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00:00Why have you summoned us, mayors?
00:05To a surprise party of the Marquess, as if she had come to see me.
00:08It is not a surprise party, I can assure you.
00:12But I understand that today the Civil Guard has come here, right, Mr. Baeza?
00:17Yes.
00:18And why, Mrs. Petra?
00:19To say hello.
00:20I'm telling you now that no.
00:21What did the civilians want, Mr. Baeza?
00:24The reason for the visit of Sergeant Burdina was to report the death of Gregorio Castillo.
00:35Don Gregorio is dead?
00:36It seems that his body was found in the ruins of the slaughterhouse with a shot in the chest.
00:41The dog is dead, the anger is over.
00:43Mrs. García.
00:44Mr. Baeza, don't turn on the candle again, we all think the same here.
00:47That man did a lot of damage to Mrs. Pia, more than a painful one.
00:51Own of this house, not respecting even the dead.
00:53The more empty the cellars are, the more noise they make.
00:56What are you insinuating?
00:57Santos, leave it now.
00:58Santos.
00:59It is evident that in this palace everyone had a thing for that man.
01:02And for a reason.
01:03I came to defend you, Mrs. Petra.
01:06What did that sergeant want from us, Mr. Baeza?
01:09Are you looking for someone to kill him?
01:11No, no, no.
01:12That man has simply come to report.
01:15Apparently, the promise was the only place that related that man to Luján.
01:21But then he thinks that the murderer could come to the promise.
01:24No, no.
01:25I have not said that, Miss González.
01:26No.
01:27It makes no sense.
01:28That's what the sergeant said.
01:29No, no.
01:30But come on, if we had been in danger, he would have told us, I think, right?
01:34Whoever the criminal is, he has only done the world a favor.
01:38Now Mrs. Pia will finally be able to rest in peace.
01:41That's it, Mrs. Martínez.
01:43I think that now, finally, Mrs. Darre will be able to rest in peace.
01:48I'm going to talk to the priest of the town so that he can offer a mass for his brother.
01:52Or are you going to throw away the money?
01:53Because Sal kills more than he loses.
01:55Only God can judge us.
01:57I hope that death serves this man to find the peace and forgiveness that he did not know how to earn in life.
02:03Amen.
02:06Go back to your work.
02:18You are going to make Tila dizzy if you keep turning her around so much.
02:21Come on, take it before it gets cold.
02:24If she has asked you, it is because I think it will be good for you.
02:28I can't get anything in my gut.
02:31Is that why you are gazetilleros?
02:35Catalina.
02:36Catalina.
02:37Catalina.
02:38Catalina.
02:39Catalina.
02:40Catalina.
02:41I can't get anything in my gut.
02:44Is that why you are gazetilleros?
02:47Catalina.
02:50Don't worry about them, you are worth much more than what they can write about you.
02:55Unless you are like this for another reason.
02:58Catalina is already here and she has already left.
03:00Manuel, I didn't know you were here.
03:02I did.
03:03And what did they say?
03:04Nothing.
03:05They insisted that they had not received any notification that we had canceled the chronicle.
03:09You'll see.
03:10Those journalists have their reputation earned for something, and more so by the society.
03:14Yes.
03:15I have called the newspaper again to complain about the inconvenience they have caused.
03:19They also denied it.
03:20No, no.
03:21On the contrary.
03:22They called it an internal communication error.
03:24Apparently, the message must have been lost somewhere in the office.
03:28Well, that may be an understandable error.
03:30After all, you notified them at the last minute.
03:32I hope so, Manuel.
03:34I hope so, because they have sworn and perjured that there was no intention on your part.
03:38Yes.
03:40But everything is already resolved, Catalina.
03:42And don't you think it could go against us?
03:45What?
03:46We have canceled the chronicle.
03:48Maybe they are speculating about the reasons and the remedy is worse than the disease.
03:52No.
03:53They won't dare.
03:54And how do you know?
03:57Because they have no evidence against you.
04:01And they won't dare to slander our family either.
04:03After all, the last name Lujan is still synonymous with power.
04:06Despite the fact that some are trying to cover it up.
04:08Manuel is right.
04:09So get rid of those fears.
04:13I still find it hard to believe that they are leaving empty-handed.
04:16The truth is that they did try to take something, but I knew how to dodge their questions very well.
04:21And they were happy when I gave them a tip for the inconvenience.
04:24And what did they want?
04:26Nothing. To know how our relationship was.
04:29I knew it.
04:30But I already told you that you don't have to worry about anything.
04:32I don't care.
04:33I have no right to be respected in my privacy.
04:35Sister, no one has put that in doubt.
04:37What do you mean no? Continuously.
04:38Any occasion is good to drag my name through the mud.
04:41Well, there they are.
04:42But I'm fed up.
04:43Catalina, calm down. I ask you for ...
04:44And a horn.
04:45I have the right to be angry.
04:47So try to stop insisting so I can see the glass half full, please.
04:54Leave me alone.
05:05Leave me alone.
05:21Mr. Beza.
05:25Can I ask you something?
05:27I think I know what it is.
05:29Well, I'm sure you do.
05:30It's about Gregorio's death and what it means for Mrs. Pia.
05:34I'm listening.
05:36Apparently the threat has disappeared, which is why Mrs. Pia was locked up.
05:40That's right.
05:41But you haven't told anyone that she's alive.
05:44Exactly.
05:45We have to be on our toes.
05:47We can't rush.
05:48Especially now that we are so close to the goal.
05:51Yeah, you're right.
05:53I've been meditating a lot and there are a lot of people involved.
05:56There is Mr. Marqués, there is Mr. Manuel ...
05:58Mrs. Adarre herself.
05:59Yes.
06:00She still doesn't know that that bastard is dead.
06:03She must be eager.
06:04I doubt it.
06:05No, but the matter is very sensitive.
06:07We have to act cautiously.
06:09Leave it in my hands.
06:10Of course.
06:11Don't take this the wrong way, it's a capricious delay.
06:14No one wants Mrs. Adarre to regain the freedom she should never have lost.
06:19But Sergeant Bordina's visit will soon reach the ears of the Marquis
06:23and I want him to find out about me and not the rumors.
06:27It makes sense.
06:28As for Mr. Manuel ...
06:29I understand that you are the one who wants to tell him.
06:31No, not at all.
06:32I think the ideal thing is for you to tell him.
06:38Well, I guess he'll be very happy as soon as he finds out.
06:40I have no doubt about that.
06:42As soon as Mr. Manuel found out about Mrs. Adarre's situation,
06:45he offered to help her, even though he knew the risks involved.
06:49So this nightmare is finally over.
06:52That man will not bother her again.
06:55Well then, I'm going to look for Manuel.
06:57Not so fast, Miss Expósito.
07:01I guess it's better for Mr. Márquez and Mrs. Adarre to know first.
07:06No, no, no.
07:07Yes, I understand that you are dying to tell him
07:10and there is no reason why I should not do it.
07:13But it is that Mr. Manuel will not be in La Promesa this morning.
07:18He has to absent himself due to some matters that ...
07:21But I don't know what I'm telling you.
07:23I suppose you will be aware, right?
07:26Well, no.
07:27No, I didn't know anything.
07:29Well, then don't take my words into account.
07:32Mr. Manuel will return after lunch.
07:35Thank you, Mr. Huelga.
07:36You're welcome.
07:59Good night.
08:30Hello.
08:32You don't know where I come from.
08:48I have to be with Father Samuel in Lujan.
08:50And?
08:51We get married in the afternoon.
08:53And there are three days left.
08:55Three afternoons, love.
08:57Father Samuel says that this time is the best
08:59because then we will not attract attention.
09:01What? Do you like it?
09:03Well, I don't care.
09:05I mean, I think it's great that I don't care
09:07whether it's in the morning or in the afternoon
09:09while we are husband and wife.
09:11And that the rest doesn't matter.
09:13No.
09:14Now I have to leave again.
09:17See you after dinner at the studio.
09:20But what are you going to do?
09:22Haven't you forgotten?
09:24But what are you going to do?
09:26Haven't you forgotten?
09:28Hanna, I already have the money from the bank.
09:30Luckily.
09:31And it will be the last day
09:32that we say the name of Gregorio Castillo.
09:34No, Manuel.
09:35You're not going anywhere.
09:37Why?
09:40Because Gregorio is dead.
09:45What are you saying?
09:48The sergeant of the civil guard has come
09:50and told it to Don Rómulo.
09:55How?
09:57Apparently, they found his body
10:00in the ruins of the slaughterhouse
10:03and he had a bullet in his chest.
10:09So someone has taken justice into their own hands
10:12and made them pay for their crimes.
10:18My love, what's happening to you?
10:22I've been a fool, Manuel.
10:24When they told me that his body
10:26had appeared in the ruins, well ...
10:32Did you think it could have been me?
10:34No.
10:36Well, I just had the doubt.
10:39But I know that's not true.
10:41Why isn't it?
10:43You know that more than one had that man on their side.
10:46I know.
10:47What hurts me is having doubted you.
10:51Doubting is not a bad thing.
10:53The bad thing would have been to give Pablo those doubts
10:56and you just told me that you haven't.
11:02So why did the civil guard come to the palace?
11:05Do they suspect someone of the promise?
11:08Well, this is not supposed to be the only place
11:11that relates to Gregorio Coluján.
11:14Yes, that makes sense.
11:16And they also wanted to know if someone
11:18wanted to take care of the remains.
11:21Well, they called the wrong place.
11:24And what else is known? And when did they find him?
11:27Not much more is known
11:29because Mr. Baeza was not given them.
11:32Not even knowing how discreet our mayor is,
11:34I suppose he didn't ask either.
11:37Fine.
11:39Okay, I'm going to talk to him.
11:41For what?
11:43Because there's something that doesn't quite fit this death.
11:47And maybe Rómulo knows something he didn't want to tell you.
11:52Maybe.
11:57Manuel.
12:01What?
12:02I think you should change.
12:07You're right.
12:13Let's go.
12:21So, how do you say your parents met
12:24and the Duchess of Cerezuelos?
12:26Because the truth is that I had never heard of them.
12:29Well, it's not strange.
12:32In the end, the distance has caused
12:35their relationship to be almost purely gun-related.
12:39But close enough to justify
12:42their presence at that dinner, right?
12:45That's right. My parents met the Duchess
12:49even before I was born.
12:51I've always considered her something like a distant aunt.
12:55I'm very fond of her.
12:57Yeah.
13:00What's that, Petra?
13:02A waiter just brought it, ma'am.
13:04Who sent it?
13:05He didn't leave a mark.
13:07Give it to me.
13:08And how do you know it's for you, sister-in-law?
13:10Well, he came to my house, right?
13:12Are you sure it's Uncle Alonso's, then?
13:14Well, I wouldn't be so sure.
13:17Does he bring a card with the flowers?
13:20I'd love to know where he bought it
13:22to order one for the Duchess of Cerezuelos.
13:24Well, no. There's nothing.
13:26There's something up there.
13:29Does the lady want me to prepare a vase for the flowers?
13:33Of course, Petra.
13:35I'm going to keep them in my hand.
13:37They're supposed to be for you.
13:39Well, read the note. It's disgusting.
13:43Petra.
13:45What did you want, ma'am?
13:47It's for you.
13:52I'm sorry to have bothered you, ma'am.
13:55I didn't know they were for me.
13:57We were also surprised, Petra.
14:00Come on, take it.
14:02And don't be a nuisance. You've already provoked me.
14:09I can't wait to know who sent them.
14:11Maybe it's from an admirer.
14:14Those are children's things.
14:16And it's not nice to mumble about them, Martina.
14:22By the way, where's Curro?
14:24I thought he was going to have coffee with us.
14:30That's what happened.
14:32I'm sorry I can't tell you more than what I've already told you.
14:36Of course.
14:38Besides, the Civil Guard is more of a question than an answer.
14:41Well, I'll confess that the truth is that I'm not at all curious to know the details.
14:46It's enough for me to know that that man won't hurt again.
14:50Of course.
14:52And the sergeant came to La Promesa because Gregorio worked here, right?
14:56That's right.
14:58And did he ask you about the relationship with Mrs. Darre?
15:00I said the sergeant didn't know that that man and Mrs. Darre were married.
15:06How is that possible?
15:08Well, that's what I think.
15:10The Civil Guard of Lujan arrested him.
15:13All the information was in his hands.
15:17What are you insinuating?
15:19Well, that man was testing me.
15:22He was testing me to see if I was really honest with him or not.
15:28I agree.
15:30That's why I wouldn't be surprised if they returned to La Promesa soon.
15:36But wouldn't he have to?
15:38I've heard that Sergeant Burdina has a reputation for being relentless.
15:43And you must have been one of the last people that saw that man alive.
15:50Sir, are you insinuating that I have something to do with that shot?
15:52No, of course not.
15:54Come on, what I think doesn't matter.
15:57What matters is what the sergeant thinks.
16:01They won't find anything in the slaughterhouse that incriminates me.
16:05Because, I repeat, I didn't kill him.
16:07It's true that we had a tense meeting and a very heated conversation.
16:10But I think I managed to convince him to accept the deal and leave.
16:16Yes, you don't have to insist.
16:18I don't know. A being like that should have a good line of candidates
16:22wanting to get rid of him, especially having gone through prison.
16:26And that's your suspicion?
16:28An adjustment of accounts?
16:30Almost not.
16:33You know, it's true that when I quoted him for the first time,
16:37he couldn't come, apparently, for a fight.
16:40Maybe that fight was a first warning.
16:42Maybe if you allow me an advice, sir.
16:44He doesn't gain anything by speculating.
16:46As I said, that man had many enemies.
16:48And the ruins of the slaughterhouse are very far away.
16:51Yeah.
16:54Yes.
16:59Mr. Baeza, it will be better if I leave you.
17:01I don't want to be late to the slaughterhouse.
17:03What for?
17:05I want to talk to the sergeant.
17:07As you have said, I am one of the last people who saw Gregorio alive.
17:11And that makes me one of the main suspects, if not the first.
17:14I wouldn't like him to make a wrong composition of me for keeping me quiet.
17:19Don't go to the slaughterhouse.
17:23Why?
17:25I have nothing to hide.
17:26You do, and more than you think.
17:29Even if you testify, you are still a suspect.
17:35That would give you the veneer, the civilian glory,
17:37to be able to enter freely to investigate the promise.
17:43Can you imagine how your mother would take it?
17:46No, very well.
17:48But that's not my problem.
17:49But it may be.
17:51Mrs. Darre's case is at least irregular.
17:54And a wrong interpretation of the matter could make you a suspect.
18:03You said you left no trace after the last meeting with that man.
18:07No.
18:09I don't think so.
18:10At least no one knew we would meet at the slaughterhouse.
18:14And no one saw us.
18:15And we know he always had many enemies.
18:18So I think that for his own good and for the good of his family,
18:21it would be best if he kept quiet.
18:24With a little bit of luck,
18:25the case will be closed over time.
18:29And it won't be stirred up again.
18:49Paco, she feels strange while you enjoy all the comforts in this palace.
18:53Well, I wouldn't know what to say to that.
18:55Damn the time she decided to go to war,
18:57which wasn't even hers.
19:06Were you waiting for me to take a walk?
19:10No, but you know that walking with you is always a pleasure.
19:15We can go to the river, if you want.
19:19So far away?
19:20Wouldn't it be better if we stayed here?
19:24Well, what I really want is...
19:27to talk to you quietly,
19:29to tell you something.
19:32Okay.
19:37I just talked to Julia and she told me something that has bothered me a lot.
19:43What?
19:44Well, don't play dumb, because if she told me,
19:46she should have told you.
19:48Yeah, well, Martina, I'm just as shocked as you are.
19:50Well, I don't understand why, and I don't understand why you haven't told me.
19:53Because it's a bit complicated, don't you think?
19:54Well, no, no.
19:55That she doesn't want to go back to her parents,
19:57doesn't seem so hard to understand to me.
20:01Oh, yes, her parents.
20:03What? What did you think it was?
20:05No, no, nothing.
20:07It's just that...
20:08I used to have a little fight with her
20:10about badminton.
20:12Let's see, I just brought up a very serious topic
20:14and you bring up badminton.
20:16Well, Martina, I didn't know what you were talking about.
20:18Well, sometimes I don't know if you're very innocent or a little insensitive,
20:21because I've found it at the edge of my tears,
20:23that she was devastated.
20:25I had no idea.
20:26Well, yes.
20:28And...
20:29I understand her better than anyone else,
20:31because what happens is that her parents are obsessed with Casario.
20:36Oh, really?
20:37Yes.
20:38And she's very afraid that the truth will be revealed.
20:41And she's very afraid that they'll want to marry her to an idiot like her sister.
20:47I see.
20:48And that's why she doesn't want to go back to her parents,
20:50even if they come back from San Sebastián.
20:52It's not her fault.
20:53Well, no.
20:54I just don't understand why everything has to be so hard.
20:58It's unfair.
21:00Yes, it is.
21:02Well, I wish we could do something to help her.
21:07Yes, but they're her parents.
21:10We can't do anything.
21:36Look what I brought you.
21:39It's left over from the table of the gentlemen.
21:41Do you want some?
21:42Of course.
21:49Ah!
21:50It's delicious.
21:51The other one is for you too.
21:52I tried it while I was preparing it.
21:54It's the chef's right.
21:57You're welcome.
21:58You're welcome.
22:05It's the chef's right.
22:06Who first eats the puchero.
22:09And don't Mrs. Cándela and Mrs. Simona need you?
22:12No.
22:13They're decorating the dessert.
22:14They've been the ones who gave me the rest.
22:17You've had a few days of a lot of work.
22:19And to top it off, my mother comes to give you more work.
22:23I admit that when your mother asked me to prepare a menu for 20 people
22:26and that it was original,
22:28it overwhelmed me a lot.
22:30I just had to see your face.
22:32Yes, but it's done.
22:34And with a lot of success.
22:35It's clear that you have a gift for this.
22:38To please your mother?
22:39Well, in part.
22:41Because I'm telling you that my mother hasn't tried a menu like this for a long time.
22:47It reminded me a bit of my long-distance party.
22:50Was it the same menu?
22:51Of course not.
22:53But there was caviar, duck, meat of the best beef, and artichoke oysters.
22:59No, it's catimaro.
23:01Although, well, I don't eat a lot of sandwich.
23:04Why? Are you nervous?
23:06No.
23:07Rather, because I didn't want to waste a minute eating.
23:11That day was like a dream.
23:14It was the culmination of many months of preparation.
23:17The dress, the decoration, the music.
23:22You should have seen my parents' palace.
23:24It was beautiful.
23:26There were a lot of flowers.
23:28It seemed ... I don't know, it seemed like we were in paradise.
23:31And they put the dance floor in the back of the garden.
23:35And they hired an orchestra of more than 30 musicians.
23:39And all the tables were decorated with garlands, white and golden flowers.
23:45Wow.
23:46It was all beautiful, Lope.
23:48And there were some candelabras that illuminated everything.
23:51They were hanging from one side to the other.
23:55The candles seemed to be floating by magic.
23:58And I spent the whole night dancing.
24:01There was not a moment when I stopped dancing.
24:03I had the whole dance floor full.
24:07And I loved going around in my dress and seeing the flight of my skirt.
24:12My mother ordered the dress in pairs.
24:14And I had a lot of pearls and agalorias in the lace.
24:18And it was silk and ivory.
24:20It was beautiful.
24:22And she was very pretty.
24:23You would have fallen in love with me instantly.
24:25I fell in love with you as soon as I saw you.
24:28No need for ostentation.
24:31Lope, even my father was wonderful that day.
24:34He gave me a precious necklace of diamonds.
24:37Like my entry into society.
24:43Oh, I'm sorry.
24:46I'm sorry, I don't know why I'm telling you all this.
24:49No, no, no, forgive me.
24:51Forgive me.
24:55I understand that you are worried about all this Gregorio issue.
24:58It's normal.
25:00Yes.
25:01That's it.
25:03That man is a demon.
25:05And I'm not sorry that he died.
25:07Not after what Mrs. Pia did.
25:10But that Don Romulo told him that he was shot has left me a little weird.
25:16I'm going to see how they decorated the cake.
25:19Okay.
25:22Bye.
25:36Have there been more news from those journalists?
25:39Yes, right?
25:40Are you talking to the newspaper again?
25:42Shortly after the reporters left.
25:45I wanted to show them our indignation for ignoring the cancellation of the chronicle.
25:49That if it really canceled it, as you say.
25:52Cruz, please.
25:53And what answer did they give you?
25:55That it was a confusion.
25:57Apparently the notice did not arrive at the newsroom and that's why the reporters were at La Promesa.
26:01No, they would not be happy.
26:03Such a trip to leave empty-handed.
26:05I gave them a tip for the inconvenience.
26:07And that it was not our fault.
26:10Yes, but all of us will pay the consequences.
26:14What consequences?
26:15We have served them in a tray a collection of articles to malign our last name.
26:20I don't see it that way, mother.
26:22Actually, I think they have nothing to write against us, neither good nor bad.
26:26As if they needed a real story, those journalists, to make up their articles.
26:30Like the infamy of the cartoons they published a few months ago.
26:33What cartoons?
26:34Mother, I was just trying to give an example, daughter.
26:37A very successful example.
26:39It was about some comic drawings.
26:41Stop it, Cruz.
26:43It is a matter that is not pleasant to remember.
26:52What a welcome, more excited.
26:57You are late, Lorenzo.
26:59If you were going to come to dinner, the least you can do is let us know.
27:02I'm late, by the way, but ...
27:05I have a good reason.
27:06A reason that suits us all.
27:12Do you remember Gregorio Castillo?
27:16Isn't he the mayor who ended up in prison?
27:18Exactly, but he was released a few months ago.
27:21Well, they found him.
27:23Dead.
27:25How?
27:27Dead how?
27:28Murdered.
27:30A shot in the chest.
27:32What are you saying?
27:33May God have him in his glory.
27:36I don't think God wants to have people like him by his side, really.
27:39No, considering what he did to Doña Pia.
27:41And where did they find him?
27:43In the ruins of the old slaughterhouse.
27:46Thank goodness.
27:48I would not like his death to be related to this palace.
27:51Come on, it would be the flesh they need, those gazetilleros.
27:55I'm afraid your wishes will not be fulfilled, Cruz.
27:58What do you know, Lorenzo?
28:00Well, I know that Sergeant Burdina was in the palace this morning.
28:05There we are.
28:06And how is it that none of us have seen him?
28:08Because you were not the reason for his visit.
28:11If not Don Rómulo.
28:14And what does he have to do with this?
28:17Well, maybe ...
28:20he will answer you himself.
28:42And when does Don Rómulo plan to speak to the Marquis?
28:45As soon as possible, I imagine.
28:47Well, I hope so.
28:48Because Doña Pia will be wishing to leave the Ramona cabin.
28:51Yeah, she doesn't know yet.
28:54But how come they haven't told her?
28:57Well, because Mr. Baeza wants to tell her in person.
29:00Well, go with the mayor.
29:01Who is the dog of the horticulturalist, he neither eats nor lets him eat.
29:04It's not that either.
29:05Well, you tell me what it is.
29:07Well, it is assumed that Doña Pia has been dead, María.
29:09And that this issue must be dealt with with caution.
29:11Yes, but you didn't sleep with Aurelio either, Hanna.
29:14Well, yes.
29:15He won't tell you tonight, he'll tell you tomorrow.
29:18And anyway, the important thing here is that Doña Pia's torture is over.
29:22And I didn't expect this to end.
29:24And be careful, I don't feel sorry for Gregorio anymore.
29:27I don't feel sorry for anyone.
29:29I don't either.
29:31I only think about the suffering that Doña Pia has gone through in life.
29:36Hanna, do you think that Gregorio ...
29:38Hanna, do you think that ...
29:41He must be a bad Christian.
29:43Wishing someone's death.
29:45What are you saying, María?
29:48You haven't wished anyone's death.
29:50Well, but I'm glad they killed him.
29:53That's not true.
29:55You are glad that Doña Pia can finally live her life.
29:59But if Gregorio had disappeared under other conditions, you would also be happy, right?
30:05Well, yes.
30:06Well, that's it.
30:07Then I didn't wish for his death.
30:12Because the church doesn't want a priest with a body, because otherwise it would be a stupid confessor.
30:17I don't see myself with a neck brace.
30:19You already have the black uniform.
30:23I'm hoping that Doña Pia will return.
30:25Me too.
30:27Although everyone is going to fall on their asses, out of fright.
30:31The first was María Mandrajo.
30:33Do you think she will put an impediment for Doña Pia to return to work here?
30:37Sure.
30:38But that doesn't matter, because the last word belongs to Mrs. Baeza.
30:41She knows how to rub her lips.
30:45Well, I imagine that if Doña Pia doesn't know about Gregorio, much less Beni, right?
30:51I think she's going to have to look for Diego.
30:55And I want to hug him.
30:58Well, imagine Mrs. Adarre.
31:01And a little man will be made.
31:04Will you have two twins?
31:07Good thing things are starting to go well in La Promesa.
31:10Well.
31:11Don't say it too loud, you know how fast things change in this palace.
31:15Well, at least your wedding lasts.
31:18And by the way, do you know anything else?
31:22Do you count well?
31:24Nothing.
31:25That we are going to get married in three days and that it will be in the afternoon.
31:31Oh, Janita.
31:32May you get married to us.
31:34Come here.
31:35Oh, poor thing.
31:36I wanted you to break my ribs.
31:47You seem to be more affected, brother-in-law.
31:50It must be quite a surprise that they murder your mayor for doing shady business.
31:55It's been a long time since that man was the mayor of this house.
31:57But he was, Cruz.
31:59He was.
32:00And very capable, I must add.
32:02I fired him on time.
32:04Well, don't hang medals, Cruz, because we all know that he left on orders from the Civil Guard.
32:09They accused him of poisoning his wife, right?
32:12That's what they say, yes.
32:14Because it was like that.
32:16And why did they put him on the street so soon?
32:19A murder attempt for poisoning is not a trivial matter, right?
32:22Do you want to leave the subject alone, please?
32:24But we are here precisely to talk about him.
32:27Have you sent for me, sir?
32:29That's right.
32:31And I honestly thought you would come without the need to notify you.
32:34I don't understand you. Has something happened?
32:37Stop with the nonsense.
32:39And explain to us right now what a Civil Guard sergeant was doing in the palace this morning.
32:43The sergeant came to report the death of Dominic Gregorio Castillo.
32:47We already know that.
32:49But why didn't he tell us before?
32:50I'm sorry I didn't come to inform you immediately.
32:53I was going to do it tomorrow morning, first thing in the morning.
32:57I know how much the presence of the Civil Guard in the palace bothers you and I didn't want to bother you.
33:03They come to report the death of an old mayor of this house
33:06and you think it's a good idea to leave him for the next day?
33:09I didn't commit the family to anything, ma'am.
33:12And why did the sergeant come then?
33:14Well, he came to look for someone who could take care of the mortal remains of Mr. Castillo.
33:20And for that they alter the peace of the palace?
33:23They bury him in a ditch and it's a settled matter.
33:26And why did he come here? I mean the promise specifically.
33:29Well, the promise was the only place that related him to Lujan, since it was here that he was serving.
33:36So that man has only come for this. We will not see him again around here.
33:41Well, if it weren't, it would be the first surprise, ma'am.
33:44There is no reason for them to have to return.
33:48In that case, you have done well.
33:51Not spreading the scandal.
33:54The less people talk about that man in the palace, the better for everyone.
33:58I will try to be like that, ma'am.
34:00I hope so.
34:01I can withdraw.
34:08And you will be happy, Lorenzo.
34:11Don't kill the messenger, I didn't know anything.
34:13That's why.
34:15On certain occasions it is better to remain prudent and shut up when necessary.
34:21Ah.
34:52Excuse me, Mr. Curro.
34:55What's up, Marcelo?
34:57As I saw you standing there, I thought you needed something.
35:00No, I don't need anything. You can go.
35:04Well, wait, wait.
35:05Yes.
35:07Thinking about it, yes, I need something.
35:10Could you bring us breakfast, Miss Julia and me, in the piano room?
35:14Right now, sir.
35:16Thanks.
35:40Let's see, give me the potatoes.
35:42Put all this aside.
35:46That's it, let's put this all here.
35:48And now go get help so they can bring us the rest of the order.
35:53Lope, I need a breakfast for two.
35:55Right now?
35:56Mr. Curro has asked for it.
35:59Okay.
36:01Can I take care of it?
36:02Don't worry, I'll make it for you for sure.
36:07Really, Lope?
36:08Just put the cups, the juice, the coffee ...
36:11If you tell me what I serve as a manduka, I'll make it myself.
36:15Sure?
36:16Completely.
36:17Well, you have a sponge cake with nuts in the oven.
36:19Take it out, cut it into slices, that will be enough.
36:22Six is fine.
36:23Eight, because Mr. Curro has a lot to take out in the morning.
36:26And also put a jar of jam, raspberry, he loves it.
36:29Perfect.
36:31Good.
36:33Rosario, please go get help.
36:39Marcelo, I'm sure you can do it alone.
36:41Come on, this is bread eaten.
36:44Good.
36:48Sponge cake.
37:01Eight pieces of sponge cake.
37:14Well, it's very beautiful.
37:16Beauty pays, it was in the rooms, it didn't have to cost.
37:19And what about you? A gift is a gift.
37:22That's better, don't you think?
37:24Fresh in the water.
37:26And I figured there was another reason to walk it all over the house.
37:31Of course.
37:32Let all those envious people see it.
37:35Or was it not the reason for the gift?
37:39The truth is that they had never given me such a beautiful bouquet.
37:43It's beautiful.
37:45It's not that much.
37:47It's beautiful, Santos.
37:49In fact, you should have seen the ladies' faces when I took it up to the living room.
37:52They all wanted it to be for them.
37:55I mean, it's not much to thank you for everything you've done for me, Mrs. Petra.
38:02You know I would do it a thousand times.
38:05Although the truth is, I don't know if you have rooms for so many bouquets.
38:09Don't worry about that.
38:11When they saw in the florist that I wasn't just a young man trying to seduce a girl,
38:15I liked it even more.
38:17They appreciated me.
38:20Let's go.
38:28The bouquet is a first.
38:30Agonico Consalvé.
38:31And what's the reason? If I may know.
38:34It's a gift.
38:36Santos has wanted to thank me for taking care of him when he was in bed.
38:39If you couldn't have a better nurse.
38:42The truth is, he's in a very good mood, Santos.
38:46Do you like it?
38:47Yes.
38:48Yes, it's very nice.
38:50Can I read it, Mrs. Petra?
38:51No.
38:53And enough with the nonsense.
38:54You all have a lot of homework to do.
38:56Let's go.
38:58Let's go.
39:05I'm glad you like it.
39:07I'm glad you like it.
39:09The bouquet?
39:10Of course.
39:12In fact, I'm going to leave it in the dining room.
39:16So that everyone can see it.
39:20Well, the fruits and vegetables.
39:21We're going to leave them all here together and you can keep them over there.
39:24Now we'll take them to the pantry.
39:29Where were you?
39:30Come on, look, the orders for the cornmeal have arrived.
39:33Don't get mad, López.
39:35I wasn't entertained by Mrs. Petra's bouquet.
39:38The bouquet was to see it.
39:39How beautiful.
39:40Worthy of a Marquise.
39:41That's what Mrs. Cruz thought.
39:43Has the lady seen it?
39:45What happens is that Mrs. Petra has been confused
39:47and believed that the bouquet was from the lady
39:49and went to give it to her.
39:50She could have seen her face.
39:52To paint the paintings, come on.
39:54And I say,
39:55what do you think if they leave the cornmeal and give me a hand?
39:58Give it a taste.
40:00What do you want us to do?
40:01Get the vegetables.
40:02The vegetables.
40:05What does it smell like here?
40:07Pepper, potatoes, aubergine ...
40:10Not that, Pande, the daughter.
40:11What?
40:12That.
40:13That's a biscuit with nuts.
40:15And can I try a piece?
40:17María, you already know the rules.
40:19You can't taste anything until it passes through the table of the gentlemen.
40:22And the piece that is missing, what?
40:24Marcelo needed it.
40:26Mr. Curro has ordered a separate breakfast for two.
40:28Two breakfasts?
40:30It's not that strange, young man, with this family in front.
40:32I would also prefer to have breakfast on my own.
40:40Lope?
40:42Who was the other breakfast for?
40:45I don't know, María, she didn't tell me.
40:50What's going on, Lope?
40:52I don't know.
40:54Maybe she thought the other breakfast was for her.
41:00I don't know.
41:16So you liked the bouquet?
41:19Yes, I told you I thought it was pretty.
41:23Your opinion is worth much more than that of those whores.
41:28You know why.
41:31Don't get upset, Vera, it was a joke.
41:36So you don't want me to make fun of you?
41:38Don't worry.
41:40I come in peace.
41:42Yeah, sure.
41:44Come on, Vera.
41:46Since you decided to cut the relationship with me, you hardly speak to me.
41:51Santos, I made it very clear to you that I wanted you to leave me alone.
41:54I don't want to keep any more dealings with you than is necessary for work.
41:57And it's true.
41:59But ... it's been a long time.
42:03What do you want us to talk about then?
42:06Well, whatever you want.
42:10How about your mother, for example?
42:12Santos, go.
42:13Right now.
42:14But what did I say now?
42:15You know perfectly well what you said.
42:16Leave.
42:17Well, that woman has been in the palace day after day too.
42:20I thought that now that you had resumed the relationship, you would have many things to tell.
42:23You think it's funny, don't you?
42:24You came to that, to make fun of me.
42:26I didn't know you had such fine skin.
42:29Although, of course, coming from where you come from ...
42:31Go to hell, Santos.
42:33Perhaps you have been able to deceive Petra.
42:35Of course, you are of the same caliber.
42:36Be careful with what you say.
42:37You are right.
42:40These are going to be the last words you hear from my mouth.
42:43See you later, Santos.
43:00Maybe Mr. Curro is going on an empty stomach and can't have coffee.
43:03Marcelo would have told him, right?
43:05With how clueless he is, he may have been told or forgotten.
43:10I won't rest until he comes back and tells us what happened.
43:13Well, he won't have to wait long.
43:17Maria, what happened?
43:19Isn't the cake good?
43:21The cake has nuts.
43:23And Miss Julia can't eat nuts.
43:26Did you want to poison Miss Martina's guest?
43:29It was a mistake.
43:31Why didn't you tell me that the breakfast was for Miss Julia?
43:34Maria, how did you know?
43:36I didn't know.
43:37But white and in a bottle, come on.
43:39The young man doesn't want to have breakfast with a lot of people.
43:42That girl has a guardian angel and it's you.
43:45And a particular demon, have you seen it?
43:47I didn't know anything about Miss Julia and the nuts.
43:50Marcelo, you have to open your ears.
43:52We have repeated it hundreds of times.
43:54A bite of the cake and send it to the other neighborhood.
43:57Pure poison.
43:58Marcelo, don't you see that Miss Petra is looking for excuses
44:01even under the rocks to get rid of the promise?
44:03And you go and put it on a silver platter.
44:05Miss Julia can't eat nuts.
44:16Does anyone want to explain to me what's going on here?
44:24I don't know.
44:36I promise you it's the first time I see something like this.
44:39Maybe the cake was over.
44:42Or I had just made it.
44:45Well, Maria Fernández is a very capable maid.
44:49I'm sure they'll bring us breakfast back.
44:53And why this invitation to have breakfast together?
45:00I wasn't very happy with our last conversation.
45:04The one at the hangar.
45:07I'm glad it was you who brought it up.
45:09Because I didn't either.
45:11I understand you'll have a lot of questions, right?
45:16That's right.
45:18But only one takes my sleep away.
45:23How did Paco die?
45:26And before he answers me with ambiguity,
45:29I want him to know something.
45:33It's not the first time I've asked this question.
45:37When José Juan returned to Spain, I asked him.
45:40And he didn't want to give me any details.
45:45It's ... natural.
45:48It was very hard for everyone.
45:51I understand that for some more than for others.
45:56What do you mean, Julia?
46:00José Juan didn't give details.
46:03But there was something that made it very clear.
46:06That the culprit of Paco's death was you.
46:10Francisco de la Mata.
46:14But after these days in which I have been able to meet him ...
46:18I know it can't be true.
46:23What happened?
46:33José Juan tells the truth.
46:37I ...
46:40I ...
46:43I'm the only one to blame for Paco's death.
46:48I'm sorry.
46:51I didn't mean to.
46:57I didn't want to hurt you.
47:10What's going on with Father Samuel? He still thinks he's going to marry two young people from the village.
47:13What if he gets angry and says he won't marry us?
47:16No.
47:17Besides, I'm going to ask you one last favor when we get married.
47:20I'm going to ask you to bring a letter to La Promesa
47:22in which I explain everything to my parents.
47:24I'll do that when I've solved everything.
47:28Hey, wait.
47:29What if we go to the river and get our feet in fresh water?
47:33Quinta Pela, I'm not in the mood, Antonio.
47:36And that?
47:37No, I don't feel like it.
47:39And what did you say I wrote in that notebook you found?
47:42They were like stories, short stories.
47:45Well, the few stories you have are surely infamous.
47:48Stories about lovebirds and silly things like that.
47:52But you could have read one of the stories.
47:54Are you sure you're okay?
47:57Well, as I see that you don't really want to give me explanations either.
48:01It's okay, I'm not going to insist and ...
48:04whenever you want, you can tell me.
48:09It's a very beautiful bouquet.
48:11Of those who don't even give it to the Marquis.
48:13Does it bother you?
48:14It's a good thing I was born grateful.
48:16Even so, I should be more careful with the rooms.
48:19I've earned it by working and I spend it on whatever I want.
48:22Nobody tells you otherwise.
48:23That woman has lived her life for me without being my family or anything like that.
48:26She deserves that bouquet and a hundred more.
48:27I think I'm going to sleep.
48:28López, can you tell me what's wrong with you?
48:31Since yesterday you have been very dry with me and now that we can be alone, you prefer to leave.
48:35Nothing's wrong with me.
48:36Nothing.
48:37Don't tell me nothing's wrong with you.
48:38Because we already know each other, you know what I'm talking about.
48:40I think I should wait a few days.
48:42But why? If Gregorio is already dead, there is no danger for either of us.
48:45No, but if you leave suddenly, then the Civil Guard would make you the main suspect in his death.
48:52What do you mean? I haven't done anything.
48:53I know, I know. But I also know that this idea would go through the heads of the authorities.