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02:31Okay, go ahead.
02:40Chen Ran's creativity and choreography are very innovative.
02:45It's not about letting modern people travel back to ancient times.
02:51It's about letting Tang Yong travel to the present.
02:55Letting tradition and history come to life in front of our eyes.
02:59I'm confident that I can take part in the Olympics.
03:04The only drawback is that my performance is not good enough.
03:10A lot of people's techniques are not up to standard.
03:15Everyone has to reach a small standard to be competitive.
03:20I know everyone has put in a lot of personal time and effort.
03:24There is still a month before the finals.
03:26In the last month, let's try again.
03:32Okay, let's try again.
03:48Zhi Ran, can't you tell that Wang Baoyuan is lagging behind?
03:51Is he lagging behind?
03:55Baoyuan is working very hard.
03:58I'm not talking about his attitude. I'm talking about his ability.
04:02Chen Ran, can't you tell?
04:05It's just that Baoyuan makes people feel bad for him.
04:08He's the most hard-working and stupid kid in the whole hospital.
04:11We're going to the competition, not to send flowers.
04:14How about this? If he can do it, let him continue.
04:18If he can't, find someone to replace him.
04:21Okay.
04:28Director Chen, why?
04:32Is it because I'm too fat? Or is it because I'm not good at dancing?
04:36Can you give me a death sentence?
04:39If I continue to observe, I'll be sentenced to death.
04:43Forget it.
04:46I know that if it weren't for you, I wouldn't have been chosen.
05:12I'm sorry.
05:37Director Chen, I'll give it back to you.
05:40You can keep it.
05:43That's right.
05:45My clothes are too big to wear.
05:49I'm sorry. It's a waste of our costume money.
05:54No, no, that's not what I mean.
05:58I promise you that I will definitely take you to perform in the future.
06:02Really?
06:03Really.
06:04That's great. Then my grandma still has hope.
06:10Grandma, don't worry.
06:13I will definitely let everyone see me on TV.
06:27Since I left home, my grandma has been watching TV every day.
06:33She wants to see me on TV.
06:35She watches me eat and work.
06:39Now the TV has changed.
06:42Grandma's vision has also decreased.
06:57No.
07:01No.
07:02Why not?
07:03No.
07:04Why?
07:06But until now, she hasn't been able to see me on TV.
07:14Director Chen, is it not enough to have passion?
07:19Is it useless no matter how hard I try because of my stupidity and talent?
07:24It's useless.
07:31Director Chen, I'm leaving now.
07:54I'm leaving.
08:00Wang Bo Ran, why are you eating?
08:03Didn't we agree that if you eat, you will get 0.5kg?
08:06Don't eat. Don't eat.
08:07Don't eat. Don't eat.
08:08Go, go, go.
08:09Don't eat me.
08:10Amazing.
08:18You are so skinny.
08:21No, no.
08:22Eat.
08:27That's right.
08:35Don't cry.
08:36Don't cry.
08:46In September 2020,
08:47Zheng Ge's dance, Tang Yong Fu Huo,
08:50was selected from 174 dance works in China.
08:53It became one of the 17 dance works that made it to the final.
08:56Director Chen Ran specially went to Beijing
08:58to ask martial arts experts for advice.
09:07The creative arrangement is very good.
09:10The angle is unique.
09:12History, modernity, culture, and cultural relics.
09:15All the elements are contained inside.
09:18Organic integration.
09:20There are no labels.
09:22I saw the beauty that you wanted to express.
09:26But do you want to hear the truth?
09:30Yes.
09:31I came to Beijing to hear the truth from you.
09:34What's the truth?
09:35The techniques you are showing now,
09:37the expression and the influence,
09:39compared to the actors in Beijing and Shanghai,
09:42especially the same stage,
09:44are still very different.
09:47I know.
09:49If Zheng Ge wants to compete with Beijing and Shanghai,
09:52you can only win if you are more beautiful than them.
09:54Can you do it?
09:57If you can't beat them in beauty,
09:59Chen Ran,
10:00you have to think about it.
10:02Besides beauty,
10:03what else can you show?
10:22Besides beauty,
10:24what else can I show?
10:33Besides beauty,
10:35what else can I show?
10:47And then?
10:48Did you get freedom after you left the palace?
10:51Did you reunite with your mother and sister?
10:54Did your brother return to Chang'an from the border?
10:57Did all your dreams come true?
11:03Why?
11:04Isn't everything going well?
11:08However, there was a civil war.
11:12My two brothers died on the battlefield.
11:16What about you?
11:18Me?
11:23The emperor ran away.
11:25Who else can I give a banquet?
11:29The Yue people fled everywhere.
11:32They fled from the war.
11:34They were displaced.
11:36They fell into the hands of the common people.
11:39The school has been closed since then.
11:42Where did you go?
11:44I went shopping.
11:46I found a place for my mother and sister.
11:49It was already empty.
11:52I only learned
11:54that my mother had heard about my son's death.
11:57I was so worried.
11:59I was so sad.
12:01I fell ill.
12:03I was already 30 years old.
12:06My sister also fled from Chang'an with the Fu family.
12:10There is no trace of her.
12:15You have been through a lot in your life.
12:18The Yue family is prosperous.
12:20The most glorious moment in life
12:22is to play a song for the emperor.
12:28No.
12:32It was the first time I went to the palace
12:36to perform for the emperor.
12:39Why was it on that road?
12:42Because that road
12:44seemed to lead to the reunion.
12:48I was hoping
12:51that it would be so beautiful.
12:55It was so beautiful.
13:19Thank you for your story.
13:21Thank you for telling my story.
13:55Come on.
13:57All the sweet sisters, come on.
13:59Xiao Yan, Bei Bei, come here.
14:01What's wrong, Shan Shan?
14:03From today on,
14:05everyone doesn't need to lose weight.
14:08Really?
14:09Come on.
14:10This time, I can bring you with me.
14:12Me? Really?
14:14Yes, you.
14:15Fourteen people.
14:16No one can be left out.
14:17Come on.
14:18Come on.
14:19Come on.
14:20Come on.
14:21Come on.
14:22Come on.
14:23It's you.
14:24Fourteen people.
14:25No one can be left out.
14:28Well,
14:29I lost eight pounds before.
14:32Now I have two pounds more.
14:34It doesn't matter if you have two pounds more.
14:36Really?
14:37We're not afraid of losing weight.
14:39Yes.
14:40From today on,
14:41we'll dance another dance.
14:43What?
14:45Another dance?
14:47Another one.
14:48Anyway,
14:49we can't beat Beijing and Shanghai in beauty.
14:51Then let's think of something else.
14:53Something else?
14:56What else?
14:57Anyway,
14:58it's still my original intention to make this drama.
15:01I must arrange a dance that no one has seen,
15:03but everyone can understand.
15:07Ning,
15:09what are you thinking about?
15:11Lu Wei and He Hua have won.
15:13The final will be held in a month.
15:15You're going to overthrow Tang Yong and start over.
15:18How about time?
15:19Is time enough?
15:20I've thought of all three sections and musical instruments.
15:23And the dance moves are not difficult.
15:26I'm sure we can make it to the final in a month.
15:30Wait, wait, wait.
15:33Rearranging a dance,
15:35does it still need money?
15:38Did you spend the money before?
15:42Well,
15:43choreography is different.
15:46Lighting, props, and costumes
15:48have to be redone.
15:59Young lady,
16:00what are you thinking about?
16:02You didn't perform in the epidemic,
16:05but you haven't earned a penny yet.
16:09How much did Tang Yong and He Hua spend?
16:1360,000 yuan.
16:1660,000 yuan?
16:18The annual salary of a chief is gone.
16:23Well,
16:24creation.
16:25If you dare to innovate, you may fail.
16:29It's inevitable to be silent.
16:32Tang Yong revived innovation.
16:33There is no failure.
16:34And He Hua won.
16:37You can't be silent at this cost.
16:39Why are you silent?
16:41I really want to do better.
16:48How much budget do you estimate
16:50for re-creating a new dance?
16:5380,000 yuan.
16:5680,000 yuan?
17:00No money.
17:01No money, no money.
17:04Why are you yelling?
17:05I can't make it difficult for you, right?
17:07I'll figure it out myself.
17:10What can you do?
17:12I'll work hard
17:13to be a dancer, a light, a music teacher.
17:15I'll do two jobs and get one money.
17:18As for the props and clothes,
17:21I'll spend my own money first.
17:23Come back.
17:30Hello.
17:31Hello, Sun Yue.
17:33Director Yan is here.
17:35Director Yan is here?
17:37How did he get here?
17:40He walked here.
17:41With whom?
17:42No one.
17:43Just himself.
17:44Okay, I got it.
17:51Bingbing.
17:52Director Yan is here.
17:53I'm free.
17:54Let's go to meet him.
17:56Wait a minute.
18:00Director Yan.
18:01Hello.
18:02Why are you here?
18:03I didn't inform you in advance that you were coming.
18:05I was passing by.
18:06Come and have a look.
18:07I'll go up with you.
18:08No need.
18:09I'm familiar with this place.
18:10Go ahead.
18:11You don't have to go with me.
18:12Okay.
18:21Sun Yue, can you let me finish?
18:23Why don't you let me finish?
18:24I'm still talking to you.
18:25It's true.
18:26It's not enough to just show beauty.
18:28You have to show people,
18:29show fate,
18:30show joy, anger, sorrow, and happiness.
18:32You can't just show beauty to the audience.
18:35You have to show people.
18:36I'm very sure
18:37that Tang Yong will be reborn as Tang Gongye.
18:40I believe this dance can revive history,
18:42revive traditional culture.
18:43Through personal expression and self-love,
18:45break through the barriers between the ancients and us.
18:48Let this dance be enjoyed from the eyes
18:50to be moved from the heart.
18:52The theater encourages and supports innovation.
18:56But isn't this situation special this year?
18:59Look, let's not talk about performance income.
19:01Even shooting a TV network program,
19:03shooting a small commercial,
19:05you don't have any.
19:06You don't get a penny,
19:07and you have to spend it everywhere.
19:09Shui Yue Luo Shen,
19:10the tour needs to change the lighting,
19:12change the equipment, and change the props.
19:14Right? It's a state of emergency.
19:15You have to ask experts to improve.
19:19You also have to create a luxury award.
19:22Only at the end of the year,
19:24Shui Yue Luo Shen tour,
19:26can you make money.
19:29And,
19:30every year, the theater draws
19:32special funding to create a luxury award.
19:34You've spent all your money this year,
19:36and you have to re-arrange it.
19:38Where did I get the money?
19:40Do you want me to see the salt bureau,
19:42the high bureau, crying and begging for money?
19:47Say it.
19:48What did I say?
19:50Repeat what you just said.
19:54I can understand the difficulty of the theater.
19:56I'll pay for the cost of re-arrangement.
19:59How are you going to pay for it?
20:00I'll just say it.
20:02I'll talk to the costume designers,
20:03the lighting designers.
20:05I'll do two jobs.
20:06I'll get a share of the money.
20:07I'll spend the money
20:09for the materials, props, and re-arrangement.
20:11No.
20:12Aren't you hitting the cultural bureau,
20:14the salt bureau, and the high bureau?
20:16What do you want our theater to do?
20:18Right?
20:19Oh, the salt bureau.
20:20The salt bureau.
20:21The salt bureau.
20:22How dare you be so reckless to innovate?
20:25I don't believe it.
20:26I can't make a good show.
20:28Director Yan, look.
20:29You came to say hello.
20:31I came to pick you up.
20:32I came to see how Zheng is doing.
20:34But I didn't come in,
20:35so I got into trouble.
20:38Sun Yuan.
20:39How come Zheng
20:40has so many difficulties?
20:42Difficulties.
20:43It's really difficult.
20:44Director Yan, please sit down.
20:45Yes.
20:47It's not easy this year.
20:48It's not easy for the country.
20:50But our cultural bureau,
20:52our Zheng,
20:53no matter when and under what conditions,
20:56it's the most important thing
20:58to create cultural exquisites,
21:00spread the culture of the Central Plains,
21:02and restore the image of Henan.
21:03Yes.
21:05By the way, Director Chen,
21:06the money for the revision of the copy
21:07will definitely be paid.
21:08I won't let you pay for it yourself.
21:10Really?
21:11Thank you, the salt bureau.
21:12This is too timely.
21:14I'm so touched.
21:15All right, all right.
21:17You don't have to say anything polite.
21:19By the way, Sun Yuan,
21:20how is the newly revised
21:22Tang Gong Night Festival?
21:23I want to go down and have a look.
21:24Yes, yes.
21:25Welcome to criticize and testify.
21:27The actors are all in the rehearsal room.
21:29Let's go with you now.
21:30Go.
21:31Director Yan, please.
21:42Why do I feel like
21:43the three of you are digging a good pit
21:46and waiting for me to jump?
21:48How is that possible?
21:50No, no, no.
21:56Let's go.
22:07When we rehearsed Tang Yong,
22:08I asked everyone to meet in front of a thousand people.
22:10It's like a copy and paste.
22:11Everyone is the same.
22:12But when rehearsing Tang Gong,
22:13I hope you are all different.
22:15Just take out
22:16the crazy energy
22:17in your life, okay?
22:18Make trouble for me.
22:19High up.
22:20Make your expression more exaggerated.
22:21Laugh.
22:22Then you laugh.
22:23Lin Beibei.
22:24If you want to shout,
22:25you can put your mouth up.
22:26Yes.
22:27Brother Nan.
22:28I met the mirror of the world again.
22:30Raise your face a little bit.
22:31I can't see your face.
22:32Dou Dou.
22:33I haven't called you yet.
22:34You laughed.
22:35Yes, Xiao Ning.
22:36You are beautiful.
22:37You are beautiful.
22:38Wang Baoyuan, don't move.
22:39It's not your time to come back to life.
22:40We're going to dance.
22:42We're going to tell a story.
22:44So I hope the music
22:45is also narrative.
22:46Three-paragraph music.
22:47Each paragraph has a different style.
22:49The first paragraph is from the museum
22:51to the garden.
22:52The girls are laughing and making trouble.
22:54So it should be
22:55naughty, threatening and humorous.
23:00Four, two, three, four, start.
23:01You just exchange your eyes quietly.
23:03Four, two, three, four, five, six, seven, eight.
23:17The second paragraph is Xi Xi by the water.
23:20The third paragraph is to be more affectionate and tender.
23:26When everyone is by the lake,
23:27do you have to be beautiful?
23:30If there is a lake in front of you,
23:31what would you do?
23:33Don't you have to be beautiful first?
23:35Look.
23:36I don't deserve it.
23:37I usually don't look in the mirror.
23:40So what would you do?
23:41I will push them.
23:50Good, good, good.
23:51This reaction is good.
23:52This reaction is very good.
23:53Let's try it.
23:54One, two, three, four, five, six, seven, eight.
23:57Good.
23:58Hold on.
23:59Hold on.
24:00Sister Lin, aren't you arrogant in front of you?
24:01When you hide...
24:03Yes, that's good.
24:05Wang Boyan, you're a little bit naughty.
24:07Others may be annoying.
24:08You peep.
24:09Who's touching me?
24:10Eyes.
24:11Yes.
24:18Sister Lin.
24:19Sister Lin, when you start later,
24:21throw it.
24:22When you throw it,
24:23don't you walk along this diagonal line?
24:25Then Sister Lin quietly
24:26found that she dropped the drum.
24:27Then move out of the team.
24:29Five, six, seven, eight.
24:31Then one, two, three, four, five, six, seven, eight.
24:35Two, two, three, four, five, six, seven, eight.
24:38Three, two, three, four, five, six, seven, eight.
24:42Four, two, three, four, five, six, seven, eight.
24:45Five, two, three, four, five, six, seven, eight.
24:48Six, two, three, four, five, six.
24:51Let's go.
24:52Seven, two, three, four, five.
24:54Give her eight.
24:55Two, three, four, five, six, seven, eight.
25:01The third paragraph,
25:02because the young ladies have arrived at the palace,
25:05they need this kind of splendor.
25:07The direction is right.
25:08But I think it should be more
25:12magnificent.
25:14It is also very novel for the young ladies
25:17because everyone brings hope.
25:19Okay, I'll adjust it again.
25:33It's like a flower.
25:35It's like a phoenix.
25:37How is it?
25:38It's good.
25:39I want to eat it.
25:42Yes, if you eat it in your mouth,
25:44it will reflect the condition.
25:46You want to eat it, right?
25:47Try it.
25:48Don't make it dirty.
25:49You eat it yourself.
25:51Eat it.
25:54Is it moving?
25:55It's a little awkward.
25:59No.
26:00Brother.
26:01Take it out.
26:02Take it out.
26:06Try it again.
26:12Try it.
26:17This is okay.
26:18I'll give it to you.
26:19How is it?
26:21This is okay.
26:24Then I'll give you a cotton ball.
26:25Okay.
26:26Your face is too small.
26:27You have to put more on.
26:28I'll give you two.
26:29Cotton balls are not easy to get wet.
26:30It should be no problem to hold it for half an hour.
26:32I'll give you a bun.
26:37This side or this side?
26:39Then I'll give you a cotton ball.
26:42Cotton ball.
26:43Cotton ball.
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33:31Cotton ball.
33:32Sweet potato balls!
33:33Sweet potato balls!
33:34Sweet potato balls!
33:35Sweet potato balls!
33:36Sweet potato balls!
33:37Enjoy!
33:38When you've studied in his works,
33:39we wished for you to be a woman holding down
33:40Avenue d'Or.
33:41Sweet potato balls.
33:42Sweet potato balls.
33:43Oh, yeah.
33:44Gonna hang them up!
33:45Oh!
33:46Oh!
33:47Oh!
33:48Yeah!
33:49Beautiful!
33:50S.
33:51Leave the purple heart and the cricket cracker
33:52behind.
33:53Leave the will and furnishing
33:54behind.
33:55Everything is clear in these
33:56other three styles.
33:57It's a combination of traditional culture and modern culture in terms of aesthetics.
34:02I'm really cheering for you.
34:07I didn't expect a dance of a few minutes
34:11to trigger the discussion of traditional culture, how to express it in a modern way,
34:15and who the art is for.
34:18These two cultural themes and the discussion of contemporary themes.
34:22From the point of view of fusion between classical and modern,
34:26Tang Palace Night Banquet is innovative and breakthrough.
34:32As for the results of the two cultural themes,
34:37let's leave it to the audience and the market to check.
34:41Congratulations again.
34:43Congratulations.
34:55Good job, everyone.
35:02I think these works are all good.
35:05I'm more inclined to...
35:06Here it comes.
35:08The top three works of the 12th China Dance and Flower Award
35:12were selected by the audience and the scene.
35:18The Three Colors of the River by the Performing Arts Company of Luoyang Opera and Dance Academy.
35:23The Waiting of the Rain and the Flower by the Nanjing Art Academy and the Dance Academy.
35:28The Parting of the West Poem by the Zhejiang Arts Professional Academy.
35:33First of all, let's welcome the performer of the Three Colors of the River to the stage.
35:37Please.
35:48Good wine.
35:58Very good.
36:00Let's have a look.
36:12Congratulations.
36:14Thank you for your recognition and encouragement.
36:17That dance is really good.
36:19Chenchen.
36:20Mr. Ding.
36:23Are you not satisfied with the last place?
36:26No.
36:27I'm sure I'll be in the final.
36:30Today, I want to tell you the truth.
36:33Go ahead.
36:34In the first sentence,
36:36Tang Yong Fuhuo and Tang Gong Yanyan
36:38are two completely different dances.
36:41In just a month,
36:43you made a subversive change.
36:45I'm very surprised and amazed
36:48at your ability as a choreographer.
36:50Thank you, Mr. Ding.
36:53In the second sentence,
36:54the evaluation has its own standards.
36:58It doesn't represent the audience's choice.
37:02Listen to me.
37:04Go to the show.
37:05Tang Gong Yanyan will definitely be welcomed by the audience.
37:08Mr. Ding, can we take a picture?
37:11Sure.
37:11Okay.
37:12You do it.
37:13This way.
37:16Mr. Ding, please stand in the middle.
37:17Okay.
37:20Wu Mei's smile.
37:21I'm very surprised.
37:22I'm very surprised.
37:22We really have to learn from her.
37:24Yes.
37:24Chen Ran.
37:26Morning, Mr. Chen.
37:27You two are here, too.
37:28Yes.
37:28We just watched Tang Gong Yanyan.
37:30Tang Yongfuo.
37:31Really?
37:33Do you like it?
37:34Yes.
37:34We like it very much.
37:36This dance is so cute.
37:37These girls are so cute.
37:39I think Tang Gong Yanyan
37:40is a work that can be shown to the audience,
37:42especially to young audiences.
37:45Then give us a chance to be on TV.
37:48It's possible.
37:50The two of us came to watch the Lotus Award
37:52is for Henan TV
37:53to look for excellent dance programs
37:55in the country.
37:57Spread and dig up the best cultural relics locally.
38:00Then we are suitable.
38:03Although we didn't win the award,
38:04we can go to the provincial stage and dance once.
38:06It's also an encouragement to us.
38:09That's what I think, Chen Ran.
38:11A dance has its vitality.
38:13The competition and the award are not the end.
38:15The audience and the market are.
38:17How about this?
38:18Let's find a chance to cooperate.
38:20Okay.
38:21If there is a chance, we must cooperate.
38:22Okay.
38:23I'll go first.
38:23Bye.
38:24See you later.
38:28The overall level this year
38:29is better than last year.
38:31The kids are really good.
38:33Chen Ran.
38:37I just told the young dancers
38:38that they danced very well today.
38:40It's a shame for us.
38:43I didn't get the Lotus Award for our group.
38:48Chen Ran.
38:49It's just an award, isn't it?
38:51If you get it,
38:52you'll get a few thousand yuan bonus.
38:55If you don't get it,
38:55the theater won't be short of anything.
38:59If I get it,
39:01it must be another set of books.
39:02Of course.
39:06Dafei.
39:07Why did you come to Luoyang?
39:09Isn't this one step at a time?
39:12I'm afraid I'll drop it in my hand.
39:13I'm still drunk. I'm afraid I'll melt.
39:15You're so rude.
39:16Let me vomit for a while.
39:17Why are you so funny?
39:20He didn't come for me.
39:21Then what did he come for?
39:24His doll.
39:27You have one?
39:29When did it happen?
39:31Why did you rehearse the show?
39:34I just confirmed it the day before yesterday.
39:35Isn't this a competition?
39:37It's too late to change people.
39:38Xiao Yan said nothing
39:39and didn't let me tell you.
39:41She insisted on dancing in the night.
39:42I promised not to fall behind.
39:45But I was really scared just now.
39:47It's really dangerous
39:49to deal with seniors for the first three months.
39:50I don't want her to take the risk again.
39:52So she won't dance
39:55after today.
39:58I didn't expect
39:59she would come so soon.
40:02I won't attend
40:05the end-of-year tour this year.
40:07Let Beibei go.
40:09She's like a different person recently.
40:11She rehearsed so hard
40:12and didn't come late or leave early.
40:14I believe she can do it.
40:18Today
40:19should be the last time I perform on stage.
40:21Okay.
40:23We're leaving.
40:24We won't attend the party.
40:25I'll take Xiao Yan back to Zhengzhou first.
40:28We're leaving.
40:30Let's go.
40:35Well,
40:37be careful on the road.
40:40Don't worry.
40:41We're a family now.
40:44Drive slowly.
40:45Okay.
40:46Bye-bye.
40:57That's right.
41:16I'm sorry.
41:18I'm sorry.
41:20I'm sorry.
41:21I'm sorry.
41:22I'm sorry.
41:23I'm sorry.
41:24I'm sorry.
41:25I'm sorry.
41:26I'm sorry.
41:27I'm sorry.
41:28I'm sorry.
41:29I'm sorry.
41:30I'm sorry.
41:31I'm sorry.
41:32I'm sorry.
41:33I'm sorry.
41:34I'm sorry.
41:35I'm sorry.
41:36I'm sorry.
41:37I'm sorry.
41:38I'm sorry.
41:39I'm sorry.
41:40I'm sorry.
41:41I'm sorry.
41:42I'm sorry.
41:43I'm sorry.
41:44I'm sorry.
41:45I'm sorry.
41:46I'm sorry.
41:47I'm sorry.
41:48I'm sorry.
41:49I'm sorry.
41:50I'm sorry.
41:51I'm sorry.
41:52I'm sorry.
41:53I'm sorry.
41:54I'm sorry.
41:55I'm sorry.
42:05The flower award was over.
42:06I missed it.
42:07I wish I could take the actresses
42:09to get the award.
42:11Yet Waiya
42:12left the stage
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