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00:01:00A college-educated medical school, specialized in psychic, psychic, mental disorders, brilliant
00:01:26mind. Smart. Get him in here with you, Harold. John Muller, parent's deceased. One brother,
00:01:40Frederick, accountant, New York Civil Service Welfare Department. Worked his way through
00:01:46Standish University. Four years pre-medical, two years medical college. Withdrew suddenly.
00:01:55Practiced psychoanalysis without a license, Miami, Florida. Released, no evidence. Sold stock in
00:02:04non-existent oil wells, Cincinnati, Ohio. Released. Maintained hotel suite, lavish spender.
00:02:14Apprehended Middleton, payroll hold-up. Convicted, sentenced. There's a bus ticket to Los Angeles.
00:02:24That's the address of the Michael John Company. What's the Michael John Company? Medical supply
00:02:30house. Your line, you ought to make good at it. Who fixed it up, my brother Fred? The personnel
00:02:36manager there will have your record. Nobody else will know anything about you. It's a good job.
00:02:42Decent life. Thirty-five bucks a week. You won't take it. No? You'll be back here. You're a smart
00:02:51man, Muller. Good luck, Muller. Hiya, Marcy. Cigarette? No, I don't smoke. Who came up north, Marcy?
00:03:17Al, big boy Fritch. It's all set down there. They're ready for you. You've got a lot to make up for,
00:03:23huh, Johnny? Oh, gee. Just a second, Johnny. Dear, what's your name?
00:03:48Hi, Johnny. Pretty nice dump, huh? Real comfortable. Yeah? Comfortable and crummy. What about the
00:04:02boys? What are you so impatient about? Just out of the clink and you've got ants already?
00:04:07So pickle yourself, I see. No, I take it easy. How long have you been up here with the squirrels?
00:04:14Oh, about two years. You want one, Johnny? You said he had a good setup? Yeah. Safe and sure. I got my
00:04:26own slot machine route now. Big time, eh, Marcy? I bet that brings you 90 bucks a week. Oh, more than
00:04:32that. Sometimes as much as a hundred and a quarter. Safe and sure. You're beginning to sound like my
00:04:38brother. Maybe ought to take civil service. Hey, Johnny, what do you got in your mind? What do you got planned?
00:04:46Hey, Johnny! You'll see. Good to see you, chum. Hello, big boy. Nice to have you back. Good to be out, eh,
00:04:53Johnny? Sure. Lost a lot of time, though. Got to make a killing. Oh, take time for a beer. What's
00:04:59exciting? Nothing. Same old thing. I got a job in a poker joint. Pays good, though. Sometimes they even
00:05:07give me free chips. That's nice. A little handout now and then. Oh, what's wrong with that, Johnny? Still think you got the
00:05:19world by the tail? Hello, Rosie. Well, we got the brains back. Glad you came. Sit down, you guys. Sit down.
00:05:28Get some food. What's the matter with you? Got to take chances. That's the overhead in our racket. Now, listen. I had a
00:05:37lot of time to think. Got it all worked out. You're going to knock over and off your Stanzik's gambling joint. No,
00:05:43Johnny. Why not? Not Stanzik. You'd need an army to take him. Just as soon have the feds on me as his boys. What
00:05:50happened to you? You two gone soft? Johnny, you know the setup. We'd never get away with it. He's got trigger men all
00:05:55over the joint. And the place is always crowded. That's it. Lots of people and lots of money. The take ought to be 200,000
00:06:03for us. And people, they never notice. They're all wrapped up in themselves. Now, listen. This is what we do. We take two
00:06:10cars. We drive south all night and all day. Next night, we go to Stanzik's. One guy stands by the cars. One takes the
00:06:18switch. Three of us walk in, just like players. We get the cash quietly. No farts. Nobody notices. You hope? Nobody
00:06:29notices. The guy at the switch pulls it on time. The place is dark. We make our getaway. Well, Johnny, you remember
00:06:38Dick Falter? Sure. He tried to knock off Stanzik. He got away. No dough, but he got away. But still, Stanzik's guys got him.
00:06:45It took them two years, but they found him in Paris and put a meat stamp on him. In Paris, Johnny. That's the way Stanzik
00:06:50operates. I don't like it. What are you crying for, Marcy? He don't know who we are. What can he do? What do you say, big boy?
00:07:03I don't know, Johnny. I don't know. You say you got things all figured out. You always done pretty good before, but I don't know.
00:07:15How? 200,000? That's a lot of dough for just a minute's work. Rosie? If everything goes like you said, fine. But if we foul up
00:07:29somewhere... We won't. Count me out, Johnny. You forget easy, Marcy, don't you? Who covered for you at the trial? Who would have been
00:07:51in prison with me if I hadn't watched what I said on the stand? And now you try to welsh on me. Okay, Johnny. I don't like it, but I'll go along with you.
00:08:08Well, are we all set? Honey, I have to whip you guys into picking up a fortune.
00:08:38Eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, fourteen, five, six, seven, eight, nine,
00:09:08Put the cash in the envelope. All of it. I can't, sir.
00:09:38Seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, fourteen, fifteen, fifteen
00:10:08Twelve, yeah.
00:10:10Roll the dice.
00:10:18Pick it up all at once.
00:10:19Seven, or nine.
00:10:24This is my lucky night.
00:10:27Well, why don't you pay off?
00:10:38Come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come
00:11:09on, Johnny. Come on!
00:11:15Come on, come on!
00:11:32Come on, get up. Come on, out.
00:11:38How many got away?
00:11:41Two.
00:11:42In the other car.
00:11:44Who are they?
00:11:48What's their names?
00:12:02Marthian and Johnny Muller.
00:12:06Get him. If it takes 20 years, get him.
00:12:12Okay, you can go.
00:12:15You mean we just walk away?
00:12:19Just walk away.
00:12:21You're not going to let them get away, are you, Bullseye?
00:12:39We got Rosie, the big boy.
00:12:41They'll rat on us.
00:12:42They'll tell them everything they know about us, who we are, everything.
00:12:44They'll find us. They'll get us.
00:12:46God likes a chance if those guys don't stop till they get even. Believe me.
00:12:49Shut up, Gus.
00:12:51How come you didn't figure the outside lamps? You're smart.
00:12:54How come you didn't know they worked on their own generators?
00:12:56You got the money, haven't you? That's 60 grand.
00:12:5860 grand. I'd be better off working for some slob at 30 bucks a week.
00:13:03What good is it? What am I going to do with it?
00:13:08You're looking for me in every hotel in every town.
00:13:11You're at Stancic's joint. You realize that? Rocky Stancic.
00:13:15You know a place you can hide out from Rocky Stancic?
00:13:17Go on, tell me. You're smart, educated, college man.
00:13:21I'm through with you. I'm going to blow.
00:13:24Mexico. South America. On my own.
00:13:28As far as I can get.
00:13:42We'll give you every protection you need. We know how it is.
00:13:47You want to make a new start in a new city.
00:13:49You want to get away from your old surroundings.
00:13:52Now, nobody's going to know where you are or who you are.
00:13:54From now on, you're just another employee.
00:13:57Same as everyone else here at Michael Johnson.
00:14:00Yes, Mr. Anderson.
00:14:02I guess it's time I settled down and took my big brother's advice.
00:14:17I don't break the regulations here. I only enforce them.
00:14:20In the future, will you kindly see that your desk lamp is switched out there?
00:14:24I don't care.
00:14:26I don't care.
00:14:28I don't care.
00:14:30I don't care.
00:14:32I don't care.
00:14:34I don't care.
00:14:36I don't care.
00:14:38I don't care.
00:14:40I don't care.
00:14:42I don't care.
00:14:44I don't care.
00:14:46Get your desk lamp switched out before you leave.
00:14:48Yes, Mr. Thompson.
00:14:53What do you want me to do with that?
00:14:55Deliver them. It's a rush order.
00:14:57Some books that have to go to the medical building.
00:15:01Why? What is it?
00:15:03Just a minute.
00:15:05Don't you like to run errands?
00:15:07Is it beneath you?
00:15:09Too good for the job?
00:15:13You can always quit, you know.
00:15:15There's no law that says you have to work here.
00:15:23Yes, Mr. Thompson.
00:15:25Yes.
00:16:15What do you want?
00:16:17I don't want anything.
00:16:19Who are you? Who sent you?
00:16:20Sent who? Me?
00:16:21What are you following me for?
00:16:22Oh, yes, of course.
00:16:24That was all a mistake.
00:16:25Mistake?
00:16:26Yes, you see.
00:16:27I thought I recognized you.
00:16:29I thought you were somebody I know.
00:16:31You look exactly like him.
00:16:33The same features, the same build.
00:16:35Don't give me that.
00:16:36Please.
00:16:38There's nobody that looks like me.
00:16:39Believe me.
00:16:40You look exactly like him.
00:16:42Except, of course, for the scar.
00:16:44Scar?
00:16:45Yes, he's got a scar on his right cheek.
00:16:47No, I mean his left cheek.
00:16:49I don't remember.
00:16:50You don't remember.
00:16:51Believe me.
00:16:52Honest.
00:16:53His name is Bartok.
00:16:54He's a professional colleague.
00:16:55I mean, we have offices in the same building.
00:16:57The medical building over there.
00:16:58He's a doctor and I'm a dentist.
00:17:00Here.
00:17:02You can smell the iodine from him, aren't you?
00:17:04My wife always complains.
00:17:05She says it's in all my suits.
00:17:07Look.
00:17:08Eat it.
00:17:09Yes.
00:17:10Yes, thank you very much.
00:17:14Oh.
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00:19:10Wait a minute. A thing like this upsets a fellow.
00:19:13Goodbye.
00:19:16What do you mean, upsets a fellow?
00:19:19What are you doing tonight?
00:19:21Listen to him.
00:19:23About that date tonight.
00:19:24I'm very sorry. I'm busy.
00:19:27Dr. Bartok.
00:19:28Why, you...
00:19:31Jerry, come.
00:19:41What do you think? Dead ringer, huh?
00:19:44But what a difference.
00:19:46Don't kid yourself.
00:19:48If you knew me the way you know him, you'd probably change your mind.
00:19:51So long.
00:19:54You've been away from your desk for three hours.
00:19:56Three hours and ten minutes, to be exact.
00:19:59Don't you think you owe me an explanation?
00:20:01I was delayed.
00:20:02Very interesting.
00:20:03What, if I may ask, delayed you?
00:20:05I don't know. I walked around. I took a walk.
00:20:07You took a walk?
00:20:08Yes, Mr. Thompson. I felt like walking, Mr. Thompson.
00:20:12Here, don't you...
00:20:13Turn your back on me!
00:20:14Get your hands off me!
00:20:15I'm not going to listen to you!
00:20:16Get them off!
00:20:17Ah, why, you...
00:20:38You got yourself fired. You know that.
00:20:40About time. I had enough of this place.
00:20:43Don't you need the job?
00:20:45No.
00:20:46What are you going to do?
00:20:48Retire?
00:20:49That's right.
00:20:50That's very nice. It just takes a little dough, you know.
00:20:54Did you get the message?
00:20:57What message?
00:20:58There was a telephone call for you.
00:21:00Yes? Who? Did he leave a name?
00:21:02What are you getting excited about? It was just your brother.
00:21:05Oh.
00:21:06He wants to see you. He's at the Hotel Frazier.
00:21:08Thanks.
00:21:10I knew something was wrong the minute I found out you took that job at Michael John's.
00:21:14What's the matter? What do you want?
00:21:16They started coming around, looking for you.
00:21:19Who came around?
00:21:20Friends of yours.
00:21:21They said they wanted to reach you.
00:21:28They were no friends, John.
00:21:29They were Rocky Stancic's boys.
00:21:31How do you know?
00:21:33I checked at the department. I found out all right.
00:21:36When did they come?
00:21:38Three or four weeks ago.
00:21:40It'll blow over. I lose interest.
00:21:43You think so?
00:21:49There's a friend of yours.
00:21:51What?
00:21:55Marcy.
00:21:58It added up. Explained everything.
00:22:00I remember Marcy.
00:22:03The way the two of you went running around.
00:22:05I remember his big cars, his fancy suits, his haberdashery.
00:22:09Why didn't you stay home and mind your own business?
00:22:11Don't you see what you did, you fool? You brought them straight to me.
00:22:14Nobody followed me. Don't worry. I watched out.
00:22:16What do you know about it?
00:22:21You ran around. Good times. Girls.
00:22:25You were special.
00:22:28You never followed the rules. There were no rules for you.
00:22:32Would you believe it?
00:22:34I think I wanted to see you get away with it.
00:22:36You were everything I wasn't. Everything I wanted to be.
00:22:38Everything we all like to be.
00:22:41Only we know better.
00:22:43We don't take the chances.
00:22:46We know sooner or later it always catches up with you.
00:22:52Leave me alone, Freddy. Don't give me any lectures.
00:22:55Where are you going to go?
00:22:57What are you going to do? Marcy tried Mexico. It didn't help.
00:23:01I don't know what to do.
00:23:31I don't know what to do.
00:24:01I don't know what to do.
00:24:31I don't know what to do.
00:25:01I don't know what to do.
00:25:31I don't know what to do.
00:26:01I don't know what to do.
00:26:26You look just like Dr. Bartok.
00:26:28This was you. A real double down to the last detail.
00:26:33What do you think? Dead ringer, huh?
00:26:35Where are you going to go?
00:26:37What are you going to do? Marcy tried Mexico. It didn't help.
00:26:41Bartok. That's it. They won't find me.
00:26:45Maybe I can get away with it.
00:26:58There are a lot of people like that.
00:27:00They don't know what they're running around for, but they keep it up.
00:27:03If they had any sense at all in their heads, they would stop all this foolishness, wouldn't they?
00:27:07And ask themselves what they're getting out of life.
00:27:09Now, there is you.
00:27:11Me?
00:27:12She goes to the office every morning, does her work.
00:27:15Comes home at night, washes out a pair of stockings in the bathroom sink.
00:27:18She could do better?
00:27:20I don't know. I suppose she could.
00:27:22Listen.
00:27:23What?
00:27:24You didn't call me up and keep after me just to take me to the zoo.
00:27:27No.
00:27:28Something's going on in that head of yours. I can read it in your eyes.
00:27:32You're both doing a lot of eye reading here.
00:27:34Only I don't know what I see in yours.
00:27:36What are you talking about?
00:27:38What are you trying to tell me?
00:27:40Nothing. The facts of life.
00:27:42What about the facts of life?
00:27:44Listen.
00:27:45I'm just a guy out with a girl on a Sunday afternoon, working on her in a nice, normal way.
00:27:50Trying to get acquainted.
00:27:52What's the matter? Are you afraid?
00:27:54Don't worry. I don't get frightened.
00:27:56Then what is it, that guy Barton?
00:27:58What about Barton?
00:27:59What about him? Is that the reason why you went...
00:28:01Don't take too much for granted. A girl has to have a social life.
00:28:05The things that come out of that sweet baby face of yours.
00:28:08Don't run away with yourself. Take it easy.
00:28:11Why do I like you?
00:28:13My baby blue eyes.
00:28:21You don't think you're going to put anything over on me, do you?
00:28:24Did you ever notice?
00:28:25Pretty girls nowadays walk around with an angry look on their face all the time.
00:28:29What kind of a chump do you take me for, anyway?
00:28:32They're suspicious. Always watching out. They're just like misers.
00:28:35I know you. Inside out. What you're thinking.
00:28:38Every minute, I know exactly what you are.
00:28:41What do you mean, like misers?
00:28:43Well, you know, a miser is always afraid that somebody is scheming to rob him, to take him.
00:28:48What do you mean you know what I am?
00:28:50What am I?
00:28:51You're one of those...
00:28:55What?
00:28:57You heard me.
00:28:59Well, somebody generally is, isn't he?
00:29:01Generally is what?
00:29:03Trying to take somebody.
00:29:05Oh.
00:29:07Well, what are my chances?
00:29:10When you start walking on your head.
00:29:13And now, thanks very much for dinner and everything, and I want to go home.
00:29:17If you think I'm going to get myself mixed up with you, you're crazy.
00:29:20You're pretty good, and you've got style.
00:29:22But first comes you, second comes you, third comes you, and after that comes you.
00:29:26You're one of those egotistical smart alecks with big ideas.
00:29:29You think you've got a right to get away with murder, and I imagine you often do, but not with me.
00:29:34It's a cinch. You're dead.
00:29:36No woman alive could possibly resist a man as attractive as all that.
00:29:41You don't want me to get all wet and take you to the door, do you?
00:29:44You can make it by yourself.
00:29:46Sure.
00:29:48What's the matter now?
00:29:50You had to pick on Sunday.
00:29:52How a working girl hates Sunday evenings.
00:29:56Come on.
00:29:58I'll have some coffee.
00:30:11What do they mean by scopophobia?
00:30:13The morbid fear some people have of being seen or looked at.
00:30:16What's Korsakoff syndrome?
00:30:18False memories, remembering things that never happen.
00:30:21What are you fishing around for?
00:30:23You really know a lot about psychoanalysis.
00:30:25So do you.
00:30:26I work for an analyst.
00:30:27I've told you, I studied for years.
00:30:30I can't let you see Dr. Bartok's files.
00:30:33And don't.
00:30:34Those records are supposed to be confidential.
00:30:36Forget it.
00:30:38I was just curious to see how he handled his patients.
00:30:42Well, it stopped raining.
00:30:44Yes.
00:30:48Johnny.
00:30:56Good night.
00:31:04Good night.
00:31:08Good night.
00:31:28Not at all, Mrs. Leaveson.
00:31:30Not at all.
00:31:31Well, we'll see how it goes tomorrow, Doctor.
00:31:33Yes, Mrs. Leaveson.
00:31:34Goodbye, Doctor.
00:31:35Goodbye.
00:31:38Goodbye.
00:32:09What are you trying to do, get me fired?
00:32:11No, why?
00:32:12Shh, he'll hear you.
00:32:13I'm not supposed to have personal visitors.
00:32:14What would he think if he saw you?
00:32:16Oh, I see what you mean.
00:32:17Very complicated kind of life you lead.
00:32:19Stop it, Johnny.
00:32:20Get out of here.
00:32:21What's that?
00:32:22What?
00:32:23Nothing.
00:32:24Go on.
00:32:25What is it, Evelyn?
00:32:26Recording tape?
00:32:27Yes.
00:32:28He dictates his notes and I type them.
00:32:29You certainly take a lot of interest in Dr. Bartok.
00:32:30Well, we have so much in common.
00:32:31Now, wait a minute.
00:32:33How'd this get out here?
00:32:36Not here.
00:32:37Well, what's the matter with you?
00:32:38Don't take chances.
00:32:39You take chances.
00:32:40Will you get some sense into your head?
00:32:42When do I see you tonight?
00:32:43You don't.
00:32:44I'm having my hair done.
00:32:45What time is your appointment?
00:32:47Seven.
00:32:48I'll pick you up when you get through.
00:32:49Where is it?
00:32:50Vincent's.
00:32:51Wilshire at Laurel.
00:32:57Vincent's.
00:32:58Wilshire at Laurel.
00:33:00Put it right in that pocket.
00:33:16Subject spoke reluctantly.
00:33:19Block preliminary move.
00:33:22Subject spoke reluctantly.
00:33:25Block.
00:33:27Block.
00:33:57Block.
00:33:58Block.
00:33:59Block.
00:34:00Block.
00:34:01Block.
00:34:02Block.
00:34:03Block.
00:34:04Block.
00:34:05Block.
00:34:06Block.
00:34:07Block.
00:34:08Block.
00:34:09Block.
00:34:10Block.
00:34:11Block.
00:34:12Block.
00:34:13Block.
00:34:14Block.
00:34:15Block.
00:34:16Block.
00:34:17Block.
00:34:18Block.
00:34:19Block.
00:34:20Block.
00:34:21Block.
00:34:22Block.
00:34:23Block.
00:34:24Block.
00:34:25Block.
00:34:26Block.
00:34:27Block.
00:34:28Block.
00:34:29Block.
00:34:30Block.
00:34:31Block.
00:34:32Block.
00:34:33Block.
00:34:34Block.
00:34:35Block.
00:34:36Block.
00:34:37Block.
00:34:38Block.
00:34:39Block.
00:34:40Block.
00:34:41Block.
00:34:42Block.
00:34:43For you.
00:34:44This didn't come from the five and ten.
00:34:45You don't like it?
00:34:46It just goes to show how wrong a girl can be.
00:34:47What do you mean?
00:34:48I was positive this beautiful thing between us was good for another ten or fifteen weeks
00:34:54at least.
00:34:55It isn't?
00:34:56Well, it's about 10 o'clock now. By 12, you'd have it all worked out.
00:35:00Goodbye, darling, and good luck.
00:35:04It's all over, isn't that right?
00:35:06You don't better know this.
00:35:09I just stepped in and saved you a couple of hours.
00:35:12That's what I always liked about you. You're so quick.
00:35:16You're a neat worker yourself.
00:35:18Well, we're both prejudiced. Are you sore?
00:35:21No, why should I? What do you think I expected?
00:35:25Tell me, how are you going to put it?
00:35:28How was I going to put what?
00:35:30I'm just curious. What kind of a story were you going to give me?
00:35:33A nice story, and it's true, too. I'm leaving town.
00:35:36What a shame.
00:35:37No, really, I'm leaving the country, Paris.
00:35:40Honestly, you couldn't be nicer.
00:35:43I was just making some coffee. Do you want a cup?
00:35:45No, thanks.
00:35:47Hey.
00:35:48What?
00:35:50Listen.
00:35:52Just a minute now. Don't muck around.
00:35:55What if I told you I was crazy about you?
00:35:58Who said you weren't? So what?
00:36:00No, look, what I mean...
00:36:02Johnny, I really like you.
00:36:06I really like you, too. Only I told you, Paris.
00:36:09You don't trust me.
00:36:11Should I trust you?
00:36:12Maybe I'd be good for you.
00:36:14You'd be surprised. Maybe I could help you.
00:36:16Please, don't help me.
00:36:18Maybe we could make a nice, decent life for ourselves together.
00:36:21Maybe I don't want it. Why don't you just forget it?
00:36:24Come on, Johnny.
00:36:26Okay.
00:36:31It's no use.
00:36:34It's no use?
00:36:36Don't get me wrong. I'm not kicking.
00:36:38You're sore, darling.
00:36:40No.
00:36:42You'll get over it.
00:36:43I'll live.
00:36:45You'll pass me on the street someday. You'll see me in a restaurant.
00:36:48You won't even know who I am.
00:36:50No, I'll remember you.
00:36:52I think I'd always take the trouble.
00:36:55That's sweet.
00:37:00Goodbye, Johnny.
00:37:04Goodbye.
00:37:20Goodbye.
00:37:44Any kind of a trick you might want to try, my friend, let me tell you here and now.
00:37:47You'll find we got the answers before you even raise the questions.
00:37:51I bet you do.
00:37:52When you're on a call, don't dilly-dally. It's not your car.
00:37:55Bring it right back to the garage. Tell the girlfriend to take the bus.
00:37:59Sure.
00:38:01Everything here is on the time clock.
00:38:03Written record going in and out.
00:38:05And, of course, that's only one example.
00:38:07I see.
00:38:08Nothing personal. We trust you.
00:38:10Only these days, to stay in business, you gotta be a hawk.
00:38:13Otherwise, they'll rub the shirt right off your back.
00:38:16After all, everybody's human.
00:38:18You got a reference?
00:38:20Reference?
00:38:22Gotta have at least one local reference here. Otherwise...
00:38:25The Michael John Company.
00:38:27I worked for the Michael John Company.
00:38:29You hesitate.
00:38:31Well, I was fired at a fight.
00:38:34A fist fight?
00:38:35Yes.
00:38:36Is that all?
00:38:37That's clean trouble. Don't worry.
00:38:39No, thanks.
00:38:41See the porter down there? He'll give you a uniform.
00:38:43Maybe it'll fit.
00:38:45It's agreeable and we'll all get along.
00:38:48Thanks.
00:38:49Oh, one thing more I forgot.
00:38:51Yes?
00:38:52The new men here work the night shift. That's the rule.
00:38:55They get the late hours. Any objections?
00:38:58No. Why should I object?
00:39:00Roger.
00:39:09Good morning, Dr. Bartok.
00:39:15Good morning.
00:39:45Good morning.
00:40:15Phew.
00:40:45Good morning.
00:41:15Good morning.
00:41:46Hello?
00:41:48This is the fellow that just picked up the enlargement.
00:41:50I was in your shop an hour ago.
00:41:52What?
00:41:53No, no. Don't make any more prints.
00:41:55Don't give me any sales talk. What happened to the negative?
00:41:58Yes, the negative.
00:42:00What do I care? I want the negative back.
00:42:04Never mind my address. Don't send it to me.
00:42:06I'll pick it up myself.
00:42:16Charlie?
00:42:18Oh, yes, sir.
00:42:20Here it is.
00:42:22Just one moment, sir.
00:42:24That's all right. I'm in a hurry.
00:42:28Did you tell him, Artel?
00:42:30He was very gruff, just like before on the phone.
00:42:33He wouldn't let me get a word in.
00:42:35We should worry.
00:42:36I was perfectly willing to make him a corrected print.
00:42:38The average customer? They can never spot it.
00:42:40It's not that, Aubrey. It's just that all the conscientious are.
00:42:43It's just that all the conscientious are, Artel.
00:42:45I've flopped pictures, revised negatives a hundred times.
00:42:48They never notice. And after all, what's the difference?
00:42:51With his picture, the only difference is,
00:42:53instead of being on the left side of the face,
00:42:55the scar is on the right.
00:42:57Well, is that so terrible?
00:43:14How many, please?
00:43:16A dollar's worth.
00:43:43A dollar's worth.
00:44:13A dollar's worth.
00:44:43A dollar's worth.
00:45:04That'll be a dollar, please.
00:45:06It's gonna check the oil?
00:45:13It's gonna check the oil?
00:45:43It's gonna check the oil?
00:45:59Final key.
00:46:00Here you are.
00:46:06Hey, you.
00:46:08How much do you get for overnight parking?
00:46:11Seventy-five cents.
00:46:14Okay, we'll be back later.
00:46:40I guess you caught me in the act.
00:46:58Think nothing of it, Jerry.
00:47:00Why don't you have your supper?
00:47:02Because I don't want it.
00:47:03There are only two or three cars out. I can carry on alone.
00:47:06It's all right.
00:47:09I hope to achieve a career as a professional ballroom dancer.
00:47:12Do you think that's silly?
00:47:14Go right ahead.
00:47:15It appeals to me.
00:47:16I guess I crave the spotlight.
00:47:18All I need is a proper partner.
00:47:20Some young lady who is talented and who would fall in with my ideas.
00:47:24The point is, I wish to create a distinctive dancing style of my own.
00:47:29I'll bet you anything you like, I know exactly what's going on in your mind.
00:47:33Yeah?
00:47:34My height, right?
00:47:36Being short isn't as insuperable a handicap as you might think.
00:47:39If your personality is powerful, you can project the illusion of height.
00:47:44Also, they have specially fitted shoes.
00:47:48That's the doctor, Bartok, back from his country vacation.
00:47:51I'll take it.
00:47:52You will? Say thanks.
00:47:59You want to be very careful.
00:48:01What?
00:48:02That ball on your face.
00:48:04Did it get infected?
00:48:05I noticed you still have it taped.
00:48:07Must be tweaks now.
00:48:09If neglected, an infection can be a serious thing.
00:48:18No, no, no.
00:48:19In the back.
00:48:20Sorry.
00:48:26And we'll do without any conversation either.
00:48:57Okay, we'll be back later.
00:48:59Where are you going to go?
00:49:01What are you going to do?
00:49:03Marcy tried Mexico.
00:49:05They found him.
00:49:08They'll get us.
00:49:09They'll find us.
00:49:10A guy like Stancic, those guys don't stop until they get even.
00:49:13You know a place you can hide out from Rocky Stancic?
00:49:15Here's a friend of yours.
00:49:17Okay, we'll be back later.
00:50:24What's your trouble, fella?
00:50:47Nothing.
00:50:48Motor's flooded.
00:50:49Want to push?
00:50:50No.
00:50:51Oh, let me give you a hand.
00:50:52It's all right.
00:50:53No, no.
00:50:54Let me tell you, fella.
00:50:55I never pass up a man on the road that's in trouble.
00:50:57That's mean, selfish.
00:50:58I don't do that.
00:50:59Couldn't be like that if I tried.
00:51:01Wait.
00:51:02What's the matter with you, Marty?
00:51:03Can't you see he's a mechanic from a garage?
00:51:05He don't need no help from you.
00:51:07Oh, that's right.
00:51:09Excuse me.
00:51:10Sure.
00:51:11I just wanted to help.
00:51:12Well, good night to you, fella.
00:51:14Good night.
00:51:45There must be something wrong, operator.
00:51:50I can't get an answer.
00:51:51Would you check the number for me?
00:51:52Huron, 83831.
00:51:57Dr. Bartok's not at home.
00:51:58I can't understand it.
00:51:59He's never late.
00:52:00The way these doctors push you around nowadays,
00:52:02I tell you, really.
00:52:05I'm not waiting.
00:52:11Wait a minute.
00:52:12Wait a minute.
00:52:13I don't blame you for worrying, Miss Hahn.
00:52:14The hiker with him last night, he was four hours overdue getting back.
00:52:18Now, four hours.
00:52:19That's certainly suspicious.
00:52:20It certainly don't look kosher.
00:52:22Now, now, now.
00:52:23Don't get excited.
00:52:24I'll tell you what to do.
00:52:25We fired the guy.
00:52:26The hiker on the spot, naturally.
00:52:27We'll get hold of him.
00:52:28Don't worry.
00:52:29But in the meantime, look, Miss Hahn.
00:52:30Why don't you call the police, see?
00:52:33Dr. Bartok's missing.
00:52:35That's right.
00:52:36It's for the police.
00:52:37Just a minute.
00:52:38Hold the phone.
00:52:40You people, for crying out loud, believe me.
00:52:44He's all right.
00:52:45The boy just delivered his car to him.
00:52:48Yes.
00:52:50Sure, the doctor's driving downtown now.
00:52:52He's probably over there right this minute.
00:53:01Good morning, Dr. Bartok.
00:53:02How are you?
00:53:09Good morning, Dr. Bartok.
00:53:11Morning, Margie.
00:53:27You had me going for a minute.
00:53:29Mrs. Nyma canceled off.
00:53:31She wouldn't wait.
00:53:32What happened to you, anyway?
00:53:34I was detained.
00:53:37What was the trouble, Victor?
00:53:39Nothing at all.
00:53:43Victor, the way you look.
00:53:45Yes?
00:53:47You're exhausted.
00:53:48You didn't get any sleep at all last night, did you?
00:53:51I was working, reading.
00:53:52Who's outside?
00:53:54You take it 11 o'clock, Mr. Davis.
00:53:56Oh, yes, Mr. Davis, the retired clothing manufacturer.
00:54:00Give me five minutes, will you, and then send him in.
00:54:02Certainly.
00:54:05Oh, Dr. Bartok, I saw you down in the lobby.
00:54:08I just had to come up while I was still thinking of it.
00:54:11I'm Dr. Swanger, remember?
00:54:13The dentist down on the ground floor.
00:54:14Yes, doctor.
00:54:15I wanted to talk to you about this for quite some time now.
00:54:18Why don't you come in, doctor?
00:54:19Come in.
00:54:20Oh, thank you.
00:54:21Thank you very much.
00:54:22Why, the funniest thing happened.
00:54:25About a month ago, I ran into a fellow who looked exactly like you.
00:54:31You don't believe it, do you?
00:54:32Interesting.
00:54:33I don't mean it was just a resemblance.
00:54:35One of those things.
00:54:37This was you.
00:54:38A real double down to the last detail.
00:54:41Except, of course, he didn't have a scar on his cheek, naturally.
00:54:44Of course.
00:54:46That's one thing about me.
00:54:47If I do say so myself, I am observant.
00:54:50I, uh, I take everything in.
00:54:53You want to know the reason why?
00:54:55Simple.
00:54:56It's my disposition.
00:54:57Now, I'm not all wrapped up in myself.
00:54:59Why, you take four out of five men and hold a gun to their heads
00:55:02and ask them the color of their wife's eyes.
00:55:04Would they know it?
00:55:05Why, of course not.
00:55:10I don't know why I'm telling you this.
00:55:12I'm a dentist.
00:55:13You're the psychoanalyst.
00:55:16Silly.
00:55:17Yes.
00:55:19Not that you can blame them, of course.
00:55:21Why, the man in the street, he has his own worries
00:55:23and his petty little greeds and preoccupations, et cetera, et cetera.
00:55:27Why, they wouldn't notice it if the next fellow was breathing or dying.
00:55:30Now, isn't that a fact?
00:55:32Yes.
00:55:33All they can think about and talk about is themselves.
00:55:37Yeah.
00:55:38Well, thank goodness I'm not that way at all.
00:55:41I'm not egotistic.
00:55:43No.
00:55:46Well, I, um, I've got to run along my office,
00:55:49and you're a pretty busy man yourself.
00:55:52Well, so long.
00:55:54Thank you very much, doctor.
00:55:56Uh, for what?
00:55:57Oh, oh, it's nothing at all.
00:55:59Oh, doctor.
00:56:00Yes?
00:56:01I wanted to ask you, how is your wife?
00:56:04My wife?
00:56:05Yes.
00:56:06Oh, uh, oh, she's fine.
00:56:08Oh, yes, yes, she's fine.
00:56:10She's all right.
00:56:11Yeah.
00:56:17I had specifically told them there
00:56:21that I wanted some breakfast,
00:56:24and I made a fuss.
00:56:27I suppose that was small of me.
00:56:31I couldn't help that.
00:56:33I wanted things to go well.
00:56:37It was the first vacation I'd taken in years.
00:56:41As you know, I've worked hard all my life,
00:56:43never spared myself.
00:56:46Well, I don't want any credit for that.
00:56:50I was reading Thackeray.
00:56:56I prefer the classics,
00:56:57books that have withstood the test of time.
00:57:00I must say, I have no patience
00:57:02with contemporary light reading.
00:57:05I, I asked my wife, uh, no.
00:57:11I think I, yes, but I did.
00:57:17And then they went out for a week.
00:57:19My daughters and my son.
00:57:21And there I was, left in the house all by myself.
00:57:24Was that fair, Doctor?
00:57:26Tell me honestly what you think.
00:57:28It isn't that I make demands.
00:57:30The last thing I want to be is a burden to them.
00:57:33I never asked them to wait on me hand and foot
00:57:35the way some mothers do.
00:57:37But after all, I've devoted my whole life to them.
00:57:40Surely the least they could do
00:57:41is to show me a little affection,
00:57:43a little consideration.
00:58:13Hello?
00:58:26Hello?
00:58:30Hello?
00:58:42Victor, darling.
00:58:43Oh, hello.
00:58:44You said you'd call me up.
00:58:46I was just going to the phone.
00:58:48Is anything wrong?
00:58:49No, I'm fine.
00:58:51Well, aren't you coming?
00:58:52It's late.
00:58:53Uh, darling, I, uh...
00:58:55I can't understand it.
00:58:56You told Maxwell we'd be there by nine.
00:58:58You made a special point.
00:58:59But I'm on my way.
00:59:01Oh.
00:59:02Oh, wait.
00:59:03What?
00:59:04Where are you?
00:59:05Where do you think?
00:59:06Oh.
00:59:07No, that isn't what I mean, darling.
00:59:08Listen, could you do something for me?
00:59:11Could you meet me at the Wellington?
00:59:13The Hotel Wellington?
00:59:14Yes, in the arcade.
00:59:16I'll have to make a call there.
00:59:17It'll save time.
00:59:18Well, are you going to be very long?
00:59:20No, I'll meet you in half an hour.
00:59:22Oh, darling.
00:59:23Yes?
00:59:24Um...
00:59:26I want you to stop in at the florist there
00:59:28and get yourself an orchid.
00:59:30An orchid?
00:59:31Yes, I want you to have it.
00:59:33Tell them to charge it to my account.
00:59:35All right.
00:59:36I'll meet you at the Wellington.
00:59:37Good.
00:59:38Don't forget the orchid.
01:00:08What's going on?
01:00:38Weddings, weddings.
01:00:42Guess.
01:00:43Darling.
01:00:48You see?
01:00:49I got your orchid.
01:00:50Yes, I noticed.
01:00:52They're probably wondering right now what happened to us.
01:00:55Better hurry.
01:00:56Yes, wait.
01:00:59What is it, Victor?
01:01:01Nothing.
01:01:02I was wondering,
01:01:03do we really have to go to Maxwell's tonight?
01:01:06Do we?
01:01:07You know those boys.
01:01:09If we don't show up,
01:01:10they'll think we're running out on them or something.
01:01:12Yes, they would, wouldn't they?
01:01:13Listen, who's going to be there tonight?
01:01:15What do you mean, who's going to be there?
01:01:17The usual crowd.
01:01:18Yes, of course.
01:01:20Oh, darling.
01:01:21Would you like to drive my car to Maxwell's?
01:01:23What?
01:01:24I thought you might enjoy it.
01:01:25Enjoy it?
01:01:26I'd love it.
01:01:27You know I've been wanting to drive that car for weeks.
01:01:29Well, all you had to do was say so.
01:01:33You're looking very well this evening, Victor.
01:01:37Am I?
01:01:38Mm-hmm.
01:01:39Very handsome.
01:01:40Thank you, dear.
01:01:41Shall we go?
01:01:48Good evening.
01:01:49Good evening.
01:01:50Good evening, Dr. Bartow.
01:01:51Good evening.
01:02:04No more bets.
01:02:10Place your bets, ladies and gentlemen.
01:02:1523 red.
01:02:17What's the matter?
01:02:19Nothing.
01:02:20I, uh, I was just going to say,
01:02:22I've been cashing a lot of bonds lately, haven't I?
01:02:25Hello, Doctor.
01:02:26Hello.
01:02:27You always take a chance on the gamble.
01:02:29Good evening, Dr. Bartow.
01:02:30Good evening.
01:02:31You're coming around to Maxwell's quite often these days.
01:02:33Two or three times a week, aren't I?
01:02:35I guess you're right.
01:02:36Take care now.
01:02:37Don't let them rob you.
01:02:38Good evening, Miss Taylor.
01:02:39Hello.
01:02:40Victor?
01:02:42Come along.
01:02:46Now, three red.
01:02:49Want it the same tonight, Dr. Bartow?
01:02:52The same, Frank.
01:02:55I'll put it on your account.
01:02:57It's Harry.
01:02:59I'm sorry, Harry.
01:03:00Hello, Virginia.
01:03:01Hello, Marjorie.
01:03:03Sit down, Virginia.
01:03:05Make a play.
01:03:06Put them down.
01:03:13You know, it's very strange.
01:03:15I didn't think of it until just now.
01:03:18You didn't think of what, Mrs. Nielsen?
01:03:20Your methods.
01:03:21I don't know what it was,
01:03:23but they weren't quite the same today, were they?
01:03:26We vary our procedures from time to time, Mrs. Nielsen.
01:03:29We like to see what results we get.
01:03:31Well, I must say, the things went much smoother today, though, didn't they?
01:03:35Yes, I think so, Mrs. Nielsen.
01:03:38Goodbye, Doctor.
01:03:39Goodbye, Mrs. Nielsen.
01:03:58I told them to send up a tray around seven.
01:04:08You're really putting in long hours, aren't you?
01:04:10Yes.
01:04:11I guess I'll run along.
01:04:12Good night.
01:04:14Evelyn.
01:04:15Yes?
01:04:16Come here.
01:04:19What is it?
01:04:21Look at me.
01:04:22What?
01:04:24You've been watching me all day, haven't you?
01:04:26Have I?
01:04:27Is there anything peculiar about me?
01:04:30No, of course not.
01:04:32Then why do you watch me?
01:04:33What are you worried about?
01:04:34I don't know.
01:04:36Something troubling you?
01:04:38No.
01:04:41Yes.
01:04:43Well, tell me.
01:04:45You've been so strange.
01:04:47Really?
01:04:48You've been avoiding me.
01:04:51Do you blame me?
01:04:52What do you mean?
01:04:53What do you think I am, Evelyn?
01:04:54Don't I know?
01:04:55Know what?
01:04:56You've been seeing somebody.
01:04:57Oh, come now.
01:04:58All right, I don't mind.
01:04:59I was just curious.
01:05:01Well, isn't it true?
01:05:04No, it's not.
01:05:05Are you sure?
01:05:06I'm sure.
01:05:13Then why do you turn away?
01:05:15Does this embarrass you?
01:05:16I don't know what you want.
01:05:17It's late.
01:05:18What did he do?
01:05:19Give you a bad time?
01:05:20I don't want to stay here and quarrel.
01:05:21I don't feel like it.
01:05:23What happened?
01:05:24Did he hurt you?
01:05:25Do I look hurt?
01:05:26I should say you do.
01:05:27Oh, don't fool yourself.
01:05:28You don't get hurt these days.
01:05:29No?
01:05:30No, it's very simple.
01:05:31You never expect anything, so you're never disappointed.
01:05:33You're a bitter little lady.
01:05:35It's a bitter little world full of sad surprises,
01:05:37and you don't go around letting people hurt you.
01:05:40I'll tell you something.
01:05:42In all my life, I think I've only had one beau
01:05:45I was really willing to trust.
01:05:47You should have held on to him, married him.
01:05:49I wanted to, but I couldn't.
01:05:52He was 12 years old, and I was nine.
01:05:59Are you sorry for yourself?
01:06:01No.
01:06:02Because for one thing, it's too late, and what's the use?
01:06:05Because you never can go back and start again.
01:06:07Because the older you grow, the worse everything turns out.
01:06:10You don't see it happening to you.
01:06:12It just happens.
01:06:13You wake up one morning, and there you are,
01:06:15and anything goes, and that's all right, too.
01:06:18Now, does that upset you, Dr. Bartok?
01:06:22It doesn't bother me at all.
01:06:24Anytime you say, I can quit.
01:06:26I would never let you go, Evelyn.
01:06:28That's nice. Thanks.
01:06:29I would miss you badly.
01:06:31You don't know how much I would miss you.
01:06:37They're not in business to worry about people or their whereabouts.
01:06:40They couldn't afford it.
01:06:42Maybe he knew people here, had friends.
01:06:44If I could talk to them...
01:06:46I've got to find him.
01:06:48I don't know of any other place I can start from.
01:06:56Bartok?
01:06:57Anderson.
01:06:58You know anything about a man named Muller?
01:07:00John Muller?
01:07:01The guy we fired a couple of months ago thereabouts?
01:07:03Hmm?
01:07:04Mm-hmm.
01:07:07No.
01:07:08He doesn't know anything about...
01:07:09What?
01:07:10Nothing.
01:07:11No.
01:07:12He doesn't know anything about...
01:07:13What?
01:07:14Oh, just a minute.
01:07:15Reference.
01:07:17Okay.
01:07:18All right, Bartok.
01:07:20Thanks.
01:07:21You might try this place.
01:07:22The garage.
01:07:23Clover Garage.
01:07:29You'll have a long wait.
01:07:30The patient just went in.
01:07:32That's all right.
01:07:33I'm afraid we never noticed the different hikers.
01:07:35To tell the truth, I don't know what made you think of coming here.
01:07:38Well, they told me at the garage.
01:07:39The last call he went on was with Dr. Bartok.
01:07:42I suppose it was.
01:07:44He was gone for four hours that night.
01:07:46I heard about it.
01:07:47They fired him.
01:07:48Yes.
01:07:49Something may have happened.
01:07:50I don't know.
01:07:51It just might be the doctor remembers him.
01:07:54You see, my brother was interested in psychoanalysis.
01:07:56Went to medical school.
01:07:58Dr. Bartok might be able to give me some kind of lead.
01:08:01Nothing else to go on.
01:08:03Why don't you wait?
01:08:04Sit down.
01:08:07There he is.
01:08:09That's my brother.
01:08:19I'm sorry.
01:08:21The resemblance.
01:08:22For a minute, I thought...
01:08:24What can I do for you?
01:08:26I came here...
01:08:28I'm trying to locate my brother.
01:08:30He worked for a garage you use.
01:08:32His name was John Muller.
01:08:37Do you know him?
01:08:38Do you know where he is?
01:08:39Miss Hahn?
01:08:40He went to Europe.
01:08:41To Paris.
01:08:42Don't go.
01:08:43Tell me.
01:08:44That's all I know.
01:08:45Leave me alone.
01:08:46Wait.
01:08:47Stay here.
01:08:48I'll be right back.
01:08:57Don't lose your nerve.
01:08:58Hold on to yourself.
01:08:59I should have known it from the start.
01:09:00So you know.
01:09:01So what?
01:09:02Don't you think I expected you to find out sooner or later?
01:09:03Were you?
01:09:04No.
01:09:05Why?
01:09:06What's the matter?
01:09:07You've got more sense than that.
01:09:08What good would it do you or anybody else?
01:09:10What good would it do me if I don't?
01:09:12The two of us together.
01:09:13Don't you see it?
01:09:15I'm Bartok.
01:09:16Who's going to know?
01:09:17We'll never find out.
01:09:18You killed him.
01:09:19I had to.
01:09:20I was in a jam.
01:09:21I had killers on me.
01:09:22It was the only way out.
01:09:23I took it.
01:09:24I had to take it.
01:09:25You don't have to explain to me.
01:09:26I'm not shocked.
01:09:27I'm not supposed to be.
01:09:28Listen.
01:09:29I didn't give you away, did I?
01:09:30I lied.
01:09:31What more do you want?
01:09:32Wait.
01:09:33Let me get rid of him.
01:09:34I've got a patient in the office.
01:09:35Wait for me.
01:09:38Well?
01:09:39Can I see her again?
01:09:40Can I talk to her?
01:09:41She told you everything she knows.
01:09:42You don't understand.
01:09:43No, I don't.
01:09:44My brother's in trouble.
01:09:45He's hiding out.
01:09:46He thinks there are killers after him.
01:09:47A man named Stancic.
01:09:48But they're not.
01:09:49What?
01:09:50Nobody's looking for him.
01:09:51What do you mean?
01:09:52I work for the government.
01:09:53I know people.
01:09:54They tip me off.
01:09:55They got this man Stancic.
01:09:56He's got a gun.
01:09:57He's got a gun.
01:09:58He's got a gun.
01:09:59He's got a gun.
01:10:00He's got a gun.
01:10:01He's got a gun.
01:10:02He's got a gun.
01:10:03He's got a gun.
01:10:04He's got a gun.
01:10:05He's got a gun.
01:10:06They got this man Stancic.
01:10:08Income tax charges.
01:10:09They're deporting him in another month or so.
01:10:12They've already broken up his crowd.
01:10:16My brother's safe, in the clear, and he doesn't know it.
01:10:19There's no telling what he might do.
01:10:22You don't know him.
01:10:23He's smart.
01:10:24Got big ideas.
01:10:26Willing to take any kind of chance.
01:10:28I've got to stop him before it's too late.
01:10:33Don't worry about him.
01:10:35What?
01:10:36Take care of yourself.
01:10:37People like him don't need your help.
01:10:39I don't...
01:10:40I know them.
01:10:41I've studied their cases by the dozens.
01:10:42Whether we like it or not, the fact is,
01:10:44they're the ones who know what they want,
01:10:46and they always get it.
01:10:47I've studied their cases, too.
01:10:48I work in the welfare department.
01:10:49Perhaps you are right.
01:10:50It doesn't matter.
01:10:51I'm afraid there's nothing else we can do for you here.
01:10:54Miss Hahn doesn't know his address or anything like that.
01:11:01I see.
01:11:04I'm sorry for the trouble I've caused you.
01:11:07Not at all.
01:11:10Goodbye.
01:11:20Forgive me.
01:11:21I've kept you waiting, Miss Nielsen.
01:11:22That's all right, Doctor.
01:11:23I'm terribly sorry,
01:11:24but I'm afraid we have to cancel this appointment.
01:11:26I had a call, an emergency.
01:11:27Oh, well, I understand.
01:11:30I'll see you tomorrow, Doctor.
01:11:31Yes, tomorrow, Miss Nielsen.
01:11:32Goodbye, Doctor.
01:11:33Goodbye.
01:11:40Evelyn!
01:11:48Evelyn!
01:12:02Hello?
01:12:07I'm rushed for time, Virginia.
01:12:08What is it?
01:12:09No, I can't go to Maxwell's tonight.
01:12:11What?
01:12:12I'll explain later.
01:12:13I can't talk now.
01:12:14No, no, nothing is wrong.
01:12:16Of course I'm not going anyplace.
01:12:18What put that idea into your head?
01:12:20Call me later.
01:12:21Call me tomorrow.
01:12:22Goodbye.
01:12:32PHONE RINGS
01:13:02PHONE RINGS
01:13:23What happened to you?
01:13:29What are you doing?
01:13:33Honolulu, you're sailing tonight.
01:13:36What kind of a deal did you make?
01:13:39It's always a deal.
01:13:40Who did you talk to?
01:13:41Nobody.
01:13:42Did you turn me in to the police?
01:13:43You don't have to worry.
01:13:46What are you running away for?
01:13:48How do you think I feel?
01:13:49Give it time.
01:13:50It passes.
01:13:51You'll get over it.
01:13:52You get over it.
01:13:53Sure.
01:13:54Use your head.
01:13:55I took all the chances.
01:13:56I worked it out.
01:13:57Now is the time to cash in, both of us.
01:13:59I don't want it.
01:14:00I mean that.
01:14:01It's not worth it.
01:14:02Be smart.
01:14:03I'm sick of being smart.
01:14:04Waiting for time to pass.
01:14:05Waiting to get over it.
01:14:06Don't talk like a kid.
01:14:07I booked passage on the first boat going up
01:14:09because I want to get away as fast and as far as I can.
01:14:11Why?
01:14:12Because I'm sick of being wise.
01:14:14What are you trying to give me?
01:14:15I'm tired of knowing all the answers.
01:14:17Where did you get off pulling this talk on me?
01:14:19Where did you learn it?
01:14:20You take care of yourself and that's all.
01:14:21A dollar's a dollar.
01:14:22Yes.
01:14:23Watch out for number one.
01:14:24Always play it for yourself.
01:14:25That's right.
01:14:26Do they worry for you?
01:14:27Do they worry for Bartok?
01:14:28Did anyone bother to notice a difference?
01:14:29I hate it.
01:14:30Hate it or don't hate it.
01:14:31Who is asking you?
01:14:32This is the way it is and you know it.
01:14:34You've been around long enough.
01:14:35I hate everything I know.
01:14:36I hate everything in me.
01:14:37I hate you.
01:14:38I hate, I hate, I hate.
01:14:39I didn't make it that way.
01:14:40I can't change it.
01:14:41What do you want me to do?
01:14:42What do you want me to do?
01:15:09I'm going with you.
01:15:10Get up.
01:15:11Yes.
01:15:12We'll go together tonight.
01:15:13You don't think I believe that, do you?
01:15:14Give me time.
01:15:15Let me fix it at the office.
01:15:16I don't want them to go looking for Bartok for me.
01:15:17You're Bartok.
01:15:18You've got it all now.
01:15:19You're not going anywhere.
01:15:20I'll meet you on the boat.
01:15:21You say it, but you won't.
01:15:22You've got a good thing now.
01:15:23It's rich.
01:15:24You'll never let it go.
01:15:25Not you.
01:15:26You've got too much sense.
01:15:27I'm going with you.
01:15:28I'll meet you on the boat.
01:15:29You say it, but you won't.
01:15:30You've got a good thing now.
01:15:31It's rich.
01:15:32You'll never let it go.
01:15:33Not you.
01:15:34You've got too much sense.
01:15:35I'll be there.
01:15:38No, you won't.
01:15:58You won't?
01:15:59That's right, doctor.
01:16:00I've talked to the building superintendent.
01:16:01He'll give the keys to your secretary.
01:16:04Yes, you'll find the names and addresses of my patients in the desk.
01:16:08I'm sure you'll be able to handle them all between you, Dr. Henning, and Dr. Kramer.
01:16:12Yes, I...
01:16:13I'm afraid it was sudden. I wasn't at all prepared.
01:16:16Well, thank you very much for making it possible.
01:16:19Thank you, Doctor.
01:16:20Goodbye.
01:16:43Dr. Barton.
01:16:46Excuse me, please, Doctor.
01:16:48I hope you don't mind it if I talk to you.
01:16:51What do you want?
01:16:53The scar.
01:16:55It's so clear in my mind.
01:16:58I always somehow thought it was on the other side.
01:17:11Did you notice that?
01:17:13What?
01:17:15I know I'm mistaken.
01:17:17The scar, I mean.
01:17:19Of course I'm wrong.
01:17:23Yes.
01:17:25Good night.
01:17:55Driver, I'm in a hurry. Step on it, will you?
01:18:03Okay.
01:18:24Hey, where can I get a porter?
01:18:37They're all busy.
01:18:38We'll be sailing in a few minutes now. Here.
01:19:07What is this?
01:19:28Where are you going?
01:19:29What do you want?
01:19:30What do you think?
01:19:32Where are you from?
01:19:34You know where. Maxwell's.
01:19:37Maxwell's?
01:19:39You owe us a lot of money.
01:19:41What?
01:19:4290 grand.
01:19:44What are you talking about?
01:19:46You didn't think we were going to let you run out on us just like that, did you, Dr. Barton?
01:19:53Wait a minute. You've got the wrong guy. I'm not Bartok.
01:19:57You're not?
01:19:58I know Bartok. I look like him, sure, but my name is Muller.
01:20:01Look, you fool, it's the scar. His is on the left side.
01:20:05What'll it do? Move over?
01:20:08Now, wait a minute. Let me go. I can square this thing. I'll send you the money.
01:20:12I'll bet you will.
01:20:14Let me go. I've got to make that boat.
01:20:17You're not getting on that boat, Dr. Barton.
01:20:19Let me go.
01:20:29We thought we heard some shots.
01:20:30We did. Cops just caught them, ran right into them.
01:20:32Did anybody get hurt?
01:20:33I don't know.
01:21:30I don't know.
01:21:43I don't know.
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