Igra sudbine 1171 epizoda, Igra sudbine epizoda 1171
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00:00THE END
00:10You know, if I knew what was in this woman's head, it would be easier for her.
00:14Obviously, you.
00:15Obviously, me.
00:18What's waiting for us? The two of us with her for the next two days.
00:21I'm also very interested in that.
00:23Well, you probably have some conditions.
00:25Yes.
00:26To enjoy this.
00:28To enjoy, to suffer, I don't know, how we suffer.
00:31To sit on a quiet fire.
00:34What I'm interested in, is what you two were talking about in that hotel, right?
00:39Bro, we were talking about Adi Kanacki.
00:41What about Adi?
00:43Well, he ripped out that reincarnation of Adi Kanacki.
00:47She's a little crazy, you see.
00:49She's a little crazier.
00:50Yes.
00:51Yes.
00:52She's crazy, but...
00:55I must admit, she has certain vulnerabilities.
00:59And you're a little crazy, too.
01:00I'm a little crazy.
01:01Look, you have to stop seeing that woman, please.
01:04What do you mean, I have to stop seeing her?
01:06She's underestimating me.
01:08If I stop seeing her, it's none of my business.
01:10I mean, business depends on it.
01:12We're in the same boat.
01:13I have to make difficult decisions. What can I do?
01:15Yeah, well, that's your...
01:16Okay, and my...
01:18It's already a problem for you to bring things to light, and...
01:22We have to work on it a little, you know?
01:24Believe me, I'd work on it right away if I knew how.
01:30What do you say we call Lenka from Vrka, I don't know,
01:32to go to Maldives, to get our heads in the right direction?
01:38Well...
01:39What do you mean, well?
01:40I'm a little tired.
01:42Come on, lift your head up a little.
01:44Come on, you're right.
01:45Let's call her.
01:49THE BOSS
01:57Boss.
01:59Come in.
02:01I'm already here.
02:03Sit down.
02:05I can stand.
02:06Sit down, Trivanović, please.
02:08Okay, okay.
02:09Just sit down.
02:10I'm sitting, I'm sitting.
02:12THE BOSS
02:17You're late, Trivanović.
02:19You know, boss, I'm very tired.
02:21Trivanović.
02:22You haven't given me a single report for a week,
02:26for all the cases I've given you.
02:29What is it?
02:30Trivanović.
02:31What?
02:32You haven't given me a single report for a week,
02:36regarding the cases I've given you.
02:38Do you understand?
02:39Boss, I don't know what to tell you.
02:42I can only tell you...
02:46I'm sorry.
02:48Sorry?
02:49What do I have to apologize for?
02:51I mean, boss, please understand me.
02:53I'm exhausted.
02:54Here, literally, while I'm walking,
02:57I'm sleeping, boss.
02:58I'm exhausted.
02:59I don't know where I am.
03:00I've completely lost my mind.
03:02I don't know what I'm doing at all.
03:04Literally, here, I mean, how can I tell you?
03:06You can't imagine how tired I am.
03:08I'm blind.
03:09What do I have to imagine how tired you are?
03:13Boss, believe me, I...
03:15I mean, I know you're not interested,
03:18but you're also, in a way, part of it.
03:21I mean, I...
03:22I mean, it's very hard for me.
03:24It's very hard for me.
03:25Very, very, very, very hard for me, boss.
03:28Trivanović, stop making fun of me.
03:30You know what kind of job you're doing.
03:33What's the answer to that?
03:35You knew it before you started doing it.
03:40Trivanović?
03:41Please, boss, I'm here.
03:43You knew this job was going to be hard
03:45before you started doing it.
03:46What's the problem?
03:47I know. No, no, no.
03:48I know, boss.
03:49It's just, it's just...
03:50I mean, you're also part of the responsibility.
03:53A small part of the responsibility.
03:55Me?
03:56Yes.
04:06TRIVANOVIĆ
04:09Listen, this was a complete betrayal today, you know.
04:13I'm sorry.
04:14What do I get from your apology?
04:17What's the big deal?
04:18I have to sort things out with Luka
04:20before I can finally bring him here.
04:22Yes, yes.
04:23You came because of Luka, I know that.
04:26What do you mean?
04:28Come on.
04:29We're not stupid or naive.
04:31What's going on between you two, for example?
04:34I don't want to talk about that right now.
04:37Look, I hope you'll put your business interests
04:41above your personal business.
04:45What do you mean?
04:47Well, I think everything that's going on
04:49is good for you.
04:51You're not in a position to play with Luka, with Aleks.
04:55And to let us talk,
04:57instead of you taking me out to dinner?
04:59Maybe...
05:00Maybe some other time.
05:03Who told you that?
05:05Jovana.
05:07So yesterday was a day for a wife,
05:09and today is a day for an ex-wife.
05:11Listen, we have a son,
05:13we have a lot in common,
05:15we have problems.
05:17What a fox.
05:20If it wasn't for her, we wouldn't have been together for so long.
05:23She could have held you back.
05:25Yes, but you see, to be honest,
05:27she's not half-naked like you.
05:30Like me? At that moment?
05:33She's a bit sharp-tongued, but she's like that.
05:37It's hard for me to believe that.
05:39Hey!
05:41Forget her.
05:53Look who's here.
05:55Where?
05:56Where's Mila?
05:58Mila?
06:00Where's Mila?
06:02Where are you, friend?
06:04Why isn't Mila here?
06:06Call him.
06:08There's no one here.
06:12Hello?
06:14Where are you? Come here, I'll let you go.
06:16You're not here.
06:18Oh, you're here.
06:20She's got a stomachache.
06:22I'm sorry.
06:24What?
06:26Mila is very happy that we're here.
06:28First date on his account.
06:30Great, let's all have a good time.
06:32Wait, is he 100% rich?
06:34What?
06:36People are asking if he's 100% rich.
06:39He says he's not 100% rich yet.
06:41He's waiting for his rich aunt to show mercy.
06:44He has to prove that he loves her.
06:46Did he prove it?
06:48Did he prove that he loves her?
06:50He says he's working on it.
06:52It's better to work on it.
06:54Let's all cheer up.
06:56Stipa, I think it's time
06:58to cheer up, because you two
07:00have finally remembered
07:02to pay attention to us, too,
07:04and not only to work.
07:06Finally, come on.
07:08It's not that it's not, but...
07:10You remembered, come on.
07:12Cheers.
07:14Oh, hi, hi.
07:16Hi.
07:18Hi, what a team.
07:20Hi, what a team.
07:22Where are you?
07:24Where are you, woman?
07:26It's been a hundred years.
07:28We don't know when to start.
07:30Let's sit down.
07:32Come on.
07:34Where's Mile?
07:36There he is.
07:38Where do you want to go?
07:40Mile is a bourgeois.
07:42I think he's a little bourgeois.
07:44I think he'll become rich
07:46if he proves he has a heart.
07:48How can he prove he has a heart?
07:50No way.
07:52He'll prove he loves her,
07:54and you'll prove it.
07:56Have you ever seen
07:58how Kaja is in the yard?
08:00Have you?
08:02I haven't.
08:04Don't talk.
08:06It's terrible.
08:12How did I answer that?
08:14Why are you late?
08:16Boss, because you...
08:18Actually, you told me...
08:20You gave me an advice
08:22to help Ljubinka with her business.
08:24What does that have to do with me?
08:26What does that have to do with the service?
08:28What does that have to do with the report?
08:32Trivanović?
08:34Yes?
08:36What does that have to do with the report?
08:38Boss, if...
08:40How can I tell you?
08:42If...
08:44If you think I can help her
08:46with her business
08:48and at the same time
08:50deal with the report
08:52and do it all on time,
08:54I don't know how.
08:56I've been working all day,
08:58all night.
09:00I go left, I go right,
09:02I go up, I go down.
09:04I don't know which way to go.
09:06I just go around.
09:08I don't even know what I'm doing.
09:10If you want, I can show you
09:12and you can sit down.
09:14Okay, but I'm telling you, boss,
09:16I can't make it.
09:18I don't have time to eat, boss.
09:20Look at how I've dried up.
09:22I've dried up.
09:24My people from the station,
09:26I'm walking through the station
09:28and they think I'm some drug addict.
09:30Just when they see me up close
09:32and hear my voice,
09:34which I also lost, boss,
09:36they say, ah, here's Trivanović.
09:38They think I've actually disappeared.
09:40Look at how tired I am.
09:42Look how much I've dried up, boss.
09:44I don't feel good.
09:46Here's all the meat I had.
09:48I had and I don't have.
09:50I go, I just work,
09:52I just work, boss, and I can't make it.
09:54You see, I can't do everything.
09:56I can't carry a baguette.
09:58I can't read reports and report reports
10:00and come and go and arrive.
10:02So, boss,
10:04I just wanted to tell you,
10:06please, if you can,
10:08please, decide,
10:10just decide,
10:12do you want me to carry reports
10:14and reports
10:16or do this baguette?
10:18Trivanović, get out of my sight.
10:20Get out of my sight.
10:22I'm in a hurry, boss.
10:24Get out of my sight.
10:26Whatever you decide,
10:28call me.
10:34Okay.
10:38Okay.
10:46You really know how to choose
10:48a company for yourself in this city.
10:50Always.
10:52Isn't what you've already achieved enough for you?
10:54I don't know what you mean.
10:56I've achieved a lot.
10:58I mean, on the front page of Italian tabloids.
11:00Well, yes.
11:02Who's better at home than you?
11:04I think this is going in the wrong direction.
11:06No, it's not, because I'm leaving.
11:08If you survive, call me tomorrow.
11:10Enjoy.
11:14I'm shocked
11:16to see you with Laura.
11:18Why?
11:20Because she's
11:22the most ordinary,
11:24polished whore.
11:26Okay, okay, let's go.
11:28Let's see what we've come to.
11:30Are you happy?
11:32Yes.
11:34I can't wait to hear
11:36who's going to get rid of it.
11:40Not that I can't wait,
11:42but I really want to.
11:48Come on, listen to me.
11:50Why should I tell you everything?
11:52Why should I tell you?
11:54There's a lot more than that.
11:56Men and my ruined versions.
11:58Oh.
12:00There's a lot of that in me, too.
12:02Is there? You don't like it either, do you?
12:04It's not that we don't like it.
12:06Aleksa and Luka think so much
12:08about the job,
12:10that it reflects on all aspects.
12:12It's like, come on, let's push it.
12:14That's it, I'm telling you.
12:16My final conclusion is that relationships are hell.
12:18Well, okay, then let go of the relationships
12:20and think about yourself.
12:22I'm trying, I'm trying to focus on myself,
12:24but I definitely don't like it.
12:26Oh my God, you don't like it, do you?
12:28You don't like it?
12:30No, not even the job.
12:32The current situation in Cannes is a disaster.
12:34Okay, there's always chaos.
12:36But now, you wouldn't believe it.
12:38Do you know why everyone is talking
12:40about that Andrija Bošnjak?
12:42What?
12:44People are saying that he's cheating
12:46on Una with some psychotherapist.
12:48What?
12:50How is that possible?
12:52How is it possible? Everything is possible to me.
12:54When you were little.
12:56How is Una?
12:58How will she be?
13:00It's definitely not easy.
13:02She's definitely in hell right now.
13:04That's enough.
13:06Add to all that Boba,
13:08and also Jovan,
13:10there you don't know
13:12who drinks and who pays.
13:14Horrible.
13:16I can't believe it.
13:18Milan.
13:20Wait,
13:22where did you get that from?
13:24A woman is a tempered bomb,
13:26a threat from all sides.
13:28Okay,
13:30so why am I here then?
13:32Because you allowed me to fall in love with you.
13:34Where did you get that from?
13:36Everyone is telling you to come to me.
13:38I'm your ex-wife.
13:40And what are you doing in Cannes?
13:42What are you doing in Cannes?
13:44I'm in Cannes.
13:46And what are you doing
13:48in the whole story?
13:50I'm protecting Andrija Bošnjak.
13:52Why?
13:54Because of the past,
13:56because of everything we had,
13:58call it whatever you want.
14:00This way of protection,
14:02I'm not quite sure it worked.
14:04Why? How do I do it?
14:06You send funeral wreaths,
14:08you threaten.
14:10Okay, but you're also very stubborn.
14:12Okay, okay,
14:14that's true, but you're not normal.
14:16I'm telling you, I'm protecting you.
14:18Okay,
14:20just don't do that again, please.
14:22Do you like it?
14:24It's not that I don't like it,
14:26but I think
14:28it's not quite functional.
14:30Why did you and I
14:32break up?
14:34Because you, my dear,
14:36are an idiot in a middle-age crisis.
14:38Okay,
14:40tell me what you suggest,
14:42what should I do in this situation?
14:44Blitzkrieg.
14:46How's that?
14:48Let me figure it all out,
14:50and you'll be a new man in ten days.
14:52Okay.
14:54How?
14:56You don't seem to know me.
14:58Milena just needs to feel
15:00that she's not humiliated,
15:02and she'll be calm like a baby.
15:04Okay, okay.
15:06Let's see how we do it.
15:08Vitya,
15:10I suggest you do the following.
15:16Seriously?
15:18That's not how Milena acts, you know?
15:20Come on, Kajo, Maja,
15:22I'm kicking you out.
15:24Wait a second.
15:26I'll be back soon.
15:28Don't forget where you left off.
15:30Vitya?
15:32What?
15:34And then he came and said,
15:36Kajo, I'm sorry,
15:38I found some flowers,
15:40I found some Polish flowers,
15:42so I offered them to Kajo.
15:44It wasn't like that at all.
15:46What do you mean it wasn't?
15:48Okay, maybe it wasn't the flowers,
15:50but the collection.
16:00Oh, Mido.
16:02What's up?
16:04Where are you, Miki?
16:06Mido's here.
16:10What's up?
16:12Look,
16:14let me ask you something.
16:16How much do you think
16:18that software costs?
16:20That thing.
16:36Okay.
17:06Okay.
17:36I'm sorry, I don't understand.
17:38I don't know where that came from.
17:40I can't explain it to you over the phone.
17:42We have to meet.
17:44Okay, we'll meet tomorrow,
17:46all together, with Aleks.
17:48You didn't understand.
17:50We have to meet right now.
17:52You didn't understand.
17:54I can't right now.
17:58What do you mean, man?
18:00I told him.
18:02I told him.
18:04What do you mean, man?
18:06I'm in the exhibition.
18:08Zvrg, Aleks, some ruffian,
18:10so they're not coming.
18:12Let Zvrg go.
18:14I have a victory for you.
18:16I want you to go back to the hotel right now.
18:18Please, what if I don't?
18:20If you don't come back from the victory
18:22you'll be a loser till the end of your life.
18:30I have to go.
18:33You don't have to.
18:35I really don't know why this again.
18:39Laura found a new fashion house for her fashion collection.
18:45How come all of a sudden?
18:46I don't know.
18:48I don't know, I have to think about it.
18:55Excuse me, are you...
18:57No.
18:59Bye.
19:00Bye.
19:02Bye.
19:05And then you come to me, right?
19:06Yes.
19:07Dobrice, please help me.
19:08Dobrice!
19:09Dobrice!
19:32Andrija?
19:36Andrija?
19:41I just wanted to thank you.
19:43Your bouquet is beautiful.
19:44You're welcome, my dear.
19:46You deserve much more.
19:49This means a lot to me, too.
19:51I'm glad.
19:53It's a small sign of attention, but...
19:55I have to ask you something, if I may.
19:58I'm listening.
19:59Don't make hasty moves.
20:01I'm begging you.
20:02Easy.
20:03Take it easy.
20:04Everything will be fine.
20:06How can you be sure that everything will be fine?
20:08Believe me, it will.
20:11Why am I here?
20:13I don't know.
20:14I really don't know.
20:16It's up to you to be patient and believe me.
20:22I'll try.
20:23It would be nice to go out for lunch these days.
20:29I'm glad to hear that.
20:31But it's even nicer to see you.
20:33I'm always here for you.
20:35Don't waste your money.
20:37I won't.
20:39How can I waste my money when I just got a bodyguard?
20:42See you then.
20:43Bye.
21:00I already told you the price.
21:03I know.
21:052,000 euros.
21:07Come on.
21:08What?
21:0910,000 euros.
21:10What?
21:11What you heard.
21:1210,000 euros.
21:14Don't, please.
21:15Wait a minute.
21:16Wait a minute.
21:17My heart is beating so fast.
21:19Don't, Miki.
21:20Don't.
21:21I'm begging you.
21:22A lot.
21:23A lot.
21:24A lot.
21:25A lot.
21:26A lot.
21:27A lot.
21:28It's a lot.
21:2910,000 euros.
21:31It's not a lot.
21:32It's not a lot.
21:33Believe me.
21:34That's 20% of the market price.
21:37Didn't you say that he would lower the price?
21:41I did.
21:42You have to ask him.
21:44Can I ask him?
21:45Ask him.
21:48Will he or won't he?
21:49I don't know.
21:50Will he or won't he?
21:51I don't know.
21:5310,000 euros.
21:54Don't, Miki.
21:5510,000 euros.
21:5610,000 euros.
21:57If I had 10,000 euros,
21:58I would have brought another nice dress.
22:03Okay, come on.
22:04Tell me.
22:05How much would you give me?
22:07Me?
22:08Nothing.
22:09No.
22:10I'm telling you, nothing.
22:11I have to.
22:12I have to.
22:13What am I going to buy?
22:14Well, I would give 500 euros.
22:17500 euros.
22:18500.
22:19It's not a little.
22:20Are you serious?
22:21Yes.
22:22Listen, for 500 euros,
22:23you can't even buy half of the spare parts for the car,
22:26for the accessories.
22:27We need a software, Mido.
22:29A software.
22:30Okay, Miki.
22:31Okay.
22:32Come on.
22:33Listen.
22:34No.
22:35Why don't you understand me?
22:36What is that?
22:37Software?
22:38Is it a device?
22:39A machine?
22:40No.
22:41What device?
22:42No.
22:43It's a computer program.
22:46I'm going to talk to my friend.
22:48Can he lower the price?
22:50That's it.
22:51That's it.
22:52You have to open up a little.
22:53Okay, I'll open up a little.
22:55I think that below 8,000 it will be difficult to pass.
23:018,000?
23:03Oh, my God.
23:068,000.
23:23Hey.
23:24What did I miss, huh?
23:25Hey.
23:26Hey.
23:27It's me.
23:28I know who you are.
23:30Hey, where are you, man?
23:32I'll be here in a second,
23:33and you're going to run away from the place, huh?
23:35Get out of the way.
23:36I'll explain everything to you.
23:39Okay, okay.
23:40I moved.
23:41What is it?
23:42Laura called me.
23:45Okay, what did she want?
23:46She said she found a fashion house for the Pacman collection.
23:51That's phenomenal.
23:52I like it.
23:53That's great.
23:54We'll see how fantastic it is,
23:56because she has a girlfriend.
24:00I guess I know what that girlfriend is.
24:02As soon as you run away like that,
24:04you probably went to her hotel, didn't you?
24:08You know everything without me telling you.
24:11No.
24:12Look, I really don't know how to help you,
24:14but you know how Laura is, so...
24:16Yes, unfortunately.
24:17I know you very well.
24:18Just be smart, please.
24:19You don't have to worry about that.
24:21You said the reason for this.
24:23She knows.
24:24She knows, but...
24:25You try not to think too much about it.
24:29I'll take care of myself,
24:30and you, as I told you,
24:31just be smart and watch what you're doing.
24:34Don't worry about anything.
24:35I'm very careful.
24:37She's our only chance.
24:40Aleksa!
24:43I have to go back to Eva,
24:45so I'll talk to you later.
24:47Good luck.
24:49I'll need it.
24:52Come on, man, you're late.
24:54Come on, man.
24:55Cheers.
24:56Cheers.
24:57Cheers.
24:58Cheers.
25:19Well...
25:21Good evening.
25:27I called to ask what you wanted for dinner.
25:31I left my phone in the car.
25:35Where were you?
25:37I was...
25:39with Jovan
25:40at the business club.
25:44Where did you meet Jovan?
25:47We were talking about the bones.
25:49Is everything okay with him?
25:50Yes, I mean...
25:52bone by bone.
25:53But, in principle, everything's fine.
25:58So what took so long with Jovan?
26:01Me?
26:02I'm telling you, I didn't even notice.
26:06Well, your time flew by with him.
26:09Listen, we talked about some...
26:11serious topics.
26:13And which ones?
26:14And which ones?
26:15If it's about the bones, everything's fine.
26:17We were talking about Cannes Capital.
26:20And what about it?
26:22Well, most of the employees there
26:24have gone completely mad.
26:26What do you mean?
26:29Listen, if I were more decisive,
26:32most of them would fly out.
26:37I hope I'm not getting involved
26:39in that majority.
26:41Not yet.
26:43But you're on thin ice, too.
26:46How spiritual this was.
26:48I don't know.
27:01Where is he now?
27:05How long will he be with Laura?
27:08I don't know.
27:09As long as he has to.
27:10As long as he knows what she wants from him.
27:12We can assume what she wants.
27:14You know how to make a man happy,
27:15and I'm fascinated.
27:16I'm sorry.
27:17I mean, really.
27:18There's just been a problem with you two
27:20since all this started.
27:21I can't believe it.
27:22Okay, come on, don't put me on the spot.
27:24Okay.
27:27How long has it been?
27:28Too long.
27:31I'm going to the hotel to see what's going on.
27:33You're not going.
27:34Luka will decide for himself
27:36what he can and can't,
27:37what he wants and what he doesn't.
27:39I don't want to see Laura running around like this.
27:41I don't want her to be happy.
27:58Welcome.
28:00What happened?
28:02I found a company that wants to invest
28:04in the production of the collection.
28:06And in several series.
28:08How many now?
28:10They're some of my old employees.
28:12That's good news.
28:13But I'm not asking that.
28:15I'm asking,
28:16what's the point of this circus
28:17for the last two days?
28:20Because you have to meet one condition
28:22to close the business.
28:24Yeah, I didn't think there were any other conditions.
28:27You look good.
28:30I'm great.
28:33I'm glad you decided to leave things behind.
28:37No.
28:38Things have changed.
28:41How?
28:43Andrija sent me flowers.
28:45I'm going to give them to you.
28:48You're welcome.
28:50I'm going to go.
28:51I'll see you later.
28:52Bye.
28:53Bye.
28:56Bye.
29:12Can I have one more?
29:14Congratulations.
29:15Mile!
29:16Hi.
29:17Mile, Adon, you're alive!
29:18Yeah, I'm crying, swearing,
29:20skitching,
29:21yawning,
29:22a disaster.
29:23Who's sketching?
29:24Who are you?
29:25Ah, Trevna.
29:27What are you talking about?
29:28You've been stealing my chairs since this morning.
29:30Ok, ok, ok, don't, don't.
29:32You don't have to go into details.
29:33We don't have to know anything.
29:35Do you want to drink something?
29:37Come on, give it to me.
29:52I can't, people.
29:53I'm going to buy fresh vegetables.
29:55I'm going to the hotel now.
29:56Wait, stop, stop, you pervert.
29:57What did you say a little while ago, Aleksija?
29:59How long ago was that?
30:00Well, however long it was,
30:02we agreed to sit here and wait.
30:04And what now?
30:05I mean, you're not going to do anything
30:06unless you go to the hotel.
30:07I won't, at least I'll know the truth.
30:08There.
30:09No.
30:23What can I do?
30:28Process the meat.
30:31Through three filters.
30:33The last one, can you do it?
30:36What can I do?
30:38You'll see.
30:40You won't.
30:53I feel like I'm on the green line now.
30:58I'm guilty, I'm guilty.
31:01But what can I say?
31:03This is my life, this is my job,
31:05and I can't do anything about it.
31:07It's not fair.
31:10Don't you think it's a little cruel?
31:30What are you doing?
31:31Nothing.
31:32I'm alone in the apartment.
31:33I'm going out with Luka.
31:36And what are you doing?
31:37I don't know what I'm going to do with myself.
31:39So, you're going out with two people?
31:41Yes.
31:55What's this about?
31:56It's about you allowing her
31:57to pull you into her complicated feelings again.
32:00Pull me into what?
32:01How can she pull me in?
32:02She did it all herself.
32:03What does it matter?
32:04She couldn't do it herself,
32:05and look what happened to us.
32:06Are you really blaming me for this?
32:07Who am I to blame?
32:21Who was that?
32:23Luka.
32:25What do you want?
32:27Actually, I called him
32:29to see what happened to Laura,
32:31but he's not in the mood to talk.
32:35I'll tell you.
32:36It was chaos.