Dawson's Creek Season 3 Episode 11 Barefoot At Capefest
Category
📺
TVTranscript
00:00And the difference is?
00:02Well, imagine Shin was this shot on a family camcorder.
00:06I mean, video is a great format to learn on, but the look and feel is strictly amateur.
00:11Film is key, and I think I'm finally ready to give it another spin.
00:15Huh?
00:16The Aeroflex, which it has one and only 16mm camera.
00:20She is a beauty, Dawson.
00:22Is she? Hey, what are you doing here?
00:24Extra credit for Jordan's film class. Plus, they get to be near all the equipment.
00:29Ah, how very earnest of you.
00:32You're Joey, right?
00:34Right.
00:36Hey, I've heard wonderful things about your film.
00:40Really? From who?
00:42Um, speaking of equipment, hand her over.
00:46Sorry, Dawson, she's checked out.
00:48That's highly unlikely.
00:50Yet completely true.
00:52How long has it been checked out for?
00:54About seven days.
00:56Is she back today?
00:57Nope, she's checked out for the next four weeks straight.
01:00These are one-week taxes.
01:02I cleared it with Mr. Jordan.
01:04You did?
01:05Mm-hmm.
01:06I checked out the camera.
01:07You checked out the camera, yes.
01:09Well, there's a project that I want to start working on.
01:11There's a project that I am working on.
01:16Okay, well then when can I have the camera back?
01:19When I'm done.
01:21When will that be?
01:23Filmmaking is not fast food, Dawson. You can't rush it.
01:26I know.
01:56Hey, hey, hey, yeah
01:58Hey, hey, hey, yeah
02:00Every heartbeat
02:02Every kiss
02:04Just makes me wonder
02:06What all this is
02:08Suits of armor
02:10Hearts and arrows
02:12Hey, hey, hey, yeah
02:27♪♪♪
02:37Wait a minute.
02:38Three boxes of cereal, Jack?
02:40You're going to need an explanation before you put those in the cart.
02:42Okay, fine.
02:43First, we have our grape nuts.
02:45A combination of taste and sufficient nutrients to make it the perfect day starter.
02:50From there, we move on to the premier afternoon snack,
02:53underrated but ever-tasty Cocoa Pebbles.
02:58And then we round out the cereal-over's perfect day
03:01with a yummy late-night staple,
03:04Captain Crunch.
03:08If there was ever a concern that you were not Andy McPhee's brother, it's been solved.
03:12Yeah.
03:13Whoa, what are you, come on.
03:17You're a good man, Jackie Brown, but as a grocery shopper, you blow.
03:21I'm afraid I must leave you with the grape nuts.
03:26Fascist pig.
03:29At least you fought the good fight.
03:32Hey, Jack.
03:34Uh, Ethan.
03:36From the train, Ethan.
03:39I prefer it just plain, Ethan.
03:42Well, uh, what are you doing here?
03:46Food shopping.
03:47Food shopping?
03:48I hear it's pretty standard in one of these places.
03:51I meant, I thought you were going back to school last weekend.
03:55I did.
03:56I came back for Cape Fest.
03:58Oh.
03:59What is that?
04:00Is it like a feed the poor type of thing?
04:06Which one of us lives here year-round?
04:09It's a concert.
04:10A free concert in the park.
04:13Oh, okay, so it's like a palooza type deal?
04:15Moshing, stage diving, overpriced bottled water.
04:19Anyway, um, there's a campsite outside the concert where everyone hangs out.
04:24I'm going down to get a spot tomorrow.
04:26Oh, cool, that sounds like a blast.
04:28If you're a fan, you should come.
04:30Oh.
04:31Yeah, man, I'm a total fan.
04:34Telltale fan quiz.
04:36Who's your favorite food fighter?
04:39Courtney and Love.
04:42Uh.
04:44You're in the alternative nation, just not quite in the right zip code.
04:55You should come anyway.
05:04Cute.
05:07Okay.
05:10Aren't they all?
05:14Excuse me, Mr. Broderick, can I speak with you for a minute?
05:17And you are?
05:18Andy McPhee.
05:19And you want to waste my time about?
05:22The school play.
05:24I see, auditions are after school, so if you don't mind.
05:28No, but if you can just give me a minute.
05:30I am not auditioning at this time, comprende?
05:33I am eating lunch.
05:35I assume you eat lunch on your planet, do you not?
05:38I'm not here to audition.
05:40I know, you want to star in the show.
05:43Assistant director.
05:45I'm very familiar with the scenario.
05:48Look, Mr. Broderick, I want to be assistant director.
05:54I'm smart, bossy, and super efficient.
05:57And the truth is, you need me.
06:00Why didn't you just say so?
06:05Filmmaking is not fast food, does it?
06:08She's entitled to the equipment, too.
06:11You check out a camera, you return the camera in a timely fashion.
06:15That's all I'm asking.
06:19Mom?
06:21What's going on?
06:23Hey.
06:27Look, honey, I'm going to be taking some furniture over to my place.
06:32Okay.
06:34Just the family room and the guest room.
06:37It's part of the settlement.
06:39I asked your dad not to say anything because I wanted to explain myself.
06:43Mom, you don't have to explain yourself. That's how it works.
06:47I need you to keep being as positive as you can be about this, honey.
06:51It's going to make it so much easier on all of us.
06:56I am pleased.
06:59Thank you for understanding.
07:17Do you want to talk?
07:21What's there to say?
07:25About what you're feeling?
07:29I'm thinking my parents are divorced and I'm glad it's finally over.
07:34Tell us what you're feeling.
07:39Still working on that one.
07:46This is going to be great.
07:48Sleeping out under the stars, a fresh breeze off to that ocean.
07:51Call the wild.
07:53It's a call to nature I'm worried about.
07:55Jack, where are the chemical toilets?
07:57I don't know. Let me see what's in up here.
08:01God, I thought I'd go to extreme measures to get in some guy's pants.
08:05Whoa, whoa, whoa. I'm not trying to get in his pants.
08:08Stop crying out loud. This is the first gay guy I've actually conversed with.
08:11Excuse me if I want to get to know him.
08:13Jack, I know.
08:15Just be aware that you're venturing into new territory here.
08:18And that before you take this great big emotional leap, Jack,
08:22you should be willing to admit that you're taking it.
08:24Don't just try and brush it off as simply wanting to get to know somebody.
08:29I'm telling you, it's all it is.
08:32Okay. Even still, take my advice.
08:35Play it cool.
08:36Let him come to you.
08:38I don't want to see my father.
08:50Okay, Corey. Maybe you're right.
08:53Maybe love isn't enough.
08:55Maybe two people should have to take more than a blood test.
08:59Maybe love isn't enough.
09:02Okay, Corey. Maybe you're right.
09:04Maybe love isn't enough.
09:06Maybe two people should have to take more than a blood test.
09:09Maybe they should be checked for common sense.
09:12Maybe they should be checked for common sense.
09:15Understanding.
09:17Maybe they should be checked for common sense.
09:19Understanding and emotional maturity.
09:27Okay, Corey. Maybe you're right.
09:30Maybe love isn't enough.
09:32Maybe love isn't enough.
09:35Maybe two people should have to take more than a blood test.
09:40Maybe they should be checked for common sense.
09:45Understanding and emotional maturity.
09:51I like him. What do you think?
09:54I think I'm getting a migraine.
09:57I think he's got a certain dramatic flair.
10:00I've got someone else in mind.
10:03Who? Someone else? We are out of someone else's.
10:07Granted, the boy I know is a deplorable student and he has the ethics of a billy goat.
10:14We have already cast our Corey and Velasco.
10:18Please don't let our only pause slip away.
10:21Have no fear, Ms. McPhee.
10:24I've got a deal with one of my students.
10:27The kid is a natural with comedy.
10:31Okay. Mr. Bronerich, if I may be so bold.
10:38From my limited perspective, I see but two kinds of actors.
10:44Those with talent and those with the ability to expand on that talent.
10:49Which requires maturity, which requires a sense of responsibility,
10:54which requires the ability to come both prepared and on time.
11:00I'm sorry I'm late. I'm here to read for the Royal Paul.
11:04That's him. That's our Paul.
11:30Dawson, tell me this isn't an attempt to repossess the camera.
11:37I just want to reiterate something.
11:41Reiterate away.
11:43Okay. I get this little ego trip.
11:46I know you're the principal's daughter but that does not give you the right to be selfish or rude.
11:50Dawson, I didn't know you wanted to use the camera.
11:55But you're just going to have to get used to it.
11:58I thought I heard a familiar sounding voice.
12:02If it isn't my second favorite student filmmaker.
12:05How are you, Dawson?
12:07Good.
12:09So I understand that you and Nicky have become fast friends.
12:12Yeah.
12:14I had a feeling you two hit it off.
12:16Hey, listen. Why don't you stay and join us for supper?
12:20Oh, Daddy. I'm sure Dawson has other plans.
12:23Now, wait a minute. As your father and as your principal, I think I'm going to have to pull rank here.
12:28Besides, how often do I get a chance to have a nice meal with one of my students?
12:32And I promise not to talk too much about my lovely little daughter.
12:39Come on.
12:52Hey there.
12:55So you decided to show.
12:59One small step for man, one giant leap for mankind.
13:04You here by yourself or with?
13:07With a girl. She's a friend of mine. I'm setting up her tent.
13:14What about you?
13:16All by my lonesome.
13:23So you want to go grab a bite to eat? Take a walk?
13:28Yeah. To both.
13:32Whatever.
13:36Come on. I'll lead the way.
13:44After the train ride, I thought for sure you'd ask for my help.
13:49Yeah, well, typical paranoia set in. What can I say?
13:54I figured as much.
13:58I hope you didn't ask for mine.
14:01Because I could.
14:04It's more important that you learn to ask. You're the newbie, remember?
14:08Yeah, newbie. Barely got a gay kid, soon had his heart broken, right?
14:13Good recall.
14:15There's not much I'm going to forget about that conversation. That was a first for me.
14:21Was your first time talking to another gay kid?
14:24Yeah, well.
14:26Unless you count the internet.
14:30I don't.
14:47Hey man, where'd you get that?
14:50Over there. This guy's like a genius with a veggie burger.
14:53Veggie burgers! Get them while they're hot.
14:57Sprouted on bread. All meat. Snow cows diving in.
15:03You want your bun toasted?
15:06Thought you'd never ask.
15:09Hey.
15:11Hey.
15:13Quite a crowd you have here.
15:15Listen, I really don't have time for small talk at the moment. Did you want a burger or not?
15:21Yes.
15:24You know what, I was wondering if maybe you could give me a hand with my tent.
15:29I was never much of a girl scout.
15:34Stanley. Take over here for a minute, will you?
15:39So you never told me that you were a vegetarian?
15:43Never asked.
15:47Did I detect a note of ambivalence in seeing me?
15:50That would be correct.
15:53Any particular reason?
15:56You mean besides the fact that you let me on for the sole purpose of crushing me underfoot?
16:03That's not true, Henry, and you know it.
16:06You could have fooled me.
16:08What are you talking about?
16:11Don't tell me that you're not taking some small satisfaction in it.
16:15In what?
16:16In what?
16:18Being on the requited side of unrequited love.
16:24Henry, I thought that you and I agreed to be friends.
16:28Friends?
16:31You haven't even noticed, have you?
16:35What? Noticed what?
16:37That we haven't spoken in over a month.
16:40For the past four weeks I've been giving you the silent treatment.
16:43And it hasn't even registered on your radar screen.
16:47Hell, it could have fallen off a cliff 10,000 feet for all you care.
16:51That's not true, Henry.
16:53You know what? You can put on your own damn tent.
17:02Dawson, you're looking at probably the only little girl in America who wanted a Super 8 camera for her 10th birthday.
17:10Nicky, should I tell him the name of your first cinematic achievement?
17:16Don't you dare!
17:18A Day in the Life of Daddy.
17:20She followed me around all day long.
17:23James Cameron of third grade.
17:25So tell me, has she enlisted you for a new film?
17:29No, she doesn't even know what it's about.
17:32That's between me and my crew.
17:33So in order to bask in the glory of this mind-bending idea of yours, I have to offer my services?
17:39Is that an offer?
17:41Are you asking for my help?
17:43I don't need any help, Dawson.
17:46I think it would be a great idea for you two to work together.
17:49Forget it.
17:51Sorry I mentioned it.
17:53Ed, you knew that young that you were attracted to men?
17:56No.
17:58I knew that young that I was different.
18:02Being gay isn't about what sex you're attracted to.
18:07It informs so much of who and what you are.
18:10You've lost me.
18:12I'll make it simple.
18:14You haven't talked to another gay guy in your life.
18:17You haven't had sex with any of them.
18:19I'll make it simple.
18:21You haven't talked to another gay kid, so you definitely haven't kissed one, right?
18:25No.
18:27But you still know you're gay.
18:29Sure, how?
18:31I just know, I guess.
18:35Everyone always wants to define gay and straight by who you sleep with.
18:40It's not about that.
18:42It's about moments.
18:44It's about being too nervous to ask for my number.
18:49It's about conversations like this.
18:52It's about who and what you love, that's why you can't erase it.
18:57Because it's not just a part of your life.
19:01It's everywhere.
19:07I'm like my stuff.
19:09What?
19:11My camping gear, it's gone.
19:12What the hell?
19:19Well, after you.
19:21I want you to quit.
19:23Listen, he saw my potential, okay?
19:26No, no, no, no, this was my after school activity.
19:29But I'm the lead in the play.
19:31I want you to quit!
19:34Alright, listen, the guy said he'd give me a C in English, what do you want?
19:38Oh, oh, that's what it's come to? Anything for a C?
19:42What's happened to you?
19:44Okay, not that this is any of your concern, but Mr. Broderick says he thinks I might actually be good at this, and so do I!
19:50Okay, listen, Mr. Broderick may be a lousy English teacher, but as a theater director, he is probing new lows, Pacey.
19:58Rumor has it that he has botched every school play for the past five years,
20:03and it's only by sheer force of will that the past student theater geeks have managed to sandbag his bi-hourly nervous breakdowns.
20:13So, what's your point?
20:15My point is, I got into this to get over you, okay?
20:20To give myself a new focus, and instead your presence is giving me perpetual myopia!
20:27We haven't even done one rehearsal yet, you want me to throw my whole theater career in the wind?
20:31Okay, listen, Sir Barrymore, our director is irrational,
20:37and your lack of ability, though not apparent to him yet, is enough to send him over the proverbial edge, and me with him.
20:45Fine, you quit then.
20:47I most certainly will not!
20:49I'm not gonna quit, witters aren't quitters.
20:51Oh, oh, that's really cute. You know what? Fine, just don't.
20:56Fine, I won't.
21:08Dawson?
21:10Hey.
21:13I must say, film geeking him is definitely not evident in your bedroom decor.
21:18Your room, let me guess. Wall-to-wall Spielberg one-sheets?
21:23Uh, yeah, more or less a shrine.
21:27Figured as much.
21:28Did you say that like it's a bad thing?
21:30Oh, it's not, it's just, there's so much to be passionate about, it seems kind of silly to only focus on one.
21:38Yeah, but if you're lucky enough to find that one thing, why not just immerse yourself in it?
21:42Don't get me wrong, Dawson, I love film.
21:45But I love it because it allows me to explore, explore, explore, explore, explore, explore.
21:52Don't get me wrong, Dawson, I love film.
21:55But I love it because it allows me to explore all the other subjects that interest me.
22:01If all you care about is film, then you're just gonna end up making movies about other movies.
22:09What good is that?
22:13I'm really sorry about my father.
22:16Um, ever since the divorce, he does this really aggressive thing when it comes to me making friends.
22:22It's so weird.
22:24But, you know, I try to cut him some slack.
22:31So you're cool with it?
22:33The divorce?
22:37The, um, constant shuttling between living quarters.
22:41The continually veiled and not-so-veiled comments my parents make about each other.
22:47The never-ending expectation that I look on the bright side of things.
22:52Oh, sure. I'm just dandy.
22:57It's the oddest thing. I mean, judging from how well put together you come off, I would just assume that you're not affected by it at all.
23:04It's a well-crafted disguise, Dawson.
23:06Inside, I'm just another angry kid.
23:12How angry?
23:18Angry enough to make a film about it.
23:25So that's what your movie's about?
23:27More or less.
23:29It's about the, um, American family.
23:32What makes them functional, Laura.
23:35As more often seems to be the case, dysfunctional.
23:39Heh.
23:41You know, Kim said she'd provide you with the healthy supply of material there.
23:47What about you?
23:49Your parents are divorced. How do you feel about it?
23:56Um...
23:58Um...
24:01I, um, I don't mean to probe. I'm sorry.
24:05No. No, I mean...
24:08You're honest with me, at least I can choose to be honest back, right?
24:12Um...
24:16Truth is, most of the time, I'm fine with her not being together.
24:20I mean, maybe I'm just self-obsessed, but I don't think about it that much, you know?
24:28And then, um...
24:32Other times, it just kinda sneaks up on you.
24:37You know, I mean, it's...
24:40Like a...
24:43A disappointment of being the product of something that didn't work out.
24:47I mean, because that's what our parents are. They're our primary examples of love.
24:55And...
24:57And my example just wasn't, I guess, strong enough to, um...
25:04Dawson?
25:06Yeah, I should let you go in.
25:08Um, tell your dad, thanks.
25:10Oh, Jack. God, you're back here. Stop. I mean, walk.
25:14You're never gonna guess who I ran into here. I'm all...
25:18Hi.
25:20Jack.
25:22Jack.
25:24Jack.
25:26Jack.
25:28Jack.
25:30Jack.
25:32Jack.
25:34Jack.
25:36Jack.
25:38Jack.
25:40Hello.
25:42Ethan, Jen, Jen, Ethan.
25:44Nice to meet you.
25:45Nice to meet you. Looks like you could use a little help with this tent.
25:49Yes. Please.
25:52Relieve me of all of my feminist illusions about the equality of the sexes concerning spatial relations.
25:59Listen.
26:01All this stuff got stolen, okay? All of this here. So, uh...
26:05Please, please stay tonight.
26:07And you being the kind-hearted soul that you are, offered him a spot in our tent.
26:11Yeah. So, could you, uh, go take a walk for a couple of hours? Come back around, say, midnight?
26:16You're kidding.
26:18Nope. We mix. Mingle. Write a few letters for Amnesty International. We could probably make a lot of nice new friends.
26:24You know what? I got a better idea. How about me and the car, we go back to Grams' house and we pick you up in the morning?
26:30Besides, Jack, I thought that you two were just getting to know each other.
26:34Yeah.
26:36Uh-huh.
27:06I had to get away from those fools.
27:11We learned more from a three-minute record, baby, than we ever learned in school.
27:19Tonight I hear the neighborhood drummer's sound.
27:24I can feel my heart begin to pound.
27:28You say you're tired and you just want to close your eyes and follow your dreams down.
27:37Well, we made a promise. We swore we'd always remember. No retreat, baby.
27:50What's your name again?
27:53I thought I could see your club.
27:56It's not that kind of club. It's a locker room and a handball court, and to sleep there, I'd have to keep winning the serve.
28:01Oh, stop right there, Pacey. In theory, your character may deliver signs like that, but in concept, no.
28:09In concept, no?
28:11Yes.
28:13What precisely is the difference between in theory and in concept?
28:17Well, I think what Mr. Broderick means is...
28:19What Mr. Broderick means is that he can speak for himself.
28:23You see, Paul desires his young bride to know she knows nothing of the real world.
28:32Right. Which, practically speaking, means what?
28:36Louder and angrier.
28:40Louder and angrier.
28:43Yes. Let's do it again, right now. Louder and angrier.
28:48It's not that kind of club. It's a handball court with a locker room, and to stay there, I'd have to keep on winning my serve.
28:56Good. I liked it.
28:58You liked that?
29:00Well, except for the hand stuff. You were gesticulating.
29:05Oh, hey, gesticulating me? Never. I mean, sometimes in the privacy of my own home...
29:09Wait, wait, wait, Pacey. That. Just now. That's it. You nailed it.
29:14What?
29:15You nailed it.
29:17What just now?
29:19The joke. The dry, smug delivery. That's the character.
29:23What a misbehave. Am I or am I not the director here? You're confusing my actors.
29:30Well, I just thought that...
29:33Don't think. Ever.
29:36Let's do it again. Louder and angrier.
29:46It's not that kind of club. It's a handball court with a locker room, and to stay there, I'd have to keep on winning my serve.
29:57This is really cool of you guys. Are you sure Jen's not going to mind if I take her sleeping bag?
30:03No. Definitely not. She's a bit of a night owl.
30:07Old girlfriend?
30:08No, not exactly. But we did get set up once. Let me guess. School dance?
30:15Yeah. How'd you know?
30:18Punch bowl, wrist corsage, all the trappings of straightdom.
30:24Until you realize you're both like boys. Oldest story in the world.
30:39Lou, goodnight.
30:45Goodnight.
30:51Aren't you going to turn off the light?
30:55Look, I was just thinking maybe, um...
31:00Talk some more?
31:03You know what? I'm really beat. We've got a big day ahead of us tomorrow. There's 20 bands starting at daybreak.
31:27Hey.
31:29How was it?
31:32It was really beautiful. I mean, it was more than beautiful. It was... It was awesome.
31:40Whatever.
31:44I didn't know that you could sing.
31:46I think we established there's a lot you don't know about me.
31:51Henry, wait up for me.
31:53Why?
31:55Because I wanted to talk to you.
31:58You can't... You can't keep doing this to me.
32:01Doing what?
32:03Trying to be my friend and then pushing me away when my feelings scare you.
32:12Okay, I admit it. I miss you.
32:15I miss you.
32:19I miss the goofy way that you used to look at me with all that passion and intensity.
32:28It made me feel like I was actually worth the fuss.
32:33You know, I used to spend every day thinking about you and dreaming about you.
32:41And every time you walked by, I lost myself. Do you know what that feels like? Do you?
32:51No.
32:52Then you couldn't possibly know what it feels like to have that person not have the same feelings back.
32:58Look, I'm sorry you missed how I looked at you.
33:04But I don't miss how you never looked at me.
33:08I don't miss how you never looked at me.
33:39Have I stepped into some parallel universe?
33:43You say it isn't so, Boston.
33:45It's very so, Joe.
33:48Is this about your parents?
33:52Truth be told, I don't know what it's about.
33:55All I know is I was at Nikki's house today and her talking didn't hit me.
34:02The kid who hung these posters up? I'm not him anymore.
34:07I don't see the world the same way. My viewpoint then was so limited, and now I...
34:12I don't know what I see, but I don't see this.
34:19So you are at Nikki's house, your worst enemy.
34:23Hey, she's not my worst enemy. Have you missed everything that I've told you?
34:27I never thought I'd say this about you, Dawson, but you're such a sellout.
34:33What?
34:34I mean, First Eve practically tugs you around town by a dog collar,
34:38and now this new film girl breezes into town, and you're tossing your identity out the window.
34:43I'm not tossing my identity out the window. If anything, for the first time in my life,
34:47I'm actually getting close to discovering what my identity is.
34:50I talked to Nikki. She helped me sort through what it is with my parents.
34:55Dawson, I wanted to talk to you about that, and you didn't want to talk.
34:58No, I didn't. How did this become all about you?
35:01Because you ran to her.
35:02I did not!
35:04What did you do then?
35:06Look, you want to cite themes for a friendship? Try this on for size, Joey.
35:10Every time I express one iota of interest or even mere respect for anyone of the opposite sex,
35:15you attack me like I'm some sort of criminal.
35:17Oh, and you don't attack me.
35:19No, I don't. As you notice, I have not once asked about Mr. Ivy League.
35:23Yeah, that's noted. His name's AJ, okay?
35:26And maybe your not asking me about him is worse than my attacking you, okay?
35:30No, it's not. My choice is civil.
35:32No, you're yelling. That's not civil.
35:34You're yelling too!
35:40Out with the old, in with the new, huh?
35:44Have fun.
36:03Wow. I want to go grab some breakfast before the music starts.
36:08Thanks again for letting me crash here.
36:11Sure.
36:15Aren't you forgetting something you're supposed to ask me for?
36:20I don't think so.
36:22My number, Jack. You know, so you can call me sometime, we can talk, get together.
36:27I don't get this.
36:29I mean, last night, you didn't even seem interested enough to want to talk to me,
36:33and now all of a sudden you want me to have your number.
36:35I was tired. I wanted to sleep.
36:38That's got nothing to do with us being friends.
36:41Friends.
36:47I figured you were probably interested.
36:50You're not.
36:52Even if I was, I would never go there with you.
36:55You're so not ready.
36:57How could you possibly know what I'm ready for?
37:00It doesn't mean that I'm not interested, Jack.
37:03It just means that if I'm going to stay in your life,
37:07and I want to,
37:09that I'm a lot more likely to stick around this way.
37:13So, you are interested?
37:19No comment.
37:21No comment.
37:25Well, this is,
37:28this is sort of funny.
37:31I mean,
37:33as much as I didn't want to admit it,
37:36you were the first guy that I was ready to take the next step with,
37:41and you said no.
37:44I guess I should be somewhat discouraged.
37:50I know I'm not necessarily optimistic,
37:54just to know that there's someone like you out there.
38:07Take care, Jack.
38:14I had a date.
38:15I had a date.
38:17I ditched a perfectly good date for a non-rehearsal.
38:21Okay, be patient. He'll show up.
38:23No, Julie, no one can do more.
38:25Louder! Angrier!
38:30Why not just start without the Grand Poobah?
38:34I mean, Annie's here. She could direct us.
38:36How about not? I've been in the dungeon enough, thank you.
38:39What, all we're going to do is run a few lines?
38:41Besides, was it not you who said that this is actually your after-school activity?
38:50Okay, fine.
38:52Pacey, do your deadpan thing.
38:54Corey, when the phone rings, I want you to do it just like the stage directions.
38:59You know, confidential, laughing at times, provocative, okay?
39:05Okay, on my direction.
39:10Okay, and begin.
39:18The stage is over there.
39:21You lost or something?
39:25Kinda.
39:31Actually, I came here to apologize.
39:35What?
39:36I don't know.
39:39You're being callous with your heart.
39:44You're thinking that just because I'm older, I knew better.
39:52Last night, I stayed up all night thinking about what you said, and it's...
39:57You're right.
40:00I don't know what it's like to be in love like that.
40:03I don't know what it's like to completely lose yourself in somebody else.
40:12But I'd like to.
40:22And if one of us is younger than the other here, I don't think that it's you, Henry.
40:32Got that right.
40:38No.
40:42How do you like your coffee?
40:48Can't say we didn't try.
40:50Yeah, almost two whole weeks.
40:52Better than finding out in two years.
40:56I like it. I like where this is going.
40:59Yeah, we started running it with Andy.
41:00All those exercises I've been throwing out at you to stretch your range, they're paying off beautifully.
41:06Mr. Broderick, we ran through it with Andy.
41:08I like the pacing, I like the funny, I like the energy. Andy, get the set designs, would you please?
41:12I'm telling you, all those things were Andy's ideas.
41:15Yes, sir. I mean, I was beginning to doubt myself there for a moment, but you guys are definitely in the groove.
41:22The rest is just grunt work, memorization, pacing, the easy stuff.
41:26Andy, these aren't the set designs we discussed.
41:28They are. I told Lauren you wanted a completely simplistic set.
41:32Freestanding doorways, hanging windows, and minimal props.
41:36Well, then I changed my mind, didn't I?
41:38I mean, the actress will send this stuff flying around the stage like a trapeze.
41:42But Mr. Broderick, we don't...
41:44Andy, don't argue. Just follow orders.
41:53All right, let's run the scene again. Same way.
41:58No changes.
42:08Andy, you can't leave like this, all right?
42:11You see, this guy thinks he's theater, he's just terrified that someone's going to find out that he's not.
42:15No, I can't work under these conditions, okay? It's hard enough as it is.
42:19Okay. All right, if it's hard, I'll quit.
42:22You can't do that. I mean, you're actually good.
42:25Thank you. But the fact still remains that you're better, all right?
42:30And we need you in there. Even if that guy's a jerk, you got us to get out.
42:33I mean, I need you, McPhee.
42:38What am I supposed to do? Resume kissing his ass?
42:42Yeah, basically.
42:44Well, is he going to stay out of my way?
42:46Broderick? He'd talk a crazy talk. He'd never do anything like that. It'd be too easy.
42:52All right, then. What's in it for me?
42:55Well, that depends. Are we talking in concept or in theory?
43:01All right, come on. What's the verdict? What are you going to do? Yes or no?
43:05I think... no.
43:08All right. Good. I mean, you know, actually, that's kind of what I expected you to say.
43:13So, um, I'll see you at rehearsal.
43:16What? No, PC. I said no.
43:18I'm sorry. What did you... I can't hear you. It's good to hear you so far.
43:21We have a meeting to set up about this project. We need that thing.
43:24It's good.
43:26PC, I said no.
43:28So, all your efforts to secure some major face time with the new beau backfired?
43:33Well, it turns out that the gay version of the let's be friends piece is basically the same as the straight front page.
43:42So would that mean that the part where you were rude and insensitive and sent me off into the cold, dark night unascorted, that was all for nothing?
43:49that was all for nothing?
43:50Rude is such a strong word.
43:52I prefer something more like, uh...
43:55momentarily self-involved.
43:58That does have a certain ring to it.
44:01Am I forgiven?
44:03Yes.
44:04Jack, you are forgiven.
44:06You know, it's a happy turning point
44:08in a girl's life when her gay best friend
44:10finally dumps her for another boy.
44:12They should make some sort of greeting card for that.
44:14Yeah, well, hold on. What happened?
44:17What?
44:18You have a good attitude, and you're wigging me out here.
44:20Explain. What did I miss?
44:22Remember when you sent me into the night
44:24and told me to make new friends?
44:25Yes!
44:26I thought we already established
44:27that was not my finest hour.
44:29I know. Well, let's just say that...
44:32that while I was wandering around,
44:34I may have...
44:37inadvertently stumbled upon somebody.
44:39A, uh...
44:41friend?
44:43Yeah.
44:45Anyone I know?
44:47Yeah.
44:49Yeah, most definitely someone I know.
44:52Who is it?
44:54I'm not telling you.
44:55Who is it?
44:56Uh-oh!
44:57You're not gonna get out!
45:06Do I still have ladder privileges?
45:10I suppose so.
45:17I come bearing gifts.
45:26You remember?
45:28You remember that summer we came across
45:30a pile of Mitch and Gayle's old Beatles albums,
45:33listened to them on the porch every day for hours?
45:35The girls kept on yelling for us
45:37to turn down that hippie music.
45:39Yeah.
45:40And you wanted to be John Lennon.
45:42You wanted to write songs
45:45and change the world through music.
45:47I did?
45:49You did.
45:51You weren't just about Spielberg.
45:53You weren't limited.
45:55You were about so many things.
45:59I just wanted to remind you of that.
46:01I just wanted to remind you of that.
46:14I also wanted to remind you that
46:16even though sometimes
46:18my emotions,
46:20particularly jealousy,
46:24sometimes get the best of me,
46:28I still hear you.
46:31No matter how much we yell,
46:33or no matter how quiet you are.
46:38I hear you, Dawson.
46:45I hear you too, Joy.
46:53Listen, I know what's going on inside of you is huge.
46:58It's okay if you don't share it with me.
47:04Just promise me you'll keep trying to share it with someone.
47:12Do you want to give me a hand?
47:28Sure.
47:46So what do you think?
47:48Do you think John will inspire me to walk my own path?
47:52You've always walked your own path, Dawson.
47:54Just needed to widen it a little.
48:01And be on the lookout for your Yoko.
48:24I love you.
48:26I love you too.
48:28I love you.
48:30I love you.
48:32I love you.
48:34I love you.
48:36I love you.
48:38I love you.
48:40I love you.
48:42I love you.
48:44I love you.
48:46I love you.
48:48I love you.
48:50I love you.
48:52I love you.