Señoritas de uniforme (1976) Full Movie
Category
🎥
Short filmTranscript
00:00:30and the poison approaches at night.
00:00:54If Don Carlos III came back to Madrid,
00:00:56he would shed tears with great despair.
00:01:01He would not be comforted by so much disgust
00:01:03that it would cause him such terrible pleasure.
00:01:08The door of Alcalá, tower of Valencia,
00:01:10the good king would say, asking for mercy.
00:01:12And seeing how the traffic invades the Retiro,
00:01:15he would escape with a tragic sigh.
00:01:30Pi-pi-pi, pi-pi-pi, pi-pi-pi.
00:01:40Oh Madrid, my noble village,
00:01:42your Calesas and Tartanas,
00:01:44your tranvías de mulillas,
00:01:46and a step away from other inventions,
00:01:48the bus and the 600.
00:01:51And this damn traffic is an infinite chaos
00:01:54that marks a milestone of anarchy and confusion in the world,
00:01:57because our traffic is not fixed with a whistle.
00:02:02Thank God, our city council gave the solution,
00:02:05a fantastic invention.
00:02:09Loving smiles, magical ademanes,
00:02:11beautiful women lead the traffic.
00:02:16Fairies of the street, divine girls,
00:02:18make a perfume of gasoline.
00:02:20Everything is now easy,
00:02:22and today the Madrilenio travels happily,
00:02:24like a sweet dream.
00:02:55I remember that my father,
00:02:57who was a commander of artillery,
00:02:59without going any further,
00:03:01he left a duro every day,
00:03:03on top of the chimney,
00:03:05to do the shopping.
00:03:07And we were six, as a family.
00:03:09A duro is that then it was a duro,
00:03:11like twenty now.
00:03:13More, more, much more.
00:03:15My lord, you are a genius.
00:03:17You are a genius.
00:03:19You are a genius.
00:03:21You are a genius.
00:03:23You are a genius.
00:03:28Shut up.
00:03:31Figure out how the cradles and the nipples have been put.
00:03:35By the clouds, they have been put by the clouds.
00:03:38What will you say, that it has cost me a kilo and a half of cartons?
00:03:41Any barbarity.
00:03:43Two hundred and thirty-seven pesetas.
00:03:45That was exactly the salary of my father, plus the little mass.
00:03:48What is the little mass?
00:03:50I've never known, it's something of the military.
00:03:52The letter has fallen.
00:03:54Thank you very much, you are very kind.
00:04:01Do you need anything?
00:04:03No, I don't think so.
00:04:07Let's go.
00:04:09Good thing there are still decent people in the world.
00:04:12But very few.
00:04:14You are not well in the head.
00:04:16Do you know what could happen?
00:04:18Don't yell at me, I'm not deaf.
00:04:21Don't push me.
00:04:27Touch me and I'll take your eyes out.
00:04:29To your older brother.
00:04:30And to Lucero del Alba.
00:04:36But you have lost the trial.
00:04:38That's what I told him, father.
00:04:41But what happened to the ball?
00:04:43Nothing.
00:04:44And that it had more than ten thousand nipples.
00:04:46I said silence.
00:04:48And no one speaks while a servant speaks.
00:04:54Have you gone to court?
00:04:56As planned.
00:04:58Celso.
00:04:59I don't need Celso.
00:05:07We were in the underwear section.
00:05:09And the novelty section.
00:05:11I don't want to steal anymore.
00:05:13I'm sick of it.
00:05:14You don't want to steal anymore?
00:05:16But what are you going to live on?
00:05:18You don't know how to do anything else.
00:05:20You're going to be a nun.
00:05:22This family has been the way it has to be for four generations.
00:05:26Four.
00:05:27You don't know what a generation is.
00:05:30I don't want to steal anymore.
00:05:32You don't respect tradition or anything.
00:05:34Silence.
00:05:35Out.
00:05:36Out of this house.
00:05:38You have dishonored.
00:05:40Out.
00:05:42I said the same thing, Father.
00:05:44Silence.
00:05:46And go to Mass.
00:05:48I've seen her.
00:05:49The day of the Mother was Mass.
00:05:51The very dirty one.
00:05:52Mass?
00:05:53Yes.
00:05:54Holy Mary.
00:05:55Fuck your father, kid.
00:05:57Get out of here.
00:05:58Where are you going so alone?
00:06:00Where I want to go.
00:06:02I just want to help.
00:06:03Help your mother.
00:06:04I'll take your suitcase.
00:06:06And why don't you wear a horn of your father?
00:06:08Daughter, what a peck.
00:06:10Get out of here.
00:06:12What a face.
00:06:13You don't know it well.
00:06:15That happens to one for good.
00:06:18Come on.
00:06:19I won't let you.
00:06:20Come on.
00:06:21I won't tell you.
00:06:26Animal.
00:06:41Do you need anything?
00:06:47Can I help you?
00:06:49Where do you live?
00:06:51Nowhere.
00:06:53Do you have money?
00:07:11Come with me.
00:07:12In there?
00:07:13Yes, let's go.
00:07:37Don't look at me like that.
00:07:39I'm ashamed.
00:07:40Why?
00:07:41Leave me here.
00:07:42I can only cause him problems.
00:07:45What were you doing in that neighborhood?
00:07:47There I lived with my family.
00:07:49Don't you want to go back with them?
00:07:53I don't care why.
00:07:57Come on, don't worry.
00:07:59Today I hadn't made my good deed yet.
00:08:01I'm already here.
00:08:03Do you forgive me a client?
00:08:06A case of rebellious inheritance.
00:08:09He met a blonde.
00:08:11And then, after a long trip,
00:08:13his father-in-law, who is going to keep everything.
00:08:16I don't know where we're going to stop.
00:08:18This is the girl, Nacho.
00:08:21Her name is...
00:08:24Excuse me.
00:08:26Manuela Domínguez.
00:08:28It's a beautiful name.
00:08:36Do you want to leave us alone, Nacho?
00:08:39In the kitchen you have pork rinds and wine.
00:08:45So you want to live at home.
00:08:48No, I don't.
00:08:50His nephew.
00:08:52But you don't have a place to live.
00:08:54Luckily I have a free bed in the courtyard.
00:08:58It's very beautiful.
00:09:00Poor Mr. José couldn't resist the winter.
00:09:02I already knew it.
00:09:04I don't have money to pay you.
00:09:06You'll pay me when you can.
00:09:08There's nothing else to see.
00:09:10You're a good girl.
00:09:12Are you a widow of a civil guard?
00:09:15He was the best man in the world.
00:09:18But of course, a widow is not enough.
00:09:20I'll take care of the room in the courtyard and the ball.
00:09:23What ball?
00:09:25The ball.
00:09:27Unpack your bag and let's go to the kitchen.
00:09:31Don't you dare cry.
00:09:33It's forbidden here.
00:09:35Maruchi was crying on the table where he worked.
00:09:42And he asked himself a terrible question.
00:09:45Can't I get better?
00:09:48Am I doomed to work in this factory?
00:09:52My poor mother will never have the house she deserves.
00:09:58A hard question.
00:10:00What are you doing there?
00:10:02I don't like being spied on.
00:10:04I'm going to tell your mother.
00:10:06Do you see my face?
00:10:07Do you think I'm a scoundrel?
00:10:09You're very beautiful, Maruchi.
00:10:11And you're going to get cold.
00:10:13I can't stand being blamed.
00:10:15Do you have a pen?
00:10:17A pen?
00:10:18All I have is a broom.
00:10:20Get out!
00:10:23Tepi.
00:10:25If he's the trainee, tell him I'm out.
00:10:27If he's the trainee, get the injection.
00:10:30My name is Josefina Sotillo.
00:10:32Good morning, Mr. Maruchi.
00:10:37Good morning.
00:10:39A girl named Maritere lives here.
00:10:43I'm her sister.
00:10:47Mr. from Carrasco.
00:10:49Left room.
00:10:51Goodbye.
00:11:01Do you want to be a guard?
00:11:04Me?
00:11:05Don't be silly.
00:11:07If I were a guard, would you leave?
00:11:10You don't want me to stay here forever, do you?
00:11:13I do.
00:11:15Thank you, Rafa.
00:11:17If I were a guard, I'd marry you right now.
00:11:20And when I clean the lamp, I'll let you know.
00:11:24Go to bed, or your mother will get mad.
00:11:30To be a guard, you have to know a lot of things.
00:11:33You don't know anything.
00:11:34Who told you I don't know anything?
00:11:36I do.
00:11:37You don't have a fever.
00:11:39Do you want yogurt?
00:11:40Or lemon juice?
00:11:42Mom said you have to drink liquids.
00:11:46Do you really think I don't know anything?
00:11:49Nothing.
00:11:51How do you know?
00:11:53Do you want to see it?
00:11:55How do you spell Villa?
00:11:56H and B.
00:11:57Yuba?
00:11:58B.
00:11:59Capital of France?
00:12:01Rome.
00:12:02Are you sure?
00:12:03Lisbon.
00:12:04Where was Isabella Catholic born?
00:12:06In Burgos.
00:12:15You're right.
00:12:16I don't know anything.
00:12:18Do you want me to help you?
00:12:20I'm the first in my class.
00:12:23Look, it comes from Abadejo to Zapirote.
00:12:26All for 23,000 pesetas.
00:12:28You'll be able to pay, in comfortable terms,
00:12:302,250 pesetas a month.
00:12:32Plus shipping costs.
00:12:34Does it also come in radizo?
00:12:37With H or without H?
00:12:39Without H.
00:12:40If you don't mind.
00:12:42It will come, without a doubt.
00:12:44Here it is.
00:12:45Radizo.
00:12:46It's a wanderer.
00:12:48It's fantastic.
00:12:50Jacinto!
00:12:52What are you doing here?
00:12:53I happened to see this lady.
00:12:56I told you not to come in until seven in the afternoon.
00:13:01What's that?
00:13:02Nothing.
00:13:03An encyclopedia.
00:13:04A magnificent encyclopedia.
00:13:06An encyclopedia?
00:13:08Why do you take me, Jacinto?
00:13:10Can't you say no to anyone?
00:13:12And you?
00:13:13Don't you have anything better to do
00:13:15than sell encyclopedias to people?
00:13:17Get out of here!
00:13:18Out!
00:13:25Didn't I tell you to use the lift?
00:13:27The elevator is for gentlemen.
00:13:30And don't you dare come back here,
00:13:32neither on the lift nor on the elevator.
00:13:37Manuel Otero!
00:13:39Manuel Otero!
00:13:42Listen to me.
00:13:44Here, please.
00:13:45Here.
00:13:47Please.
00:13:48Thank you very much.
00:13:51My pen!
00:13:52Take my pen!
00:13:53God, God.
00:13:54Listen to me.
00:13:55Please.
00:13:56Take my pen!
00:14:11Take my pen!
00:14:12Take my pen!
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00:20:33Take my pen!
00:20:34Take my pen!
00:20:35Take my pen!
00:20:36Take my pen!
00:20:37Take my pen!
00:20:38Take my pen!
00:20:39Take my pen!
00:20:40Take my pen!
00:20:41Take my pen!
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00:20:43Take my pen!
00:20:44Take my pen!
00:20:45Take my pen!
00:20:46Take my pen!
00:20:47Take my pen!
00:20:48Take my pen!
00:20:49Take my pen!
00:20:50Take my pen!
00:20:51Take my pen!
00:20:52Take my pen!
00:20:53Take my pen!
00:20:54Take my pen!
00:20:55Take my pen!
00:20:56Take my pen!
00:20:57Take my pen!
00:20:58Take my pen!
00:20:59Take my pen!
00:21:00Take my pen!
00:21:01Take my pen!
00:21:02Take my pen!
00:21:03Take my pen!
00:21:04Take my pen!
00:21:05Take my pen!
00:21:06Take my pen!
00:21:07Take my pen!
00:21:08Take my pen!
00:21:09Take my pen!
00:21:10Take my pen!
00:21:11Take my pen!
00:21:12Take my pen!
00:21:13Take my pen!
00:21:14Take my pen!
00:21:15Take my pen!
00:21:16Take my pen!
00:21:17Take my pen!
00:21:18Take my pen!
00:21:19Take my pen!
00:21:20Take my pen!
00:21:21Take my pen!
00:21:22Take my pen!
00:21:23Take my pen!
00:21:24Take my pen!
00:21:25Take my pen!
00:21:26Take my pen!
00:21:27Take my pen!
00:21:28Take my pen!
00:21:29Take my pen!
00:21:30Take my pen!
00:21:31Take my pen!
00:21:32Take my pen!
00:21:33Take my pen!
00:21:34Take my pen!
00:21:35Take my pen!
00:21:36Take my pen!
00:21:37Take my pen!
00:21:38Take my pen!
00:21:39Take my pen!
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00:21:42Take my pen!
00:21:43Take my pen!
00:21:44Take my pen!
00:21:45Take my pen!
00:21:46Take my pen!
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00:21:48Take my pen!
00:21:49Take my pen!
00:21:50Take my pen!
00:21:51Take my pen!
00:21:52Take my pen!
00:21:53Take my pen!
00:21:54Take my pen!
00:21:55Take my pen!
00:21:56Take my pen!
00:21:57Take my pen!
00:21:58Take my pen!
00:21:59Take my pen!
00:22:00Take my pen!
00:22:01Take my pen!
00:22:02Take my pen!
00:22:03Take my pen!
00:22:04Take my pen!
00:22:05Take my pen!
00:22:06Take my pen!
00:22:07Take my pen!
00:22:08Take my pen!
00:22:09Take my pen!
00:22:10Take my pen!
00:22:11Take my pen!
00:22:12Take my pen!
00:22:13Take my pen!
00:22:14Take my pen!
00:22:15Take my pen!
00:22:16Take my pen!
00:22:17Take my pen!
00:22:18Take my pen!
00:22:19Take my pen!
00:22:20Take my pen!
00:22:21Take my pen!
00:22:22Take my pen!
00:22:23Take my pen!
00:22:24Take my pen!
00:22:25Take my pen!
00:22:26Take my pen!
00:22:27Take my pen!
00:22:28Take my pen!
00:22:29Take my pen!
00:22:30Take my pen!
00:22:31Take my pen!
00:22:32Take my pen!
00:22:35We're terrible!
00:22:36I don't care how big we get.
00:22:38Maybe the next time.
00:22:39I don't care about that.
00:22:41I care about finishing this exam.
00:22:43On top of that you must have everything.
00:22:46You must have your diploma,
00:22:48you must have all the precedent…
00:22:51orders, bands, car mechanics, sketches, plans and a month of practice.
00:22:57You've done all that?
00:22:58Of course.
00:22:59And when do we start charging?
00:23:00When you're real traffic police.
00:23:05Excuse me, it's my turn.
00:23:07Goodbye.
00:23:08Goodbye.
00:23:09Goodbye.
00:23:13Well, I'm almost about to sign up for the Legion.
00:23:16When are the holidays?
00:23:17The 22nd.
00:23:19And you?
00:23:20I don't know.
00:23:21Do you think it's a good way to answer a father?
00:23:23Leave it, Andrés.
00:23:24He just passed the papers.
00:23:25And what do they have to do with the papers?
00:23:28Oh, my God, Pepe.
00:23:30You've been here a while.
00:23:32What are you doing?
00:23:33You're all crazy.
00:23:34Well, this afternoon I broke a glass.
00:23:37You shut up.
00:23:40Well, don't worry, woman.
00:23:41It's not worth it.
00:23:42It's not worth it.
00:23:43It's not worth it.
00:23:44How's the meat?
00:23:46Go to the kitchen and make some fried eggs.
00:23:48I'll finish picking them up.
00:23:50Ma'am, I'm so ungrateful.
00:23:57But you haven't noticed.
00:23:58He's in love with her.
00:24:01What are you talking about, Andrés?
00:24:03Why do you think Pepe threw the fountain?
00:24:05She, too?
00:24:07You're completely crazy.
00:24:09Didn't you see how pale he got?
00:24:11I'm not willing to hear any more nonsense.
00:24:14Rafa is a child.
00:24:15A child, huh?
00:24:16Do you know how old I was when I had my first sexual experience?
00:24:20You're a satyr.
00:24:23Come on, man.
00:24:24Turn off the light.
00:24:25You have to get up early tomorrow.
00:24:28And ask God for forgiveness.
00:24:30For thinking badly of that poor creature.
00:24:46May I?
00:24:47Come in.
00:24:48Don't make any noise.
00:24:49No.
00:24:50They're asleep.
00:24:56What are you studying?
00:24:57The geography charts you gave me.
00:24:59You have to help me, Rafa.
00:25:00Are you sure you've passed?
00:25:02Of course.
00:25:03But I still have the worst.
00:25:04And the dissertation?
00:25:05Good.
00:25:06No mistakes?
00:25:07Well...
00:25:08A friend helps me.
00:25:09How funny.
00:25:10I mean, you don't need a friend.
00:25:12You don't need a teacher.
00:25:14How funny.
00:25:15I mean, you don't need anyone to help you.
00:25:17Except me, Pepi.
00:25:18You're very good, Rafa.
00:25:19Come on.
00:25:20Let's not waste time.
00:25:22Lesson 27.
00:25:24Lesson 27.
00:25:26Spain?
00:25:28Spain borders the North with the Alps.
00:25:33The Alps.
00:25:34And the South?
00:25:35And the South borders the Black Sea.
00:25:39Does it have borders?
00:25:40It has borders with France.
00:25:42With France, Portugal and...
00:25:45Yugoslavia.
00:25:46Yugoslavia.
00:25:47Not to mention...
00:25:48Not to mention the Republic of San Marino and Luxembourg.
00:25:53Very good.
00:25:55Do you want to go to the movies tomorrow?
00:25:57Are you crazy?
00:25:59We'd make a nice couple, you and me.
00:26:04Besides, I have a boyfriend, Rafa.
00:26:06Rivers of Spain?
00:26:08The rivers are...
00:26:10The Black Sea?
00:26:11The Black Sea.
00:26:12The Black Sea.
00:26:13Danubio?
00:26:14Danubio.
00:26:15And Garona?
00:26:16And Garona.
00:26:18Cantabrian Sea?
00:26:19Cantabrian Sea.
00:26:20Guadalquivir?
00:26:21And Tajo?
00:26:22And Tajo.
00:26:23Which also passes through Barcelona.
00:26:25You have to study it well.
00:26:34The lamp, Leandro.
00:26:35You're going to prick my eye.
00:26:36Look at those legs, boss.
00:26:37And they're standing there waiting for someone to eat them.
00:26:42What you're going to eat is this key.
00:26:44Those legs belong to the owner, you bastard.
00:26:46I'm sorry, boss, I didn't know it was Pepe.
00:26:48Well, now you know.
00:26:51What a surprise.
00:26:53That's what I'm saying.
00:26:54I haven't seen you in a week and a half.
00:26:56Well, now you're going to take a lot longer to see me.
00:26:59At least until he approves.
00:27:01Approves?
00:27:02What?
00:27:04How dare you eat the lamp?
00:27:06I'm sorry, boss.
00:27:08I'm going to be a guard.
00:27:09Guard?
00:27:10What guard?
00:27:11Of the traffic.
00:27:13But you're crazy.
00:27:14I'm perfectly fine.
00:27:16And who warns is not a traitor, Antonio.
00:27:18Either you want me as a guard or you're looking for a nurse.
00:27:21But who do you think I am?
00:27:23Do you think I can go around with a guard as if I were a whore?
00:27:26I already thought so.
00:27:28Anyway, Antonio, I've had a lot of fun.
00:27:31If you get into the guard, we're done.
00:27:34Josefina, you don't know me.
00:27:36I'm very manly.
00:27:38Don't make me look like a fool.
00:27:42Are you still there?
00:27:43I'm going to hit you with the van.
00:27:55Come in, Manuela.
00:27:56Come in.
00:28:01Come in.
00:28:05I don't know what's wrong with me.
00:28:07Don't be afraid, daughter.
00:28:09Sit down.
00:28:10They don't do anything.
00:28:12But what are they going to do if they are family?
00:28:15That one over there is my husband.
00:28:18May he rest in peace.
00:28:19The smallest, Cosme.
00:28:21A boyfriend I had in Algeciras.
00:28:23Poor thing.
00:28:30I see.
00:28:32I see.
00:28:33But...
00:28:34I see something.
00:28:35Don't interrupt me, daughter.
00:28:38I see you as a guard.
00:28:40That's right.
00:28:41Directing traffic in Cibeles.
00:28:44And putting a fine on the mayor.
00:28:47The mayor?
00:28:49You're going to be incorruptible, daughter.
00:28:51The mayor himself.
00:28:59I see.
00:29:00A very handsome boy.
00:29:03And a trip.
00:29:05The boy is wearing a uniform.
00:29:08The trip can be on a motorcycle.
00:29:12Jesus!
00:29:14What's going on?
00:29:16The jail.
00:29:19Is there anyone you really want to go to jail with?
00:29:22If you don't stop him.
00:29:24You have a relationship with the mayor, daughter.
00:29:29The mayor?
00:29:31No.
00:29:32Well, it's very clear here.
00:29:35Money.
00:29:36A walkway.
00:29:38Lights.
00:29:40I'm going to be a bandit.
00:29:42In addition to being a guard.
00:29:43No.
00:29:45Actually, this has nothing to do with the ball.
00:29:49You need money, right?
00:29:52I know a man.
00:30:05What do you think?
00:30:06I think it's good.
00:30:08He is hired to spend the days of the collection.
00:30:11Approximately three months.
00:30:13That's enough for me.
00:30:1425,000.
00:30:15Agree?
00:30:16I think it's wonderful.
00:30:21What a leg is this.
00:30:24I'm going to be a bandit.
00:30:26I'm going to be a bandit.
00:30:28I'm going to be a bandit.
00:30:30I'm going to be a bandit.
00:30:32What a leg is this.
00:30:35So, the cell is going to be a bandit.
00:30:38And Eusebio is coming.
00:30:39And he's going to beat you up.
00:30:41Eusebio, no, father.
00:30:43The last day I had a cramp.
00:30:45It was milk.
00:30:46What milk, father?
00:30:48Silence, milk.
00:30:49No one speaks here but me.
00:30:51Eusebio beats you up.
00:30:54Shut up.
00:30:57Then the owner of the mercery will come out.
00:31:00Eusebio will take advantage of this opportunity to come in and operate.
00:31:07It's a shame that Manuela is not here.
00:31:10Do you want to believe that I miss her?
00:31:14I'm getting old.
00:31:16The important thing is that the owner of the mercery does not come back to the store.
00:31:21So Eusebio, without getting upset...
00:31:24Good afternoon.
00:31:26Daughter.
00:31:28My daughter.
00:31:30You're back home.
00:31:32I knew it.
00:31:34If it could not be otherwise.
00:31:36If the goat always throws the mountain.
00:31:40Well, then you have to change Eusebio's role for Manuela's.
00:31:44Thank goodness you came.
00:31:46Manuela, dressed as she knows.
00:31:49No, father.
00:31:50I have not stayed again.
00:31:52And much less to intervene in that.
00:31:54And if I may, I want to...
00:31:56Do not come here to give sermons.
00:31:59Bad daughter.
00:32:02But he wants to kill me.
00:32:04He wants to kill me.
00:32:06Say what you want.
00:32:08Father, what I want is for you to recover.
00:32:11And that bastard go to school.
00:32:13Silence.
00:32:15Out.
00:32:18Do not you want to know where I live or what I do?
00:32:21What I want is for you to go.
00:32:25If I did not have to come.
00:32:28Who do you owe this to?
00:32:30Nobody.
00:32:31I earned it with my work.
00:32:33With your what?
00:32:38All right.
00:32:39What day of the month do you charge?
00:32:42The fifteenth.
00:32:43Well, then until the fifteenth of next month.
00:32:49And you know we like to see you around here.
00:32:54Goodbye, father.
00:32:57And you, do not do yours.
00:32:59I know you very well.
00:33:01Careless.
00:33:02Careless.
00:33:08Cerso.
00:33:10Follow your sister.
00:33:11Come.
00:33:14In other words, we have the artistic buildings
00:33:17with the town hall in the first place.
00:33:19The house of Cisneros, the house of Lujanes,
00:33:22the house of La Panaderia, Spanish courts,
00:33:25Quartel del Conde Duque,
00:33:36Puerta del Hospicio and Palacio Real.
00:33:38In other words, what?
00:33:40What a day, daughter.
00:33:41What a tomato there was in the retreat.
00:33:43Yes, well, here ...
00:33:44People do not think more than get involved.
00:33:47And as one does not have the relief of the fine.
00:33:49Hey, father.
00:33:50I think the crack has opened a little more.
00:33:52What do you want me to do?
00:33:53That I put a friend of bread?
00:33:55Come on, give me the lesson.
00:33:57Leave me alone, woman.
00:33:59That one also has the right to rest.
00:34:01Come on, I say, right?
00:34:02Selfishness.
00:34:03That's what there is in the world.
00:34:04Selfishness and nothing else.
00:34:06And immorality.
00:34:10Is dinner ready?
00:34:11You have to heat the potatoes.
00:34:14If there were correctionals for parents.
00:34:16Rest, girl.
00:34:18That's what it should be.
00:34:20Good rest.
00:34:21I'm already retired and lying on the floor all day.
00:34:27Hey, you.
00:34:29You are very excited.
00:34:31That of being a guard.
00:34:33You already know.
00:34:35Well, as you get that idea in your head,
00:34:37you will touch the whistle on the main road.
00:34:40And you will put a very fat moustache.
00:34:42That.
00:34:43It is that you are going to fry the moustache.
00:34:45I tell you.
00:34:57Manuela.
00:35:00Do you forgive me?
00:35:11Hello.
00:35:12Where are we going?
00:35:16To work.
00:35:25I know you've been looking for a good plug.
00:35:27I don't think Ignacio has much hand in the town hall.
00:35:29Hey.
00:35:31Do me a favor.
00:35:32The tenancy of the mayor of the Latin district.
00:35:35Idiot.
00:35:36But what do I have to do for you to put a fine on me?
00:35:38Hey, call a guard.
00:35:40Who is this?
00:35:41The imbecile of my boyfriend.
00:35:43Well, I was leaving.
00:35:45What I like most about the body of the Alabarderos is their discretion.
00:35:50I thought we were done.
00:35:52These are things that one says at a time of obfuscation.
00:35:54So, guard.
00:35:55Are you seeing him?
00:35:58What are we going to do to him?
00:36:00Ask me for forgiveness.
00:36:03That I am a very man, Josefina.
00:36:05For that very reason.
00:36:07The P with the E.
00:36:08P.
00:36:10Forgive me, woman.
00:36:12With great pleasure.
00:36:23Hey, please.
00:36:24Are you free?
00:36:25To fight.
00:36:27Well, of course I'm free.
00:36:30More free than anyone.
00:36:33Well, love to the side.
00:36:35The farther the better.
00:36:39Let's go.
00:37:09Ah.
00:37:35Who is it?
00:37:36What do I owe you?
00:37:37It's...
00:37:38It's...
00:37:39130 pesetas.
00:37:44Here.
00:37:47How barbaric.
00:37:50Shall I wait for you?
00:37:52No, thank you.
00:37:53It's just that maybe you can't find another taxi.
00:37:57I'll be back in the subway.
00:37:59Oh.
00:38:00Uh.
00:38:01Uh.
00:38:02Uh.
00:38:03Uh.
00:38:04Come on.
00:38:07Come on.
00:38:38It...
00:38:39It feels more like a catwalk.
00:38:40Say, I've never felt such a spirit before.
00:38:41In a way, yes.
00:38:47Do you know how I don't feel that way?
00:38:51Eh?
00:38:52Home...
00:39:00Hey.
00:39:01But, so...
00:39:02What do you do here?
00:39:04You can't park here!
00:39:05You can't park here!
00:39:06But...
00:39:08We're leaving now, General.
00:39:10My son!
00:39:14No general, no...
00:39:17And I'm not asking for a fine!
00:39:25Here I am.
00:39:28I didn't tell you I was going to the subway.
00:39:29And there's no strike, huh?
00:39:30The taxi is more...
00:39:32Comfortable.
00:39:34It'll be more comfortable, but I don't have any money.
00:39:36It doesn't matter.
00:39:38I'll get it on the way.
00:39:40But you know where I live.
00:39:42Anyway, I'll get it on the way.
00:39:46That's fine.
00:39:51Shameless.
00:39:52What a nuisance.
00:39:59Is something wrong?
00:40:01I'm fed up.
00:40:02Our house is in ruins and I have to leave it.
00:40:04I've been looking for an apartment for six months.
00:40:06But they're all too expensive.
00:40:07Less than a million.
00:40:09If I were a taxi driver, I'd leave this one.
00:40:12But apartments, no.
00:40:15My name is Mariano.
00:40:18And I'm Charo.
00:40:20This is A4 Romeo, Yucatan, America.
00:40:234RYA, coming back to you.
00:40:25I'll get you 5-9 more.
00:40:27Thank you for answering my call.
00:40:29And I'm very happy for that QSO.
00:40:31I'll give you the change for the end.
00:40:33Go ahead, EA4WST.
00:40:36For EA4 Romeo, Yucatan, America, change.
00:40:414RYA, this is EA4 Whiskey, Sierra Tango,
00:40:46returning to the finals with 100%.
00:40:49You didn't tell me how you spent the day.
00:40:51For my part, very boring.
00:40:53Give me an R.
00:40:54Since you're asking me, dear 4WST,
00:40:57I've met the most wonderful girl on earth.
00:41:00Her name is Charo.
00:41:02She has eyes, and a mouth.
00:41:04The advantage of being a taxi driver, EA4WST,
00:41:07is that you can see the world and meet girls.
00:41:10The poor girl is more worried.
00:41:14One moment, EA4WST.
00:41:16I think CN8 Zulu Echo Papa is on the frequency.
00:41:25CN8 Zulu Echo Papa.
00:41:28This is EA4RYA, over.
00:41:32I've been trying to reach EA4WST for a long time.
00:41:37You haven't heard from him in the last few days?
00:41:40I'm very sad. Why? He hasn't called.
00:41:43Well, I'm sorry, son.
00:41:45Over and out.
00:41:53Charo.
00:41:55Charo.
00:41:57Article 46, followed by 45,
00:42:01and preceded by 47.
00:42:04It says that motor vehicles can run on gasoline,
00:42:08heavy oil, or coal.
00:42:12It's forbidden to open the doors of the carriages.
00:42:15Don't blow, miss.
00:42:17We're waiting, Miss Garcia Moreno.
00:42:20It's as if a sponge had passed me.
00:42:22But I promise I'll remember it.
00:42:24Miss Celinda Cobarrubias Manjón.
00:42:26At your service.
00:42:27It's forbidden to open the doors of the carriages.
00:42:30The infractions will be sanctioned with a fine of 250 pesetas.
00:42:40The rivers of Spain are the Black Sea, the Garona and the Danube.
00:42:43Who teaches you geography?
00:42:45Rafa, the oldest boy in the house.
00:42:47What a teacher you've become.
00:42:49It's wrong.
00:42:50It's the most horrible thing I've ever heard.
00:42:52But she can at least talk.
00:42:54She'd better shut up.
00:42:55The same thing happened to me when I was asked a question.
00:42:58I didn't remember anything. Absolutely nothing.
00:43:00Until I closed my eyes and said,
00:43:02I have to remember, I have to remember because I know.
00:43:05And you remembered?
00:43:06Sometimes yes, sometimes no.
00:43:07Until the exam came.
00:43:09And what happened in the exam?
00:43:10I remembered everything.
00:43:11It was as if a window had opened for me.
00:43:14The worst part is this.
00:43:17Let's see, Article 16, Chapter 1 of the Ordinances.
00:43:20The crossing of the footpaths must be carried out
00:43:22by the stripes marked by the passage of pedestrians.
00:43:25And where they do not exist, following the crosswalk
00:43:27indicated by the agents in charge of regulating the traffic.
00:43:30But then, at the time of the truth,
00:43:32the very scoundrel...
00:43:43What's going on?
00:43:45What's going on?
00:43:46What I was afraid of.
00:43:56Well, don't scream like the other night.
00:43:58It's just that with you there is no one...
00:43:59You're going to travel on top.
00:44:01You have to do it as I tell you.
00:44:03You see?
00:44:05And you're going to pay more attention to her or to me?
00:44:09Rafa, Pepi would never have thought of it, corrupting a minor.
00:44:13He's the one who corrupts me, Miss.
00:44:15Silence!
00:44:16We didn't do anything wrong, Dad.
00:44:17As you see fit.
00:44:18You've been misleading me with your lessons.
00:44:20Show me everything the other way around.
00:44:21You want to be a guard, Dad.
00:44:22You want to leave the house and let Mom do the dishes.
00:44:24I want to improve my condition.
00:44:28Where is the Hebrew born, Pepi?
00:44:30In Murcia.
00:44:31Oh, Murcia.
00:44:35What were the names of the Catholic kings?
00:44:37David and Velarde.
00:44:38David and Velarde.
00:44:40Your aunt is not sick, is she?
00:44:42No, ma'am.
00:44:43I was just telling you so I could go out and teach.
00:44:46But don't worry.
00:44:48I'm leaving tomorrow.
00:44:50You're not going anywhere.
00:44:52You're not leaving this house unmarried or as a guard.
00:44:55And this scoundrel is going to fix what he's done.
00:44:58He's going to teach you five hours a day.
00:45:00But under the sun.
00:45:01With light and taquitos.
00:45:03And now go to bed, Casanova.
00:45:05Yes, yes.
00:45:07You're lying.
00:45:09I'm not, Dad.
00:45:10I've been following him for six days.
00:45:12He's a guard.
00:45:13Proof.
00:45:14I want proof.
00:45:15He's wearing a uniform.
00:45:18Does he have a gun?
00:45:19No.
00:45:20No guns.
00:45:27Manuela is a guard.
00:45:29A guard.
00:45:33But why have we fallen so low?
00:45:36But why are you doing this to your father?
00:45:41The youth is rotten and rotten, Celso.
00:45:44I'm telling you.
00:45:46My son.
00:45:47Promise me at this solemn hour.
00:45:49That no matter what happens.
00:45:52You will be a guard.
00:45:54I promise you, Father.
00:45:56Good boy.
00:45:58Good boy.
00:46:06And you here.
00:46:08Don't you have anything to say?
00:46:11I was thinking, Father.
00:46:13Thinking?
00:46:14Yes.
00:46:15Maybe it's not a bad idea for Manuela to be a guard.
00:46:17So she can help us.
00:46:21Does anyone have anything else to say?
00:46:27What day is it today?
00:46:29Eight.
00:46:30Eight?
00:46:34Well, then.
00:46:36Eight.
00:46:39And seven.
00:46:42Fifteen.
00:46:50Good morning.
00:46:51Good morning.
00:46:52Hi, what's up?
00:46:57You again.
00:46:58I didn't ask for a taxi.
00:46:59Do you realize that?
00:47:00I told you I don't have money to go by taxi.
00:47:03Money doesn't matter.
00:47:07Today is my day off.
00:47:09I'll take you wherever you want.
00:47:10Wherever I want, right?
00:47:12I'm going to five or six different places.
00:47:14Very far from each other.
00:47:16The more places, the better.
00:47:19I'll make you wait.
00:47:22A soap opera?
00:47:24I'll take you to the spa.
00:47:34I'm a terrible woman, you know.
00:47:40The most terrible of them all.
00:47:43And where are we going?
00:47:45To Mata Hari?
00:47:48To Boadilla del Monte.
00:47:51I love Boadilla.
00:47:551824.
00:47:56Boadilla del Monte.
00:47:58I love Boadilla.
00:48:00Boadilla.
00:48:011824.
00:48:03Go to number 67 of the Paseo de Extremadura.
00:48:05Mr. Tormes.
00:48:08Tell Mr. Tormes of the Paseo de Extremadura
00:48:10to get another taxi.
00:48:12Today is my day off.
00:48:13And on my day off, I do anything but
00:48:15go to the Paseo de Extremadura
00:48:17to look for Mr. Tormes.
00:48:18Over.
00:48:19I speak Spanish.
00:48:21Left, right, left.
00:48:23Left.
00:48:28Stop.
00:48:31Stop.
00:48:33At your command, officer.
00:48:34No news.
00:48:35Ten days off, sergeant.
00:48:36Message now.
00:48:37Slow and steady.
00:48:38Yes, ma'am.
00:48:39Stop.
00:49:00What a mess, son.
00:49:04Don't touch me.
00:49:05It's for your mother.
00:49:06What's wrong?
00:49:07I'm hurt.
00:49:09The scapula.
00:49:11What's that?
00:49:12This part here.
00:49:16What did they do to you?
00:49:18Judo.
00:49:19Judo, too?
00:49:21Have you signed up for the CIA, Pepi?
00:49:24I forbid you to teach Judo again.
00:49:26The Iberian man is out.
00:49:28He's out of his mind.
00:49:29Don't yell at me.
00:49:31Or the Judo, or me.
00:49:33Emancipation.
00:49:34Get out of this car.
00:49:36With pleasure.
00:49:40And now you're going to Madrid on foot.
00:49:43You don't believe that, do you?
00:50:01There's going to be blood here, Pepi.
00:50:03A lot of blood.
00:50:06A lot.
00:50:11Hey, kid.
00:50:12Can we open the bottle to celebrate?
00:50:14To celebrate what, father?
00:50:16The moving.
00:50:17I can't believe it.
00:50:19Raise your hearts.
00:50:20At least it's time to see the face.
00:50:22Your father's right.
00:50:26Have you seen a mattress over there?
00:50:28How will we see a mattress?
00:50:30Just a moment.
00:50:32I asked a civilized question and I demand
00:50:34I told you to answer me in the same tone, but how can you consent to be shouted at by a guard?
00:50:55What's going on?
00:50:56What's going on?
00:50:57What's that?
00:50:58That's the subway.
00:51:00What? The subway?
00:51:02Of course.
00:51:04Hey, isn't there a glass over there?
00:51:06No, sir. The glasses are in the bottom of the trunk.
00:51:08And you can't take the clothes out of the trunk and give me a glass, can you?
00:51:12No?
00:51:13Well, then you drink to your heart's content.
00:51:17Hey, hey, hey.
00:51:18Be careful.
00:51:19Be very careful with the shells.
00:51:21It's a bad memory.
00:51:22Don't worry.
00:51:24Here.
00:51:27Help me.
00:51:31Let's see.
00:51:32Leave it to me.
00:51:33If you push, you can close it.
00:51:37That's it.
00:51:39Now you can take out the trunk.
00:51:41And you are also going to guard.
00:51:45Hey, have you seen my boina?
00:51:47A black one.
00:51:48With a little tail.
00:51:54Let me go.
00:51:55But why are you crying, daughter?
00:51:57And you ask me?
00:51:59Because we don't even have a place to carry the furniture.
00:52:02What do you mean we don't have it?
00:52:04The furniture goes to the warehouse in the park.
00:52:06Yes, and we also go to the warehouse in the park.
00:52:10Don't worry.
00:52:11No.
00:52:12I think I can fix it.
00:52:13You have to abuse a little, of course.
00:52:15But what are we going to do?
00:52:17Well, this is already worth it.
00:52:19Well, I don't think it's that bad.
00:52:23In the war we had a family of albacete here.
00:52:26And two nuns, me and Arzo.
00:52:28And we got so rich.
00:52:31Not even the fifth.
00:52:33Listen.
00:52:34At least bronze medal.
00:52:37Thank you very much, Don Agustin.
00:52:39No, no, no.
00:52:40Agustin Asecas.
00:52:41For you, Agustin.
00:52:45Well, now there's only one place left.
00:52:47Where to hang the bird.
00:52:49Away from your beloved cats.
00:52:52Have.
00:52:53Please, Ignacio.
00:52:54Take the bird to the room.
00:52:56Can I help you?
00:52:57Of course.
00:53:01Well.
00:53:02If now you let me order my room.
00:53:06It's not your room, Dad.
00:53:07It's mine.
00:53:08But if you're going to sleep in the kitchen.
00:53:11How?
00:53:12Me in the kitchen?
00:53:13Yes.
00:53:14A jury of career.
00:53:16In the kitchen.
00:53:17But in a Turkish bed.
00:53:19No matter how Turkish you are, ma'am.
00:53:22Come on, Father.
00:53:23Let me fix my room.
00:53:24Okay, okay.
00:53:25This is how you treat a very hard-working father.
00:53:27Come on, Father.
00:53:28Don't worry.
00:53:29Okay.
00:53:39Let's put the cage again.
00:53:41Well.
00:53:52You know something?
00:53:54What?
00:53:56I love you.
00:53:58And I want to marry you.
00:54:00For the church?
00:54:01Sure.
00:54:03But it can't be.
00:54:04You don't know what my family is like.
00:54:06I want to marry you.
00:54:08Not with your family.
00:54:09But you don't know what my father and my brothers are like.
00:54:21You know what I tell you, my love?
00:54:23That we get together.
00:54:24It goes against my principles.
00:54:26But we get together.
00:54:27I want to marry you.
00:54:29You've said it three times.
00:54:31Ras con ras.
00:54:33You won't get away with it.
00:54:39Aunt Rafaela.
00:54:41Let's give you some surprising news.
00:54:43Nothing surprising.
00:54:45You already knew.
00:54:46For certain things, I don't need the ball.
00:54:49And now, go.
00:54:50Why?
00:54:51Because you're not at home yet.
00:54:53And you know very well that in our family,
00:54:55all our lives,
00:54:57we've had a very strict concept of morality.
00:54:59Go.
00:55:00Come on.
00:55:05Now I'm going to whistle.
00:55:15Who's playing with the whistle?
00:55:17Let me do it.
00:55:19Okay.
00:55:20But later in bed.
00:55:23Both of you.
00:55:26Put the whistle wherever you like.
00:55:32Will you let me play the whistle another day?
00:55:34If you're good, yes.
00:55:37Good night, Daniel.
00:55:38Good night.
00:55:50Pepi.
00:55:51Come here for a moment.
00:55:56Are you going to leave very soon?
00:55:58Well, as soon as I pass.
00:56:00If I pass.
00:56:01I hope so.
00:56:03And you'll never come back?
00:56:05Yes, I'll come back many times.
00:56:08Are you going to marry your boyfriend?
00:56:10I guess so.
00:56:12Is your boyfriend very old?
00:56:14He's the right age.
00:56:17Will you forgive me?
00:56:19I was only doing it to...
00:56:21Shut up.
00:56:22How can I not forgive you?
00:56:24It's the most wonderful thing that's ever happened to me.
00:56:27Right turn.
00:56:33This step.
00:56:35Attention.
00:56:37I thought I was getting rid of the militia for being a widow.
00:56:40Halt.
00:56:42Halt.
00:56:44At ease.
00:56:47At ease.
00:56:49At ease.
00:56:50At ease.
00:56:51At your service.
00:56:52Do you have any orders?
00:56:53Send the traffic agents' signal boards.
00:56:55At your service.
00:57:00Open rows.
00:57:02One, two.
00:57:03One, two.
00:57:05Deploy.
00:57:08Halt for vehicles coming from the front.
00:57:14Halt for vehicles coming from the back.
00:57:16Halt for vehicles coming from the front and from the back.
00:57:22Halt for vehicles coming from the front and from the back.
00:57:29Halt for vehicles coming from the right.
00:57:33Halt for vehicles coming from both sides.
00:57:37Look at the monitor.
00:57:39Look at it.
00:57:41What is it?
00:57:42Try to look good because they're watching you.
00:57:44Anyway, I'll be nearby in case you need a hand.
00:57:57Good morning.
00:57:58Please, Apodaca Street.
00:57:59Apodaca.
00:58:00Apodaca, right?
00:58:02Let's see.
00:58:05Well, a mess.
00:58:09At your service.
00:58:10There's nothing new.
00:58:11This Apodaca...
00:58:12This must be here, of course.
00:58:13Go see what's going on.
00:58:14Anything else?
00:58:15No, thank you.
00:58:16At your service.
00:58:20Apodaca.
00:58:43Apodaca.
00:58:44Apodaca Street.
00:58:45I
00:59:15Remember
00:59:45Is
01:00:15No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
01:00:45much
01:00:49distance insignificant
01:00:55chufla chufla el baturro chufla chufla que como nota la parte 2 le dice el
01:00:59futuro apunta de una desgracia o más señores retiró por favor los coches y
01:01:04sea más prudentes en lo sucesivo afortunadamente no ocurrió nada así que
01:01:07por favor dejen libre la calzada bueno venga venga no te embodies que me
01:01:10parece que no se vaya no se vayan criaturas criaturas es igual bueno
01:01:13Look, there are two solutions.
01:01:15Either you break our backs publicly at the retreat,
01:01:18or you share the insurance.
01:01:19Share the insurance? That's what we pay for.
01:01:21All right, all right.
01:01:25Let's see.
01:01:27Fistula number.
01:01:28Another.
01:01:30Braguero number.
01:01:31Dear friends,
01:01:32because more than aspirants, you are already our friends,
01:01:35we are finishing the academic period.
01:01:38Now comes the real test of fire.
01:01:41The final exam.
01:01:44I would like to have them all here,
01:01:45but unfortunately there are only a few seats.
01:01:48To those who approve,
01:01:49my most cordial congratulations,
01:01:50and the desire for a close and effective collaboration
01:01:53for the good of our city.
01:01:54To those who do not pass the test,
01:01:56I ask you to persevere and move on,
01:01:59because they all deserve to be with us.
01:02:01To all, absolutely to all, good luck.
01:02:05La, la, la, la, la, la, la, la.
01:02:09La, la, la, la, la, la, la, la.
01:02:12The driver who is going to make a change of direction
01:02:15will have to signal this maneuver with enough anteleration.
01:02:19Will you say something?
01:02:21No, Mr. Cecilio, nothing.
01:02:24The driver who is going to make a change of direction
01:02:27will have to signal this maneuver with enough anteleration.
01:02:31It is a real wonder of the German technique.
01:02:34Everything you'd like to know about the Pájaros.
01:02:37From the Sisonte's bet,
01:02:39to the curious customs of the Northern Chocha.
01:02:43Very interesting.
01:02:45Very interesting.
01:02:47The Andarríos' nest has always filled me with doubts.
01:02:51I suppose I could pay you in installments.
01:02:56Miss!
01:02:58Listen!
01:02:59At present, the body has 115 policemen, 5 sergeants, 2 sub-officers and 1 officer.
01:03:05Bring it, I'll review it for you.
01:03:08In 1720, during the reign of Philip V,
01:03:11the Conde Duque's barracks was built,
01:03:13then called the Guards of Chorus,
01:03:15and today it is the residence of the female group of the municipal police.
01:03:18In that place were housed the Spanish companies,
01:03:21German, Italian and Flemish,
01:03:23destined to the royal escort.
01:03:25I'll open, Pepi. You go to study.
01:03:28It's the milkman.
01:03:29Well, I'll open the milkman.
01:03:31Thank you, ma'am.
01:03:32The chief was the monarch,
01:03:33and the four captains of the escort, great of Spain, first class.
01:03:37How do you spell Baraunda?
01:03:40B-A-R-H...
01:03:43Accent...
01:03:45In the Unda.
01:03:46In the U.
01:03:53Please, miss, don't take me to the police station.
01:03:55I'm a poor orphan.
01:03:56My brothers need penicillin.
01:03:58Are you ready?
01:03:59You're going to spend six years and one day in jail.
01:04:04Evaristo.
01:04:06Manuela.
01:04:07It had to be you.
01:04:09Of course, it's logical.
01:04:11It had to be me, precisely.
01:04:13But if you don't even know how to pull the trigger,
01:04:15as God commands.
01:04:16Pardillo.
01:04:19Take it yourself.
01:04:21And tell Father that you have stolen your own sister.
01:04:23Don't be dramatic, Manuela.
01:04:24Go.
01:04:25Go right now.
01:04:26Okay, I'm going.
01:04:30God bless you, Mary full of grace.
01:04:32Lord, with you, blessed art thou among all women,
01:04:35and blessed is the fruit of thy womb, Jesus.
01:04:38Holy Mary, Mother of God,
01:04:40pray for us sinners,
01:04:42now and at the hour of our death.
01:04:44Glory to the Father, glory to the Son, glory to the Holy Spirit.
01:04:48As it was in the beginning, now and forever,
01:04:50and for the centuries of the centuries.
01:04:52Amen.
01:04:53Second mystery.
01:04:54Father.
01:04:55Our Father, who art in heaven,
01:04:57hallowed be thy name.
01:04:59Thy kingdom come,
01:05:01thy will be done,
01:05:03on earth as it is in heaven.
01:05:06We were expecting you today, daughter.
01:05:09Today is the 15th.
01:05:11You'll be surprised to see us like this,
01:05:14but you didn't know you had a great-aunt, did you?
01:05:20Celso is going to school.
01:05:23Celso is going to school.
01:05:26As God wills, daughter.
01:05:28And these two are going to work.
01:05:31Me? To work?
01:05:33Is that clear?
01:05:34To work all over the world?
01:05:36And you, Father?
01:05:38I'm a pauper, daughter. I'm a poor old man.
01:05:41A poor old man,
01:05:42who is going to work in Almeria,
01:05:44making roads.
01:05:46Daughter, how hard it is.
01:05:54Today is the 15th.
01:05:56Oh, yes.
01:05:59May this saint get her place,
01:06:02and become a comprehensive and effective agent.
01:06:07Our Father, who art in heaven,
01:06:09hallowed be thy name.
01:06:11Thy kingdom come,
01:06:13thy will be done,
01:06:15on earth as it is in heaven.
01:06:19The encyclopedia.
01:06:23Ballistics treatise. Three volumes.
01:06:27Ballistics.
01:06:34Betusta's customs of the Assyrians.
01:06:39I'm fascinated by the Assyrians.
01:06:44Anything else?
01:06:46And Heidi.
01:06:49What I had dreamed of.
01:06:52Look, I can't do this to you, Mariano.
01:06:54I'm not a hyena.
01:06:56I'm just a poor girl who's in a mess.
01:06:59Yes, I'm very happy.
01:07:03Yes, my destiny is the academy of the tongue.
01:07:10The tongue?
01:07:12You're the best person I know.
01:07:17You...
01:07:19But I'm not you.
01:07:21You don't understand, Mariano.
01:07:22I don't love you.
01:07:24Give her time.
01:07:27Give her time.
01:07:30Kill her.
01:07:36Don't cry.
01:07:38Don't cry.
01:07:41I...
01:07:43I don't love you either.
01:07:46Damn it!
01:07:47I'll never pass.
01:07:49I don't remember anything.
01:07:50What about the floor?
01:07:51You don't understand.
01:07:52I don't have a floor anymore.
01:07:53The exam is fixed.
01:07:58And the floor...
01:08:02You'll see.
01:08:06Wait.
01:08:09For a good exam.
01:08:12Protect me.
01:08:15First question.
01:08:17Rights and duties of citizens.
01:08:20Organs of the state.
01:08:23And fundamental laws.
01:08:26Each of you must carry out the subject according to your criteria.
01:08:30You have 45 minutes.
01:08:37Here, 4-R-Y-A.
01:08:41Me.
01:08:424-R-Y-A.
01:08:43It's me.
01:08:44Mariano.
01:08:45The connection is established.
01:08:46Over.
01:08:47Now I can hear you well, 4-R-Y-A.
01:08:49Can you hear me?
01:08:52Rights and duties of citizens.
01:08:56Let's see.
01:08:574-R-Y-A.
01:08:58Me.
01:08:594-R-Y-A.
01:09:00It's me.
01:09:01Mariano.
01:09:02The connection is established.
01:09:03Over.
01:09:04Let's see.
01:09:09Rights and duties of citizens.
01:09:14Here it is.
01:09:15Write, but don't get nervous.
01:09:19I dictate at the speed you want.
01:09:22And above all, keep calm.
01:09:25It's essential.
01:09:26And don't interrupt me, because if you talk, it's dangerous.
01:09:32...rights and duties of the citizens...
01:09:39...of the citizens...
01:09:46...of the...
01:09:51What are you saying, 4RY? I don't understand. Speak clearly.
01:09:59What?
01:10:02I... I... I swear I...
01:10:18You know what I'm telling you, 4RY?
01:10:21I can't take it anymore. Shut up. Leave me alone. I'll take care of it myself.
01:10:26I'm telling you, 4RY, that I don't want to see you again.
01:10:30You hear it in my life short
01:10:36It happens to me something no nothing was mentally reviewing the issues my officer
01:10:42Calm down, you know the program perfectly is able to answer any question
01:10:48Thank you, they have 15 minutes left
01:11:00I
01:11:30I
01:11:49Stole a problem
01:11:51Oh
01:11:56Hombre si ha probado y gracias a ti toma
01:12:00Enhorabuena y muchas gracias y te lo repito no quiero volver a verte en mi vida lo oyes en mi vida
01:12:08Piso
01:12:10Y
01:12:24Cuatro R y R zeta de hija victor bravo
01:12:30Cuanto tiempo sin oírte como estáis todos oye necesito un piso dos alcobas estar comedor
01:12:36And I have what you're looking for for our way a two bedrooms a living room and a big terrace and
01:12:46I am very glad to have resolved your problem. It is muy amable de hija cero bebé
01:12:53Pero en berlín no me sirve ella vive en madrid corto
01:12:57C
01:13:02Q c q c q de cuatro r y llamada general a todos los radio aficionados en el área de madrid
01:13:11necesita un piso salón comedor dos alcobas
01:13:14renta moderada lo más moderada posible aquí ea4 w st atención ea4 r y
01:13:24Creo que tengo lo que necesitas dos habitaciones
01:13:27Salón comedor ampli si graza cocina alicatada y cuarto de baño renta moderada dios te bendiga
01:13:34ea4 w st como te llamas raúl yo mariano podemos vernos personalmente
01:13:41si
01:13:42cafetería little rock once menos cuarto pm
01:13:45y como te reconoceré raúl ea4 w st
01:13:50llevaré un transistor mariano ea4 r y
01:13:54Corto gracias corto yo llevaré un transistor también
01:13:58I
01:14:28I
01:14:38Aquí ea4 romeo yucatán
01:14:43américa ea4 romeo yucatán américa
01:14:47llamando a ea4 whisky sierra tango atención atención y a mariano
01:14:53raúl
01:14:56Que ganas tenía de conocerte hombre eres mucho más joven de lo que pensaba bueno cuéntame
01:15:03Has oído
01:15:06vivir
01:15:09Es un defecto de
01:15:13Pequeñísimo está seguro de que tú eres ea4 romeo yucatán américa de toda la vida
01:15:19Y
01:15:26Porque no nos vamos a casa y nos llamamos será muchísimo más sencillo
01:15:35Dos habitaciones a un comedor muy buen precio muy buen precio
01:15:49De alemania
01:15:54Qué tal bueno bastante bien diría yo y tú un poco nerviosa
01:15:58Manténlos a raya sobre todo los que bajan por serrano van como locos nos vemos luego en casa de charo suerte
01:16:05gracias
01:16:12Aquí llega su relevo a sus órdenes mi general que llevo observando un rato pareces una veterana
01:16:18Me da vergüenza que tú me digas este has aburrido mucho no al contrario
01:16:24luego vienes a mi casa
01:16:26Bueno una botella de vino
01:16:33Adiós
01:16:48En
01:16:52Nombre de la chica excelente
01:16:54quiero dar las gracias a todos y en nombre del padre de la chica excelente ya con un pie en la tumba
01:17:04Momento cuando se ha trabajado tanto se está más allá que aquí pero papá
01:17:11ya con un pie en la tumba
01:17:14En esta hora solemne
01:17:19Y
01:17:21El reloj del abuelo si antes he mirado la hora donde demonios
01:17:38Aquí está
01:17:40Es
01:17:45Hombre si no tienen ustedes sentido del humor
01:17:54Se lo decimos
01:17:59Yo quisiera anunciar algo muy importante
01:18:10Que Dios os bendiga hijos míos siento no ser guardia a mí me gustan más los mecánicos
01:18:21Y tú Rafa no te preocupes que tengo una hermana que está de miedo
01:18:32Oiga
01:18:34Eso del pie sobre la tumba lo decía usted por mí
01:18:40todo lo contrario señora y ya me metinín que me rejuvenece
01:18:49Y hablando de otra cosa
01:18:51puede saberse quién les ha proporcionado a ustedes este hermoso piso un señor de la caja de ahorros
01:18:58no hija era un taxista
01:19:00un taxista
01:19:02Que se llama mamá
01:19:26Se llama Mariana
01:19:29Un número de licencia
01:19:33No sé sabe la matrícula del coche trabaja por cuenta propia o es asalariado
01:19:39mire es un poco
01:19:42Tataja no y porque no pregunto a la oficina de objetos perdidos hombre muy gracioso
01:19:58A
01:20:14Comprar una pilina esta libre voy a encerrar esta libre
01:20:29Ah donde vamos a cádiz
01:20:45Para
01:20:47Ah
01:20:56Me perdonas
01:20:59No tengo por qué claro que sí mírame hombre
01:21:06Ya sé que gracias a ti tenemos el piso
01:21:09La
01:21:11caja p
01:21:13de ahorros gracias a ti mariano no decías que el que la sigue la mata bueno pues matame
01:21:25Te quiero eres lo que más quiero en el mundo lo único llevo diez días sin saber lo que hago ni a dónde voy
01:21:33No pretendo darte pena ni que me agradezcan lo del piso
01:21:37Mucho tiempo favor de jameson pero mil 621 pero si yo soy casada
01:21:47No pipi
01:21:48pienso de dejar de nunca yo
01:21:54también te quiero
01:21:56Ah
01:22:04Pero hija también
01:22:10Esta ola del autismo que nos invade
01:22:57Y ya nuestra alegre historia termina digamos adiós a estas heroínas
01:23:06Adas de la calle muchachas divinas que hacen un perfume de la gasolina
01:23:12Y con dulce encanto y tierno desvelo el refrán antiguo vuelve en realidad y otra vez los hijos de esta gran ciudad
01:23:19podemos gritar de madrid
01:23:27P p p p p p
01:23:41P p p p p p
01:23:57P p p p p p
01:24:06P p p p p p
01:24:15P p p p p p
01:24:19P p p p p p