• 2 ay önce
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00:00A FEW HOURS LATER
00:07Antonia, how did you come alone?
00:10Well, it wasn't necessary for the boss to accompany me back,
00:12I've already been quite late this morning at work.
00:19Well, what did the doctor say?
00:22That I probably have sarampion,
00:25and that I have a sharp pain in my neck that doesn't look good.
00:30Can I help you with something?
00:32Maybe I can accompany you in my free time.
00:34No, no, no, I'm perfectly alone.
00:36I just need to rest a little.
00:38I'm not even dizzy, I don't have a fever.
00:41Don't worry, really, sarampion doesn't kill anyone.
00:44Well, but maybe I can ask for a modern zone permit,
00:46even if I may be alone.
00:47No.
00:48So I can help you with the house, or the kitchen, or...
00:50No, really not.
00:52Besides, have you had sarampion?
00:54No, I don't think so.
00:55Well, then you need to get closer to me,
00:57because it's very contagious.
00:59What you're going to do is stay at Pietro's house.
01:01I'm sure he doesn't care.
01:02Besides, you have an exam tomorrow, right?
01:06Antonia, are you okay?
01:08Yes, yes, yes, I'm fine.
01:09It's going to be like a hangover, that's it.
01:11Look, I'm going to stay with you and I'm not going to go to work.
01:14Marta, it won't be necessary.
01:16I've had sarampion.
01:18I could take care of you, Antonia.
01:20No, no, no, no, really, no, no, no need, I'm fine.
01:23Antonia, don't be stubborn.
01:25If you feel nauseous, you lack strength.
01:27I'm fine, really.
01:29Look, Antonia, sarampion is not a joke.
01:32It's much worse in adults than in little ones.
01:34Or maybe you don't know.
01:35The best thing is that we go to his house.
01:39No need.
01:40Give me your arm to twist.
01:42Otherwise I won't leave in peace.
01:43Of course, you have to promise me
01:45that you'll both be fine.
01:46If not, I'll stay.
01:47We'll be fine, Marta.
01:57Let's go.
02:21Celia.
02:22What a surprise.
02:23Forgive me, I'm half asleep.
02:25But if you want, come in.
02:29I'm sorry for showing up so early.
02:31I'd like you to help me choose a sketch
02:34for the suffragists' poster.
02:37Don't worry.
02:39I just made coffee.
02:40Do you want some?
02:43I'd love some.
02:44I've spent all night working
02:46between some ideas and others
02:48and I haven't paid attention.
02:50Well, make yourself comfortable
02:51and I'll serve you one now.
03:00Look.
03:02I've brought you three sketches.
03:07This one,
03:09this one and this one.
03:11Wow.
03:12You've been working a lot.
03:14You're so talented.
03:17Thank you very much.
03:19But between the beating I get
03:21and the number of times I beat him,
03:24I can't decide.
03:26Which one do you like more?
03:28Well...
03:33I think this one is the most interesting
03:35and I think it's prettier.
03:38It's also my favourite.
03:41Would you help me choose a sentence for the poster?
03:44All of a sudden?
03:47I don't know, let me think.
03:52What do you think?
03:53Women, equality and voting.
03:58I like it a lot.
03:59It's short and easy to remember.
04:01Fewer words are always better in the poster
04:04and in the streets the slogans are heard more clearly.
04:07Very good.
04:08Don't talk anymore.
04:09Women, equality and voting.
04:11And would you put it here?
04:14Yes, here so it doesn't block the design.
04:17Very good, I think it's a great idea.
04:19Besides, I think women, equality and voting is catchy.
04:22We should open a big advertising agency.
04:25It would be great.
04:26Yes, I would put the images and you the words.
04:29We would be an unstoppable team.
04:34Celia, I'm glad you came.
04:38But I've been thinking about what you said yesterday
04:41that it hurts you to be close to me.
04:43And I want to tell you that I understand and respect it.
04:46I imagine it's not easy for you.
04:49The truth is not.
04:52I also wanted to tell you that,
04:54giving you the space you need,
04:56you are a very important person to me.
04:58You are not only my partner,
05:00you are also my best friend.
05:04I really like hearing it.
05:07But if I tell you the truth,
05:09I don't know what the future will bring us.
05:11I think friendship can last forever.
05:14Love is something else.
05:17I can't comment on that.
05:20It's the first time I feel something like this for someone.
05:23I guess I need time to handle the situation.
05:26I'll give you all the time in the world.
05:29Celia, I don't want to lose you.
05:40Mrs. Franza, please, come with me.
05:42There's a mess.
05:43You have to see the people.
05:45Let's see, where?
05:47Here, on that table.
05:49Look.
05:51They're already here, the newlyweds.
05:53What a joy to see you.
05:55It's been a long time,
05:57but you don't know how much we've missed you.
06:02What's the matter?
06:03Has the family given you too many hugs at the wedding?
06:05Don't you want more?
06:06Of course.
06:07Now they just want the love from one to the other.
06:09And the others who make fun of us.
06:11Trini, come here.
06:12Two kisses.
06:16So, how was it?
06:18Well, it was exciting.
06:21Anything else?
06:22Any anecdotes?
06:24Well, the typical wedding thing.
06:26The joy, the laughter.
06:28The nerves.
06:29Me too.
06:30Well, it's better if there are no anecdotes.
06:32Because my family, one day,
06:33my uncle kicked them out.
06:34Yeah?
06:35He got drunk with a longaniza.
06:36He went to the other neighborhood.
06:37He sat in a chair
06:38and we thought he was sleeping on the floor.
06:40But no, he fainted.
06:42That's life, Miguel.
06:43They're all fine.
06:44Well, whatever.
06:46And the first night?
06:48Esperanza, don't be so indiscreet.
06:50Well, snore or not snore.
06:52Well, obviously I'm not going to tell you
06:53about something so intimate.
06:55No way.
06:57Well, and the bouquet, who took it?
06:59Aunt Odulia or Aunt Ramona?
07:01Ramona.
07:03Let's see, what did we agree on?
07:05Well, we agreed that
07:07they both fought for the bouquet.
07:09Because they both want to go to the altar.
07:11Yes.
07:12Well, but since you didn't fight,
07:13and you went to the altar,
07:14do us a favor and give us a kiss
07:16so that we can also enjoy
07:18being newlyweds.
07:19Yes, yes.
07:20Kiss, kiss, kiss.
07:22Wow.
07:24But what kind of kiss is that?
07:26If you gave her a grandmother's kiss...
07:28No, no.
07:29A movie kiss, Miguel.
07:31Like this.
07:32What are you doing, Melon?
07:33Of ham.
07:35Well, there will be time
07:36for the love demonstrations,
07:38but I'm in a hurry now.
07:40Yes, me too.
07:41Goodbye.
07:44Are you okay?
07:47The poor thing has caught the measles.
07:50And today she won't be able to come to work.
07:52She asked me to tell you that,
07:54and to apologize.
07:55The measles?
07:56Yes, the measles.
07:57It seems so.
07:59And it won't have infected her, right?
08:01No, no, don't worry.
08:02I had it when I was a kid.
08:05And I wasn't going to be responsible
08:07for coming to work
08:08if I could infect someone.
08:10Well, I'm very glad.
08:12By the way,
08:13have you thought about
08:14what you're going to prepare
08:15for the breakfast at the Puerta del Sol
08:16the day after tomorrow?
08:17Yes.
08:18Thinking about the place,
08:19I think something typical.
08:21Like, I don't know,
08:22the San Isidro skewers.
08:24The marquillos.
08:25Or the torrijas.
08:27Very good, very appropriate.
08:29But get down to work
08:30because you don't have much time.
08:32Don't worry.
08:33I know how to get organized.
08:34Yes.
08:39Mrs. Lázara.
08:41Pietro.
08:42Marta arrives late.
08:44Excuse me,
08:45I had to wait
08:46for someone to stay with Antonia.
08:47The poor woman is sick.
08:48What an excuse.
08:50That's not the problem of the place.
08:52Get to work.
08:58Marta.
08:59Who has stayed
09:00taking care of Antonia?
09:02Well, Pietro,
09:03I don't know what to believe,
09:04but Lucia.
09:05Lucia?
09:06The two of them?
09:07Did I hear correctly?
09:08No, no.
09:10My God, this is crazy, Marta.
09:12And how did you allow
09:13it to happen?
09:15Well, I don't know, Pietro.
09:16You know Lucia is very persuasive.
09:18Even Antonia thought it was a bad idea,
09:20but she insisted and...
09:22and well,
09:23they stayed there.
09:24And well,
09:25it's a disaster.
09:34Santa Lucia
09:39Santa Lucia
09:42Lucia, please.
09:43Can you stop singing?
09:45Sorry.
09:46I didn't think it would bother you.
09:49Am I that bad?
09:51No, it's not that.
09:52It's just that my head hurts.
09:53Really,
09:54if you need to do anything outside,
09:57you can go.
09:58I'm fine.
09:59I'm just dizzy.
10:00I'm glad you're better,
10:02but you should be more cautious.
10:04The fever weakens a lot.
10:05You should sit down for a while
10:07and stay still.
10:16And don't scratch yourself, Antonia,
10:17it's much worse.
10:18Please, can you stop treating me
10:19like a child?
10:21I know perfectly well
10:22what I need,
10:23and that is to stay alone
10:24and rest.
10:25Well, I agree,
10:26but in half.
10:27Because apart from resting,
10:28you should have a good soup
10:29that will make you feel wonderful.
10:31I'm not hungry.
10:32You need to replenish your liquids.
10:34And for that,
10:35a soup is the work of a saint.
10:37I already told you I'm not hungry.
10:39You know what?
10:40I'm going to the bedroom.
10:42But I'm telling you
10:43I made you a soup, Antonia.
10:45You don't even want to try it.
10:46No, I'm not hungry.
10:47I already had a broth before.
10:48A broth?
10:49Yes.
10:50But a broth,
10:51what is a broth?
10:52A soup is much better,
10:53much more healing.
10:54It has pieces of chicken,
10:55fresh vegetables,
10:56ginger,
10:57which is the work of a saint.
10:58Ginger?
10:59Yes, ginger.
11:00It is a source of energy
11:01and of all life.
11:02I was given it at home
11:03when I was sick.
11:06What happened?
11:07You don't trust me?
11:09Well look,
11:10I don't trust you
11:12and I don't think I need
11:13any reason not.
11:14Since it arrived
11:15my whole world has broken.
11:17All my plans
11:18have been ruined.
11:19Yes, I can't stand it!
11:20I'm telling you, I can't stand it!
11:21What a novelty.
11:22I can't stand it either.
11:23And that's not why I have bad intentions.
11:24Oh, isn't it bad intention
11:25to take Pietro away from me?
11:26Well, it depends.
11:27Because for me
11:28For me, you're the one who wants to take it away from me.
11:30If it didn't exist, Pedro would be delighted with me.
11:35Antonio, you have a very high fever. Sit down.
11:38I have a very cold hand. I'm cold.
11:40Look, Antonio, you know what?
11:43It would be very good, but very good if you stopped behaving like a girl.
11:48Let's clarify a few things.
11:50I understand that Pietro has chosen you.
11:53Another very obvious thing is that you have sarampion.
11:56And with this attitude, you have to be careful.
11:59And besides, you need help. And right now, I'm the only one here.
12:17Hello, uncle.
12:18Hello, darling.
12:19Did you know that Mrs. Bárbara has been arrested?
12:22I saw it on the covers of the newspapers when I came here.
12:25Yes, they have already set me up.
12:27The police arrested her right there, in the office of the Morcuente company.
12:32Unbelievable.
12:33Apparently it was a whole show, nothing gratifying, by the way.
12:36What amazes me the most is the amount of lies that she and her daughter were hiding.
12:42Well, I hope we lose sight of them.
12:44Because it is clear that having them close only brings us problems.
12:48And I hope it doesn't affect the reputation of the gallery.
12:51The clients don't think that this has become a nest of criminals.
12:55Don't worry. People will understand that this is an isolated and punctual case.
13:00Well, just in case, Agustín and I have already met with Don Fabio del Moral.
13:03Oh yeah? Have you met with Agustín?
13:06I didn't know. The last time I saw him was yesterday, rehearsing with Inés.
13:10Agustín is being tremendously generous with your sister.
13:14Yes, the truth is that we are both very lucky to have met him in life.
13:20What Agustín behaves excellently with your sister,
13:23I have it clear, but I wonder if you are also happy with him.
13:29Yes, I am very happy to have met him and to share so many things.
13:34I think I have finally found a man I can trust.
13:38I am very glad that you finally find someone who excites you,
13:42after all the bitter drinks you've had, darling.
13:45Yes, well, and maybe it's not the only one.
13:52If you mean Mrs. Lázara, I think that will go a little slower.
13:56It is something more complicated than yours with Agustín.
14:00Can you tell me why?
14:03He just asked me for more time.
14:10By the way, you and Celia have not been to the store. Is something wrong?
14:14No, no, it's in the press.
14:16Collecting some posters for the event that we are going to celebrate in Madrid Cabaret,
14:19of the suffragists.
14:21I hope it doesn't bother you that we did it elsewhere.
14:24No, darling, of course it wouldn't be necessary.
14:26Now yes, be careful, don't slip to the turnstiles and spoil the act.
14:30Don't worry, we'll be attentive.
14:33And does Celia know what she's going to do? Is she going to leave? Is she going to stay?
14:37No, she's still thinking about it.
14:40Well, it's a difficult question, but let's hope she decides soon,
14:43because we will also have to make some decision about the store,
14:47if she finally leaves.
14:49Yes, yes, I will remind her with all my left hand that I can.
14:53Between you and me.
14:55Thank goodness that in love I'm fine, because business is a bit uncertain.
15:00Well, consider yourself lucky.
15:02Love is much more important than business.
15:13Well, man, bookkeeper, let go of the garment.
15:17It seems that you have made a point of silence.
15:20Maybe it's that you want to know a lot, Elias.
15:23How was Leonora at the wedding? Was she pretty?
15:26Yes, right? You have to see that you move.
15:29My mother-in-law was not there.
15:31What? But that can't be, with the illusion that she did it.
15:33It is known that the woman did not die of desire to climb the hermit's donkey.
15:37She is already of an age.
15:39No matter how old she is, no one asks her anything else,
15:42except for her, with how old she is.
15:44Miguel, you don't know how eager I am to see her again.
15:47Well, in fact, it was the heaviest thing for me to not go to your wedding.
15:50But well, knowing that she has not gone, well, it hurts me much less, the truth.
15:54With all the affection, I tell you,
15:56but I think it's time for you to get that idea out of your head.
15:58Forget about my mother-in-law.
16:00It was not sensible before and it is not now.
16:02Well, you know that love has reasons that reason does not know.
16:05Yes, that's what Pascual said.
16:08No more talk.
16:09Well, I'm going inside, I have a lot of work to do.
16:11See you later.
16:12Hey, Charlita.
16:13Good morning.
16:15Man, Miguel, how are you? Congratulations, huh?
16:18Thank you very much.
16:20How about your life as a married man?
16:22Well, as always.
16:24Since I was already married, I didn't change.
16:26Well, yes, and now we don't have to hide.
16:28You don't know how happy I am, Miguel.
16:30You make a great couple.
16:32And you already know what your father's plans were?
16:35You're not going to believe it, Miguel,
16:37but my father wants to marry me to the daughter of a businessman.
16:40Seriously?
16:41So serious.
16:42Well, I thought those things didn't happen anymore.
16:44You gave me the situation and what are you going to do?
16:47I told him it was a horrible idea and that I really liked Marta
16:50and he told me that if he didn't listen to her,
16:52that he would kick her out of the bookstore
16:54and that he would fire her from La Moderna.
16:56It surprises me, Don Salvador.
16:58In all these years that we have dealt with each other,
17:01there has never been a hint of that character.
17:03He says he's doing it for me, but...
17:05I don't believe it.
17:06No, of course, I understand.
17:07Even if Marta didn't exist,
17:09it seems old to me to deal with those celestial beings
17:12for a social position.
17:13My father is not a bad man,
17:15but he has always been very aware of money
17:17and appearances, you know?
17:19Well, I already feel that you are in this situation, Salvatore.
17:22Thank you, Miguel.
17:23I don't know what to do.
17:24I hate having to accept his blackmail,
17:26but I know Marta needs the money.
17:28What would you do in my situation?
17:30Well, what would you do in my situation?
17:34That has a difficult answer.
17:36I would prefer not to give you my opinion.
17:38It won't be that instead of helping you,
17:40make the matter even worse.
17:45And...
17:46about my future, did he mention anything?
17:50Oh, well...
17:52He told me that he had forgotten to call you
17:55to congratulate you for the wedding.
17:57And did he mention anything about seeing me
18:00in another bookshop by chance?
18:02In another bookshop, no. Why?
18:04No, nothing, nothing.
18:06It's my thing.
18:21Good morning, Don Fabio. Is it a good time?
18:24Of course, come in.
18:27I was reading what has been published
18:29about Mrs. Bárbara's arrest.
18:32And...
18:33do you know anything else besides what the press has to say?
18:36Well, no.
18:37Unfortunately, I haven't tried to talk to her,
18:39but I haven't been allowed to.
18:41At the moment, she is still detained
18:43at the police station at Puerta del Sol.
18:45Well, beyond the personal issue,
18:47and as I also told you yesterday,
18:49the gallery's businessmen are living all this news
18:52with great concern,
18:55not knowing how all this will affect our business.
18:59Yes, Mrs. Carla's and her mother's crimes
19:01have filled with many rumors, many comments.
19:04And what is worse, they have created a climate of uncertainty
19:07that is neither good for business
19:10nor for investment.
19:13I understand that a stir with such luctuous events
19:16worries you.
19:18Believe me, I'm sorry.
19:20I wish I could do something more
19:22to help Mrs. Bárbara,
19:24but I can't stop these rumors.
19:26No, of course you can't stop them,
19:28even if you wanted to.
19:30But we wanted to ask you,
19:32what's going to happen to the Amorcuende group?
19:35Mrs. Carla is on the run,
19:37and her mother is in prison.
19:39Who is going to lead the press group now?
19:41Maybe you have chosen.
19:43No, no, no.
19:45I'm sorry to disappoint you, but no.
19:47I'm just trying to help Mrs. Bárbara
19:49in a temporary way.
19:51I have no idea of the decisions
19:53that mother and daughter may make from now on.
19:58Excuse me.
20:02Yes?
20:05Yes, it's me.
20:09Mrs. Bárbara?
20:12Good.
20:14Good, thank you for letting me know.
20:19Excuse my indiscretion, but...
20:23Was it Mrs. Bárbara?
20:25No, it was a police officer.
20:27He told me that the judge
20:29is going to release her
20:31under bail.
20:48I'm sorry.
20:59Oh, what a scare, woman!
21:01What are you doing, woman?
21:03Nothing, nothing. I think these days...
21:05Well, I've put on a little weight.
21:07Well, you only get married once in your life.
21:09There's nothing wrong with overdoing it.
21:11Well, it's also true.
21:13Oh, Trini, I've been thinking a lot about you these days.
21:16I've been thinking a lot about you.
21:18I was there at the invitation,
21:20I saw a couple of wrong glasses,
21:22and I was thinking,
21:24if Teresa had seen this...
21:26Come on, come on.
21:28On such an important day,
21:30you're going to be thinking about that.
21:32Well, tell me, how are you?
21:34How do you feel being a married woman?
21:36Well, I'm normal, as always.
21:38Well, with more weight.
21:40Well, but something will have changed your life,
21:42even if it's just because you go from living alone
21:44to living with Batis,
21:46because it's getting married,
21:48and from one night to the next,
21:50by magic, things start to happen,
21:52like socks lying everywhere,
21:54or dishes not being washed,
21:56because you don't talk about having a man
21:58snoring in your ear every night.
22:00Well, it looks like you've been married half your life.
22:02Well, look, I've realized this
22:04in how little time I've been married.
22:06Can you imagine?
22:08But, well, everyone says that in the end,
22:10everything works out, right?
22:12Isn't it true that love can do anything?
22:14Well, yes.
22:18What?
22:20What's with that high school smile?
22:22Oh, my God,
22:24I've been gone for a few days and she's fallen in love.
22:28Sit down,
22:30I have something to tell you.
22:36Oh, my God, what is it?
22:38Well,
22:40I'm only going to say one word.
22:42Well?
22:44Cañete.
22:46No.
22:50Oh, I can't believe it,
22:52but how did it happen?
22:54Tell me everything, please, what happened?
22:56Well, Trini,
22:58I don't know, it was all very fast
23:00and very nice.
23:02Oh.
23:04Well,
23:06the thing is that Cañete confessed to me
23:08that he was still in love with me.
23:10And look, Trini, he told me in a way
23:12so beautiful,
23:14so honest, so...
23:16I don't know, Trini,
23:18I suddenly saw it clear.
23:20Well, of course I saw it clear,
23:22I see it clear for both of us.
23:24Oh, Trini, I've realized that with him
23:26I feel calm, I feel good.
23:28He's there for me
23:30and I can be myself,
23:32that's the most important thing.
23:34The most important thing.
23:36Oh, I can't wait to see Cañete,
23:38I hope Juanjo doesn't catch him.
23:40No, no, please, don't tell him anything,
23:42we're going to keep it a secret for now.
23:44But Cañete, I can talk to him.
23:46No, neither to him nor to Miguel.
23:48Well, keep it a secret.
23:52Come here.
24:02Hey, Salmita,
24:04are you crazy?
24:06Leave her alone.
24:08What's wrong?
24:10You know that Poncio is going to give Marquesita
24:12as soon as he sees that you're wearing this
24:14instead of the waiter.
24:16And what about me? You took the joke,
24:18but I've already told you it's true.
24:20In fact, I've made the decision
24:22and I'm going to leave her, yes or yes.
24:24Well, I know you're going to leave her
24:26until you see her,
24:28I'm not going to believe it.
24:33That lemonade looks good, darling.
24:36What doesn't look so good
24:38is that mania of yours.
24:40What mania?
24:42The one of talking to La Fregona de la Barra,
24:44I don't know how much she trusts you.
24:46And me with her, Vanessa.
24:48But well, that's what friends do.
24:50Are you friends with La Fregona?
24:52Really, Salvador, you're a surprise box.
24:54And I thought that when they introduced you
24:56as my future boyfriend I was going to get bored with you.
24:58Well, look, I just wanted to talk to you
25:00about the wedding.
25:02Don't worry, I'm already making it official.
25:04What do you think if we go to mass on Sunday?
25:06Then you'll meet my great-aunt.
25:08Your great-aunt?
25:10Don't worry, she's a very good woman,
25:12but she has to give you a good look.
25:14I'm sure she does, and when you realize it
25:16we're playing bridge with her.
25:18Bridge, yes.
25:20You've never played?
25:22Don't worry, I'll teach you.
25:24I'm a very good teacher.
25:26Yes, yes, that's for sure.
25:28And I won't even tell you about going to mass on Sunday.
25:30Yes.
25:32Vanessa, you and I are very different.
25:34I really think this is not going to go well.
25:36Don't worry,
25:38I'll think of another plan for Sunday.
25:40Don't worry.
25:42Look, Vanessa, you're going to kill me,
25:44but I'm going to take the bull by the horns because...
25:46The bull by the horns?
25:48Look, no way, Salvador, you can't be a bullfighter.
25:50That tradition is mine and I don't like it at all.
25:52Let's see.
25:54I'm not going to take any bull, don't worry.
25:56Look, it's an expression we use here
25:58when we want to face reality
26:00and tell the truth.
26:02Do you understand?
26:04And what truth do you have to tell me?
26:12Nothing, nothing.
26:16This lemonade,
26:18which is very famous, but it's not for so much.
26:20Don't you think?
26:26Yes.
26:40Hello.
26:42Don't tell me you want to play the piano.
26:46Because I see it cool.
26:48No, it's just that the man just left
26:50because, well, he wanted to freshen up.
26:52Ah.
26:54Well.
26:56Ready for another great night?
27:04Are you okay?
27:06Yes.
27:08Listen to me. As soon as I shoot, you have to go through the back door.
27:10No, I'm not going to leave you here.
27:12Listen to me.
27:14I love you.
27:16And I love you.
27:18Are you okay?
27:20Do you want me to bring you a glass of water or...?
27:22No, it's...
27:24It's just that...
27:26It's just that I remembered...
27:30Well, you know.
27:34Look, I don't want to bother you,
27:36but I don't want to leave you alone either.
27:38No, yes.
27:40Yes, I'm used to it.
27:42Since the shooting, well...
27:46Well, I dream
27:48every night with the shooting.
27:50Listen, I...
27:52I'm really sorry
27:54for everything that happened to you.
27:56And I understand that it still hurts.
28:00But, hey,
28:02all that is in the past.
28:06But...
28:08I don't understand.
28:10I mean
28:12that you have
28:14a bright present and future.
28:18How are you going to be anchored in that?
28:22It's just that...
28:26It's just that it's something
28:28that I can't control.
28:30Neither nightmares,
28:32nor...
28:34nor the fears that...
28:36I would love to forget it,
28:38but...
28:42I can't.
28:44Hey, hey.
28:48Hey.
29:18Hey.
29:38See you.
29:48Let's see, Vanessa,
29:50it's not that I love bulls,
29:52but the English also do weird things.
29:54And what weird things do the English do?
29:56Tea, for example.
29:58There's no God who understands that.
30:00The hot water there with...
30:02Well, at least we don't eat bull's tail, like here.
30:04Ah, it's also an expression.
30:06Or do you really eat it?
30:08Disgusting.
30:10Well, there are things that are more disgusting, miss.
30:12That's what I say.
30:14I don't know what you mean, girl.
30:16I imagine that people like you are used to it.
30:18No, you eat everything from a bull.
30:20And we poor people love it.
30:22Can't you see that we're used to eating cats?
30:24Cats?
30:26Oh my God, that's disgusting.
30:28Sure, but that doesn't happen with a bull.
30:30Look, from a bull you can eat
30:32the tail,
30:34you can eat the testicles,
30:36the blood.
30:38Have you ever tried onion blood?
30:42I'm going to the bathroom for a moment.
30:46Marta,
30:48I'm trying, really.
30:50Yes, yes, Salvita.
30:52I was expecting it. You're a coward.
30:54That's it.
31:04Trinidad, you don't know how excited I am
31:06that you're the first independent housewife
31:08of La Boderna.
31:10Thank you very much, Mr. Fermin.
31:12If you're excited, imagine me.
31:14Well, let's see if this
31:16makes you the same excitement.
31:18Here, my gift for your marriage.
31:20No, thank you very much, but no.
31:22The wedding was so modest
31:24that we couldn't even invite you.
31:26Trini, here we are like a big family,
31:28so do me the favor of taking it.
31:32Trini?
31:34Okay.
31:4050 pesetas?
31:42But, Mr. Fermin,
31:44you shouldn't have bothered.
31:46Thank you very much.
31:48If you don't care about the family,
31:50who does?
31:54Thank you very much, really.
31:58Trinidad,
32:00congratulations on your wedding.
32:02I'm very happy to have you back in the living room.
32:04Thank you very much,
32:06and I'm also very happy.
32:08Well, I'm going back to work.
32:10Goodbye.
32:16Of course, it's a joy to see Trinidad so happy.
32:18Yes.
32:20It's a new beginning.
32:22By the way,
32:24Mrs. Lázara,
32:26how have you been
32:28since you returned to La Moderna?
32:30Everything's fine.
32:32Thank you very much for asking.
32:40Are you okay?
32:42Yes.
32:44Don't worry.
32:46Mrs. Lázara,
32:48if there's something I should know,
32:50something that worries or bothers you,
32:52know that you can count on me.
32:54Don't worry.
32:58I'm just excited
33:00to see Trinidad like this.
33:02So in love, so matched.
33:04She's so lucky
33:06to have a man like this by her side.
33:08Trini and Miguel are two great people.
33:12They're very lucky.
33:14I hope one day
33:16fortune smiles on me too.
33:20Anyway, if you'll excuse me,
33:22I just came for these folders.
33:38And that genius?
33:40I'm sorry, Matilde,
33:42but I'm so bored.
33:44Come here.
33:52If you want,
33:54we can do something.
33:56Call your friend Lara.
33:58I've thought about it.
34:00But I don't know anything about her.
34:02What if she's tired of being my best friend?
34:04Come on, don't be silly.
34:06She won't like it.
34:08Don't you realize
34:10everyone's here?
34:12I'm sure she'll come for you
34:14as soon as she gets better.
34:16I hope so,
34:18because she's the best friend I've ever had.
34:20I've missed her a lot.
34:22I've missed you too, I'm sure.
34:24Why don't you invite her
34:26to have lunch one afternoon?
34:28I really want to meet her.
34:32Which school is she going to?
34:34I have no idea.
34:36Come on, I thought she was your best friend.
34:38She is, but what does that have to do with anything?
34:40I've never asked her.
34:44Well, she's going to the same school as you.
34:46She's younger.
34:48No, she's older.
34:50Older than one school.
34:52Not older, older.
35:04Marta.
35:10Marta.
35:12You can't help it.
35:14This tray isn't for you.
35:18It's for my friend Clarita.
35:22Marta, thank you so much.
35:26I'm going to get my room
35:28and we'll have a snack.
35:30Well, I can't stay.
35:32I have to study for the exam
35:34at night school.
35:36But I have the grammar book here.
35:38Wait, sit down.
35:44Well, how are you doing?
35:46Fine.
35:48Not great, but I'm doing well.
35:50I want to study, Matilde.
35:52Of course, Marta.
35:54For humble people like us,
35:56it's the most honorable way
35:58to get ahead.
36:00So don't say it with your little mouth.
36:02And that's what you have to be in life.
36:04Honorable.
36:06Not like Mrs. Bárbara.
36:08Have you heard what they're saying out there?
36:10That they're two criminals?
36:12Everyone knows that.
36:14No, no, no.
36:16More than that.
36:18That in the end, they'll both end up
36:20getting away with it.
36:22Well, I hope not, Marta.
36:24First, because it wouldn't be fair.
36:26And second, because I couldn't sleep
36:28and I'm still free.
36:30I'm telling you, they'll both end up
36:32getting away with it.
36:36I've already packed my room.
36:38Let's have a snack.
36:40Come on, I'm going to make the snack.
36:42Well, but I really can't stay long.
36:44I have to study and see how Antonia is.
36:46Poor Antonia is starving.
36:48Tell her to recover on my behalf.
36:54I'm going to cut you a good piece of cake
36:56to give you energy
36:58if you pass that exam.
37:00Oh, Marta.
37:02I'm going to get the plates.
37:04I'll help you.
37:18Hi, Lucia.
37:20How's Antonia?
37:22Has she woken up? Has she eaten anything?
37:24She's been in her room all day.
37:26But she's gotten up to eat.
37:28And since then, she's been sleeping.
37:30Something. It's something, isn't it?
37:32If she has a problem or needs anything,
37:34please call me.
37:36I'll let you know. Don't worry, Pietro.
37:38I'll take care of her.
37:40Thank you. Really.
37:42And I'm leaving.
37:44Don't wake her up.
37:46And please, when she wakes up,
37:48tell her that her classmates are sending her a hug.
37:50That's done.
37:52Don't worry.
38:10Was that Pietro's voice
38:12or was I hearing it here?
38:14Yes, it was Pietro.
38:16He came to ask about you.
38:18But if you want,
38:20I'll let him know so he can see you.
38:22No, no. I'd rather he didn't see me like that.
38:24He'd be scared.
38:26What's wrong with him, Antonia?
38:28He told me that his classmates
38:30are sending him a hug.
38:34Would you like to have some coffee?
38:36It's freshly made.
38:38Something hot will do.
38:40Yes.
38:42I'll feel better after
38:44spending all day in there.
38:50Oh.
38:56If you have to do something,
38:58just go.
39:00I'll be fine.
39:02Don't worry.
39:04I'd rather stay here with you
39:06in case you need me.
39:08I'm not that bad.
39:10Well, you never know
39:12with these things.
39:14In the United States,
39:16what I thought was a cold
39:18I can't even tell you.
39:20Don't tell me.
39:22If it wasn't for my neighbor,
39:24I'd almost die in that little room.
39:28She was a very good woman.
39:30She brought me food every day
39:32and cold cloths for the fever.
39:40But Antonia,
39:42don't be sad.
39:44That won't happen to you.
39:46There are many people who love her
39:48and take care of her.
39:50I know, yes.
39:54Suddenly I imagined
39:58how lonely she must have felt.
40:02She must have had a very bad time.
40:04A lot.
40:06And she never regretted
40:08going so far.
40:10Of course.
40:12But she had no other option.
40:14She was naïve.
40:16She thought she'd go there
40:18and find a good job.
40:20She could bring me my husband, my son.
40:22And you see.
40:24One thing are the plans one has
40:26and another the ones of destiny.
40:32But she doesn't seem naïve to me.
40:36She seems a very brave woman who was fighting.
40:40But it didn't help her much either.
40:44I was more hungry than in Italy.
40:46I had to do horrible things.
40:48It was a real hell.
40:52Don't think about it, Emma.
40:54It's over.
40:58And as we say in Spain,
41:00after the storm
41:02always comes the calm.
41:14I love you.
41:34Telia, what a surprise!
41:36Sorry for showing up like this without telling you.
41:38But I wanted to propose something to you.
41:40Maybe it's not a good time.
41:42You were studying.
41:44No, I have a square head.
41:46I have so much to study.
41:48It will be good for me to rest. Come in.
41:54How is Antonia?
41:56I was told she was with the Sarampion.
41:58Yes, well, there she goes.
42:00She'll get better,
42:02but that Sarampion is very stubborn.
42:04That's why I came here with Pietro.
42:06I don't want us to catch him too.
42:08Don't worry, you'll be with her in a few days.
42:10Well, I hope so.
42:12Well, sit down.
42:14I'm going to leave this here.
42:16And what is that you wanted to tell me?
42:18Well, you see,
42:20I don't know if you know about the event
42:22that we are going to organize in Madrid Cabaret.
42:24It's about the female vote.
42:26And very inspiring women
42:28are going to come to speak.
42:30Among them, Clara Campoamor.
42:32Clara Campoamor?
42:34I want to go.
42:36Marta, I want you to take the floor too.
42:38What do you say?
42:40No, no, no.
42:42Well, calm down.
42:44Calm down, breathe.
42:46But what do I paint with Clara Campoamor?
42:48No, not that I was going to say something that was worth it.
42:50No, no, no.
42:52But Marta, you have a very interesting point of view of life.
42:54But I don't even have a bachelor's degree, Celia.
42:56What do I paint talking next to that woman?
42:58No, no.
43:00Well, look, let him know that that woman
43:02was like you.
43:04Did you know that she did not study a bachelor's degree
43:06until she was 32 years old?
43:08She was a fashion designer and a freelancer
43:10to be able to pay for her studies.
43:12Of course, when she was that age,
43:14she took out her bachelor's degree
43:16and at four years old she already had her law degree.
43:18Really?
43:20Mother of God, how beautiful.
43:22She is one of the few female lawyers in the country.
43:24So, do you dare?
43:26Well.
43:28Come on, I think I'm going to go.
43:30But just to meet her, because that woman is impressive.
43:32Agree?
43:34That just thinking about people listening to me
43:36makes my legs tremble.
43:44Oh, Marta.
43:46What happened?
43:48That there is something that worries me
43:50and that I wanted to tell you too.
43:58Cañepe, please come with me
44:00to review the orders of the week.
44:04And that tone?
44:06I've missed something.
44:08Disseminate, man, there are people.
44:10Of course, ma'am.
44:12Let's review the order of drinks,
44:14that then happens what happens.
44:16Well, let's see.
44:20Water with gas we have to ask.
44:24I think what we have to ask is ...
44:26I would ask
44:28another walk with you
44:30like the one we took the other day.
44:32It's been a long time since I enjoyed it so much.
44:36It's not that retirement at this time of year is a wonder.
44:38It's fine with anyone.
44:40To me, even if they fall on tiptoes,
44:42as long as I'm walking with you hand in hand ...
44:46I liked it too.
44:50But hey, let's not get so big that in the end they're going to catch us.
44:52It's a deal.
44:54Deal?
44:56Deal.
44:58But what I'm going to ask the lady in charge
45:00is if she would grant me the pleasure
45:02to take another walk today after work.
45:04Oh, again?
45:08Well, yes, of course.
45:10As long as you stop chasing the ducks.
45:14I never imagined they were so violent.
45:16Look how I have the peck that the girl gave me.
45:18Well, it's that the ducks
45:20have such a good time in such a relaxed environment
45:22in the living room.
45:24They are doing a very good job.
45:26Keep it up.
45:32This woman is in a very good mood, isn't she?
45:36I thought we were going to miss the one in San Quintín.
45:38She's too manly with us
45:40and I don't think that can be good.
45:42It's not good, Teresa.
45:44It's immeasurable.
45:46And you think she's going to stop now?
45:48No, no.
45:50I know Mrs. Lázara.
45:52And if she's so calm,
45:54it's because she has a guard on her sleeve.
45:56That's another more powerful thing.
45:58Powerful?
46:00How powerful?
46:02Well, like our farewell letter, for example.
46:10You're upset about Laurita, aren't you?
46:12Yes.
46:14Well...
46:16I need to separate from her
46:18because I'm still...
46:20In love.
46:22Yes, I can imagine.
46:24But you did well to talk about it.
46:26And in the end, I don't know why you're so worried.
46:28Are you okay?
46:30Yes, yes, yes.
46:32But that's not what worries me, Marta.
46:34If I tell you, promise me
46:36you won't tell anyone.
46:38I'm like a grave.
46:40I'm sorry about Laurita. I'll tell you now.
46:42I see.
46:46You see,
46:48I had to go to Madrid-Cabaret
46:50to deliver some posters.
46:52And I found Inés and Agustín
46:56very close.
46:58Agustín?
47:00Laurita's boyfriend?
47:02They were in love.
47:06And they kissed.
47:08And now I'm not sure what I should do.
47:10You're not sure of what?
47:12Marta, if I tell Laura,
47:14she'll think I'm meddling in her relationship with Agustín.
47:16And if I don't tell her anything,
47:18I feel like I'm betraying her.
47:20No, Celia, you have to tell Laurita this.
47:22If it's what you saw,
47:24calmly explain it to her.
47:26And in the end, she'll thank you.
47:28Because she deserves to know the truth.
47:38Thank you for letting me know.
47:40If something new comes up, let us know.
47:42Good night.
47:48I'm sorry, I didn't mean to interrupt you.
47:54Who were you talking to?
47:56With Jacobo.
47:58He called a while ago because he had news.
48:00Has he confirmed
48:02what Mrs. Valdés told you?
48:04Yes.
48:06Has he confirmed what Mrs. Valdés told the police?
48:08Yes.
48:10Carla is in a boat,
48:12on her way to the Americas.
48:14But there's more.
48:16About Carla?
48:18No. Jacobo told me that Mrs. Valdés
48:20will be released on bail.
48:22But that can't be.
48:24It's impossible to buy that impunity.
48:26I don't think it's that impossible.
48:28He must have made contacts,
48:30he must have paid a lot of money.
48:32That's how that family solves everything,
48:34two clear culprits,
48:36one runs away and the other is released on time.
48:38It's too much.
48:40I don't know how there can't be justice
48:42with the number of corpses they've planted.
48:46I think we should wait
48:48and see what happens.
48:50We can't do anything else.
48:52No?
48:54If the police, justice or whoever
48:56doesn't take action, I'll do it.
48:58I'm fed up.
49:00Matilde, me too.
49:02I don't want to get angry, that's what they expect.
49:04And what do we do, Íñigo?
49:06Keep our arms crossed while they live their lives freely?
49:08My mother was kidnapped.
49:12They tried to do the same with Clarita and you.
49:14I was about to lose it all because of her.
49:18But, my love, you said it yourself.
49:20They tried, but they didn't succeed.
49:22And I'm sure that sooner or later
49:24they'll get what they deserve,
49:26but we can't take revenge,
49:28because that's what justice is about.
49:30As far as I'm concerned, Carla will try again.
49:32And I'm not going to risk it.
49:36What do you mean?
49:38Carla de Morcuendo has made it very clear.
49:42It's either her or me.
49:52You don't need me to tell you how important Laura is to me, do you?
49:54What's this about?
49:56I saw you at the Madrid Cabaret yesterday.
49:58I saw you and Agustín kissing.
50:00There's nothing between us.
50:02Nobody kisses like that, if it's not because there's something.
50:04It was a mistake,
50:06and it'll never happen again.
50:08I don't believe you.
50:10You're in love.
50:12And what do you want me to do?
50:14It's time to take action,
50:16to use their weapons, to do what they would do.
50:18Excuse me, but what are you talking about?
50:20I'm talking about the police, about justice,
50:22about the judges who should have sentenced you
50:24and who have let us down, Íñigo.
50:26I wouldn't want you to do anything against her,
50:28because that would give her a reason to report you
50:30and for you to end up in jail.
50:32The time of words has passed.
50:34What do you think if we go to dinner today?
50:36Lately, the three of us have been very busy,
50:38so we spend some time together.
50:40You speak as if we were the couple.
50:42And I miss you.
50:44Lately, you spend so much time together
50:46that you even look alike.
50:48It's a very important marriage
50:50for my family to become related to the high court.
50:52A lady like you,
50:54who doesn't have to fight for anything
50:56and who only aspires to be a wife
50:58without trade or benefit, will sound like a Chinese.
51:00This is too much.
51:02Salvador, aren't you going to say anything?
51:04Are you going to allow this pedigree
51:06to insult your fiancée impunely?
51:08I'm waiting for you to put her in her place.
51:10Marta, Vanessa is right.
51:12It's time to put you in your place.
51:14When are we going to be able to see
51:16those wedding photos?
51:18Since we can't attend,
51:20we want to see how it was, right?
51:22You have to have a lot.
51:24Almost none.
51:26Don't you want to know why I entertained myself?
51:28It's none of my business.
51:30You're wrong. I know it is.
51:32Yesterday, I had to use all my persuasion
51:34to convince my neighbor,
51:36a jewel,
51:38that I had to make an order
51:40in less than 24 hours.
51:42And I'm glad I did.
51:44I don't know if
51:46you're going to allow me to sit with you.
51:48Well, only if you're in favor
51:50of a woman.
51:52Of course I am.
51:54Antonia, I'm ashamed of not being honest
51:56from the beginning.
51:58And now that I know her well,
52:00there's something I'm especially ashamed of.
52:02Aren't you ashamed of sitting next to her
52:04knowing you've kissed her boyfriend?
52:06Celia, please don't do this to me.
52:08You're giving her too much importance.
52:10I already told you it's okay.
52:12I wish you hadn't seen it.
52:14But I saw it.
52:16Inés, I saw it.
52:18I'm going to erase you from my memory.
52:20And you, your conscience.
52:22But I'm not going to betray Laura.
52:24I'm sorry.
52:26Do you think Matilde would be able
52:28to take justice into her own hands?
52:30I don't know.
52:32But luckily,
52:34Carla is far from here.
52:36Out of our reach.
52:38Are you sure Carla got on that ship?
52:40Yes.
52:42I assure you.
52:44You and Matilde can be at ease.
52:48You and Matilde can be at ease.