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00:00A FEW HOURS LATER
00:21Pietro!
00:22Do you know anything about Marta? She hasn't come to clean.
00:25Is she sick?
00:26She's perfectly fine.
00:28She asked me to tell you not to wait for her.
00:31She's not coming in today.
00:33Nor tomorrow.
00:34She's going back to the bookshop, Salvita.
00:36What? Why? What happened?
00:39If I'm not misinformed, you must have scolded her, right?
00:42And that has to do with her decision.
00:45Yeah, but I was hoping I could talk to her.
00:48Talk about what, Salvita? Talk about what?
00:50Marta made it clear to you
00:52that she wanted to focus on her studies, on her work.
00:57And above all, not to be involved in your father's business.
01:01I understand.
01:02My father also tried to get me involved with the bookshop in Salamanca
01:05and the studies.
01:06And he almost got me.
01:08So?
01:09It's all been said and done.
01:11I'm sorry.
01:13Wait!
01:14There must be a way to not lose Marta or my family.
01:18You're an experienced man.
01:21What do you suggest?
01:23It's very simple.
01:24We can't have everything in life.
01:27And to mature, we have to make decisions.
01:31That's it.
01:32Sometimes they're right and sometimes they're wrong.
01:36So you're telling me to give up?
01:38No, I'm not telling you this.
01:40I'm telling you that you were very young.
01:43And I can't stop you from trying.
01:46But I know how it will end.
01:50Unless you're able to achieve the impossible.
01:54Tell me what it's about.
01:56I can't stop trying.
01:58I don't know.
02:00It's the square of the circle.
02:06Good luck.
02:09Let's go.
02:10We're going to be late.
02:12Let me help you.
02:13No, no.
02:14You don't have to.
02:15Yes, you do.
02:16Besides, we're not going to be late.
02:18And you know how much I like it when you're with me.
02:21And what I'd like even more is for you to cheer up a bit.
02:26I can't, man.
02:28I've missed Laurita so much.
02:30And I've missed you.
02:32And I've missed you.
02:34I can't, man.
02:36I've missed Laurita so much.
02:38It's because you feel guilty about her leaving.
02:41And I understand, but I'm convinced that she'll end up forgiving you and going home.
02:46What if it's not like that?
02:48What if we never see her again?
02:50That can't be.
02:52Laurita and you have a very strong bond.
02:55It's been damaged, but it's not broken yet.
02:58But how can you be so sure?
03:00Because I've seen you be born, darling.
03:02And it's only a matter of time before you get back what you've always had.
03:07Uncle.
03:10I've given up on starring in the play.
03:15And how has Augusto taken it? In a coma?
03:18Not very well, to be honest.
03:20But it's what I had to do.
03:22What you had to do.
03:23For whom? For you or for Laurita?
03:26Well, I don't know.
03:28Somehow I have to redeem myself and I can't think of another way.
03:32Inés, as you will understand, right now I don't have the best opinion about Augusto in a coma.
03:36But you can't reject a leading role in a play of that magnitude.
03:40It would stop your career when it should be the opposite.
03:44Besides, Laurita wouldn't agree either.
03:48But how do you know?
03:50Have you talked to her?
03:51No.
03:52No, but I wouldn't understand that you would throw away all the sacrifice you've made to get here.
03:57Have you forgotten how hard it has been for you to regain your voice?
04:00No.
04:02No, but the decision has been made.
04:06Very well.
04:08Very well.
04:09Well, now we either leave or we'll be late.
04:13Let's go.
04:14Let's go.
04:26Teresa, I can't take it anymore.
04:28I can't continue with this farce.
04:30It seems that I have written on my forehead that I'm leaving here, that everyone can read it.
04:35When are we going to resign?
04:37Because today can't happen.
04:40Don't worry.
04:41I had planned to do it at the time of our break.
04:44For those who are left, exactly...
04:48Gentlemen, it was a pleasure to have you here, as always.
04:54I was going to tell you that there are one hour and 27 minutes left, but...
04:57I don't think I'm going to hold out that long.
04:59And do you know why?
05:00Because it makes you sick.
05:01And it's harder and harder to hide it.
05:03Indeed.
05:06So, if we say it now?
05:09Now?
05:11Come on.
05:12And let the sun rise as soon as possible.
05:13As soon as possible and wherever you want.
05:15Here it comes.
05:17Teresa, Cañete.
05:19The day after tomorrow, at 9.30, we have the breakfast of the Law School.
05:23As you both know, it is a very demanding team, so get down to work immediately.
05:31Didn't you hear me?
05:34I'm sorry, ma'am, but...
05:37It's not going to be possible.
05:41What is it that's not going to be possible?
05:44Counting on us.
05:47Ah.
05:49The couple of little turtles is going to take the day off?
05:52Well, I'm telling you, not even talking about it.
05:56Look.
05:59First of all, I demand that you refrain from commenting on our private lives.
06:05And secondly, we're not going to take any day off.
06:08But it's going to be totally impossible for us to take care of that breakfast.
06:14I'm starting to lose my patience.
06:17Can you please explain to me what you want to tell me?
06:23We will irrevocably resign from our jobs.
06:27Both of us.
06:28Don't you understand now, Mrs. Lazara?
06:30I know where you're going.
06:33And I have to tell you that it's ridiculous and unprofessional.
06:38What do they want? Improvements in working conditions?
06:42And they do it this way, blackmailing me.
06:45Me.
06:46The modern woman.
06:48I'm sorry, but you're not the modern woman.
06:50No, she's not.
06:52And all we want is to lose her sight now.
06:55All we want is to lose her sight now.
06:59Very well.
07:01Mr. Fermin will be delighted to know that you're leaving your boat at such a critical moment.
07:09When he has so many problems with his nieces and when he's at the gates of his own wedding.
07:14He's going to be displeased.
07:18The decision has been made.
07:19Yes.
07:20Tomorrow, when our shift is over, we'll go through the door of the modern woman for the last time.
07:24It won't be easy, of course.
07:28Perfect. I'll inform Mr. Fermin.
07:30Now get down to your work.
07:33For now, your obligations are still intact.
07:37Excuse me.
07:55I was lost in the woods.
07:59It was night and I didn't know how to get home.
08:03And when I was starting to get scared, I saw a yellow light and I followed it.
08:07It took me down a path surrounded by a herd of deer.
08:10Did you say deer?
08:12Well, there were also foxes.
08:14Suddenly it was daytime and I kept walking.
08:17Until I got home and I woke up in my bed very happy.
08:21Very good.
08:22You see, the dream started as a nightmare and ended as something good.
08:28It could even be a good omen.
08:32What do you mean by a good omen?
08:35That the three of us,
08:39Íñigo, you and me, are expected by a future hope.
08:44And that's exactly what I wanted to talk to you about.
08:47I thought we could move.
08:50Go somewhere else.
08:52Where?
08:55To La Rioja.
08:57We could live in a country house and we could have animals.
09:01Of course, it wouldn't be foxes or deer, but we could have cows and horses.
09:07It would be fun, wouldn't it?
09:10I would stop being afraid.
09:13It would be fun, wouldn't it?
09:16We would leave behind everything that has happened to us and of course you would go to school.
09:21And there you could make new friends.
09:27And I forget the most important thing.
09:30Going to La Rioja would be the first step to reunite with the whole family again.
09:37With Pablo, with Aunt Concha and with a little bit of Luisa's luck.
09:42I love it.
09:43When are we leaving?
09:47What do you mean? That you're leaving Madrid?
09:50Well, that was our intention, but I didn't want to say anything until it was definitive.
09:55And it is.
09:57If Clarita agrees, I would say yes.
10:01I'm so happy for you that I almost don't want to lose you.
10:05Lose us?
10:07Never.
10:08You can come visit whenever you want.
10:10By the way, congratulations because they told me that the speech at Madre Cabaret was a success.
10:16Did they applaud you a lot?
10:17Well, it wasn't bad. They congratulated me a lot, really.
10:21And if it was so good, why are you so serious? Any news?
10:27No, no, nothing. It's just that I should never have liked Padre Salvita.
10:33We're going to miss you a lot.
10:35And you.
10:40Bye.
10:45Bye.
10:46I'm going back to work because I have to set an example with the speech I gave.
10:50I'm working and not resting.
10:54Bye, girls.
10:55Bye.
10:56Bye.
11:02Matilde, have you forgiven me for listening to Carla and believing everything I said to our mothers?
11:11To forgive you, I should have gotten angry.
11:16Do you promise?
11:19I promise.
11:24Do you want something to drink?
11:25No.
11:27What I want, Inés...
11:33A glass of water would be fine.
11:36Yes.
11:40I wanted to apologize because I think I wasn't fair to you when I told you that I didn't want to know anything about you or the play after everything you've done for me.
11:51No, you weren't fair.
11:53But I can understand that you're confused, that you feel guilty and that you need to do something, but...
12:00leaving the play is a mistake.
12:02But a mistake, why?
12:04I'm sure you'll find a much better actress than me and you'll win.
12:07That's absurd.
12:09You're my choice.
12:11You're my actress.
12:13And...
12:14And it would be a mistake.
12:16Because nothing would change.
12:18Nothing.
12:19Laura won't come back and she won't forgive us.
12:23We'll be the only ones hurt.
12:26And we've earned it.
12:30Look, I...
12:32I don't want to argue.
12:33I just want us to face this situation in the best way possible.
12:38Then change your decision.
12:41No, but my decision isn't the result of an impulse or anger.
12:46I've thought about it a lot, Agustín.
12:50So, please, I ask you to respect it.
12:53Please.
12:58If that's what you want, I'll respect it.
13:02But I'm not going to look for a replacement.
13:06But then what are you going to do?
13:07Wait for you.
13:09Are you serious?
13:10Wait for you.
13:11Agustín.
13:14It's a done deal.
13:18And once it's a done deal,
13:22let's get sentimental.
13:25I can understand that you want to leave the play.
13:29But I'm not going to accept that you want to take me out of your life.
13:32Look, Agustín.
13:35When Celia saw us kissing,
13:38she told me that she was betraying my sister.
13:42And she was right.
13:44What we've done is horrible.
13:46But you really don't have that feeling?
13:49Because Laurita is my sister.
13:51But she's also your girlfriend, Agustín.
13:56We have to stop seeing each other.
14:00I'd settle for one thing.
14:05Knowing exactly what you feel towards me.
14:12But that's not going to change anything.
14:25Look, I've already told you that I understand the reasons
14:27why you and Miguel pretended what you pretended.
14:30I guess you should have had a really bad time.
14:34Yes, that's true.
14:36It's been a living hell.
14:37I don't wish it on anyone.
14:40And I really appreciate your understanding.
14:42And I wish Teresa understood me as much as you do.
14:47But it's true, we shouldn't have dragged this out so much.
14:51I don't know, it could have ended like this.
14:54In a complete disaster.
14:57I see.
14:58Well, I understand you, but I also understand her.
15:02It's normal for her to feel betrayed.
15:04She trusted you a lot.
15:05Yes, I know.
15:06And she's absolutely right.
15:08She doesn't know how hard it is.
15:10She doesn't look me in the eye.
15:11She only gives me orders.
15:13And only the strictly necessary ones.
15:17Please, Trinidad.
15:18When you finish your break,
15:20you can ask the Wellington to come pick you up.
15:26Right now, ma'am.
15:27I'm sorry, Teresa.
15:28Don't go.
15:31What do you want, Antonia?
15:33Well, look, I want two friends to be there for a mistake.
15:38I'm not going to justify it.
15:41But we all know it has more to do with an absurd rule
15:45than with Trini's intention to hurt her.
15:49Well, she did it to me.
15:50And a lot.
15:51Yes, I know.
15:52And I apologize.
15:53Really, I'd apologize, I don't know,
15:55for the rest of my life if it's necessary.
15:58Imagine what we would have done in her situation.
16:02Always with the fear of being discovered
16:04and being thrown out on the street.
16:08You know what, Antonia?
16:10I'm tired of putting myself in other people's shoes.
16:14It would have been so easy for you to tell me.
16:16I know.
16:17I even confessed my feelings for your husband.
16:20What were you thinking at that moment?
16:22You didn't even feel compassion.
16:24Of course I felt compassion.
16:25You should have told me then.
16:27I know.
16:28I know, but then I would have made a commitment.
16:31I would have had to decide
16:32whether to tell Mr. Fermin that I was already married or not.
16:35Well, no, you wouldn't have made any commitment
16:37because I would have told him without hesitation,
16:39as it was my obligation.
16:40Look, there you have it.
16:41There's the answer.
16:43Of course, she couldn't tell him
16:44because she was trapped in her own lie.
16:50Did you know?
16:51No, I didn't know.
16:52No, she told me yesterday.
16:54And I was very surprised.
16:56That's true, but after hearing her
16:58and hearing her tell me the reasons,
17:00I can't help but feel the affection I have for Trini.
17:04All these years of friendship
17:07at the weight of the deception.
17:13I don't know.
17:14Teresa,
17:15I really
17:18don't know.
17:19Last night, I couldn't sleep
17:21because I was afraid,
17:22without knowing how to solve all this mess.
17:25I never thought you and I
17:26would become good friends.
17:29And I never imagined that losing you
17:31would hurt so much.
17:32But it's like that.
17:33You have become someone
17:34indispensable to me.
17:36I swear.
17:37Forgive me.
17:39Please.
17:46Teresa, say something, for God's sake.
17:47I can't take it anymore.
17:52Well, it's okay, Trinidad.
17:54I accept your apologies.
17:56I swear I won't let her down again.
17:58I swear.
18:04Well,
18:06don't worry, there won't be another chance.
18:19You heard what she said, didn't you?
18:21I don't understand what she wants.
18:24I don't know.
18:29Goodbye, Antonio.
18:31As always.
18:44Yes?
18:46Inés, it's your uncle.
18:47Stop what you're doing
18:48and come to the living room.
18:49Has something happened?
18:51There's news about Laurita.
18:52I've talked to her.
18:54Hurry, it's urgent.
19:06Good morning, Mr. Salvador.
19:07No good morning, no nothing.
19:09Where the hell is my son?
19:11Your son?
19:12He came on time,
19:14like a Swiss watch.
19:15Then he left,
19:16but he hasn't shown up here again.
19:18Where did he go?
19:20He didn't say anything,
19:21but I'm sure he has something
19:23very important to do.
19:24Come on, Miguel,
19:25don't be silly.
19:26You don't have to cover for him.
19:28He left me a note
19:29saying he was going to think about it for a few days.
19:32Think about what?
19:34About how to disappoint your father
19:36over and over again?
19:37I had no idea.
19:38I give you my word
19:39that he hasn't told me anything.
19:40You have no idea
19:41how disappointed I am
19:42that you also have me.
19:44Me?
19:45Why?
19:46Because I fully believed
19:47he was going to be your mentor,
19:48your role model,
19:49that I was going to cut him short
19:50and put him in trouble.
19:51But what have we come across?
19:53The opposite.
19:54You've turned him into a rebel,
19:56an irresponsible man.
19:58If you'll excuse me, Mr. Salvador,
19:59I think you're being a little unfair to me.
20:01I've done everything I can
20:02to lead him on the right path,
20:04but it's not the same
20:05to train him for the profession
20:07than to influence his feelings.
20:09I don't have that power,
20:10and if you'll allow me to tell you,
20:12no one has it.
20:13Damn you, Miguel.
20:14Your most important task,
20:15if not the only one,
20:17was precisely to influence his feelings,
20:19to make him see what's good for him,
20:21for his own good,
20:22for his future,
20:23for me.
20:24Or do you think
20:25that a cleaner
20:26is exactly what's good for him?
20:28What would you do
20:29if your son was determined
20:30to throw his future away?
20:33If he made the mistake
20:34of choosing a woman
20:35with such low standards?
20:37With such low standards?
20:40If I had a son,
20:41I would be proud
20:42to see a woman
20:43as hardworking,
20:44honest,
20:45brave,
20:46and exemplary as Marta.
20:48You're laughing at me.
20:50Because if that's the case,
20:51she's digging her own grave.
20:53If I had a son like Salvita,
20:54who is already a man
20:55like you and me,
20:56I would slap him
20:57like adults do.
20:58Are you done?
20:59Yes.
21:00I guess I'm fired.
21:01Not yet.
21:02Do you know why
21:03I wanted to name you his mentor?
21:05Because a son
21:06never talks to his father.
21:07Believe me,
21:08I've tried.
21:09And believe me if I tell you
21:10that Salvita respects him,
21:11and all he wants
21:12is his approval.
21:13That's a strange way
21:14to do it, isn't it?
21:15Challenging me
21:16over and over again.
21:17Don Salvador has tried
21:18to please you
21:19by studying a career
21:20that doesn't interest you,
21:21maintaining a relationship
21:22with a woman
21:23that doesn't interest you either.
21:24Your true mentor,
21:25or mentor,
21:26or rather,
21:27that's the cleaning lady,
21:28of low standards,
21:29as you call her.
21:30Because if Salvita
21:31has finally focused
21:32on her work
21:33and her studies,
21:34it's thanks to Marta.
21:35And now,
21:36if she has to fire me,
21:37then...
21:38She's got a bad temper.
21:39Look, Miguel,
21:40he's my only son,
21:41my heir.
21:42And I promised his mother
21:43that I would make him
21:44a useful man.
21:45So as soon as he shows up
21:46around here,
21:47let me know immediately.
21:48I will.
21:49Look, Miguel,
21:50if Salvita falls,
21:51get ready.
21:52Because then, yes,
21:53you will go behind,
21:54straight to the hole.
21:55Got it?
21:56Uncle,
21:57is it true
21:58that you've spoken
21:59to Laurita?
22:00Yes.
22:01And what did she say?
22:02That she wants to speak
22:03to you.
22:04To me?
22:05Yes.
22:06But how could she
22:07find her?
22:08Once they told me
22:09that there was
22:10something going on
22:11between you
22:12and Laura.
22:13And I told her
22:14that I wanted to talk
22:15to you.
22:16And what did she say?
22:17That I wanted to talk
22:18to you.
22:19And what did she say?
22:20That I wanted to talk
22:21to you.
22:22And what did she say?
22:23That I wanted to talk
22:24to you.
22:25And they also told me
22:26that we had to have
22:27friends,
22:28even in hell.
22:29Well,
22:30I have one in Berlin.
22:31I thought she was going
22:32to respect my decision.
22:33That's crazy.
22:34No,
22:35I'm just an selfish man
22:36because there's nothing
22:37that distracts me more
22:38than seeing my two
22:39nieces getting so mad
22:40and you already know
22:41that I'm a man
22:42and it's part of my routine.
22:43So, please,
22:44Inés,
22:45speak to her.
22:46And do you think
22:47we're able
22:48to solve it?
22:49Because I don't know
22:50what to tell her.
22:51What your heart tells you,
22:52it's your sister.
22:53Listen to her
22:54Listen to her and let her speak.
22:56I'm sure everything will be fine.
23:00I don't know, uncle. I need time.
23:06Remember, whatever your heart tells you.
23:18Laurita? Are you there?
23:20Yes, Inés, I'm here.
23:24I...
23:27Are you okay?
23:29Yes, yes, I'm fine. It's just that...
23:31I can only think of asking you for forgiveness and...
23:33I guess you will still not want to forgive me, so...
23:37I don't know what to tell you.
23:39Well, then I'll start.
23:42Inés, I'm no one to forgive you.
23:45I'm just a normal girl.
23:47Who knows if I would have done the same in your situation.
23:51Betray your own sister?
23:54You didn't want to betray me.
23:56Just as you didn't want to fall in love with Agustín.
23:58Celia didn't want to fall in love with me.
24:00But...
24:01I've learned that sometimes these things happen without us looking for it.
24:07It's just that I never thought that...
24:09Wait, Inés. Let me finish.
24:12It's true that I've had a very bad time these days.
24:16I've felt that life is being very unfair to me, but...
24:20You know what?
24:22If there's something that hurts me more than what you've done, it's...
24:26Thinking about never seeing you again.
24:29Thinking about losing you, Inés.
24:31No.
24:32No, you will never lose me.
24:34If you don't want to, of course.
24:36Of course I don't want to.
24:38Just like...
24:39I don't want you to do that nonsense that the guy you have in your head told me.
24:44Inés...
24:46You can't give up the opera.
24:48You can't give up your career as a singer and actress.
24:51I've been with you since you started.
24:55Since I found out that you had that wonderful talent and...
24:59I've suffered with you everything that happened to you in the vocal cords.
25:03Now, I can't allow myself to be the reason why you reject your dream.
25:11And...
25:12About Agustín...
25:14No.
25:15No, there won't be anything between us.
25:17Inés, wait.
25:19If you love him...
25:21If you love each other, I...
25:24I don't want to be an obstacle.
25:27For the simple reason that...
25:30I'm not going to be in your lives.
25:34But then...
25:36Are you going to come back?
25:39Inés...
25:40You have to promise me that...
25:42You're going to do what I've asked you.
25:47Yes, I promise you.
25:49But...
25:51Laurita, why are you so good and so generous with me?
25:55Because...
25:56Because I've realized that I can find another Agustín.
26:00But I'm never going to find a sister like you.
26:05I love you.
26:08And I...
26:10And the guy...
26:11Tell him about me.
26:13I'm here, niece.
26:15I'm listening.
26:17Laurita?
26:27Well...
26:28You've heard it.
26:30Now...
26:31You don't have an excuse to not be happy.
26:45I'm sorry.
26:48Antonia, it's Pietro.
26:53I've just arrived in Italy.
26:55And Lucia...
26:57The trip has been perfect.
26:59She's with Giancarlo.
27:01That's great news. What did she say?
27:03Nothing more than that, but it's not little, right?
27:05Later we'll discuss it at the conference and they'll give me more details.
27:08How exciting. It must have been.
27:10A mother reuniting with her son after so many years.
27:13A son with his mother.
27:15I think about it and I get goosebumps.
27:17And it's not for nothing.
27:19When Lucia went to the United States, Giancarlo was just a kid.
27:22Now he's a grown man.
27:24And maybe he hasn't been recognized yet.
27:27Yes, I think a mother always recognizes her son.
27:29And vice versa.
27:32Well, what comes, comes.
27:35And it's never too late.
27:37Not for us, not for them.
27:39It came to my mind when Marta showed up at La Moderna.
27:43Do you remember?
27:45As if it were yesterday.
27:47I threw a fox and with a hunger I had left one of your cookies.
27:50Do you remember?
27:51Yes.
27:53And the neighbor already knew that the three of us would end up like a family.
27:57She was a girl.
27:59And now...
28:01She's a woman.
28:03Yes.
28:04She's a mature, sensible woman.
28:06With very clear ideas.
28:08She has everything in mind for her future.
28:10That's what I told Saldita today.
28:12Did you talk to him?
28:13Yes.
28:14What did he want this time?
28:15Always the same.
28:16That he doesn't want to announce his feelings for Marta.
28:18And I had to get very serious, Antonia.
28:20I told him that Marta doesn't want to see him again.
28:23And that he won't come back to the bookstore.
28:26We trust that he will leave her alone.
28:28Very well said.
28:29Because if that boy is not for her, you are not for her.
28:31And there is nothing else to talk about.
28:35I'm going.
28:39Mr. Pietro.
28:41Mrs. Antonia.
28:43And what are you doing here, Saldita?
28:45I was looking for Marta. She's not at home.
28:48But please, Saldita.
28:50We don't want you to leave her alone.
28:52If you let me explain...
28:53Look, boy, I have nothing against you.
28:55But we don't want you to give Marta more headaches.
28:58What do you want now?
28:59I want to tell her something very important.
29:01And if you tell me where she is, I'll go where I came from.
29:04Well, if it's so important, tell us.
29:06Come on, tell us.
29:08With all due respect, I can't tell you anything before talking to the person interested.
29:16But I speak like a lawyer.
29:17Yes.
29:18I don't like this.
29:19No.
29:21Well, if you don't give us your third arm, neither do we.
29:24Good afternoon.
29:25I beg you, please.
29:27I love Marta with all my heart.
29:29And I really just want to make her happy.
29:31I don't want to hurt her.
29:32You told me to make a decision and I told her.
29:35Much earlier than my family.
29:41Marta was going to go to the primary school presentation day.
29:44She's not coming back until late, so you'd better talk to her tomorrow.
29:50I don't think I can wait that long, but thanks for the information.
30:01What the hell did you say?
30:02Nothing.
30:03You can't have everything in life, of course.
30:06And to make a decision.
30:09What did you say to me?
30:12Of course.
30:18I guess it will be strange for a businessman, but I've always liked this moment.
30:23Filling the envelopes with the paychecks.
30:27Actually, if we can do it, that means everything is going well.
30:31And I guess your nieces have spoken again, even if it's only on the phone.
30:34It also influences your good mood.
30:36You don't know the weight I've taken off.
30:39Me too.
30:40So we can focus on our wedding.
30:42And the last envelopes.
30:44Cañete's.
30:45Teresa.
30:50What's going on, Lazara?
30:51Has your smile been erased all of a sudden?
30:55I don't want to spoil this moment for you.
30:57But I have to tell you something that has to do precisely with them.
31:01I hope it's nothing serious.
31:03Tell me.
31:05Well, a while ago I went to inform them about the breakfast at the law school that will take place tomorrow.
31:10Is there a problem with that matter?
31:11No, not with that one.
31:14The problem is that without coming to account, they have submitted their resignation to me.
31:17Irrevocable, by the way.
31:21But what nonsense is that?
31:23Cañete and Teresa?
31:25For what reason?
31:26What have I lost, Lazara?
31:29What you have lost is my inability to better manage the problem.
31:34What did you have to manage?
31:36Well, having had more left hand.
31:38Having tried to win me, if not her appreciation, at least her respect.
31:42No, no, no, I don't agree. I don't agree.
31:44I realize that you have done the impossible to make Teresa feel comfortable.
31:47If you haven't achieved it, I'm sure it has more to do with her than with you.
31:51I appreciate your support and your understanding.
31:54You are going to be my wife.
31:56That means that I will always support you.
31:59I find it very embarrassing that we have come to this extreme.
32:02But I admit that when the relationship was twisted, it has been very difficult to straighten it.
32:07I understand that Teresa has not just assimilated working under your orders, but Cañete.
32:13I just saw it.
32:15And why both? No, better.
32:18Why both at the same time?
32:20I think there is an explanation, Fermín.
32:23A sentimental explanation.
32:26I think they are a couple.
32:27Now, the idea is born more from her than from him.
32:33Well, whatever it is, losing the manager and the head of the waiters is a terrible blow for La Moderna.
32:40Yes, but from this blow we will come out strengthened.
32:45Don't doubt it.
32:47I think that more than a problem, it will be a blessing.
32:50Cañete and Teresa together?
32:53I would never have thought it, my mother.
32:55Since Drogel has said that rule, it seems that Cupid has settled in the living room.
33:01And he shoots arrows by docking.
33:08I'll talk to them to make them reconsider.
33:11Sorry?
33:12Yes, yes, trust me, I'll talk to them and I'm sure I'll get them to stay.
33:17I've always said that this is a great family and I'm going to do the impossible to keep it that way.
33:21You're right.
33:23Yes.
33:25Anyway, why don't you let me talk to them?
33:28I was the one who got in the way.
33:29So if I apologize for ... if they have not felt valued, then I think ...
33:34No, I don't think it has to go that far.
33:36And I repeat, it's not your fault.
33:38It would be better if I talked to them.
33:39I insist.
33:40Really?
33:41Let me do it.
33:45Okay?
33:46Very well.
33:47But I will not allow under any concept that they treat you with disregard.
33:52Trust me.
33:54The important thing is that, whatever happens, no employee sits above the modern one.
34:01As long as you and I are together, everything will be fine.
34:18Well, I didn't have them all, but finally Antonia has behaved as always.
34:22Like a good companion.
34:23And she has mediated between Teresa and me.
34:26So Teresa has forgiven you?
34:28Well, yes.
34:29And look, thank God, because what a scare.
34:32Although it is true that in the end she said something strange.
34:35I think she's thinking of leaving.
34:38Leaving where?
34:40The modern one.
34:41No, I don't think so.
34:42Teresa is the modern one.
34:43Well, like you.
34:44Yeah.
34:46Ah, you said that Antonia is good at negotiating.
34:51Do you think I could have an affair with Don Salvador?
34:54Or Don Salvador with his son?
34:55Well, you haven't told me what happened yet.
34:57Well, I didn't want to worry, my love.
34:59Neither you nor the baby.
35:01Although, on the other hand, I would like you to be proud of me.
35:06That you know that your father is a brave man who does not bend before anything.
35:11So you've had a hard time with him.
35:13Well, yes.
35:14But I have remained firm.
35:16Let's see, my love.
35:17Surely what you wanted to tell him sounded very good in your head
35:21and that you knew what words to use.
35:23But are you sure you have transmitted them?
35:25Very sure.
35:26I have stood up for him and I have made him see without losing the composure
35:29that he was making a mistake with Salvita.
35:32And that parents must learn to respect the decisions of our children
35:36because that is exactly what I plan to do with ours.
35:39One moment, one moment, one moment.
35:40Have you told him that we are going to have one?
35:42Of course not.
35:43Ah.
35:44But imbued with the spirit of paternity, I have felt very sure of my words
35:48and I have allowed myself to advise him to talk to Salvita and above all to listen to her.
35:53And then what happened? Did he fire you?
35:55No, not for now.
35:56But I have shown him that I am not a fool who only serves to give him the reason.
36:02And what will happen to Salvita if he goes to Salamanca?
36:04Well, for the moment, the boy has left home for a few days to think.
36:09But hey, whatever it has to be.
36:11What is clear is that this marks a before and an after in my relationship with Don Salvador.
36:16Well, you should know that I am very proud of you.
36:18Well, both of us.
36:19And me of you.
36:20For having fixed Teresa's problem.
36:22It seems that it was yesterday when ...
36:24When what?
36:25When he fell in love with you and you had to pretend that you had been a priest
36:30and then you met his cousin, the nun, and then his little pen escaped you and ...
36:36Well, how about you?
36:37Because you also had yours with Cañete.
36:39Wait, wait, wait, wait a minute.
36:41What are you doing?
36:42Well, I don't want the baby to hear it.
36:44Yeah, and you think he's not going to hear it that way? Come on.
36:46Well, what is he going to think of his parents?
36:47Well, he's going to think that they do what they can and that they love each other a lot.
36:50Well, yes, that's the only thing that hasn't changed.
36:58Hey, those voices.
37:00Yes?
37:05Uy!
37:06They are the neighbors who are arguing in the portal.
37:11Mother, there is no one alive here.
37:13In this community, any excuse is good for nothing.
37:18Do you go down and find out what's going on?
37:24Well, very well, I'll go down.
37:27Come on.
37:28The trash.
37:31The trash?
37:32You go down.
37:35Well, tell them you're pregnant, so they know.
37:47What are you doing in my corral?
37:48I didn't know it was yours.
37:49In the end, it was going to be a good game, huh?
37:51Marta, don't go, please.
37:53I've been waiting all afternoon.
37:54Don't run away.
37:55No, I'm not going to run away, because it turns out that I live here.
37:58The one who doesn't understand what he's doing here is you.
38:00I have to tell you something very important that will change everything.
38:04Look, whatever you say won't change anything, Salvita.
38:06Will you let me pass?
38:07Look, Marta, please listen to me.
38:10If what I tell you doesn't convince you, I'll leave and I won't bother you again.
38:18Okay, tell me.
38:21Come with me to Salamanca.
38:24Let's see, Salvita.
38:25Either you're going deaf or I'm not explaining myself well.
38:28I repeat for the umpteenth time that what I want is to study.
38:30To be able to study, I need to work.
38:32I know.
38:33And that's why I've thought of a plan in detail.
38:36In case you didn't know, Salamanca is the capital of students.
38:39So your first problem would be solved.
38:41And the second, too.
38:43Because you could be my assistant at the bookstore.
38:46Is it or is it not a perfect plan?
38:49It would be, if it weren't for a detail.
38:52Your father wouldn't allow it, Salvita.
38:54And I wouldn't be the one to break up with your family.
38:56So I've listened to you, but nothing has changed.
38:59Good afternoon.
39:00Pietro told me I had to make a decision.
39:02That not everything in life could be decided.
39:04But I think so.
39:05As long as you still love me.
39:08Salvita, I still love you, but that's not the most important thing.
39:11You're wrong.
39:12That is precisely the most important thing.
39:15But what are you doing?
39:16You don't have to apologize for anything.
39:18Marta, my love.
39:20The woman who has changed my life and to whom I will not give up.
39:25Do you want to marry me?
39:29Look, my father would die if I left the family business.
39:32And my mother would be very sad if I left the studies.
39:35So if I accept their demands, they will have to accept mine.
39:40Marry you.
39:42But are you sure your father will accept?
39:46When he realizes it, it will be too late.
39:48Because we will be married.
39:50It's called consummate events.
39:51Is it or is it not a perfect plan?
39:55No, yes, yes.
39:56You didn't expect this from me, Salvita.
39:58Yes.
40:01Well, what?
40:03My knee hurts.
40:04Do you accept the ring or not?
40:07Well, come on, I accept.
40:08I will enroll in Salamanca.
40:10And well, I will look for a job.
40:11I had a letter of recommendation from Don Fermín.
40:14Of course, I prefer not to work in the library.
40:17I prefer not to mix business with pleasure.
40:18I understand.
40:19Whatever you want.
40:21Okay, well, yes.
40:22I want to marry you, Salvita.
40:32Sorry, I didn't know your size.
40:35Now.
40:39Well, I guess the engagement will be the same, right?
40:42It was not going to be perfect.
40:43Well, it has been.
40:47Yes.
40:57What happened?
40:58I was starting to worry.
41:01You can see that they are doing some works in the basement
41:04to make an extension of the subway.
41:06And well, you don't know what's going on there.
41:08Come on.
41:09Well, you know how they are.
41:10They have started to take the opposite.
41:12Suddenly, the atmosphere has started to heat up.
41:15As far as I know, it is not the first time that you have to do works in the building
41:18or that you have to repair something.
41:19And why has the atmosphere heated up so much?
41:21Well, because this time it is different.
41:23Because the cause of the break-in has a culprit.
41:25A break-in?
41:26Tell me it wasn't us.
41:28Because we have a streak.
41:29No, no.
41:30It can be seen that the workers have been biting
41:32and have hit the foundations of the building.
41:35What?
41:36Yes.
41:37My love, you know that people are very exaggerated.
41:40It is impossible to do so much damage with a hammer.
41:42At least in the foundations of the building.
41:44Surely it is not so much.
41:45It has not been with a hammer.
41:46It has been a whole block.
41:48But hey, you're right.
41:49They are not the culprits.
41:50But guilty of what?
41:51Is there someone else involved?
41:53I don't understand anything.
41:54They start biting and end up causing a crack in the foundations.
41:59It doesn't make any sense.
42:00Because they are not responsible.
42:02Although it is true that thanks to that they have been biting,
42:04they have discovered that the foundations of this building
42:07have been in a deplorable state for many years.
42:10And what does that mean?
42:12Well, there is a danger of collapsing.
42:14No, woman.
42:16The foundations are made to last over time.
42:19Oh, well, of course.
42:20You are now an expert in construction.
42:22I didn't know that.
42:23Since I read that book about the construction of the Panama Canal,
42:25a fascinating story.
42:27Miguel, Madrid is an earthquake zone?
42:39As far as I know, no.
42:44And what was that?
42:45A gust of wind.
42:49Oh, mother.
42:53Of course I don't like people going to the cinema with food.
42:56But at the moment there is no rule that prohibits it.
42:59See you tomorrow, Maria.
43:08Good evening, Inés.
43:10What a coincidence to meet you.
43:12The world is a handkerchief.
43:14And life is a sea of tears.
43:16What did you say?
43:17That despite what you may think,
43:19I'm not doing it against my will.
43:21I was talking to my cashier when ...
43:23Shut up.
43:24No, I was talking to my cashier when ...
43:25Shut up and kiss me.
43:34I don't understand anything.
43:37Has something happened?
43:39It's just that Laurita has called me from Berlin.
43:42Laura has called you?
43:43Is she okay?
43:44Yes, she's fine.
43:45She told me that ...
43:47That you can kiss me.
43:50She has asked me not to give up the play,
43:53nor my career as an actress,
43:54nor what I feel for you.
43:56Wow.
43:57I didn't expect that.
43:59And I think I'm going to listen to her,
44:01as long as you still want to count on me.
44:07Can I think about it?
44:09Yes, of course.
44:10After how I have behaved with you.
44:16When can you go back to rehearsals?
44:18Whenever you want.
44:21You and I are in debt with Laura.
44:24And the only way we have to pay her
44:27is to make this real.
44:29And that everything that has happened has been worth it.
44:33It will be.
44:34I promise you.
44:49Yes, yes, yes.
44:50I received it.
44:51I have it here in front of me.
44:53No, I just read it,
44:55but practically everything is correct, yes.
45:05The decision is practically made,
45:07don't worry.
45:09Well, right now I'm waiting for my wife to come.
45:12I'll call you as soon as I've signed it.
45:15I have to go.
45:16Goodbye.
45:17Goodbye.
45:20You arrived at the right time.
45:22Who were you talking to?
45:24I was talking to César's lawyer.
45:27Look at this.
45:28It is the purchase and sale contract of the Madrid Cabaret.
45:33Here you go, sir.
45:35If I sign it,
45:36we will have enough money to buy the hacienda
45:40and be able to live peacefully for a while
45:42until it is profitable.
45:44And we won't have to sell the apartment either.
45:47Could we leave without the need to sell it?
45:51Without a doubt.
45:57My dear Madrid Cabaret,
46:00nothing of the things I've lived here.
46:03Well, this is the contract.
46:08Well, I'm sure I'll leave it in good hands.
46:14Do you allow me?
46:20Wait, don't sign it.
46:23Why not?
46:25Is it because Clarita doesn't want to come with us?
46:27No, Clarita is very excited, that's not why.
46:30Well, then I don't understand it.
46:33Now we don't have to fear anyone
46:35and we don't have to worry about anything either.
46:38I have doubts.
46:40For another reason.
46:48What do you mean you're getting married?
46:50But...
46:51I've been told and I've said yes.
46:53Yes, and we came to you giving us your blessing
46:55because you are like a mother to Marta.
46:58Darling,
47:00you and I together are capable of doing anything.
47:04And I mean it literally.
47:06Look at everything that has happened to us in the last few months.
47:08And here we are, alive, together.
47:12Forever.
47:14I don't want to break my family,
47:16but I can't think of separating myself from Marta.
47:18And when we are married to God,
47:20my father will have no choice but to accept it.
47:23Have you spoken to Cañete and Teresa?
47:26No, not yet. I was waiting for the end of the shift.
47:29Don't take too long, please.
47:31We have to convince them to stay.
47:33We have to think about how your father will react.
47:36Look, my father has agreed with Marta
47:38as long as I go to Salamanca to study.
47:41Well, I'm going to Salamanca to finish my law degree,
47:44but married to Marta.
47:46It's nothing, because those things are very supervised.
47:48There are architects, engineers...
47:50Making sure nothing happens.
47:52Well, I wouldn't trust much of that.
47:55If not, remember what happened on the street to Don Socano.
47:59I wouldn't stay in your house for a minute longer, Trini.
48:02Don't you have to clean somewhere?
48:08You'll see.
48:09But I'm going to Antonia's tonight.
48:11Are you sure?
48:12You're going to miss her.
48:17I'm going to remember it a lot.
48:19Always.
48:20You're here.
48:22I was going to go to your house to look for you.
48:24Well, I just wanted to tell you something about the rehearsal schedule.
48:28No, no, no. Forget about the rehearsal schedule.
48:30For now, they're all canceled until further notice.
48:33The theater owner wants us to suspend the show.
48:37But how are you going to go like that, with one hand in front and the other behind?
48:40That's nonsense.
48:41No, Miguel.
48:43An insensitivity would be to let Mrs. Laza go over Teresa without me doing anything.
48:48I love Teresa madly and I'm going to defend her.
48:51So I'm going with her.
48:52You're the only one who can talk to Mr. Fermin.
48:55And that he's right.
48:56Yeah, well, look at what he's gotten out of it.
48:58Now he's got a better price than before.
49:00Well, but there's still hope because they haven't gotten married.
49:03So we still have to stop him.
49:05Have we got it?
49:09Emiliano Pedraza has bought the gallery.
49:12It's signed.
49:15Thank you very much, Mr. Fermin.
49:17Finally, the gallery will be in the hands of a businessman with his feet on the ground and his head in his place.
49:22But here it says they're going to report us.
49:24According to the contract, if you want to leave the company,
49:28you have the obligation to notify the management of the company in advance.
49:33And not overnight.
49:35Bad luck for the groom to see the bride dressed.
49:38I didn't know that.
49:39Bad luck?
49:40Yes.
49:54Oh.