Adrenaline Action Film Sender / Hollywood Thriller Movie in English in HD
The film "Sender" reveals a mysterious world where the authorities and the private sector have successfully hidden from the public classified operations in the field of psychic research. However, when a gifted young woman turns up on a remote island in the North Atlantic, the mystery of her identity, how she got there, and the violent organization that pursues her are revealed as her psychic abilities begin to grow - with dire consequences. This is a story about the power of psychic influence, about how it can turn an ordinary person into a dangerous weapon. The main character, making a journey on the path of self-discovery, gradually discovers her amazing abilities, which become a source of her strength, but also a great danger for those around her
The film "Sender" reveals a mysterious world where the authorities and the private sector have successfully hidden from the public classified operations in the field of psychic research. However, when a gifted young woman turns up on a remote island in the North Atlantic, the mystery of her identity, how she got there, and the violent organization that pursues her are revealed as her psychic abilities begin to grow - with dire consequences. This is a story about the power of psychic influence, about how it can turn an ordinary person into a dangerous weapon. The main character, making a journey on the path of self-discovery, gradually discovers her amazing abilities, which become a source of her strength, but also a great danger for those around her
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Short filmTranscript
00:00:00You
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00:05:58Looking ahead, forecasters are predicting alternating fronts.
00:06:08Residents are advised to ensure their generators are kept up.
00:06:28This is a test run.
00:06:58Residents are advised to ensure their generators are kept up.
00:07:02Residents are advised to ensure their generators are kept up.
00:07:23Let's get it over with.
00:07:32Let's get it over with.
00:08:02Let's get it over with.
00:08:21Tomorrow's tape should be interesting.
00:08:32Tomorrow's tape should be interesting.
00:08:37Let's get it over with.
00:08:42Let's get it over with.
00:08:47Let's get it over with.
00:08:52Let's get it over with.
00:08:57Let's get it over with.
00:09:02I just received a call that concerns you.
00:09:05I thought you should know about it.
00:09:09This isn't a new commission.
00:09:11It's not that.
00:09:12Something apparently has gone pretty wrong.
00:09:32You've reached Dan Diaz at the Port Moresby office.
00:09:58Please leave a message.
00:10:00Hi Dan.
00:10:01Roy Gould's here.
00:10:03Listen, something pretty heavy is going on here.
00:10:07I am sending you something important,
00:10:12so keep an eye out for it, please.
00:10:15I need you to run an analysis at the lab.
00:10:20And just you, please.
00:10:25It'll be on the mail plane at sunrise tomorrow.
00:10:30This is an extremely, extremely urgent thing.
00:10:37Be safe.
00:10:48The separation of the mental body from the physical.
00:10:50The separation of the mental body
00:10:52can be clearly realized by the dominant.
00:11:00November 4th, I've been asked to talk more about the gate.
00:11:16How do you talk about this ocean of possibility?
00:11:20To enter, one must become something else,
00:11:23a jellyfish with its unbounded form as the ideal image,
00:11:27formless as the jellyfish, its myriad legs and receptors
00:11:32touching all things in the world at once.
00:11:49Good evening to you from the closing of this Tuesday,
00:11:53the 5th of November.
00:11:5810.
00:12:007.
00:12:026.
00:12:037.
00:12:046.
00:12:067.
00:12:077.
00:12:097.
00:12:107.
00:12:127.
00:12:136.
00:12:147.
00:12:167.
00:12:17Check satellite.
00:12:21Satellite calibrate.
00:12:24Romeo 13 secure all things at the transmission.
00:12:26Copy.
00:12:31Agent Garrett, we'll be ready in a minute, just leveling out now, over.
00:12:34Copy.
00:12:35We're experiencing a little interference there.
00:12:38Standing by.
00:12:42ICD, you're me, ICD.
00:12:45ICD, you're me, ICD.
00:12:47Hotel 2-3, this is Whiskey 1-8, your signal keeps dropping.
00:12:51Yeah, yeah, ICD, you're me, ICD.
00:12:54You got a stick of gum there for me, tough guy?
00:12:57Once you start smoking again, leave me alone.
00:12:58Romeo 1-3, gate channel, stuff is spiking here.
00:13:01Copy that, yeah, she's jumpy today.
00:13:03I'm you, Whiskey, you're me, Whiskey.
00:13:05Whiskey 1-8, you're advised to reboot, over.
00:13:08Copy that, 2-3, rebooting now.
00:13:12You need a second?
00:13:13No, go for it.
00:13:18Here we go.
00:13:23Oh, that's better.
00:13:24Whiskey 1-8, that's better on our end, too, sorry for the delay.
00:13:27Hotel 2-3, this is Romeo 1-3, sender A-0-1 is holding the gate, gate is running.
00:13:32We are back in black.
00:13:34Connecting you stateside.
00:13:37Sender A-0-1, signal is in clear, Lima-8-4.
00:13:40Oh, wow, we are good to go.
00:13:42Copy that, Hotel 2-3.
00:13:43Where's the girl?
00:13:45Where's the girl?
00:13:48Let me sync clocks and commence.
00:13:51Copy that, oh, oh.
00:13:52Copy that, oh, oh.
00:13:53Romeo 1-3, secure all feeds for transmission.
00:13:59I want minimal dilation on the clock.
00:14:01Yes, sir.
00:14:02And they are cleared for eyes only, don't forget to tell them that.
00:14:05Copy that.
00:14:06Welcome live, we are 5-5-5.
00:14:10Hotel 2-3, say again?
00:14:11Whiskey 1-8, you are cleared for eyes only.
00:14:14Hotel 2-3, are you saying no engagement?
00:14:16Affirmative, Whiskey 1-8, no go for engagement.
00:14:20Welcome live, Hotel 2-3.
00:14:22We are 5-5-5.
00:14:245-5-5.
00:14:26Keep eyes on scopes and stay alert on comms.
00:14:37Hotel 2-3, we are in position.
00:14:39And have eyes on location.
00:14:41Copy that, Whiskey 1-8.
00:14:42Commence audio visual prep.
00:14:44Copy that.
00:14:45Commence sync.
00:14:46Synchronizing on my mark.
00:14:47Synchronizing in 5.
00:14:484.
00:14:494.
00:14:503.
00:14:512.
00:14:522.
00:14:531.
00:14:541.
00:14:55Sync.
00:14:58He's in the pod.
00:14:59He's saying what he's saying.
00:15:01Clocks are running.
00:15:02Are we recording?
00:15:03Hotel 2-3, that static isn't clearing up.
00:15:05You don't have to record locally.
00:15:07Why are you always doing that, man?
00:15:09Say again?
00:15:10Roger that, local recording active.
00:15:17Ultralometry, Romeo 1-3.
00:15:18Ultralometry.
00:15:21Camera active.
00:15:23There's too much static.
00:15:24Switch to local recording.
00:15:26We've got audio only for receiver.
00:15:51We've got audio only for receiver.
00:16:21We've got audio only for receiver.
00:16:51We've got audio only for receiver.
00:16:52We've got audio only for receiver.
00:16:53We've got audio only for receiver.
00:16:54We've got audio only for receiver.
00:16:55We've got audio only for receiver.
00:16:56We've got audio only for receiver.
00:16:57We've got audio only for receiver.
00:16:58We've got audio only for receiver.
00:16:59We've got audio only for receiver.
00:17:00We've got audio only for receiver.
00:17:01We've got audio only for receiver.
00:17:02We've got audio only for receiver.
00:17:03We've got audio only for receiver.
00:17:04We've got audio only for receiver.
00:17:05We've got audio only for receiver.
00:17:06We've got audio only for receiver.
00:17:07We've got audio only for receiver.
00:17:08We've got audio only for receiver.
00:17:09We've got audio only for receiver.
00:17:10We've got audio only for receiver.
00:17:11We've got audio only for receiver.
00:17:12We've got audio only for receiver.
00:17:13We've got audio only for receiver.
00:17:40We've got audio only for receiver.
00:17:41We've lost comms.
00:17:50That's not good.
00:18:11Oh god.
00:18:20Oh posh boy.
00:19:06I don't know what you're talking about.
00:19:08I don't know what you're talking about.
00:19:10I don't know what you're talking about.
00:19:12I don't know what you're talking about.
00:19:14I don't know what you're talking about.
00:19:16I don't know what you're talking about.
00:19:18I don't know what you're talking about.
00:19:20I don't know what you're talking about.
00:19:22I don't know what you're talking about.
00:19:24I don't know what you're talking about.
00:19:26I don't know what you're talking about.
00:19:28I don't know what you're talking about.
00:19:30I don't know what you're talking about.
00:19:32I don't know what you're talking about.
00:19:34I don't know what you're talking about.
00:19:36I don't know what you're talking about.
00:19:38I don't know what you're talking about.
00:19:40I don't know what you're talking about.
00:19:42I don't know what you're talking about.
00:19:44I don't know what you're talking about.
00:19:46I don't know what you're talking about.
00:19:48I don't know what you're talking about.
00:19:50I don't know what you're talking about.
00:19:52I don't know what you're talking about.
00:19:54I don't know what you're talking about.
00:19:56I don't know what you're talking about.
00:19:58I don't know what you're talking about.
00:20:00I don't know what you're talking about.
00:20:02I don't know what you're talking about.
00:20:04I don't know what you're talking about.
00:20:06I don't know what you're talking about.
00:20:08I don't know what you're talking about.
00:20:10I don't know what you're talking about.
00:20:12I don't know what you're talking about.
00:20:14I don't know what you're talking about.
00:20:16I don't know what you're talking about.
00:20:18I don't know what you're talking about.
00:20:20I don't know what you're talking about.
00:20:22I don't know what you're talking about.
00:20:24I don't know what you're talking about.
00:20:26I don't know what you're talking about.
00:20:28I don't know what you're talking about.
00:20:30Good morning.
00:20:34Did I wake you? I tried to be quiet.
00:20:42How do you feel?
00:20:46Are you hungry?
00:21:00No.
00:21:26So I hope you don't think it's rude of me
00:21:28to ask you some questions while you eat.
00:21:34Can you tell me your name?
00:21:38Shall we call you Camille?
00:21:44Camille.
00:21:58Camille.
00:22:28I'm talking to Camille now.
00:22:32I'm talking to Camille
00:22:34because Camille
00:22:36is a smart, smart girl
00:22:38and she can understand
00:22:40the things I'm going to say
00:22:42better than the others can.
00:22:46Are you in the room with the others right now?
00:22:50Okay.
00:22:52Well, it's your turn.
00:22:54Tell them it's your turn
00:22:56and step forward into the light.
00:23:02Who am I talking to?
00:23:06Camille.
00:23:08Good.
00:23:10Do you remember what's happened to you?
00:23:12No.
00:23:16Under stage one reception state,
00:23:18the Camille archetype
00:23:20has no memory or self-awareness.
00:23:22It is unclear
00:23:24what counter-programming
00:23:26has been done on the subject
00:23:28and to determine this
00:23:30will require
00:23:32some patience.
00:23:34Luckily, the mother code
00:23:36is still effective
00:23:38but all the archetypes
00:23:40must be similarly tested.
00:23:42Everyone must be
00:23:44very hungry by now.
00:23:46Everyone must be
00:23:48very hungry by now.
00:23:52Good.
00:23:58You have
00:24:00one new message.
00:24:02Roy.
00:24:04Hi. Uh, Virgil Haraday.
00:24:06Uh, I'm home.
00:24:08I'm just putting the new lecture
00:24:10series together. Uh...
00:24:12I wanted to let you know
00:24:14that I have been getting
00:24:16some calls. Um...
00:24:18I'm running interference, but they're getting
00:24:20aggressive. So,
00:24:22you may be hearing from the organization
00:24:24at some point today.
00:24:26Just so that you are prepared.
00:24:28Okay?
00:24:38She's awake.
00:24:40Jesus Christ. Judith, be careful.
00:24:42It's okay. It's Camille.
00:24:44She's alright.
00:24:46Alright. I'll be right over.
00:24:58Hello? Dr. Gomes.
00:25:00It's Tobin Wills.
00:25:02You're a hard man to reach.
00:25:04Yes. Uh...
00:25:06I'm sorry. I was, uh...
00:25:08working. House calls?
00:25:10I'm not
00:25:12that kind of doctor anymore.
00:25:14I see. I wish I could picture where you are.
00:25:16Can I help you, Mr. Wills?
00:25:18Well, I have to apologize for this breach of your
00:25:20privacy. I realize this is unprecedented
00:25:22and we wouldn't be doing it
00:25:24if there were any other way. Alright.
00:25:26We've had a little trouble with one of
00:25:28your commissions. I see.
00:25:30Yeah, it's a pretty bad situation,
00:25:32actually. We had an incident at one of our mobile
00:25:34facilities. I won't go into
00:25:36details right now, but the outcome of
00:25:38that incident was the loss of two
00:25:40commissions. Sender A01
00:25:42and Receiver C9 Ultra.
00:25:44They've both blown. Oh.
00:25:46Dear. That's, uh... I know the programming
00:25:48forbids them from finding their way to you
00:25:50and I don't see why she in particular
00:25:52would have any reason to try and contact you
00:25:54or Dr. Ames.
00:25:56Alright. Then why... They haven't
00:25:58tried to contact you, have they? They
00:26:00wouldn't have any way. That
00:26:02program sequence has never failed,
00:26:04Mr. Wills. Well, they've
00:26:06blown, so it's looking like some of that programming
00:26:08failed. Well, if you tell me what modifications
00:26:10were made to the program, I might...
00:26:12I'll let you know as soon as I do.
00:26:14Just gotta get our facts straight over here.
00:26:36How long has she been like this?
00:26:46Since we were on the phone.
00:26:48Judith.
00:26:50Let the girl eat her breakfast.
00:26:52She's processing.
00:26:54Besides, her eggs have gone cold.
00:26:56I made her fresh.
00:26:58They've been in touch.
00:27:06Just now.
00:27:08When? Just now.
00:27:10Right after you called.
00:27:12You didn't. Of course not.
00:27:28Resume.
00:27:58Yes?
00:28:04Meeting's been moved up an hour. Can you make it?
00:28:06Sure.
00:28:08Sorry about the room. Well,
00:28:10no need to put me in four-star accommodations for the
00:28:12interrogation. I really don't want you thinking
00:28:14about it that way. It's a debriefing,
00:28:16which they are totally entitled to.
00:28:18The girl in Serbia. At Beta Site?
00:28:20She was a sender.
00:28:22They realize that, don't they?
00:28:24She was in the gate.
00:28:26Those guys weren't guessing at this shit.
00:28:28Yeah, well, we might have found that out if your receiver
00:28:30hadn't shuffled them off with his bare hands.
00:28:32Who's receiving?
00:28:34If she's the sender, who's her receiver?
00:28:36Listen, don't bring any of that up at the meeting.
00:28:38Coming from you, that's a little unsavory.
00:28:40You lost a fucking receiver.
00:28:42That's never even happened before,
00:28:44so just answer the questions.
00:28:46Sir.
00:28:48Back me up in there and I'll do what I can for you.
00:28:56Members of the board
00:28:58and director, thank you
00:29:00for your patience.
00:29:02As the report indicates, on May 3rd,
00:29:04Sender A-01,
00:29:06our most effective psychic asset,
00:29:08performed a routine scan
00:29:10from our mobile facility in New Mexico.
00:29:12She viewed activity
00:29:1460 miles outside of Belgrade.
00:29:16Receiver C-9 Ultra
00:29:18and his handler, Operative 1-8,
00:29:20were dispatched.
00:29:22On May 4th, they arrived in Serbia
00:29:24and received orders for surveillance
00:29:26of foreign agents at an unknown facility.
00:29:28This was recon only, Mr. Wills?
00:29:30Yes, that's right.
00:29:32That was directed from me.
00:29:34It's in the recording.
00:29:36At this time,
00:29:38teams in Serbia and the U.S.
00:29:40experienced an anomaly.
00:29:42During this blackout
00:29:44and against orders, Receiver C-9
00:29:46and Operative 1-8 engaged
00:29:48the foreign team, killing everyone.
00:29:50By the time communication
00:29:52was restored, Sender A-01
00:29:54and her receiver
00:29:56had both disappeared.
00:29:58Those are the basic facts
00:30:00of which I think all of you are aware.
00:30:02Now, there are several issues of concern,
00:30:04and now that Operative 1-8
00:30:06has joined us, we can't continue
00:30:08unless the Director has anything
00:30:10he'd like to say at this time.
00:30:12I don't have to tell you how grave the situation is.
00:30:14There is no higher
00:30:16calling for any of us
00:30:18than a solution to this problem.
00:30:22Operative,
00:30:24nice of you to show up.
00:30:26I'm sorry. I was in transit
00:30:28when the meeting was rescheduled.
00:30:30Who is this?
00:30:32Mr. Henshaw.
00:30:34Henshaw.
00:30:36His team has been designated to find the girl.
00:30:38She's our sender. Why do we need another team?
00:30:401-8, because we don't have an asset right now.
00:30:42Look, I never took him back down the gate.
00:30:44They could still be linked.
00:30:46If I find him, I find her, too.
00:30:48Why don't you take it easy?
00:30:50Dr. Marcel?
00:30:52Well, the music gate creates a psychic
00:30:54connection between the mind of
00:30:56the sender who sees
00:30:58and the receiver who can
00:31:00see that information and act on it
00:31:02in real time.
00:31:04But as I said earlier, their link
00:31:06had experienced a massive spike of energy.
00:31:08This has possibly increased her ability
00:31:10to see, and he could possibly
00:31:12move so fast you might not find him.
00:31:14Unless he wants it.
00:31:16They could quite literally be ahead of you.
00:31:18Are you saying he's time traveling?
00:31:20Well, not exactly.
00:31:22But if they are still linked
00:31:24and without control of any kind,
00:31:26in his current state, let's just say
00:31:28I wouldn't want to deal with him.
00:31:30They are tagged, aren't they? I mean, what the fuck
00:31:32are you even talking about?
00:31:34Of course they are tagged.
00:31:36Lady, it's simple. You built a killer
00:31:38with an on-off switch, and it is currently
00:31:40stuck in the on position.
00:31:42Mr. Henshaw?
00:31:44You have me on a flight at 3.
00:31:46I shouldn't be late for that.
00:31:48Right. Mr. Wills,
00:31:50talk to your man.
00:31:521-8, would you please
00:31:54retrieve the device from the case?
00:31:58Dr. Marcel.
00:32:00To help you find your lost
00:32:02receiver, you are being given
00:32:04a new control device.
00:32:06This is a prototype.
00:32:08It replaces your current model.
00:32:10This new device has all the usual functions,
00:32:12communications, timer,
00:32:14tracking, with the addition of a kill switch.
00:32:16What does this do to it?
00:32:18Well, with that,
00:32:20you have the ability to incapacitate
00:32:22or kill
00:32:24any person susceptible to the music aid.
00:32:26Only on him, not the girl.
00:32:28Of course. And there is documentation
00:32:30inside.
00:32:32Hold on a second. He said to sing off.
00:32:34What does it do to my asset?
00:32:36What's the range?
00:32:38Each psychic asset is triggered
00:32:40to enter the gate by a unique song.
00:32:42This device is calibrated
00:32:44for the lost receiver only.
00:32:46Your receiver has a different song.
00:32:48This device would have to be recalibrated.
00:32:50Thank you, doctor. Gentlemen, our time is up.
00:32:52Time's up.
00:33:10Don't get too comfortable.
00:33:14We got a hit on your receiver's location.
00:33:16First I've heard of it.
00:33:18Next time,
00:33:20don't be late to the meeting.
00:33:24Your man's got one shot
00:33:26at this, and then it's straight to processing.
00:33:28You know that, right?
00:33:30Swooping in to take charge, huh?
00:33:32Assertive get-it-done type of guy?
00:33:34Quoting rules to me.
00:33:36I've run the top-level team for two years.
00:33:38Talk to me in a month.
00:33:40We don't have a sender.
00:33:42We can't even use our own technology to find our own agent.
00:33:48You don't know nothing.
00:33:54Welcome
00:33:56to the OS menu
00:33:58for your VC-1238
00:34:00beta unit.
00:34:02Please listen carefully as some of the options
00:34:04have changed and the file structure
00:34:06has been modified.
00:34:08This unit has been fully charged
00:34:10and no updates are necessary.
00:34:12Your new VC-1238
00:34:14has a dedicated operating system
00:34:16unlike all other VC controllers.
00:34:18Main menu.
00:34:20Choose from the following options.
00:34:22Data sync.
00:34:24Gate neutralization.
00:34:26Levels of weaponization.
00:34:28Timed detonation.
00:34:30Priming the VC-1238.
00:34:46Okay.
00:35:00Lucky strike.
00:35:16Probably best
00:35:18not to watch too much of that.
00:35:24Where's Claudia?
00:35:26She'll be back tonight.
00:35:28Yeah? I hope so.
00:35:36Is she working out all right?
00:35:38She's doing everything I asked?
00:35:40I think she's a little bored.
00:35:42We've all been a little restless.
00:35:44Listen,
00:35:46they got a lead on the girl.
00:35:48Yeah, they got me
00:35:50flying out this afternoon.
00:35:52The car's waiting downstairs.
00:35:54It's just me again this time.
00:35:56I'm sorry.
00:36:02We'll get back out there.
00:36:06Hey.
00:36:08Hey.
00:36:10Hey.
00:36:12I got you some cookies and stuff.
00:36:20Razor wire.
00:36:40Razor wire.
00:37:10Phoebe.
00:37:40Did you like the music?
00:38:10Oh.
00:38:12It's not popular.
00:38:14Although I certainly
00:38:16don't know why.
00:38:24Why isn't it popular?
00:38:30I don't know.
00:38:34It's old.
00:38:36Old things require
00:38:38perspective, I suppose.
00:38:48They've done studies
00:38:50on classical music.
00:38:52It has amazing properties.
00:38:58It does.
00:39:00It facilitates
00:39:02deep healing.
00:39:08It heals trauma.
00:39:14And it's the only
00:39:16common denominator
00:39:18between personalities
00:39:20of a manually fractured subject.
00:39:24Would you like a demonstration?
00:39:26Would you like a demonstration?
00:39:56Oh.
00:39:58Oh.
00:40:00Oh.
00:40:02Oh.
00:40:04Oh.
00:40:06Oh.
00:40:08Oh.
00:40:10Oh.
00:40:12Oh.
00:40:14Oh.
00:40:16Oh.
00:40:18Oh.
00:40:20Oh.
00:40:22Oh.
00:40:24Oh.
00:40:26Oh.
00:40:28Oh.
00:40:30Oh.
00:40:32Oh.
00:40:34Oh.
00:40:36Oh.
00:40:38Oh.
00:40:40Oh.
00:40:42Oh.
00:40:44Oh.
00:40:46Oh.
00:40:48Oh.
00:40:50Oh.
00:40:52Oh.
00:40:54Oh.
00:40:56Oh.
00:40:58Oh.
00:41:00Oh.
00:41:02Oh.
00:41:04Oh.
00:41:06Oh.
00:41:08Oh.
00:41:10Oh.
00:41:12Oh.
00:41:14Oh.
00:41:16Oh.
00:41:18Oh.
00:41:20♪♪
00:41:30♪♪
00:41:40♪♪
00:41:50♪♪
00:42:00♪♪
00:42:10♪♪
00:42:18Yeah.
00:42:19Two's company.
00:42:20You're kidding.
00:42:21His tag just slid up a half mile from your location.
00:42:24They are both in Port Moresby.
00:42:26♪♪
00:42:36♪♪
00:42:46♪♪
00:42:56♪♪
00:43:06♪♪
00:43:16♪♪
00:43:26♪♪
00:43:36♪♪
00:43:46♪♪
00:43:56♪♪
00:44:06♪♪
00:44:16♪♪
00:44:26♪♪
00:44:36♪♪
00:44:38Whiskey 1-8 knows something.
00:44:40I'm holding their tags.
00:44:42Copy that.
00:44:43♪♪
00:44:53♪♪
00:45:00This is from the Director?
00:45:02Jesus, you trying to kill him?
00:45:03Not to attempt to contact him until he's clear.
00:45:06Your man failed in Port Moresby.
00:45:07Why isn't he processing?
00:45:09Because nobody thinks he's guilty.
00:45:12♪♪
00:45:22Would you send it in the file for Whiskey 1-8, please?
00:45:25Yes. Anything else, sir?
00:45:27Continental Breakfast for me.
00:45:29You want something?
00:45:31Uh, just the Continental.
00:45:33♪♪
00:45:38What do you know about Peter Shedanka?
00:45:41Not his company. What do you know about him?
00:45:43You can't be serious.
00:45:44We get all our tracking technology from him. Who else does?
00:45:47Have you not been paying attention?
00:45:49Maybe Serbia was his show.
00:45:50Maybe he's looking to branch into our area of the business.
00:45:52That would be terrifying.
00:45:53We're not going after Steiner Shedanka.
00:45:55He's an anarchist.
00:45:56They make dog collars.
00:45:57They've no idea what kind of dogs we own or how we train them.
00:46:01I know he's behind Serbia. He's looking to expand.
00:46:03You have no idea what's going on, do you?
00:46:06Five-man team in Serbia using first-generation tech
00:46:09that the Russians gave up on 20 years ago.
00:46:12Crushed.
00:46:13Dr. Diaz, who helped build early prototypes for us,
00:46:16strangled in his own office.
00:46:18The bodies your boy uncovered upstate?
00:46:20They worked in our facility 15 years ago as guards.
00:46:25But you didn't know that, did you?
00:46:27Your pit bull is targeting us.
00:46:33Now, it may not be protocol,
00:46:35but I think we should bring in Dr. Ames.
00:46:38Maybe she can shed some light on this.
00:46:40I've been working a year and a half to divorce this company
00:46:42from that fucking psycho witch doctor,
00:46:44so I'm not too keen on inviting her back to the prom
00:46:46at this point in time.
00:46:47You pompous provincial little man.
00:46:50This is what's going to happen.
00:46:52My man is taking point wherever that leads.
00:46:55Now, I suggest you get your handler straight
00:46:57and go check in with Dr. Gomes again.
00:46:59Or so help me, you will be the Christian in the Coliseum,
00:47:03and I will be the fucking lion.
00:47:05Knock, knock, knock.
00:47:16Cattle all breakfast.
00:47:22Dr. Ames discovered the gate.
00:47:24But to understand her contribution fully,
00:47:26you need to understand some of the technical realities
00:47:28of this kind of work.
00:47:30The gate is an unquantifiable zone
00:47:33in the pineal area of the brain,
00:47:35where really what I should say
00:47:37is the path to the gate lies there.
00:47:41Now, as we shall see,
00:47:43the way to the gate is inside,
00:47:45but the gate experience itself is objectively not wholly inside.
00:47:50And that is why the military
00:47:53has been very interested in telekinesis since the 50s.
00:47:58Now, imagine if you could see
00:48:01and act upon what you're seeing remotely.
00:48:04Just imagine that as a reality for a second,
00:48:06and you could see why certain people would be keen
00:48:08on keeping that information a secret.
00:48:11Now, I don't believe it should be.
00:48:14You add digital technology to the mix,
00:48:16and that is just very dangerous.
00:48:18But in its pure form,
00:48:21this was designed to liberate people.
00:48:26Hi. Um, I've seen anywhere.
00:48:29Thank you for coming.
00:48:32And what Ames did was to synthesize all of these backgrounds,
00:48:36music, progressive therapy, quantum parapsychology,
00:48:39which is my field,
00:48:41and line them all up.
00:48:44And with her, amazing things would happen.
00:48:48She could heal people of a wide array of problems quickly.
00:48:54So I'm told.
00:48:56Now, let's stop here.
00:49:00I'm gonna take these off.
00:49:03Okay.
00:49:05Oh, sorry.
00:49:07How is that? Are you feeling good?
00:49:09No?
00:49:11Now, I'm not gonna ask you to talk about your experience.
00:49:13I like to wait about 20 minutes
00:49:15to let the experience trail off.
00:49:18But if you want to speak about it with each other afterwards,
00:49:22discuss it. Absolutely. I encourage that.
00:49:25Okay? All right? You're all right?
00:49:27All right. Good. Have a seat.
00:49:31Okay. Who is next?
00:49:36Newbie, you're first.
00:49:40Yes, you. Just give it. Yeah. Come on.
00:49:43You wouldn't come here if you didn't want to try it.
00:49:45I promise it won't stink.
00:49:49Well, all right. Put these on.
00:49:51And try to make yourself as comfortable as possible.
00:49:53Just lean back and relax.
00:49:55Now, sorry to say that none of us
00:49:58are going to have a full gait experience tonight.
00:50:01That's just not going to happen.
00:50:03Even with Dr. Ames, the process takes time.
00:50:06And without proper preparation,
00:50:08it could be as shattering as, say, 1,500 micrograms of LSD.
00:50:12So we are going to tread lightly on the path.
00:50:16Pick a tape.
00:50:19Dr. Ames, she had a knack for picking
00:50:22the perfect song for each person.
00:50:25It just shows how well she was able to read people
00:50:28and how deep her knowledge of music was.
00:50:30Now, mine is not that deep.
00:50:34So I stick with a basic set
00:50:37designed by Uri Gomes in 85.
00:50:39Okay.
00:50:41And we add the suggestion track.
00:50:46Good.
00:50:48All right, any questions so far?
00:50:51I've been doing some searching online,
00:50:54and Dr. Ames must have had her own music gait
00:50:57because she's the only person who was first able to do this.
00:51:00Right, yeah, I know where you're going with this.
00:51:02Dr. Ames' tape.
00:51:04Officially unknown. I have never heard her tape.
00:51:07But if I had to make an educated guess,
00:51:10she's a product of the 60s,
00:51:12something from the Summer of Love.
00:51:15Huh?
00:51:17Um, okay, let's, uh, let's stop that.
00:51:21And, uh, you okay?
00:51:24You all right?
00:51:26Uh, this is what I'm talking about
00:51:28when I say I wait about 20 minutes.
00:51:30Why don't you have a seat?
00:51:32Uh, and, uh...
00:51:36Um...
00:51:40And then there were two.
00:52:06Okay.
00:52:16The psychic ability latent in a young candidate
00:52:19is powerful but...
00:52:26And will fight to assert itself naturally.
00:52:29But for the higher energies to prevail,
00:52:33consciousness is able to exist and function in the gate
00:52:36or the realms beyond.
00:52:38Therefore...
00:52:52Hey.
00:52:55Hey!
00:52:57Help!
00:52:59I'm gonna throw up!
00:53:01Aah!
00:53:03Aah!
00:53:04I got you.
00:53:08What do you want?
00:53:10Honestly, I wanted to have a little chat over coffee.
00:53:13Ask a few questions and get back to my hotel.
00:53:15That was it.
00:53:17But, well, after reading your fan fiction,
00:53:20there's more to discuss.
00:53:24You're organization.
00:53:26Yeah, I'm organization, you've got an organization,
00:53:29everybody's organized.
00:53:31Listen, I really just came by to chat,
00:53:34but then I see the stuff you're writing about
00:53:36and the stuff you're talking about in your school basement.
00:53:39I gotta tell you, it can't be like this.
00:53:41This is classified material.
00:53:43No, no. Dr. Ames' work is for everyone.
00:53:46It is for all of mankind.
00:53:48You're gonna get people killed putting this stuff out there,
00:53:50and let me tell you, you aren't enough of a jam as it is.
00:53:55Okay, this is what's gonna happen.
00:53:57No, no, take it easy, take it easy.
00:53:59Your life is about to radically change,
00:54:01but if you cooperate, if you cooperate with me,
00:54:03it will be much better.
00:54:05You're gonna tell me everything you know
00:54:07about this group of Dr. Ames,
00:54:09how it's run, who's involved.
00:54:11You're gonna introduce me to Gomes.
00:54:13You are going to get me into the nest, you understand?
00:54:15No, he won't see you.
00:54:17Then you're gonna set up a meeting with Peter Shedanko.
00:54:23Oh, God.
00:54:27I'm having a heart attack.
00:54:29What?
00:54:31Oh, please, I need my pills now.
00:54:33Are you serious?
00:54:35Please, my necklace.
00:54:37It hurts.
00:54:39Ow.
00:54:41Ow.
00:54:43Ow.
00:54:45Ow.
00:54:47My neck.
00:54:49All right, I'm not going anywhere near you.
00:54:51Don't, don't, don't.
00:54:53Don't, don't.
00:54:55Ow.
00:55:17As if I would ever bring a piece of filth like you
00:55:21to Mother's house.
00:55:25Ow.
00:55:55Ow.
00:56:03Wow.
00:56:05That's disgusting.
00:56:07Nothing fancy now.
00:56:13Nice and easy, pal.
00:56:19Goddamn bat.
00:56:21You're a son of a bitch, you know that.
00:56:23Yeah.
00:56:25Two kids and a mortgage, yeah, I am driving.
00:56:27Take a good look.
00:56:29This is you in 20 years.
00:56:35That's mean.
00:56:37Really mean.
00:56:41What?
00:56:43You did a little light reading?
00:56:45Yeah, homework.
00:56:47Yeah, I'll turn it in for you.
00:56:53All of it.
00:56:59You know, they don't tell me shit these days,
00:57:01but I'm hearing some weird stories.
00:57:05Does this guy have anything to do with that missing receiver?
00:57:09Do you want that?
00:57:11Nope.
00:57:13Why do you care so much?
00:57:15Office pool.
00:57:23Office pool.
00:57:53Okay.
00:57:55Okay.
00:58:21You might also find
00:58:23he's the opposite.
00:58:25You could discover you still have feelings for him.
00:58:29Once you're clear of those old inhibitors.
00:58:33Do you think that's possible?
00:58:39And is it possible
00:58:41you imagine the situation to be worse than it was?
00:58:49Of course it is.
00:58:53Think back for a moment,
00:58:55Doris.
00:58:57Do you remember having your eating disorder?
00:59:01Not long ago,
00:59:03you weighed over 250 pounds.
00:59:05Do you remember that?
00:59:07They called you names.
00:59:09They did terrible things to you.
00:59:11Do you remember that?
00:59:13Vivian remembers.
00:59:15Is Vivian in the room with you?
00:59:17No.
00:59:19Last week,
00:59:21you told me you wanted to kill Vivian.
00:59:25What do you think it would be like
00:59:27to do that?
00:59:29It would be a big relief,
00:59:31I'm sure.
00:59:37You could kill her right now.
00:59:43Doris, I'm sorry for the interruption.
00:59:45Phoebe,
00:59:47we had an agreement that you would stay upstairs
00:59:49while Doris and I worked, didn't we?
00:59:51Who the fuck is Phoebe?
00:59:53I'm sorry, Doris. Will you excuse me for a moment?
00:59:55Of course.
00:59:57My niece has undergone a trauma. Madrid.
01:00:03No!
01:00:05Phoebe.
01:00:07Stop calling me that!
01:00:09I don't know who Phoebe is!
01:00:11Why don't you just tell me where I am?
01:00:13Why are you doing this?
01:00:15Who are you?
01:00:17What did you do to my eye?
01:00:39Phoebe, get on the couch.
01:00:45Get on the couch.
01:01:11Madrid.
01:01:15Were you just shouting?
01:01:17No, I was introducing you to my niece.
01:01:19Oh.
01:01:21Hello.
01:01:23But you're gonna forget you saw her, alright?
01:01:25Yeah.
01:01:27I'm afraid our time is up.
01:01:41All subjects require
01:01:43a creative application of pressure.
01:01:45Senders and receivers
01:01:47who incubate together
01:01:49can form strong bonds
01:01:51but are fractured at different rates.
01:01:53Once
01:01:55disassociated, all the children
01:01:57are yours.
01:01:59There was a company extraction.
01:02:01They went through everything and got out of the car.
01:02:03I mean, like, what do you want me to do?
01:02:05I don't know.
01:02:07Eat it?
01:02:09Commit to memory?
01:02:12There's been some talk.
01:02:14They're thinking of bringing
01:02:16Whiskey 18 back inside.
01:02:18Clear?
01:02:20He's not still processing.
01:02:22Mm-hmm.
01:02:24Jesus Christ.
01:02:28So I want you moving
01:02:30on Peter Shedanko before 18 gets back.
01:02:32Use Heredia as a way in.
01:02:34Pose as one of his students
01:02:36with urgent information.
01:02:38See what they know.
01:02:40No.
01:02:42The board wants to test
01:02:44our handiwork.
01:02:46Let's see if the subprogram is running.
01:02:48Activate.
01:02:50Who's his minder?
01:02:52Uh, Claudia.
01:02:54All right, tell him Claudia compromised
01:02:56his location.
01:02:58Sir, he's not...
01:03:00Look, with no control
01:03:02and no sender, he... No, no. We have control.
01:03:06I thought Whiskey 18 had the prototype.
01:03:08Dr. Marcel's a friend.
01:03:10So now there are two prototypes.
01:03:16Yes, sir.
01:03:20Hello?
01:03:22Uh, hi.
01:03:24My name is John Burkett.
01:03:26I'm calling for Mr. Shedanko.
01:03:28How did you get this number?
01:03:30Uh, I-I was
01:03:32a student of Professor Heredia's
01:03:34and a package
01:03:36arrived for him this morning
01:03:38with instructions to call
01:03:40this number. Yes?
01:03:42And he died last night.
01:03:44I'm sorry if...
01:03:46Hold on.
01:03:52He didn't have me
01:03:54give you a password, did he?
01:03:56Excuse me?
01:03:58A password or a code of some kind?
01:04:00Uh...
01:04:02He didn't give me
01:04:04a password, per se.
01:04:06But, oh, there's some things scribbled down here.
01:04:08Hold on.
01:04:10His handwriting is...
01:04:16Rising Sun?
01:04:18Rising Sun.
01:04:20All right.
01:04:22Um, how about later this afternoon?
01:04:24I can have someone come around
01:04:26and pick you up. Will that do?
01:04:30All right.
01:04:35Hello, sir.
01:04:37That's right.
01:04:39Uh, where are you located, sir?
01:04:41Uh, I could be there
01:04:43in, say, one hour.
01:04:45Virgil Heredia died last night.
01:04:49Some student of his
01:04:51is coming by with a package from him.
01:04:55Better get your things ready.
01:05:05Yeah.
01:05:07Let's op.
01:05:09Blue Alpha Leipzig.
01:05:11Hey, buddy.
01:05:13You got to get out of there.
01:05:15Your location's blown.
01:05:17Claudia has compromised you.
01:05:19No.
01:05:21Repeat. Blue Alpha Leipzig.
01:05:29Claudia?
01:05:31Claudia?
01:05:43Who was that?
01:05:45This place is burned.
01:05:47What?
01:05:51Um...
01:05:53Let me get the go-kit.
01:05:55There's something they want you to see.
01:05:57I've seen that video, Casey.
01:06:00What am I watching?
01:06:02I'll start in just a second.
01:06:08After you.
01:06:12Mr. Shenenko apologizes for the slight delay,
01:06:14but he'll be down in a bit.
01:06:17This is our patio area,
01:06:19so make yourself at home.
01:06:22While we're waiting, can I get you something cold to drink?
01:06:24Uh, sure. Why not?
01:06:26All right. I'll be right back.
01:06:29All right.
01:07:00Hey.
01:07:04How's this?
01:07:06Uh, yeah. Looks great. Thanks.
01:07:08All right.
01:07:11What's the password?
01:07:13Uh...
01:07:15Rising sun?
01:07:17I'm just kidding you. Here you go.
01:07:23Lucky.
01:07:29Your little drive
01:07:31doesn't have anything on it,
01:07:33so...
01:07:35I'm confused.
01:07:37You know, Virgil Haraday was
01:07:39a pretty good friend of mine.
01:07:41He never said one word about you,
01:07:43which is a little funny now.
01:07:45But naturally,
01:07:47if you're waiting for a rescue,
01:07:49that's not gonna happen now.
01:07:51But naturally,
01:07:53your implant
01:07:55says you've been at your apartment
01:07:57all this time.
01:07:59Not gonna happen if I had a gun.
01:08:01Not gonna happen.
01:08:05You're making
01:08:07a really bad decision.
01:08:09Just a quarter.
01:08:11I got it.
01:08:27No!
01:08:33Well, who are you?
01:08:35We could use him.
01:08:37Good candidate for conditioning trials.
01:08:41Okay.
01:08:43Get him ready.
01:08:57You
01:08:59You
01:09:01You
01:09:03You
01:09:05You
01:09:07You
01:09:09You
01:09:11You
01:09:13You
01:09:15You
01:09:17You
01:09:19You
01:09:21You
01:09:23You
01:09:25You
01:09:31You
01:09:33You
01:09:35You
01:09:55What do you know about Virgil Haraday?
01:10:08Do you know who made your implant?
01:10:14My implant?
01:10:15It's not just senders and receivers that are tagged, Richard, we're all tagged.
01:10:19Steiner and Shedanko, you ever heard of them?
01:10:22They made a grotesque fortune in advanced tracking.
01:10:26Steiner did undergrad work with a certain Daniel Diaz before he went into business with
01:10:32Shedanko.
01:10:33The doctor from Port Moresby?
01:10:37You haven't read any of the report.
01:10:39You don't really check your email and processing.
01:10:48Diaz was murdered and in possession of our girl's tag.
01:10:54You have a man on this.
01:10:55And your partners.
01:10:56Why am I sitting here right now?
01:10:59We can't find him.
01:11:02Richard.
01:11:03Richard.
01:11:04Richard.
01:11:05You have no choice here.
01:11:13I did everything in my power to get you out sooner, but it's only for a day's leave unless
01:11:17you do this thing.
01:11:18Now that's the deal.
01:11:19And it's a good one, all things considered.
01:11:25Richard, it's been like Dresden here, raining down fire and shit, just raining, and you
01:11:35have no idea the stress that I'm under.
01:11:38You have to prove yourself to them.
01:11:40I got you out, but you have to do something for us.
01:12:17Judith?
01:12:23I was hoping to talk to her.
01:12:27I didn't realize you'd be going through the sequence again.
01:12:29What did you want to talk about?
01:12:31I don't know.
01:12:32I just wanted to talk to her.
01:12:35She can eat after take five in an hour or so.
01:12:44If she feels like talking, then you can, but make sure you record the conversation and
01:12:49just keep going with the sequence.
01:12:50Don't stop at five.
01:12:51I know how to take care of her.
01:12:54God, I hate this.
01:12:57I can't stand leaving her even for a minute.
01:13:00I know.
01:13:01But it'll be good for you.
01:13:04It's protocol.
01:13:14Let's go.
01:13:44Let's go.
01:14:14At the threshold of passage into the stage one, there occurs a separation of the mental
01:14:28body from the physical.
01:14:30The separation of the mental body can be clearly realized by the dominant personality, but we
01:14:35are still waiting for the alpha trauma, which will begin the chain of redetachment.
01:14:39In the sessions we say kill or murder, but this is only a symbol of the dominant healthy
01:14:44personality cleansed of all neurosis.
01:14:47This radiant being, wholly new, wholly enlightened, wholly benign, policed only by its own perfection.
01:14:55The rising sun.
01:14:57Our hope.
01:14:58Our summation.
01:15:09What did you make?
01:15:12Pasta.
01:15:15We saved some for you if you're hungry.
01:15:20Is it good?
01:15:23Real pancetta.
01:15:26Finally arrived on the boat today.
01:15:29I ordered it a month ago.
01:15:33I think there's some wine left.
01:15:36I'll go up and see her first.
01:15:39I think there's some wine left.
01:15:44I'll go up and see her first.
01:16:09Kiss mommy goodnight.
01:16:39I don't know what to do.
01:17:09I, uh, I didn't want to bother you with this last night when you had so many other things
01:17:20on your mind, but, um, someone from the organization has been calling.
01:17:32They have a man on the island, I think.
01:17:39Well, they're not allowed to do that.
01:17:47You'd better find out what he wants.
01:17:52They're going to come for her.
01:17:57We need to tell them where she is.
01:18:01Well, that's not going to happen.
01:18:05Think about how dangerous this could become for her.
01:18:08She is the rising sun.
01:18:11It's not up to you.
01:18:15She is the product of everything we have ever tried to accomplish.
01:18:25That's why I changed her code.
01:18:28I made her different from all the others to come home.
01:18:33To come back home because she wasn't finished.
01:18:39Monica, they're going to murder both of us.
01:18:44I'll tell you the truth.
01:18:45Listen, listen, no.
01:18:46Please tell me you did not do that.
01:18:47It doesn't matter as long as she's safe and she will be.
01:18:50I've set it in motion.
01:18:52I've contacted Mr. Haraday.
01:18:54In my last transmission on the day she arrived.
01:18:57The whole network knows about it by now.
01:18:59So Dan goes on his way, he'll have a boat ready.
01:19:02Just like the plan has always been.
01:19:06Leave me here to clean up.
01:19:08I imagine.
01:19:1125 years.
01:19:13You professionally shat on me.
01:19:16Where are you going?
01:19:17Where am I going?
01:19:19To check my messages.
01:19:21To see if our murderer has called again.
01:19:32Judith, if we cooperate now,
01:19:37there is a chance that they will facilitate her recovery.
01:19:44For all we know, they may want you to do it here.
01:19:48Or you, since you've been going through again.
01:19:52Just last night.
01:20:03I know.
01:20:06I know I drive you crazy.
01:20:11What is she doing?
01:20:12I want to protect both of you.
01:20:16I'm just frightened about what will happen.
01:20:22I know.
01:20:41What are you doing?
01:20:43You can't smoke here.
01:20:45Where did you get cigarettes?
01:20:47From under the house.
01:20:51No.
01:20:57Dr. Gomes, it's Lorraine Hewey from the psychology department at Everett University.
01:21:09Have you been coming down here?
01:21:12Who has been coming down here, Ivy?
01:21:21No.
01:21:29I'm afraid I'm calling with bad news.
01:21:32I wanted to inform you that Virgil Haraday has passed away from apparent suicide.
01:21:39Good.
01:21:48I know you were a long time colleague and this must come as a terrible shock.
01:22:00Dr. Gomes, like I told you in my last message,
01:22:04I'm on the island and I need to talk to you.
01:22:07Urgently.
01:22:09Urgently.
01:22:30Judith! Judith!
01:22:32We're here! In the cellar!
01:22:35What are you doing here?
01:22:36Did you leave this unlocked?
01:22:37No. Judith!
01:22:38He's here.
01:22:39What?
01:22:42Don't leave the cellar.
01:23:09You're gonna want to let me in, Dr. Gomes.
01:23:20This is it?
01:23:26There's no other building or...
01:23:29No.
01:23:31This is where you do it?
01:23:33If you are referring to our work...
01:23:35Tom with a cassette player. You gotta be fucking kidding me.
01:23:38You have no right to be here.
01:23:39You are trespassing and you are inquiring about things which you know to become...
01:23:42You're way past your privacy clause right now, Doctor.
01:23:46Turn that off. Turn that music off.
01:23:53There's no other lab. There's no other building on the property.
01:23:56What Dr. Ailey's done requires only Dr. Ailey.
01:24:01How the organization trains you.
01:24:04Total bastardization is our technique.
01:24:07Which is why we can't help in your situation.
01:24:10Our situation?
01:24:12We provide the vehicles.
01:24:14What you do with that...
01:24:17I don't suppose Dr. Ames would be willing to help us track the girl.
01:24:21She can't help you that way.
01:24:22Dr. Ames isn't psychic.
01:24:24Why haven't you tried one of the older models?
01:24:26Didn't have any luck there.
01:24:28She may have learned how to cloak herself.
01:24:31Like this place is cloaked, I guess.
01:24:33I'm sorry?
01:24:34I saw your system on the way in here.
01:24:36Keeps you nice and hidden.
01:24:38Kills all digital frequencies.
01:24:40Keeps cellular and GPS interference away from the subjects.
01:24:45Made me realize...
01:24:49Our birds might be right in this house and we'd never be able to see them.
01:24:53That's ridiculous.
01:24:54The programming doesn't even allow recall...
01:24:56Why don't you shut your fucking mouth?
01:25:01I know she's here.
01:25:21I hired a boat.
01:25:23Can take us to St. Pierre.
01:25:25From there, Iceland.
01:25:26And then, you don't know where.
01:25:29Her receiver won't touch her, I can handle her.
01:25:31And I can stay ahead of the organization for a while.
01:25:34But this island will be swarming with bad news in 48 hours.
01:25:40And this is the only deal you're gonna get from anybody.
01:25:44Don't ask me why I'm doing this.
01:25:47I think you're human garbage.
01:25:51I come too.
01:25:53What?
01:25:55I come too.
01:26:01I'll be in touch then.
01:26:21It's gone.
01:26:24Give me your hand.
01:26:29Ivy?
01:26:31Ivy!
01:26:54You got no beef with me, right?
01:27:02We're gonna be really calm and cool?
01:27:07Cheeseburger.
01:27:14Okay.
01:27:24You gotta talk to me, man.
01:27:26You gotta tell me something.
01:27:29Eyeballs only job and you leave a room full of corpses.
01:27:33What the fuck, man?
01:27:39I was...
01:27:40I was through the gate by the time I got to the building.
01:27:46And, uh...
01:27:48I had a strong tether.
01:27:50I had a strong tether.
01:27:52Full visual hookup.
01:27:56I remember she'd been coming on...
01:28:00pretty weak for a while.
01:28:03This was strong.
01:28:06And, uh...
01:28:09I'd started hearing her voice.
01:28:14She talked to me.
01:28:17Out of other people.
01:28:20The cigarette stand guy.
01:28:23At the hotel.
01:28:24I think he was the first.
01:28:28And his...
01:28:30His face was a...
01:28:32It was a flower.
01:28:36It was made out of meat.
01:28:42But it was her voice.
01:28:46Our girl was talking to you?
01:28:49You're supposed to tell me...
01:28:51There was nothing you could do about it.
01:28:54I know that.
01:28:57And in the hallway...
01:28:59she saw the other sender.
01:29:02And she was strong.
01:29:06So she asked me to do those things.
01:29:10And I did them.
01:29:16Marlboro.
01:29:20What's going on in there, man?
01:29:22Where's our girl?
01:29:25We got set up.
01:29:28We got set up real bad.
01:29:30How is Z?
01:29:36No codes, huh?
01:29:38The bed and breakfast isn't far.
01:29:40We'll run as fast as we can.
01:29:42The bed and breakfast isn't far.
01:29:44We'll run as much sequence as you need.
01:29:46You can't help me.
01:29:47And I can try.
01:29:49But you gotta trust me.
01:29:51And you gotta do what I say.
01:29:53Remember Grosny?
01:29:56Okay.
01:29:57Still got a sense of humor.
01:30:04I gotta take this outside.
01:30:06I can't lie to Wills when I'm staring right at your face.
01:30:08I'm not that good.
01:30:10Whoa. Hey, where are you going?
01:30:13Bathroom.
01:30:15Right.
01:30:20Whiskey 1-8.
01:30:21Whiskey 1-8, you got a timing problem.
01:30:24Where's Wills?
01:30:25I'm Wills now.
01:30:27Okay.
01:30:28You should take off.
01:30:29We're handling it from over here.
01:30:31I've just had some breakthroughs.
01:30:34You gotta give me a couple more days.
01:30:36Listen, you send someone out here right now, they're gonna fuck it up.
01:30:38I've spent the last three months un-fucking your whole show.
01:30:41But I know a Judas goat when I see one.
01:30:45And there it is.
01:30:46The hesitation.
01:31:08Oh, Jesus.
01:31:38What the fuck?
01:32:09Oh, shit.
01:32:14Oh, man.
01:32:17He is non-responsive to beta wave modification.
01:32:25What's your status?
01:32:31What is your directive?
01:32:38Decommissioned for full wave spectrum amplification.
01:32:41Old smoke meter. Imminent.
01:32:45Number 21-7, do you verify?
01:32:48What is your directive?
01:32:49Immensely amplify gate termination.
01:32:53And he's non-responsive.
01:33:09Oh, shit.
01:33:14Oh, shit.
01:33:18Oh, shit.
01:33:20Oh, shit.
01:33:21Oh, shit.
01:33:22Oh, shit.
01:33:23Oh, shit.
01:33:24Oh, shit.
01:33:25Oh, shit.
01:33:26Oh, shit.
01:33:39Oh, shit.
01:33:42Oh, shit.
01:34:00Did you tell him that she wasn't...
01:34:02I can tell you this right now.
01:34:05Just...
01:34:06I think it's interesting that you're hiding that.
01:34:21It's pretty beautiful.
01:34:22It's nice.
01:34:23I don't like it.
01:34:24I think I'm gonna put a jacuzzi.
01:34:26No, I don't think so.
01:34:29I don't really like it here.
01:34:35Hmm.
01:34:40Hmm.
01:34:41Hello?
01:34:46I think she's awake.
01:35:05There's some people I've invited to see you.
01:35:10They've come a long way.
01:35:14Is it all right if they come and say hello?
01:35:21She's ready.
01:35:22Hello.
01:35:32Hello, Maren.
01:35:34My name is Dr. Shinango.
01:35:37This is my friend, Dr. Steiner.
01:35:39I think you know his wife, Doris.
01:35:43We've heard some very interesting things about you.
01:35:47Dr. Ames has told us you have some very special talents.
01:35:53Can I have the radio, please?
01:36:03Now, in a few moments, there's going to be a broadcast.
01:36:08Two people will be having a conversation.
01:36:11Just talking.
01:36:12Having a discussion.
01:36:13A young woman and an older man.
01:36:18And I want you to listen to their voices.
01:36:22Can you do that?
01:36:25Just listen to their voices.
01:36:30That's good.
01:36:31Very good.
01:36:33Now, Dr. Ames and I want you to do something for us.
01:36:38The older man.
01:36:40Can you find him?
01:36:43Can you do that?
01:36:46I want you to find the older man whose voice you're listening to right now.
01:36:51And I want you to find him in your special room.
01:37:05I know it's difficult, but just try.
01:37:11Try to find the older man in your room.
01:37:22That's good.
01:37:26She doesn't need the music, eh?
01:37:28She is the music now, Peter.
01:37:40Excuse me.
01:37:44Hold that for me, would you?
01:37:48Don't be so shy.
01:37:50Don't be scared.
01:37:51It's alright.
01:37:53Just hold that.
01:37:55Hold that little plastic straw.
01:38:00You got that in your hand.
01:38:03Just a little plastic straw.
01:38:06Now, I want you to take one end of that straw.
01:38:10And I want you to put it into the man's hand.
01:38:19Would you do that?
01:38:22Just put one end into the man's head.
01:38:31And the other end, I want you to blow a little bubble.
01:38:35Just a little bubble.
01:38:38Please do that for us now.
01:38:40Oh, God, no.
01:38:41Please don't do this.
01:38:42I got gums.
01:38:43Gums are a lot of trouble.
01:38:44Shh.
01:38:49I'm sorry.
01:38:57No dreams?
01:39:11Maren.
01:39:14Maren.
01:39:16I want you to do what he's asking you to do.
01:39:19Do it.
01:39:28Maren.
01:39:30Kill him.
01:39:35Kill him!
01:39:37Please!
01:39:50Please.
01:39:58Error.
01:39:59System will remain offline until repair.
01:40:04Error.
01:40:05System will remain offline until repair.
01:40:10Error.
01:40:11System will remain offline...
01:40:20Error.
01:40:24Well, that was disappointing.
01:40:29Well, Judith, she's probably tired.
01:40:31We can try again tomorrow.
01:40:39Don't answer that!
01:40:40Why is your cell phone ringing?
01:40:42The perimeter's down.
01:40:43We're wide open, Judith.
01:40:50You had better get the car started.
01:41:00All right.
01:41:02There's a perimeter sensor at the end of that trail,
01:41:05near the edge of the cliff.
01:41:07Check it.
01:41:19Sensory.
01:41:49Okay.
01:41:50Let's go.
01:42:19Fuck.
01:42:50Fuck.
01:42:57Hello, Gal.
01:43:04Maren, get your coat.
01:43:06Get your coat!
01:43:19Fuck.
01:43:49Fuck.
01:44:19Fuck.
01:44:49Fuck.
01:45:19Fuck.
01:45:28Aren't you going to eat something, Cal?
01:45:31Maren.
01:45:33Make sure he eats something.
01:45:36Mother?
01:45:38Yes, dear?
01:45:39May I pick some music for breakfast?
01:45:43Yes, of course.
01:45:45That would be lovely, Maren.
01:45:49Okay.
01:46:20Fuck.
01:46:22Fuck.
01:46:48I got you.
01:46:50Please.
01:47:04Sixty seconds.
01:47:10Five.
01:47:20Forty-five.
01:47:25Forty.
01:47:30Thirty-five.
01:47:36Thirty.
01:47:41Twenty-five.
01:47:46Twenty.
01:47:50Fifty.
01:47:55Ten.
01:48:00Five.
01:48:01Four.
01:48:03Three.
01:48:04Two.
01:48:05One.
01:48:19Fuck.
01:48:49Fuck.
01:48:50Fuck.
01:48:51Fuck.
01:48:52Fuck.
01:48:53Fuck.
01:48:54Fuck.
01:48:55Fuck.
01:48:56Fuck.
01:48:57Fuck.
01:48:58Fuck.
01:48:59Fuck.
01:49:00Fuck.
01:49:01Fuck.
01:49:02Fuck.
01:49:03Fuck.
01:49:04Fuck.
01:49:05Fuck.
01:49:06Fuck.
01:49:07Fuck.
01:49:08Fuck.
01:49:09Fuck.
01:49:10Fuck.
01:49:11Fuck.
01:49:12Fuck.
01:49:13Fuck.
01:49:14Fuck.
01:49:15Fuck.
01:49:16Fuck.
01:49:17Fuck.
01:49:18Fuck.
01:49:19Fuck.
01:49:20Fuck.
01:49:21Fuck.
01:49:22Fuck.
01:49:23Fuck.
01:49:24Fuck.
01:49:25Fuck.
01:49:26Fuck.
01:49:27Fuck.
01:49:28Fuck.
01:49:29Fuck.
01:49:30Fuck.
01:49:31Fuck.
01:49:32Fuck.
01:49:33Fuck.
01:49:34Fuck.
01:49:35Fuck.
01:49:36Fuck.
01:49:37Fuck.
01:49:38Fuck.
01:49:39Fuck.
01:49:40Fuck.
01:49:41Fuck.
01:49:42Fuck.
01:49:43Fuck.
01:49:44Fuck.
01:49:45Fuck.
01:49:46Fuck.
01:49:47Fuck.
01:49:48Fuck.
01:49:49Fuck.
01:49:50Fuck.
01:49:51Fuck.
01:49:52Fuck.
01:49:53Fuck.
01:49:54Fuck.
01:49:55Fuck.
01:49:56Fuck.
01:49:57Fuck.
01:49:58Fuck.
01:49:59Fuck.
01:50:00Fuck.
01:50:01Fuck.
01:50:02Fuck.
01:50:03Fuck.
01:50:04Fuck.
01:50:05Fuck.
01:50:06Fuck.
01:50:07Fuck.
01:50:08Fuck.
01:50:09Fuck.
01:50:10Fuck.
01:50:11Fuck.
01:50:12Fuck.
01:50:13Fuck.
01:50:14Fuck.
01:50:15Fuck.
01:50:16Fuck.
01:50:17Fuck.
01:50:18Fuck.
01:50:19Fuck.
01:50:20Fuck.
01:50:21Fuck.
01:50:22Fuck.
01:50:23Fuck.
01:50:24Fuck.
01:50:25Fuck.
01:50:26Fuck.
01:50:27Fuck.
01:50:28Fuck.
01:50:29Fuck.
01:50:30Fuck.
01:50:31Fuck.
01:50:32Fuck.
01:50:33Fuck.
01:50:34Fuck.
01:50:35Fuck.
01:50:36Fuck.
01:50:37Fuck.
01:50:38Fuck.
01:50:39Fuck.
01:50:40Fuck.
01:50:41Fuck.
01:50:42Fuck.
01:50:43Fuck.
01:50:44Fuck.