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00:00:00We're lovers for more than 20 years.
00:00:02You shouldn't have gotten used to it.
00:00:04Lovers are affectionate, they have hope.
00:00:06I know I'm just a relief, and I'm not complaining.
00:00:09I'm just saying, after relieving yourself,
00:00:11you don't have to stay up.
00:00:13I wanted to take you to church.
00:00:15Sure, later we'll go to the vicarage
00:00:18and we'll get married as God says.
00:00:20We'll go to the town hall later to see what we can do.
00:00:21No, tomorrow, please.
00:00:24I have no impetus today.
00:00:26I'm going to the church.
00:00:29I'm not up for it.
00:00:30I'm so happy that you're going to help me
00:00:33at this charity party.
00:00:35We'll have to make a list.
00:00:36Yes, because the most elected people in Madrid have to come.
00:00:41Pietro.
00:00:43I took a wrong step.
00:00:45You're lying, it was a mistake.
00:00:50You can't say that out there.
00:00:52I'm telling you because you're a friend.
00:00:54Damn, what an intrigue.
00:00:58Synthetic fiber.
00:00:59The first to introduce this product in the market
00:01:02will become immensely rich.
00:01:03Deep down, I'm sorry.
00:01:06He's a good boy.
00:01:07With friends like Mellado, the good will last very little.
00:01:10He only gets close because money burns his hand.
00:01:12No matter how much affection you give him,
00:01:15she can't, nor should she, forget her sister,
00:01:17nor everything that happened.
00:01:19Her name was Inés, and no, I wasn't thinking about her.
00:01:23I was thinking about the stage.
00:01:25Maybe it would be a good time to start acting again.
00:01:28Hello.
00:01:30Laurita, I can't believe it.
00:01:33What are you doing here?
00:01:35Going home.
00:01:36You're worthless.
00:01:38You're useless.
00:01:39Calm down, Dad.
00:01:40I'll see if I can inherit before time.
00:01:41I'll punch you in the face.
00:01:43I'll punch you in the face.
00:01:44Let's go, please.
00:01:46Here it is.
00:01:49I'm sorry, Iván, I didn't know that was coming.
00:01:52I'm not the father of the foster child.
00:01:54What did you say?
00:02:00Say it again, Iván.
00:02:01Say it again, if you're so brave.
00:02:03What for?
00:02:04Aren't you aware that you're nothing but a loser?
00:02:07It's a fact, Rodrigo. Admit that you're not up to us.
00:02:09Stop it, you two.
00:02:11Have you lost your mind or what?
00:02:14We haven't lost anything.
00:02:15This is none of your business, sister.
00:02:17It's a man's business.
00:02:18A man's business or a garrule's business?
00:02:20Do you want to fight in the middle of the room?
00:02:23Is that what you want?
00:02:24To put on a show at home?
00:02:27No, of course not.
00:02:29Two educated men like you should be ashamed of yourselves.
00:02:33I couldn't even put my hand on you.
00:02:35Don't tempt fate.
00:02:37You'd better calm down.
00:02:38Why would I have to do it?
00:02:40Because I know that when you propose it,
00:02:41you'll be able to get anyone out of the kitchen.
00:02:45It's true.
00:02:47Let's have the party in peace.
00:02:48You'd better not do this again.
00:02:51I can't even imagine how Father would feel
00:02:53if he found you two involved in a fight.
00:02:55I don't think so, I promise you.
00:02:57I'm glad to hear that, Rodrigo.
00:03:00I don't want this, Iván.
00:03:02But there are things I'm not willing to put up with.
00:03:04Especially because they hurt me.
00:03:06They hurt you?
00:03:07Don't be cynical, man.
00:03:08I'm not.
00:03:09My words are sincere.
00:03:11And they hurt me because they come from someone
00:03:13who is like a brother to me.
00:03:15That's your problem, Rodrigo.
00:03:17Because for me, on the other hand,
00:03:18you've never been more than a poor man.
00:03:20Better poor than a penniless young man like you.
00:03:23You don't think so?
00:03:24Of course not.
00:03:25Always on the side of the rich.
00:03:26Or are you the one who asked a fairy godmother to protect him?
00:03:29Rodrigo, enough and enough to put yourself in your place.
00:03:32Just like me.
00:03:33Are you going to hit your brother?
00:03:35That's not a proper behavior of a young lady like you.
00:03:38Are you going to give me good behavior lessons?
00:03:40But you just called me Garulo.
00:03:43Who can understand you, little sister?
00:03:45Although, if I think about it coldly,
00:03:47I'm not surprised you hit me either.
00:03:49Studying engineering,
00:03:50driving motorcycles,
00:03:52fighting is all you need to become a real man.
00:03:56Watch what you say, Ivan.
00:03:58I tremble with fear.
00:04:01Look, if you've had a bad day, it's not our problem.
00:04:05You'd better go to your room
00:04:07and don't leave until you learn to live with more people.
00:04:09You're no one to give me orders.
00:04:11To be mean to someone, you already have this one.
00:04:13Look, Ivan. It's not worth it, Paula.
00:04:18You're pathetic.
00:04:21Calm down.
00:04:23I can't take it anymore.
00:04:24I swear I can't take it anymore.
00:04:37The modern woman wrote
00:04:39our love poem
00:04:45There are places that are never forgotten
00:04:49Mine is in your heart
00:04:53Like in a chess game
00:04:56You and I, without knowing it
00:04:57We're playing love
00:05:01There are dreams that are for life
00:05:05And they're always a blur
00:05:09You and I are more
00:05:11We want to fly
00:05:14Ours is a journey to the sun
00:05:19Forever, you and I
00:05:23Dreaming in a room
00:05:27We're seagulls that don't have you
00:05:31In the modern world, love is possible
00:05:35Forever, you and I
00:05:39A single heart
00:05:43We're brave, if you don't understand it
00:05:47In the modern world, there's a better world
00:05:51The modern woman wrote
00:05:54our love poem
00:05:58You and I are more
00:06:02We want to fly
00:06:05Forever, you and I
00:06:09Dreaming in a room
00:06:13We're seagulls that don't have you
00:06:16In the modern world, love is possible
00:06:21Forever, you and I
00:06:24I've put the apartment to your liking.
00:06:26You didn't tell me you were coming back.
00:06:29Well, I thought you'd let me know before and give me some time to sort it all out.
00:06:36Oh, it's so clean and tidy.
00:06:42I don't know, maybe I should find a place to stay.
00:06:47A good pension while I find an apartment.
00:06:50No, Laurita, no.
00:06:52This is your house. The guy left it for both of us.
00:06:55Do you know what he'd do if he found out that one of his nieces is staying in a pension?
00:07:00Well, who says pension says hotel.
00:07:04I don't want to bother.
00:07:06But, Laurita, you don't bother.
00:07:08I'm delighted you're back.
00:07:12And I'd like you to be by my side.
00:07:16Okay.
00:07:18If it's important to you, I'll stay on guard.
00:07:21Yes, but I don't mean just that.
00:07:24I could always be by your side.
00:07:27At work, at rehearsals, at premieres...
00:07:32Inés, don't worry. I've just arrived.
00:07:36And I want to have my own plans.
00:07:38Yes, yes, of course.
00:07:41And... have you thought about something?
00:07:46No.
00:07:48The truth is, no.
00:07:50But I'll have to do something. I can't live off the air.
00:07:53Well, don't worry about that.
00:07:55I'll run with the expenses until you find something.
00:07:58You already did when I stayed in Madrid, didn't you?
00:08:01Yes, but...
00:08:03Well, if I need it, I won't hesitate to ask.
00:08:05But for now, I have enough to throw away.
00:08:10Well, can you help me put things in the closet?
00:08:14Yes, yes, of course.
00:08:18I'm sorry, it's just that...
00:08:20Well, you know how it is with the actresses who repeat the dress.
00:08:24No, no, don't worry.
00:08:27I'll manage, and I don't need a lot of space either.
00:08:36Yes, it's just that sometimes she falls asleep.
00:08:39But don't worry, I'll tell her I can't do it anymore.
00:08:42Will you do it for me?
00:08:44Yes.
00:08:49Inés, I think I should look for something.
00:08:52I don't want to interfere in your life as a couple, and it will be best for the three of us.
00:08:56No, Laurita, really.
00:08:58This is your house.
00:09:00And if you don't want Agustín around here, you'll have to understand.
00:09:05Come on, I'll help you.
00:09:09Look, you can put this one there, on the left.
00:09:13Here?
00:09:14Yes.
00:09:19Well, here's Mr. Fermin's coffee.
00:09:22And here's Mrs. Villanueva's coffee.
00:09:26If you want some more sugar, or if you feel like a sweet, or some fruit,
00:09:30like some freshly made melocotones,
00:09:32make me a gesture and I'll come right away.
00:09:34Now, if you'll excuse me.
00:09:38It seems that Elías values you much more than me.
00:09:41No, you know how he is.
00:09:43He loves to be nice to the ladies.
00:09:46By the way, remember that I'm going to Pedraza's house today.
00:09:49Because of the auction, right?
00:09:50Exactly.
00:09:51The truth is that Maruja has everything under control,
00:09:54but I think she'll appreciate that I help her.
00:09:56Help always comes...
00:10:03I can't believe it.
00:10:05I can't believe it.
00:10:07A little bit, darling.
00:10:10You know how much I wanted to see you.
00:10:13I also wanted to hug you.
00:10:16But you didn't tell us.
00:10:17We would have sent a car to the station.
00:10:19I wanted it to be a surprise.
00:10:21It seems that Germany has treated you very well,
00:10:23because you are as handsome as always.
00:10:26And you are still as disciplined as always.
00:10:28I'm sorry I couldn't come to your wedding.
00:10:31No, you don't have to give us any explanation right now.
00:10:33We know perfectly well that you needed your time to...
00:10:37to return to Madrid.
00:10:39I hope you have regained your courage.
00:10:42Yes, I am perfectly.
00:10:44If what they say is true, that time and distance cure everything...
00:10:50Laurita, darling.
00:10:55Esperanza, for God's sake.
00:10:56These are not manners.
00:10:57I couldn't help it.
00:10:59I'm so happy to see you here.
00:11:01I already thought you were staying abroad forever.
00:11:04Damn, Esperanza.
00:11:05I didn't know I valued my niece so much.
00:11:07Don't tell me that, Mr. Fermin.
00:11:09You know I've valued her since the first time she stepped foot in the living room.
00:11:12She was so little.
00:11:14I've also missed you a lot, Esperanza.
00:11:16Well, you and all your colleagues.
00:11:18Germans have a lot of good things, but they are not so familiar.
00:11:22You'll see how happy everyone will be when they see you.
00:11:25Especially Antonia.
00:11:26Well, and Trini too.
00:11:27What happens is that it's not time for a lot of parties.
00:11:30Let's go say hello.
00:11:32May I?
00:11:33How can I refuse?
00:11:35Maybe we'll talk more calmly.
00:11:37We have to get ready.
00:11:45And now that you're here,
00:11:47could you get me a couple of tickets for the movie premiere?
00:11:50I'll talk to my sister, but I guess it's just a couple.
00:11:53No problem.
00:11:54I trust you.
00:11:55Well, who says a couple, says six, seven, eight, nine.
00:11:58Everyone wants to go.
00:12:01Allora.
00:12:03Sessanta grammi di mantechiglia fondita.
00:12:08Trecentocinquanta di mantechiglia in bloc.
00:12:16Sì.
00:12:24E l'arina?
00:12:31Quanto era di arina?
00:12:34Good morning, Pietro.
00:12:36I hope you're having fun with the sheet.
00:12:38Let's see, we're fine with dryness,
00:12:40but we can't sleep in the laurels.
00:12:42You have a few pastas left.
00:12:44Rosquillas.
00:12:46Milhojas.
00:12:47Meringues are also a few.
00:12:49Slowly, Mrs. Teresa, please.
00:12:51And I ask you not to talk to me while I'm working.
00:12:54Oh, I'm sorry.
00:12:55I didn't want to distract you.
00:12:57Oh, I'm sorry.
00:12:58I didn't want to distract you.
00:13:00No, it's fine.
00:13:01But don't do it anymore.
00:13:03Because I need silence when I'm making a dough.
00:13:06Look, I'll leave you the list of what needs to be repositioned.
00:13:09And when you can, take a look.
00:13:11Yes, yes, why not.
00:13:13I'll leave it here.
00:13:14Ah, and we have to talk about the cocktail
00:13:16that we're going to give for the premiere of Inés' film.
00:13:18So when you have a moment, look for it.
00:13:20Yes, we'll talk about it now.
00:13:22Can I continue with the dough?
00:13:23Yes, yes, yes, of course.
00:13:24Thank you very much.
00:13:28Good morning.
00:13:29Well, it was for some,
00:13:30because others have risen with their left foot.
00:13:35Honey, I called the judge and they have a slot tomorrow morning.
00:13:40That's great.
00:13:42That's great, alone.
00:13:44I thought you would be more excited to marry me.
00:13:46What happened with the client?
00:13:48Nothing, I was preparing a puff pastry,
00:13:51Teresa arrived and started talking to me
00:13:54and the saint went to heaven with the proportions.
00:13:58I was left blank, Antonia.
00:14:00500 of flour and 250 of water?
00:14:04That's it.
00:14:06I don't know how I could forget, Antonia.
00:14:08I don't know.
00:14:09I've been doing this dough all my life.
00:14:13Honey, it's okay.
00:14:14I've forgotten the name of people I've known for a long time.
00:14:18They say it happens when you're very tense.
00:14:20Yes, that's it.
00:14:21It's a lot of work, it doesn't stop here.
00:14:25Well, maybe you're nervous about the wedding.
00:14:30What? Are you happy?
00:14:32Of course I'm happy.
00:14:35Marrying you is what I want the most in my life.
00:14:40Hey, what if we take a few days to be together?
00:14:43I'm not telling you the great trip of a boyfriend,
00:14:45but maybe a few days to rest.
00:14:48I'd like nothing more, Antonia, but I can't right now.
00:14:51There's a lot of work.
00:14:54But we'll do it, I promise.
00:14:56Well, whatever.
00:14:58Then come to your rest time
00:15:00and we'll tell Mr. Fermin tomorrow morning.
00:15:02Okay.
00:15:03Okay.
00:15:05Antonia.
00:15:06Yes.
00:15:07How much flour was it?
00:15:09How silly.
00:15:17It's okay.
00:15:47Let's go.
00:15:54They went that way.
00:15:55Keep looking.
00:16:18You wanted to fight yesterday, didn't you?
00:16:26Quite the opposite.
00:16:28I want to make peace with you.
00:16:32Is this about my sister?
00:16:34Is it?
00:16:35I'm afraid she'll poke a bone.
00:16:37It's about me, Ivan.
00:16:39I've already told you I don't want us to always be like this
00:16:42and I'd like our relationship to be like before.
00:16:46I don't know what you mean.
00:16:47Yes, you know what I mean.
00:16:49Another thing is that you pretend not to know.
00:16:51That we grew up together, Ivan.
00:16:53That we spent the afternoons playing.
00:16:57You know you've always been the brother I've never had.
00:17:00Rodrigo, I don't like to repeat myself.
00:17:03I've already told you the problem is yours
00:17:05for fantasizing about being the brother of someone like me.
00:17:09You say that now,
00:17:10but not so long ago you really appreciated me
00:17:12as a brother.
00:17:13It was child's play, Rodrigo.
00:17:15But how could we be brothers?
00:17:17A lot of things separate us,
00:17:19starting with the social class we belong to.
00:17:22In the hacienda, that doesn't seem to matter to you.
00:17:24In the hacienda, things were very different.
00:17:26And we're not in the hacienda anymore.
00:17:28Look, Rodrigo, you can try as hard as you want,
00:17:31take care of my sister,
00:17:33make merits in front of my father,
00:17:35but it will be of no use
00:17:36because here you are nothing more than the boy
00:17:38who works for the Pedraza.
00:17:41Look, Iván,
00:17:43it's not my fault you couldn't win your father's trust
00:17:46and I'm not going to pay for it.
00:17:48All I'm asking is that we can live together peacefully.
00:17:52That's easy.
00:17:53The less you let yourself be seen around here,
00:17:55the less likely the coexistence will go wrong.
00:17:58But, Iván, please reason.
00:18:00Your parents, your sister and you,
00:18:02you are like a family to me.
00:18:04I don't want conflicts between us.
00:18:06Let's see if you find out.
00:18:07You are not part of the family.
00:18:09You are inferior.
00:18:29Good morning, Emiliano.
00:18:30Good morning.
00:18:32Very busy?
00:18:33Even if I were, because of my friend Fermín,
00:18:36I leave everything.
00:18:37I leave everything.
00:18:40Would you like something to drink?
00:18:41No, thank you.
00:18:42I just had breakfast with my wife.
00:18:44Oh, the life of a married man.
00:18:46How wonderful.
00:18:48For me, at least, it's going great.
00:18:50Oh, yes?
00:18:51Ah, well,
00:18:52that means you've come up with the secret formula
00:18:54for a marriage to work.
00:18:56Which is essentially
00:18:58that the husband always says the last words.
00:19:01Yes, darling.
00:19:02Yes, dear.
00:19:03Yes, my love, whatever you want.
00:19:05I'll take notes.
00:19:06I'll take notes.
00:19:07But you can imagine that I have not come here
00:19:09to ask you for advice on marital life.
00:19:12I have come to talk to you about business.
00:19:14Specifically, about your business,
00:19:16which you were talking about yesterday.
00:19:18Good.
00:19:19I've been thinking about it and
00:19:22I've decided that
00:19:25I'm going to invest.
00:19:27I hardly believe it.
00:19:28It's great, it's great, but
00:19:31tell me you've studied it well.
00:19:32I have plenty of liquidity,
00:19:34if that's what worries you.
00:19:35Besides, money has to be moved,
00:19:37otherwise it ends up evaporating, right?
00:19:40But well, as you will understand,
00:19:42I'd like to know something more about that fiber.
00:19:46Fiber.
00:19:47Synthetic fiber.
00:19:49It's a fiber as fine as silk
00:19:51and as resistant as cotton.
00:19:53It's a revolution, Fermin.
00:19:54Everything we do along that path will make us rich.
00:19:57Or,
00:19:59if we are able to be the first to develop it,
00:20:02immensely rich.
00:20:04Yes, but I understand that we will not be the only company
00:20:06that is experimenting to give with the formula of that fabric.
00:20:10Okay, that's how it is.
00:20:12That's why it's so important to be the first.
00:20:14But anyway,
00:20:15to detect a need, to launch an immediate response.
00:20:18Right?
00:20:19That, we would say, is the gold standard of the world,
00:20:21of the company, which I'm going to tell you about.
00:20:23And another thing, well, anyway,
00:20:25like any new business, it involves a certain risk.
00:20:27Yes, yes, yes, yes.
00:20:29Whoever doesn't take a risk doesn't win.
00:20:30Yes, I'll take care of it.
00:20:31I've been in front of a business for many years.
00:20:35Emiliano,
00:20:37I fully trust your instinct.
00:20:41So, well,
00:20:42by the way,
00:20:43an instinct that seems to have inherited your daughter Paula.
00:20:46You'll be very happy, won't you?
00:20:49Well, yes.
00:20:50Yes, of course.
00:20:52Emiliano, we know each other. What's up?
00:20:55Aren't you glad
00:20:56that Pablo is going to open a women's clothing store tomorrow?
00:20:59I'm glad,
00:21:00on average.
00:21:01Because that idea of democratizing fashion,
00:21:04what do you want, Fermín, I don't share it.
00:21:06It must be a madness of youth, but...
00:21:08Forgive my ignorance, Emiliano,
00:21:09but what does that mean,
00:21:11to democratize fashion?
00:21:13No, no, yes, it has to be explained.
00:21:15Let's say that what she intends is for ordinary women
00:21:18to be able to dress like a real lady.
00:21:21From my point of view, a terrible mistake.
00:21:24But I've insisted on it a lot.
00:21:26Paula doesn't listen to reasons.
00:21:28You know how today's youth is.
00:21:30No, yes, I'll let her do it.
00:21:33She'll realize on her own.
00:21:35When the store sinks,
00:21:37then she'll remember my advice.
00:21:39Well, in any case,
00:21:40the most important thing now is to recognize the girl,
00:21:42the push she has to get her own business going, right?
00:21:50It has also been a pleasure for us.
00:21:52And thank you for everything, from the bottom of my heart.
00:21:59Let's go to the living room.
00:22:01Well, what a class the blond sisters have.
00:22:04And what such interesting contributions
00:22:06they have made for the auction.
00:22:08Yes.
00:22:09Excuse me.
00:22:10Will Mrs. Lázara stay to eat?
00:22:12No.
00:22:13No, thank you very much.
00:22:14Maybe another time.
00:22:15You can leave, Pepita.
00:22:19Sorry for the interruption.
00:22:20It won't happen again.
00:22:21What were we talking about?
00:22:23Of the objects we have obtained for the auction.
00:22:25Yes.
00:22:26By the way,
00:22:27the wild pearl of the Philippines.
00:22:31This imperfection that it has
00:22:32makes it a unique piece.
00:22:34And what do you tell me about the watercolors
00:22:36of the ceramicist Zuloaga?
00:22:38They are a delicacy.
00:22:40I am not surprised that he used them
00:22:42to design the tiles of the Crystal Palace.
00:22:44Neither do I, of course.
00:22:46Although, if I am honest with you,
00:22:48I would be delighted by the quixote they have offered us.
00:22:51It's wonderful.
00:22:53Of course, the tiles are wonderful.
00:22:56It seems a lie that it was edited in the 19th century
00:22:59because it is preserved wonderfully.
00:23:02Anyway,
00:23:04I stay with the double passage
00:23:06of the cruise through the Nile.
00:23:08I'm sure Fermin would enjoy it very much
00:23:10listening to the Egyptologist.
00:23:12Eduardo Tota.
00:23:13So,
00:23:14do you think we have obtained good objects
00:23:16for the auction?
00:23:17Yes.
00:23:18Let's see,
00:23:19they are not masterpieces,
00:23:20but they are very valuable objects.
00:23:22I am convinced
00:23:23that people from high society like you
00:23:25will appreciate them.
00:23:27Well,
00:23:28I would like to get involved in high society
00:23:30as I did before,
00:23:32but it is difficult for me to get used
00:23:34to life in this country.
00:23:36Yes?
00:23:37I thought that being Spanish
00:23:39it would be easy for you to start here again.
00:23:41Lazara,
00:23:42the Spain that I left when I got married
00:23:44was very different from the one I found around.
00:23:48But well,
00:23:49I also suppose that we were already adapted
00:23:51to life in the hacienda.
00:23:53Emiliano is not comfortable either.
00:23:55I thought more about my son Ivan.
00:23:58Yes, Paula had already lived in England
00:24:00and is more determined,
00:24:02but Ivan,
00:24:04well, he is much more dreamy
00:24:06and less focused.
00:24:08Excuse me if I am indiscreet,
00:24:10but
00:24:11why does your son Ivan
00:24:13not help Emiliano
00:24:15with family businesses,
00:24:17the same as the boy you have here at home?
00:24:20Rodrigo has managed to gain Emiliano's trust
00:24:23and that is dominating Ivan's morale.
00:24:26He knows that in the eyes of his father,
00:24:28Rodrigo is much better than him.
00:24:31I suppose that for Ivan it is not easy
00:24:33to live in the shadow of the son of the maid.
00:24:35No,
00:24:36it has not been.
00:24:38That has made him lock himself in a shell
00:24:40and get the worst out of himself.
00:24:43Well, maybe the change of airs is good for him.
00:24:46That's what I thought,
00:24:48but seeing the life he has been leading,
00:24:50I begin to have serious doubts.
00:24:52Oh, excuse me,
00:24:54excuse me
00:24:55for having been so happy
00:24:57for everything we have achieved.
00:24:58Forgive me.
00:24:59That's what friends are for.
00:25:01You can tell me anything.
00:25:03And as for Ivan, don't worry.
00:25:05You think?
00:25:06He will find his way,
00:25:07you just have to trust him.
00:25:11Let's make a count.
00:25:12Yes?
00:25:19I have to tell you that I am intrigued
00:25:21and a little uneasy.
00:25:23I hope they don't come to tell me
00:25:24that they are leaving La Moderna.
00:25:29Don't worry, Don Fermin.
00:25:31You changed the rules because of us.
00:25:33Besides,
00:25:35this is our house.
00:25:37We have no good intention of leaving.
00:25:39That's right.
00:25:40And you, like the others,
00:25:42are our family.
00:25:43Of course.
00:25:44That's very good.
00:25:45So, what's going on?
00:25:49Excuse me, Don Fermin.
00:25:51I sent the notice
00:25:52when I was in the upper room.
00:25:54Notice?
00:25:55What notice?
00:25:56I didn't give you any notice.
00:25:58I sent the message that you were running
00:26:00to your office,
00:26:01that you wanted to talk to me.
00:26:02Me?
00:26:03I didn't...
00:26:06Come in, Esperanza.
00:26:07Come in, come in.
00:26:10I don't think it's me
00:26:11who wants to talk to you.
00:26:14I don't think it's me
00:26:15who has to tell you something.
00:26:17Who has to tell us something,
00:26:19if I'm not mistaken?
00:26:21Don't worry, Esperanza.
00:26:23Yes, we're going to tell you something,
00:26:25but please, Esperanza,
00:26:26don't be afraid
00:26:28and don't scream.
00:26:30We'll do our best.
00:26:31Tell us, tell us.
00:26:34Well,
00:26:36tomorrow, at the first hour,
00:26:39Pietro and I are getting married.
00:26:43I'm sorry.
00:26:44It'll be a civil thing,
00:26:45and we need two witnesses, and...
00:26:49We'd like you two to be there.
00:26:52If you want.
00:26:53How can I not be afraid?
00:26:55With the joy you've given me.
00:26:56Oh, my God.
00:26:59It's better to keep it a secret.
00:27:01We don't want to tempt fate
00:27:02and end up with the last wedding.
00:27:04That's it.
00:27:05We'll do it discreetly,
00:27:06so as not to get caught.
00:27:07And when we're married,
00:27:09we'll tell the rest.
00:27:11Is that possible, Esperanza?
00:27:13For the Virgin of El Rocío,
00:27:14I don't count half.
00:27:16Knowing you,
00:27:17you're capable of punishing me
00:27:18without being your witness.
00:27:21Well,
00:27:22I think you already have
00:27:23the two witnesses you need.
00:27:25And if you'll allow me,
00:27:27I'll be very happy
00:27:28to take you to court in my car.
00:27:30Thank you very much, Mr. Fermi.
00:27:32There's nothing to thank for, Antonia.
00:27:34Well,
00:27:35see you tomorrow morning
00:27:37at the gallery door
00:27:38before they open,
00:27:39so we can all leave together.
00:27:41And congratulations again.
00:27:42Again?
00:27:46And of course,
00:27:47that also includes the other witness.
00:27:50The Mother of the Lamb?
00:27:52How can I go in that car
00:27:53to my friend's wedding
00:27:54with this bun?
00:27:56I have to call Gregoria
00:27:57and talk to her
00:27:58to see if she can comb my hair
00:27:59tonight and let go of my hair.
00:28:01Esperanza, if it's a problem,
00:28:02we can find someone else.
00:28:04No, no.
00:28:05I'll be your witness.
00:28:06Oh, Antonia.
00:28:07Give me a hug.
00:28:09I love you.
00:28:20Can I bother you?
00:28:22Come in, come in.
00:28:27We have to talk about the auction, Emiliano.
00:28:30I need your help.
00:28:31I thought Lázaro and Fermín
00:28:32were helping you.
00:28:34No, no.
00:28:35That's not why.
00:28:36Don't get me wrong.
00:28:37Lázaro and Fermín are great
00:28:39and they're helping
00:28:40in everything they can.
00:28:42That's not what I want to talk to you about.
00:28:45Well,
00:28:46if what worries you
00:28:47is not being able to get
00:28:48the funds you need
00:28:49to help those children,
00:28:51I'll give you a check
00:28:52for the difference.
00:28:54Wow.
00:28:55Thank you very much, Emiliano.
00:28:57That's very generous of you.
00:29:01But it's not about money either.
00:29:04It's very possible
00:29:06that Elena Cavalieri,
00:29:10the niece of the Italian ambassador,
00:29:12will attend.
00:29:13And?
00:29:16I beg you this time
00:29:18to dismiss this house,
00:29:21our marriage,
00:29:23and your children and friends
00:29:24who will also be present.
00:29:29Let's see.
00:29:31Let's see if I understand.
00:29:33What are you asking me?
00:29:35To avoid her?
00:29:37To pretend I don't know her?
00:29:40Maruja, I like to surround myself
00:29:41with interesting people.
00:29:43And Elena is.
00:29:45You're not going to make me
00:29:46a scene of jealousy, are you?
00:29:47At this point?
00:29:48No, Emiliano.
00:29:49I'm just asking you
00:29:51to keep a certain distance from Cortés
00:29:54during the reception and auction.
00:29:57Before and after,
00:29:58you can do whatever you want.
00:30:02As always.
00:30:03I'll take note.
00:30:05Thank you, Emiliano.
00:30:06But I promise you nothing.
00:30:13That answer was completely unnecessary.
00:30:16And what am I supposed to answer?
00:30:19If you don't want me to talk to someone,
00:30:20don't invite him to my house.
00:30:22I had to do it.
00:30:23Otherwise, his uncle could get upset.
00:30:25Don't think I didn't think about it.
00:30:27Then the problem is yours,
00:30:30not mine.
00:30:33But let's see.
00:30:36You don't have enough with Pepita.
00:30:43Is she not enough for you?
00:30:47The truth?
00:30:49No.
00:30:51How dare you
00:30:53say that to me?
00:30:55So calmly.
00:30:57As if I were nobody.
00:31:00You asked me a question
00:31:01and I answered you.
00:31:02With all honesty.
00:31:04I don't know.
00:31:05What do you want?
00:31:07What do you want?
00:31:08For me to lie to you?
00:31:09Yes, to lie to you
00:31:10so you'll be happier
00:31:11or more blind
00:31:12or more...
00:31:13whatever you want.
00:31:15But you can't keep
00:31:16a certain distance
00:31:17from Cortés.
00:31:18You can't keep
00:31:19a certain distance
00:31:20from me.
00:31:22Well, from us.
00:31:24From your children.
00:31:25I am what I am.
00:31:27I've never lied to you.
00:31:29That's true, yes.
00:31:31As soon as I gave you
00:31:32the two children you were expecting,
00:31:35you went back to your life
00:31:37and went to your bed.
00:31:38What about me?
00:31:40What about me?
00:31:41No, no, no.
00:31:42Wait, say it, say it.
00:31:44Maruja, say it.
00:31:45Say it.
00:31:46I want you to say it.
00:31:47Say it.
00:31:48You know, those things,
00:31:49if you keep them inside,
00:31:50they end up becoming
00:31:51a disease.
00:31:52No, I won't miss it.
00:31:54Because she is also a victim.
00:31:56But her presence here
00:31:57in this house
00:31:58serving your own family
00:32:00is a permanent insult
00:32:03for both of us.
00:32:05And you know it.
00:32:06So now the problem
00:32:07is Pepita.
00:32:09Let's see, Maruja,
00:32:10why don't you focus more
00:32:12on everything you do have
00:32:14and not so much
00:32:15on what you lack?
00:32:16Because here I am
00:32:17fulfilling the minimum
00:32:18you demanded of me.
00:32:20You asked me for discretion
00:32:21and here we are.
00:32:22In 20 years
00:32:23no one has found out
00:32:24about us.
00:32:25Not Paula, not Iván,
00:32:26not Rodrigo.
00:32:27No one.
00:32:28It's with the only thing
00:32:29you're committed to, yes.
00:32:30But you don't do it
00:32:31to protect them.
00:32:33Much less me.
00:32:34There would be more.
00:32:36You are the one who protects yourself
00:32:37under all those layers
00:32:38of secrets,
00:32:39of lies,
00:32:40that I don't know
00:32:41how you can live like that.
00:32:42Whatever you want, Maruja.
00:32:44But here,
00:32:45the important thing is
00:32:46that I have fulfilled
00:32:47what we agreed on.
00:32:48Yes, right?
00:32:50Well, that's it.
00:32:53Don't think about
00:32:54those silly things.
00:32:56That beautiful little head
00:32:57you have
00:32:58doesn't give you much.
00:33:01When these attacks
00:33:02of dignity happen
00:33:04you become unbearable.
00:33:07Of course.
00:33:09It's true.
00:33:11There was a moment
00:33:12when I was obsessed.
00:33:15I wondered
00:33:16what the others had,
00:33:18what Pepita had
00:33:20and what I didn't have.
00:33:23Or I just couldn't give you.
00:33:28How silly.
00:33:29Do you really want to know?
00:33:42What I thought.
00:33:46Oh, Antonia.
00:33:47I'm so happy
00:33:48about your wedding.
00:33:49But I want you to know one thing.
00:33:51No matter how much
00:33:52you call yourself a witness,
00:33:53I consider myself your godmother.
00:33:55Very well.
00:33:56You can consider yourself
00:33:57whatever you want.
00:33:58But please,
00:33:59don't let me down.
00:34:00Be there
00:34:01like a nail.
00:34:03And have you thought about Arra?
00:34:04If you want,
00:34:05I can take you to the altar
00:34:06or wherever
00:34:07you want Arra
00:34:08to take you to court.
00:34:09No, no.
00:34:10Leave Arra.
00:34:11It's a wedding
00:34:12as discreet as possible.
00:34:13What we want is to get there
00:34:14and sign in front of the judge
00:34:15and start calling each other
00:34:16husband and wife.
00:34:17Finally.
00:34:18I see.
00:34:19And aren't you ashamed
00:34:20of not getting married
00:34:21at the church
00:34:22with the beautiful dress you had?
00:34:23Well, a little bit.
00:34:24I'm not going to lie to you,
00:34:26but I want to get married now
00:34:28and I don't want the wedding
00:34:30to be ruined, for God's sake.
00:34:32Are you sure about that?
00:34:34Yes, yes.
00:34:35I want to marry Pietro.
00:34:38Well, we'll have time
00:34:39to go to church
00:34:40and the priest will bless us.
00:34:42Well, you know,
00:34:43I don't understand
00:34:44what you're talking about.
00:34:46But come on,
00:34:47if you're sure
00:34:48that church is nothing,
00:34:49then that's it.
00:34:50Well, it's not nothing.
00:34:51I've already promised Pietro
00:34:52that tomorrow afternoon
00:34:53we're going to the hermitage
00:34:54of San Antonio de la Florida
00:34:56and I'm going to leave
00:34:57the bouquet of flowers
00:34:58at the feet of the saint.
00:34:59Oh, that's a very good idea.
00:35:00Although, well,
00:35:01I would prefer
00:35:02that you give me the bouquet,
00:35:03but somehow
00:35:04you have to thank
00:35:05the one above.
00:35:09And now,
00:35:10what am I supposed to do?
00:35:11Oh my God, Trini, don't worry.
00:35:13He's going to give you something.
00:35:14What's wrong?
00:35:16Well, nothing,
00:35:17I just called my neighbor,
00:35:19Almudena,
00:35:20to find out how Leon was
00:35:21and he told me
00:35:22he spent all morning crying.
00:35:23Crying.
00:35:24Oh my God, poor thing.
00:35:26What's going on with him?
00:35:28Maybe it's gas.
00:35:29It happens a lot.
00:35:30Of course,
00:35:31maybe he misses you.
00:35:32Because the kids at that age
00:35:34miss you a lot.
00:35:37You think?
00:35:38You think?
00:35:41Oh my God,
00:35:42I'm a horrible mother.
00:35:44Horrible.
00:35:45Who would have thought?
00:35:47Who would have thought
00:35:48to leave their son
00:35:49with the neighbor?
00:35:50I'm the worst mother in the world,
00:35:51really,
00:35:52and he's perfect.
00:35:53He's perfect
00:35:54and he doesn't deserve this.
00:35:55He deserves someone better,
00:35:56much better than me.
00:35:57Trini, listen to me.
00:35:58You're doing a great job.
00:36:01Bringing a child into the world
00:36:02and raising him is very difficult.
00:36:04But you're not going to be
00:36:05the first or the last.
00:36:06And look,
00:36:07what you have to do
00:36:08is breathe
00:36:12and don't force yourself
00:36:13to do everything.
00:36:14But that's what other mothers do.
00:36:15When I see them,
00:36:16they always do everything.
00:36:17And why don't I?
00:36:18Those who can do it do it.
00:36:20And those who don't,
00:36:21ask for help.
00:36:22Their neighbors,
00:36:23their classmates.
00:36:24It would make the world
00:36:25a lot easier
00:36:26if we didn't help each other.
00:36:27Well,
00:36:28why don't you call your mother
00:36:29and ask her to help you?
00:36:30A mother does anything
00:36:31for her son.
00:36:32Well,
00:36:33imagine a grandmother
00:36:34for her grandson.
00:36:35Well,
00:36:36thank you for your words,
00:36:37really.
00:36:38And I don't rule out
00:36:39asking for help.
00:36:41The idea of hope is very good.
00:36:42Why don't you call your mother?
00:36:44Because my mother and Miguel
00:36:45have a cordial relationship.
00:36:47Nothing more.
00:36:48And I don't think
00:36:49it would be very funny
00:36:50for Miguel to have my mother
00:36:51around at home.
00:36:52Well,
00:36:53at least call her
00:36:54and vent.
00:36:55Besides,
00:36:56she can give you more
00:36:57parenting advice
00:36:58than we do.
00:36:59That's true.
00:37:00And she knows
00:37:01what a daughter has raised.
00:37:02Well, it's true.
00:37:03Well, I'm going to call her.
00:37:04Of course I'm going to call her
00:37:05because I also need
00:37:06to feel like a daughter
00:37:07for a while at least.
00:37:10A little early.
00:37:32Good afternoon, Gielo.
00:37:35You should go out
00:37:36to get some fresh air.
00:37:37It's so nice out.
00:37:39I wish I could, dear.
00:37:41Well, at least one of us
00:37:42can enjoy
00:37:43these good days
00:37:44they're having.
00:37:45No, no.
00:37:47The truth is
00:37:48that we immediately ended
00:37:49the issue
00:37:50of the charity auction.
00:37:53But since I had the morning off,
00:37:54I decided to take advantage
00:37:55and do some shopping
00:37:56around town.
00:37:57Well, if you had given me a visa,
00:37:58I would have come with pleasure.
00:38:01Although I have to confess
00:38:02that I have been very well
00:38:03accompanied
00:38:04during your absence.
00:38:06I didn't know you had
00:38:07a business dinner.
00:38:08No, no.
00:38:09I didn't.
00:38:10I had dinner with Laurita.
00:38:14I want to spend all the time
00:38:15I can with her
00:38:16in case she decides
00:38:17to return to Germany.
00:38:19That's normal.
00:38:21You care a lot about your nieces.
00:38:23Has she told you
00:38:24if she plans to leave again soon?
00:38:25No, she hasn't told me anything.
00:38:27I would like her to stay
00:38:28so much
00:38:29and to take up
00:38:30her position as a publicist again.
00:38:32I'm very worried
00:38:33when she's far away.
00:38:35If she lives
00:38:36two floors up
00:38:37and something happens,
00:38:38I can help,
00:38:39but if she lives
00:38:40in a foreign country,
00:38:41I can't do much.
00:38:42You're right about that.
00:38:43What about Agustín?
00:38:44Has he told you anything about him?
00:38:46No, no.
00:38:47Barely anything.
00:38:48I don't know.
00:38:49I didn't want to insist.
00:38:50I hope he gets over it.
00:38:55The company is very nice,
00:38:56but I have to keep studying
00:38:57these documents.
00:39:05Fermín!
00:39:09Yes, tell me.
00:39:11I left you this.
00:39:13What is it?
00:39:14Nothing.
00:39:15Nothing important.
00:39:16A liquor supplier
00:39:17made me a proposal
00:39:18and I have to study it.
00:39:22You're right.
00:39:24It's better
00:39:26to finish it as soon as possible.
00:39:28If you need my help,
00:39:29I can lend you a hand.
00:39:30I'm sure we'll both find
00:39:31the best proposal
00:39:32from the liquor suppliers.
00:39:34What suppliers?
00:39:36The ones you told me about yesterday.
00:39:39In fact,
00:39:40this is the folder.
00:39:42You left it forgotten
00:39:44in the register.
00:39:46Yes, yes.
00:39:47Look, this morning
00:39:48I closed the deal
00:39:49with the supplier
00:39:50and I forgot about it.
00:39:54You didn't tell me anything.
00:39:57Cielo,
00:39:58are you sure
00:39:59you need my help?
00:40:00Yes.
00:40:02I'm sorry, Mr. Fermín.
00:40:03I just wanted to tell you
00:40:04that in a little while
00:40:05I'm meeting with Pietro
00:40:06about the premiere of the film.
00:40:08Perfect,
00:40:09because we're almost there.
00:40:11Well, don't worry,
00:40:12we'll be there.
00:40:14About going there,
00:40:15there are some suppliers
00:40:16that we should fire.
00:40:17If you have a moment,
00:40:18Mrs. Lázara,
00:40:19I'd like us to give this
00:40:20and proceed quickly.
00:40:21You'd better stay
00:40:22in my office
00:40:23because I have to go
00:40:24and solve some issues
00:40:25that don't...
00:40:27that don't take long.
00:40:34See you later.
00:40:43I thank you from the bottom of my heart,
00:40:44but it wasn't necessary.
00:40:46Well, look,
00:40:47of all the invitations
00:40:48I've distributed,
00:40:49this is the most deserved
00:40:50of all.
00:40:52And can you tell me
00:40:53why you have so much
00:40:54consideration for me?
00:40:55Because you gave
00:40:56Inés the first chance
00:40:57in this very place.
00:40:59And if right now
00:41:00she's a star,
00:41:01it's thanks to you
00:41:02trusting her.
00:41:04Inés's talent
00:41:05is undeniable.
00:41:06I would have achieved it
00:41:07both with my help
00:41:08and without her.
00:41:09Then...
00:41:11I'll tell her she'll come.
00:41:13I'll try.
00:41:15That's all
00:41:16I can tell her.
00:41:18At that time,
00:41:19the clientele is very tight
00:41:20and someone has to
00:41:21stay at the helm.
00:41:22Try it.
00:41:24She will be very excited
00:41:25to see her debut day.
00:41:27She remembers
00:41:28her beginnings with great affection
00:41:29and especially
00:41:30how you helped her
00:41:31in the bad times.
00:41:33I'll try.
00:41:34I assure you.
00:41:40What have I missed?
00:41:42Mr. Comas
00:41:44has just invited me
00:41:46to the premiere
00:41:47of The Shadow of Love.
00:41:49Invite you?
00:41:50In that envelope
00:41:51there are two invitations.
00:41:53One for you
00:41:54and one for your sister.
00:41:57To the premiere
00:41:58of a play
00:41:59and one for me.
00:42:00To the premiere
00:42:01of a movie?
00:42:03Is he inviting us
00:42:04with all those stars
00:42:05to see the movie
00:42:06for the first time?
00:42:08Well,
00:42:09that's what you do
00:42:10at a premiere, right?
00:42:13He has never gone
00:42:14to any?
00:42:16No.
00:42:17That only happens
00:42:18in the big cities.
00:42:20In my town,
00:42:21luckily,
00:42:22we receive two movies
00:42:23a year
00:42:24and they are
00:42:25the ones that premiered
00:42:26at least five years ago.
00:42:27It's the first time
00:42:28I've been there.
00:42:29Well,
00:42:30we'll see
00:42:31if work allows it.
00:42:33But now I think
00:42:34Mercedes should stop
00:42:35thinking about red carpets
00:42:36and start working
00:42:37if she doesn't want
00:42:38her boss to bother her.
00:42:41I like your more
00:42:42affectionate older brother
00:42:43side than this
00:42:44party boss side.
00:42:46Well,
00:42:47I'll leave you two
00:42:48and I hope
00:42:49to see you
00:42:50at the premiere.
00:42:52Thank you very much,
00:42:53Mrs. Agustin.
00:42:54Thank you, really.
00:43:07Well,
00:43:09everything is in order.
00:43:11Excellent.
00:43:12As soon as Mr. Fermin
00:43:13comes back,
00:43:14I'll ask him
00:43:15to give me the check.
00:43:16Why wait?
00:43:17I'm his wife now.
00:43:18I can do it.
00:43:20I say that because
00:43:21Mr. Fermin
00:43:22keeps the model's
00:43:23heel in the drawer
00:43:24under the key.
00:43:28He means
00:43:29this key.
00:43:36I see that he will
00:43:37be able to open it.
00:43:39He is surprised
00:43:40that my husband
00:43:41has given me a copy
00:43:42of the most important
00:43:43keys in the business.
00:43:45No, no, no.
00:43:46Mr. Fermin works
00:43:47as he considers appropriate
00:43:48and what he does
00:43:49is well done.
00:43:51That's the attitude
00:43:52I like in my employees,
00:43:53even if they have
00:43:54a bad attitude.
00:43:55Can I have the check?
00:43:56I don't like
00:43:57to leave the office
00:43:58unattended
00:43:59for too long.
00:44:00Oh my God.
00:44:02And I thought
00:44:03we were having
00:44:04a conversation
00:44:05of the most pleasant.
00:44:06Don't worry, Teresa.
00:44:08It won't be for me,
00:44:09for what you lack,
00:44:11for your obligations.
00:44:20Is everything okay?
00:44:21No.
00:44:23Is everything okay?
00:44:26The watch is not there.
00:44:28Are you insinuating
00:44:29that they have stolen it?
00:44:30Don't say Andes, Teresa.
00:44:31For God's sake.
00:44:32Fermin must have taken it
00:44:33wherever he went.
00:44:35Well, then
00:44:36I won't be able
00:44:37to have the check.
00:44:38In favor of talking
00:44:39to the liquor supplier
00:44:40and telling him
00:44:41that tomorrow,
00:44:42first thing in the morning,
00:44:43he will be paid without fail.
00:44:44With all due respect,
00:44:45Mrs. Lazara,
00:44:46I'm sorry,
00:44:47but I don't think
00:44:48this is right.
00:44:49At La Moderna,
00:44:50maybe we can wait
00:44:51for Mr. Fermin to come and ...
00:44:52Let's throw the party in peace,
00:44:53Teresa.
00:44:55If I tell you to call the supplier,
00:44:56you call him.
00:44:58I'm sure he'll know
00:44:59how to convince you
00:45:00to get over
00:45:01this little inconvenience.
00:45:03Close the door when you leave.
00:45:06Whatever you say.
00:45:21Leave all your properties.
00:45:23Mrs. Laura Valbuena
00:45:24and Mrs. Inés Valbuena.
00:45:27It can't be.
00:45:31It can't be.
00:45:37She leaves everything to them.
00:45:51Don't take too many chances
00:45:52with him, okay?
00:45:54Orders from the boss
00:45:55and brotherly advice.
00:45:57I'm serious, Mercedes.
00:45:59Keep the assistance, please.
00:46:05But deep down,
00:46:06I don't think
00:46:07César is a bad person.
00:46:09I don't think so.
00:46:11But I don't want you to talk to him,
00:46:12not even to warn him
00:46:13about my arrival.
00:46:14I won't open my mouth.
00:46:16But I don't want you
00:46:17to tell him
00:46:18about my arrival.
00:46:20Humiliating is a bad habit
00:46:21and someone should tell him.
00:46:22It's none of our business.
00:46:24I don't want us
00:46:25to get involved
00:46:26in a mess
00:46:27that you can make later.
00:46:29The further away we are from them,
00:46:30the better.
00:46:31Okay?
00:46:32And how can I
00:46:33take note of it?
00:46:34The boss has insisted
00:46:35that we should be kind
00:46:36to the clientele.
00:46:37Please.
00:46:44Excuse me.
00:46:45Sorry for taking so long.
00:46:46I'm going to have to
00:46:47file a complaint.
00:46:48Maybe we're still
00:46:49warming up the engines.
00:46:51You arrived very early today.
00:46:53I have to speak
00:46:54to Mellado about business.
00:46:55And it's better to deal
00:46:56with those matters
00:46:57when we're still working.
00:46:59Have you seen him?
00:47:01He hasn't arrived yet.
00:47:03And now that you mention it,
00:47:04he didn't show up
00:47:05around here yesterday.
00:47:08I hope I'm not wrong about him.
00:47:10I thought he wasn't
00:47:11one of the people
00:47:12you were talking about.
00:47:13Why do I have the feeling
00:47:14that he doesn't like me
00:47:15very much?
00:47:17It's nothing personal.
00:47:19He looks at everyone like that.
00:47:21He's distrustful by nature.
00:47:24Maybe.
00:47:25So,
00:47:26I bring him the usual?
00:47:28Of course.
00:47:29Beautiful.
00:47:44Come in, come in.
00:47:46But don't make any noise.
00:47:48And take off your shoes.
00:47:50It looks like
00:47:51we finally have him under control.
00:47:52Leon has fallen asleep.
00:48:00It does look like
00:48:01you have him under control.
00:48:04I think you could
00:48:05consider having
00:48:06five or six more kids.
00:48:07No, no, shut up, shut up.
00:48:08If I find out,
00:48:09don't move.
00:48:10I'm telling you.
00:48:11And please,
00:48:12don't raise your voice.
00:48:15I'm going to see Leon.
00:48:16Francisco, Francisco,
00:48:17sit down, sit down.
00:48:18We'll get you something to bite.
00:48:19Come on.
00:48:30For God's sake, no.
00:48:31No, no, no,
00:48:32don't wake him up,
00:48:33don't wake him up,
00:48:34don't wake him up.
00:48:37No, for God's sake.
00:48:38No.
00:48:40False alarm.
00:48:42But we're going to be
00:48:43very careful.
00:48:44You're going to have to
00:48:45settle for this Maddalena.
00:48:46Don't make any noise
00:48:47when you chew.
00:48:49Maddalena?
00:48:51At this hour,
00:48:52I'm more than a glass
00:48:53of wine with some nuts.
00:48:54The Maddalena,
00:48:55the Maddalena.
00:48:56Take it or leave it.
00:48:57And if you've come here
00:48:58looking for trouble,
00:48:59this isn't your place.
00:49:00I haven't said anything,
00:49:01okay?
00:49:02Maddalena.
00:49:06So?
00:49:09About taking my son out
00:49:10to play for a while,
00:49:11we didn't even talk, did we?
00:49:20So this is what happens
00:49:21to people
00:49:22when they have children.
00:49:25What a sight.
00:49:27Anyone would tell you
00:49:28that you look calmer.
00:49:29We are.
00:49:30I assure you.
00:49:31There's nothing more relaxing
00:49:32for a father
00:49:33than knowing that his son
00:49:34is sleeping on his legs.
00:49:35Oh, I'm going to call your mother.
00:49:36Have you spoken to your mother?
00:49:37Shh.
00:49:38Shh.
00:49:39But...
00:49:40What?
00:49:41I haven't said anything.
00:49:42What?
00:49:43Have you spoken to my mother?
00:49:44Who said it?
00:49:45I haven't said it.
00:49:46I haven't said it.
00:49:47I haven't said that.
00:49:48It's true that the girls
00:49:49have recommended me to do it.
00:49:50Because the truth is
00:49:51that I see
00:49:52motherhood from above,
00:49:53but from above,
00:49:54but, let's say,
00:49:55very steep.
00:49:56I need,
00:49:57I don't know,
00:49:58mother's advice
00:49:59and a shoulder
00:50:00to cry on.
00:50:01This can't be happening.
00:50:02This morning,
00:50:03Elias lied to Leonora.
00:50:04First sign.
00:50:05Now you're lying to your mother.
00:50:06Second sign.
00:50:07You're a bunch of losers.
00:50:08What's next?
00:50:09Seeing her appear through the door?
00:50:13You hadn't spoken to her.
00:50:14You hadn't called her.
00:50:15Shh.
00:50:16I don't know, I...
00:50:21What a face you've got.
00:50:23Don't ever do that again.
00:50:24Never.
00:50:26I swear to God
00:50:27you'll never see Leon
00:50:28again in your lifetime.
00:50:30Well, well.
00:50:31We don't have to
00:50:32get so dramatic.
00:50:33Eh?
00:50:34Come on.
00:50:35You go there
00:50:36with Madalena.
00:50:37Enjoy.
00:50:38Come on.
00:50:46I'm going to see Leon.
00:50:49Trini,
00:50:50can I have a glass of wine?
00:50:55If you put it.
00:51:14We have the missing shoes.
00:51:16They've been unloaded in the alley.
00:51:17And that?
00:51:18Any problem?
00:51:19No, none.
00:51:20I've only agreed with them
00:51:21that the next unloadings
00:51:22will be made directly
00:51:23in the warehouse.
00:51:24Where do I leave these boxes?
00:51:26Eh...
00:51:27Leave them here.
00:51:34Well,
00:51:35it looks like the store
00:51:36is taking shape.
00:51:38I wish that were true.
00:51:39Look, there's still
00:51:40all the genres
00:51:41to be placed.
00:51:43I wish it were as easy
00:51:44as hanging a painting.
00:51:45Many wouldn't agree
00:51:46with that observation.
00:51:48But now
00:51:49you're not going to
00:51:50put your arms down, eh?
00:51:51Of course not.
00:51:53But I'm afraid
00:51:54we'll have to spend
00:51:55all night placing
00:51:56everything that's missing.
00:51:58An entire night with you.
00:52:02I think
00:52:03I'll be able to make the effort.
00:52:15I'm going to like having
00:52:16my own business.
00:52:18To do and undo
00:52:19whatever you want.
00:52:21To do that
00:52:22and to have
00:52:23the other store.
00:52:26You know,
00:52:27unloading genres,
00:52:29storing supplies,
00:52:30kissing you without
00:52:31any client seeing us.
00:52:33Yes,
00:52:34that sounds good.
00:52:42But now
00:52:43there's no time.
00:52:46We have to prepare
00:52:47everything for tomorrow's
00:52:48inauguration.
00:52:50I hope we have time.
00:52:52Everything will be perfect.
00:52:53You'll see.
00:52:55That will be
00:52:56if we get to it.
00:52:57So come on,
00:52:58put on your shoes.
00:53:01At your service,
00:53:02Miss Pedraza.
00:53:12Come in.
00:53:20What are you doing here, mother?
00:53:21Hi, son.
00:53:22Don't tell me you're
00:53:23trying to buy
00:53:24one of these blouses
00:53:25before anyone else.
00:53:26Don't listen to him.
00:53:27You're not going to get
00:53:28a single real in this store.
00:53:29No, I'm not here
00:53:30to spend money.
00:53:31I'm here to see the store
00:53:32and help you
00:53:33in everything I can.
00:53:35I really appreciate it,
00:53:36Pepita,
00:53:37but I won't let you
00:53:38use your spare time
00:53:39working, woman.
00:53:40Besides,
00:53:41we have everything under control.
00:53:42I'm not leaving without
00:53:43helping you, Miss Paula.
00:53:45If you want to try
00:53:46to convince her,
00:53:47I'm not going to do it.
00:53:49I'll go get those boxes.
00:53:51Okay.
00:54:00What do you think?
00:54:02Well,
00:54:03I think you look great.
00:54:05Really?
00:54:07And,
00:54:08do you like the necklace
00:54:09or should I change it?
00:54:10No, I like it
00:54:11and it looks great
00:54:12with the earrings, yes.
00:54:13Are you sure?
00:54:14Yes.
00:54:17Don't you want to come with me?
00:54:19These cocktails
00:54:20with the journalists
00:54:21are really fun.
00:54:22I don't doubt it,
00:54:23but I'll leave
00:54:24the promotion
00:54:25to you.
00:54:26I'm feeling better.
00:54:27Eva,
00:54:28I'm better at home.
00:54:30Yes,
00:54:31I'd love to stay with you.
00:54:33But this is my life.
00:54:34Almost every night
00:54:35I have to go to an event.
00:54:37Well, the promotion
00:54:38is very important.
00:54:39Yes, yes.
00:54:40Well,
00:54:41according to Agustín,
00:54:42it's what encourages people
00:54:43to go see the movie.
00:54:45I'm sorry,
00:54:46I shouldn't mention it so much.
00:54:49No, no, don't worry.
00:54:50You can mention it
00:54:51as many times as you want.
00:54:52It would be a shame
00:54:53if you couldn't
00:54:54talk about your partner.
00:54:55I see.
00:54:56Thank you,
00:54:57but
00:54:58I'll try to mention him
00:54:59as little as possible.
00:55:02I'm going.
00:55:14Laura.
00:55:16It's been so long.
00:55:19Yes.
00:55:21Hi, Agustín.
00:55:23Hi.
00:55:25How are you?
00:55:28Great.
00:55:35I think
00:55:36we're running out of time.
00:55:39So we'll have to go now
00:55:40if we want to make it on time.
00:55:42Of course.
00:55:43Of course.
00:55:44I hope it goes well.
00:55:55Bye.
00:56:09What's wrong, Pepita?
00:56:10Don't you like the clothes?
00:56:12What are you saying?
00:56:13Quite the opposite.
00:56:14You have a lot of taste
00:56:15for choosing clothes.
00:56:17Well,
00:56:18you just have to see
00:56:19how you've dressed yourself.
00:56:21I'd love to be able
00:56:22to wear a garment
00:56:23as delicate as this one.
00:56:25That day is closer
00:56:26than you think.
00:56:27That's exactly why
00:56:28I'm opening this store.
00:56:29To sell clothes
00:56:30at a more affordable price.
00:56:32And to reach
00:56:33a larger number of customers.
00:56:34What do you think, Mom?
00:56:36I don't understand that, son.
00:56:37All I know is that
00:56:38the more beautiful the clothes,
00:56:39the more room it costs.
00:56:41It doesn't have to be like that.
00:56:42In my store, of course,
00:56:43it won't be like that.
00:56:45What I want
00:56:46is for all the women
00:56:47in the city
00:56:48to look beautiful
00:56:49without having to
00:56:50ruin themselves for it.
00:56:51What you're telling me
00:56:52is a very good idea.
00:56:54And I'm sure
00:56:55it's going to go great.
00:56:57Thank you, Pepita.
00:56:59Believing in me
00:57:00encourages me a lot.
00:57:01Your confidence
00:57:02is so much more valuable
00:57:03than my parents'.
00:57:04Don't tell me
00:57:05you're looking for trouble.
00:57:06Well,
00:57:07it's time
00:57:08for me to go.
00:57:09Wait, I'll go with you.
00:57:10Not at all.
00:57:11You've committed
00:57:12to helping Miss Paula
00:57:13until everything
00:57:14is in place.
00:57:15And I've raised
00:57:16a man of my word.
00:57:17I'll take her home
00:57:18and I'll be back, I promise.
00:57:19You stay here
00:57:20and I'll take the tram.
00:57:21But it's late, Mother.
00:57:22I don't want her to suffer
00:57:23any mishap
00:57:24with some crook
00:57:25who spends all day
00:57:26from tavern to tavern.
00:57:27But, son,
00:57:28it's not dark yet.
00:57:29Thieves only leave
00:57:30at dawn.
00:57:31Mother, please.
00:57:32Instead of arguing,
00:57:33I'll leave and come back earlier.
00:57:35So you don't waste
00:57:36more time because of me.
00:57:37You have a lot of work
00:57:38ahead of you.
00:57:40Be careful.
00:57:46The shop is looking beautiful.
00:57:48Thank you, Pepita.
00:57:51You're welcome.
00:57:58When you were talking
00:57:59about the crook
00:58:00who spends all day
00:58:01from tavern to tavern,
00:58:02it seemed like you were talking
00:58:03about Ivan.
00:58:04There are many like him.
00:58:05It's not just about your brother.
00:58:09All this is because
00:58:10of the quarrel
00:58:11you had the other day.
00:58:12Rodrigo,
00:58:13you shouldn't listen
00:58:14to the nonsense
00:58:15that Ivan says.
00:58:17It's not nonsense, Paula.
00:58:19It's reality.
00:58:21I don't belong
00:58:22to your social class.
00:58:23Again with that?
00:58:25Can you get rid of
00:58:26that idea in your head?
00:58:28Rodrigo, you and I
00:58:29don't have to ask
00:58:30anyone's permission
00:58:31to love each other,
00:58:32to be together.
00:58:33It's enough to feel
00:58:34the love we have
00:58:35for each other.
00:58:37I'm not sure
00:58:38that's enough.
00:58:43Paula,
00:58:45I love you
00:58:46with all my heart.
00:58:48There's nothing
00:58:49I want more
00:58:50than to see you happy.
00:58:52But I doubt
00:58:53you can do it with me.
00:58:56We should assume
00:58:59that society
00:59:00will never allow it.
00:59:02Maybe
00:59:04we should assume
00:59:05that this
00:59:09has no future.
00:59:13Rodrigo,
00:59:16are you leaving me?
00:59:20No.
00:59:30I know it won't be easy
00:59:31to get back
00:59:32what we had.
00:59:33That's why I'd like
00:59:34to ask you something.
00:59:35This afternoon,
00:59:36when Agustín came to see me,
00:59:39how did you feel?
00:59:40Pietro!
00:59:42In Italy,
00:59:43you don't know
00:59:44what a bad luck
00:59:45the bride was
00:59:46on the night
00:59:47before the wedding?
00:59:48Yes, yes.
00:59:49I couldn't sleep.
00:59:51I needed to see you.
00:59:52I've managed to get in touch
00:59:53with some ladies
00:59:54from high society.
00:59:55All of them have shown
00:59:56they're willing to collaborate
00:59:58and raise funds.
01:00:00So it's going to be
01:00:01a very important party.
01:00:03And I'll need
01:00:04the right staff.
01:00:06Pézar!
01:00:07It's so nice to see you.
01:00:10Our old partners
01:00:11have not only left us,
01:00:12but are now together.
01:00:13One thing,
01:00:15is that I have to swallow
01:00:17that you're still living
01:00:18under the same roof.
01:00:19And another thing,
01:00:21is that you're dressing up
01:00:22with the perfume
01:00:23my husband gave you.
01:00:24My brother has made inquiries
01:00:25about his friend,
01:00:26Mellado.
01:00:28And as I suspected,
01:00:31he's not from Fiat.
01:00:33Are you insinuating
01:00:34my friend is a swindler?
01:00:35I haven't had a chance
01:00:36to talk to you
01:00:37in peace.
01:00:38And I'd like to ask you
01:00:39what were your reasons
01:00:40for coming back.
01:00:41I have to say
01:00:42I'm more than delighted.
01:00:44Father, I thought
01:00:45that since you're
01:00:46the new owner of the gallery,
01:00:47you should be in charge
01:00:48of the presentations.
01:00:50It would be proper.
01:00:54Wow, Emiliano.
01:00:55It seems your daughter
01:00:56has very clear ideas.
01:00:57She has them.
01:00:59Another very different thing
01:01:00is that they are the right ones.
01:01:02My son-in-law!
01:01:03I'm also glad to see you.
01:01:07The other day,
01:01:08looking for a wage
01:01:09to pay the flour supplier,
01:01:11Teresa came across
01:01:12a folder by chance.
01:01:14And I couldn't help
01:01:15but take a look.
01:01:16Can you imagine
01:01:17the surprise I got
01:01:18when I saw you were
01:01:19building a partnership
01:01:20with your nieces
01:01:22with the sole purpose
01:01:23of leaving me
01:01:24out of the inheritance.
01:01:26I want to introduce you
01:01:27to my friends.
01:01:29You're hurting me.
01:01:31If you resist,
01:01:32haven't you heard, gentleman?
01:01:33Let her go, please.