• 2 months ago
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00:04:01Get him on the phone, Kinshawn.
00:04:03Okay, Mr. Sprague, but he's not going to like it.
00:04:05Get him anyway.
00:04:08Hachikawa.
00:04:09Halt!
00:04:11Halt!
00:04:14Halt!
00:04:16Hachikawa!
00:04:30Halt!
00:04:52Halt!
00:04:58Halt!
00:04:59Sachan!
00:05:02Arigato gozaimashita.
00:05:13♪♪♪
00:05:24Hello, Oshima. What's on your mind?
00:05:26Uh, Nick, I, uh...
00:05:27There's a matter to discuss, if you please.
00:05:30Shoot.
00:05:31It is an official matter of great importance.
00:05:33Oh, great.
00:05:35Come on in. We'll talk it over.
00:05:37Nick, will you please...
00:05:38Oh, all right, all right.
00:05:40Hand me that towel, will you?
00:05:45Lies, lies. It is all one big lie.
00:05:48Every word is untrue.
00:05:50Every word is untrue.
00:05:52Oh, now, just a minute.
00:05:53You must disclose source of your information.
00:05:55Oris must deal with this traitor.
00:05:57All right, that's fair enough.
00:05:58You have a right to know.
00:06:01The name of the traitor is the American press.
00:06:04That article appeared in three New York newspapers.
00:06:07But I cannot believe it.
00:06:08All right, check with your consul in New York.
00:06:11Very unfortunate.
00:06:13When American newspaper prints slander,
00:06:15fine American people receive poor impression of Japanese friendship.
00:06:19Oh, I agree, I agree.
00:06:21If there's anything I hate,
00:06:23it's to give anyone a poor impression of Japanese friendship.
00:06:26Ah, thank you.
00:06:28Thank you.
00:06:35You can't do this to me, Nick.
00:06:37My blood pressure won't stand it.
00:06:38Supposing they shut me down.
00:06:39Now, look, when I came here two years ago and took over this rag,
00:06:42it was on one condition.
00:06:43That I run it.
00:06:44I know, Nick, but you can't...
00:06:46Your circulation has doubled,
00:06:47advertising has gone up 500%,
00:06:49and you're making more money than you ever made in your life.
00:06:51You're not doing so badly yourself.
00:06:52You're making five times the money you made in Shanghai.
00:06:54You tired of the deal?
00:06:55Oh, now, don't think I don't appreciate what you did for the Chronicle,
00:06:57but printing things like that is...
00:06:59That's what newspapers are for.
00:07:01That's what people buy.
00:07:02Not just Japanese propaganda handouts.
00:07:04But this was just a rumor.
00:07:05Yes, and thousands of American businessmen
00:07:07have a right to know about rumors like that.
00:07:09I know, I know, but Nick,
00:07:10lots of Japs read English, too.
00:07:12Yeah.
00:07:13It was more to that than just a rumor.
00:07:15To bring those two birds here about it,
00:07:17I'll, uh...
00:07:18I'll have Ollie Miller look into it.
00:07:19Look into it?
00:07:20We've got to get out of it.
00:07:21You're going to write the retraction.
00:07:23I'll write a retraction when they prove the story is false.
00:07:25Nick, are you sure that piece was in the New York papers?
00:07:28The Japs would have caught it on the wires and censored it.
00:07:30New Yorkers read it yesterday.
00:07:32Yesterday?
00:07:33Then how could you have read it?
00:07:35Read it?
00:07:36I wrote it.
00:07:38Nick!
00:07:39Nick, for the love of my...
00:07:42Hi, Nick.
00:07:43Thought you'd be in jail by this time.
00:07:45Somebody's going to have to slit your throat to save his face.
00:07:47Aren't you a little bit early with that stuff?
00:07:49No, no, no, it just seems early.
00:07:51I hear the police have collected all the chroniclers
00:07:53from the newsstands.
00:07:54Well, I hope you boys got your copies.
00:07:56You're welcome to cable any part of it you want.
00:07:58No, thanks.
00:07:59I want to stay in Tokyo.
00:08:00I just signed a new lease.
00:08:01Anybody here seen Ollie?
00:08:02Ollie Miller?
00:08:03No, not yet.
00:08:04When Ollie Miller is not at this bar,
00:08:06he must be sick.
00:08:07I'll see you later.
00:08:08Sure.
00:08:09I'll see you later.
00:08:10Sure.
00:08:23Oh, there you are, Nick.
00:08:24Meet Joe Cassell.
00:08:25Just pulled in from Shanghai.
00:08:26Ah.
00:08:27Glad to know you.
00:08:28May I sit down?
00:08:29Yeah.
00:08:31Have a drink?
00:08:32Scotch and soda.
00:08:33Me too.
00:08:34Three scotch and sodas.
00:08:36Joe Cassell.
00:08:37Joe Cassell.
00:08:39Hmm.
00:08:40Covered the criminal courts for the old telly in New York,
00:08:42then went to Russia, and then Peking,
00:08:44and worked for the American Press Association for a while.
00:08:47Then I lost track.
00:08:48There's fame for you, Kiss.
00:08:49No, that's a good memory.
00:08:51Want a job?
00:08:53Gone home.
00:08:54I was up at the foreign office this morning.
00:08:56That story of yours had a buzzin' like harness.
00:08:58It was very amusing.
00:08:59Yeah, it breaks the monotony.
00:09:00Where'd you dig it up?
00:09:01A little here, a little there.
00:09:03Of course, there's not a grain of truth in it.
00:09:04You know that.
00:09:06I don't know anything, do you?
00:09:08Quite a bit.
00:09:09Our Chinese cousins are trying desperately
00:09:11to shape public opinion against Japan.
00:09:14What for?
00:09:16To take attention off their own internal disorders.
00:09:18And believe me, disorder's a clean name for it.
00:09:20Having just spent four years there, I know.
00:09:22I lived there six years myself.
00:09:24Four was enough for me.
00:09:25Not that I haven't a tremendous admiration
00:09:27for the Chinese people.
00:09:29I see.
00:09:30Some of my best friends are Chinese, huh?
00:09:34Well, at last.
00:09:44Hiya, fellas.
00:09:46Hiya, begunner.
00:09:48Hey, Johnson, you get along that front page of Nick's
00:09:50this morning?
00:09:51Dynamite, huh?
00:09:52Hey, come on.
00:09:53How about a little drink?
00:09:54Set him up.
00:09:55I'm me.
00:09:56You buying?
00:09:57As many as you can handle.
00:09:59I'll have a double scotch.
00:10:00I'll have a bourbon double.
00:10:01How about you, begunner?
00:10:02I'll have a little soda.
00:10:03You know what I want.
00:10:05But, Mr. Cartman, China throughout the centuries...
00:10:07Excuse, please.
00:10:08Mr. Miller is here.
00:10:13Oh.
00:10:14Yes, sir.
00:10:15I'm quitting.
00:10:16What, again?
00:10:18Ever see these things before?
00:10:19Thank you.
00:10:20Keep the change.
00:10:21Two tickets for home and the first boat I could get.
00:10:23Leaving tonight.
00:10:24Thank you.
00:10:25First boat I could get.
00:10:26Leaving tonight.
00:10:27And I've got it in my room.
00:10:28But where did you get the dough?
00:10:30New invention.
00:10:32Secret machines.
00:10:33Press buttons.
00:10:34Out comes fives.
00:10:35Tens.
00:10:36Hundreds.
00:10:37Well, in that case, how about the thirty you owe me?
00:10:40A pleasure.
00:10:41A pleasure.
00:10:43And here's the ten that you wouldn't loan me, stinker.
00:10:46Buy a round of drinks.
00:10:47Excuse me.
00:10:48We'll continue this in our next.
00:10:49Holly just came in.
00:10:50I'll see you later.
00:10:51So long, Nick.
00:10:53Yes, sir.
00:10:54I'm quitting this god forsaken land.
00:10:56What's it got?
00:10:57Cherry blossoms, but no cherries.
00:11:00What kind of cherry trees are those?
00:11:03I'll probably settle down in Connecticut and write a book.
00:11:06If I don't write a book, I'll...
00:11:09Hi, Nick boy.
00:11:11I've been looking for you all over.
00:11:13Two hundred.
00:11:14And twenty.
00:11:16A debt of long standing.
00:11:18Great honor to pay.
00:11:20He must have been trading in Shanghai silver.
00:11:26Johnson's just gone to buy a drink.
00:11:35Where'd you get the money?
00:11:38I came into it.
00:11:40Come on, make sense.
00:11:41What's up?
00:11:43I might well take offense at the skepticism in your tone.
00:11:47But I prefer to be generous and remember you as my friend and former employer.
00:11:52And in tribute to your bitter jealousy of my good fortune.
00:11:58Former employer?
00:11:59I'm leaving.
00:12:00Tonight.
00:12:01Me and Edith.
00:12:02And I got her on my roof.
00:12:05Where did you get that money?
00:12:08Nick, take a tip from me.
00:12:09Come on back to the States.
00:12:10This place is getting hotter than the inside of Fujiyama.
00:12:13Get out.
00:12:14There was blood on the streets this morning.
00:12:16It'll be flowing like a river before the summer's over.
00:12:19So you're all mixed up in something shady.
00:12:21Me?
00:12:23Ollie Miller?
00:12:26Hey, don't forget.
00:12:28Hey there, Captain 23.
00:12:29Come down here tonight and I'll fill you full of champagne and tell you how much I love you.
00:12:34Ben, best friend, ya dog.
00:12:38So long, friends.
00:12:39So long, nice people.
00:12:41So long.
00:12:46Thank you.
00:13:01I'll be waiting for you in Nagaramaro.
00:13:04Really?
00:13:16Thank you.
00:13:27Nick!
00:13:29Isn't it marvelous?
00:13:30Going home?
00:13:31I won't believe it till I'm seasick.
00:13:32Yeah, great stuff.
00:13:38You go on with your packing, Edie.
00:13:39Yeah, I'll have to.
00:13:41Never been early in my life.
00:13:43What's it all about?
00:13:44Oh, Nick, you got me.
00:13:45It's wonderful.
00:13:46Rags to riches.
00:13:47Well, how does Ollie explain it?
00:13:48Oh, like he does everything else.
00:13:50Excuse me, he dismisses it.
00:13:52Can you say anything?
00:13:53Oh, vague.
00:13:54Very vague.
00:13:55Something about a contract for a book he's gonna write.
00:13:57Big literary deal.
00:13:58Advanced royalties.
00:13:59Scads of money.
00:14:02Fine, fine.
00:14:10Nick, I don't care where he got it.
00:14:12Maybe he stole the Emperor's treasures.
00:14:14All I know is we're going home.
00:14:16This place is slowly killing him.
00:14:18And me too.
00:14:20All right, all right.
00:14:21After all, Ollie's private business is still his own.
00:14:23But I didn't want to see either of you get into a jam
00:14:25because of anything irregular.
00:14:28Well, if there's anybody he'd tell what it's all about,
00:14:30it'd be you, Nick.
00:14:31Well, that's what has me worried.
00:14:32He hasn't.
00:14:35You'll be at the boat tonight?
00:14:36Yeah, sure.
00:14:38With a couple of magnums of champagne.
00:14:40That should open his big mouth.
00:14:42He's opened it on less.
00:14:43All right, I'll see you there.
00:14:44Nick, in case I don't get a chance to tell you tonight,
00:14:49you're all we're gonna miss in this place.
00:14:52I wish you were coming back with us.
00:14:57All right.
00:14:58See you at the boat, beautiful.
00:15:13All right.
00:15:29Good evening, Colonel Song.
00:15:31You go to America?
00:15:33Oh, no.
00:15:34You're too anxious to get rid of me.
00:15:35No, just gonna see a couple of friends of mine
00:15:36off on the boat.
00:15:38Your name, please?
00:15:39Name?
00:15:41Well, uh, there's Suzi Carter here.
00:15:42She's been tailing me all day.
00:15:43I am thought control officer.
00:15:45Pleased to answer questions.
00:15:47All right.
00:15:48I'll give you an answer.
00:15:50I'm thinking this is a new low and stupidity
00:15:52even for the Imperial Police.
00:15:53Now, I want to see Mr. and Mrs. Miller,
00:15:54stateroom 23.
00:15:56Any objections?
00:15:58Ah, yes.
00:15:59Mr. and Mrs. Miller?
00:16:01Not yet arrived.
00:16:02Well, I'll wait for them on deck.
00:16:03Sorry.
00:16:05Not permitted tonight.
00:16:06Excuse me, please.
00:16:07I'm strong.
00:16:08I'm from India.
00:16:10Oi! Oi!
00:16:11Shut the door!
00:16:13Hey!
00:16:15He's fainted.
00:16:39Edie!
00:17:10Edie!
00:17:24Too bad.
00:17:25You refused to believe police.
00:17:31Now you know.
00:17:33Truth has been told.
00:17:34You saw for yourself.
00:17:35Friends have not yet arrived.
00:17:40Edie!
00:17:44Hello.
00:17:45Tokyo Chronicle, please.
00:17:49Charlie Sprague.
00:17:50Yeah.
00:17:53Chronicle office.
00:17:54Charlie.
00:17:55Charlie.
00:17:56There's trouble.
00:17:57Big trouble.
00:17:58Look, I can't tell you about it now.
00:17:59I'm coming right down.
00:18:00But find out where the ambassador is
00:18:02and get a call through to him right away.
00:18:04Right, Nick.
00:18:05Did Ollie Miller reach you?
00:18:06Ollie?
00:18:07He's been trying to get in touch with you.
00:18:08Said it was urgent.
00:18:09Well, where is he?
00:18:10He said he'd try to get over to your house.
00:18:12Oh, fine.
00:18:13Fine.
00:18:14Well, I'll go there then.
00:18:15Switch the call there.
00:18:16Yeah.
00:18:37Charlie.
00:18:38Charlie.
00:19:08Ollie.
00:19:09Hey.
00:19:10Ollie.
00:19:12What do you think?
00:19:15Easy, baby.
00:19:17Easy.
00:19:38Charlie.
00:19:39Charlie.
00:19:40Charlie.
00:19:41Charlie.
00:19:42Charlie.
00:19:43Charlie.
00:19:44Charlie.
00:19:45Charlie.
00:19:46Charlie.
00:19:47Charlie.
00:19:48Charlie.
00:19:49Charlie.
00:19:50Charlie.
00:19:51Charlie.
00:19:52Charlie.
00:19:53Charlie.
00:19:54Charlie.
00:19:55Charlie.
00:19:56Charlie.
00:19:57Charlie.
00:19:58Charlie.
00:19:59Charlie.
00:20:00Charlie.
00:20:01Charlie.
00:20:02Charlie.
00:20:03Charlie.
00:20:04Charlie.
00:20:05Charlie.
00:20:07Here you are, Ollie.
00:20:08Ollie.
00:20:09Take a sip of this.
00:20:12Here you are.
00:20:13Easy, easy.
00:20:19Ollie.
00:20:20Can you tell me what happened?
00:20:25I don't know, man.
00:20:26Well, whenever he's so tough, I'd have asked for more money.
00:20:31I made a good guess in the paper this morning.
00:20:36You won't have to guess anymore, Nick.
00:20:42You're not gonna plan on it.
00:20:51I'm glad.
00:20:53I'm glad he just got away okay.
00:20:56I'm glad he just got away okay.
00:21:00Tell her I'm sorry I missed the boat.
00:21:09We'll get him.
00:21:18Ollie.
00:21:26Ollie.
00:21:56What is it?
00:21:57I'm very sorry to disturb.
00:21:58So am I. Beat it.
00:22:01A desperate criminal escaped police.
00:22:03Maybe he is hiding here.
00:22:05Sorry, we must search.
00:22:07We wish to protect you.
00:22:08There's nobody here and I don't need anybody to protect me.
00:22:10Now get out.
00:22:11Have accident?
00:22:18Ah, here's criminal.
00:22:20Don't you mean victim?
00:22:26We must search house, please.
00:22:57Well, of course, there was nothing to find.
00:22:59Now go on, get out of here.
00:23:05All right, all right.
00:23:07That's exactly what I ought to do.
00:23:09Now, if you just give me a chance to phone my office while...
00:23:12Not permitting telephone.
00:23:16Now, look here, Oshima.
00:23:17I'm getting awfully tired of this.
00:23:19Your chief Yamada is a very good friend of mine.
00:23:21I don't want to have to turn you in.
00:23:22Comprehend.
00:23:24All right.
00:23:26Let's go.
00:23:57Kandan-san.
00:24:08Kandan-san.
00:24:13The parcel.
00:24:14Okure.
00:24:27Good morning, Kandan-san.
00:24:30Did not expect to meet you here except as friend.
00:24:35May I use your phone?
00:24:37Hello.
00:24:38Hello, Tokyo Chronicle, please.
00:24:41You've got some explaining to do, Yamada.
00:24:44Hello, hello.
00:24:45Give me Charlie Sprague.
00:24:47Among other things, my government does not like its national to be thrown into the jug without any charge.
00:24:52My government does not like its national to be thrown into the jug without any charge.
00:24:56Japanese government would not do that to American, Kandan-san.
00:25:00Here is charge.
00:25:03Nicholas Kandan, much esteemed editor of Tokyo Chronicle,
00:25:07held private celebration in his own home.
00:25:11Gaiety intense and far-reaching.
00:25:14Causing complaints from neighbors.
00:25:17Complaints ignored.
00:25:18Forcing police to make polite request that gaiety subdue.
00:25:23Request ignored.
00:25:25Police enter home at 10.30 p.m.
00:25:29Find Nicholas Kandan with two girls.
00:25:33Two, Kandan-san?
00:25:38Mr. Kandan very much under influence sake.
00:25:42Demand police leave.
00:25:44Police demand two girls leave.
00:25:46Two girls leave.
00:25:48Kandan attempt to throw police out.
00:25:51Kandan overcome by drinks.
00:25:54Friendly police put him to bed in city jail to protect him.
00:25:58Hello, hello.
00:26:00Hello.
00:26:01You've cut me off. Give me the Tokyo Chronicle again, please.
00:26:04Because holding you in much esteem,
00:26:07man of great prestige,
00:26:09no longer angry with protective police,
00:26:12you are free to go.
00:26:14Thanks.
00:26:15Hello, Charlie.
00:26:17Oh, Nick, please.
00:26:19Go home and get a little sleep.
00:26:21He had us up all last night.
00:26:23We even woke the ambassador.
00:26:25I don't know how we're going to alibi it to him.
00:26:27Japanese papers are full of what you did.
00:26:29Never mind that, never mind that.
00:26:31Look, I'm glad you got the ambassador.
00:26:33Get him again and tell him I've got to see him as soon as possible.
00:26:35And then get in your car and pick me up here.
00:26:37Yeah, and bring a camera.
00:26:40Sergeant Oshima,
00:26:42you know our good friend Kandan-san of Tokyo Chronicle?
00:26:45Good times, great honor.
00:26:47It's not mutual.
00:26:49You killed two Americans last night, Oshima.
00:26:51One on the Nagatomaru and the other at my house.
00:26:53A serious charge, Kandan-san.
00:26:56You have proof?
00:26:58Kandan-san and Saki had a big fight last night.
00:27:01Saki win.
00:27:04I suppose you weren't at the harbor
00:27:06and you weren't at my house.
00:27:08Last night we take families to view cherry blossoms in moonlight.
00:27:11Most pleasurable evening.
00:27:13Be better you forget bad dreams and go home to good sleep.
00:27:17Sayonara, Kandan-san.
00:27:20And if I may try big joke, I say,
00:27:22hope I am not to see you here too soon.
00:27:27Understand, you're very strong, too, though.
00:27:30Perhaps you honor me with contest sometime.
00:27:33Certainly.
00:27:35Only I hope next time it'll be face to face.
00:27:43Good night.
00:28:05You can put your camera away.
00:28:07There's the window that Ali plowed through last night.
00:28:09They replaced it.
00:28:11Plant number one.
00:28:13Plant number two.
00:28:15Yeah, they don't miss a bit.
00:28:22They've even cleaned up the blood stains.
00:28:24Yeah, very thorough.
00:28:31What is it, Nick?
00:28:34There's someone at the door.
00:28:36Shall I see who it is?
00:28:38Yeah, see who it is.
00:28:44Mr. Kandan, please.
00:28:46Come in.
00:28:48Thank you.
00:28:51This is Mr. Kandan.
00:28:53Yes.
00:28:58Tanashi.
00:29:00Thank you.
00:29:02I'm from foreign office.
00:29:04Please permit me to escort you to audience
00:29:06with His Excellency,
00:29:08Premier General Baron Tanaka.
00:29:10Well, I'm going to be busy for a couple of hours.
00:29:13Tell him I'll drop into his office sometime this afternoon.
00:29:16Please, not to office.
00:29:18His Excellency awaits you at his home.
00:29:29An honor.
00:29:31Well, a few minutes, please.
00:29:40Thank you.
00:29:54Here she is.
00:30:00Won't you join us, Miss Figueres?
00:30:02Not now, thank you, Prince Tufts.
00:30:04If you don't mind.
00:30:06I'm afraid Iris is unhappy these days.
00:30:09Unfortunately, it was necessary to involve her
00:30:12in this distasteful affair.
00:30:15Colonel Tojo advised it.
00:30:18Since when, Baron Tanaka,
00:30:20do you concede to Colonel Tojo's sordid wishes?
00:30:24I did not concede, Prince Tatsugi.
00:30:27I agreed.
00:30:29In the future, I would be less unhappy
00:30:31if I were not called upon to search the effects
00:30:33of a woman so horribly murdered.
00:30:35It will not happen again, my dear.
00:30:37I promise that.
00:30:45An interesting woman.
00:30:47Yes.
00:30:49Mixed parentage?
00:30:51Yes.
00:30:53Her mother was Chinese.
00:30:55Oh.
00:30:58Baron,
00:31:00you know that I have communicated my fears to the Emperor
00:31:03regarding the road on which you are determined.
00:31:05To lead the nation.
00:31:07Your Highness,
00:31:09the decisions already have been submitted to the Emperor.
00:31:12Your great influence, Baron,
00:31:14could still check to militarists.
00:31:16I am but an old man
00:31:18whose voice no longer carries its authority.
00:31:21But,
00:31:23you are among the most highly esteemed in my cabinet,
00:31:26Your Highness.
00:31:28Esteemed?
00:31:30Esteemed as a liberal screen.
00:31:32I am the scroll of the poet
00:31:34behind which samurai swords are being sharpened.
00:31:38Without armed strength,
00:31:40we will perish.
00:31:42That is my view.
00:31:44Those feuds will lead Japan to disaster.
00:31:46We see the problem differently.
00:31:49That is true.
00:31:51To uphold my beliefs,
00:31:53I would die with honor.
00:31:55You, Baron Tanaka,
00:31:57will die only to erase your dishonor.
00:31:58Only to erase your dishonor.
00:32:24Mr. Hayashi and Mr. Kandan.
00:32:27It is a pleasure to see you again, Mr. Kandan.
00:32:31Colonel Tojo of the Imperial Army?
00:32:35And you know Major Kajioka,
00:32:37Imperial Secret Police?
00:32:40Mr. Nicholas Kandan.
00:32:42Please sit down.
00:32:47Thank you for coming to my home.
00:32:49It is more agreeable than meeting at the office.
00:32:52Here, we are not bothered with
00:32:53newspaper men.
00:32:58Your front page story yesterday,
00:33:00Mr. Kandan,
00:33:02was somewhat embarrassing.
00:33:07Can't please everybody.
00:33:09Of course.
00:33:11We realize you had no way of knowing
00:33:13it was an inopportune moment
00:33:15for such a story.
00:33:17Bluntly, Mr. Kandan,
00:33:19certain liberal subversive factions
00:33:20within our own country
00:33:22are seeking to create an incident
00:33:24to weaken the present government.
00:33:26They are responsible for the malicious rumor
00:33:28which you have regrettably printed.
00:33:32As I said, Mr. Kandan,
00:33:34the story itself is unimportant.
00:33:37These rumors of a document
00:33:39which plans world conquest are ridiculous.
00:33:42But,
00:33:44should this rumor be taken seriously
00:33:46by the wrong people,
00:33:47a blazing fire might be kindled
00:33:49which Japan would find
00:33:51costly to extinguish.
00:33:53Oh, I see.
00:33:55What you're saying is you'd like the Chronicle
00:33:57to put on a fire prevention week campaign.
00:33:59Is that it?
00:34:01No, Mr. Kandan.
00:34:03Within the past 24 hours,
00:34:05we've discovered a plot
00:34:07to smuggle this forged document out of Japan.
00:34:09A man by the name of Oliver Miller,
00:34:11one of their former employees, is involved.
00:34:13We could recover the document from him by force
00:34:15if we chose.
00:34:17I would prefer
00:34:19that you persuade him to return it to us.
00:34:23It seems you haven't heard, Your Excellency.
00:34:26No, your secret police major
00:34:28that Mr. and Mrs. Miller were murdered last night.
00:34:32Yes.
00:34:34We read in the papers this morning
00:34:37about your escapade last night, Mr. Kandan.
00:34:40In your incoherent condition,
00:34:43you spoke of this unpleasant fantasy.
00:34:45As we were concerned with the fate of Mr. Miller
00:34:48even more than you,
00:34:50we immediately made inquiries
00:34:52from the captain of the Nagata Maru,
00:34:55a most trustworthy gentleman.
00:35:04Isn't it clear to you now?
00:35:08Mm-hmm.
00:35:10Perfectly clear.
00:35:12In every detail, Mr. Kandan.
00:35:13Murder is an ugly and dishonorable act,
00:35:16and to prove it, someone must be accused.
00:35:18Bodies must be produced.
00:35:20Now, Mr. Kandan,
00:35:22to approach this problem that way
00:35:24would only lead you to many difficulties.
00:35:27But if you send Mr. Miller a radiogram,
00:35:31I am sure he will return the document to us
00:35:34through you.
00:35:38Everyone would be enormously relieved,
00:35:41and you would greatly profit.
00:35:44We will all live to laugh
00:35:46at the strange hallucination
00:35:48which you experienced last night.
00:35:51I see.
00:35:53Well, you want this forgery returned?
00:35:56Yes.
00:35:58And you're willing to pay plenty for it?
00:36:03All right.
00:36:05Here's my price.
00:36:07When the United States Embassy is informed
00:36:10that the murderers of Ollie Miller and his wife,
00:36:13I mean the real murderers,
00:36:15Oshima and Hishikata,
00:36:17not a couple of sacrificial monkeys,
00:36:19are brought to trial and convicted,
00:36:21then, and only then,
00:36:23the thing that you're looking for may turn up.
00:36:31Here.
00:36:37All right, sit down.
00:36:39Drink?
00:36:41Whiskey.
00:36:44For the love of Mike,
00:36:46what's this about your quitting the paper?
00:36:48I'm trying to give you a break.
00:36:50You want my job, don't you?
00:36:52Oh, come on, don't toy with me.
00:36:54What's up? What happened with Tanaka?
00:36:56Well, Charlie, I can't tell you much.
00:36:58You'll have to be satisfied with the crumbs.
00:37:00After I left Tanaka, I went over to the embassy.
00:37:02We had a long talk.
00:37:04I don't ask any questions.
00:37:06I'm from Washington.
00:37:08Okay.
00:37:10Crumbs, but from cake.
00:37:13I suppose you saw bright eyes over there.
00:37:19And he's been tailing me all day.
00:37:21I know you're leaving.
00:37:23They might have other plans for you, Ollie Miller style.
00:37:25No, the embassy has expressed a very definite interest
00:37:27in my safe departure.
00:37:29Polite, but official.
00:37:31Oh, yeah, and one more for me.
00:37:33After you finish that drink,
00:37:34I'm going back to the office.
00:37:36I want a story in tomorrow's paper that says
00:37:38I'm sailing 10 days, President Wilson.
00:37:40Why the publicity?
00:37:43My hunch was right, Charlie.
00:37:45The police did not get that document.
00:37:47So it must have been the people
00:37:49who want to get it out of Japan.
00:37:51Now, if they know I'm sailing,
00:37:53they may try to get in touch with me.
00:37:55Oh, don't do it, Nick.
00:37:57Keep on ice until the boat sails.
00:37:59Look, there's a one-column cut of me in the files,
00:38:01three-quarter face, very flattering.
00:38:02I'll get it.
00:38:14Hey, Katie, do me a favor, will you?
00:38:16Yes, please.
00:38:18Keep an eye on my friend over there.
00:38:20Yes, yes.
00:38:33Massey Condon, may we join you?
00:38:35It looks as if every table's taken.
00:38:38I arranged it that way.
00:38:40This is Nick Condon, Tokyo Chronicle.
00:38:42Miss Iris Hillyard just arrived from Shanghai.
00:38:44I hope you'll enjoy Tokyo.
00:38:46I think I'm going to.
00:38:48Never mind, I do it better.
00:38:50Besides, I'm not crazy.
00:38:52What do you mean, crazy?
00:38:55No man in his right mind would
00:38:57willingly share your company, Miss Hillyard.
00:38:59How's Shanghai these days?
00:39:00Oh, Shanghai's always gay.
00:39:02For everyone but the Chinese.
00:39:05May the waiter interrupt long enough
00:39:07to take your orders?
00:39:09Same.
00:39:12How was the trip over?
00:39:14A little on the rough side.
00:39:16I always say it's not the ocean,
00:39:18but the Japanese boats.
00:39:20You arrived last night?
00:39:22Yes.
00:39:28I went down to see a couple of friends
00:39:30that I know up on the Nagatamaru last night.
00:39:33You didn't by any chance
00:39:35come in on that boat, did you?
00:39:38Look here, Condon.
00:39:40You have a reputation for bad manners,
00:39:42but this is going too far.
00:39:44It's all right, Mr. Gazelle.
00:39:46Perhaps Mr. Condon can explain.
00:39:48I'll go, Mr. Gazelle.
00:39:50Excuse me.
00:39:54Well?
00:39:58I'm sorry.
00:40:00I had kind of a rough night last night,
00:40:02and I'm not quite myself today.
00:40:05I read about it in this morning's paper.
00:40:07Well, that story?
00:40:09Not true.
00:40:11I didn't think so.
00:40:13Too much fun to be true.
00:40:15May I have a cigarette?
00:40:19I'd like to make a confession.
00:40:21Well, we're alone.
00:40:25You were wrong about Gazelle.
00:40:27He isn't crazy.
00:40:29I insisted on coming over here.
00:40:31Why?
00:40:33I wanted to meet you.
00:40:37You certainly know your judo, don't you?
00:40:39You've had me off balance ever since you came in.
00:40:41Good.
00:40:43All right, now,
00:40:45what you're saying is that
00:40:47you're making a play for me.
00:40:49Why?
00:40:51Perhaps I like your look.
00:40:53Not with this.
00:40:55There may be things about that I like.
00:40:56Yeah?
00:40:58What?
00:41:00I've always liked red hair.
00:41:02Well,
00:41:04I grew it for you.
00:41:06And the ears?
00:41:08Two of those.
00:41:10Isn't that good?
00:41:12More would be vulgar.
00:41:14Keep on, keep on.
00:41:16Pretty soon we'll level.
00:41:18All right, Mr. Condon.
00:41:20Let's, to use your phrase,
00:41:22level.
00:41:26I was told to meet you by a friend.
00:41:28Yes, but whose friend?
00:41:30Yours, in Shanghai.
00:41:33A very wonderful, almost saintly old man.
00:41:38Chang Po Ling?
00:41:40Yes.
00:41:42Yes, yes, wonderful, wonderful.
00:41:44And he asked you to look me up?
00:41:46Yes.
00:41:48He certainly hasn't forgotten me.
00:41:51No, he remembers you very well,
00:41:53as you were then.
00:41:54He hoped you hadn't changed.
00:41:57No.
00:41:59Just what does that mean?
00:42:02First,
00:42:04we become better acquainted.
00:42:06It was his desire.
00:42:08His desire became mine five minutes ago.
00:42:10Come on, let's figure a way to go about that.
00:42:12About what?
00:42:14How to get better acquainted in the shortest possible time.
00:42:16You see, I'm leaving in ten days.
00:42:18Well, that's not bad.
00:42:20Come on, let's drink to them.
00:42:22To them?
00:42:24Ten days.
00:42:26The ten days that shook the world.
00:42:50Iris, my dear.
00:42:52You know Colonel Tojo?
00:42:54And Major Kejoka?
00:43:00Tea?
00:43:02No, thank you.
00:43:04Have you anything to report?
00:43:08I have made some progress.
00:43:10What progress, please?
00:43:13Mr. Condon finds me attractive.
00:43:16The introduction I arranged work smoothly?
00:43:19Excellently, thank you.
00:43:21Please waste no time in becoming
00:43:23most closely acquainted.
00:43:26This adventure, Colonel Tojo,
00:43:28has many ramifications which I find displeasing.
00:43:31Perhaps we can eliminate the sort of details
00:43:34and learn exactly what has occurred thus far.
00:43:38Does this man possess the document?
00:43:41I cannot say for certain.
00:43:43I'm sure he does, Your Excellency.
00:43:45It would appear so.
00:43:47It is Mr. Condon's ambition to leave Tokyo
00:43:49in good health within one week.
00:43:50He is relying upon his embassy to protect him.
00:43:53That means you must work swiftly.
00:43:55Colonel Tojo, I do not need you
00:43:57to remind me of my duty.
00:43:59As far as Mr. Condon is concerned,
00:44:01I have every hope for success.
00:44:03Hope alone will not suffice.
00:44:05Do you have permission?
00:44:21Hey, Charlie, Charlie.
00:44:23That fellow in the top hat just going out.
00:44:25Isn't he the one from the foreign office
00:44:27who was over at my house the other day?
00:44:29Hayashi?
00:44:31Yeah, why?
00:44:33Oh, nothing.
00:44:35Just checking, thanks.
00:44:42I'm sorry, sir.
00:44:44I'm sorry, sir.
00:44:46I'm sorry.
00:44:48I'm sorry.
00:44:50I'm sorry.
00:44:56Say, Nick.
00:44:58Do you know a guy named Cassell?
00:45:00Joe Cassell?
00:45:03Yeah.
00:45:05Heard of him.
00:45:07Somewhat.
00:45:09Well, I just got a word from the States about him.
00:45:11They say he's a good man.
00:45:13I thought I'd try him out in your job after you go.
00:45:15From what States?
00:45:17You mean you just got an order
00:45:18from Cassell?
00:45:20That's an insult.
00:45:22Nobody dictates to me.
00:45:24No, not even your own conscience.
00:45:26You promised Charlie Sprague my job, didn't you?
00:45:28Well, I've reconsidered.
00:45:30They say Cassell's got a fine record in journalism.
00:45:32Yeah, great.
00:45:34He ran a paper in China that posed as a friend of the people.
00:45:36And on the side, he set up a patriotic organization
00:45:38that collected nickels and dimes
00:45:40from the poor Chinese in the States
00:45:42to print anti-Japanese propaganda.
00:45:44What of it?
00:45:46Oh, nothing much.
00:45:48And Cassell decided on a change of climate.
00:45:50I don't suppose you can prove that.
00:45:52All right, if that isn't enough,
00:45:54I'll dig up something that'll make even your stomach crawl.
00:45:56But if you've got any sense,
00:45:58you'll stick to Charlie Sprague.
00:46:00Will you stop trying to run my paper?
00:46:02Yes, yes, right now.
00:46:04Okay, okay.
00:46:06I'll give it some more thought.
00:46:07Hey, Nick, where are you going?
00:46:09Well, as the Japanese say,
00:46:11if the flower is to be beautiful,
00:46:13it must be cultivated.
00:46:37Come on.
00:47:08Do you know what this chase has done for me?
00:47:10Developed a ravenous appetite.
00:47:12I've developed a few myself.
00:47:14Must we really avoid him?
00:47:16No. Come on, let's eat.
00:47:25Machi gozaimasu ka?
00:47:27Machi gozaimasu ka?
00:47:29Machi gozaimasu ka?
00:47:31Machi gozaimasu ka?
00:47:33Machi gozaimasu ka?
00:47:35Machi gozaimasu ka?
00:47:38Machi gozaimasu ka?
00:47:48Thanks, Katie.
00:47:51We are about to dine at Sato.
00:47:53Oh, an excellent restaurant.
00:47:55We thought you'd like it.
00:47:57Nothing too good for the imperial secretly.
00:47:59Thank you.
00:48:01Thank you.
00:48:07You like it, huh?
00:48:25Japan is lovely, but I've seen a bit in three days.
00:48:28Yeah, the scenery is all right, but some of the inhabitants I object to.
00:48:32The higher up you go, the lower grade people you meet.
00:48:35Then I'm lucky that I don't have to meet any highly placed Japanese in my work.
00:48:41Work?
00:48:42Of course.
00:48:44Namely?
00:48:46I'm studying the problems of Japanese women.
00:48:50Why?
00:48:52A friend in Shanghai.
00:48:56Now don't tell me that was why he told you to get in touch with me.
00:49:00Nick, you know so much and still you're so ignorant about women.
00:49:05Ignorant, but awfully willing.
00:49:09Do you know anything at all about Japanese women?
00:49:14Now what kind of a question is that?
00:49:16Academic or personal?
00:49:19Well, if you won't be serious.
00:49:21Oh, I'll be serious.
00:49:24They're not considered human beings.
00:49:26They're not even allowed to think.
00:49:28It's against the law.
00:49:31I imagine they bootleg a thought now and then.
00:49:33Yes, bootleg thinking.
00:49:35That's not good enough.
00:49:37And so you've elected to help them.
00:49:40Why not?
00:49:43I'm a woman.
00:49:47I've been aware of that for some time.
00:49:53The Chinese women are just beginning to learn what it could mean to be free.
00:49:58If the Japanese women felt the same way...
00:50:00You mean that might stop Tanaka, Tojo, Yamamoto and all the rest?
00:50:06It might help.
00:50:10Is Tanaka planned?
00:50:12What do you know about it?
00:50:15Why don't you tell me?
00:50:18I haven't published any articles on the subject.
00:50:20Why don't I just kill him off?
00:50:25I think I know a less violent solution.
00:50:36Wait.
00:50:39Watch.
00:50:44I'm not going to kill him.
00:50:46I'm not going to kill him.
00:50:47Watch.
00:51:00Don't wait up for me, Katie.
00:51:10Do you mind?
00:51:17No.
00:51:32Very nice.
00:51:37Somebody been expecting us?
00:51:39Help yourself.
00:51:41You?
00:51:42Please.
00:51:43Oh, how about one for Hijikata out there?
00:51:45Let him suffer.
00:51:48Tan-Tan.
00:51:50Sing a love.
00:51:52No, no.
00:51:58You've got a pretty good notion there.
00:52:01Do you understand Chinese?
00:52:02I?
00:52:13I'm afraid she's hopelessly romantic.
00:52:16She's not exactly my type, but on the other hand, with a few alterations, you'd be...
00:52:22What sort of alterations?
00:52:24Oh, this is just kind of a game.
00:52:26Rule one.
00:52:28Learn never to interrupt a conversation when it begins to get interesting.
00:52:32Rule two.
00:52:34Whenever you sit, always sit with your chin tilted up like this.
00:52:39Like this?
00:52:41Perfect.
00:52:43When did you leave China, Nick?
00:52:45Oh, there goes rule one.
00:52:49Well, I left China two years ago.
00:52:52Left Brooklyn 15 years ago.
00:52:54Cleveland 10 years ago.
00:52:56Kansas City in the summer of 1921.
00:52:58Now, would you like me to go all through the towns very quickly to sort of get them out of the way?
00:53:03I don't think that'll be necessary.
00:53:05Well, I just wanted to make sure I'd cover everything that you might interrupt with.
00:53:08I'm afraid I'll have to interrupt you, Nick.
00:53:12Yeah?
00:53:17Why?
00:53:20I was just thinking...
00:53:22I know.
00:53:23You were thinking of changing the subject again.
00:53:25Now, uh...
00:53:27Let me tell you what I'm thinking.
00:53:30I think I know.
00:53:32And I like it very much.
00:53:35But I don't believe you really know what you think of me.
00:53:39Maybe I do.
00:53:42A desirable woman?
00:53:45Much more than that.
00:53:49Be sensible, Nick.
00:53:51What I'm trying to tell you is that I'm half Chinese.
00:53:55I'm half Irish and half Norwegian.
00:53:58Isn't the same thing?
00:54:03What are you trying to do? Run down the Irish?
00:54:06Thank you, Nick.
00:54:08Stop it. Stop it. I hate gratitude.
00:54:10It's a very debasing emotion.
00:54:12Now, you just keep your mind on the game.
00:54:13That's rule one.
00:54:15Rule two...
00:54:16Have you played this game before?
00:54:20Maybe when you learn a little more about these people,
00:54:22you might revise your opinions about the Chinese.
00:54:25Maybe, but the farther west I've gone,
00:54:26the more I'm convinced that wisdom and civilization
00:54:28come from the east.
00:54:29That's what I say.
00:54:30China.
00:54:31Japan is east of China.
00:54:33You should do well here, Mr. Cassell.
00:54:36How about this?
00:54:38I'm going to tell you a story.
00:54:40I'm going to tell you a story.
00:54:42I'm going to tell you a story.
00:54:44I'm going to tell you a story.
00:54:46How about this?
00:55:01Excuse me, gentlemen. I'll see you later.
00:55:03What is it? What's it all about?
00:55:05Colonel, this is an outrage.
00:55:07I won't tolerate it.
00:55:09You seem to forget my position in influence.
00:55:11Perhaps you do not have them any longer, Mr. Cassell.
00:55:13Have you seen His Excellency Baron Tanaka?
00:55:16If he'd seen me, I wouldn't be here.
00:55:18Be reasonable, Colonel.
00:55:19All you wanted wasn't to loan to China to be killed.
00:55:21It didn't happen the way we planned it,
00:55:22but what's the difference?
00:55:24We are just as much concerned
00:55:25in the manner in which these matters are accomplished.
00:55:28Now, His Imperial Majesty's government
00:55:30will have to make it very clear
00:55:32we were never acquainted with you.
00:55:34But where does that leave me?
00:55:36I've lost my friends in China and now...
00:55:37Precisely.
00:55:39Surely you must realize, Mr. Cassell,
00:55:41that he who is not a good friend of China
00:55:42cannot be a good friend of Japan.
00:55:46Most regrettable.
00:55:48Good day.
00:55:51Okay.
00:55:53Okay.
00:55:59Don't get me wrong, Condon.
00:56:01I don't blame you. It was my mistake.
00:56:03I don't know what got into me.
00:56:05The Chinese are great people. I love them.
00:56:07If you'd only come to me before printing the story
00:56:09and stop me, knock some good sense into my head.
00:56:10It isn't brains you're short on, Cassell.
00:56:12I know, but it was like doubling up,
00:56:14letting the money ride on a good bed.
00:56:16I couldn't pass it up.
00:56:18Oh, go on. Get out of here.
00:56:20Wait a minute.
00:56:21You're a decent guy, Condon,
00:56:23and I've got an idea that will work for both of us.
00:56:25You're in a worse spot than I am.
00:56:27They're not going to let you get out of the country alive,
00:56:29but they don't suspect me.
00:56:30You set the price.
00:56:31Half a million, anything you say.
00:56:33Let me take it to China
00:56:34and set myself up again with the right people.
00:56:36You collect the money in America.
00:56:37Take what to China?
00:56:39The Tonica plan.
00:56:41You've got it, Condon.
00:56:43Tonica's already made you an offer,
00:56:45but you're holding out for more, I know.
00:56:47Oh, yeah?
00:56:49Well, what else do you know?
00:56:51Plenty.
00:56:52Didn't I frame the introduction
00:56:54for Tonica between you and the Hilliard gang?
00:56:56Don't I know she hasn't had any luck yet
00:56:58because you're playing cagey?
00:56:59What else?
00:57:01That's plenty.
00:57:02You smear me for selling out China
00:57:04while you're selling out your own country.
00:57:05What else?
00:57:07That's plenty.
00:57:09You smear me for selling out China
00:57:11while you're selling out your own country.
00:57:35Nick, what is it?
00:57:41Now that we know each other,
00:57:43start talking.
00:57:45Start talking.
00:57:48Hey, then is she?
00:57:52Okay, how is she?
00:57:53You were on the Nagatomaru that night.
00:57:55What if I was?
00:57:56You work for Tonica.
00:57:57No.
00:57:58That's a lie.
00:58:00Thought you were going great, didn't you?
00:58:02Had me shooting off my mouth
00:58:03by the wonderful Chinese people.
00:58:04Tied me up with Chan Po Ling.
00:58:06You're going to build up a case
00:58:07of espionage against me and have me boxed.
00:58:09I'd give up the Tonica memorial
00:58:11or I'll spend the next ten years
00:58:12of my life in a jail cell.
00:58:14You're going to build up a case
00:58:16of espionage against me and have me boxed.
00:58:18I'd give up the Tonica memorial
00:58:20or I'll spend the next ten years
00:58:21of my life in a jail cell.
00:58:23You're going to build up a case
00:58:24of espionage against me
00:58:25or I'll spend the next ten years
00:58:26of my life in a dirty Jap prison.
00:58:27Very cute, but you made one slip.
00:58:28You thought you'd build yourself up
00:58:29with me by spilling that story
00:58:30on Cassell.
00:58:31Well, it didn't work.
00:58:32He talked.
00:58:33Can I say something?
00:58:34Yes, plenty.
00:58:35To the United States Embassy.
00:58:36You're going to tell them
00:58:37how you killed Edith Miller.
00:58:38I didn't.
00:58:39Well, you know who did
00:58:40and who killed her husband.
00:58:41You get down into a sewer
00:58:42with the dirty rats like Tonica
00:58:43and then come to me
00:58:44with your freedom for women,
00:58:45equal rights for all people,
00:58:46love of humanity.
00:58:47Well, now, who killed him?
00:58:48The name, Dogeman.
00:58:49Who else?
00:58:50The Tonica Memorial.
00:58:52It's too late
00:58:53for that kind of deal now.
00:58:54What is your price then
00:58:55for the document?
00:58:59That hardly answers my question.
00:59:02All right.
00:59:04I'll give it to you
00:59:05in your own language.
00:59:06It may come as a surprise to you,
00:59:07but these things
00:59:08can't buy everything.
00:59:09There isn't money enough
00:59:10in all Japan
00:59:11to buy that document.
00:59:12Then what are you risking
00:59:13your life for?
00:59:14To protect people
00:59:15in China and America
00:59:16you don't even know?
00:59:17To save humanity?
00:59:18Come on,
00:59:19get over to the embassy.
00:59:20Are you sure?
00:59:21Are you sure
00:59:22you'd risk your life
00:59:23to protect the Tonica plan
00:59:24if you had it?
00:59:26Oh, don't worry.
00:59:28I have it.
00:59:30No, you haven't.
00:59:32I have.
00:59:35Is this some more of your lies?
00:59:37No, Nick.
00:59:39You wait on the terrace.
00:59:40I'll bring it to you.
00:59:42Ungoi.
00:59:43Where'd you get this?
00:59:45Where did you put it?
00:59:47The portrait of the emperor
00:59:48held no fears for me.
00:59:50When the police left...
00:59:51Where were you?
00:59:52In your garden.
00:59:54It was an awfully good fight
00:59:55you put up, Nick.
00:59:56But when Ushma
00:59:57hit you from behind...
00:59:58Hey, it's awfully hard.
01:00:00Awfully hard.
01:00:06So this is it, huh?
01:00:08This is it.
01:00:09So this is it, huh?
01:00:11This is it.
01:00:13Memorial to his imperial majesty
01:00:14by Premier Tonica.
01:00:16Outlining the positive
01:00:17policy of Japan.
01:00:19Tell me,
01:00:20how close did I come
01:00:22in my article the other day?
01:00:23You missed, Nick,
01:00:24by millions of square miles.
01:00:26This is a plan
01:00:27for world conquest.
01:00:28Manchuria is only the beginning.
01:00:30All of China,
01:00:31then America.
01:00:33Oh, now,
01:00:34wait a minute.
01:00:35What do you think
01:00:36we'll be doing
01:00:37when all this is going on?
01:00:38Sleeping.
01:00:39Until the bombs
01:00:40start falling on you.
01:00:41They're counting on that, Nick.
01:00:42That's why it's so important
01:00:43to get this
01:00:44to the outside world.
01:00:45To China,
01:00:46to your country.
01:00:47Now,
01:00:48before the plan
01:00:49goes into full operation.
01:00:51Well, the Japanese
01:00:52are going to claim
01:00:53it's a forgery
01:00:54and they'll scream
01:00:55fraud all over the place.
01:00:57Now,
01:00:58all we've got to do
01:00:59is to find some means
01:01:00to keep them
01:01:01from squirming out of it.
01:01:03That can be done, too.
01:01:05This document
01:01:06can be authenticated.
01:01:07With the signature
01:01:08of someone who was present
01:01:09when the plan was drawn up.
01:01:12Are you sure of that?
01:01:15I'm sure of that.
01:01:18Hmm.
01:01:20Darling,
01:01:22now,
01:01:24how'd you get mixed up in this?
01:01:26It's my work.
01:01:27Well, I can think of
01:01:28easier ways of making a living.
01:01:30Not for me.
01:01:32Big payoff, huh?
01:01:34Yes.
01:01:35The free China.
01:01:38That's why I had to be
01:01:39so careful, Nick,
01:01:40about telling you.
01:01:41I had to be sure
01:01:42how you felt about it.
01:01:44And about you.
01:01:51Nick.
01:01:53Nick.
01:01:55The other evening
01:01:56I said I wished
01:01:57we'd met two years ago.
01:01:59I couldn't tell you why then.
01:02:01I suddenly became afraid
01:02:02that the thing
01:02:03I wanted most
01:02:04for you to say yes
01:02:05you'd take the chance
01:02:07would come too swiftly.
01:02:09It would end for us
01:02:10before it could begin.
01:02:12I suddenly wanted
01:02:13the moment of your decision
01:02:14pushed back one
01:02:16year.
01:02:18Now, wait a minute, darling.
01:02:21I'm still alive.
01:02:23Yes, Nick.
01:02:25Very much.
01:02:28So much so that
01:02:29I can't bear to think
01:02:30of it otherwise.
01:02:34Here.
01:02:49Thank you.
01:02:51Sit down.
01:02:54You are not displeased
01:02:55that I suddenly
01:02:56begged this cocktail?
01:02:58I intended to see you
01:02:59later this evening
01:03:00but some rather important
01:03:01matters demand my attention.
01:03:04I am concerned
01:03:05about your work.
01:03:07I had hoped
01:03:08you might have
01:03:09completed your mission
01:03:10by now.
01:03:11That the document
01:03:12we seek
01:03:13might already
01:03:14be in your hands.
01:03:16I shall be
01:03:17very happy
01:03:18when all this
01:03:19is over and forgotten.
01:03:21I'm afraid
01:03:22that politics
01:03:23and intrigue
01:03:24are not my special talent.
01:03:26Sometimes
01:03:27I get a little frightened.
01:03:29I understand,
01:03:30Iris.
01:03:31I promise
01:03:32for you
01:03:33there will be
01:03:34no more politics.
01:03:36No more intrigue.
01:03:38No more spite.
01:03:41I shall be
01:03:42very grateful.
01:03:43It is I
01:03:44who am grateful.
01:03:46In fact,
01:03:47I brought you
01:03:48a little gift
01:03:49in reward.
01:03:53It is something
01:03:54I picked up
01:03:55at the silversmith
01:03:56on my way over.
01:03:57I dare say
01:03:58you were expecting
01:03:59more rubies.
01:04:01I haven't forgotten
01:04:02how you love them.
01:04:04Oh, no.
01:04:05These are
01:04:06quite lovely.
01:04:09A virtuous
01:04:10woman
01:04:12who can find
01:04:14for her price
01:04:15is far above
01:04:17a ruby.
01:04:19A ruby
01:04:20worth
01:04:21more than
01:04:22a thousand rubies.
01:04:23Her price
01:04:24is far above
01:04:25rubies.
01:04:27A quotation?
01:04:30From the
01:04:31Christian Bible.
01:04:33It should remind
01:04:34you of something else
01:04:35from the same source.
01:04:38A coin.
01:04:40Count them.
01:04:42Thirty coins.
01:04:45Thirty pieces
01:04:46of silver.
01:04:51Now,
01:04:52I'm not going
01:04:53to kill you.
01:04:55I'm going to give you
01:04:56a chance to save your life
01:04:57and my honor.
01:04:59The fact that
01:05:00you betrayed me
01:05:01was discovered
01:05:02by Colonel Toyo.
01:05:03I have managed
01:05:04to save face thus far
01:05:05by informing him
01:05:06that your actions
01:05:07were part of a plan of mine
01:05:08through which
01:05:09I could obtain
01:05:10the name of the traitor
01:05:11within our government
01:05:12with whom you
01:05:13had been working.
01:05:14Now,
01:05:15what is his name?
01:05:19Very well.
01:05:20You have
01:05:21two hours
01:05:22in which to make
01:05:23your decision.
01:05:25If at the end
01:05:26of that time
01:05:27I do not receive
01:05:28a call from you
01:05:29naming the traitor,
01:05:30your fate will be
01:05:31in the hands
01:05:32of Colonel Toyo.
01:05:34Weigh carefully
01:05:35the possibilities
01:05:36of such
01:05:37a future.
01:05:48Oh,
01:05:49and
01:05:50do not attempt
01:05:51to leave the hotel
01:05:52or use the telephone
01:05:53as it will be useless.
01:05:56I will await
01:05:57your call.
01:06:13Get me the
01:06:14Tokyo Chronicle
01:06:15office, please.
01:06:16Sorry,
01:06:17only because
01:06:18you, Baron Tanaka,
01:06:19will be accepted
01:06:20from your suite.
01:06:48You will see
01:06:49that the woman
01:06:50is punished.
01:06:52Death that comes
01:06:53quickly
01:06:54is not punishment.
01:06:55There are
01:06:56other forms
01:06:57which are slow,
01:06:58which must be
01:06:59painfully absorbed.
01:07:01Yes,
01:07:02Excellency.
01:07:04I have planned
01:07:05for our Divine Emperor
01:07:06for his rule
01:07:07and power.
01:07:09In the execution
01:07:10of these plans
01:07:11I have failed.
01:07:13For my own
01:07:14stupidity
01:07:15I have been deceived
01:07:16and thus
01:07:17dishonored
01:07:18His Imperial Majesty.
01:07:21To you,
01:07:22Captain Yamamoto,
01:07:23to you,
01:07:24Colonel Toyo,
01:07:26I pass the sacred
01:07:27obligation which
01:07:28I have betrayed.
01:07:31I charge you
01:07:32a pledge.
01:07:34I pledge you
01:07:35never to sheathe
01:07:36the sword of the samurai
01:07:37until our victorious
01:07:38armies march
01:07:39as conquerors
01:07:40through the streets
01:07:41of every capital
01:07:42of the world.
01:07:43I swear
01:07:44the same.
01:07:45America will be
01:07:46crushed
01:07:47never to rise again.
01:07:49The gods are kind.
01:07:50I will be
01:07:51in the White House
01:07:52when Japan dictates
01:07:53her terms of peace.
01:07:56Meet me
01:07:57before the shrine
01:07:58where we will do
01:07:59what must be done.
01:08:16Is everything
01:08:17in readiness?
01:08:19Yes, Your Excellency.
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01:11:11There must be something wrong, Charlie, when trying to get her all morning.
01:11:14Did Miss Hilliard have any visitors yesterday?
01:11:16Yes, Baron Tanaka.
01:11:18Baron Tanaka?
01:11:19Well, you know where he is now, don't you?
01:11:21With his ancestors.
01:11:22Oh, come on, open up.
01:11:24There's something fishy about that press release.
01:11:26Where did Cassell come off to grab an exclusive?
01:11:28If you ask me, Charlie, the stroke that killed Tanaka had a very sharp edge to it.
01:11:32Oh, Miss Hilliard!
01:11:41Miss Hilliard!
01:12:07Well?
01:12:09They didn't get her.
01:12:11She took a run-out powder.
01:12:19They offered the baggage.
01:12:24I'm right in.
01:12:25Hell yeah.
01:12:38Lotte.
01:12:45Lotte.
01:13:00Four-piece ruggage.
01:13:02Count check, please.
01:13:03All right, all right, I'll take your word for it.
01:13:05Sorry, must count.
01:13:09All right.
01:13:11One, two, three, four.
01:13:20Nicole.
01:13:24All right, let's get going.
01:13:31Have another drink.
01:13:39Come on.
01:13:52It's a frame, Nick.
01:13:53Easy, easy.
01:13:54Easy caught her out outside somewhere.
01:13:57She's had almost a week to contact you.
01:13:59Why did she wait till three hours before your boat sails?
01:14:02I told you that day it was no good.
01:14:03She's trying to hang a spy rap on you.
01:14:05Can't you see it?
01:14:06Let's go, Nick, for the love of...
01:14:11Let me see who it is.
01:14:12No, no, no, no, you wait here.
01:14:17Johnny Clark from the embassy.
01:14:20I'm certainly relieved to find you here, Nick.
01:14:22Why, where did you expect to find me?
01:14:24Frankly, in a Japanese dungeon.
01:14:25I told you.
01:14:26What's the story?
01:14:27You've got a friend somewhere on this island, Nick.
01:14:29We received a phone call from him at the embassy 20 minutes ago.
01:14:32Who was it?
01:14:33Anonymous.
01:14:34A warrant is to be sworn out for your arrest.
01:14:35You're to be held for questioning, suspected of being a Chinese agent.
01:14:38The ambassador sent me over in his car.
01:14:40Official American property can't be violated.
01:14:43So, I'm to put you on the Wilson at once, in charge of the captain.
01:14:46Great, you'll be immune.
01:14:47You'll be a diplomatic pouch.
01:14:49It's the only way, Nick.
01:14:50If they once catch you, it's a long legal tangle.
01:14:52Before we can do anything weeks, maybe months.
01:14:54So long, Nick.
01:14:55Bon voyage.
01:14:56Now get going.
01:15:01Thanks, Johnny.
01:15:02I'll see you at the embassy in about an hour.
01:15:04Nick!
01:15:08We won't be responsible.
01:15:34We won't be responsible.
01:16:05Mr. Zhang!
01:16:07Come, do you want it?
01:16:34Light up in there.
01:16:58It's all right, Nick.
01:17:04One whole week, not a word from you.
01:17:14I couldn't get word to you before this.
01:17:17You could have gotten word to me some way.
01:17:19You still don't trust me.
01:17:26I do trust you.
01:17:28I worked that out for myself an hour ago.
01:17:34I think I can prove to you that it was worth it.
01:17:40Come with me.
01:18:00Mr. Condon, I'm quite certain you will agree
01:18:03there is very little time to waste on explanations.
01:18:06That's right.
01:18:08Miss Hilliard and I feel it would serve our purpose most effectively
01:18:12if I signed the document in your presence.
01:18:15Naturally, when this is made public,
01:18:34its authenticity will not go unchallenged.
01:18:37My signature will be branded a forgery by our government,
01:18:41including the emperor.
01:18:43In that event, Your Highness, your voice will give them the lie.
01:18:49The length of elapsed time between the publication of this document
01:18:52and my ability to speak will be very brief.
01:18:56In Japan, a traitor's voice is quickly silenced.
01:19:01Mr. Condon, I take my part in this not for your country, but for mine.
01:19:14I would rather see Japan defeated than triumphant
01:19:19under the shield of our militarists.
01:19:31Thank you, Your Highness.
01:20:01Lady, would you mind very much if I were to kiss you?
01:20:14I don't believe I'd have the strength to move from this spot until you did.
01:20:27And now, we've got to get out of here.
01:20:29It's all been arranged.
01:20:30In a few minutes, a fishing boat will take us to a freighter out in the lower bay.
01:20:34Us?
01:20:35You're going with me, Nick.
01:20:37They're planning to hold you for questioning.
01:20:39Once they get you...
01:20:40Uh-huh.
01:20:41I had an idea.
01:20:42Would you have warned the embassy there was a warrant out for me?
01:20:44They want to send me out on a diplomatic immunity.
01:20:46Diplomatic immunity won't stop a bullet or a bomb under a car.
01:20:50Well, I'll find them.
01:20:52Leave with us, Nick.
01:20:54For me.
01:20:56For you?
01:20:59Are you worth that?
01:21:02Mm-hmm.
01:21:04Well, honey, why didn't you tell me?
01:21:29Oh.
01:21:51Stop it!
01:21:52Stop it, Nick.
01:21:53Stop it!
01:21:54Come on, Nick.
01:21:55Come on.
01:21:57That's it.
01:22:03That's it.
01:22:04Right there.
01:22:10Nick, this way.
01:22:16Wait, wait.
01:22:23Police everywhere.
01:22:24Hurry.
01:22:27You'll have to take it out, darling.
01:22:29I'll hold them here until you get a start.
01:22:31No, Nick.
01:22:32They'll kill you.
01:22:35Get going.
01:22:36Nick.
01:22:37Nick, they'll kill you.
01:22:38The plan is all they want.
01:22:40Leave it here for them.
01:22:41Leave it, Nick.
01:22:42We can't do that.
01:22:43I won't leave without you.
01:22:44I won't.
01:22:45All right, darling.
01:22:46We've got jobs to do.
01:22:48Nobody gave them to us, but they've got to be done.
01:22:51You're my girl, aren't you?
01:22:53Come on.
01:22:54And you're going to do what I want you to do.
01:22:56I know it's tough.
01:22:57It's tougher to go than it is to stay.
01:22:59But you can hold them, and I think I can.
01:23:01All right, Nick.
01:23:03I'm your girl.
01:23:20You'd better hurry, darling.
01:23:21This neighborhood's getting awfully crowded.
01:23:23This neighborhood's getting awfully run down around here.
01:23:44Give enough strangling, eh, Oshima?
01:23:47Oh, that's right.
01:23:48You had given it up.
01:23:50You shot Ollie Miller.
01:23:52It was his wife you strangled, wasn't it?
01:23:55Yes.
01:23:56I see your point.
01:23:58When it comes to taking a man with your bare hands, it's rather risky, isn't it?
01:24:02You're very clever, Mr. Connon.
01:24:04But there's one flaw in your cleverness.
01:24:06It is as easy to kill you with these as with that.
01:24:09In fact, I prefer it that way.
01:24:11Japanese fashion.
01:24:18Shou desu ka?
01:24:22Eh?
01:24:52Ah!
01:25:22Ah!
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01:28:17♪
01:28:22♪
01:28:27♪
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01:28:57♪
01:28:59Abbe, check the men.
01:29:01♪
01:29:06♪
01:29:11♪
01:29:16♪
01:29:21♪
01:29:24Condon has escaped from the Sumida docks.
01:29:28Now he comes here.
01:29:33Driver!
01:29:36Drive past Aka Street.
01:29:38Nanishika.
01:29:39Aka machi tote.
01:29:41Iya, iya.
01:29:42♪
01:29:47♪
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01:29:57♪
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01:31:27♪
01:31:31Look at this!
01:31:32♪
01:31:37So sorry, Mr. Condon.
01:31:39To take plans from you.
01:31:42But you see, Japanese very smart.
01:31:46Only half smart, monkey.
01:31:48Only half smart.
01:31:50♪
01:31:56Get out of my way!
01:31:58♪
01:32:01Hello, fella.
01:32:02I said I'd be back in an hour.
01:32:04Sorry I'm a few minutes late.
01:32:06Yamada, this is not going to be treated as another of your very regrettable mistakes.
01:32:11Condon is an enemy of Imperial Japan.
01:32:13In fact, he must be.
01:32:16♪
01:32:18Extremely sorry this has been the result, Mr. Clark.
01:32:21It is true Condon has been enemy of Japan.
01:32:24But Japanese people very good, very generous.
01:32:28We will forget bad actions of Condon and say no more.
01:32:32You, in turn, will forget this incident.
01:32:35What's the matter, Yamada?
01:32:37Afraid of the penalty for failure?
01:32:40But it's much simpler this way.
01:32:42Both sides have made mistake.
01:32:44Will be very embarrassing for all.
01:32:47The United States government doesn't settle for a deal, Yamada.
01:32:51Condon-san.
01:32:54Condon-san, you have saying,
01:32:57forgive your enemies.
01:32:59I am willing.
01:33:02Sure.
01:33:04Forgive your enemies.
01:33:07But first get even.
01:33:09♪