Tu Nombre Y El Mio - Capitulo 23
Category
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Short filmTranscript
00:00I'm sorry, I didn't know you were busy, they told me to wait here for you to come to make up, but I'd better look for another waitress.
00:20No, wait, there's no problem, you can come in. This is the space for all the interviewees, in fact.
00:25No, really, I didn't want to bother you, I'm sorry.
00:29You're not bothering me, you can come in, really, I'm super bored here alone. Come in.
00:38Nice to meet you, my name is...
00:40Davis, right? I know who you are.
00:43Really?
00:44Don't you sing with the group Nectar?
00:46Well, I used to sing, now I'm going to present a song with my new musical group.
00:51What's your group's name?
00:52La Miel.
00:55First Nectar and now La Miel?
00:57Yes.
00:58It's great, how cool.
00:59Yes, La Miel comes from Nectar.
01:00Yes, of course. Well, congratulations.
01:03Thank you. And you are?
01:08Cassandra. Nice to meet you again.
01:17Nice to meet you.
01:19And you are also waiting for make-up?
01:22No, not at all, not me.
01:25My mom is being interviewed right now, in fact, in the newsroom.
01:28And your mom is...?
01:30She's in charge of the Miss Peru contests.
01:32Ah, your famous mom. And you came to accompany her?
01:37Yes, I mean, I work in the organization of the contest, so every time I have an interview, I go with her to the newsroom.
01:43How nice.
01:44I'm still in administration, so eventually I'm going to become independent, maybe I'll open my own company, who knows?
01:51How cool. Seriously, I mean it. I understand you, because I'm also doing my own path.
01:57In fact, I'm going to have my first performance with my own group in...
02:00Here in Sabor Nacional?
02:01Yes, yes, it's going to be my first live performance.
02:04Congratulations, baby.
02:08I wish you all the best. Good luck.
02:10Thank you. You too. I wish you all the best in all the projects you do.
02:14Thank you very much.
02:17Hey, I'm going to hear you now.
02:19No.
02:20What? Why?
02:21You're going to make me nervous.
02:25Davis, I have to do your make-up. You're coming in in 20 minutes. It's the last block.
02:28Okay.
02:29I'm going to go see my mom, because she's probably already there.
02:32I'm going to go see my mom, because she's probably already there.
02:34Okay.
02:35I'll see you there.
02:36Yes.
02:43And I hope you like my song.
02:48I'm sure you will.
02:56Hey, Davis, I have to go.
02:58Okay.
02:59And you? Why are you all sweaty?
03:01Who, me?
03:02Yes, look at you. You're all sweaty.
03:04Okay, well, let's go. We're running late.
03:10That's enough, guys.
03:12How are you going to get there late?
03:13Don't overdo it.
03:14Brother, we didn't know it was so far away.
03:16But don't worry, we're all ready.
03:18And it's going to be a bomb.
03:19Right, guys?
03:20Yes, of course.
03:21Let's go.
03:22Let's go.
03:23Let's go.
03:24Let's go.
03:25Let's go.
03:26Let's go.
03:27Let's go.
03:29Don't do it again.
03:30Dear Davis.
03:31Hi.
03:33How's your dad?
03:35Say hi to him, please.
03:36It's been a while since he came to visit me.
03:38Let's see how much you've inherited from his talent.
03:40Are you ready?
03:41Yes, yes, of course.
03:42Look, it's going to be a few little questions,
03:44and we're going to face the musical.
03:45Today we have a short program.
03:47Yes, of course.
03:48I wanted to ask you if the album...
03:50No, no, no, don't worry.
03:52We're going to talk about everything you want another day.
03:54Today, just a short one, Davis.
03:55Okay?
03:56Okay.
03:57Okay.
03:58Don't worry.
03:59Come on, come on, come on.
04:00Hurry up, hurry up.
04:01I hope everything goes well, Cholita,
04:03because he doesn't have any experience on television.
04:05Oh, that's enough, John.
04:06There he is, there he is.
04:07There he is.
04:08Today we have the presence of Davis Orozco,
04:11a former member of the group Nectar,
04:13known on stage, like his father, Johnny Orozco,
04:16as the candy of the cumbia.
04:19And today he comes to visit us at our show
04:21to present us his new album.
04:23Right, Davis?
04:24Yes, that's right, Yanela.
04:25It's an album that I've prepared with a lot of love and dedication.
04:28Davis, excuse me, where did your desire to make music come from?
04:31From my dad.
04:32He's always been my example.
04:33And now that you're with your new group, La Miel,
04:36what do you think of the people who say that
04:39the great Johnny Orozco is going to be your competition?
04:43Compete?
04:44No, Yanela.
04:45No, we're not competing.
04:46I think everyone has their own personal label.
04:48More than a competition, I would say that he is my reference.
04:51And what will your dad think
04:53now that you're stepping on his toes?
04:56What? What's going on?
04:57Oh my God.
04:58No one is stepping on anyone's toes, Yanela.
05:01At least me.
05:02My dad supports me a lot and I'm very happy about that.
05:04Oh, how cute, Davis.
05:06A big round of applause for him, please.
05:10He's very talented, beautiful.
05:12He has it in his blood.
05:14Davis, tell us.
05:15What are you going to sing for us?
05:16I'm going to sing a song called Por Ti.
05:19But first, I would like to introduce the wonderful musicians...
05:22I'm sorry.
05:23With you, Davis.
05:24And he sings for us.
05:25What are you going to sing for us?
05:26Por Ti.
05:27Well, the stage is yours.
05:28He doesn't even let him speak.
05:29What's wrong with him?
05:30I wanted to put him against me.
05:52That my beats make me look
05:56Because I breathe happiness
05:59For you
06:02That my smile reveals me
06:04Because I know you love me
06:07I will always take care of you
06:11For you I knew love
06:16You are my reason and reason
06:20My universe and happiness
06:26You are my real world
06:31Miss, your car is waiting for you.
06:33Come on, let's go.
06:35My perfect melody
06:40Princess full of love
06:44The owner of my heart
06:50And this song
06:54You wouldn't have without you
06:58If you weren't with me
07:16What happened?
07:17Why did you cut the song?
07:18No, I don't know.
07:21The song is not finished yet.
07:22What's wrong?
07:24No, Davis.
07:25Look, we're on time.
07:26The next song is complete.
07:27No, no, no.
07:28But wait.
07:33No, no.
07:34Leave him, leave him, leave him.
07:35I know him.
07:36He needs to be alone.
07:39I shouldn't have come.
07:40It was a mistake.
07:41I couldn't take advantage of this opportunity.
07:43I screwed it all up.
07:49Excuse me.
07:50I was leaving.
07:51No, no, no.
07:52Wait, please.
07:54I saw your performance.
07:55I loved it.
07:57You loved it?
07:58Yes, I was on the set.
07:59Carla.
08:00Carlita.
08:01For friends.
08:02Nice to meet you, Carla.
08:03Carlita.
08:04Ah, Carlita.
08:05I'm a big fan of Nectar.
08:06And now I'm also a big fan
08:08of the candy of the cumbia
08:10of Hibiscus.
08:11Thank you, thank you, Carlita.
08:13I'm on my way out.
08:14I'm from Peru, but I grew up in Bolivia.
08:16I studied marketing there.
08:17And I came back four years ago.
08:19Hey, you know?
08:20I loved your performance.
08:22But I think there's something missing.
08:24Really?
08:25What?
08:26Your image.
08:27You can't go out like that with your normal clothes.
08:29You have to produce yourself.
08:30Dress better.
08:31If you want, I can help you.
08:33Free, at first.
08:34Like the help of a fan.
08:37Okay.
08:38Okay.
08:39Give me your number and we'll talk.
08:41Yes, yes, yes.
08:42Of course.
08:43Hey, I'm an expert in looks, in outfits.
08:45I can help you drive on TV.
08:47Okay, great.
08:48Give me your number, I'll call you and we'll talk.
08:51Okay.
08:52This is my number, this is my email.
08:53Here's my high five.
08:54Well, everything.
08:56Great, thank you, Carlita.
08:58So, I'll be calling you and we'll talk.
09:00Okay.
09:06See you.
09:07Okay.
09:08Bye.
09:09Bye.
09:11How? How?
09:14Well, that girl, right?
09:16She said the same thing.
09:18Yes, poor David.
09:19Whenever he goes on TV, the same thing happens to him.
09:21Exactly, she always does the same thing to him.
09:26Hey, Tavito.
09:29Regarding what we talked about.
09:32I know you're right.
09:34All right.
09:36We're going to talk to my dad.
09:38Both of us.
09:39Both of us together?
09:40Yes, yes, yes.
09:41The best thing is that we both face it.
09:43But please let me prepare the ground
09:45so that the news is not so heavy.
09:47Of course, Nati.
09:48You'll see that we're going to get a lot of attention.
09:50I don't know how I'm going to do it,
09:52but I'm going to like your dad.
09:54You'll see.
09:55But I'm going to put it in my pocket.
09:56And your brother too, huh?
09:57You'll see.
10:09You'll see.
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12:34Relax, sound.
12:35Relax.
12:36Yeah?
12:57Nuñez.
12:58Come in, please.
12:59How are you?
13:00Fine.
13:02What's going on?
13:04I'm sorry, Davis. I couldn't make your songs play on the radio.
13:34I'm sorry. I'm sorry.
13:39Let me go! Let me live!
13:49Hey!
13:50How are you?
13:51Why are you looking at me Yoni?
13:53I see that Panchito made a mistake with the rhythm.
13:55Ohhh! Well, well...
13:56Don't tell me anything, man!
13:58And that's how you say you're the best musician in Hecate.
14:01Guys, guys, calm down. Don't treat him like that.
14:04Applause, guys!
14:11Dad, I want to formally introduce you to my boyfriend, David.
14:21Yes, as she said.
14:24Me, her, us, right?
14:28We're in love.
14:31And... and that, right?
14:34Yes, yes, and we love each other a lot, dad.
14:38Really.
14:46Hey, do you think he'll accept us with that?
14:48I don't know, I don't know.
14:49I think we have to look calmer.
14:51More confident, more confident.
14:53At least you can't look so nervous.
14:55Come, come, again, okay?
14:58No, I think we start like this, just so he doesn't get upset.
15:05Hi, dad. No, like this, like this.
15:21I love you.
15:51You are my reason and reason.
15:56My universe and happiness.
16:01You are my real world.
16:08Good, guys, you know?
16:09Good, guys.
16:10Every time we sound better, I assure you.
16:13Davies.
16:14And?
16:15Nothing.
16:16There's no news.
16:22Oh, Cholita, there's nothing left for us to go to Argentina.
16:26I know, Johnny, you don't even remind me.
16:28No, don't get like that.
16:30It's going to happen fast.
16:32To be honest, I also want it to end soon.
16:36Fast.
16:37So he can take time off from Nectar,
16:40get out of music for a while.
16:42Well, without letting him help Davies.
16:45Are you serious, my love?
16:47Yes, Cholita.
16:49I want to build our little house,
16:51spend more time with Pierito.
16:53And most importantly,
16:55spend more time with the love of my life.
16:58Oh, my love.
16:59And you?
17:05And eat croissants.
17:07And eat pizza.
17:09Eat, eat, eat.
17:10And eat ceviche.
17:11And cook everything we have cooked.
17:19I love you.
17:37I miss you so much.
17:42But I can't be sad forever.
17:50Life must go on.
17:54Yes.
18:19Do you want me to sing La Tropical?
18:21Do you want me to join the group?
18:22That's right.
18:23That offer has arrived.
18:25It's a new group that is sounding a lot in the province.
18:28And they want you as a vocalist.
18:30Do people listen to my songs?
18:32Yes.
18:33Look, I would suggest that you accept.
18:35Yes?
18:36It is better that you become known as a vocalist
18:38in this group that is already consolidating.
18:40And then, if you want, you take the honey back.
18:43But there is a problem.
18:45Which one?
18:47Who wants it?
18:52Dad.
18:53I'm not a kid anymore.
18:55I can decide alone.
18:57I want to sing with La Tropical.
18:59You are just testing the terrain in Lima, Davis.
19:01We don't even know how to go with that group.
19:03And worse, far from me.
19:04I can't help you and I can't be there to be with you.
19:06You see?
19:07That's the problem, dad.
19:09We go back to the same old thing.
19:11You don't want me to separate from you.
19:13And be far from you.
19:15If I'm wrong, it's my mistake.
19:17Period.
19:18You have to respect my life, dad.
19:20Do you understand?
19:21Yes, yes, yes.
19:22I know, Davis.
19:23I know.
19:24You're absolutely right.
19:25I just don't want you to make those mistakes that I...
19:29Look.
19:30I have an idea.
19:31I have a deal.
19:34You don't sing with that band.
19:37But you come with me on tour to Argentina.
19:40Really, dad?
19:41You and me in Argentina?
19:42Yes, son.
19:43In Argentina.
19:44Singing, sharing the stage.
19:45Can you imagine?
19:46It would be spectacular.
19:47Go back to the city where Nectar started.
19:49On the stage of the Bolivian Magician.
19:51What do you say?
19:53Do you accept?
19:55Dad, I can't.
19:58You can't?
19:59I can't reject that offer, dad.
20:02It's going to be amazing.
20:03We sing together in Argentina.
20:08Oh, Davis.
20:09You don't know the joy you give me.
20:11The tranquility I feel.
20:12Thank you, son.
20:13Thank you for understanding.
20:14I'm going to talk to Marcial.
20:15I'm going to tell him that you're coming with us to Argentina.
20:18Let's go to Argentina.
20:19Let's go to Argentina.
20:29That Nati, right, sir?
20:31She's very studious.
20:33She goes out with her friends.
20:35Just that boy.
20:37Juanco.
20:38He's always with her and helping her.
20:40Sir, why don't you like him?
20:42If that boy is very good, very calm.
20:45Who are you talking about?
20:47Juanco, Nati's friend.
20:50Stop the car.
20:51Stop the car!
20:55Who are you talking about, Juan?
20:57Well, what happens is that Nati told me that you don't like that boy.
21:01But look, sir, I know him.
21:02And he's good people.
21:04Also, he loves Nati a lot.
21:07Get out of the car.
21:08But sir...
21:09Get out of the car!
21:15How was that boy?
21:16Did you see him with Natalia?
21:18Sir, he's been in the car a couple of times.
21:21But look, I swear he's always been very good.
21:24He got in my car with my daughter!
21:27How many times, Juan?
21:29How many times?
21:31Answer me!
21:33Sir, they love each other a lot.
21:35Really, they love each other a lot.
21:36How could you let that guy get in my car?
21:39And with my daughter!
21:40That criminal!
21:42And you still talk to me as if I were nothing.
21:44As if I were an idiot.
21:47I don't want you to step foot in my house again.
21:49Not even in my car.
21:50Get out.
21:51Get out!
21:53Sir.
22:07Hello, Matias.
22:08Where are you?
22:09Where is your sister?
22:11She's been seeing that criminal.
22:13Where is your sister?
22:16At the university.
22:23Davis!
22:24Hi.
22:25Carlita?
22:26What are you doing here?
22:27Didn't I tell you I'm Nectar's number one fan?
22:29How could I not know where they rehearse?
22:30I know everything.
22:31Everything!
22:32Hey, Davis, you didn't call me.
22:33Very bad, huh?
22:34Very bad.
22:35I'm sorry, Carlita.
22:36I don't know if you noticed,
22:37but honey didn't hit as much as I wanted it to.
22:39So I went back to Nectar.
22:41I'm going on tour with them next week.
22:43Well, in a few days.
22:44How cool!
22:45Well, anyway, I'm there to say goodbye.
22:47Hey, Davis.
22:48And did you think about it?
22:50Do you want me to help you sell your image?
22:52I can even be your representative.
22:55Carlita, I'm already working with Nunez.
22:57He's my producer.
22:58Ah, but I don't want to be your producer.
23:00I want to be your image consultant.
23:02See what interviews you give,
23:03what you say, what you don't say.
23:04That kind of thing.
23:05But for that I already have my dad as an example.
23:07Davis, with all the respect your dad deserves
23:09and all the masters of the cumbia,
23:11you and I are cooler.
23:12We're in a different mood.
23:13We're going to understand each other better.
23:15Yes or no?
23:17I don't know.
23:18Look, I already opened a fan page for you.
23:20Las Bomboncitas.
23:21There are all the links.
23:23We also have Hi5, MySpace, YouTube,
23:25a blog, everything.
23:26Go to your computer, check it out,
23:28and let me know.
23:29Carlita, I don't know what to say.
23:32If you like what you see,
23:33we can get together to have a coffee
23:35or an ice cream and have a nice chat.
23:37Can you give me your number so I can call you tomorrow?
23:39Because if I wait for you to call me,
23:41I'll get old.
23:49Okay.
23:50You win, Carlos.
23:51Good one, Davis.
23:52Write down my number.
23:53Okay.
23:54Bye.
23:55Bye.
23:56Bye.
23:57Bye.
23:58Write down my number.
23:59Okay.
24:00What is it?
24:01934-89478.
24:05Okay.
24:06I'll call you.
24:07And we'll meet tomorrow?
24:08Yes.
24:09We'll meet tomorrow,
24:10we'll have an ice cream,
24:11and then we'll talk about the image.
24:13Okay.
24:14Bye.
24:15Bye.
24:17I'm going to go.
24:18Bye.
24:19Bye.
24:20Take care.
24:21Take care.
24:29What the fuck are you doing, Natalia?
24:31Dad, what are you doing here?
24:32You've been seeing that guy.
24:33He made fun of me.
24:34But this is over.
24:36Let go of me, Dad.
24:37Let go of me.
24:38Shut up.
24:39Dad, don't scream, please.
24:40You believe in the great university, don't you?
24:42The good and applied girl.
24:43And you end up doing shit with that gang of whores.
24:47You're a shame, Natalia.
24:49You embarrass me.
24:51Let's go.
24:52Dad, please let go of me.
24:58Let go of me.
25:15After hearing the tone,
25:16record your message.
25:20Hi, Natalia.
25:22I was waiting for you in the park,
25:24as we agreed,
25:25but you never came.
25:28Everything is fine.
25:29It's just that something happened.
25:38This is weird.
25:40Natalia would never...
25:42would never leave me standing
25:44without warning me.
25:53Natalia is isolated.
25:54They saw me.
25:55And no one will approach her
25:56until she goes to Spain at the end of the month.
25:58Dad, you can't leave her locked up
25:59as if she were a criminal.
26:00She's in my house
26:01and I do whatever I want.
26:03It's already a decision made.
26:05Well, Marci,
26:06if the decision is made,
26:08there's nothing to do.
26:19Guys,
26:21I've called you here
26:22because I have something
26:23very important to tell you.
26:26We have a new member
26:28who will join us
26:29in Buenos Aires.
26:31The tour is coming.
26:33And...
26:35this member
26:37is also...
26:39well,
26:40he's...
26:41Hey, Peyote,
26:42what's up,
26:43with your little intrigue game,
26:44tell me.
26:45Officially,
26:46Davis returns to Nectar.
26:47Congratulations!
26:53Thank you, Dad.
26:55And thank you all
26:57for giving me this
26:58welcome.
27:08Son!
27:10Son, listen to me.
27:11What do you want?
27:12For that, old man?
27:15For that, so much practice?
27:18I'm trying as hard as I can.
27:19You have no idea, old man.
27:22And I wasn't even going to choose Davis.
27:24That guy takes out
27:25and puts whoever he wants.
27:26You don't know why?
27:27Because in the end,
27:28the only one who rules is him.
27:29It doesn't sound like that, son.
27:31Let me explain.
27:32Davis also tried hard.
27:33Old man,
27:34I'm fed up with that story.
27:35I know!
27:36I know!
27:37I know that Davis also tried hard,
27:38that he has more experience.
27:39I know, old man.
27:40I'm tired.
27:41Understand it.
27:43In the end,
27:44I'm trying as hard as I can
27:45like an idiot reverend.
27:46All for what?
27:47All for nothing.
27:49It's not like that, son.
27:50Understand me.
27:51He's still with us.
27:52He's still fighting, son.
27:54You know what?
27:55I'm going to leave her here.
27:58It was a mistake
27:59to trust you again.
28:00How can you say that, old man?
28:01It was a mistake
28:02to trust you, old man.
28:03It's over.
28:06Come on, stay with your other son.
28:08Son.
28:09Come on.
28:10You're free.
28:11Please.
28:12That's what you want?
28:13Come on, old man.
28:14Come on!
28:17Come on.
28:19You don't have to worry,
28:20little star.
28:22The presentation of your album
28:23is already closed.
28:24It will be on Sunday.
28:26Okay, perfect.
28:28And in the meantime,
28:30Johnny
28:31will tour in Argentina,
28:32right?
28:33And his son
28:34with his new group.
28:36What I have prepared for you
28:37will be unparalleled.
28:39Only the best
28:40for my dear
28:41boss of the cumbia.
28:42You better, Marcial.
28:44Because I've waited a long time
28:45and I don't have time
28:46to keep losing him
28:47in nonsense.
28:49Little star.
28:51Little star.
28:52Perlita.
28:54Little star, here you are.
28:56My beautiful queen.
28:59Let's go.
29:00It's late.
29:01The interview is on the radio.
29:02You're right.
29:03Yes, yes, yes.
29:04Let's go, let's go, let's go.
29:05But first,
29:06I'm going to introduce you
29:07as it should be.
29:08Marcial,
29:09I introduce you to Perlita.
29:11Perlita is my counselor,
29:12she is my public relationship,
29:14my personal assistant,
29:16my nail polish,
29:17my everything.
29:18She will accompany me
29:19everywhere.
29:22So I avoid being alone
29:24with certain people.
29:27Excuse me.
29:32Excuse me.
29:34Let's go.
29:43My good friend,
29:44Marcial Montero.
29:48Don't worry, man.
29:50You always get pale
29:51every time I visit you.
29:53No one has seen me.
29:55Don't worry.
29:58I hope you haven't missed me much.
30:13Your name
30:16and mine
30:18How I wish
30:20you were with me
30:23Your name
30:25and mine
30:27We will sing
30:29and mine
30:35Don't worry, Tabito.
30:37Don't worry, brother.
30:39Everything will be fine.
30:40Everything will be fine.
30:42Thank you, Davis.
30:44Something must have happened,
30:45I'm sure.
30:47Suddenly Natalia got ahead
30:48and told him on her own.
30:50Now Uncle Marcial must want
30:52to keep her away.
30:54I'm sure he's doing that.
30:56He threatened her with doing it.
30:58I don't know what to do.
31:00What if I tell my dad?
31:02Why should I talk to Marcial?
31:04Do you think your dad will believe that?
31:06Anyway, Tabito,
31:08he loves you a lot,
31:09and he knows that you are
31:11a good person.
31:13My dad and Marcial have been friends for years.
31:15He helped him when he needed it the most.
31:18I'm sure he convinced him
31:19to let them be together.
31:21Yes, yes.
31:22That's good.
31:24But be gentle.
31:26I don't want to have problems with Uncle.
31:28You should have seen him.
31:30When he saw us together,
31:31he went crazy.
31:33He scared me.
31:34Tabito,
31:35if you love each other,
31:37no one has to meddle.
31:39You are adults.
31:40You are adults.
31:41You know what you're doing.
31:43No matter how much of a father Natalia is,
31:45he can't meddle in that way.
31:47Yes, Davis, but...
31:48But nothing, Tabito.
31:50My dad is going to talk to Marcial.
31:52Everything will be solved.
31:54I swear.
31:57Just drink your water.
31:59Calm down.
32:03What are you doing here, Chacal?
32:05Let's say that the time I gave Chile
32:07to give me the light I deserve
32:09is over.
32:11There is a lot of competition out there.
32:13I managed to have certain territories, but...
32:16I was not born to be second.
32:18No.
32:19I was born to be the king.
32:21Like in Argentina.
32:23And now in Peru.
32:25From now on,
32:27I'm going to dedicate my entire time
32:30to this beautiful land
32:32that saw me born.
32:34Chacal, stop talking nonsense.
32:36Losing you in Chile affected your head, didn't it?
32:40What are you talking about, idiot?
32:42I decide when to leave,
32:44which is different.
32:46From now on,
32:48I'm going to run my business
32:50here, but alone.
32:52Chacal, what do you want?
32:54Your money has always come to you at the end of the month.
32:56I have taken care of giving it to you myself.
32:58Well, let's say that now I prefer you to come alone.
33:00Okay?
33:02I don't need you anymore, Marcial.
33:04I asked you to be my representative for obvious reasons,
33:06but now that I settle here,
33:08I don't need you.
33:10Your golden age as a musical producer is over.
33:13Chacal, you can't do that.
33:15I need all the information
33:17of all the groups we have been representing.
33:20I want to visit them.
33:22I want them to meet their new musical producer.
33:25Chacal, you and I had a deal.
33:27You can't do that just because you failed in Chile.
33:30What are you talking about, idiot?
33:32Look, things are very different here than in Argentina.
33:34You could have done a thousand things there,
33:35but you are nobody here.
33:37I am the powerful one here.
33:39And I gave you that power,
33:41and I can take it away from you like this.
33:43I thought I would do it today,
33:45in a good way,
33:47but you are going to force me to take other measures.
33:50Chacal.
33:52Chacal, wait.
33:54See you later, Montero.
33:56Chacal.
33:58Chacal, wait.
34:00Please, Chacal, I don't want a war with you.
34:02Did you get scared, Montero?
34:03Listen to me.
34:05I'm going to handle everything on my own.
34:07Learn to let go, man, learn to let go.
34:09Please, Chacal, don't you realize that you alone
34:11won't be able to do anything here?
34:13You need me, I am your facade, your mask.
34:15Nobody is going to want to do business with you.
34:17And I don't think you can make the machine work
34:19like you did in Argentina.
34:21Not here.
34:23Are you done?
34:25Look, Nectar is about to do a tour in Argentina.
34:27What would happen if you talk to Johnny right now?
34:29Everything goes to hell.
34:31Money can be dirty, yes.
34:33I don't want to negotiate, Chacal.
34:35Not you.
34:37You almost convince me.
34:39I'm moved, Montero.
34:41Okay.
34:43Let's see what happens now.
34:45In the meantime,
34:47we remain partners
34:49until death do us part.
35:04My God.
35:07Marcial and Chacal
35:10talking as if it were nothing.
35:13And they're shaking hands as if they were partners.
35:17It can't be.
35:20It can't be.
35:24Toothbrush, mouthwash, headphones, wallet, more documents,
35:28cell phone charger and composition book.
35:30I think we're done.
35:32We don't need anything to take the trip to Argentina.
35:34Congratulations, nephew.
35:37We're going to Argentina.
35:39It's going to be a blast
35:41to see you and Johnny singing together
35:43in the place where it all started, nephew.
35:45What am I talking about?
35:47It all started here.
35:49Nectar started here.
35:51Right.
35:53You and my dad loved music since we were kids.
35:55Since we were kids.
35:56Since we were kids.
35:58Since we were kids.
36:00When we were kids, we'd go to bed.
36:02Before going to bed, we'd look at the sky
36:04and say,
36:06I want to be that star.
36:08And Johnny would say,
36:10I want to be that star that shines brighter.
36:12And we'd spend the night like that.
36:14Of course, we were little.
36:16We didn't even have a roof.
36:18Oh, God.
36:20So many things have happened.
36:22A lot of things, nephew.
36:23But now we're here.
36:25And we're a very united family.
36:27That's what counts.
36:29And now we're going to Argentina,
36:31to be beautiful, old man.
36:34You'll sing very well,
36:36but your Argentinian accent is terrible.
36:40Our music is going to go so far, David, so far,
36:42that even the angels are going to hear us
36:44and they're going to start dancing their cumbia,
36:46you'll see.
36:48I'm excited about what you're telling me, uncle.
36:50You always do.
36:51I'm very happy to sing with my dad in Argentina.
36:54But you know,
36:56it also makes me very happy to sing with you, uncle,
36:59because you've supported me since I was a little kid.
37:02And you always did.
37:05Do you remember
37:07when you taught me to sing and play
37:09without anyone noticing?
37:13And I would be your nephew again and again.
37:15Do you know why?
37:17Because I love you.
37:18And I would be your nephew again and again.
37:20Do you know why?
37:24Because you're a son to me.
37:29The son I could never have.
37:35I'll always love you, David.
37:37Always.
37:40I love you very much, uncle Kiki.
37:42You're my nephew.
37:49Enough, enough, enough.
37:51A lot of melodrama here.
37:54I'm still hungry, man.
37:56Do you want to try a chifita?
37:58A chaufita with your soup?
38:00With your fried duck.
38:02Talk.
38:03Talk.
38:04I invite you.
38:05Let's go.
38:06Thank you, uncle.
38:07Let's go.
38:10So, if David is traveling with us,
38:12it means he's not going to continue with his group, right?
38:14Not for now.
38:16But I'm sure that when we return,
38:18he will continue with his group.
38:20Father and son singing together in Argentina.
38:23I love it.
38:26Every time we play in El Galpón,
38:28they pay us a misery.
38:30And I see that place full and the people
38:32and what falls, it doesn't make sense.
38:34Explain to me.
38:36Do you know why we are winning less and less?
38:38Yes, Johnny, Johnny.
38:40You're right, you're right.
38:42But you know that El Galpón is not managed by Mario.
38:44And this guy is a shameless.
38:46Is there anything you want to tell me?
38:49No, I don't.
38:51And you, Marcial?
38:53Is there anything you want to tell me?
38:55About what?
38:57I don't know.
38:59About the tour.
39:01There's nothing going on, Marcial.
39:04No.
39:05No, everything is going very well.
39:07I'll take care of everything.
39:09You trust me.
39:15Yes.
39:46I think we could let your hair grow, right?
39:48Like to give you a more rebellious touch.
39:50But just a little bit, like to make you
39:52some interesting hairstyle.
39:54I know, stripes.
39:56No.
39:57Yes.
39:59And your look, we definitely have to change it.
40:01You have to put on something more striking.
40:03I can go with you to buy.
40:05Carla.
40:06It may be Thursday.
40:08You tell me if at four in the afternoon you are fine,
40:10I can go with you.
40:11Carla, please relax, rest a little.
40:13Sit down and finish your ice cream, please.
40:15Well, I have everything available Thursday.
40:17You just tell me the time and that's it.
40:19Don't worry, I'll let you know, Carla.
40:21Finish your ice cream, please.
40:29After hearing the tone, record your message.
40:33It's been several days, Natalia.
40:35I've been waiting for you outside your house,
40:37at the university, but I don't see you.
40:39What happened?
40:42When you hear this message,
40:43answer me, please.
40:45I'm asking you.
41:13I'm asking you.
41:43I'm asking you.
42:13I'm asking you.
42:44No!
42:46No!
42:50Please!
42:53No!
42:55No!
42:57No!
42:59No!
43:01No!
43:03No!
43:05No!
43:07No!
43:09No!
43:11What happened, Johnny?
43:13Cholita.
43:15We have to take care of Davis.
43:21He can't travel to Argentina.
43:24He can't travel.
43:28What a bad dream, Cholita.
43:30He can't travel.
43:44I'm going to report you to everyone
43:46for having betrayed.
43:48We're going to have to cancel the tour.
43:50No, Johnny, we can't cancel the tour.
43:52What a bad feeling.
43:54Davis, I've decided that I'm going to travel alone to Argentina.
43:57Davis! Davis! Davis!
43:59It will fill him with anguish.
44:01What's wrong, Johnny?
44:03I don't know why I'm scared, but I don't want him to go.
44:06An overwhelming chapter is coming in...
44:09To be the end.
44:11To let nectar flow high in the sky.
44:14Your name and mine.