Power Morphicon 2024 1: Devil May Cry Panel

  • 2 days ago
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Transcript
00:00:00He's actually got some...
00:00:03Oh, okay.
00:00:05Do you want to do any of that, or do you want to hold off?
00:00:08I want to make sure, I want to make sure people can hear what he's saying.
00:00:12Okay, then let's, let's take a question. Somebody raise their hand over here.
00:00:16Can you melt it out for us?
00:00:21Oh, they're all so wonderful.
00:00:27Um, you know, it's, it's so strange to think of it later, because it's a, it's a collaboration.
00:00:41Uh, as a playing character or a director?
00:00:44Oh, got it.
00:00:46Um, I really enjoy the intense stuff.
00:00:50So I like the extreme comedy, or the really dark and, like, dramatic stuff.
00:00:56So, um, I like the confrontational scenes that Trish has,
00:01:01because she's been braved to look like a certain somebody's mother.
00:01:05So it's kind of a strange, uh, dynamic there.
00:01:09Um, as far as the actors go, every, every experience is a little bit different,
00:01:13but I really enjoy it a lot. I think we work a lot with people.
00:01:17Um, and it, it's sometimes fun working with somebody who's a little less experimental,
00:01:23because they're, they want to help, allow it more.
00:01:27Um, but I think I've been working together probably the longest,
00:01:31and we spent four years together in the trenches on Bleach.
00:01:34So, and Power Rangers before that, so, um, we've had a long system.
00:01:42It's also great, I have to say, that coming and acting together.
00:01:46That's right.
00:01:47When I was first coming, I was like, you're going to do it with me.
00:01:49I was like, oh.
00:01:50Oh, yeah.
00:01:52Yeah.
00:01:53Yeah, about that.
00:01:54So have you not been with, uh, actors who are, like, doing it a certain way?
00:01:57Like, what was it you heard from?
00:01:59Did you hear anything?
00:02:01Bleach?
00:02:02That'd be awesome if we got to come back and do it for a year.
00:02:04I don't know if they're going to try to go for live action or not.
00:02:07Well, I think it was live action.
00:02:09I think that's what I've heard.
00:02:10That's what you've heard?
00:02:11Yeah.
00:02:12I still think they should do, like, something, like, scary-themed.
00:02:16I don't know.
00:02:17Maybe I understand if they do that.
00:02:23Um, I mean, if I'm taking that same question, I, everyone's awesome to work with, you know,
00:02:30and it is always great to hear when it's finally done.
00:02:34Um, but we got, because we got to go to Japan.
00:02:38That was, like, in part four and five, where they didn't agree, but, like, for me, like,
00:02:43in that, you got to really be that character.
00:02:47You know, because when we do, like, an anime or something, it's always wrong.
00:02:51It's something else.
00:02:52They made these choices, right?
00:02:54And we have to make our version of them, right?
00:02:57So this was, so I got to walk around with it.
00:03:01You know, I'm a student.
00:03:02I'm an adult.
00:03:03I'm an undergrad.
00:03:04I'm an undergrad.
00:03:05So I'm going to physically be there in a space and make choices based on what was inside.
00:03:10You know, pages.
00:03:11So there's, it wasn't as limiting as anime can be.
00:03:16Um, and so there's a lot of freedom there, just in that moment as well.
00:03:20But I also feel like, especially with five, the fourth book, like, in five, we got to
00:03:29change, not how, I mean, we did.
00:03:31We changed, like, 90% of our dialogue.
00:03:33You know, because, like, the translation wasn't good, but the Japanese was pretty good.
00:03:37We saw that.
00:03:39And then we saw the translation, which wasn't bad.
00:03:41But some of the stuff, for me, felt like they didn't know Europe.
00:03:45And so I had to kind of feel like I didn't even see the language.
00:03:49And so it was kind of nice to be able to say, hey, I'm going to do this instead.
00:03:54And they were really open to that.
00:03:57Who would mention that in anime?
00:03:59There's no reason.
00:04:00That's very interesting.
00:04:01Thank you for that.
00:04:02And you seem to be, like, a full-time animator.
00:04:06How do you change this for the action?
00:04:08Because, like, we were just going through it.
00:04:10And then we would, we worked off of each other.
00:04:12Which was like, it's like, ah, that doesn't feel right when you say that.
00:04:16I can say this or something.
00:04:17And so it was better.
00:04:19It was more fluid.
00:04:20That's right.
00:04:22We're taking a little bit to kind of get that going.
00:04:26So if you turn it off.
00:04:37The stories were fascinating.
00:04:38How you guys really worked shop to the material.
00:04:41You guys actually balanced everything off of each other.
00:04:44And really, you talk about collaboration.
00:04:47That must have been so satisfying.
00:04:49I think 100%, and then being able to, like we were talking about, like being there, go there, like especially with 5.
00:04:58Transform that spirit.
00:05:06Because, because it's, you know, in, in, in, uh...
00:05:10Being, both having a speaking culture and being just, just in general, once it's up here...
00:05:17It's quite rigid.
00:05:18Oops.
00:05:19Here we go.
00:05:20One second.
00:05:21So true.
00:05:22...
00:05:43Yeah, exactly.
00:05:45So working here, doing localizations, games and stuff, and from Japanese to English,
00:05:53there is a, a certain rigidity, rigidity, is that a word?
00:05:58Rigidness?
00:05:59Rigidity?
00:06:00With, with those projects, and, um...
00:06:05And, and, there's pluses and minuses.
00:06:08But, and in our case, uh, because a lot of people get lost on translations, uh...
00:06:13It's kind of a minus.
00:06:14So...
00:06:15We, we have the original script, and we, we...
00:06:21This is not really what, what, uh...
00:06:24It's not how we would say things.
00:06:26It's not how we say things.
00:06:27I mean, you guys were there, and we didn't actually make it for you.
00:06:30Yep.
00:06:31So, yeah, but we knew our characters.
00:06:33So we knew, we saw some of the things in the pages.
00:06:35It was like, that's not really how we would say that.
00:06:38How would we phrase that?
00:06:39And then, because we were there, we got to work things out.
00:06:43How would I say this?
00:06:44And then how would you react?
00:06:46You know, in this case.
00:06:48And what was really good was that we had earned the trust of Iso-san, the director,
00:06:52and some of the other technical producers, because for 3D, that was a battle.
00:06:57Let me tell you.
00:06:58I had to, myself and my partner, at the time, tell Iso-san,
00:07:04this is just copyrighting, or legalization.
00:07:07So every little change, you had to, like, get it cleared.
00:07:10And it was quite a battle.
00:07:13And we had earned Capcom's trust.
00:07:16So by the time we got to that 3x5, and we got into set,
00:07:22they were like, do what you gotta do, do what you wanna do.
00:07:25Which was awesome.
00:07:26But you rarely get that opportunity.
00:07:33There he is.
00:07:41Thank you guys for coming out.
00:07:43I have a lot to learn from 2024, guys.
00:07:46I'm excited about the tech flow and the importance we had earlier.
00:07:49We're really excited to be here.
00:07:51And let's get the show started.
00:07:56Let's go!
00:08:04So, yeah.
00:08:05The music and how we had sort of freedom,
00:08:09and we've earned Capcom's trust over the years,
00:08:13with, you know, doing all these things.
00:08:15So that's sort of my third one.
00:08:17Part three was the first one.
00:08:19Every little change was quite a...
00:08:23about changing the line to words.
00:08:26And by the time we got to the live,
00:08:29we took some of the staff, and we were like,
00:08:31you guys just do what you wanna do.
00:08:33I mean, it was quite fun.
00:08:35It wasn't that we knew the characters,
00:08:37they liked us.
00:08:38And after three, we changed to changing the lines.
00:08:44Yes, I approve this action.
00:08:47I approve this action.
00:08:48Do you approve?
00:08:51I approve it.
00:08:52I approve it.
00:08:53I totally approve it.
00:08:54I'm sorry, I'm sorry, I'm sorry.
00:08:55I approve it.
00:08:58It's something that you have, Capcom,
00:09:01the creators, the community, the vision,
00:09:05the visionaries' trust.
00:09:07And, like, at one point, they're like,
00:09:09okay, ask the character what they would say.
00:09:12Whenever we hit that, you know,
00:09:14I just love it so much, too,
00:09:15because if you've been the one limiting the character,
00:09:17you know, you know.
00:09:18You know.
00:09:21Yeah, they're not, you know, luxury as actors.
00:09:25It's very strange to show,
00:09:27and a lot more told than what's being said.
00:09:32So, it's nice to be able to kind of
00:09:36show the value of what we're doing,
00:09:39which is kind of interesting.
00:09:42Do you have any changes?
00:09:44Do you have any five nominated
00:09:46for some sort of award?
00:09:48I don't know.
00:09:49SV in 2019, which is the best action movie.
00:09:52Best action movie.
00:09:53But even the best scenes got nominated.
00:09:55What are they?
00:09:56Like, the best actor?
00:09:58Like, the best actor?
00:09:59I don't know.
00:10:00I don't know.
00:10:01I don't know.
00:10:02Something like the best dance off.
00:10:04I don't know.
00:10:05I just, I hear stuff.
00:10:07I cannot verify.
00:10:10So, Emilio has some questions
00:10:14prepared for us.
00:10:16I didn't do it.
00:10:17I have about a ten minute clip,
00:10:20eleven minutes, of some fun
00:10:23antics behind the scenes stuff.
00:10:25You know, we've been around
00:10:27pornography in Japan.
00:10:28You know, you get a bunch of foreigners,
00:10:30especially these characters in Japan,
00:10:32doing video games for enough weeks,
00:10:35months, and it's scary.
00:10:38I don't know.
00:10:39I think it's five.
00:10:40I think it's about five or three.
00:10:42There's some three stuff in the middle.
00:10:44Um, but just before you even get started,
00:10:48the whole, you know, the
00:10:50commercial category.
00:10:52Um, when we were filming
00:10:54Don't Make Me Cry 5,
00:10:56we were on the Toei box,
00:10:57Toei Studios, and
00:10:59Koichi Sakamoto was the whole
00:11:01reason why it was all together.
00:11:03Um, he was super busy.
00:11:06We were having a lunch break and we all joined in the cafeteria, we walked over to the toilet
00:11:17instead of having the cafeteria on there.
00:11:19We were having lunch and Koichi came to join us and we got to catch up.
00:11:23It was a super awesome play.
00:11:25That would be my word of honor without Koichi because he rocked.
00:11:30He's got his name, he is a typical Power Ranger man in the universe.
00:11:36And so that's...
00:11:39That's what I tell him all the time.
00:11:42Quit being what he is.
00:11:44Without Power Rangers, he's not who he's supposed to be.
00:11:47And I just think he's an amazing person.
00:11:49I think he's amazing.
00:11:51So, without Power Rangers, in America, this is...
00:11:54Until the Apocalypse.
00:11:57So, just because they still have money.
00:12:00Without Power Rangers, that's the problem.
00:12:05So, with that, I just wanted to lay the foundation.
00:12:08Yeah, I feel like the time has really popped a little bit.
00:12:12So, the movie really started with...
00:12:15Has Super Saiyan 10 happened?
00:12:17What was that?
00:12:19Originally, it started with Super Saiyan 10.
00:12:22I don't know if any of you know the game.
00:12:24We were like, hey, maybe we should get a little bit in here.
00:12:26And everyone was like, hey, we can talk about all this cool stuff.
00:12:30Yeah, let's do it.
00:12:31And then we obviously...
00:12:33We see the cast and we're like, wait.
00:12:36What do you have there?
00:12:37Wait.
00:12:38Wait.
00:12:39Wait.
00:12:40That's the devil.
00:12:41We're glad to hear you're in the game.
00:12:43So, that's right.
00:12:44We were talking about putting together this.
00:12:47So, the movie, because it is coming out in 2024,
00:12:51we're going to be short on our questions.
00:12:54We're going to leave it to you guys.
00:12:55We know it has a lot of special stuff to show.
00:12:57And we also want to applaud you guys, too.
00:12:59So, like they say, it never goes, but it always shows up.
00:13:03So, let's see.
00:13:05All right.
00:13:06So, first question, guys.
00:13:08I'm here with my co-host, Lee.
00:13:10Lee is a big Super Saiyan fan on our show.
00:13:14I want to say, guys, thank you for coming.
00:13:16This is going to be one of the private interviews of the show.
00:13:18And we're going to ask the first question.
00:13:23I actually have a burning question.
00:13:25It's regarding Chug and Ganon.
00:13:29If so, how do you play them?
00:13:32Do you know the lineage of Chug and Ganon?
00:13:36And do you know Ganon's lineage?
00:13:40No.
00:13:41I don't know.
00:13:43I hear it in the news daily.
00:13:44It sounds like you do.
00:13:46The Wing Chun, I'd say, is modified from…
00:13:50It's Chug and Ganon.
00:13:52It's obviously a camera.
00:13:55And it is modified from the wu shui.
00:13:59But…
00:14:02Ganon is not of being a historian by training.
00:14:07He's a teacher.
00:14:08He's a historian.
00:14:11He's a teacher.
00:14:14What he's done all around the world to collect the different…
00:14:17The knowledge that he's collected and put together to…
00:14:20The system that he has and he teaches there.
00:14:23He's pretty amazing.
00:14:25And also, he loves to observe some of the traditions.
00:14:28So, there is access to a more traditional application of the Wing Chun.
00:14:34To where we can see the following.
00:14:39So…
00:14:47But…
00:14:50So…
00:14:53So…
00:14:56Where…
00:14:59They…
00:15:02Come from…
00:15:06I never studied before Wing Chun.
00:15:10But I did when I moved to New York.
00:15:12And I used to go to things as long as a lap dojo had school.
00:15:16And I couldn't afford the tuition.
00:15:18So, I would just sit in the lobby.
00:15:20And peer through the window.
00:15:22The window was open.
00:15:25And I'd see the Wing Chun guys.
00:15:28And I would just…
00:15:29Oh, yeah.
00:15:30And I'm like, is that from the movie?
00:15:33That's so cool.
00:15:34And then my Asian bunnies…
00:15:36I was hanging out with some Lao Asian bunnies that were in my school.
00:15:42And we would kind of go there.
00:15:44We loved the traditional story.
00:15:47And we'd hear…
00:15:48We were like, you know, listen to the soundtrack.
00:15:50And get knocked on the butt.
00:15:52And then we would try to remember the Wing Chun.
00:15:55It was from friends' songs that we kind of learned.
00:15:58From the TV shows we saw and all that stuff.
00:16:00And then I think we learned the Siu Kee Tao from some poster or something.
00:16:05And we did one of those first night.
00:16:07So, it was not learning like properly.
00:16:12But we definitely…
00:16:14I wouldn't call it a song.
00:16:15Again, ours is something I say is Hong Kong.
00:16:18But Francis Wong does come to mind.
00:16:21It's Hong Kong.
00:16:24Yeah, well, my…
00:16:25I don't know what to tell you.
00:16:26It would be…
00:16:28Mine started as a study.
00:16:30And then it was not known.
00:16:32But then all the people we studied were very good.
00:16:34It was just like we didn't know what we were doing.
00:16:36So, we did it.
00:16:38We had like very specific patterns that we would do.
00:16:41And then the application was always different.
00:16:44The application was like,
00:16:46You know, you can do this.
00:16:48And then you can go over and grab it.
00:16:50I'm just like,
00:16:51Well, who am I?
00:16:52At the time, I was sure that I could.
00:16:55And before that,
00:16:56I was like,
00:16:57I'm going to learn whoever.
00:16:58It was like a JKD pattern.
00:17:00Yeah.
00:17:01So, I'm going to say,
00:17:02I bet you've studied in CO2.
00:17:03If you've studied in CO2,
00:17:04CO2 is one of the highest-ranking students
00:17:08that are doing something like that.
00:17:10One of his teachers,
00:17:11he said,
00:17:12He said,
00:17:13He said,
00:17:14So, we were like,
00:17:15I was like,
00:17:16I was like,
00:17:17I was like,
00:17:18I was like,
00:17:19I was like,
00:17:20I was like,
00:17:21I was like,
00:17:22I was like,
00:17:24Togo Shihade was a friend,
00:17:26but Komen ji and Alphys
00:17:27were not so good.
00:17:28They always had me on and
00:17:29never really worked directly with him,
00:17:33but other than teaching,
00:17:35we were childhood friends
00:17:37and some vocabulary stuff.
00:17:39But yeah,
00:17:40he was a high-ranking student.
00:17:42Same here.
00:17:43Same here?
00:17:44Just watch quiet speech
00:17:47I'm beginning to,
00:17:48losing my game.
00:17:49Just change the 보.
00:17:51We've all learned movie reach-ups from Koichi.
00:17:55Movie reach-ups, definitely.
00:17:57Yeah, it's not as much of a call-out now as it used to be.
00:18:02Koichi was a black belt.
00:18:06Alright, I have a question for all of you.
00:18:08If you had to choose to hang out with any cartoon or animation character,
00:18:13who would you choose and why?
00:18:15Samurai Chin.
00:18:21No C.
00:18:25Why, you'd want somebody without drama.
00:18:30And that would be boring.
00:18:33I mean, I guess I'd let go of the bad action.
00:18:40Shoot, what do you think?
00:18:43I don't know, we've got to get it on this channel.
00:18:46Yeah.
00:18:49Ray Connor from Robotech, which is his name,
00:18:52he called me just because as a kid I was like,
00:18:54I want to be a pilot, I want to be like that guy.
00:18:58But now that you bring that character,
00:19:00I can stay that way all the time.
00:19:02Now that you know, I can fight Centroni with one eye covered with your hair.
00:19:07Those would be the questions I'd like to ask.
00:19:11That's hard for me.
00:19:12I mean, I would say, fresh out of the Barbie movie,
00:19:15I'd like to be the pink Barbie girl.
00:19:17That'd be amazing.
00:19:19Alex Straza from World of Warcraft.
00:19:22I just did a huge story arc with her.
00:19:25And me, Mother of Dragons.
00:19:28And I'll live my life as a ghoul,
00:19:30as close as I'll ever get to being one.
00:19:32Shit.
00:19:34Yes.
00:19:36I would love to experience that whole Dragonflight story,
00:19:40that whole thing.
00:19:41But then there's the blood, and the punching, and all that.
00:19:44So that brings me closer to Eva.
00:19:47And maybe if I wasn't broke, I would hang out with Faye,
00:19:51and hang out with me.
00:19:53But I think I need a lot of will to do that.
00:19:55Of course.
00:20:10The Least Known Project?
00:20:17More obscure.
00:20:22Right. Well, which title?
00:20:26Broken Path.
00:20:28It's Broken Path, Broken Fist.
00:20:30It's kind of like the Yakuza.
00:20:34I actually have a game in there.
00:20:37You guys use my example game.
00:20:42I know that you promised.
00:20:43Disaster.
00:20:44Disaster.
00:20:45Disaster Date Crisis.
00:20:47It's a Nintendo game called Disaster.
00:20:50And if you guys are stupid, nobody knows it, right?
00:20:55It's a Disaster.
00:20:56And who did you play in that?
00:20:58Oh, the Colonel.
00:21:00And he and I was his underling.
00:21:03Betraying him.
00:21:04Did I kill you?
00:21:07No.
00:21:11It truly was a Disaster.
00:21:13It was a Disaster.
00:21:15It really was.
00:21:20The Rookie.
00:21:30The Rookie.
00:21:31So I work as a guest star.
00:21:34I have to.
00:21:35I'm sort of a staffer.
00:21:36And right now I do a lot of guest star appearances.
00:21:39Sometimes children.
00:21:41I was talking about my guest star in an episode of the movie.
00:21:44I kind of say the baseball guy.
00:21:46Which gets punched in the face by every mom.
00:21:50I won't put a kid.
00:21:51I won't put a kid in the game because he's not a kid.
00:21:57You're usually the one punching people in the face, though.
00:21:59Maybe.
00:22:01So I walked around the set.
00:22:03I was pretty nervous.
00:22:04And it was a good day.
00:22:06I didn't want to be sick.
00:22:07I didn't want to be sick.
00:22:08I didn't want to be sick.
00:22:09I didn't want to be sick.
00:22:10I didn't want to be sick.
00:22:12I had to be careful not to offer too much advice.
00:22:15It was a lot of stuff.
00:22:16A lot of good stuff.
00:22:17A lot of good stuff.
00:22:18I'm tired of a lot of stuff.
00:22:20You're tired of a lot of stuff.
00:22:22So I don't need someone to step up to me when it comes to being in that sort of position.
00:22:32So that's it.
00:22:33Like I said, not all of your mom shows strange characters.
00:22:36It's the strange characters that I play.
00:22:38And sometimes it's a guest star.
00:22:40And I don't want to be one of them.
00:22:41I don't want to be my signature mom.
00:22:43So it's the dad.
00:22:45It's my defense.
00:22:48What about Chicken Head?
00:22:51Do you guys know about Chicken Head?
00:22:53No.
00:22:54Okay, so Dan shows up.
00:22:55He gets pies in the face.
00:22:56I get pies in the face.
00:22:57That's good.
00:22:58We never got a chance to get to know him.
00:23:01It was a kid's show.
00:23:02I went for Disney.
00:23:03For PC.
00:23:04It was a nice start.
00:23:05But we're making a bit of profit.
00:23:06Big Jim.
00:23:07He didn't like the way I took over.
00:23:08I said, this isn't appropriate.
00:23:09We need another guy.
00:23:10He explains why the karate was good.
00:23:40I have a couple of favorites that relate to Stronghold.
00:23:50I did a series of games as Wonder Woman, actually.
00:23:55And it was just such an honor.
00:23:57I loved it so much.
00:23:59It was very good.
00:24:00And I also got to do this film that's coming back.
00:24:04I can't believe it.
00:24:05Run, Lola, Run was this great journey.
00:24:09Yeah.
00:24:10I got to dub Lola.
00:24:11And then she was Lola.
00:24:16That's not what I was doing.
00:24:17You know what I'm saying?
00:24:18That's not what I was doing.
00:24:20Yeah, I was doing a little bit of archaeology.
00:24:24It's really, it really is that.
00:24:26It's just, she's so young and awesome.
00:24:29And it's just a really interesting film.
00:24:31And I loved her.
00:24:32Yeah.
00:24:33That was really cool.
00:24:35And then there's this very strange series of movies
00:24:38I did with all the Wonder Women.
00:24:40Japanese?
00:24:41Oh, you know.
00:24:45Yes.
00:24:46Tell the story.
00:24:47So, yes, we started playing this particular actress
00:24:51in a number of films that she did, a Japanese actress,
00:24:54who's beautiful and fun.
00:24:56It's very modified of her being from this.
00:24:59And she plays the Wonder Woman.
00:25:01And every day she gives her weather report.
00:25:04Tell me to be honest if I have this right.
00:25:06And when she gets to the end of her broadcast,
00:25:09she tells you the daily color.
00:25:12And she lifts her skirt and confirms it.
00:25:15And today's color is blue.
00:25:18And I'm just like, this is the day that it is.
00:25:23Yes.
00:25:24Yes.
00:25:55And make it possible for the people
00:25:57to be comfortable with it.
00:25:59And we have a thing for the Wonder Woman
00:26:01that's going to happen in Japan now.
00:26:11Yeah, so it's one of those classic platforms.
00:26:16We're at that time of the lunch.
00:26:18Shall we do a review?
00:26:19All right.
00:26:20So a little context, which I kind of said earlier,
00:26:23but so they started, you know, this was a journey.
00:26:26What year did we go to Japan?
00:26:28Was that 2000?
00:26:36It was somewhere around 2001, 2002.
00:26:43No, I'm just kidding.
00:26:45It was 2003.
00:26:48I'm just kidding.
00:26:50I'm just kidding.
00:26:54Let me just say, we did this together last night.
00:26:57And the video is still in SD.
00:27:01So this is before we had HD video.
00:27:06PlayStation 2.
00:27:12Anyways, so we were in Japan at that time.
00:27:15And then, then we went by four.
00:27:19That was the middle.
00:27:20I didn't, I didn't even remember the season.
00:27:22We did that.
00:27:23It was, she recorded some shots and footage.
00:27:26And I don't know, I just, I don't know.
00:27:28I just have our privacy.
00:27:29We're not privacy.
00:27:32We have some pictures.
00:27:33Yeah, we have some pictures.
00:27:35But I didn't have any SD tapes.
00:27:45Okay.
00:28:15Okay.
00:28:45Okay.
00:29:15Okay.
00:29:46All right, guys.
00:29:47So look at the, this has never been seen.
00:29:52Never been seen, so I froze.
00:30:05Yeah, all right.
00:30:06We're going to ask some of these questions.
00:30:12Let's do some questions.
00:30:15Let's do some questions.
00:30:21Yeah, we can.
00:30:24We can do some questions too.
00:30:27All right, we got some fans and got some questions too.
00:30:33You guys show it.
00:30:34Let's do it.
00:31:15which has some thought, which usually when he's like directing, she's also probably writing on the phone, right?
00:31:21Yeah, most of the time.
00:31:22Most of the time.
00:31:23So, so it really depends on the role.
00:31:26Because sometimes, sometimes if he comes in great and he's sort of straight,
00:31:29you know, like timing it out kind of sucks, you know,
00:31:32but usually that's when the writer is familiar with it, is facing things up.
00:31:38They're all fun.
00:31:39I don't know that I would say one is more difficult than the other.
00:31:45You know, I do like them all, really, because they're very different, you know,
00:31:49and there's a lot of, so one of the pluses for the voiceover is you're scheduled for a certain time, you know,
00:31:55so if I'm supposed to be there for two hours, ten, twelve, or whatever, I'm working that time.
00:32:01If I'm working on a film, or even a book, you get suited up, you do two months to get ready,
00:32:07and then you wait until it's, until everyone's ready to go.
00:32:10There's a set of flights, a set of sitting, training for maybe an hour.
00:32:14You know, I've heard before throughout the day, when you go into a film,
00:32:17you're like, I've been in, I'm not ready to go off, now I've got to change.
00:32:21So there's a lot of sitting around.
00:32:24But you are much more involved when you're working on a project.
00:32:31Yeah, um, yeah, I think many of us that are in post-production really like variety,
00:32:44and for me, that's sort of what I thrive off of.
00:32:47I enjoy that one day I know I'm going to be in a recording studio for extended hours.
00:32:52After that, I might have a rehearsal, dance class, or a lecture session.
00:32:59Maybe I'm working on some music.
00:33:02It's that variety, changing it up, that just raises some fresh energy.
00:33:06And really, the skill set that you use for 80 hours a day is very, very, very good.
00:33:13It's super technical, but you have to have a great creative side, engaged, ready to go right away.
00:33:18There's almost no time to plan a creative side of a recording.
00:33:23It's much more about matching the technical demands.
00:33:26And then the better marks you have, because you really have access to the artistry that makes them all come together.
00:33:32But yeah, even in a play, you're living with a character for a long, long period of time.
00:33:38You can't say, oh, I'm finished, it's satisfying, and I'm done.
00:33:40You're saying, maybe it's a new person, it's a new type of character, and I'm done.
00:33:45I'll be like, oh, I have to acknowledge you, the 80-hour creator, who's really satisfied with stuff.
00:33:51So yeah, I don't think we look at it as, oh, it's going to be a hard day.
00:33:55It's much more signing out to the demands and meeting them, and feeling really satisfied by doing well.
00:34:05Anything you can say about the dress?
00:34:10Are you having fun?
00:34:14All right, take two.
00:34:17I'm just going to stay here.
00:34:30That's what I said, I'm just going to stay here.
00:34:47Yes. Yes, I wrote it.
00:34:51He did, he doubled me by five, 15 years later.
00:34:55And I had changed, and I just wanted to wear what I was.
00:34:59And thankfully, it made me the character's role model.
00:35:02So it was sort of fit.
00:35:06And the fit, he changed it naturally over the years.
00:35:10Over the years, it changed the way I was recognized.
00:35:13And it's not.
00:35:15In fact, I just finished a video game two weeks ago.
00:35:19Actually, three or four weeks ago.
00:35:21They hired me to play this character.
00:35:24I don't want to say any titles or anything, because now I'm through.
00:35:29That certainly means something.
00:35:32But they asked me to do my voice.
00:35:36It was back in 2004.
00:35:39I need to be known in a virtual world.
00:35:42So that was challenging.
00:35:44I had to find my younger voice.
00:35:47I had to just keep playing until I got to this place where my voice sounded good.
00:35:52Sort of had this courageous tone.
00:35:55And it was a great time, because I started to sink into this.
00:35:59And I go deeper and deeper.
00:36:02So, yeah.
00:36:06I didn't go dead, but I mean, I'm good.
00:36:08There are a couple of shows that I've worked on many years ago.
00:36:10I can come back.
00:36:12And then, just the way I look and breathe is different.
00:36:16When I first started, I didn't breathe like I do now.
00:36:20It's like, after so many years, there's no rhythm where to breathe.
00:36:27Yeah, so, I don't know.
00:36:29Usually, you find it, and you go, wow.
00:36:32For me, it was like, okay, let me do that.
00:36:35And breathe that mirror.
00:36:37And then I used to breathe, you know.
00:36:39And so it was like that.
00:36:41And then you can find it, and it's like, oh, okay, that's what a voice is.
00:36:44But then, when I got there, I was like, I'm just going to try it.
00:36:47And when I got to the new one, it's not going to happen.
00:36:52So it's like, I can't believe I'm going to do that anyways.
00:36:54That voice wouldn't fit in this one.
00:36:57So I get all of my contemporary sort of that into it.
00:37:00So it's like, so when you're listening, you're like, okay, that's the same match.
00:37:03But the world is different.
00:37:05And so it should feel different.
00:37:08I just wanted to add that I think that I find we are in the position more often of
00:37:15campaigning to replay a role that has much times passed.
00:37:21With the Digimon series, they made a decision at one point to just end the slaying and recast all of us.
00:37:27It was kind of heartbreaking.
00:37:28So that's really hard as an actor.
00:37:30You never know if you're going to be able to maintain your character after years have passed.
00:37:34So I think we like to make the case that we're thinking we can come up to that challenge.
00:37:38And generally what it means is pitching up and bringing your voice to just a higher place
00:37:43and energetically you're moving and breathing a little faster.
00:37:47So we use a lot of reference.
00:37:50We'll hear tracks that we've heard before and then repeat it.
00:37:54Play the sample, repeat the sample.
00:37:56And once in a while, if I'm directing, I might say we're 15, 20, 30 minutes into the session.
00:38:02Let's just go back and listen to that reference again and make sure we're staying true to that voice.
00:38:07So I just feel like I can convince my clients if I'm going to be in a role that I'm going to be directing
00:38:13that we can have almost a 100% return rate with original casting.
00:38:18It would just take a little extra time to drive up the voice.
00:38:24I was T.K.
00:38:25I was T.K. in The World of Us.
00:38:27Did you want another?
00:38:29Another beer, please, how about?
00:38:32Okay.
00:38:57It's like when you hear like the rooms first, it's like a room, and it's like, okay, that'd be cool, but then there's also this like, you know, we're gonna have to fight for that.
00:39:09We had to audition, actually, for fights. We had to audition.
00:39:12Audition for a proposal.
00:39:14Yeah, they wanted to make sure that they still do it. But, uh, yeah.
00:39:19Did you know you auditioned for Dante?
00:39:24We did audition for Dante.
00:39:27I didn't know that was three.
00:39:29That was three.
00:39:30I thought it was four.
00:39:32No, no, four. I definitely came in four in a mirror.
00:39:36But three, yeah, three was, uh, Dante.
00:39:40I believe it's now Kante.
00:39:42And then Rue, of course.
00:39:43Save it for the last five seconds.
00:39:45Me and the other guys.
00:39:47There was three auditions without Kante.
00:39:50It's a joke.
00:39:54Well, I just, I did, there's a change in that.
00:40:01The voice is gonna sound the same, but there's just a change in that.
00:40:05And Dante is closer to my heart.
00:40:08So that's why I came in four, honestly.
00:40:11Give me a second.
00:40:13Well, you know, I just, Dante is very close.
00:40:18We've almost licensed him before.
00:40:37Oh, Gavin, you didn't wear pads.
00:40:39That's a very good thing.
00:40:41You have to buy the pads.
00:40:43Sometimes you can't have the pads.
00:40:46No, Gavin.
00:40:47I'm like, that's okay.
00:40:48We'll just, you know, we'll just date a year and then we'll lease that apartment.
00:40:52We've got as much as we can do to sell this apartment.
00:40:56Yeah.
00:41:07Is there a lease of the parts?
00:41:09You're gonna have to sign that.
00:41:11A letter.
00:41:12A letter?
00:41:14All right.
00:41:20I mean, well, the start of it really was, for me, it was like watching Bruce Lee and Jackie Chan's Kung Fu Theater.
00:41:27I wanted to do action and martial arts on television.
00:41:31I'm sorry.
00:41:33Jackie and I had been on a lot of Asian action movies.
00:41:37Bruce Lee, of course, he was in the 70s.
00:41:42He was in a play for action and martial arts.
00:41:46I was in the 70s.
00:41:48So, I guess we were 70, 80, 90, 10.
00:41:52Right around there, I was 70, 80, 90.
00:41:57His movies were wild and wild.
00:41:59It was just a disaster.
00:42:01Distributed everywhere.
00:42:03It was really explosive.
00:42:05That was the last time to see him for the first time.
00:42:10An Asian guy who was a star.
00:42:12I remember watching him in Dread Dragon.
00:42:16And I think, wow, that's really cool to exorcise someone who's an Asian guy.
00:42:23So, that was the same thing.
00:42:25And then, I was like, I think this guy's a drunk.
00:42:32And I was so disappointed.
00:42:35We're going to give it one last try, guys.
00:42:37Hopefully, we can get this working.
00:42:39So, here we go.
00:42:41Take three.
00:42:53Take four.
00:42:55Take five.
00:42:57Take six.
00:42:59Take seven.
00:43:01Take eight.
00:43:03Take nine.
00:43:05Take 10.
00:43:07Take 11.
00:43:09Take 12.
00:43:11Take 13.
00:43:13Take 14.
00:43:15Take 15.
00:43:17Take 16.
00:43:19Take 17.
00:43:21Take 18.
00:43:23Take 19.
00:43:25Take 20.
00:43:27Take 21.
00:43:29Take 22.
00:43:31Take 23.
00:43:33Take 24.
00:43:35Take 25.
00:43:37Take 26.
00:43:39Take 27.
00:43:41Take 28.
00:43:43Take 29.
00:43:45Take 30.
00:43:47Take 31.
00:43:49Take 32.
00:43:51Take 33.
00:43:53Take 34.
00:43:55Take 35.
00:43:57Take 36.
00:43:59Take 37.
00:44:01Take 38.
00:44:03Take 39.
00:44:05Take 40.
00:44:07Take 41.
00:44:09Take 42.
00:44:11Take 43.
00:44:13Take 44.
00:44:15Take 45.
00:44:17Take 46.
00:44:19Take 47.
00:44:21Take 48.
00:44:23Take 49.
00:44:25Take 50.
00:44:27Take 51.
00:44:29Take 52.
00:44:31Take 53.
00:44:33Take 54.
00:44:35Take 55.
00:44:37Take 56.
00:44:39Take 57.
00:44:41Take 58.
00:44:43Take 59.
00:44:45Take 60.
00:44:47Take 61.
00:44:49Take 62.
00:44:51Take 63.
00:44:53Take 64.
00:44:55Take 65.
00:44:57Take 66.
00:44:59Take 67.
00:45:01Take 68.
00:45:03Take 69.
00:45:05Take 70.
00:45:07Take 71.
00:45:09Take 72.
00:45:11Take 73.
00:45:13Take 74.
00:45:15Take 75.
00:45:17Take 76.
00:45:19Take 77.
00:45:21Take 88.
00:45:23Take 89.
00:45:25Take 90.
00:45:27Take 91.
00:45:29Take 92.
00:45:31Take 93.
00:45:33Take 94.
00:45:35Take 95.
00:45:37Take 96.
00:45:39Take 97.
00:45:41Take 98.
00:45:43Take 99.
00:45:45Take 10.
00:45:47Take 10.
00:45:49Take 11.
00:45:51Take 12.
00:45:53Take 13.
00:45:55Take 14.
00:45:57Take 15.
00:45:59Take 16.
00:46:01Take 17.
00:46:03Take 18.
00:46:05Take 19.
00:46:37Inhale.
00:46:38Exhale.
00:46:39Inhale.
00:46:40Exhale.
00:46:41Inhale.
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00:49:21Inhale.
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00:49:25Inhale.
00:49:26Exhale.
00:49:27Inhale.
00:49:28Exhale.
00:49:29Inhale.
00:49:30Exhale.
00:49:31Inhale.
00:49:32Exhale.
00:49:33Inhale.
00:49:34Exhale.
00:49:35Inhale.
00:49:36Exhale.
00:49:37Inhale.
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00:49:39Inhale.
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00:49:41Inhale.
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00:49:45Inhale.
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00:49:55Inhale.
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00:50:00Exhale.
00:50:01Inhale.
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00:50:03Inhale.
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00:50:11Inhale.
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