Liebe in drei Dimensionen (1973) Full Movie

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Transcript
00:00:00I'll show you how to do it.
00:00:30I'll show you how to do it.
00:00:51Deb!
00:01:00I'll show you how to do it.
00:01:02I'll show you how to do it.
00:01:04I'll show you how to do it.
00:01:06I'll show you how to do it.
00:01:29Please excuse me.
00:01:31I'm sorry, but the water made you self-sufficient.
00:01:34I'm sorry, but the water made you self-sufficient.
00:01:36No, no, it's fine.
00:01:48I'm sorry, but the water made you self-sufficient.
00:01:51It's fine.
00:01:52Where are you going?
00:01:54To see my sister Dagmar Hertel.
00:01:56Is she awake yet?
00:01:58What do you think?
00:02:00It's about time to celebrate at work.
00:02:18You're Petra, right?
00:02:20Come in.
00:02:23I'm Wolfgang.
00:02:27You're just in time.
00:02:29I...
00:02:31Dagmar!
00:02:32Hi, Petra. Make yourself at home. We're in the middle of something.
00:02:38No, I'm up for it.
00:02:42Whenever it rings, I get a shock.
00:02:45I hope it'll ring again.
00:02:47Don't worry about it.
00:02:51Don't drink too much.
00:02:53Don't drink too much.
00:02:59Look at you.
00:03:01All I can see is sweat on your forehead.
00:03:03Does Petra look like that to you?
00:03:05Nonsense. I'm just in the mood.
00:03:07I have to start all over again.
00:03:09From me to the back.
00:03:11But hurry up. I'll be in the air in 70 minutes.
00:03:13Don't make such a face. We're just about to say goodbye.
00:03:16If you want, put some eggs in the pan.
00:03:24I don't know what you want.
00:03:26You're talking again.
00:03:28And what a giant you are.
00:03:31You're a monster.
00:03:34And you have such a big mouth.
00:03:41Take it.
00:03:49Petra.
00:03:51Be so kind.
00:03:53Throw the things over there in my bag.
00:04:02It's great that you came.
00:04:06I wouldn't have come to do the most important thing.
00:04:11The most important thing?
00:04:18First of all, the rent is due.
00:04:23The money and the bill are over there in the chest.
00:04:26In the top drawer.
00:04:31I'm counting on you.
00:04:33Oh, my God.
00:04:39You're great.
00:04:42Are you okay?
00:04:45I think I'm going crazy.
00:04:50And now, as I like it.
00:04:52What?
00:05:01Oh, by the way.
00:05:03As far as Coco is concerned.
00:05:05Dear Coco.
00:05:07You can't give him dry bread.
00:05:11That would be senseless.
00:05:13You can give him a peach.
00:05:15And fresh...
00:05:17salad.
00:05:23That must be my taxi.
00:05:26Wait a minute, I'm not ready yet.
00:05:28I'm sorry, but Africa is calling.
00:05:32Fly with the next machine.
00:05:34It's not in there at all.
00:05:37Just a few seconds.
00:05:41Now, now.
00:05:45You see, everything is fine.
00:05:47So goodbye, little wolf.
00:05:49Your pussy mouse has to go to the desert.
00:05:51Come on, say hello, darling.
00:05:53I'm glad you're here.
00:05:54I'm sorry we received you like this.
00:05:56It must have been a shock when you came from Kirchbach.
00:05:58Well, I'd rather not tell my mother.
00:06:00No, I'd rather not.
00:06:01But you'll get behind it, too.
00:06:02There's nothing in there.
00:06:03Besides, we love each other.
00:06:04Man, I hope I don't miss the plane.
00:06:06Take good care of my apartment.
00:06:08Water the flowers.
00:06:09Pay the phone bill.
00:06:11Otherwise they'll block me.
00:06:12And don't call so much.
00:06:14And don't starve my Coco.
00:06:16Throw me the handbag.
00:06:17Where's my ticket?
00:06:20What do you want in South Africa?
00:06:22My company is at the fair and I have to work there.
00:06:25And what do I do with him?
00:06:26Let him sleep.
00:06:27The poor thing has a hot night ahead of him.
00:06:29When he wakes up, give him something decent to eat.
00:06:33Now I really have to go, darling.
00:06:35Bye again and stay clean.
00:06:36And think of me.
00:06:41Ciao.
00:06:42Ciao.
00:06:50Hey, hey, hey.
00:06:51Oh, hey, Puff.
00:06:52Hey, hey.
00:06:54I really messed up there.
00:06:56A strange guy in a booth, no tired mark in his pocket.
00:06:59I'll probably have to go jogging.
00:07:20Rrrrrr.
00:07:23Mr. Reich, wait a minute.
00:07:25I'm going to throw the shit against the wall.
00:07:33Simon.
00:07:34Is he still here?
00:07:35Hey, you.
00:07:36Is Wolfgang still here?
00:07:38Rrrr.
00:07:40Give me that torture, I want to sleep.
00:07:43Yes, yes.
00:07:46Hey, little wolf.
00:07:47Get up, Wolfgang.
00:07:49Come on, get up.
00:07:51What did you do to him? He's completely out of it.
00:07:53He doesn't seem to tolerate much, your friend.
00:07:56Hey, you dimwit. Go swing the stilts in front of the mattress.
00:07:59I have a job for us.
00:08:00Wake up, or I'll get water.
00:08:02I don't understand.
00:08:04If I beat you up, I'll get mild conditions.
00:08:06Don't talk nonsense.
00:08:07Come up with your ass.
00:08:08I'm telling you, I have a job for us.
00:08:09You can easily make a hundred mice tonight.
00:08:12A hundred?
00:08:13Besides, eat and drink freely as much as you tolerate.
00:08:16It's a job.
00:08:17Except for a garden party.
00:08:18Serving the barbecue, giving out beer.
00:08:20No intelligence required.
00:08:22I'm interested.
00:08:23My sleep is more valuable to me than your party.
00:08:25Take care.
00:08:26Damn it, you can't leave me hanging.
00:08:27I guaranteed that we are together.
00:08:30There are so many guys running around, they would be happy to bite each other.
00:08:33Look for another one.
00:08:34Bye.
00:08:35Oh, I'd love to.
00:08:36Excuse the interruption.
00:08:37And tell the guy that if he is available again,
00:08:39in the future he can cross me.
00:08:40Anyway, I won't get him a job anymore.
00:08:42Goodbye.
00:08:43Wait a minute.
00:08:44Do you think there are only guys for this job?
00:08:46Why?
00:08:47Well, I just thought.
00:08:48I just arrived.
00:08:49I have nothing to do.
00:08:50I would like to earn a few marks.
00:08:51Girl, it's great.
00:08:52Of course you come along.
00:08:53Put on something quickly and then we shake off.
00:08:56And don't I need any papers, tax cards and so on?
00:08:58Nonsense.
00:08:59The people we go to, they don't have a tax card either.
00:09:01And were allowed to live.
00:09:02Okay.
00:09:03I just need a minute.
00:09:04I honestly think that's great of you.
00:09:05I would have been in trouble.
00:09:07And I can't stand his snoring.
00:09:09Well, such a party can also be quite nice.
00:09:11Heini.
00:09:15Hello.
00:09:38How do you like it here?
00:09:39Some people.
00:09:41Do you like them?
00:09:43Do you speak German?
00:09:44The main thing is that they pay.
00:09:46Don't let them bully you.
00:09:47You don't recognize me.
00:10:14Stop it!
00:10:16Stop it!
00:10:25A beer?
00:10:26I don't have any.
00:10:27Hey, leave it!
00:10:29Come on, sweetie.
00:10:30We have to get rid of the false morals first.
00:10:33Come on.
00:10:39Stop it!
00:10:40Stop it!
00:10:49Help!
00:10:51Help!
00:10:54A whole new way of life for you.
00:10:57Do you like your girl's dirty pants or do you have a few teeth too much?
00:11:00Get lost!
00:11:02Our jokes don't work.
00:11:03Hold your breath, you narrow-handed.
00:11:04Otherwise you'll wake up in the hospital.
00:11:10What kind of a sad guy are you?
00:11:12The doll is not your private playground.
00:11:26My dear friend, I have observed everything.
00:11:28I can only ask you not to take this joke too seriously.
00:11:31Of course, I will do everything I can to make you forget the incident.
00:11:34Fine, I'm not obtrusive, but...
00:11:36That's very nice.
00:11:37You know what?
00:11:38Go inside and let the cook give you a dress for my daughter.
00:11:40It should suit you.
00:11:41And if you want to cancel, please go to the waitress.
00:11:46Come on, Petra, we'll change and then we'll go.
00:11:48Be careful, don't slip.
00:11:53Man, baroness!
00:12:00Please.
00:12:15Maybe that was a cramp.
00:12:18Tell me, do you have such jobs more often?
00:12:20Those stupid Heines.
00:12:21They think they can get what they want just because they have money.
00:12:24But the owner was very nice to me and he paid me well too.
00:12:27So what?
00:12:29All right, then forget it.
00:12:31I think you could do me a favor.
00:12:33And that would be?
00:12:35You give me a big kiss and say Manfred to me in the future.
00:12:41Don't you want to give me a kiss because my name is Manfred or because you don't like me?
00:12:44I actually think Manfred is very pretty.
00:12:47Could you get used to it?
00:12:49Why should I?
00:12:50It's obvious that we'll see each other again.
00:12:52Or do you have a different opinion?
00:12:53I actually just wanted to look at Munich and the surroundings, of course.
00:12:57Fine, then I'll play your private guide, okay?
00:13:01Watch out, the arrow!
00:13:05Are you afraid?
00:13:06Then I'll get two kisses from you.
00:13:07Never!
00:13:11Are you crazy?
00:13:12Not at all.
00:13:13So I'll get the two kisses?
00:13:14You're right, you won't.
00:13:35No!
00:13:42No, the bird!
00:13:43I think the donkey is beeping.
00:13:55So I'll stop for three kisses.
00:13:56Deal?
00:13:57I'll think about it.
00:14:05Hey, there's a car coming.
00:14:07Where?
00:14:08There!
00:14:10I don't see anything.
00:14:12There!
00:14:13Where?
00:14:14There! You have to see that!
00:14:17Is that so?
00:14:34I don't see anything.
00:15:05So, here we are.
00:15:07To be honest, I've seen myself in the hospital all the time.
00:15:10Sometimes even in the grave.
00:15:13I bet you'll get used to my driving style.
00:15:15Never! I would have won that bet already.
00:15:18Too bad.
00:15:19So then...
00:15:21Hey, what's that supposed to mean?
00:15:22I have three kisses, okay?
00:15:27When can I pick up the others?
00:15:30In a thousand years, you cunning oppressor.
00:15:32What do you mean? Are you coming to see me tomorrow?
00:15:34I'm at the Leisenberg Sports School on SiegesstraĂźe.
00:15:36I'm looking forward to seeing you.
00:15:38Come on, let's go.
00:15:40Give me another kiss.
00:16:32THE LEISENBERG SPORTS SCHOOL
00:17:03THE LEISENBERG SPORTS SCHOOL
00:17:12Come in.
00:17:16Ah, there you are.
00:17:17You see, I've been looking for you for a long time.
00:17:19Ah, yes, thank you.
00:17:21What are you looking at? A bull out of the window?
00:17:24I see, yes.
00:17:26But that's a clean bull.
00:17:29But nothing happens there, I guarantee you.
00:17:32How do you know that so well, Mrs. Huber?
00:17:34She's been living with us for a whole month now,
00:17:36and she's never come home with a romance picture.
00:17:38What's her name?
00:17:40Ah, I forgot.
00:17:41But she's a photo model, you know.
00:17:43They have to be nice and brown all over the body.
00:17:46For the pretty girls, they have to be like that.
00:17:50Well, if you want to talk to her,
00:17:52then you have to come up with something special.
00:17:54Something completely crazy.
00:17:57Well, something completely crazy.
00:18:03FALL OF FRUIT
00:18:14Typical case of a fall of fruit.
00:18:16There, pick it up, your apples.
00:18:23She plays well with her apples.
00:18:25It's a shame that I don't have time for her at the moment.
00:18:27But when I have an appetite for her fruit, I ring the bell.
00:18:30Very well pictured.
00:18:34Oh, a dancer.
00:19:01Oh, sorry.
00:19:02But don't you have an apartment?
00:19:04You again?
00:19:05Are you stalking every person?
00:19:07No, only those with two nipples, a butt, two legs, two eyes,
00:19:10and if possible, hair on the head.
00:19:12Bye-bye, darling.
00:19:14Pictured Heini.
00:19:30FALL OF FRUIT
00:20:00FALL OF FRUIT
00:20:30FALL OF FRUIT
00:21:00FALL OF FRUIT
00:21:23Watch out!
00:21:24FALL OF FRUIT
00:21:54FALL OF FRUIT
00:22:24FALL OF FRUIT
00:22:31It really works.
00:22:37It's like butter.
00:22:44And what now?
00:22:45Now lift the left leg over the rope.
00:22:47Climb over the snow grid with the right one.
00:22:49And a little swing and you're up.
00:22:51Watch out, here comes Tarzan.
00:22:53And now I'll take over.
00:23:07My hands hurt.
00:23:08My sweet hands.
00:23:10And my cross first.
00:23:17We'll do that later.
00:23:18I know something about massage.
00:23:20Lie on your stomach.
00:23:21On my stomach?
00:23:22Put it on your belly.
00:23:23On my belly?
00:23:31Well, isn't that something?
00:23:32Magnificent!
00:23:34You'll feel it in a moment.
00:23:36If you massage properly, it has to sound.
00:23:52Oh shit, I've had enough.
00:24:08I've had enough of this crazy stuff.
00:24:10I like you so much.
00:24:11Finally.
00:24:12What?
00:24:13Finally you dare.
00:24:14I'm sorry, but the landlady told me that you were...
00:24:17Sweet idiot.
00:24:23Yes.
00:24:29Yes?
00:24:30What is it, Mrs. Huber?
00:24:32I just want to ask how the roof garden is doing.
00:24:35Come in, Mrs. Huber.
00:24:36Yes, very good, very good.
00:24:37Well, where is the key?
00:24:38Which key?
00:24:39The one you locked.
00:24:43You mean this one?
00:24:44Yes.
00:24:45Excuse me, we already have it.
00:24:46Yes, very good, Mrs. Huber.
00:24:47And have fun.
00:24:49Tell me...
00:24:50That's the way it is.
00:24:51I've been watching you for days, how you've been watching me.
00:24:54Come on, the climbing should have been worth it.
00:24:57What a beast.
00:25:00You see, I like the things with the fishing rod.
00:25:05You've really come up with something.
00:25:07When you have such good ideas in bed.
00:25:09You'll see.
00:25:20Oh, yes.
00:25:29Man, I'm so happy for you.
00:25:38You see, I'm always dressed up.
00:25:51Have a good flight.
00:26:12Look at that.
00:26:13Now he's done it.
00:26:16Now they're going to fuck.
00:26:19I'm just trying to be right.
00:26:21That's the way it is.
00:26:24Oh, mamma mia.
00:26:25What a woman.
00:26:26What a kiss.
00:26:27And what a...
00:26:30Stop whining about the waitress.
00:26:32It's terrible with you Italkans.
00:26:33It's so stupid, but everything that's fat...
00:26:36It's so cool, you can only get the cold shivers.
00:26:38If you were half as wild at home in bed, then I would understand that.
00:26:41But to stick to the first best fat woman outside,
00:26:43then come home, turn on the TV and watch football,
00:26:45and Avanti screaming, that's all.
00:26:47And when you open your mouth at home,
00:26:48then every second word is just,
00:26:49women, women, women.
00:26:50You can't even hear it, you're going crazy.
00:26:52Enrico!
00:26:54Excuse me, Bella,
00:26:55but my lighter fell in there earlier.
00:26:57There it is.
00:26:58You're spitting as soon as you get out of bed.
00:27:00What's missing?
00:27:01A broken salami.
00:27:02Fanny.
00:27:04Tell me, Fanny,
00:27:05I've wanted to ask you for a long time,
00:27:07but don't you have a central heating at home?
00:27:09Why?
00:27:10Well, because there's so much wood in front of the stove.
00:27:14You're completely crazy.
00:27:16Well, and?
00:27:17Well, nothing bad.
00:27:19Not better.
00:27:20It takes a long time for me to be better.
00:27:23You know, I have a weakness for such candy.
00:27:26I could just bite into it.
00:27:28That doesn't hurt.
00:27:29No, I just mean,
00:27:30but I'd like to bite into it a little.
00:27:32If you like it, that's the main thing.
00:27:34But let me taste the other ones too.
00:27:36Yes.
00:27:39Come on, Fanny, bring us the half first.
00:27:41We still have a big job to do.
00:27:46Boris!
00:27:48And if you're ever in trouble, call Isa 43.
00:27:51That's me.
00:27:52Oh, Fanny.
00:27:54What does the gendarme want from you?
00:27:55Nothing, you're jealous again.
00:27:57Hit the dogs on the fingers when they touch you.
00:27:59I've told you a hundred times,
00:28:00it raises your income and gives me money to drink
00:28:02if you're a little nice to the people.
00:28:04It doesn't hurt me, and they like it.
00:28:06And that it stinks to me, it doesn't matter to you.
00:28:08But go, Theo, you know how much I like you.
00:28:10Don't get all worked up.
00:28:12It's easy to say.
00:28:13I'm in love with you today.
00:28:15And here I'm supposed to hang around like a grapevine
00:28:17and serve the guests like a virgin in vinegar and oil?
00:28:19That's not possible, you can see that.
00:28:22Would you like a beer?
00:28:23No, I'm going to the cinema.
00:28:24As you like.
00:28:29Well?
00:28:30I think you'll get it.
00:28:32Wait.
00:28:33If you have it, write me a greeting.
00:28:37Is there anything else free here?
00:28:39Yes, please.
00:29:02Here you are.
00:29:03Thank you, I'll just smoke a pipe.
00:29:04And your tongue is burning.
00:29:06Have you ever tried it?
00:29:07Yes, but that's not for girls.
00:29:10Hello, what can I get you?
00:29:12Two beers.
00:29:13You still drink beer, don't you?
00:29:14Yes, a small one.
00:29:15There are only big ones out here.
00:29:17So bring me two beers.
00:29:18Two portions of liver cheese and a radish.
00:29:20The lady wants to get to know a real Bavarian meal.
00:29:23You are very kind.
00:29:24Thank you very much.
00:29:25Of course.
00:29:26Have you been in Munich for a long time?
00:29:28How do you speak so well?
00:29:29I've been living in Hamburg for three years.
00:29:31I'm a correspondent.
00:29:32I see.
00:29:33My name is Theo and you?
00:29:35Susanne.
00:29:37I see.
00:29:38My name is Theo and you?
00:29:39Susanne.
00:29:40Susanne.
00:29:41May I ask you for a favor?
00:29:43For what?
00:29:44The maid is my girlfriend.
00:29:46She flirts with men all the time.
00:29:48And now I want to make you a little jealous.
00:29:50Do you want to help me?
00:29:51That's a strange idea.
00:29:52You understand me.
00:29:53It's just a little revenge, so you can see what it's like.
00:29:56Actually, that would be quite funny.
00:29:58Fine.
00:29:59Just a little teasing.
00:30:00That can't hurt you.
00:30:03So.
00:30:07Have you finished?
00:30:08Of course not.
00:30:09Well, cheers.
00:30:10Cheers.
00:30:12And over there with your Spetsi.
00:30:14He seems to be up to something.
00:30:16Yes, that would be quite right.
00:30:17The sooner I can get my Martinshorn into action.
00:30:19Don't you have any plans?
00:30:20Ah, I've already understood you.
00:30:22I'm not that stupid.
00:30:24So, see you later.
00:30:25And Petri, hi.
00:30:26Petri, thank you.
00:30:27And say hello to your old man in front of me.
00:30:30Come on, Stupi, come on.
00:30:32Come on.
00:30:33Come on.
00:30:34Come on.
00:30:35Come on.
00:30:36Come on.
00:30:37Come on.
00:30:38Come on.
00:30:39Come on.
00:30:40The other day, the TV brought a film about India.
00:30:43The pretty dancer.
00:30:45With the incredibly long fingernails.
00:30:47I even learned some of these old temple dances.
00:30:50Show me your hands.
00:30:55If you stay longer in Munich, you have to show me a dance.
00:30:58I'll stay three weeks.
00:31:00Your girlfriend doesn't seem to be interested in us at all.
00:31:03She's a late bloomer, you know.
00:31:07Maybe we should flirt a little harder.
00:31:10You mean we should go for the pudding?
00:31:12Okay.
00:31:13You're nice.
00:31:15You too.
00:31:16You're even fantastic.
00:31:20Shall we go?
00:31:21I'm already over it.
00:31:23I can go now.
00:31:24Or tomorrow.
00:31:25She's your girlfriend, isn't she?
00:31:30Come.
00:31:31We'll go to my place.
00:31:36There's five marks.
00:31:41What's up with you, Struppi?
00:31:43Take it.
00:31:44Sniff, sniff.
00:31:45You shouldn't live like a dog either.
00:31:48See?
00:31:49Now you've got it.
00:31:52Rani, do you have a newspaper?
00:32:00When do you finish tonight?
00:32:02Half past eleven.
00:32:05Is everything ready?
00:32:06Wait in front of the phone booth.
00:32:08Right.
00:32:14Mama mia, the sun is rising.
00:32:15Is that an ass?
00:32:17Keep looking, you Italian son of a bitch.
00:32:23Damn.
00:32:24I couldn't unwrap them in the social apartment.
00:32:26I'd be in the neighbour's apartment.
00:32:28With Fanny, it's easy.
00:32:31Would Fanny be jealous now?
00:32:33Fanny?
00:32:34I don't care.
00:32:36When I look at you like that,
00:32:39with your eyes,
00:32:42with all fours, I mean.
00:32:45The bust,
00:32:46it's all Indian.
00:32:51And the hair.
00:32:55How is that a hair?
00:32:57You have to put it in between.
00:33:02That's...
00:33:05That's Indian.
00:33:07It's enlightening.
00:33:09Now I understand.
00:33:10Now I understand that in this
00:33:13Kasma Sutra...
00:33:15Kama Sutra.
00:33:16Yes, in that, I mean.
00:33:18That they always write
00:33:19that the Indian is only as long as he can do four times a day.
00:33:23Well, with your tits,
00:33:24I could do it 40 times.
00:33:26We Indians like it
00:33:27when you speak well of our body.
00:33:29Yes?
00:33:34No.
00:33:35No.
00:33:36Why?
00:33:37Why are you running away?
00:33:38Come on.
00:33:39Play with me.
00:33:40Yes.
00:33:41That's what I was about to do.
00:33:42Oh, this delicate skin.
00:33:43And if Indian is still so big,
00:33:44when I look at you,
00:33:45mine is much bigger.
00:33:46We Indians like to hear that.
00:33:54You're not ready for love yet.
00:33:57I'm getting ready.
00:33:59You have to look forward
00:34:00to the golden gate of happiness.
00:34:02You have to enjoy
00:34:03the swinging bliss.
00:34:05I can't stop anymore.
00:34:17Do you see the paradise of love?
00:34:19How it attracts?
00:34:21I only see the Indian jungle.
00:34:24Oh, is this going to be a safari?
00:34:28You know,
00:34:29in India,
00:34:30when the great hunters
00:34:31have made good prey,
00:34:32then they go to the house
00:34:33of the coy girls.
00:34:35Yes?
00:34:36But you mustn't take that
00:34:37so literally.
00:34:38Those are the most uncoy girls
00:34:39in the whole world.
00:34:48Now it's your turn.
00:34:51Just as I saw it.
00:34:53On those drawings
00:34:54in the Kama Sutra.
00:35:09And now I want
00:35:10a very strong man.
00:35:12So, get ready.
00:35:15Rock and zuck and rock and zuck
00:35:18and rock and zuck.
00:35:19Again.
00:35:20Rock and zuck and rock and zuck.
00:35:22Now he's rocking.
00:35:23Now he's zucking.
00:35:25Rock and zuck and rock and zuck
00:35:28and, oh, again.
00:35:30Rock and zuck.
00:35:32He's great.
00:35:35He's great, isn't he?
00:35:40Indian thighs.
00:35:44And Indian breasts.
00:35:49Indian lips.
00:35:53And now to India.
00:35:58I'd say,
00:35:59India behind India.
00:36:10And then I'll visit you
00:36:11in India on horseback.
00:36:14That's really Indian.
00:36:16India behind India.
00:36:18You're strong.
00:36:19India.
00:36:22In the front, in the back, in the middle.
00:36:30And now, over the gangues.
00:36:34Is that really so?
00:36:38Please, make it sharp, those sweet things.
00:36:40Watch out, not the sweet things.
00:36:41First around the ears, then you'll fall over right away.
00:36:44You'll fall over first.
00:36:46And don't forget, I'm an officer of the strip.
00:36:49That's no excuse.
00:36:50The strip doesn't help me at all.
00:36:52You have to be careful with me.
00:36:54All right, let's make a big effort.
00:36:56The blue light on, on Martin's horn.
00:37:00Oh, man, you're making me dizzy.
00:37:03You know, you're making me dizzy.
00:37:12Yes, yes, I like that.
00:37:14Something's stirring, I'm getting an appetite.
00:37:19Oh, Jägerl, if the forest is on fire, I want to extinguish it.
00:37:23You know, it's already on fire.
00:37:25Where's the syringe?
00:37:27But extinguish it slowly.
00:37:29You'll need a long time to get it in.
00:37:32You know, I just want to enjoy it.
00:37:40Oh, my, are those doodles?
00:37:42You'll need to put them in danger.
00:37:44Oh, and the legs, are those...
00:37:47Oh, I don't think I can do it anymore.
00:38:00This is the first time in my life I'm nervous.
00:38:02But wait, when I put the lever on, when I step on the gas...
00:38:11Is that a milk farm?
00:38:13Oh, oh.
00:38:35Oh, oh, oh, oh, oh.
00:38:43Hilfe, ich bin in Bergnotung.
00:38:50Die bin ich ja oben.
00:39:13Hilfe, Hilfe, Hilfe.
00:39:29Telephone rings
00:39:38Telephone rings
00:39:43Telephone rings
00:40:13Telephone rings
00:40:43Telephone rings
00:41:13Komm.
00:41:17Komm, alte.
00:41:19Das soll indisch sein?
00:41:21Das ist doch pur bayerisch.
00:41:25Wart's ab.
00:41:28Das ist auch nicht indisch, das ist gar nix.
00:41:35Ach, komm, komm, ich muss dich haben.
00:41:37Das ist aber auch nicht indisch.
00:41:40Das ist ein...
00:41:42Das ist ein wundervoller Sprung.
00:42:03Und ihr habt wirklich gebummst?
00:42:05Ja, freilich. Ich hab so Wut auf dich gekackt.
00:42:07Und ich hatte Wut auf dich.
00:42:09So scharf wie heute bin ich noch nie auf dich gewesen.
00:42:11Das habe ich gemerkt.
00:42:13Ach, diese saudumme Eifersucht ist doch völlig überflüssig.
00:42:15Wir zwei nicht so eifersĂĽchtig gewesen,
00:42:17dann hätten wir das gar nicht erlebt.
00:42:19Ja, da hast du recht.
00:42:21War der Polizist gut im Bett?
00:42:23Das kannst du glauben, der ist an schnellen Einsätzen gewöhnt.
00:42:25Wann triffst du den denn wieder? Seid ihr verabredet?
00:42:27Freitag. Und du?
00:42:29Ach, ich weiĂź, wo die Inderin wohnt.
00:42:31WeiĂźt du was, am Freitag bringst du die Kleine mit
00:42:33und dann machen wir einen strammen FĂĽhrer.
00:42:35Ja, das wollte ich auch gerade vorschlagen.
00:42:38Mein Theodesswetter-Helz!
00:42:54Bitte kommen Sie doch herein.
00:42:56Es war wirklich sehr lieb von Ihnen, Frau Lalissi,
00:42:58dass Sie fĂĽr mich eingekauft haben.
00:43:00Aber das ist doch selbstverständlich.
00:43:02Ein Tässchen Tee?
00:43:04Nein danke. Geht es Ihnen heute wenigstens etwas besser?
00:43:06Ja, danke.
00:43:08Ich habe den Schock schon ein bisschen ĂĽberwunden.
00:43:10So ein schreckliches Erlebnis
00:43:12bleibt einem natürlich nicht in den Kleidern hängen.
00:43:14Ich möchte Ihnen natürlich nicht wehtun,
00:43:16aber was hat Ihnen denn eigentlich so zugesetzt?
00:43:24Ich habe eigentlich mit niemandem darĂĽber sprechen wollen,
00:43:26dafĂĽr war es zu grausam,
00:43:28zu schrecklich.
00:43:30Aber Ihnen bin ich ja eine Erklärung schuldig,
00:43:32denn Sie haben ja meinen Schwächeanfall
00:43:35am Briefkasten miterlebt.
00:43:39Stellen Sie sich vor,
00:43:41stellen Sie sich vor,
00:43:43vor gestern Abend sitze ich im Sessel, so wie Sie,
00:43:45töse vor mich hin, denke an nichts Böses,
00:43:47da klingelt es stumm.
00:43:49Nichtsahnend gehe ich zur TĂĽr,
00:43:51ich mache auf
00:43:53und was glauben Sie, wer da vor mir steht?
00:43:55Ein Mann.
00:43:57Ein Bekannter von Ihnen?
00:43:59Nein, nein, ein wildfremder Kerl.
00:44:01Stehen Sie mal auf, stehen Sie mal auf.
00:44:03GroĂź, dunkelhaarig,
00:44:05athletisch gebaut,
00:44:07ein wunderschönes, schmales Gesicht,
00:44:09gerade Schultern.
00:44:15Seine Brust ist mir nicht aufgefallen,
00:44:17umso mehr seine schmalen HĂĽfte.
00:44:25Er lächelt mich an,
00:44:27er zuckt seinen Ausweis
00:44:29und sagt, Kriminalpolizei.
00:44:31Ich habe vielleicht einen Schreck gekriegt, ist ja klar.
00:44:33Aber er beruhigt mich, er sagt,
00:44:35im Hause sei eingebrochen worden,
00:44:37es handele sich um Routineermittlungen
00:44:39und er mĂĽsse mir notgedrungen ein paar Fragen stellen.
00:44:41Also lasse ich ihn herein, bitte ihn Platz zu nehmen,
00:44:43er setzt sich, man ist ja höflich.
00:44:45Ich frage ihn, was wollen Sie wissen?
00:44:47Da grinst er
00:44:49und sagt, das werden Sie schon merken,
00:44:51er steht langsam auf,
00:44:53geht auf mich zu
00:44:55mit katzenhafter Geschmeidigkeit,
00:44:57er packt mich an
00:45:00und zieht mich zu sich hoch
00:45:02und zieht mich ganz dicht an sich an.
00:45:04Ja und dann?
00:45:06Dann nimmt er ganz langsam meinen Kopf in seine Hände,
00:45:08etwa so
00:45:10und bevor ich schreien und mich wehren kann,
00:45:12spĂĽre ich seine Zunge in meinem Mund.
00:45:26Ich war wie gelähmt vor Schreck.
00:45:28Ich konnte weder schreien noch sonst etwas.
00:45:30Das hat er natĂĽrlich ausgenutzt.
00:45:32Er öffnet meinen Reißverschluss,
00:45:36streift mir das Kleid herunter
00:45:40und als er mir das Kleid herabgestreift hat,
00:45:42legt er seine Hände
00:45:44auf meine BrĂĽste,
00:45:46aber da öffnen seine Hände schon meinen Brüstenhalter,
00:45:48er fällt herab und ich stehe da wie sie jetzt.
00:45:50Seine Hände beginnen
00:45:52meine BrĂĽste zu umspielen,
00:45:55ich spĂĽre wie seine Finger
00:45:57meine Brustwarzen kusen.
00:45:59Sie umkusen sie,
00:46:01sie fassen sie,
00:46:03sie packen sie.
00:46:05Ja, er tut mir sogar weh, er quält mich,
00:46:07aber er tut mir gut.
00:46:09Setzen Sie sich doch.
00:46:11Und was hat dieser schreckliche Kerl dann mit Ihnen angestellt?
00:46:13Er ist mit seiner Hand unter meinen Rock,
00:46:15aber wie, als ob er ein sechsarmiger Buddha wäre.
00:46:17Er hat mit seinen Händen gegeben
00:46:19und er hat mit seinen Händen genommen.
00:46:25Ah.
00:46:33Ah, ich war in Not.
00:46:35Das begreife ich.
00:46:37Das muss ja,
00:46:39das muss ja furchtbar fĂĽr Sie gewesen sein.
00:46:41Und ob.
00:46:43Verstehen Sie jetzt, weshalb ich so leide?
00:46:45Ja, dieser scheuĂźliche Kerl
00:46:47hat sich doch damit bestimmt noch nicht zufrieden gegeben.
00:46:49NatĂĽrlich nicht.
00:46:51Ah.
00:46:53Er hat mich mit KĂĽssen bedeckt.
00:46:55So, so,
00:46:57hier, hier,
00:46:59hier und hier.
00:47:01Ich habe nicht mehr ein noch ausgerust,
00:47:03aber er kĂĽsste immer wieder.
00:47:05Er kĂĽsste mich immer schneller.
00:47:07Hier und da.
00:47:09Ich war wie erstarrt.
00:47:11Ich wollte weglaufen.
00:47:13Ah.
00:47:15Ah.
00:47:18Und dann?
00:47:20Und dann?
00:47:22Riss er sich auf einmal die Kleider vom Leibe.
00:47:24Seine scheuĂźlichkeiten waren einfach nicht mehr zu ertragen.
00:47:26Es war alles so widerwerflich.
00:47:28Ich hätte ihn am liebsten umgebracht.
00:47:30Nein.
00:47:32Da packt er mich
00:47:34und wirft mich auf die Couch.
00:47:40Und wie ich so da liege,
00:47:42nähert er sich mir.
00:47:44Sein nackter Schenkel streift meine Schenkel.
00:47:46Er gleitet immer höher.
00:47:48Gegen meinen Willen empfinde ich eine teuflische Lust.
00:47:50Erzätzlich.
00:47:52Erzätzlich?
00:47:54Furchtbar?
00:47:56Ja.
00:48:00Und dann?
00:48:02Wollen Sie wirklich wissen, was er dann gemacht hat?
00:48:04Was?
00:48:06Und plötzlich packt er mich und fesselt mich an das Bett.
00:48:09Er hat mich an das Bett gefesselt,
00:48:11wie man eine Kuh vor dem Schlachten anbindet.
00:48:21Um Himmels Willen,
00:48:23was mĂĽssen Sie mitgemacht haben?
00:48:25Unvorstellbares.
00:48:27Selbst fĂĽr mich.
00:48:29Ich bin eine Frau.
00:48:31Bei mir war die Neugier wach geworden.
00:48:33Ich habe mich fesseln lassen.
00:48:35Ich war so weit,
00:48:37dass ich wissen wollte,
00:48:39was noch geschehen sollte.
00:48:41Lissy,
00:48:43merken Sie etwas?
00:48:45Sie liegen auf dem Bett.
00:48:47Sie sind wehrlos.
00:48:49Wehrlos?
00:49:07Und was war dann?
00:49:15Es muss fĂĽr Sie
00:49:17ganz schlimm gewesen sein.
00:49:21Es war scheuĂźlich.
00:49:23Das war ja die Ungewissheit.
00:49:25Ich halte das nicht aus.
00:49:31Ungewissheit? Erzählen Sie.
00:49:33Da war die Ungewissheit,
00:49:35was weiter geschehen wĂĽrde.
00:49:37Was er mir weiter antun wĂĽrde.
00:49:39Denn ich lag ja da,
00:49:41in Fesseln.
00:49:43Wehrlos wie Sie jetzt.
00:49:45Sagen Sie mir, was er getan hat.
00:49:49Er hat sich zu mir gelegt.
00:49:51Er hat meinen Körper gestreichelt.
00:49:53Meine Schenkel.
00:49:55Mein Leib.
00:49:57Meine BrĂĽste.
00:49:59Er hat sie gekĂĽsst so.
00:50:01Er hat eine nie gekannte Gier in mir geweckt.
00:50:03Seine Bewegungen wurden immer heftiger.
00:50:05Immer herrischer.
00:50:07Und ich,
00:50:09ich wurde ihm immer ergebener.
00:50:11Immer ergebener.
00:50:13Ja, so, ja.
00:50:15Was haben Sie denn?
00:50:17Langweilt Sie mein Erlebnis?
00:50:19Ich weiĂź schon, Ihnen fehlt das, was ich Ihnen nicht bieten kann,
00:50:21wenn auch nur ein Mann in der Nähe wäre.
00:50:23Das wäre so schön.
00:50:25Ist das Ihr Ernst?
00:50:27Ja.
00:50:29Er ist zu haben.
00:50:31Wir sollen den Mann haben.
00:50:33Meine Geschichte soll ja nicht böse enden.
00:50:51Otto, komm runter!
00:50:53Ich hab sie dir weich gekocht.
00:50:55Hat ja auch lange genug gedauert.
00:51:02Hey!
00:51:14Los, los, Otto, siehst du es?
00:51:31Ja.
00:51:49Ja, ja, ja, ja, ja, ja, ja.
00:52:01Na, leg los, Otto!
00:52:31Ja, es fĂĽhlt sich anders an.
00:52:45Was soll denn das werden?
00:52:51Na, was soll denn das werden?
00:52:53Was soll denn das werden?
00:52:55Was soll denn das werden?
00:52:57Was soll denn das werden?
00:52:59Was soll denn das werden?
00:53:29Was soll denn das werden?
00:53:37Na, gefällt dir das, Otto?
00:53:51Ich möchte auch mitmachen.
00:53:53Ach!
00:53:55Schon aus?
00:53:57Hey, bin ich jetzt drin?
00:54:01Aber nur, wenn ich auch mitmachen darf.
00:54:03Ich möchte auch mitmachen.
00:54:05Ach, Quatsch, der ist doch kaputt.
00:54:09Ăśbrigens, ich heiĂźe Lissi.
00:54:11Freut mich.
00:54:13Ich heiĂźe Otto.
00:54:15Ja.
00:54:21War das der Mann, der Sie ĂĽberfallen hat?
00:54:23Ach, Unsinn.
00:54:25Das war mein Freund Otto. Wir denken uns immer solche Spielchen aus.
00:54:27Das macht mir SpaĂź.
00:54:29Ach so.
00:54:31Na, Otto, was hast du dir denn fürs nächste Mal ausgedacht?
00:54:35Wenn ich das nächste Mal komme, komme ich als Feuerwehrmann.
00:54:37Oh, prima.
00:54:39Da fahre ich mit dem roten Spritzenwagen vor.
00:54:41Und dann ...
00:54:43Ta-da!
00:54:45Und was passiert dann?
00:54:49Tja, dann ...
00:54:51Dann hole ich die Spritze raus und ...
00:55:01Hey, Fifi, schämst du dich gar nicht?
00:55:03Wie oft habe ich dir schon gesagt,
00:55:05du sollst das bisschen aushalten,
00:55:07bis du beim Nachbarhaus bist?
00:55:09Frauen, lass die anderen Zahnballen auch nicht ans Haus pinkeln.
00:55:13Und der Gerechtigkeit muss sein.
00:55:15Hast du mich?
00:55:17Guten Morgen, Frau Huber.
00:55:19Was geht, Frau Impetra?
00:55:21Schau, Fifi, das soll ja nicht ankrämpig werden,
00:55:23wenn du dir dann die Haare ein bisschen tätzt.
00:55:27Gerade heute, wo sie sich so schön rausgeputzt hat.
00:55:29Wo geht's denn hin, Frau Impetra?
00:55:33Nein, Sie brauchen mir gar nichts sagen.
00:55:35Wenn eine Mädel einen Pulli anhat,
00:55:37der hat zwei Nummern zu kleines,
00:55:39dann hat sie es bestimmt auf einem Hansbit abgesehen.
00:55:41Ich muss zur Sportschule Leistenberge,
00:55:43an der SiegesstraĂźe.
00:55:45Können Sie mir sagen, wie ich da am besten hinkomme?
00:55:47Wo der Manfred allerweil trainiert.
00:55:49Der gefällt Ihnen.
00:55:51Also passen Sie auf, da gehen Sie jetzt,
00:55:53da mĂĽssen Sie erst die StraĂźe nach rechts
00:55:55und dann nach links
00:55:57und dann fragen Sie noch einmal.
00:55:59Und dann sehen Sie schon die Sportschule.
00:56:01Und ihr Manfred.
00:56:03Na dann komm.
00:56:11Manfred!
00:56:35Manfred!
00:56:41Manfred!
00:56:47Sag bloĂź, Manfred, du hast dir wehgetan.
00:56:53Ach nee, es ist halb so weh.
00:57:11Die Gabi verwechselt wieder mal die Sportschule mit dem Nahkampfschoppen.
00:57:13Und das ausgerechnet mit Manfred.
00:57:15Da wird sich der Holger aber freuen.
00:57:17Der hat sowieso eine Stinkwut auf ihn.
00:57:41Zum Beispiel deine Beine.
00:57:43Siehst du, die müssen zwar ausgestreckt sein, aber völlig im Kampf.
00:57:45Sonst kriegst du nie die Leichtigkeit.
00:57:47Na dann ĂĽbst doch ein bisschen mit mir.
00:57:55Wie ist es so?
00:57:57Sehr kläglich.
00:58:01Und wie ist das?
00:58:05Manfred!
00:58:07Manfred!
00:58:11Petra!
00:58:13Ich finde das prima, dass du wirklich gekommen bist.
00:58:15Ich habe dich gar nicht gesehen.
00:58:17Das kann ich mir denken.
00:58:19Du hast dir diese Blöde ganz vormlich mit den Augen aufgefressen.
00:58:21Aber Petra, das war doch rein sportlich.
00:58:23So rein sportlich nennst du das.
00:58:25Du hast das KĂĽken befummelt.
00:58:27Das war ja schon halber Beischlaf.
00:58:29Ich habe Gabi ĂĽberhaupt nicht befummelt.
00:58:31Ich habe ihr nur gute Ratschläge gegeben.
00:58:33Anfängern hilft in Sportlerkreisen jeder.
00:58:35Petra, du weiĂźt ganz genau...
00:58:37Ich weiĂź nur eins, dass ich dich nie wiedersehen will, Krasanova.
00:58:39Aber...
00:58:51Ruhe sanft.
00:58:57Hey, was soll denn der Quatsch?
00:58:59Das ist kein Quatsch, das ist die letzte Warnung.
00:59:01Wenn ich dich noch einmal bei Gabi sehe,
00:59:03dann weiĂźt du, dass ich dich nie wiedersehen werde.
00:59:05Ruhe.
00:59:35Schön.
00:59:41Rudi, liebst du mich?
00:59:43Konzentrier dich, liebe.
01:00:05Ruhe.
01:00:35Ruhe.
01:00:43Lass mich wenigstens ein bisschen lieben.
01:00:45Lenk mich nicht ab.
01:01:05Ruhe.
01:01:23Weiter.
01:01:27Hör nur nicht auf.
01:01:35Ruhe.
01:02:05Ruhe.
01:02:35Ruhe.
01:03:05Ruhe.
01:03:35Nein, verbitte mir diesen Krach.
01:03:37Schon wieder der Kotzbocken von nebenan.
01:03:39Muss ein widerlicher Kerl sein.
01:03:41Hast du eine Ahnung, wie der aussieht?
01:03:43Nein, ich bin auch nicht neugierig auf den Untyp.
01:03:45Dieser ScheiĂźtyp.
01:03:49Misch dich da nicht ein, Rudi, das ist meine Sache.
01:03:51Schon gut, schon gut, schon gut.
01:03:53Schreien Sie nicht so, Sie Miesling.
01:03:55Ich habe es satt, mich jeden Morgen von Ihnen anbrĂĽllen zu lassen.
01:03:57Du gehst viel zu sanft mit dem rum.
01:03:59DarĂĽber lacht er doch bloĂź.
01:04:01Aber einen groben Klotz gehört ein grober Keil.
01:04:03Wenn Sie nicht sofort aufhören mit dem Krach,
01:04:05dann lasse ich Sie hinauswerfen.
01:04:07Also das ist doch die Höhe. Wer hat denn mit dem Lärm angefangen?
01:04:09Sie oder ich?
01:04:11Sie natĂĽrlich. Und wenn Sie jetzt nicht die Schnauze halten,
01:04:13dann komme ich rüber und setze Ihnen die Möbel gerade.
01:04:15Ich lasse meine Verlobte nicht ungestraft von Ihnen beleidigen
01:04:17und frustrieren.
01:04:19Hey, was heiĂźt hier Verlobte und frustriert?
01:04:21Ich muss doch diesen ScheiĂź ...
01:04:23Du musst gar nichts.
01:04:25Meinst du, weil ich gelegentlich mit dir schlafe,
01:04:27kannst du gleich einen Besitzanspruch anmelden?
01:04:29Gelegentlich ist gut, du kriegst doch den Kanal nicht voll.
01:04:31Und du oder ich?
01:04:33Na schön ich, aber bloß, weil ich sonst deine Zicken nicht ertragen kann.
01:04:35Da kann man ja auch nur zickig werden.
01:04:37Du verwechselst doch dauernd Qualität mit Quantität.
01:04:39Du weißt ja gar nicht, was Qualität ist.
01:04:41Du bist so ein Kerl wie mich ĂĽberhaupt nicht wert.
01:04:45Was du brauchst, das ist ...
01:04:47Ja, das ist ein Pressluftbohrer.
01:04:49Du, du bist ja sowas von ordinär.
01:04:53Reagier dich nur ab.
01:04:55Vielleicht bist du deine Bildung nicht mal gut.
01:05:01So.
01:05:23Der?
01:05:25Nein.
01:05:27Ich möchte einen von da oben, wenn's möglich ist.
01:05:31Okay.
01:05:41Meinen Sie vielleicht diesen hier?
01:05:43Den?
01:05:45Das ist eine original Pariser Kreation,
01:05:47in ultramodischem Pflaumenblau.
01:05:49Ich hab zwar nichts gegen Pflaumen,
01:05:51aber ...
01:05:55Ich möchte einen da oben aus dem letzten Fach sehen,
01:05:57wenn's möglich ist.
01:05:59Das ist italienische Ware.
01:06:01Wolle mit Baumwolle. Trägt sich ganz hervorragend.
01:06:03Nein, nichts italienisches.
01:06:05Da hätte ich hier noch ein paar sehr aparte Stücke.
01:06:07Echt Kaschmir.
01:06:09Kein Kaschmir, das fehlt's.
01:06:11Haben Sie nicht Wolle mit Synthetik?
01:06:13Selbstverständlich.
01:06:19Halten Sie mal auf, Sie Trampel.
01:06:21Sie ungeschickte Person. Sie schlafen.
01:06:23Entschuldigen Sie bitte, das tut mir leid.
01:06:25Entschuldigen Sie bitte, das tut mir leid.
01:06:27Das ist wieder eine der unverzeihlichen Fehler des Personals.
01:06:29Ich sag's ja, Frauen sind eben nicht sensibel.
01:06:31Gehen Sie, Inge, im Schaufenster ist Verwirrung.
01:06:33Ăśberlassen Sie den Herrn mir.
01:06:35Sie wissen ja selbst, wie das ist heutzutage mit den Leuten.
01:06:37Wo man hinsieht, eine Katastrophe.
01:06:39Aber wenn ich Ihnen schaden ...
01:06:41Ach, wissen Sie was?
01:06:43Das regeln wir beide von Mann zu Mann.
01:06:57Ich warte drüben im Café auf Sie.
01:06:59I'm waiting for you over there in the café.
01:07:26I'm waiting for you over there in the café.
01:07:41I'm waiting for you over there in the café.
01:07:54I'm waiting for you over there in the café.
01:08:09I'm waiting for you over there in the café.
01:08:19I'm waiting for you over there in the café.
01:08:29I'm waiting for you over there in the café.
01:08:39I'm waiting for you over there in the café.
01:08:49I'm waiting for you over there in the café.
01:08:59I'm waiting for you over there in the café.
01:09:09I'm waiting for you over there in the café.
01:09:19I'm waiting for you over there in the café.
01:09:39I'm waiting for you over there in the café.
01:09:49I'm waiting for you over there in the café.
01:09:59I'm waiting for you over there in the café.
01:10:09I'm waiting for you over there in the café.
01:10:19I'm waiting for you over there in the café.
01:10:39I'm waiting for you over there in the café.
01:10:59I'm waiting for you over there in the café.
01:11:19I'm waiting for you over there in the café.
01:11:39I'm waiting for you over there in the café.
01:11:59I'm waiting for you over there in the café.
01:12:19I'm waiting for you over there in the café.
01:12:39I'm waiting for you over there in the café.
01:12:59I'm waiting for you over there in the café.
01:13:19I'm waiting for you over there in the café.
01:13:39I'm waiting for you over there in the café.
01:13:59I'm waiting for you over there in the café.
01:14:19I'm waiting for you over there in the café.
01:14:39I'm waiting for you over there in the café.
01:14:59I'm waiting for you over there in the café.
01:15:19I'm waiting for you over there in the café.
01:15:39I'm waiting for you over there in the café.
01:15:59I'm waiting for you over there in the café.
01:16:19I'm waiting for you over there in the café.
01:16:39I'm waiting for you over there in the café.
01:16:59I'm waiting for you over there in the café.
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01:17:39I'm waiting for you over there in the café.
01:17:59I'm waiting for you over there in the café.
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01:18:39I'm waiting for you over there in the café.
01:18:59I'm waiting for you over there in the café.
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01:19:39I'm waiting for you over there in the café.
01:19:59I'm waiting for you over there in the café.
01:20:09I'm waiting for you over there in the café.
01:20:19I'm waiting for you over there in the café.
01:20:39I'm waiting for you over there in the café.
01:20:59I'm waiting for you over there in the café.
01:21:19I'm waiting for you over there in the café.
01:21:39I'm waiting for you over there in the café.
01:21:59I'm waiting for you over there in the café.
01:22:19I'm waiting for you over there in the café.
01:22:39I'm waiting for you over there in the café.
01:22:59I'm waiting for you over there in the café.
01:23:19I'm waiting for you over there in the café.
01:23:39I'm waiting for you over there in the café.
01:23:59I'm waiting for you over there in the café.
01:24:19I'm waiting for you over there in the café.
01:24:39I'm waiting for you over there in the café.
01:24:59I'm waiting for you over there in the café.