• 2 months ago
DETAILS:
Drama: South Korean
Total Episodes: 16
Duration: 65 min.
Content Rating: 15+ – Teens 15 or older
Aired: Dali and the Cocky Prince
Also Known as: Dal Li and Gamjatang , Dalli and Gamjatang , Dal Ri and Gamjatang , Dali and Cocky Prince , Dali Potato Soup , Darli & the Cocky Prince , Dalriwa Gamjatang , Dalliwa Gamjatang
Genres: Comedy, Romance, Drama

Storyline:
This is a story of special night courier who is known as healer by his clients. He works with a hacker and can deliver anything from one place to another as long as murder isn’t involved in it. His latest job lead him to Chae Young Shin, who is a second-rate tabloid writer. Now he have to give details about her to a specific client but table turn upside down as he fall in love with her.

Category

😹
Fun
Transcript
00:00:00I'm just a dolly, he fell in love with her, oh there she is, how lovely, the dolly fell
00:00:24in love with him.
00:00:27The dolly fell in love with him.
00:00:57The dolly fell in love with him.
00:01:27The dolly fell in love with him.
00:01:57The dolly fell in love with him.
00:02:27The dolly fell in love with him.
00:02:30The dolly fell in love with him.
00:02:33The dolly fell in love with him.
00:02:36The dolly fell in love with him.
00:02:39The dolly fell in love with him.
00:02:42The dolly fell in love with him.
00:02:45The dolly fell in love with him.
00:02:48The dolly fell in love with him.
00:02:51The dolly fell in love with him.
00:02:55Do you want to go to jail?
00:03:16You should have switched on the GPS.
00:03:20Okay, fine.
00:03:24What's the address of your friend's house?
00:03:27Why?
00:03:30First, let's go to your friend's house.
00:03:32I'll call a driver there.
00:03:35Okay.
00:03:40To write the address?
00:03:41Sit comfortably. I know what to do.
00:03:46Why is she getting angry?
00:03:54By the way...
00:03:58You say it first.
00:04:00No, no.
00:04:02You say it first.
00:04:04Ladies first, please.
00:04:06What?
00:04:07No, no, no. Sorry, sorry.
00:04:08Ladies of...
00:04:11Ladies first, please. First.
00:04:14I can't say it because I'm drunk.
00:04:21Actually, your lips...
00:04:23My lips?
00:04:25What happened to my lips?
00:04:28Clean it. There's lipstick on it.
00:04:54Ahem.
00:05:07We're here. You can get off.
00:05:13What?
00:05:23One minute.
00:05:35How do you know I live here?
00:05:38You said you live with Montag.
00:05:42But you said you didn't know where he lives.
00:05:45Well...
00:05:46Ah!
00:05:51Hi, Montag!
00:05:53Hi!
00:05:56Did you come out to throw garbage?
00:05:58What's going on here?
00:06:00Mr. Jin had a drink, so I came to drop him.
00:06:03What?
00:06:06It's not like that.
00:06:08I was going to drop him. It's so late.
00:06:10The thing is, can you drop me home, please?
00:06:13I'm staying at my friend's house these days.
00:06:18Friend's house.
00:06:20Forget that friend. Go to Montag's house.
00:06:23Go and rest there.
00:06:24I'll come with you. I'll drop you.
00:06:26No, Mr. Jin. You had a drink, so you should go home and rest.
00:06:30Montag will drop me home.
00:06:32Right?
00:06:35Yeah, yeah.
00:06:39Bye.
00:06:44Let's go.
00:06:57They're so close.
00:07:00Montag will drop me home.
00:07:02Marry Montag.
00:07:03Yeah, right.
00:07:07He kissed me a while ago.
00:07:09He kissed me a while ago.
00:07:11How can he kiss someone else right after that?
00:07:25I didn't want to brush my teeth.
00:07:39Why did I do that?
00:07:42Why did I do that?
00:07:49Hormones?
00:07:51Time for ovulation?
00:07:59Did his tears make you emotional?
00:08:05No, it's not like that.
00:08:09It's not like that.
00:08:15Did I...
00:08:22Can I come in?
00:08:25Yes, you can.
00:08:36Are you going somewhere?
00:08:38It's an emergency, so I have to go.
00:08:40Oh, okay.
00:08:44Are you sure everything is fine?
00:08:48Yes, everything is fine.
00:08:50If there's any problem, please let me know.
00:08:54I was at the police station and a while ago...
00:08:57I don't know, but I'm suspicious of you two.
00:09:00What do you mean?
00:09:03Are you...
00:09:04Are you...
00:09:06Me?
00:09:12Are you afraid of him?
00:09:15What?
00:09:17It's not necessary that you're afraid of him.
00:09:20Whether it's physical or emotional.
00:09:22If you're afraid of him, then he's a threat.
00:09:25He owes you money, so he has every right to take it.
00:09:28But he can't force you like this.
00:09:31Why did you drive for him?
00:09:32Yes, I owe him money.
00:09:34I have to pay him.
00:09:36What?
00:09:38You're right.
00:09:40Hey, are you listening to me?
00:09:43Yes.
00:09:45Yes, I'm listening.
00:09:48Anyway, forget it.
00:09:50You're indebted to him.
00:09:52Just know one thing.
00:09:54Don't let him overpower you again.
00:09:56If you need help, let me know. I'll come with you.
00:09:59No, I'll manage.
00:10:00I'll manage.
00:10:04I'll let you know if I need anything.
00:10:22Please take care of yourself, darling.
00:10:30Okay.
00:10:37I can't believe it.
00:10:39Such a long queue is for our exhibition.
00:10:42Are they our creditors?
00:10:44I slapped myself.
00:10:46Am I dreaming?
00:10:53What are you doing?
00:10:55This is not a dream.
00:10:57Hi, how are you?
00:11:00I'm fine.
00:11:10Miss Kim.
00:11:15Congratulations.
00:11:24What do you think?
00:11:26Who invited all these celebrities and influencers?
00:11:30You must have found out.
00:11:32Yes, I think so.
00:11:34She's become quite famous after the press conference.
00:11:37Absolutely.
00:11:39Everyone was looking at her clothes and jewelry.
00:11:41I can't believe it.
00:11:43I've never seen any celebrity.
00:11:45There must be a reason for her coming here.
00:11:47If she carries a special dress or bag,
00:11:49the brand's sales will skyrocket.
00:11:51It's all about money.
00:11:53Money.
00:11:55Did Tarzan invite them?
00:11:57Look,
00:11:58artists shouldn't be greedy for money.
00:12:01I know money is important,
00:12:04but you can't buy everything with money.
00:12:07Do you understand what I'm saying?
00:12:11Whatever the reason,
00:12:13the press conference has forced them to come to our exhibition.
00:12:18She should be weighed in gold.
00:12:22You are the real lucky charm for our gallery.
00:12:26No, no, no.
00:12:28Kim Dali.
00:12:30Kim Dali.
00:12:32Kim Dali.
00:12:34That's enough.
00:12:36You all worked the hardest that day.
00:12:39If you talk so humbly,
00:12:41we have no other option but to cheer you up.
00:12:44Kim Dali.
00:12:46Kim Dali.
00:12:48Kim Dali.
00:12:50Kim Dali.
00:12:52Kim Dali.
00:12:54Kim Dali.
00:12:56Kim Dali.
00:12:58Hello.
00:13:00Why?
00:13:02Let's start the meeting.
00:13:04We have a meeting today?
00:13:06Okay, let's go.
00:13:08Let's go now.
00:13:10What are you doing?
00:13:23Why are you pushing me?
00:13:25Have you gone mad?
00:13:28After that, we will plan Chong Seng Art Camp with Don Don F&B.
00:13:33As soon as I finish my work, I will send them the materials.
00:13:37I have decided to visit the orphanage myself.
00:13:39After that?
00:13:41After that, I want to provide a service to the visitors.
00:13:44We will help the parents to appreciate the pieces without worrying about their children.
00:13:47If we make a kiss cafe for her, how will it be?
00:13:50This is not possible.
00:13:51No matter how liberal our society has become,
00:13:54but what are you saying?
00:13:56Kiss cafe?
00:13:58What is the need for them to come here and kiss?
00:14:03He means kids cafe.
00:14:06Is my pronunciation so bad?
00:14:10I said D, kids cafe, not kiss.
00:14:13Kids cafe.
00:14:15Kids cafe.
00:14:16Okay.
00:14:20Our next contact is Keith Haring.
00:14:27How can you kiss without a contact?
00:14:31Will you do flying kiss?
00:14:35This artist's name is Keith Haring.
00:14:39Okay, it's Keith, not kiss.
00:14:42What kind of a strange name is this?
00:14:46It's such a strange name, right?
00:14:49So, next week's Chong Song workshop will be for poems and paintings.
00:14:54Romantic poets like Wordsworth, Byron and Keats.
00:15:03K-E-A-T-S
00:15:07Keats, not kiss.
00:15:09Not kiss, Keats.
00:15:12I mean, Keats.
00:15:14Keats.
00:15:16Keats.
00:15:18His name is Keats.
00:15:20Okay, I'm sorry.
00:15:22Keats.
00:15:24I got it.
00:15:26Don't teach me.
00:15:39Oh.
00:15:41Oh.
00:15:43You reached home safely last night?
00:15:49What happened?
00:15:51I don't understand, is everything okay?
00:15:54Tell me something.
00:15:56Yes, tell me.
00:15:59Why are you doing this, Mr. Jin?
00:16:03What am I doing?
00:16:05If you are uncomfortable with what happened last night...
00:16:09What do you mean, uncomfortable?
00:16:11It's not like we are school kids.
00:16:14We are adults, we have grown up.
00:16:17Actually, after the exhibition, I got tired.
00:16:22And I don't know what happened to me, I made a mistake.
00:16:25Mistake?
00:16:28A mistake?
00:16:30Discourtesy?
00:16:32Incident?
00:16:34Incident?
00:16:35Whatever you want to say, say it.
00:16:37But I want to apologize to you.
00:16:39Let's say it never happened.
00:16:41Can we live like a loan shark and a debtor?
00:16:44Like you said, we are adults.
00:16:46Let's behave maturely.
00:16:49There are a lot of workers here.
00:16:52And we have a lot of work too.
00:16:54Kim darling, do you accidentally kiss any boy?
00:16:56I don't make a mistake where my lips are involved.
00:17:00Eating, talking.
00:17:02And what we did last night.
00:17:06And what kind of mistake is this that has become so intense?
00:17:09It was nothing like that.
00:17:23I can't consider it a mistake.
00:17:26So I want you to think again.
00:17:30That what we did in those moments yesterday, was it a mistake or not?
00:18:01After a few days
00:18:23Oh no!
00:18:25I am sorry sir.
00:18:27There is a narrow road ahead.
00:18:30I
00:18:41Thank you, sir
00:18:48This trip sir
00:18:54Yeah, you'll get a sir
00:19:00Yeah, you got it
00:19:02It's building a roof top guy G
00:19:06What's tough Joe one duck with a
00:19:12Or Dalia be with you kiss at very you know G
00:19:17Or will go your body
00:19:20Or it's building a Malik Gene Mohawk be here at a
00:19:24Gum, Chetan, Walla boy, yeah, it's new to know sir a rarity to catch up there. It's got all key got no sick. Oh, yeah. No, no, no, no
00:19:31You must a coincidence
00:19:39Coincidence
00:19:43How's the boss major Paris on can make a catering
00:19:54I
00:19:59Can't believe it. Our society is so liberal. But what are you saying? Kiss Cafe?
00:20:05They don't need to kiss here
00:20:09you
00:20:10How can you kiss without a contact?
00:20:23Oh
00:20:28They move to say
00:20:46No, it's a good thing I'm on something
00:20:49I'm a child. I'll be
00:20:52to make a thesis or job
00:20:54Keep a little below me. So I'm a kid. How was that?
00:20:58Go you got the TIA night
00:21:18Oh
00:21:40Tajan
00:21:48To me, yeah, but I
00:22:18I
00:22:30Don't take the badger I'm gonna say more
00:22:33I
00:22:44Don't care if I got a key man, you know, maybe it's not a musculature. Oh, God, it's a tuition go Samantha
00:22:51Yeah, I've heard one take a gun. Oh, no
00:22:53Oh
00:23:00Sponsorship association young entrepreneur
00:23:02Give us the spare time hotel sub-unit a hotel and sub-unit a hotel and golf kilt a gentle way to cut a honey. Give it a don't
00:23:09They own a team song kill a sponsorship party guy. Do you pass on that?
00:23:13Just be cool. It's a occasion hotel up in a checkbook schooling. They are there. What's a catch a program?
00:23:19Yeah, maybe a musculature
00:23:22It's exhibition to prepare
00:23:23Can you give me a guy you look at the past sponsorship kill you baby?
00:23:26Well, I'll marry that coach on today
00:23:29Niggas, I'm Nick. I can meet he came here. I don't give us time
00:23:33I'm sick meeting that one of you bought myself. I say I'm kill you artists go support. Can I go reason any time?
00:23:39Will carry them to my father today
00:23:42Our own cake was a Nick a bad check books open Karneka. Koiris a new Baja
00:23:46And
00:23:50Just to me I need to do boss are in a player say met me once a milonga
00:23:56It's weekend pay to my past time Anna this weekend, huh? Yes, we can pay. How many meeting me on similar guy? Yes, I'm okay
00:24:07Yeah, well to my past time me
00:24:11Covey Covey much of a lot
00:24:14I
00:24:15Don't know how much I can incompetent wrongly or up in a dump or could we make our bogey?
00:24:20Sir, don't say mother to the wrong key
00:24:23to much of a sin of a cookie
00:24:27Tomorrow father kid at tomorrow really hardest thing really over to my heart cheese kiss in the diary
00:24:31But I am to miss Teddy to a DJ to miss up to party to a message page D
00:24:36Don't let gallery go by Johnny Kaleo. What could you do?
00:24:40So I'm a joke. Yeah, we're going to get sick
00:24:44To match our company
00:24:54By the Abhi Amjad
00:25:11Yes, I've got
00:25:14Boss could do a yeah, but I need to be out there. Yeah, I
00:25:22Think I'll get back at them
00:25:43I
00:25:55Mean I said you know, that's the message or Nipa. Yeah, but in my scar my rabbi, Nipa, yeah
00:26:03It's a good about it. I couldn't you don't see why Mary or Mary secretary
00:26:08It's come with love. I miss a secret truck sick
00:26:11Yeah, it'll get out
00:26:13Hi, it's better. I'm a soldier. Yeah, but a colleague I read
00:26:17I'm job job. Yeah, I said to you or job. Yeah, we should hold carry on the job. He said to you
00:26:23Yeah, better. Oh, come on, Joe
00:26:32Dali
00:26:35Well, I don't really care
00:26:38Yeah, they can make a bad kid, I'm jumpin at the ocean to Garvey Nika, Jessica
00:26:43I don't marry a car. He'd need a party tonight. Okay, so come on. Oh, yeah, I'll cut that
00:26:48Make it don't make it suck
00:26:51Yeah, I've been barricaded. Okay, let's look at it. Just a shoddy. Say coach. You know, I mean, I'm going to shoot key
00:26:56We might be home
00:26:58All right, I'm a repast. I'm gonna eat. I don't wish to die. I can't get y'all yeah
00:27:02What's going on
00:27:04Put the samashti kaho. Huh? Yeah, like a password change Nika. Okay, so my subculture
00:27:10To make a behavior. Yeah, just a coach. Why ain't he?
00:27:14It's got y'all come back. I got my club Nia, huh?
00:27:18Don't let me exposition be ready
00:27:22Just many to me tomorrow father can't even since carpe dica
00:27:25I thought they'd come on a shot right now
00:27:26I
00:27:56I chose this option because I live in pain, you didn't even try to get me, did you?
00:28:13You're right, I didn't even try.
00:28:17How can you even try after hearing all that?
00:28:25What do you think?
00:28:28You can forgive what you didn't do in 5 years?
00:28:47No, I didn't.
00:29:05Museum looks so different at this time of the day, doesn't it?
00:29:08These pictures become brighter after a night's sleep.
00:29:12So, we're going to date here every day after we get married?
00:29:17Every day? You'll come here with me every day?
00:29:21Yes, whenever you go, I'll stick to you like glue.
00:29:28I don't care what happens, I'll follow you till the end of the earth.
00:29:41I don't know what to do, but I'll go to your room.
00:29:57Let's go.
00:30:21Let's go.
00:30:27Let's go.
00:30:57Let's go.
00:31:27Let's go.
00:31:58Let's go.
00:32:09Yes, I'm on my way home.
00:32:15Do you need anything?
00:32:19Where?
00:32:27I used to do this when I was a kid.
00:32:34What are you doing here?
00:32:39I like this place.
00:32:43There's a playground here, a convenience store nearby.
00:32:48The view from the terrace is also very nice.
00:32:51Aren't other places like this?
00:32:53Then come home and sleep.
00:32:57What's the point of working till late?
00:33:00You sleep instead of your work, just because of me.
00:33:05If you keep doing this, I won't stay here at all.
00:33:10Who said I do this for you?
00:33:12This is the job of detectives.
00:33:18Did something happen today?
00:33:20Did something happen today?
00:33:22Nothing.
00:33:27You know, after a long time, a boy asked me to go out.
00:33:34It felt good to hear that.
00:33:38Kim Dally is out.
00:33:41Also, another boy proposed to me.
00:33:46He wants me to live in his house.
00:33:52What a day!
00:33:54I can't believe this is happening to me.
00:33:58Did you meet Jang Tehjin?
00:34:00Is he calling you back?
00:34:03Is he asking you to stay in his house?
00:34:06What a shameless man!
00:34:09What did you say to him?
00:34:11You didn't say yes to him, did you?
00:34:12You've come to meet him, haven't you?
00:34:14If he thinks he can do anything to you after the director leaves, I won't stay quiet.
00:34:23Do you still have feelings for him?
00:34:31Some people can never change. He's just like that.
00:34:34My relationship with Tajan is over.
00:34:36He's just my past now.
00:34:38You know,
00:34:42when things get tough,
00:34:44people say everything will be fine.
00:34:48Pain, sadness,
00:34:50it will all pass with time.
00:34:55But if you think about it in a different way, there's just one saying.
00:34:59It means,
00:35:02happiness and love
00:35:05will pass away together.
00:35:09Mom,
00:35:12Dad,
00:35:16Tajan too.
00:35:22Nothing lasts forever, right?
00:35:33Wantak,
00:35:34Wantak,
00:35:39will you promise me that you'll stay with me
00:35:43as long as you can?
00:35:50Otherwise, I'll be all alone.
00:36:04Yes.
00:36:27Wait a minute.
00:36:28Come.
00:36:34You know, whenever I see you,
00:36:36you look like a friend to me.
00:36:39You're a cop, right? Maybe that's why.
00:36:43I wanted to ask you about Kim Daly.
00:36:49When you dropped Kim Daly home, did she say anything to you?
00:36:54What would she say?
00:36:55What would she say?
00:36:57Did she say anything about me?
00:36:58No.
00:36:59Don't give me that answer.
00:37:00Try to remember. She must have said something.
00:37:01She didn't say anything.
00:37:04Wantak, tell me something.
00:37:06Do you always give such small answers?
00:37:08Or is it a different day today?
00:37:10You use water and electricity a lot, but you don't like to talk.
00:37:13What? What?
00:37:14I'm just saying that because you look like a friend to me.
00:37:19If you make Daly your driver again,
00:37:22you'll die.
00:37:26Huh?
00:37:32I dropped you because you're a cop.
00:37:34I know you know Kung Fu and Karate.
00:37:35What do you think of me?
00:37:36If you weren't Daly's friend, I would have...
00:37:44It's too cold at night, isn't it?
00:37:56What?
00:38:04We meet in the office all week,
00:38:06and now you're calling me over the weekend?
00:38:08You know that's against the labor law, don't you?
00:38:11I think you should go back then.
00:38:17You're right.
00:38:19At least have food at home once a week.
00:38:22Listen, ma'am.
00:38:23The food is ready.
00:38:24Okay, let's eat.
00:38:26Let's go.
00:38:28You should eat at home.
00:38:29That's right.
00:38:30But for that, you should have food at home.
00:38:32Delicious.
00:38:33Okay, do we have to check the taste of the food at home too?
00:38:36Who said we have to check the taste?
00:38:38I'm eating because it's good to eat.
00:38:41We don't need to test for this kind of taste.
00:38:44We can go ahead and open its branches.
00:38:47Huh?
00:38:48It's a delicious taste.
00:38:50It's delicious food.
00:38:51It's about the party.
00:38:53When I heard they were hosting a tune song party,
00:38:56I thought it would be amazing.
00:38:59But I made it better than they did, didn't I?
00:39:02Actually, I've never seen so many crazy people get together.
00:39:08A fool was screaming,
00:39:10and they had put a living person in a coffin.
00:39:13People saw all this, clapped, and then drank.
00:39:16It was all a show.
00:39:17I mean, is there a circus going on?
00:39:19That's how it is.
00:39:20When people don't have anything better to do,
00:39:22they show off their money.
00:39:24Why do they show off their money?
00:39:26It's the limit.
00:39:30Didn't you feel anything when you saw those masterpieces?
00:39:35What did you say?
00:39:36Masterpiece?
00:39:38Here.
00:39:39Didn't you feel like something was burning inside?
00:39:44Something that we can't even describe in words.
00:39:47Like emotions bursting inside.
00:39:50I'll throw this and kill you.
00:39:51Have you gone insane?
00:39:53Should I stick something in my finger?
00:39:54I have medicine for insanity.
00:39:55Tell me if you want it.
00:39:59You guys eat.
00:40:00Eat.
00:40:04I eat alone at home,
00:40:05and I eat alone here.
00:40:06I'll be alone all my life.
00:40:08It's better that I don't come here.
00:40:11If you're too lonely, get married.
00:40:13Marry an insane's daughter?
00:40:16Assemblyman is not a big man.
00:40:18The one who has money has a heavy burden.
00:40:22Wow, this is amazing.
00:40:25Here.
00:40:26Thank you so much.
00:40:34What is this?
00:40:35It's like this.
00:40:39It's very hot.
00:40:40It's the season of heat.
00:40:43What is this?
00:40:44There's something on it.
00:40:45Really? Where?
00:40:46Wait a minute.
00:40:48Okay, I'll clean it.
00:40:49I'll clean it.
00:40:50Leave it.
00:40:52Okay, I'll do it.
00:40:57As far as marriage is concerned,
00:40:59marry the one
00:41:02you like.
00:41:03Not the one who likes you.
00:41:05Not at all.
00:41:09What are you saying?
00:41:10Do you think we're talking nonsense?
00:41:15Oh, my God.
00:41:19Hey, hey, hey.
00:41:21Take this.
00:41:24We bought another one.
00:41:25You can keep it at home.
00:41:27Take this too.
00:41:31Doenjang?
00:41:32This is a 100-year-old Doenjang from a big family.
00:41:35Take it home and make soup with it.
00:41:37You should have wrapped it in cloth and given it to me properly.
00:41:39You're spoiling my style.
00:41:40Hey.
00:41:41Hey.
00:42:11Where are you going?
00:42:16If you want the gallery,
00:42:17take it from him right now.
00:42:19Before someone else buys it.
00:42:21Got it?
00:42:27I'll put something on my jacket.
00:42:30Bye.
00:42:42Bye.
00:43:02Hey, listen.
00:43:04I need some information.
00:43:07My brother?
00:43:09He bought this land?
00:43:10But why?
00:43:11Didn't you know, sir?
00:43:13This land is very, very big.
00:43:17Are you planning to develop this area?
00:43:20This is a limited development district.
00:43:22You can say that it can never be sold.
00:43:28I thought so, but I was wrong.
00:43:31About five or six years ago,
00:43:32people started selling and buying in secret.
00:43:35But recently, it has become more active.
00:43:37And do you know when it started?
00:43:40After the death of Director Kim Nakjoon.
00:43:46Dad, tell me one thing.
00:43:47You once said that many people have their eyes on Chongsong Gallery.
00:43:51So, where did you hear this from?
00:43:54I think that Director Kim was a hurdle for those people
00:43:57who wanted to develop that area.
00:44:01The land of that museum
00:44:02was located in the most important part of the district.
00:44:06And he had a strong social influence.
00:44:08He had made it clear with an NGO
00:44:11that he would not let the area be developed.
00:44:13Obviously, he was very stubborn.
00:44:18Kim Dali will not be able to sell the gallery.
00:44:20Understood?
00:44:21If you want the gallery,
00:44:22take it from him right now.
00:44:24Before someone else buys it.
00:44:26Understood?
00:44:27But...
00:44:29I did some more research
00:44:30and checked the land registers.
00:44:33Do you remember the VIP of the opening party?
00:44:37His name was on the list at many places.
00:44:49I see.
00:44:50You have done a lot of hard work.
00:44:52This is great.
00:44:57Student residence?
00:44:58Yes.
00:44:59Why would you be interested in that?
00:45:01I just want to know about the cost.
00:45:04That depends on the condition of the room.
00:45:07But even if you sell your scarf,
00:45:09you can stay there for three months.
00:45:12Ms. Na.
00:45:16Have I ever offended you?
00:45:19I feel that you don't like me.
00:45:23Have you ever thought that
00:45:25maybe the people around you
00:45:27are becoming over-friendly?
00:45:30What?
00:45:31Think about it.
00:45:33Everyone is dying to help you.
00:45:35They put their lives in your hands,
00:45:37but they seem to be obedient.
00:45:39Take the exhibition for example.
00:45:41We did all the preparations
00:45:43and worked very hard.
00:45:45But you were the only one
00:45:46who was appreciated.
00:45:49I feel bad.
00:45:51You got everything easily
00:45:52because your family's name is on it.
00:45:54If you feel that way,
00:45:56I apologize from the bottom of my heart.
00:45:58But Ms. Na,
00:45:59there is a lot more
00:46:01than what you see.
00:46:04You are right.
00:46:06There is a lot more.
00:46:09Hello.
00:46:10You are here.
00:46:12Mr. Jin and his secretary
00:46:13are getting late.
00:46:14They will join later.
00:46:15Do you have any problem with this?
00:46:17Okay.
00:46:18Come this way.
00:46:24Three Frogs of Sandro and Leonardo.
00:46:26It's not just a program
00:46:27to feed them.
00:46:29We will help them
00:46:30to experience Leonardo's work
00:46:31and understand it.
00:46:33This is our aim.
00:46:40We will make it more realistic.
00:46:45Hello, Ms. Song.
00:46:46What's the matter?
00:46:48I think there is a misunderstanding.
00:46:50They said that we didn't pay
00:46:51for Ham Yonji's appearance.
00:46:54I have found out that
00:46:55this is a PR company
00:46:56that invites celebrities
00:46:57to launch parties
00:46:58and opening events.
00:47:00They upload photos on social media.
00:47:02Obviously,
00:47:03Donder hired them.
00:47:06What should I do now?
00:47:08This area is green-built.
00:47:10Come in.
00:47:11This is the most important place.
00:47:15Excuse me, sir.
00:47:16Sir.
00:47:24Is the meeting over?
00:47:25I was about to join.
00:47:27Shall I get tea for you?
00:47:29No need.
00:47:30You can go.
00:47:32Yes, sir.
00:47:39Please sit.
00:47:53What's the matter?
00:47:55You look very worried.
00:47:56What's the matter?
00:47:58Tell me something.
00:48:00Yes, tell me.
00:48:01Did you hire a PR company
00:48:04for the openings?
00:48:07Did you invite
00:48:08idol members,
00:48:09YouTubers,
00:48:10and influencers?
00:48:12You are right.
00:48:13Yes, I invited them.
00:48:15What's the matter?
00:48:20It's just that
00:48:21I don't know
00:48:22what's the problem.
00:48:24Strange.
00:48:26Opening events
00:48:27have a bigger impact
00:48:28than we think.
00:48:30If you want to launch
00:48:31a new product
00:48:32or start a new business,
00:48:33you should have
00:48:34a lot of people
00:48:35instead of events.
00:48:36You should feel
00:48:37that a lot of big people
00:48:38have come there.
00:48:39Although,
00:48:40it wasn't cheap at all.
00:48:41But still,
00:48:42I hired them.
00:48:43Do you know why?
00:48:44So that we get
00:48:45a good start.
00:48:46And we got
00:48:47the benefit of it.
00:48:48Look,
00:48:49people are in line
00:48:50for the exhibition.
00:48:51Did you hire
00:48:52visitors that day?
00:48:53Yes.
00:48:54Yes.
00:48:55But it wasn't expensive.
00:48:56What's the use
00:48:57of listening to the news?
00:48:58For that,
00:48:59we need to make
00:49:00solid proof.
00:49:01Get some people
00:49:02in line
00:49:03and get some photos taken.
00:49:04It will look like
00:49:05a huge crowd
00:49:06has gathered for it.
00:49:07Why are you doing all this?
00:49:10Do I have to tell you this?
00:49:11Of course,
00:49:12to earn money.
00:49:13Why else?
00:49:16Do you think
00:49:17I have money to waste?
00:49:18And this is
00:49:19a business tactic
00:49:20that vendors use
00:49:21to lure children.
00:49:22This is the number
00:49:23one principle of business.
00:49:24You are talking
00:49:25as if I run
00:49:26a rental shop.
00:49:27Art Gallery
00:49:28is not a business,
00:49:29Mr. Jain.
00:49:30Why not?
00:49:31Don't visitors
00:49:32buy tickets?
00:49:33What happened?
00:49:34Does business sound
00:49:35like a bad name?
00:49:36What do you think?
00:49:37Are we crazy
00:49:38to do business
00:49:39for so many years?
00:49:40I don't mean that.
00:49:41You are deceiving
00:49:42the visitors.
00:49:43What nonsense
00:49:44are you talking?
00:49:45Mr. Jain, please.
00:49:46I thought you had
00:49:47learned your lesson,
00:49:48but I was wrong.
00:49:49Okay,
00:49:50let's forget about
00:49:51the profit.
00:49:52You have always
00:49:53had more money
00:49:54than you need.
00:49:55But,
00:49:56tell me,
00:49:57what about
00:49:58the eight pieces
00:49:59that you take care of?
00:50:00If someone appreciates you
00:50:01while partying
00:50:02and drinking wine,
00:50:03won't that be nice?
00:50:05What do you want?
00:50:06The visitors won't come?
00:50:07If no one sees
00:50:08those eight pieces,
00:50:09what will you do?
00:50:10Didn't you say
00:50:11that the artists
00:50:12have worked hard
00:50:13on these eight pieces
00:50:14for years?
00:50:15Didn't you work hard
00:50:16day and night
00:50:17for this exhibition?
00:50:18Tell me,
00:50:19why shouldn't we
00:50:20gather more people?
00:50:26This artwork
00:50:27is by Mrs. Choi Chong Wa.
00:50:28If you look here,
00:50:29she has used
00:50:30rose garbage
00:50:31to create art.
00:50:33She has used
00:50:34household items
00:50:35to show
00:50:36a lot of creativity.
00:50:39Art gallery
00:50:40where no one comes
00:50:41is no less
00:50:42than a graveyard.
00:50:44I understand
00:50:45what you are saying
00:50:46very well.
00:50:48Do you know
00:50:49why I don't want
00:50:50to do all this?
00:50:52You are right.
00:50:54We should try
00:50:55to show this artwork
00:50:56to everyone.
00:50:57You are right.
00:50:59Money is very important.
00:51:01But,
00:51:02I don't want
00:51:03to spend it
00:51:04on art.
00:51:06I don't want
00:51:07to spend it
00:51:08on art.
00:51:10But,
00:51:12I can't give
00:51:13so much importance
00:51:14to money.
00:51:16Not because
00:51:17I am arrogant
00:51:18or I am
00:51:19sophisticated.
00:51:22I hate
00:51:23my workers'
00:51:24hard work
00:51:25being ignored
00:51:26because of money.
00:51:28This is shameful
00:51:29for the gallery.
00:51:32If you think
00:51:35you did the right thing,
00:51:36why didn't you
00:51:37do it?
00:51:42If there is
00:51:43no reason for it,
00:51:46if I am doing all this
00:51:47to see you happy,
00:51:54to see you smiling
00:51:56like I saw you
00:51:57in the Netherlands
00:51:58smiling.
00:52:05Then,
00:52:06I should have
00:52:07looked for you.
00:52:37I am sorry.
00:52:44Where are you running?
00:52:45You scoundrel!
00:52:46Where are you running?
00:52:47Stop!
00:52:48You scoundrel!
00:52:49You scoundrel!
00:52:50Stop!
00:52:51You!
00:52:52Stop!
00:52:53Where are you running?
00:52:54Where are you running?
00:52:56Where are you running?
00:53:00Let me go!
00:53:01Let me go!
00:53:04You don't know me.
00:53:05I am Kim Si Hong,
00:53:06the eldest son
00:53:07of the Cheong Song family.
00:53:08Of course, I know.
00:53:10Why would a rich man
00:53:11like you
00:53:12borrow money
00:53:13from someone
00:53:14and hide?
00:53:15Why would you make
00:53:16poor people like us angry?
00:53:17This is not
00:53:18a lot of money.
00:53:19We can easily
00:53:20sell the gallery
00:53:21and get the money.
00:53:22Poor people like us
00:53:23don't know
00:53:24all this.
00:53:26But I do know
00:53:27one thing.
00:53:28You are poorer
00:53:29than us
00:53:30these days.
00:53:31What did you say?
00:53:32You scoundrel!
00:53:33I gave you
00:53:34a week.
00:53:35Bring my money.
00:53:36Bring my stuff.
00:53:37Or bring my goodbye letter.
00:53:40You have three options.
00:53:41Think about
00:53:42what you want to do.
00:53:43Get lost!
00:53:45Let's go.
00:53:47Hey!
00:53:48Let me go!
00:53:51What is this?
00:53:55Is that all?
00:53:57Hey!
00:53:58Don't we have to
00:53:59order the rest?
00:54:00Didn't they pay yet?
00:54:01The gallery will be
00:54:02in charge of
00:54:03the sales of the gallery.
00:54:05They have taken the ledger
00:54:06and card statement.
00:54:08Who?
00:54:09The new director.
00:54:12Is she crazy?
00:54:15And about her…
00:54:17Where is it?
00:54:18Where is it?
00:54:20Where is it?
00:54:24Where have you hidden it?
00:54:27Where is it?
00:54:30Which world
00:54:31have you hidden it in?
00:54:34Hey!
00:54:35Who are you
00:54:36to bring the ledger?
00:54:38How dare you
00:54:39run the cafe?
00:54:40Answer me!
00:54:41Mr. Kim, please.
00:54:42Calm down.
00:54:43Don't interfere.
00:54:44It's none of your business.
00:54:45Watch your tongue.
00:54:47What?
00:54:51I think you should
00:54:52leave, Ms. Song.
00:54:56Okay.
00:55:03Legally speaking,
00:55:05this cafe is a part
00:55:06of the gallery.
00:55:08Don't worry.
00:55:09I'll take care of your cafe.
00:55:11This cafe?
00:55:13Your father gave it to me
00:55:15so that I could learn
00:55:16how to run this gallery.
00:55:17Do you understand?
00:55:19And you left your father
00:55:20and the gallery
00:55:21because a boy
00:55:22dumped you.
00:55:24Maybe you don't know
00:55:25the whole story.
00:55:27But this gallery
00:55:28was supposed to be mine.
00:55:30But dad told me
00:55:31something else.
00:55:33Because of drugs,
00:55:34you were expelled from school
00:55:35and your dad fired you.
00:55:36You didn't have money
00:55:37to buy food,
00:55:38so my dad let you
00:55:39run the cafe.
00:55:41That's what he told me.
00:55:43What?
00:55:44You get paid for running
00:55:45the cafe,
00:55:46but I don't know
00:55:47what you do with it.
00:55:48The ledger hasn't been maintained.
00:55:49There's no report.
00:55:51My dad
00:55:52ignored you
00:55:53because you're
00:55:54his nephew.
00:55:56That's enough.
00:55:57Get out of here.
00:55:59How dare you!
00:56:00Kyung!
00:56:04The gallery is in bad shape.
00:56:08And this is not
00:56:09just my problem.
00:56:10It's your problem
00:56:11and that of our family.
00:56:13You have to help.
00:56:16If I don't trust my family,
00:56:17who will I trust?
00:56:21You're right.
00:56:23Give me the gallery
00:56:24and get out of here.
00:56:26I'll sell it
00:56:27and give you your money.
00:56:29What?
00:56:30Yes.
00:56:31What?
00:56:32Yes.
00:56:33Tell me something.
00:56:34Do you think
00:56:35it's okay
00:56:36for a girl to inherit property?
00:56:37What have you done
00:56:38for her
00:56:39other than calling her your father?
00:56:42I'm warning you.
00:56:44Don't provoke me.
00:56:47If I'm angry,
00:56:48I don't know
00:56:49what I can do.
00:56:50I don't know either.
00:57:02Sighs.
00:57:27Gasps.
00:57:31Are you okay?
00:57:33Yes, I'm fine.
00:57:36Before your father died,
00:57:37he used to pretend
00:57:38to work.
00:57:41Now look,
00:57:42he doesn't even pretend.
00:57:45Some people just
00:57:46want to show their anger
00:57:47and ease their pain.
00:57:49Shiong is one of them.
00:57:53I wish he was decent.
00:57:56Well,
00:57:57maybe.
00:57:59Sighs.
00:58:03Leave it.
00:58:04I'll do it myself.
00:58:05You can go.
00:58:07Okay.
00:58:28Sighs.
00:58:50Isn't he on duty today?
00:58:58Sighs.
00:59:16Vanta,
00:59:17didn't you go to work today?
00:59:28Sighs.
00:59:34He must have gone
00:59:35to buy something.
00:59:37Sighs.
00:59:58Hello.
00:59:59Are you at home?
01:00:01Yes.
01:00:02Hmm.
01:00:03I won't come home today.
01:00:04Do lock the door.
01:00:17Sighs.
01:00:28Sighs.
01:00:31Screams.
01:00:35Sighs.
01:00:36Sighs.
01:00:44Sighs.
01:00:46Sighs.
01:00:47Sighs.
01:00:58No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
01:01:28no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
01:01:58누군가 이 못난 나를 사랑할 순 없는지
01:02:13Oh, oh, 서글픈 내 몸짓에 가난한 내 영혼까지 Oh, oh, 그대여 이 가슴을
01:02:43Oh, oh, 슬픈 나날이

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