فرصة افلام
  • last year
Transcript
00:00:00This is a work of fiction. Any similarity to actual people, living or dead, is purely coincidental.
00:00:30I'm so happy that you're going to help me at this charity party.
00:00:35We'll have to make a list.
00:00:36Yes, because the most elected people in Madrid have to come.
00:00:41Pedro.
00:00:43I've taken a wrong step.
00:00:45You're lying, you've taken a wrong step.
00:00:50You can't comment on that. I'm telling you this because you're a friend.
00:00:54Damn, what an intrigue.
00:00:58Synthetic fiber. The first to introduce this product in the market is going to be immensely rich.
00:01:04Deep down, I'm sorry. He's a good boy.
00:01:07With companies like Mellado, the good will last very little.
00:01:10He only gets close because money burns his hand.
00:01:13No matter how much affection you give her, she can't, nor should she, forget her sister, nor everything that happened.
00:01:19Her name was Inés, and no, I wasn't thinking about her.
00:01:23I was thinking about the stage.
00:01:25Maybe it would be a good time to resume the performances.
00:01:28Hello.
00:01:30Laurita, I can't believe it.
00:01:33But what are you doing here?
00:01:35Going home.
00:01:36You're worthless. You're useless.
00:01:39Calm down, dad.
00:01:40Let's see if I'm going to inherit before time.
00:01:42I'll punch you in the face.
00:01:43I'll punch you in the face.
00:01:44Let's go.
00:01:45Calm down.
00:01:46Please.
00:01:50I'm sorry, Iván. I didn't know that was coming.
00:01:52I'm not your father, you son of a bitch.
00:01:54What did you say?
00:02:00Say it again, Iván. Say it again if you're so brave.
00:02:03What for?
00:02:04Or are you not aware that you're nothing but a scoundrel?
00:02:07It's a fact, Rodrigo. Admit that you're not up to us.
00:02:10Stop it, you two.
00:02:11Have you lost your mind or what?
00:02:13We haven't lost anything.
00:02:15This is none of your business, sister.
00:02:17It's a man's business.
00:02:18A man's business or a garrulous one?
00:02:20Do you want to fight in the middle of the hall?
00:02:23Is that what you want?
00:02:24To put on a show at home?
00:02:27No.
00:02:28Of course not.
00:02:29Two educated men like you should be ashamed.
00:02:33You couldn't even put a hand on me.
00:02:36Don't tempt fate.
00:02:37You'd better calm down.
00:02:38Why would I have to do it?
00:02:40Because I know that when you propose it,
00:02:42you're capable of taking anyone out of the kitchen.
00:02:45It's true.
00:02:47Let's have the party in peace.
00:02:49You'd better not let this happen again.
00:02:51I can't imagine how Father would react
00:02:53if he finds you involved in a fight.
00:02:56I won't, I promise.
00:02:58I'm glad, Rodrigo.
00:03:01I don't want this, Iván.
00:03:03But there are things I'm not willing to put up with,
00:03:05especially because they hurt me.
00:03:06They hurt you?
00:03:07Don't be cynical, man.
00:03:08I'm not.
00:03:10My words are sincere.
00:03:12And they hurt me because they come from someone
00:03:14who's like a brother to me.
00:03:15That's your problem, Rodrigo.
00:03:17Because for me, on the other hand,
00:03:18you've never been more than a poor man.
00:03:20Poorer than a penitentiary lady like you.
00:03:23Don't you think?
00:03:24Of course.
00:03:25Always on the side of the plebeian.
00:03:26Or are you the one who asked a godmother to protect him?
00:03:29Rodrigo is enough and too much to put you in your place,
00:03:32just like me.
00:03:33Are you going to hit your brother?
00:03:35That's not a typical behavior of a lady like you.
00:03:38Are you going to give me good behavior lessons?
00:03:40But you just called me Garulo.
00:03:43Who can understand you?
00:03:44Little sister.
00:03:45Although, if I think about it coldly,
00:03:47I'm not surprised that you hit me.
00:03:49Studying engineering.
00:03:50Driving motorcycles.
00:03:53Fighting is all you need to become a man.
00:03:56Be careful with what you say, Ivan.
00:03:58I tremble with fear.
00:04:01Look, if you've had a bad day, it's not our problem.
00:04:05You'd better go to your room
00:04:07and don't leave until you learn to live with more people.
00:04:09You're nobody to give me orders.
00:04:11To beat someone up, you already have this one.
00:04:13Look, Ivan.
00:04:14It's not worth it, Paula.
00:04:19You're pathetic.
00:04:22Calm down.
00:04:23I can't take it anymore.
00:04:25I swear I can't take it anymore.
00:04:45There are places that are never forgotten
00:04:49Mine is in your heart
00:04:53Like in a chess game
00:04:55You and I without knowing
00:04:57We are playing love
00:05:01There are dreams that are for life
00:05:05And they are always an eraser
00:05:09You and I are more
00:05:12We want to fly
00:05:14Our thing is a trip to the sun
00:05:19Forever you and I
00:05:23Dreaming in a living room
00:05:27We are seagulls that don't stop
00:05:31In the modern exposition of love
00:05:35Forever you and I
00:05:39A single heart
00:05:43We are brave if you don't understand
00:05:47In the modern there is a better world
00:05:51The modern wrote our love poem
00:06:10If you don't like it, I'll take it away.
00:06:13No, no, it's very nice.
00:06:16Besides, it's normal that you have disposed the apartment to your liking.
00:06:21You didn't tell me you were coming back.
00:06:23Well, I thought you would let me know before
00:06:27and you would give me a little time to settle everything.
00:06:30No, it's just that it's clean and tidy.
00:06:35I don't know, maybe I should look for a place to stay.
00:06:39A good pension while I find an apartment.
00:06:42No, Laurita, no.
00:06:44This is your house.
00:06:46The guy left it for both of us.
00:06:48Do you know what he would do if he knew that one of his nieces
00:06:51is staying in a pension?
00:06:53Well, let's see, who says pension says hotel.
00:06:57I don't know.
00:06:59He's staying in a pension.
00:07:01Well, let's see, who says pension says hotel.
00:07:04I don't want to bother him.
00:07:06But, Laurita, you don't bother him.
00:07:08I'm delighted that you're back.
00:07:12And I would like you to be by my side.
00:07:16Okay.
00:07:18If it's important to you, I'll stay in La Guardilla.
00:07:22Yes, but I don't mean just that.
00:07:25You could always be by my side.
00:07:27At work, at rehearsals, at premieres...
00:07:32Inés, don't worry, I just got here.
00:07:36And I want to have my own plans.
00:07:38Yes, yes, of course.
00:07:41And...
00:07:43would you think about something?
00:07:46No.
00:07:48The truth is no, but...
00:07:50I'll have to do something, I can't live off the air.
00:07:53Well, don't worry about that.
00:07:55I'll run with the expenses until you find something.
00:07:58You already did when I stayed in Madrid, didn't you?
00:08:01Yes, but...
00:08:03Well, if I need it, I won't be able to stop you.
00:08:05But for now, I have enough to throw away.
00:08:10Well, can you help me put things in the closet?
00:08:14Yes, yes, of course, of course.
00:08:18Forgive me, it's just that...
00:08:20Well, you know how it is with the actresses who repeat the dress.
00:08:24No, no, don't worry.
00:08:27I'll manage, I don't need much space either.
00:08:37Yes, it's just that sometimes she falls asleep.
00:08:39But don't worry, I'll tell her I can't do it anymore.
00:08:42Can you give it to me?
00:08:44Yes.
00:08:50I, Inés, think I should look for something.
00:08:53I don't want to interfere in your life as a couple,
00:08:55and it will be the best for the three of us.
00:08:57No, Laurita, really.
00:08:59This is your house.
00:09:00And if you don't want Agustín around here,
00:09:02you'll have to understand it.
00:09:05Come on, I'll help you.
00:09:10Look, you can put this one there.
00:09:13To the left, that's it.
00:09:15Yes.
00:09:20Well, this way, Mr. Fermin's coffee.
00:09:23And this way, Mrs. Villanueva's coffee.
00:09:26If you want something more sugary,
00:09:29or if you fancy a sweet, or some fruit,
00:09:31like some fresh-made melocotones,
00:09:33make me a gesture and I'll be right there.
00:09:35Now, if you'll excuse me.
00:09:39It seems that Elías values you much more than I do.
00:09:42No, you know how he is.
00:09:44He loves to be nice to the ladies.
00:09:46By the way, remember that I'm going to Pedraza's house today.
00:09:49Because of the auction, right?
00:09:51Exactly.
00:09:52The truth is that Maruja has it all under control,
00:09:54but I think he'll be grateful that I helped him.
00:09:57Help always comes...
00:10:03I can't believe it.
00:10:05I can't believe it.
00:10:08A little bit, darling.
00:10:11You know how much I wanted to see you.
00:10:13I also wanted to hug you.
00:10:15But you didn't tell us.
00:10:17We would have sent a car to the station.
00:10:19I wanted it to be a surprise.
00:10:21It seems that Germany has treated you very well
00:10:23because you are as handsome as always.
00:10:26And you are still as disciplined as always.
00:10:28I'm sorry I couldn't come to your wedding.
00:10:31No, you don't have to give us any explanation right now.
00:10:33We know perfectly well that you needed your time
00:10:36to return to Madrid.
00:10:39I hope you have regained your courage.
00:10:42Yes, I am perfectly.
00:10:44If what they say is true,
00:10:46that time and distance cure everything...
00:10:51Laurita, darling.
00:10:55Esperanza, for God's sake.
00:10:56These are not forms.
00:10:58I couldn't help it.
00:10:59I'm so happy to see you here.
00:11:01I thought you were staying abroad forever.
00:11:04Damn, Esperanza.
00:11:05I didn't know I valued my niece so much.
00:11:07Don't tell me that, Mr. Fermin.
00:11:09He knows I've valued her since the first time he stepped into the living room.
00:11:12She was so little.
00:11:14I've missed you a lot too, Esperanza.
00:11:16Well, you and all your colleagues.
00:11:18Germans have a lot of good things,
00:11:20but they are not so familiar.
00:11:22You'll see how happy everyone will be when they see you.
00:11:25Especially Antonia.
00:11:26Well, and Trini too.
00:11:28It's just that it's not the time for a lot of parties.
00:11:30Let's go say hello.
00:11:32May I?
00:11:33How can I refuse?
00:11:35Maybe we'll talk more calmly.
00:11:37We have to get used to it.
00:11:45And now that you're here,
00:11:47could you get me a couple of tickets for the movie premiere?
00:11:50I'll talk to my sister, but I guess it's just a couple.
00:11:53No problem.
00:11:54I trust you.
00:11:55Well, who says a couple, says six, seven, eight, nine.
00:11:58Everyone wants to go.
00:12:01Allora.
00:12:03Sessanta grammi di mantechiglia fondita.
00:12:08Trecentocinquanta di mantechiglia in bloc.
00:12:16Sì.
00:12:24E l'arina?
00:12:31Quanto era di arina?
00:12:34Good morning, Pietro.
00:12:36I hope you're having fun with the sheet.
00:12:39Let's see, we're fine with dryness,
00:12:41but we can't sleep in the laurels.
00:12:43You have a few pastas left.
00:12:45Rosquillas.
00:12:47Milhojas.
00:12:48Meringues are also a few.
00:12:50Slowly, Mrs. Teresa, please.
00:12:52And I ask you not to talk to me while I'm working.
00:12:55Oh, excuse me, I didn't want to disturb you.
00:12:58No, it's fine, but don't do it anymore,
00:13:01because I need silence when I'm making a dough.
00:13:04Look, I'll leave you the list of what needs to be repositioned,
00:13:07and when you can, take a look.
00:13:09Yes, yes, why not.
00:13:11I'll leave it here.
00:13:12Ah, and we have to talk about the cocktail
00:13:14we're going to give for the premiere of Inés' film,
00:13:16so when you have a moment, look for it.
00:13:18Yes, we'll talk about it now.
00:13:20Can I continue with the dough?
00:13:21Yes, yes, yes, of course.
00:13:22Thank you very much.
00:13:28Good morning.
00:13:29Well, it was for some,
00:13:30because others have got up with their left foot.
00:13:36Honey, I called the judge
00:13:38and they have a slot tomorrow morning.
00:13:41That's great.
00:13:42That's great? Alone?
00:13:44I thought you'd be more excited to marry me.
00:13:47What happened with the client?
00:13:48Nothing, it's just that I was preparing a puff pastry,
00:13:52Teresa arrived and started talking to me,
00:13:55and I don't know,
00:13:56the saint went to heaven with the proportions.
00:13:59I was left blank, Antonia.
00:14:01500 of flour and 250 of water?
00:14:05That's it.
00:14:07I don't know how I could forget, Antonia,
00:14:09I don't know,
00:14:10I've been doing this dough all my life.
00:14:14Honey, it's okay,
00:14:15I've forgotten the name of people I've known for a long time.
00:14:19They say it happens when you're very tense.
00:14:21Yes, that's it.
00:14:22It's a lot of work, it doesn't stop here.
00:14:26Well, maybe you're nervous about the wedding.
00:14:31Are you happy or not?
00:14:33I'm happy, of course.
00:14:36Marrying you is what I want the most in my life.
00:14:41What if we take a few days to be together?
00:14:44I'm not talking about the big honeymoon,
00:14:46but maybe a few days to rest.
00:14:49I'd like nothing more, Antonia,
00:14:50but I can't now.
00:14:51There's a lot of work.
00:14:54But we'll do it, I promise.
00:14:56Well, whatever.
00:14:58Then come to your break time
00:15:00and we'll tell Mr. Fermin tomorrow morning.
00:15:02Okay.
00:15:03Okay.
00:15:05Antonia.
00:15:06Yes?
00:15:07How much flour was it?
00:15:09You're silly.
00:15:21I love you.
00:15:52They've gone that way!
00:15:54Keep looking!
00:16:17Are you still in the mood for a fight?
00:16:20Huh?
00:16:26Quite the opposite.
00:16:28I want to make peace with you.
00:16:32Is this about my sister?
00:16:34Is it?
00:16:35I'm afraid she'll poke a bone.
00:16:38It's about me, Ivan.
00:16:40I've told you I don't want us to always be like this
00:16:42and I'd like our relationship to be like before.
00:16:46I don't know what you mean.
00:16:47Yes, you know what I mean.
00:16:49Another thing is that you pretend not to know.
00:16:52That we grew up together, Ivan.
00:16:54That we spent the afternoons playing.
00:16:57You know you've always been the brother I've never had.
00:17:01Rodrigo, I don't like to repeat myself.
00:17:03I've already told you the problem is yours.
00:17:05For fantasizing about being a brother to someone like me.
00:17:09You say that now,
00:17:10but not so long ago you really appreciated me
00:17:12as a brother.
00:17:14It was child's play, Rodrigo.
00:17:16But how were we going to be brothers, you and me?
00:17:18A lot of things separate us.
00:17:20Starting with the social class we belong to.
00:17:23In the hacienda, that doesn't seem to matter to you.
00:17:25In the hacienda, things were very different.
00:17:27And we're not in the hacienda anymore.
00:17:29Look, Rodrigo.
00:17:30You can try as hard as you want.
00:17:32Take care of my sister.
00:17:34Make merits in front of my father.
00:17:35But it won't do you any good.
00:17:37Because here you're just the boy who works for the Pedraza family.
00:17:43Look, Ivan.
00:17:44It's not my fault that you didn't win your father's trust
00:17:47and I'm not going to pay for it.
00:17:49The only thing I ask of you
00:17:51is that we can live peacefully.
00:17:53That's easy.
00:17:54The less you let yourself be seen around here,
00:17:56the less risk the coexistence will take.
00:17:59But Ivan, please reason.
00:18:01Your parents, your sister and you,
00:18:03you're like a family to me.
00:18:05I don't want conflicts between us.
00:18:06Let's see if you find out.
00:18:08You're not family.
00:18:10You're inferior.
00:18:17You're inferior.
00:18:30Good morning, Emiliano.
00:18:31Good morning.
00:18:33Very busy?
00:18:35Even if I were, because of my friend Fermin,
00:18:37I leave everything.
00:18:41Do you want something to drink?
00:18:42No, no, thank you.
00:18:43I just had breakfast with my wife.
00:18:45Oh, the life of a married man.
00:18:47How wonderful.
00:18:49For me, at least, it's going great.
00:18:51Oh, really?
00:18:52Well, that means you've come up with the secret formula
00:18:55for a marriage to work.
00:18:57Which is essentially
00:18:59that the husband always says the last words.
00:19:02Yes, darling.
00:19:03Yes, dear.
00:19:04Yes, my love.
00:19:05Whatever you want.
00:19:06I'll take note.
00:19:07But you can imagine that I didn't come here
00:19:09to ask you for advice on marital life.
00:19:12Well, I've come to talk to you about business.
00:19:14Specifically, about your business,
00:19:16which you were telling me about yesterday.
00:19:18Good.
00:19:19I've been thinking about it and...
00:19:22I've decided that...
00:19:25I'm going to invest.
00:19:27I can hardly believe it.
00:19:29It's great.
00:19:30It's great, but...
00:19:31Tell me you've studied it well.
00:19:33I have plenty of liquidity, if that's what worries you.
00:19:35Besides, you have to move the money,
00:19:37otherwise it ends up evaporating.
00:19:39True.
00:19:40But, well, as you'll understand,
00:19:42I'd like to know more about that fiber.
00:19:46Fiber.
00:19:47Fiber.
00:19:48Synthetic fiber.
00:19:49It's a fiber as fine as silk
00:19:51and resistant as cotton.
00:19:53It's a revolution, Fermin.
00:19:55Everything we do along that path will make us rich.
00:19:58Or...
00:19:59If we're able to be the first to develop it,
00:20:03we'll be immensely rich.
00:20:05Yes, but I understand that we won't be the only company
00:20:07that's experimenting with the formula of that fabric.
00:20:10I agree.
00:20:11That's the way it is.
00:20:12That's why it's so important to be the first.
00:20:14But, well,
00:20:15to detect a need, to launch a prompt response.
00:20:18Right?
00:20:19That, we'd say, is the golden rule of the world,
00:20:21of the company, which I'll tell you about.
00:20:23And another thing, well,
00:20:25like any new business, it involves a certain risk.
00:20:28Yes, yes, yes, yes.
00:20:29Whoever doesn't risk it, doesn't win.
00:20:30Yes, I'll take care of it.
00:20:31I've been at the forefront of a business for many years.
00:20:35Emiliano,
00:20:38I fully trust your instinct.
00:20:41So, well,
00:20:42by the way,
00:20:43an instinct that seems to have inherited your daughter Paula.
00:20:46You'll be very happy, won't you?
00:20:49Well, yes.
00:20:51Yes, of course.
00:20:52Emiliano, we know each other. What's up?
00:20:55Aren't you happy
00:20:56that Pablo is going to inaugurate a women's clothing store tomorrow?
00:20:59I'm happy...
00:21:00on average.
00:21:01Because his idea of democratizing the fashion
00:21:04that you want, Fermín, I don't share it.
00:21:06It must be a madness of youth, but...
00:21:08Forgive my ignorance, Emiliano,
00:21:09but what does that mean,
00:21:11to democratize fashion?
00:21:13No, no, yes, it has to be explained.
00:21:15Let's say that what she intends
00:21:16is for ordinary women
00:21:18to be able to dress like a real lady.
00:21:21From my point of view, it's a terrible mistake.
00:21:24But she has insisted a lot.
00:21:26Paula doesn't listen to reasons.
00:21:28Well, you know how today's youth is.
00:21:30Well, no, I'll let her do it.
00:21:33She'll figure it out on her own.
00:21:36When the store is founded,
00:21:37then she'll remember my advice.
00:21:39Well, in any case,
00:21:40the most important thing now is to recognize the girl,
00:21:42the push she has to get her own business going, right?
00:21:50It has also been a pleasure for us.
00:21:53And thank you for everything, from the bottom of my heart.
00:22:01Let's go to the living room.
00:22:03What a class the Rubio sisters have.
00:22:05And what interesting contributions
00:22:07they have made for the auction.
00:22:09Yes.
00:22:10Excuse me.
00:22:11Will Mrs. Alazara stay to eat?
00:22:13No.
00:22:14No, thank you very much.
00:22:15Maybe another time.
00:22:16You can leave, Pepita.
00:22:20Sorry for the interruption.
00:22:21It won't happen again.
00:22:22What were we talking about?
00:22:24Of the objects we have obtained for the auction.
00:22:26Yes.
00:22:27By the way,
00:22:28the wild pearl of the Philippines.
00:22:31This imperfection that it has
00:22:33makes it a unique piece.
00:22:34And what do you tell me
00:22:35about the watercolors of the ceramicist Zuloaga?
00:22:38They are a delicacy.
00:22:40I am not surprised that he used them
00:22:42to design the tiles of the Crystal Palace.
00:22:44Neither do I, of course.
00:22:46Although, if I am honest with you,
00:22:48I would abstain from the quixote they have offered us.
00:22:51It is a wonder.
00:22:53Of course, the sheets are great.
00:22:57It seems a lie that it was edited in the 19th century
00:22:59because it is kept wonderfully.
00:23:02Anyway,
00:23:04I stay with the double passage of the cruise through the Nile.
00:23:08I'm sure Fermin would really enjoy
00:23:10listening to the Egyptologist.
00:23:12Eduardo Tota.
00:23:13So, do you think we have obtained
00:23:15good objects for the auction?
00:23:17Yes.
00:23:18Let's see, they are not masterpieces,
00:23:20but they are very valuable objects.
00:23:23I am convinced
00:23:24that people from high society like you
00:23:26will appreciate them.
00:23:28Well, I would like to get involved
00:23:30in high society as I did before,
00:23:33but it is hard for me to get used to life in this country.
00:23:36Yes?
00:23:38I thought that being Spanish
00:23:40it would be easy for you to start here again.
00:23:42Lazara, the Spain that I left when I got married,
00:23:45was very different from the one I found around.
00:23:49But well, I also suppose
00:23:51that we were already adapted to life in the hacienda.
00:23:54Emiliano is not comfortable either.
00:23:56I thought more about my son Ivan.
00:23:59Yes, Paula had already lived in England
00:24:01and is more determined,
00:24:03but Ivan, well, he is much more dreamy
00:24:07and less focused.
00:24:09Excuse me if I am indiscreet, but ...
00:24:12Why doesn't your son Ivan help Emiliano
00:24:15with family businesses,
00:24:17the same as the boy you have here at home?
00:24:20Rodrigo has managed to gain Emiliano's trust
00:24:24and that and dominating Ivan's morals.
00:24:27He knows that in the eyes of his father,
00:24:29Rodrigo is much better than him.
00:24:31I suppose that for Ivan it is not easy
00:24:33to live in the shadow of the son of the maid.
00:24:36No, it has not been.
00:24:38That has made him lock himself in a shell
00:24:41and get the worst out of it.
00:24:43Well, maybe the change of airs will do him good.
00:24:46That's what I thought.
00:24:48But seeing the life he has been leading,
00:24:50I begin to have serious doubts.
00:24:53Oh, I'm sorry, I'm sorry
00:24:55for having been so happy
00:24:57for everything we have achieved.
00:24:59Forgive me.
00:25:00That's what friends are for.
00:25:02You can tell me anything.
00:25:04As for Ivan, don't worry.
00:25:06He will find his way,
00:25:08you just have to trust him.
00:25:11Let's make a recount.
00:25:13Yes?
00:25:14Let's see.
00:25:22I have to tell you that I am intrigued
00:25:24and a little uneasy.
00:25:26I hope they don't come to tell me
00:25:28that they are leaving La Moderna.
00:25:32Don't worry, Don Fermin.
00:25:34You changed the rules because of us.
00:25:37Besides, this is our house.
00:25:40We have no intention of leaving.
00:25:42That's right.
00:25:43Besides, you and your colleagues are our family.
00:25:47Well, that's very good.
00:25:50So, what's going on?
00:25:54Excuse me, Don Fermin.
00:25:56I sent the notice when I was in the upper room.
00:25:59Notice? What notice?
00:26:00I didn't give you any notice.
00:26:02I sent the message that you were running to your office
00:26:05because you wanted to talk to me.
00:26:07Me? I didn't...
00:26:10Come in, Esperanza, come in.
00:26:14I don't think it's me who has to tell you something.
00:26:17Who has to tell us something?
00:26:20If I'm not mistaken.
00:26:21Don't worry, Esperanza.
00:26:23Yes, we're going to tell you something.
00:26:25But please, Esperanza, don't be afraid
00:26:28and don't scream.
00:26:30We'll do our best.
00:26:32Tell us, tell us.
00:26:34Well...
00:26:37Tomorrow, at the first hour,
00:26:39Pietro and I are getting married.
00:26:44Sorry.
00:26:45It'll be a civil wedding and we need two witnesses.
00:26:50We'd like you two to be there.
00:26:52If you want.
00:26:53How can I not be afraid?
00:26:55With the joy you've given me.
00:26:57Oh, my God.
00:26:59It's better to keep it a secret.
00:27:01We don't want to try our luck and end up like the last wedding.
00:27:04That's it.
00:27:05We'll do it discreetly so as not to get caught.
00:27:08And when we're married, we'll tell the rest.
00:27:11Isn't that possible, Esperanza?
00:27:13For the Virgin of El Rocío, I don't count half.
00:27:16Knowing you, you're capable of punishing me without being your witness.
00:27:21Well, then I think you have the two witnesses you need.
00:27:25And if you'll allow me,
00:27:27I'll be very happy to take you to court in my car.
00:27:30Thank you very much, Don Fermi.
00:27:32There's nothing to thank for, Antonia.
00:27:35Well, see you tomorrow,
00:27:37in the morning, at the door of the gallery,
00:27:39before they open and we all leave together.
00:27:42And congratulations again.
00:27:46And of course, that also includes the other witness.
00:27:51The mother of the lamb.
00:27:53How am I going to go in that car to my friend's wedding with this bun?
00:27:57I have to call Gregoria and talk to her
00:27:59to see if she can comb my hair tonight and let go of my hair.
00:28:02Esperanza, if it's a problem, we can look for another one.
00:28:05No, no, I'm going to be your witness.
00:28:07Give me a hug.
00:28:20Can I bother you?
00:28:22Come in, come in.
00:28:27We have to talk about the auction, Emiliano.
00:28:30I need your help.
00:28:32I thought Lázaro and Fermín were helping you.
00:28:35No, no, that's not it. Don't get me wrong.
00:28:38Lázaro and Fermín are great and they are helping in everything they can.
00:28:42That's not what I want to talk to you about.
00:28:45Well, if what worries you is not being able to get the funds
00:28:49you need to help those children,
00:28:51I'll give you a check for the difference.
00:28:54Wow.
00:28:56Thank you very much, Emiliano.
00:28:58It's very generous of you.
00:29:01But it's not about money either.
00:29:04It is very possible that Elena Cavalieri,
00:29:10the niece of the Italian ambassador, will attend.
00:29:13And?
00:29:16I beg you to dismiss this house,
00:29:21our marriage,
00:29:23and your children and friends who will also be present.
00:29:29Let's see.
00:29:32Let's see if I understand.
00:29:34What are you asking me?
00:29:36To avoid her?
00:29:38To pretend I don't know her?
00:29:41Maruja, I like to surround myself with interesting people.
00:29:44And Elena is.
00:29:46You're not going to make me jealous, are you?
00:29:49No, Emiliano, I'm just asking you
00:29:52to keep a certain distance from Cortés during the reception and the auction.
00:29:57Before and after.
00:29:59You can do whatever you want.
00:30:02As always.
00:30:04I take note.
00:30:06Thank you, Emiliano.
00:30:07But I don't promise you anything.
00:30:13That answer was completely unnecessary.
00:30:16And what am I supposed to answer?
00:30:20If you don't want me to talk to someone, don't invite him to my house.
00:30:23I had to do it.
00:30:25Your uncle could get upset.
00:30:27Don't think I didn't think about it.
00:30:29Then the problem is actually yours, not mine.
00:30:34But let's see.
00:30:37You don't have enough with Pepita.
00:30:44Is she not enough for you either?
00:30:48The truth?
00:30:50No.
00:30:55You have the nerve to say it to me like that.
00:30:59So calmly.
00:31:01As if I were nobody.
00:31:03You asked me a question and I answered you.
00:31:06With all honesty.
00:31:08I don't know, what do you want?
00:31:10What do you want? That she lies to you?
00:31:13Yes, that she lies to you, so that you're happier or more blind or more...
00:31:17Whatever you want.
00:31:19But you can't keep a certain decorum for me?
00:31:22Well, for us.
00:31:24For your children.
00:31:25I am what I am.
00:31:27I've never lied to you.
00:31:29That's true, yes.
00:31:31I just gave you the two children you were expecting.
00:31:35You made your life again.
00:31:37And now you're in your bed.
00:31:39What about me?
00:31:40What about me? No, no, no, no.
00:31:42Wait, say it, say it.
00:31:44Maruja, say it.
00:31:46Say it, I want you to say it.
00:31:47Unburden yourself.
00:31:49You know, those things, if you keep them inside, they end up becoming a disease.
00:31:52No, I'm not going to miss her.
00:31:54Because she is also a victim.
00:31:57But her presence here in this house, serving your own family,
00:32:01is a permanent insult for both of us.
00:32:05And you know it.
00:32:06So now the problem is Pepita.
00:32:09Let's see, Maruja, why don't you focus more on everything you do have,
00:32:14and not so much on what you lack?
00:32:17Because here I am fulfilling the minimums you demanded of me.
00:32:20You asked me for discretion, and here we are.
00:32:22In 20 years, no one has found out about us.
00:32:25Not Paula, not Ivan, not Rodrigo.
00:32:27No one.
00:32:28It's with the only thing you're committed to, yes.
00:32:30But you don't do it to protect them.
00:32:33Much less me.
00:32:35It would be missing more.
00:32:36You are the one who is protected,
00:32:38under all those layers of secrets, of lies,
00:32:41that I don't know how you can live like this.
00:32:43Whatever you want, Maruja.
00:32:44But here, the important thing is that I have fulfilled what we agreed.
00:32:47Yes, right?
00:32:50Well, that's it.
00:32:53Don't think about that nonsense.
00:32:57That beautiful little head of yours doesn't give you much.
00:33:01When these attacks of dignity hit you,
00:33:04you become unbearable.
00:33:07Of course.
00:33:10It's true.
00:33:12There was a time when I was obsessed.
00:33:15I wondered what the others had.
00:33:18What Pepita had.
00:33:20And what I didn't have.
00:33:23Or I just couldn't give it to you.
00:33:28How silly.
00:33:30Do you really want to know?
00:33:43What I thought.
00:33:47Oh, Antonia.
00:33:48I'm so happy about your wedding.
00:33:50But I want you to know one thing.
00:33:52As much as you call yourself a witness,
00:33:54I consider myself your godmother.
00:33:56As you wish.
00:33:58But please, don't fail me.
00:34:00Be there like a nail.
00:34:03And have you thought about Arra?
00:34:05If you want, I'll take you to the altar.
00:34:07Or wherever you want Arra to be taken to court.
00:34:10No, no.
00:34:11Leave Arra.
00:34:12It's a wedding as discreet as possible.
00:34:14We want to get there, sign in front of the judge,
00:34:16and start calling each other husband and wife.
00:34:18Finally.
00:34:20And it's not worth it not to get married in the church,
00:34:22with the beautiful dress I had.
00:34:24A little bit, yes.
00:34:26I'm not going to lie to you,
00:34:28but I want to get married now,
00:34:31and I don't want the wedding to go wrong.
00:34:33Are you sure?
00:34:35Yes, yes.
00:34:36I want to marry Pietro.
00:34:39We'll have time to go to church,
00:34:40and the priest will bless us.
00:34:43You never know.
00:34:44I don't understand that modernism.
00:34:46But if they're sure that church is nothing,
00:34:49then that's it.
00:34:50It's not nothing.
00:34:52I've promised Pietro that tomorrow afternoon
00:34:54we're going to St. Anthony's in Florida.
00:34:57And I'm going to leave the bouquet at the feet of the saint.
00:34:59That's a very good idea.
00:35:01Although I'd rather you gave me the bouquet,
00:35:03but somehow you have to thank the one above.
00:35:10And now what am I supposed to do?
00:35:12Oh my God, Trini, calm down.
00:35:14Something's going to happen to you.
00:35:15What's wrong?
00:35:17Well, I just called my neighbor, Almudena,
00:35:20to find out how Leon was doing,
00:35:21and she told me he spent the whole morning crying.
00:35:24Crying.
00:35:25Oh my God, poor thing.
00:35:27What's going to happen to him?
00:35:29Maybe it's gas.
00:35:30It happens a lot.
00:35:31Of course, maybe he misses you.
00:35:33Because kids that age miss you a lot.
00:35:38Do you think so?
00:35:41Oh my God, I'm a horrible mother.
00:35:44Horrible.
00:35:45Who would have thought?
00:35:47Who would have thought to leave their son with the neighbor?
00:35:49I'm the worst mother in the world, really.
00:35:51And he's perfect.
00:35:52He's perfect.
00:35:53And he doesn't deserve this.
00:35:55He deserves someone better.
00:35:56Much better than me.
00:35:57Trini, listen to me.
00:35:58You're doing a great job.
00:36:01Bringing a child into the world and raising him is very difficult.
00:36:04But you're not going to be the first or the last.
00:36:07What you have to do is breathe.
00:36:12And don't force yourself to do everything.
00:36:14But that's what other mothers do.
00:36:16I see them, they always do everything.
00:36:18Why can't I?
00:36:19Those who can do it do it.
00:36:21And those who don't, ask for help.
00:36:22Their neighbors, their classmates.
00:36:24It would make the world a better place if we didn't help each other.
00:36:27Why don't you call your mother?
00:36:29Let her help you.
00:36:31A mother does anything for her son.
00:36:33Imagine a grandmother for her grandson.
00:36:35Well, thank you for your honest words.
00:36:38And I don't rule out asking for help.
00:36:41Esperanza's idea is very good.
00:36:43Why don't you call your mother?
00:36:44Because my mother and Miguel have a cordial relationship.
00:36:48That's all.
00:36:49And I don't think Miguel would be very happy to have my mother around at home.
00:36:53Well, at least call her and let her help you.
00:36:56Besides, she can give you more parenting advice than we do.
00:36:59That's true.
00:37:00And she knows what she's raised.
00:37:02That's true.
00:37:03Well, I'm going to call her.
00:37:04Of course I'm going to call her.
00:37:05Because I also need to feel like a daughter.
00:37:08For a while at least.
00:37:11Why did you come in?
00:37:33Good afternoon, Guido.
00:37:35You should go out to get some fresh air.
00:37:38It's lovely out here.
00:37:39I wish I could, darling.
00:37:41Well, at least one of us can enjoy these good days they're having.
00:37:45No, no.
00:37:47The truth is that we immediately ended the issue of the charity auction.
00:37:53But since I had the morning off, I decided to take advantage and do some shopping around town.
00:37:57Well, if you had given me a visa, I would have come with pleasure.
00:38:01Although I have to confess that I have been very well accompanied during your absence.
00:38:06I didn't know you had a business dinner.
00:38:09No, no.
00:38:10I didn't.
00:38:11I had dinner with Laurita.
00:38:14I want to spend as much time with her as possible in case she decides to return to Germany.
00:38:20That's normal.
00:38:21I know you value your nieces a lot.
00:38:23Has she told you if she plans to leave again soon?
00:38:25No, she hasn't told me anything.
00:38:27I would love her to stay.
00:38:29And to take up her position as a publicist again.
00:38:32It worries me a lot when she's away.
00:38:35If she lives two floors up and something happens, I can help.
00:38:38But if she lives in a foreign country, there's little I can do.
00:38:41You're right about that.
00:38:43What about Agustín?
00:38:45Has he told you anything about him?
00:38:46No, no.
00:38:47Barely anything.
00:38:48I don't know either.
00:38:49I've wanted to insist.
00:38:50I hope he gets over it.
00:38:55The company is very nice, but I have to keep studying these documents.
00:39:05Fermín!
00:39:10Yes, tell me.
00:39:12You left this.
00:39:14What is it?
00:39:15Nothing.
00:39:16Nothing important.
00:39:17A liquor supplier made me a proposal and I have to study it.
00:39:23You're right.
00:39:24It's better to finish it as soon as possible.
00:39:28If you need my help, I can lend you a hand.
00:39:31I think we both agree on the best proposal for the liquor suppliers.
00:39:35What suppliers?
00:39:37The ones you told me about yesterday.
00:39:40In fact, I'd tell you that this is the folder.
00:39:43You left it forgotten in the register.
00:39:47Yes, yes.
00:39:48Look, this morning I closed the deal with the supplier and I had already forgotten it.
00:39:55You hadn't told me anything.
00:39:57Cielo, are you sure you don't need my help?
00:40:00Yes.
00:40:02I'm sorry, Mr. Fermín.
00:40:03I just wanted to tell you that in a little while I'm going to meet with Pietro about the premiere of the film.
00:40:08Perfect, because we've been a little tight on time.
00:40:12Well, don't worry, we'll be there.
00:40:14About being tight on time, there are some suppliers that we should liquidate.
00:40:17If you have a moment, Mrs. Lázara, I would like us to give this and proceed quickly.
00:40:22You'd better stay in my office because I have to go out and solve some issues that don't allow any more delay.
00:40:36See you later.
00:40:45I thank you from the bottom of my heart, but it wasn't necessary.
00:40:48Well, notice that of all the invitations I have distributed, this is the most deserved of all.
00:40:54And can you tell me why you have so much consideration for me?
00:40:57Because you gave Inés the first chance in this very place.
00:41:01And if she is a star right now, it is thanks to you trusting her.
00:41:06Inés' talent is undeniable.
00:41:08I would have achieved it both with my help and without her.
00:41:11Then I tell you that she will come.
00:41:15I will try.
00:41:16I will try.
00:41:17That's all I can tell you.
00:41:20At that time, the clientele squeezes a lot and someone has to stay at the helm.
00:41:24Try it.
00:41:26She will be very happy to see you on the day of the premiere.
00:41:29She remembers her beginnings with great affection and especially how you helped her in the bad times.
00:41:35I will try.
00:41:37I assure you.
00:41:43Did I miss something?
00:41:45Mr. Comas has just invited me to the premiere of The Shadow of Love.
00:41:51Invite you?
00:41:52There are two invitations in that envelope.
00:41:55One for you and one for your sister.
00:41:59To the premiere of a movie?
00:42:02Are you inviting us with all those stars to see the movie for the first time?
00:42:08Well, this is what is done at a premiere, right?
00:42:11Have you never been to any?
00:42:14No.
00:42:16That only happens in big cities.
00:42:19In my town, luckily, we get two movies a year.
00:42:22And they are the ones that were released at least five years ago.
00:42:26For the first time.
00:42:28Well, we'll see if work allows it.
00:42:32But now I think Mercedes should stop thinking about red carpets and get to work if she doesn't want her boss to bother her.
00:42:41I like your facet of a loving older brother more than this one of a party boss.
00:42:46Well, I'll leave the two brothers and I hope to see you at the premiere.
00:42:52Thank you very much, Mrs. Agustín.
00:42:54Thank you, really.
00:43:07Well.
00:43:09Everything is in order.
00:43:11Excellent.
00:43:12As soon as Mr. Fermin comes back, I'll ask him to give me the check.
00:43:16Why wait?
00:43:17Now I'm his wife. I can do it.
00:43:20I say this because Mr. Fermin keeps the cash register in the drawer, under the key.
00:43:26It's in the drawer.
00:43:34Are you referring to this key?
00:43:42I see that you will be able to open it.
00:43:45You are surprised that my husband has given me a copy of the most important keys in the business.
00:43:50No, no, no. Mr. Fermin works as he considers appropriate and what he does is well done.
00:43:54That is the attitude that I like in my employees, even if they have rank.
00:43:59Can you give me the check? I don't like to leave the living room unattended for too long.
00:44:04Oh my God. And I thought we were having a conversation of the most pleasant.
00:44:09Don't worry, Teresa. It won't be for me. For what you lack.
00:44:14To your obligations.
00:44:15Everything okay?
00:44:18The cash register is not there.
00:44:20Are you insinuating that they have stolen it?
00:44:22Don't talk nonsense, Teresa. For God's sake.
00:44:24Fermin must have taken it wherever he went.
00:44:27Well, then I won't be able to extend the check.
00:44:30Please talk to the liquor supplier and tell him that tomorrow, first thing in the morning, he will be paid without fail.
00:44:35With all due respect, Mrs. Lázaro, I have a request.
00:44:38What is it?
00:44:39Please talk to the liquor supplier and tell him that tomorrow, first thing in the morning, he will be paid without fail.
00:44:44With all due respect, Mrs. Lázaro, I'm sorry, but this doesn't seem right to me.
00:44:48In the modern world, we always pay religiously.
00:44:51Maybe we can wait for Mr. Fermin to come and ...
00:44:53Let's throw the party in peace, Teresa.
00:44:55If I tell you to call the supplier, you call him.
00:44:59I'm sure he'll know how to convince you to get over this little inconvenience.
00:45:04Close the door when you leave.
00:45:06Whatever you say.
00:45:09Let's go.
00:45:25Leave all your properties.
00:45:27Mrs. Laura Valbuena and Mrs. Inés Valbuena.
00:45:31It can't be.
00:45:35It can't be.
00:45:40I leave everything to them.
00:45:55Don't get too confident with him, okay?
00:45:58Orders from the boss and brother council.
00:46:01I'm serious, Mercedes.
00:46:03Keep the assistance, please.
00:46:07And ...
00:46:09But deep down, I don't think César is a bad person.
00:46:13I don't think so.
00:46:15But I don't want you to talk to him.
00:46:17Not even to warn him about Mellado.
00:46:19I won't open my mouth.
00:46:21But I don't understand what's wrong with giving him a heads-up.
00:46:23Mellado is a bad element.
00:46:25And someone should tell him.
00:46:27It's none of our business.
00:46:29I don't want us to get involved in a mess that can happen to us later.
00:46:32The further we are from them, the better.
00:46:34Agree?
00:46:36And how do I take note of it?
00:46:37The boss has insisted a lot that we should be kind to the clientele.
00:46:41Please.
00:46:48Excuse me.
00:46:50You took a long time to answer me.
00:46:52I'm going to have to file a complaint.
00:46:54Maybe we're still warming up the engines.
00:46:56Today has arrived, I'm very early.
00:46:58I have to talk to Mellado about business.
00:47:00And it's better to deal with those matters when we're still drunk.
00:47:03Have you seen him?
00:47:05He hasn't arrived yet.
00:47:07And now that you say it, he didn't show up yesterday either.
00:47:12I hope I'm not mistaken about him.
00:47:14I thought he wasn't one of those people who would easily be a coward.
00:47:19Why do I have the feeling that I don't like him very much?
00:47:23It's nothing personal.
00:47:25He looks at everyone like that.
00:47:27He's distrustful by nature.
00:47:29Maybe.
00:47:31So, I bring you the usual?
00:47:33Of course, beautiful.
00:47:46Come in, come in.
00:47:48But without making any noise.
00:47:50And take off your shoes.
00:47:52It seems that we have everything under control.
00:47:54Leon has fallen asleep.
00:48:02It seems that you have everything under control.
00:48:05I think you could think about having five or six more kids.
00:48:09Shut up, shut up.
00:48:11If I find out, I'm not old, I'm telling you.
00:48:13And please, don't raise your voice.
00:48:15I'm going to see Leon.
00:48:17Francisco, Francisco, sit down.
00:48:19Sit down, we'll get you something to bite.
00:48:30For God's sake, no.
00:48:31No, no, no, don't wake up, don't wake up, don't wake up.
00:48:37No, for God's sake.
00:48:41False alarm.
00:48:43But we will take extreme precautions.
00:48:45You're going to have to settle for this maddalena.
00:48:47Don't make any noise when you chew.
00:48:50Maddalena?
00:48:52At this time of day I'm more than a cup of wine with some nuts.
00:48:55The maddalena, the maddalena.
00:48:57You take it or leave it.
00:48:59And if you've come here looking for trouble, this is not your place.
00:49:01Okay?
00:49:03Maddalena.
00:49:07So,
00:49:09about taking my son out to play for a while,
00:49:12we didn't even talk, did we?
00:49:21So this is what happens to people when they have children.
00:49:26What a sight.
00:49:28Anyone would tell you that you look calmer.
00:49:30We are, I assure you.
00:49:32There is nothing more relaxing for a father than knowing that his son hurts my legs.
00:49:35Oh, I'm going to call your mother.
00:49:37Have you spoken to your mother?
00:49:39Shh.
00:49:41Who said I haven't spoken to my mother?
00:49:43Who said it? I haven't said it.
00:49:45I haven't said that.
00:49:47Yes, it's true that the girls have recommended me to do it.
00:49:49Because the truth is that I, the motherhood, really,
00:49:51I see it uphill, but uphill, but, come on, very steep.
00:49:54I need, I don't know, mother's advice.
00:49:56And a shoulder to cry on.
00:49:57This can't be happening.
00:49:59This morning, Elias lied to Leonora.
00:50:01First sign.
00:50:03Now you are lying to your mother.
00:50:05Second sign.
00:50:07And there are no two without three.
00:50:09My love, you are making a mess.
00:50:11What mess?
00:50:13What's next?
00:50:15Seeing her appear through the door?
00:50:17That you hadn't spoken to her?
00:50:19That you hadn't called her?
00:50:21Shh.
00:50:23I don't know, I...
00:50:24Don't ever do that again, never.
00:50:26I swear to God that you won't see Leon
00:50:28again in the rest of your life.
00:50:30Well, well,
00:50:32we don't need to get so dramatic.
00:50:34Come on, you go there with your Madalena.
00:50:37Enjoy, go.
00:50:46I'm going to see Leon.
00:50:49Trini,
00:50:51get me a glass of wine.
00:50:55You put it on.
00:51:14We already have the shoes that were missing.
00:51:16They have been unloaded in the alley.
00:51:18And that? Any problem?
00:51:20No, none.
00:51:21I'll tell them to do the next unloading
00:51:23directly in the warehouse.
00:51:25Where do I leave these boxes?
00:51:27Leave them here.
00:51:34Well,
00:51:36it seems that the store is taking shape.
00:51:38I wish that were true.
00:51:40Look, still all the genre that needs to be placed.
00:51:43I wish it were as easy as hanging a painting.
00:51:46Many would not agree with that observation.
00:51:48But now you're not going to lower your arms, are you?
00:51:51Of course not.
00:51:53But I'm afraid we're going to have to spend the night
00:51:55placing everything that is missing.
00:51:58A whole night with you.
00:52:02I think I could make the effort.
00:52:04I could make the effort.
00:52:16I'm going to like having my own business.
00:52:19To do and undo at your will.
00:52:22For that and to have the other store.
00:52:26You know,
00:52:28download genre,
00:52:30store spare parts,
00:52:31kiss you without any customer seeing us.
00:52:35Yes, sounds good.
00:52:43But now there is no time.
00:52:47We have to prepare everything for tomorrow's opening.
00:52:51I hope we have time.
00:52:53Everything will be perfect.
00:52:55You'll see.
00:52:57That will be if we get down to it.
00:52:59So come on, put on your shoes.
00:53:02At your service, Miss Pedraza.
00:53:13Come in.
00:53:20What are you doing here, mother?
00:53:22Hi, son.
00:53:24Don't tell me you're going to buy one of these blouses before anyone else.
00:53:27Don't listen to him.
00:53:29You're not going to leave a single real in this store.
00:53:31I've come to see the store
00:53:33and help you in everything I can.
00:53:36I thank you very much, Pepita,
00:53:38but I'm not going to let you use your free afternoon working, woman.
00:53:41Besides, we have everything under control.
00:53:43I'm not leaving without helping, Miss Paula.
00:53:46If you want to try to convince her,
00:53:48I'm not going to do it.
00:53:50I'll get those boxes.
00:53:52Okay.
00:54:02What do you think?
00:54:04Well, I think you look great.
00:54:07Really?
00:54:09And the necklace, do you like it or should I change it?
00:54:12No, I like it and it looks great with the earrings, yes.
00:54:15Are you sure?
00:54:16Yes.
00:54:19Don't you want to come with me?
00:54:21These cocktails with the journalists are a lot of fun.
00:54:24I don't doubt it, but I'll leave the promotion to you exclusively.
00:54:28I'm better at home.
00:54:29Yes, I would love to stay with you.
00:54:32But this is my life.
00:54:34Almost every night I have to go to an event.
00:54:37Well, the promotion is very important.
00:54:39Yes, yes.
00:54:41Well, according to Agustín, it is what encourages people to go see the movie.
00:54:44Forgive me.
00:54:46I shouldn't name him so much.
00:54:48No, no, don't worry.
00:54:50You can mention him as many times as you want.
00:54:52It would be a shame if you couldn't talk about your partner.
00:54:55Yeah, thanks, but
00:54:56I'll try to mention him as little as possible.
00:55:00I'm going.
00:55:13Laura.
00:55:15It's been so long.
00:55:18Yes.
00:55:20Hi, Agustín.
00:55:22Hi.
00:55:24How are you?
00:55:26How are you?
00:55:28Great.
00:55:35I think we're running out of time.
00:55:39So we'll have to leave now if we want to make it on time.
00:55:42Of course, of course.
00:55:44I hope it goes well, partner.
00:55:57Bye.
00:56:09What's wrong, Pepita?
00:56:11Don't you like the clothes?
00:56:13What are you saying? On the contrary.
00:56:15You have a lot of taste for choosing clothes.
00:56:17Well, you just have to see how you've dressed yourself.
00:56:21I would love to be able to wear a garment as delicate as this one one day.
00:56:24That day is closer than you think.
00:56:27That's precisely why I'm opening this store.
00:56:30To sell clothes at a more affordable price.
00:56:32And to reach a greater number of customers.
00:56:34What do you think of the idea, Mother?
00:56:36I don't understand that, son.
00:56:38All I know is that the more beautiful the clothes,
00:56:40the more rooms it costs.
00:56:42That doesn't have to be like that.
00:56:44In my store, of course, it won't be like that.
00:56:46What I want is for all the women in the city
00:56:48to look beautiful without having to ruin themselves for it.
00:56:51I think what you're telling me is a very good idea.
00:56:54And I'm sure it's going to go great.
00:56:56Thank you, Pepita.
00:56:58Believe me, it encourages me a lot.
00:57:01Your confidence is so much more valuable than my parents'.
00:57:04Don't say that out there, that you're looking for trouble.
00:57:06Well, it's time for me to go.
00:57:08Wait, I'll go with you.
00:57:10Not at all. You have committed yourself to Miss Paula,
00:57:12to help her until everything is in place.
00:57:14And I have raised a man of my word.
00:57:16I'll take her home and I'll be back, I promise.
00:57:19You stay here and I'll take the tram.
00:57:21It's a nice walk.
00:57:22It's too late, mother.
00:57:24I don't want her to suffer any mishap
00:57:26with some crook who's been going from tavern to tavern all day.
00:57:28But son, it's not dark yet.
00:57:30Thieves only leave at dawn.
00:57:32Mother, please.
00:57:34Instead of arguing, I'll leave and come back earlier.
00:57:36And so you don't waste any more time because of me.
00:57:38You have a lot of work ahead of you.
00:57:41Go carefully.
00:57:47The store is looking beautiful.
00:57:49Thank you, Pepita.
00:57:53When you talked about the crook
00:57:55who's been going from tavern to tavern,
00:57:57it seemed like you were talking about Ivan.
00:57:59There are many like him.
00:58:01It's not just about your brother.
00:58:04All this is because of the altercation
00:58:06you had the other day.
00:58:08Rodrigo, you shouldn't pay attention
00:58:10to the nonsense that Ivan says.
00:58:12It's not nonsense, Paula.
00:58:14It's the reality.
00:58:16I don't believe in it.
00:58:18I don't believe in it.
00:58:19It's the reality.
00:58:21I don't belong to your social class.
00:58:23Again with that?
00:58:25Can you get that idea out of your head?
00:58:28Rodrigo, you and I don't have to ask permission
00:58:30from anyone to love each other,
00:58:32to be together.
00:58:34It's enough to feel the love
00:58:36we have for each other.
00:58:38I'm not sure that's enough.
00:58:42Paula,
00:58:45I love you with all my heart.
00:58:46There's nothing I want more
00:58:48in the world than to see you happy.
00:58:51But I really doubt
00:58:53you can do it with me.
00:58:55We should assume
00:58:58society will never allow it.
00:59:01Maybe
00:59:03we should assume
00:59:05that our relationship
00:59:08has no future.
00:59:12Rodrigo,
00:59:13Rodrigo,
00:59:16are you leaving me?
00:59:30I know it won't be easy
00:59:32to get back what we had,
00:59:34so I'd like to ask you something.
00:59:36This afternoon, when Agustín came to see me,
00:59:39how did you feel?
00:59:41Pietro!
00:59:43In Italy, you don't know
00:59:45what a bad luck it was
00:59:47to see your girlfriend
00:59:49the night before the wedding?
00:59:51Yes, but I couldn't sleep.
00:59:53I needed to see you.
00:59:55I've managed to get in touch
00:59:57with some ladies from high society.
00:59:59They've all been willing to collaborate
01:00:01and raise funds.
01:00:03So it's going to be
01:00:05a very important party
01:00:07and I'll need the right people.
01:00:09Pésar!
01:00:11I'm so happy to see you.
01:00:13What are you two talking about?
01:00:15One thing
01:00:17is that I have to swallow
01:00:19that you're still living under the same roof.
01:00:21And another very different thing
01:00:23is that you're getting pregnant
01:00:25with the perfume my husband gave you.
01:00:27My brother has made inquiries
01:00:29about his friend Mellado
01:00:31and as I suspected,
01:00:33he's not from Fiat.
01:00:35Are you insinuating that my friend
01:00:37is a swindler?
01:00:39I haven't had the opportunity
01:00:41to talk to you calmly
01:00:43because I'm more than delighted.
01:00:45Father, I thought that
01:00:47since you're the new owner of the gallery,
01:00:49you should be in charge
01:00:51of the presentations.
01:00:53It would be the right thing to do.
01:00:55Wow, Emiliano.
01:00:57It seems that your daughter
01:00:59has very clear ideas.
01:01:01She does.
01:01:03Another very different thing
01:01:05is that they're the right ones.
01:01:07I'm glad to see you too.
01:01:09The other day,
01:01:10when I went to pay the flour supplier,
01:01:12Teresa ran into a folder
01:01:14by chance
01:01:16and I couldn't help but take a look.
01:01:18Can you imagine the surprise I got
01:01:20when I saw that you were
01:01:22building a partnership with your nieces
01:01:24with the sole purpose
01:01:26of leaving me out of the inheritance.
01:01:28I want to introduce you to my friends.
01:01:30You're hurting me.
01:01:32If you resist,
01:01:34haven't you heard it, gentleman?
01:01:36Let her go, please.