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00:00Yes.
00:01In case Gregorio thought of coming here.
00:03Ah, well, for that, I'd have to find her first.
00:06Yes, well, no one assures me that they can't.
00:09Yeah, I can see that you're not very safe here.
00:12Well, no, as long as Gregorio is free, I don't feel safe anywhere.
00:16I would like to attract interest and value, but the only thing I can do is to keep you company.
00:21Well, it's a little bit of a stretch.
00:24I'll be in your care.
00:27I would like to attract interest and value, but the only thing I can do is to keep you company.
00:31It's some milk and some food.
00:33Thank you very much.
00:34Sit down, please.
00:35And look, I'm going to put some homemade lentils in the cream.
00:39Thank you, no, but I'm already having dinner.
00:41I was going to say no to some lentils with deer sausage.
00:44Anyone who says no to a dish like that, right?
00:47Although then I'll have a bad night.
00:49Well, my nights are all bad.
00:51Eat what you eat.
00:54Well, tell me, how about the palace? Any news?
00:58No, no, no, thank God. There is no news.
01:01Are you referring to the matter of Hanna and Manuel?
01:05Yes.
01:06Have you already spoken to them?
01:08Yes, I have already told them that nothing has come out of my lips about their relationship.
01:12Well, they must have been calm, because the news would have been made up by the Lord Jesus Christ.
01:17The apocalypse would have been made up, yes.
01:19And I confess that I am about to tell Mr. Marquez,
01:22but well, after talking to you, my doubts were dissipated.
01:25Well, I'm glad that he had the arrests to face a situation like this,
01:29because those two needed it.
01:32Well, nothing, they can breathe easy, yes.
01:34The one who will not be calm will be me, because I have betrayed the Lord.
01:37You have done well, Mr. Baeza.
01:39Look, it's a true love story.
01:42And love is such a precious thing that it must be cultivated.
01:44Yes, I think so too, but ...
01:46But nothing.
01:47What good would it do to tell Mr. Marquez? Tell me.
01:50It is my obligation, I must do it.
01:53Well, they say that the faults for love have a hundred years of forgiveness, right?
01:56Well, that's it.
01:57It seems to me that you are changing the saying to your convenience.
02:01Well, I may have said it to María Fernández, but it is true.
02:05Shall we have dinner?
02:07Re-dinner, God, re-dinner.
02:09Well, and I don't think I'm going to feel bad.
02:12You're not going to feel bad, these lentils are so rich, it's impossible.
02:15No, well, yes, look.
02:17Maybe having dinner twice is fine, and hiding things from the gentlemen is appropriate.
02:23That's it.
02:27Delicious.
02:30They are cooked over low heat.
02:32I have nothing else to do here.
02:46Finally alone.
02:49Why do you say that?
02:53Because lately it seems that you and I cannot be together without Julia appearing, all of a sudden.
03:01Well, I think she's a very nice girl.
03:04Don't you like her?
03:06No, it's not that.
03:09It just bothers me.
03:11No, it's not that.
03:13It just bothers me.
03:15But is there any reason for that discomfort?
03:22Well, I don't know how to tell you.
03:24It's a feeling of mine and that's why I can't give you any reason.
03:33Or maybe yes.
03:35Maybe it's because that young woman is more striped than that record.
03:39Always with the same Montserrat.
03:43Let's see, which one is it?
03:46Martina, I've already told you a couple of times.
03:50Julia doesn't stop talking about the war.
03:52And not only does she talk, but she also asks questions.
03:54And I assure you that it is the last thing I would like to talk about.
03:56I can't think of anything. The next time I bring up the subject, you tell her to stop.
03:59Yeah, as if that would help.
04:02No, and there is something else that I don't quite understand.
04:06Let's see.
04:07What?
04:09I don't understand why she's still here.
04:13Well, because she wanted to avoid that trip to see her brother-in-law.
04:17And how she did me the favor of coming here to give me back the pendant.
04:20You invited her, it's been a few days.
04:22Of course.
04:23I think it's great.
04:24Don't you think you gave her your hand and she took your arm?
04:29I just don't get the feeling that it's any use.
04:32I just don't get the feeling that it's any use.
04:35Ah, no.
04:36No.
04:37And how long are her parents going to spend in San Sebastián?
04:40I don't know, well ...
04:42Let's see.
04:43Would you be excited to go on vacation with your father?
04:46With the captain of the Mata?
04:47No.
04:48Even if they are family, they are not forced to get along.
04:50They don't have more. Don't be suspicious.
04:52Yes, yes.
04:54But don't you think it's weird that even if her parents are not in that palace, she doesn't come back?
04:59Her servants are waiting for her there, right?
05:03Maybe.
05:05Well then, maybe it's time to kindly tell her that she has to go.
05:13Hmm?
05:26Look.
05:28Let's put this one.
05:29This one looks good, isn't there another one out there?
05:36Mozart, but maybe not this one.
05:39Do you like it?
05:42Yes.
05:52So have you finally told her the truth?
05:55Yes.
05:58And what did she say to you?
06:00Well, she didn't say anything to me either.
06:02She stood still.
06:04And I don't know, María, I don't think she expected it either.
06:06What do you mean to expect it?
06:09Well, and what did she tell you when you told her that you thought it was her grandfather, the baron of Linaja, who killed your mother?
06:14I didn't tell her that exactly.
06:16Besides, Mr. Márquez just arrived at that moment.
06:20But you did tell her that Mr. Curro is your brother, didn't you?
06:23Neither.
06:25Yes, and then what did you tell her?
06:26That after Tuesday comes Wednesday?
06:28Let's see, María, what gave me time before she became her father.
06:32With what it has cost you to start, I don't know if you will be able to continue.
06:36Let's give time to time.
06:37Well, I think it's better to finish.
06:39I told you little by little.
06:41And remember that you were very upset every time I told you one thing.
06:45Man, like not to be in Lohana.
06:47Right?
06:48Maybe.
06:50But hey, let's continue with this.
07:08The next day
07:15Can I help you?
07:17No, thank you. I'll take care of it myself.
07:19I'm looking for a source to serve breakfast to the gentlemen.
07:23What have you prepared for them today?
07:25Well, some crispy torrijas with lemon zest and a touch of cinnamon.
07:29They must be about to suck their fingers.
07:31Yes, that's what they say.
07:33Everyone says there are scandalous cooks, and rightly so.
07:35I have never eaten as well as here.
07:38Thank you very much.
07:39But that is also due to Mrs. Simona and Mrs. Candela.
07:43I don't even know how to fry an egg.
07:45And Teresa is worse.
07:46Once she wanted to make some tortillas and she cooked them so much that it looked like some gachas.
07:51Well, the times I've needed Teresa to help me in the kitchen have been very effective.
07:56Well, I don't know what she did, but I'm telling you, it looked like a mess.
07:59Besides, it was disgusting.
08:01I have never eaten such a bad dish in my life.
08:04Marcelo, we all mess up a dish sometime.
08:06Even those of us who spend all day in the kitchen.
08:08No, no. If you're wrong, you're human.
08:10And we're all human, right?
08:12Some more than others.
08:14And where did you learn to cook?
08:16Well ...
08:17You know what? I would love to learn to make a dish.
08:19It would be nice if I could go through the kitchens.
08:21It would be worthy.
08:23I don't think so, Marcelo.
08:24In the kitchen we always have a lot of work.
08:26And whoever doesn't work gets in the way.
08:28I wouldn't get in the way, of course.
08:31Hey, Marcelo.
08:32I'm going to be very honest with you.
08:35I think you should take care of doing your job well.
08:38Which is what they're paying you for.
08:40Why do you say that?
08:42What did they ask you to do?
08:43Review the dish for breakfast, right?
08:46And that means that the dish has to be bright and without soap or grease stains.
08:50Right?
08:54How is this dish?
08:57Is it lustrous enough to put it on the table?
09:00Well, yes, isn't it?
09:02No.
09:04This dish has rags on the cloth.
09:09And how is this other dish?
09:11Because it has ...
09:13the fingerprints of your fingers.
09:15Do you think we can put this dish in the dining room?
09:17That must have happened to me.
09:19Come on, Marcelo. A lot of things happen to you.
09:22I really don't understand how they hired you,
09:24with how demanding they are with the service.
09:26Hey, you can always learn.
09:28You don't do anything wrong.
09:30Yes.
09:31But to learn, you need attitude.
09:34For example, you should already know that to light the dish,
09:36you need a dry cloth.
09:38How is your cloth?
09:40It's wet.
09:43Well, you know what you have to do.
09:59Good morning.
10:00Good morning.
10:02I was reading a piece of news about ...
10:04If you're going to tell me another bullshit about the war,
10:06I ask you to save it.
10:08I have no desire to hear something like that.
10:10I wasn't going to tell you about that.
10:12So?
10:14Do you remember the Orestes?
10:16Yes. They have been here as guests more than once.
10:18I just read that your son fell while riding
10:20and broke both legs.
10:22We should send him an ambulance.
10:24Yes.
10:25He fell while riding and broke both legs.
10:27We should send him an ambulance.
10:29Very well, then tell him the usual.
10:31That we feel for him a lot and that we hope
10:33that he has a quick recovery.
10:35It's just that you are the one who always takes care of those matters.
10:39Alonso,
10:41things have changed a lot in this marriage.
10:43From now on, we will take care of each of his affairs.
10:46It's just that this is not good for both of us.
10:48The Orestes are your friends.
10:50They seemed charming to you.
10:52I could never stand him.
10:54That man
10:55bites his teeth with a toothpick.
10:57And she, what a womanizer.
10:59Every two by three she says a word in French
11:01and doesn't even know the language.
11:02I will write that letter.
11:04I don't want us to argue again.
11:06Neither do I.
11:07Or do you think I like to argue?
11:09What happens is that I have the feeling that you are always
11:11looking for a way to annoy me.
11:12But what have I done now?
11:13Tell you that we have to send a letter?
11:15It has nothing to do with the letter.
11:17But then what's wrong with you?
11:19What have I done that bothers you so much?
11:20Let's leave it at that.
11:21No.
11:22Don't throw the stone and hide your hand.
11:24Tell me.
11:28Lorenzo has told me that you want to take the business
11:30of the jams from him to give it to your little daughter Catalina.
11:33I haven't made a decision yet.
11:35But yes, I'm thinking about it.
11:36Can you tell me why?
11:38Lorenzo has put his skin in that business
11:40during the last few months.
11:42Lorenzo putting his skin in something.
11:44Come on, Cruz.
11:45Well, who has taken care of the jams?
11:47Lorenzo.
11:48But maybe he hasn't taken care of it very well.
11:52In any case, I already tell you that the decision
11:54has not yet been made.
11:55Well, look, for once, it will be better for you to continue like this,
11:58without making a decision, as you always do.
12:00Alonso, for God's sake.
12:01Catalina can't even take care of a dollhouse.
12:04If I had done that, I would not have raised that business
12:06almost without help.
12:07Well, it seems that the money from the smuggling
12:09came in handy to clear the accounts.
12:11That's too much water.
12:14And what if he suddenly decides to return
12:16another season to the hangar?
12:18What would happen to the company?
12:20You know very well why he left.
12:21And on top of that, he's going to see the unpretentious Pelayo
12:24and he brings him back here.
12:25And without warning.
12:26I know the story very well.
12:27You don't have to tell me.
12:28Well, it doesn't seem like it, dear.
12:29It doesn't seem like it.
12:31I just don't understand why you want to put the jams business
12:33in his hands and in the hands of that used man.
12:37Catalina has had a very bad time.
12:39So what?
12:40Does that mean she has to do whatever she wants?
12:43Your daughter is older.
12:44She's an adult.
12:45And adults, no matter how bad we have it,
12:47we don't behave like kids.
12:51I'm sorry.
13:03Tell me, what have you come to tell me?
13:04I have a lot of trouble in the kitchen.
13:06Andrea, I wanted to talk to you because I know
13:08how much you appreciate Catalina.
13:10Yes, for me she is almost like a daughter.
13:12I know.
13:14And she sees you as the mother she lost as a child.
13:18I also know that your opinion is very important
13:20for the service.
13:21So?
13:22Well, for Catalina, the service is part of the family
13:25and this palace too.
13:27Mrs. Catalina knows our problems,
13:29lives our reality and cares for us.
13:32And you are for her.
13:34Specifically, you.
13:36And that's why I know how bad she has had to go through
13:38seeing her suffer for the damage I caused her.
13:41Not even half as bad as she has.
13:42I assure you.
13:44I know, Simona, I know.
13:46And you don't know how ashamed I am.
13:47Nor how hard it is for me to know everything she has cried,
13:50Catalina, because of me.
13:53That's why I want to make up for all that pain,
13:55leave it behind.
13:57And that happens by apologizing to you.
13:59Apologize?
14:00That's it.
14:02Simona, I wanted to apologize to you
14:05for having caused her that calvary.
14:08Catalina already knows that my love for her is sincere
14:10and that I want us to build something new, together.
14:13Now I just need to convince you.
14:15And believe me, I'll do whatever it takes.
14:17I see, I see.
14:19Simona, I'm not a bad person.
14:21I've just made bad decisions.
14:23Let me prove it to you.
14:25And if I were a bad person, I wouldn't admit it, would I?
14:30That's also true.
14:34Tell me, do you have Catalina for a fool?
14:36Of course not.
14:37Miss Catalina is very awake.
14:39Awake and a noble soul, right?
14:42Then I say that she will have found something good in me
14:44so that we can still be together.
14:46Love sometimes blinds us.
14:49Come on, Simona, grant me the benefit of the doubt, please.
14:52I really want to improve as a person.
14:55Not to make more mistakes again.
14:57And above all, I want to make Catalina happy.
15:00I see.
15:01But until now, she has been made a wretch.
15:03I don't know if I have gone away from her.
15:07That's why I don't want us to separate anymore.
15:09And that's why I'm here, talking to you
15:12and telling you everything I want about your Catalina.
15:16Simona, can you forgive me for the evil I did to you?
15:19Because she has already forgiven me.
15:23Look, think that she is in front of a man who loves her madly
15:25and would do anything for her.
15:29Anything?
15:30Yes, that's what I said.
15:33Okay.
15:34Come to the kitchen.
15:39I love you.
16:06Are you coming for firewood?
16:07Or have you seen me?
16:08And you needed any excuse to get closer.
16:12It's a bit of both.
16:14And Mrs. Simona kicked me out of the kitchen.
16:16And I have nothing to do.
16:18Really?
16:19And why is that? Are you angry?
16:21No, no, no, no.
16:24I don't know.
16:25They will have something in their hands.
16:28And what could it be?
16:30Well, look, honestly, I didn't want to ask.
16:32Because whenever I ask, I end up silent.
16:35I love seeing you smile.
16:37And you don't do it enough.
16:40Well, it's just that lately it hasn't been my best days
16:42with my mother walking around here whenever she feels like it.
16:46Let's hope that from now on she has understood that it is useless to return.
16:50Yes, I hope so.
16:51That's why I'm a little calmer.
16:54And Marry dreams?
16:57Still, I can't get my head out of my head
16:59what they could have talked about the last time
17:01the Marquis and my mother saw each other.
17:03Vera will know.
17:06Well, today I met the Marquis and she looked at me as always.
17:09Come on, she didn't even look at me.
17:11Well, that only means that your mother has not betrayed you.
17:14You were right.
17:15Yeah, but then why did she come?
17:17To apologize for standing here without announcing herself?
17:20Or to enter the service area?
17:22Well, it could be.
17:23The Marquis had to find it very strange.
17:25Well, I guess Mr. Rómulo will have told him
17:28and the Marquis will have asked for explanations.
17:30Well, that's why I'm back.
17:32So let it be.
17:33Yeah, but I doubt the Marquise has swallowed the excuse
17:36that she wanted the cake recipe.
17:38What lady is she interested in cooking?
17:41They are more interested in eating well, yes.
17:43Go find out what excuse he used to get her out of trouble.
17:49You have to stop turning her around.
17:51Vera, what you have to do now is enjoy your new life.
17:56And I love this new life.
17:59Especially you, who are the most important part.
18:02You are going to blush.
18:04That's what I'm looking for.
18:06You are very funny when your ears turn red.
18:09Me? My ears don't turn red.
18:11Come on, don't overdo it.
18:12No.
18:13Yes, you turn red like a tomato.
18:16You are very beautiful.
18:18And it's very difficult for me to control myself, you know.
18:20Oh yeah?
18:22And why is that?
18:25Well, because I really want to kiss you.
18:27And we are in the courtyard.
18:30Come on.
18:31Help me hang this sheet.
18:33Now.
18:35You help me, fool.
18:38Come on.
18:49Clip.
18:59Clip.
19:04And now come here.
19:17I'm telling you, she's going to come down.
19:18I don't know, she must be busy.
19:20Maybe I should go up and look for her.
19:22What are you saying?
19:23If Mrs. Petra catches you at the noble plant,
19:25those curls of your hair will stay straight.
19:27Look at her, there she comes alone.
19:30María Fernández told me you wanted to see me.
19:32What happened?
19:33No, nothing, miss.
19:34Don't worry, don't worry.
19:36We have the pleasure of inviting you to have a snack.
19:39Simona is always teasing me.
19:41Let's see, what have you prepared today?
19:43We haven't prepared anything.
19:45So who did it?
19:47Well, believe it or not,
19:49I prepared all this myself.
19:51No, I can't believe it.
19:53Yes, I just came down to apologize to Simona
19:56and nothing, I got tangled up.
19:58And what happened?
20:00Nothing now.
20:01But what happened at the time not only affected us,
20:05but also the people who love you.
20:07And there are many in the service.
20:09All of us, basically.
20:12Yes, the point is that I told Simona
20:14that I was willing to do anything to show her my love for you.
20:17And she asked me to start cooking
20:19so that she could live her reality a little.
20:21What a coincidence.
20:22Yes, I think Pelayo has never used a frying pan in his life.
20:25Until today.
20:26Well, he has taken up to a rod
20:27and he has dared to light the oven.
20:30And has he done well?
20:32Let's say he has done what he has been able to.
20:34No one can deny that.
20:36And he has also been chatting with us for a long time.
20:39Yes, the man has a very good tongue.
20:42He knows everything, man.
20:44I know these women are very important to you
20:46and I wanted to show you that they will also be for me.
20:49Well, yes, they are.
20:51Simona has raised me, as they say.
20:53Yes, she and Candela.
20:55Well, yes.
20:58Yes, this is my paradise.
21:00The kitchen.
21:01And now I understand better why.
21:04I appreciate the compliment.
21:05But it is not Menester who will cook again,
21:07that you have just destroyed.
21:10Well, it's true.
21:11I'm going to have to send everything straight to the laundry.
21:14Let's see, I think it's just some flour.
21:16I don't know if that's going to be enough.
21:19Look.
21:24It seems that the cooks are abandoning us.
21:26Maybe they want to leave us a little privacy, right?
21:29Yes.
21:52There is a time for everything.
21:54And there are always people willing
21:56to measure that time.
21:58For example, there is also a time for mourning.
22:02But your people don't agree.
22:06Is half a year enough to get a boyfriend
22:10if you have lost the other one?
22:12Or a whole year?
22:15And for the secrets,
22:17how long can you keep a very fat secret
22:20that a friend has told you?
22:28You can't even tell your boyfriend?
22:30It seems not.
22:36I don't know.
22:38I don't know.
22:40I don't know.
22:41I don't know.
22:42I don't know.
22:43I don't know.
22:54What are you doing, María Fernández?
22:57I'm sweeping the sheets.
22:59Why didn't you see yourself sweeping?
23:02Because I stopped a little to thread the needle.
23:05It was already threaded.
23:07Or because I threaded it, Mrs. Petra.
23:09Needles don't thread on their own.
23:12Come on.
23:13Go upstairs and tidy up the ladies' bedrooms.
23:16They've already gotten up from their nap.
23:18Now?
23:19Of course, now.
23:20You'll figure that out later.
23:25María Fernández, what are you waiting for?
23:27I'm coming, Mrs. Petra.
23:33María!
23:35I'm coming, I'm coming.
23:36Fly!
23:41Fly!
23:49Well, this cake is not bad.
23:51This one is safe, but the first one was straight to the trash.
23:55No one has taught you.
23:57And you've made a double effort.
23:59Cooking and talking to Simona.
24:01I did it because I know how important Simona is to you.
24:04And because I want to be good to you, but also to the people you love.
24:08You're on the right track.
24:10Although the cake didn't turn out very well.
24:13The intention is what matters.
24:15Although it wouldn't have been bad if it wasn't so hard.
24:18Is it really that inedible?
24:19It looked like it was made of sand.
24:21What a mess.
24:22I've already told you that what matters is the intention.
24:24And yours is very good.
24:26And improvable.
24:29How I missed your lips.
24:31Doesn't it taste like sand?
24:33Stop making fun of me.
24:35It's okay, it's okay.
24:36I won't laugh anymore.
24:38You know what?
24:39To make up for my laughter, I want to take you to the confectionery in Luján one day.
24:43I also want to take you somewhere.
24:45Oh yeah? Where?
24:46I received an invitation from my friend the composer Don Eugenio Santiago
24:50for his birthday party in Luján.
24:52And I want to take you there.
24:54I received an invitation from my friend the composer Don Eugenio Santiago
24:57for his birthday party.
24:59The truth is, I was surprised.
25:00I hadn't received invitations in a long time.
25:01Imagine me.
25:03Unfortunately, yes.
25:06But well, I think it's time to leave all that behind.
25:10Would you accompany me to his party?
25:14If I'm honest with you, I don't really want to.
25:17But Catalina, it could be a good way to return to a normal life.
25:20We don't have to keep hiding.
25:23We've been criticized so much and we've been made fun of so much.
25:26Maybe if you see us together, you'll realize how little we care about those girls.
25:30Come with me, please.
25:33Okay, I'll go with you.
25:39I'll write to them today to confirm that we're going.
25:53Okay.
26:33That horse was already limping last year.
26:35It looks like he hasn't recovered at all.
26:38What's wrong, son? Are you sick?
26:41I'm sorry, father. I have a headache somewhere else.
26:43I guess it's because of some news I read about the war.
26:48Do you like the painting, young man?
26:52It excites me. It has everything.
26:55Good stroke, harmonious color, and the model, of course.
26:59What a lady.
27:01Yes, she is my first wife.
27:04The mother of my daughter Catalina and my late son Tomás.
27:08I didn't know, I'm sorry.
27:10No, don't worry. Life is like that.
27:13It's a good painting.
27:16Look at him, a very fine painter.
27:18I know him.
27:20But it's a shame his state of conservation.
27:25Hasn't he deteriorated?
27:28He's been here for years, but I think he looks perfect.
27:31At first glance.
27:33Do you see those wrinkles? He's starting to wrinkle.
27:38I think it's normal.
27:41Normal if he were 200 years old, maybe.
27:45No, he's not. I'm not that old.
27:48And look at this white.
27:50If I'm not mistaken, it should be pure white.
27:54That's the effect of the smoke, the dust ...
27:57I'm worried about what you're telling me.
27:59Because I value this painting a lot.
28:02It's nothing you can't fix.
28:05A good restoration would fix all these problems and leave the painting as new.
28:10But you would have to take it out of the promise.
28:13I don't think it's necessary.
28:15Although I have never restored a complete work by myself,
28:18I know a lot about the subject and I could leave the painting as new.
28:22I appreciate it, young man.
28:25But I have heard very unfortunate restoration stories.
28:28In a church in Murcia, an amateur left a very valuable painting, made an excehomo.
28:33Yes, I also know that story.
28:35But I assure you that nothing like that would happen to me.
28:37I have studied and a couple of valuable paintings by friends of my parents have already passed through my hands.
28:44Also, think that in this case there is no need to repaint.
28:48It would be better to clean the dirt and give a varnish.
28:52And that does not entail any danger?
28:54None, sir.
28:56It would only be about removing the dust that falls between the cracks and changing the varnish.
29:01And the original colors would be recovered?
29:04That's it. And with the new varnish, it will be more protected and the lustre will be recovered.
29:08I don't see that restoration badly.
29:11And it seems that Miss Julia knows what she is talking about.
29:14So I could thank you for everything you have done for me.
29:19I would need, however, to order a few materials and a quiet space to work.
29:26The hangar.
29:28My hangar, I think it's perfect. A lot of light comes in.
29:33Well, there is no more talk. Do it in the hangar.
29:37Prepare a list with everything you need and a servant will take care of getting everything.
29:43And now, would you like to join us for an aperitif?
29:59Well, the new priest, Don Samuel, has organized a contest for fried eggplants.
30:03And what does religion have to do with fried eggplants?
30:06I think it has to do with fried eggplants.
30:09And he had thought of participating.
30:11That the prize is a handful of ham.
30:13Or two, it's not a bad prize.
30:15And how would we do it? With honey or without honey?
30:17As you prefer.
30:18I like them anyway.
30:20I think we could make the batter and put a jar of cane honey next to it,
30:24since he likes it to soak.
30:26Leave that for a moment and go up to the music room.
30:29Mrs. Márquez is waiting for you.
30:30And that?
30:31What happened?
30:32Well, she's worried. Have they done something wrong?
30:34No, not that we know of.
30:36But whenever Mrs. Márquez calls you upstairs, it's to make a fried eggplant.
30:40And it couldn't be to congratulate them for a dish or a good dessert, for example.
30:44Excuse me, Mr. Pellicer.
30:46It seems to me that you have been in the palace for a short time.
30:49Let's see, Lope.
30:50How many times has Mrs. Márquez called you since you've been here to congratulate you?
30:54I don't remember any.
30:56Me neither, Mr. Pellicer.
30:58And I've been in this kitchen all my life.
30:59But that doesn't mean that now she's going to argue with you.
31:04No, Mr. Pellicer. When she said it, she meant it seriously.
31:08Maybe she didn't like the soup last night.
31:10López, what did I tell you? It was too spicy.
31:12Well, stop speculating and go up at once.
31:15I'm sure it's not a bad thing, but it will be if you don't go soon.
31:19Let's go.
31:21I'm going.
31:22Let's go.
31:23Come on, Lopillo.
31:24Now.
31:25Excuse me.
31:27Let's go.
31:34Let's go.
32:01Nothing.
32:02Nothing?
32:03No.
32:05Hello.
32:07I'm going to light some matches.
32:09Very well.
32:17Are you okay?
32:19Yes, but ...
32:21Words are very expensive.
32:27What did you say?
32:29This here.
32:31Well, nothing.
32:34The telegrams charge a lot for words and my boyfriend has sent me one.
32:39And he barely tells me anything.
32:41But it's not far, is it?
32:43Well, no. But it's not here. And I miss it.
32:47They offered me a very good job at the palace of the Count of Matesán.
32:50First I said yes, no more, no less.
32:52And how could I refuse?
32:55Sure.
32:56Well, I'm sorry you're sad.
32:58But ...
33:00It's a very good job, isn't it?
33:02Well, yes. It's making a lot of money.
33:04And who knows, maybe God doesn't want it, but these things happen.
33:08And the same thing happens.
33:10It can happen.
33:11Yes.
33:12Well, the thing is that I miss it a lot because I was used to seeing it every now and then.
33:17I'm going to tell you, right?
33:19Me?
33:20Why?
33:22Well, because you have Teresa here.
33:24Ah! Yes, yes, of course. Well.
33:26But if you want the distance, it doesn't matter.
33:30Now what we have to do is work, earn a room and save.
33:36For what?
33:39Because we are thinking of getting married.
33:42And we want to buy a small farm to live in the garden and that no one sends us.
33:47And we want to have animals, chickens, rabbits ...
33:50I don't know.
33:51Even a donkey called Ernesto I want to have.
33:54It seems like a very good idea.
33:57Well, I'm going to show you the routines.
34:02Hey Maria, can I ask you a question?
34:04You seem very excited.
34:05Of course. Your question.
34:07That in the vice of asking, there is the virtue of remaining silent.
34:10Could you tell me how to illustrate the routines?
34:12I'm sure you know how to do all these tasks.
34:14It's ugly for me to say it, but I know how to do everything.
34:18And the first thing you have to do is put on the sleeves.
34:27And the second thing, you have to take the brush ...
34:32Boy, but take off your jacket.
34:36Sorry.
34:40You pass the brush, removing the dirt.
34:48Can I come in?
34:52Mrs. Marquesa?
34:54There is no one here, Lope.
34:57They told you to come here, right?
35:01Oh my God, Mrs. Simona, we may have arrived late.
35:03We already told you, Lopillo.
35:05What do we do?
35:06Do you want me to go get the Marquesa?
35:08No, I think it's better to wait here.
35:10Do you think?
35:12If you want, I can call Mr. Pellicer.
35:15Are you here?
35:16Yes, Mrs. Marquesa, I thought we had ...
35:18Come in, Mrs. Amalia.
35:20Where is Vera?
35:22The Duchess of Carril has asked to see her.
35:25Mr. Pellicer informed us that we would go up, but he didn't lie to Vera.
35:30Well, she should be here.
35:34Well, if you want, I can go tell her.
35:45Hanna.
35:47I've been looking for you all over the palace for a long time.
35:50You have to finish telling me that story.
35:53Manuel, right now I have to finish the job and this is not the place.
35:59Hanna, please.
36:01I can't stop thinking about it.
36:04I need to know everything.
36:10Please.
36:12Please!
36:26Was this the ring that the man who killed your mother gave me?
36:36Manuel, this is not the time or the place.
36:39No one is coming.
36:41My cousin has gone with her mother to take a walk and they will be back soon.
36:46Hanna, please, let's talk.
36:52Okay, what ...
36:54What do you want to know?
36:56What will it be?
36:58You insinuated that my own grandfather could have something to do with your mother's death.
37:05I want to know everything.
37:09Manuel.
37:11I think your grandfather is to blame for my mother's death.
37:16But not only his death.
37:19I think he is also to blame for the death of ...
37:22of your brother Tomás.
37:27It can't be.
37:29It can't be my grandfather.
37:33It can't be.
37:36It can't be.
37:42And why did it take you so long to tell me, Hanna?
37:46Why, after all the time you've been in La Promesa?
37:49Manuel, because I was afraid for you.
37:54Let me explain.
37:56The first night I arrived at La Promesa, I talked to your brother.
38:00And I told him everything you know now.
38:05But then he appeared dead.
38:06My brother knew who you were.
38:11Manuel, you have to understand that I didn't tell you because I didn't want to put you in danger.
38:23What does my brother have to do with all this?
38:26And why did you tell him everything?
38:29Well, because your brother surprised me at the library.
38:32While I was looking for a photograph and he thought I was stealing, so ...
38:37I had no choice but to tell him who I was and why I had come here.
38:41So my brother was aware of absolutely everything?
38:44But the most curious thing about all this, Manuel,
38:47is that I didn't take it again.
38:50What do you mean?
38:52That Tomás suspected the truth.
38:54And he promised to help me so that everything would come to light.
38:58I know that's why Manuel was killed.
39:02And yet, how do you accuse my grandfather of the death of my brother?
39:06Why?
39:07What do you mean why, Manuel?
39:09Because he was able to kill an unarmed woman in front of his children?
39:14Assuming what you say is true, Hanna.
39:17Assuming it's true.
39:19Do you have any evidence to prove it?
39:22Something against him?
39:25No.
39:31Well, no, I don't think I can have it at this point.
39:34Your grandfather took his secret to the grave.
39:38Hanna, it can't be.
39:41Manuel.
39:43Tomás suspected something.
39:45And he promised he would tell me everything, but first he had to see someone.
39:50Who?
39:52I don't know.
39:54In fact, I couldn't believe it.
39:57So he gave me something as a gift.
40:01He gave me his wedding ring.
40:03Tomás.
40:06My brother had his wedding ring on the same day of his wedding.
40:10And then he killed him.
40:18But my grandfather wasn't here that night, Hanna.
40:21Or that's what made us believe, Manuel, and that's why we don't consider him a suspect.
40:25But everything points to him.
40:28My grandfather, a murderer.
40:31And my brother.
40:38Manuel, I'm so sorry.
40:41I knew all this was going to hurt you.
40:45But there's one thing you still don't know.
40:48What?
40:51I found my brother.
40:54I found him years after they took him.
41:01And he's alive.
41:07He's in this house.
41:20My brother, eh?
41:24My dark brother.
41:30My brother.
41:36And when is the Duchess's visit expected?
41:38Well, as far as we know, it could be this afternoon.
41:42We'll have to have everything ready then.
41:44No, no, no.
41:45The lady doesn't want anything special to be done.
41:47The idea is for her to see the kitchens in their usual environment.
41:51Except for one thing.
41:53Vera.
41:54This is nonsense, López.
41:55Where have you seen a Duchess entering the palace to go to the kitchen of the Marquises?
42:00We'll see about that.
42:02Are you sure my mother doesn't care about the kitchen at all?
42:05What I don't understand is, what does she want to achieve with all this?
42:10What if I've ruined everything, María?
42:12What are you going to ruin everything, Ana?
42:14That's it, eh?
42:15Stop complaining about the milk you spilled.
42:17And if this is the reason for your wedding, it's because your love wasn't as strong as you thought.
42:21And it does you a favor.
42:22María.
42:23I've heard that you've offered to restore the portrait in the tea room.
42:27That's right.
42:28It was a way to compensate for the kindness of your family to welcome me here these days.
42:32We won, I assure you.
42:35We all have a lot of appreciation for that painting.
42:37It's a memory of my dear mother.
42:39I can't take it anymore with that spoiled brat Catalina.
42:42You have to get her out of here as soon as possible.
42:44If it were up to me, I would do it and with pleasure.
42:46She has exceeded all my limits.
42:48Come on, she's even giving me urticaria.
42:50Doesn't that friend of Martina have an allergy to walnuts?
42:53Well, I have Catalina.
42:55What happened to you, Teresa?
42:58You were so desperate to forget my son that you had to sleep with the first idiot who crossed your path.
43:03For God's sake, don't be vulgar.
43:05No.
43:06You're the vulgar one.
43:08I don't understand why you want to favor Lorenzo by going over a member of the Lujan family.
43:12I remind you that Lorenzo is married to my sister.
43:15So he's also part of the family.
43:17But of course, it's mine, which may not be as important as yours.
43:20Excuse me, why?
43:22I'm convinced that your experience on the front has generated very strong friendships and unbreakable bonds.
43:29You know, we also talked about that this morning.
43:32I admit that Julio makes me nervous with so many questions.
43:35Well, I think he's a tremendously curious person.
43:38Yes, especially in relation to war, which is precisely what I'm trying to forget.
43:43That fool doesn't know how to do anything right.
43:46He doesn't even know where the wind blows him.
43:48He's useless.
43:50So Teresa is trying to cover up her husband's mistakes.
43:54I'm sure of it.
43:56She has replaced my son Feliciano with an incompetent who didn't even get the smell of his shoes.
44:02You are an insult to everything he represented.
44:06And to all the dignity that is in this world, inhumane and sinful.
44:10Really, Mrs. Alcos ...
44:11That you have taken his place in Teresa's heart only shows that she is no longer deaf.
44:16But I will not allow you to take his place in this house.