb to blow it up.
01:56:58I'm going to use a bomb to blow it up.
01:57:08I'm going to use a bomb to blow it up.
01:57:18I'm going to use a bomb to blow it up.
01:57:28I'm going to use a bomb to blow it up.
01:57:38I'm going to use a bomb to blow it up.
01:57:48I'm going to use a bomb to blow it up.
01:57:58I'm going to use a bomb to blow it up.
01:58:08I'm going to use a bomb to blow it up.
01:58:18I'm going to use a bomb to blow it up.
01:58:28I'm going to use a bomb to blow it up.
01:58:38I'm going to use a bomb to blow it up.