All rights belong to their rightful owners. This video is for educational purposes only: to help learners of Modern Greek.
Category
📚
LearningTranscript
00:00♪♪
00:10♪♪
00:20♪♪
00:29♪♪
00:39♪♪
00:50♪♪
01:00♪♪
01:10♪♪
01:20♪♪
01:30♪♪
01:40♪♪
01:51So, listen to the conclusions that come out after our visit to Kastelis' house
01:56and how we should move from here to there.
01:58Based on what you said to me and Angela,
02:00the murderer of Eleftheria was none other than Kastelis, right?
02:04Right. However, it is certain that there is a strong man
02:07who orders and decides the conspiracy, right?
02:10Right. Kastelis did not know about the murder of Stavrianidis.
02:13This means that this man can now act independently, independently, right?
02:18Right. And of course, the most important element of all
02:20is what you said about Stavrianidis.
02:23You always said that we do not have the same blood,
02:25because there was a relationship between these two.
02:28However, there was certainly some relationship
02:30outside and the photo we saw at home.
02:32What we have to do urgently is to find the relationship
02:35between Kastelis and Stavrianidis, right?
02:39Right. Good.
02:40Since we found them and decided them, let's go outside now.
02:42Diana Komonistria will tell me.
02:44Let's go.
02:45Let's go.
03:15I was chasing you in the mountains
03:22In my sleep I saw you drunk tea
03:25And the boss was calling me
03:28And they told me the password, how he will love me
03:31And how I will go on a trip to peace
03:33And I was Charlie's angel, Charlie's, Charlie's
03:36In my boots you were wearing golden pearls
03:39And I was Charlie's angel, Charlie's, Charlie's
03:41Let me ask you something.
03:45Briefly and in Greek.
03:47Yes.
03:49I think I have been rejuvenated.
03:53No, but I hope it will happen someday.
03:55I mean the company with Hadzia Alexandrou.
03:57Rejuvenated.
03:59That's what I said.
04:02No, Lea.
04:03Unfortunately, I don't see any change on you.
04:07Neither for the better nor for the worse.
04:09For the worse, yes, otherwise it wouldn't happen.
04:13Why this question?
04:15Nothing, we had a discussion in the morning.
04:17Really?
04:19You stopped the research and started the philosophical discussions?
04:23No, why should we stop the research?
04:25The research stops.
04:26Really?
04:27You see, we are interested.
04:29We don't sit all day playing cards and drinking coffee in the squares like some other people.
04:34Like what other people?
04:36Like you, Sympethera.
04:38And your friends, Tony, Monty, Connie.
04:40Are you complaining about something?
04:41Yes, I am complaining, Sympethera.
04:43That you are jealous.
04:44What?
04:46What you hear.
04:47Because you were waiting for me to leave the village
04:49and stay locked in the house like a fool.
04:51While I...
04:52Like a fool?
04:54I am active.
04:56I won't talk, Lea.
04:58Because it may be too late or too soon for us to meet again in a swimming pool
05:01and to steal everything there with me.
05:03You won't be able to say anything, of course,
05:05because you will make bubbles.
05:11So, how is your research going?
05:14It is progressing.
05:16Good for you.
05:18Are you going to be alone in Greece or are you going to look abroad?
05:21Where abroad?
05:23China, Japan, Pluto.
05:25Somewhere far away, anyway.
05:27Do you want to get rid of me, Sympethera?
05:29I missed camping in Monaco for four days.
05:32You said camping well, I learned.
05:34I did.
05:35And I was about to take the world by storm.
05:37I tell you every day that the international career is not in our immediate plans.
05:42We will think about it.
05:44After all, we have had it for a long time.
05:46No one is chasing us.
05:48I see.
05:53As for which of us is jealous,
05:55we will find out soon enough.
05:58What do you want to say?
06:00I don't know.
06:02I am fed up with you!
06:04Be honest.
06:06How many times do I have to tell you?
06:08What did she want to ask me about the research?
06:10Me, Sousa?
06:11Something bad is going to happen to us.
06:13What bad? I don't know.
06:14But she is fed up with us.
06:16If I were you, who else would be waiting for us?
06:19The mystery covers the disappearance of a man and his housekeeper
06:23from his house in the center of Athens.
06:25The police seem convinced that behind the disappearance
06:29there is a double crime.
06:31According to the police and the collection of fingerprints,
06:34the role of a young and famous woman is suspicious.
06:37The fingerprints were found all over the house.
06:40The police are looking for the 24-year-old Angeliki Ioachimidou,
06:44a stranger in the apartment,
06:46in order to reveal the mysterious case.
06:49The police are asking anyone who knows anything about the young woman
06:52to contact the authorities.
07:02Hello.
07:04The 100?
07:06She is an excellent girl.
07:08Like the cold water.
07:10And a great friend of Spiros.
07:12No, the girl you are looking for.
07:15Of course.
07:17No, she doesn't live here.
07:19One minute, let me ask.
07:22Sophie, where is Angela?
07:25Which Angela?
07:27Spiros' friend.
07:29And Fotis? Where?
07:31I don't know.
07:33Spiros?
07:34What?
07:35Where is Fotis' house?
07:37In Pankrati.
07:39In Pankrati.
07:41Fotis' house.
07:43The FNC.
07:45Mine?
07:47I can tell you about mine and find Fotis.
07:50If you can't find him at home, go to the channel.
07:54But she is an excellent girl.
07:56What did I win?
07:57A mistake, a mistake.
07:59A big mistake.
08:01I don't know who the police are, the channels.
08:03I shouldn't publish her legal photo in the press.
08:06She is young, unprepared.
08:08Let's say there are four more.
08:10I would like to know who gave the evidence to the press.
08:13It's the first time I see two things happening.
08:15You shouldn't care about that.
08:17It's important that no one is going to look for her here.
08:19Why? Is there going to be a policeman?
08:21To check me?
08:23Or to take my place?
08:24No, but it's better for you.
08:26Because if they catch her...
08:27If they catch her, you idiot.
08:29She can ruin everything. Do you understand?
08:35Angeliki Joachimidou.
08:37Now you have a name and an alibi.
08:39And no justification not to find her.
08:42Go.
08:44And learn to take more responsibility.
08:50Angela.
08:52Angela.
08:54You will pay for the crime of Venetopoulos.
08:57You will pay for the crime of someone else.
09:00But you are more fortunate.
09:02More fortunate.
09:04Because you won't have to rot in prison for 22 years.
09:07You will pay for it with honor.
09:09Up and down.
09:14It was so nice. We were there.
09:16We were eating, drinking.
09:18What brought us here?
09:20What are you looking at? I'm talking to you.
09:23Anyway, beyond Kastel's relationship, we have to find out what we are going to do with Venetopoulos.
09:27Right now, we have two fronts open.
09:29I wish for the third one.
09:42Isn't that Angela?
09:44Christos Kipadasi.
09:46How did I get caught?
09:48I don't know how I got caught.
09:50We were going to do something.
09:52Change the channel. We will tell them later.
09:54And Kastanotis is gone.
09:56How did you find out?
10:05It's Bill.
10:08And Petilon.
10:10Who is Petilon?
10:12He is the shareholder.
10:14Where is Petilon?
10:16And finally, Petilos.
10:18What are you looking at?
10:20Petilon.
10:22Bring me the remote.
10:24Petilon.
10:49What was that?
10:51We didn't know. We just saw it.
10:53Let's say it slowly.
10:55And now?
11:02Who is it?
11:04Police!
11:06What do I do now?
11:08You didn't speak. You have to speak.
11:11Angela!
11:14Angela!
11:22Good evening.
11:24Good evening.
11:26Can I come in?
11:28I won't bother you.
11:30It's about the complaint you made.
11:32Grandma!
11:34What complaint did I make?
11:36Yes.
11:38Take these.
11:40What are these?
11:42We made a complaint.
11:44Hello. Are you Mrs. Theopoula Tzini?
11:46No, I'm not.
11:48Neither am I.
11:50I can see that.
11:52Yes.
11:54I'm sorry, Mrs. Tzini made the complaint.
11:56Does she live here with you?
11:58Almost.
12:00What exactly did she say?
12:02Because if it has to do with her appearance in Garoufalia,
12:04I would tell you not to believe her.
12:06No, no.
12:08It's about the complaint of Angeliki Akimidou.
12:12Who?
12:14Do you know her?
12:16Why do you want to know exactly?
12:18She seems to be a suspect in the murder of Kastelis and Koutsikoumaris.
12:23Who are they?
12:25A man and his housekeeper.
12:27Mrs. Tzini saw the photo of Akimidou in the news
12:29and decided that she knows her.
12:31In fact, she decided that you know her too.
12:33You are Mr. Spyros Deloglou, aren't you?
12:36That's right.
12:38Very good.
12:40Mrs. Tzini, tell me that you know her too.
12:42Soti!
12:44Welcome.
12:46Fotia?
12:48She is not a suspect, my dear.
12:50She is a policewoman.
12:52I'm glad you came.
12:54The housekeeper called.
12:56She forgot some things and is coming to take them.
12:58And because of the opportunity to catch her,
13:00because I can't find the drift, she will take it.
13:02Is she Mrs. Tzini?
13:04No.
13:06Yes, she is.
13:08I just didn't recognize her right away
13:10because she changed her hair yesterday.
13:12Oh, really?
13:14Why? How did she look before?
13:16You are Mrs. Tzini?
13:18You know me?
13:20Who are you?
13:22I came for the complaint you filed
13:24about the lady Akimidou.
13:30I have never seen her.
13:32But a lady called the police
13:34and said that she lives here with you.
13:36Which lady said that?
13:38Mrs. Tzini.
13:40My son is missing at the moment.
13:42Tzini?
13:44I don't know her. She lives in the neighborhood.
13:46I don't see her here.
13:48She lives in Patissia.
13:50And I saw her from Patissia in Pankrati.
13:52Where does she work? At the observatory?
13:54You?
13:56Do you live here alone?
13:58Yes.
14:00Did she live here before because of her memory?
14:02I said no.
14:04Did she give you a different name?
14:06No, that's what they always called me.
14:08What if she had introduced herself to you with a different name?
14:10Ah.
14:12No.
14:14After all, here
14:16there has never been a woman.
14:18Are you sure?
14:20Yes.
14:22Never?
14:24Never.
14:26A young boy and there has never been a woman here?
14:28Yes.
14:30How is that possible?
14:32She has nothing.
14:34Are you sure?
14:36Of course.
14:38Are you still arguing?
14:40Yes, we have never seen her.
14:42Sofila.
14:44Fiopoula.
14:46But the girl is here.
14:48And what a girl.
14:50Tall like the cold water.
14:52With a face.
14:54I can't tell you more.
14:56And you can't see her more.
14:58Something is wrong with this case.
15:00He is joking because he says one thing and another.
15:02We don't know the girl.
15:04The lady is a joy.
15:06Now I am jealous.
15:08You are trying to drive her crazy.
15:10Yes, she was waiting for us.
15:12Spyro.
15:14Leave me, grandma, because I don't speak, I don't speak.
15:16Go on, my lady.
15:18She wants me.
15:20You have understood it too, haven't you?
15:22When was the last time you saw the wanted woman?
15:24I remember it like yesterday.
15:26I don't remember.
15:28Do you understand?
15:30Ms. Spyro,
15:32Ms. Tzini is in a dilemma.
15:34She has post-traumatic stress disorder.
15:36Because a while ago
15:38her son left her
15:40and she was very, very sad.
15:42Do you understand?
15:44Is she telling the truth?
15:46Did your son really leave her?
15:48Of course. We had a great time.
15:50What is Kondi?
15:52She is her daughter-in-law.
15:54And why is she called Kondi?
15:56I came to get the last ones.
15:58You should have brought Drifty.
16:00I brought him back.
16:02I took him by mistake.
16:04I lost her again.
16:06She is Kondi.
16:08But she is not Kondi.
16:10What did she do?
16:12What are you talking about?
16:14Do you recognize this girl?
16:18No.
16:20Have you never seen her in here?
16:22Never.
16:24This is her.
16:26I will cut my head off.
16:28I will be taller than her.
16:30She is a normal girl.
16:32Are you crazy?
16:34Come here.
16:38See?
16:40She is as tall as me.
16:42We told you.
16:44You didn't trust her.
16:46We love her.
16:48We take care of her.
16:50But you realized that
16:52she is a stranger.
16:54She is not my daughter-in-law.
16:56She is not.
16:58She is not my daughter-in-law.
17:00She is not.
17:02I miss her a lot.
17:04I miss her a lot.
17:06I miss her a lot.
17:08I miss her a lot.
17:10That's what you heard.
17:12And if you don't believe me,
17:14come here.
17:16These ladies can prove it to you.
17:18Who are these ladies?
17:20They are lesbians.
17:22They are the only women
17:24who have stepped in here.
17:26Really?
17:28Are you lesbians?
17:30Of course.
17:32I am a lady,
17:34but I am more.
17:36I see.
17:38How did you get here?
17:42Are you celebrating?
17:44I see.
17:46What are you celebrating?
17:48Our anniversary.
17:50Who has an anniversary?
17:52All of us.
17:54Me and Debbie.
17:56And Fotis with Frickxos.
17:58Who is Frickxos?
18:00The parrot on the balcony.
18:02Who is Frickxos?
18:04His partner.
18:06Do you all have an anniversary?
18:08We are in the same party.
18:10You? What's your name?
18:12Lucy.
18:14I see.
18:16It's her hobby.
18:18She does this.
18:20And she falls.
18:22Where am I?
18:24We'll see.
18:26What's your name?
18:32Did you see?
18:34Good.
18:46What is this?
18:50Is it yours?
18:52No.
18:54Is it the lady's?
18:56I don't think it fits.
18:58Yes, it doesn't fit.
19:00Is it yours?
19:02No.
19:04Then what is it?
19:06Frickxos.
19:08But this is a woman.
19:10It's not a woman.
19:12It's light and happy like Frickxos.
19:14Does your Frickxos
19:16wear women's clothes?
19:18It doesn't matter to you
19:20if he is comfortable like this.
19:22And where is Frickxos
19:24who seems to me
19:26to be called Angeliki Akimidou
19:28and not Frickxos?
19:30You are totally paranoid.
19:32He is here.
19:34He flew to get the cake
19:36for the anniversary.
19:38Let's turn off the candles.
19:40Exactly.
19:42Wait.
19:44Are you here, Frickxos?
19:46This is where the police officer
19:48is looking for an Angeliki something.
19:50I don't mean to say
19:52that we are just a happy couple
19:54who wants to celebrate
19:56his anniversary
19:58like Lucy with Beppy.
20:00Frickxos, did you bring the cake?
20:02Ah!
20:08Ah!
20:10Cheaters!
20:12I wanted to tell you
20:14not to bring the cake.
20:16We will get rid of cheaters this year.
20:18Are you Frickxos?
20:20Yes, it's me.
20:22Do you have an affair
20:24with the boy from here?
20:26Oh, yes.
20:28I see.
20:30Are your friends
20:32lesbians?
20:36Yes, yes.
20:38This one is more like it.
20:40I see.
20:42Do you know why she fell?
20:44That's how she does it.
20:46She does it and falls.
20:48She likes it, doesn't she?
20:50Yes, but what is she waiting to tell you
20:52since this is the truth?
20:54These are the clothes.
20:56What does it mean?
21:00They are not yours, are they?
21:02No, of course not.
21:04Then they will be mine.
21:06Do you work for me?
21:08No, no, they are mine.
21:10I always give them away at home.
21:12Where do you sell them?
21:14Don't tell me.
21:16If I go to your father's channel,
21:18will he tell me the same?
21:20What?
21:22What you heard.
21:24Where did you learn about the channel?
21:26From the lady who made the complaint.
21:28I don't know who she is.
21:30Get up and tell the other one
21:32that you are going to celebrate
21:34a birthday party with dolls
21:36and you are wearing these clothes
21:38at home.
21:40Who do you think you are?
21:42Tell me the truth.
21:44We don't know any woman with this name.
21:46There is no other woman here.
21:48We are just four people.
21:50I don't hear anything.
21:52Go to the channel.
21:54This is Anna Potamon.
21:56I am going to my house
21:58to find the joy and the festive atmosphere
22:00that I was hoping to find.
22:02I see the man from here
22:04to control us and to doubt us
22:06what we say and what we don't say.
22:08I, my love,
22:10don't go to the channel.
22:12I will stay here, at my house
22:14with my clothes.
22:18And if you want,
22:20you can go to the channel.
22:22You!
22:24You don't get it.
22:26We will all go
22:28together.
22:30Who told me
22:32that if someone stays behind
22:34he won't call to teach
22:36his father?
22:38And wherever we go
22:40you won't find out.
22:42I will ask your father
22:44and if he doesn't tell me
22:46what you are telling me now
22:48I will lock you all in
22:50and you will start lying.
22:54Do you understand?
22:56Wake up the other one.
22:58All of you to the channel.
23:00Come on.
23:02Baby, baby, baby.
23:04I hate you.
23:08I will throw something on me.
23:20Baby, baby, baby.
23:22I hate you.
23:26I will throw
23:28something on me.
23:30Baby, baby, baby.
23:32I hate you.
23:34All of you,
23:36wake up.
23:38I hate that dog.
23:40Brenda I want you to be serious.
23:42I don't want it.
23:44Let's return to TV,
23:46it has no logic.
23:48If we have to make a commitment, we'll do it in the kitchen.
23:53In my show, the rabbit won't play.
23:55Are you serious, Frida? You have a contract with the rabbit?
23:58Of course I do.
23:59Do you know what the Americans say?
24:01They know better than anyone else on TV.
24:03Don't ever show an animal or a baby on TV.
24:06They'll steal your show.
24:08The Americans also said that Iraq has nuclear weapons.
24:11They know better than anyone else.
24:13Hello?
24:15You were on the phone just now? Give me Thomas.
24:17Who is it?
24:18Angela.
24:19The wanted woman?
24:21You heard it, right? Give me Thomas!
24:23Yes?
24:24Hi, it's Angela.
24:26We're in trouble.
24:27I know, girl. How did this happen?
24:29I don't know.
24:31Leave me alone and listen carefully.
24:33The police are coming.
24:35With Fotis, Zumbulia, Dalia and Spyros.
24:37Why?
24:38I'll tell you.
24:39First of all, make sure Frida doesn't say anything.
24:42If possible, don't meet her at all.
24:44She's capable of doing the worst.
24:47And second, listen to what you have to say.
24:50Fotis, Frixos, Depi and Lucy.
24:54Frixos is Fotis' son.
24:57And Depi is Lucy's daughter.
25:01They were going to celebrate their anniversary,
25:03but I couldn't go because I had a show.
25:05I'm sorry.
25:06But I couldn't go because I had a show.
25:10I don't know the girl in the photo.
25:13I'm sorry.
25:15Your son has it with him.
25:18And it doesn't bother you?
25:20Why? What does the boy have?
25:22Nice uniform.
25:23Thank you, too.
25:25Right.
25:26What bothers you?
25:28And I wonder if you have candles.
25:30About the darlings?
25:32Yes, I must have them at the office.
25:33I'm sick of hearing the same stupid story from all of you.
25:37You.
25:39Her boyfriend.
25:42You're going to drive me crazy.
25:44It's not our fault. It's your fault.
25:46You can't accept that there are other people like you.
25:50We're a family, too.
25:52Maybe a little unusual, but that doesn't mean we don't exist.
25:55We're impressed by your story, but we won't talk about it.
25:58What story?
25:59What will a lady from Patissia say
26:01when she sees this girl coming into my house?
26:04I asked you the same question before, and you couldn't answer.
26:07But you see what we're telling you.
26:09Here you are.
26:11Here you are.
26:12Here you are.
26:13You don't have a channel for other employees?
26:16No.
26:19What's this?
26:21My new assistant, Jenny the Dutch.
26:23She doesn't speak Greek.
26:25Good for her.
26:30Yes?
26:31Come on. It's an official complaint.
26:34She was crazy. She didn't know anything.
26:36Are you sure?
26:37Yes, I saw her.
26:39But I looked for her. She's been hospitalized twice.
26:42I lost my day because of her.
26:44At least you were going to do it with just one person.
26:48Anyway, bye.
26:57So, what happened?
26:59What do you mean, what happened?
27:01I'll explain.
27:02I...
27:07I...
27:13I...
27:18Dorma.
27:59What were you doing?
28:00Sofia Arvanitis came to Yianna to sing in a shop.
28:03We wanted to go and see her.
28:05You have a taxi in Yianna?
28:07Yes, I wanted to play it for a bit.
28:09You're crazy.
28:11And what happened?
28:13On the way back, they caught me.
28:17They called my mother, my uncle.
28:22That's why I left home.
28:24At least they had time to arrest you.
28:26The police?
28:27Yes, very good.
28:28He made a file at the police station.
28:30He wanted to go and see Sofia Arvanitis.
28:32Was she good?
28:33Yes, very good.
28:34I liked her too.
28:35Me too.
28:36I told you.
28:37It's not our problem, kid.
28:42Come in, dad.
28:43Fotis, put the news on.
28:44Why? What happened?
28:45Put it on, I said.
28:46Ok, bye.
28:48He said to put the news on.
28:51The police arrested a singer, Nikos Karvelas,
28:55and they want to sue him.
29:05The police found the bodies of Konstantinos Kastelis and Fotinis Koutsioumaris.
29:13According to the first reports, their death was caused by gunfire.
29:17The police is still looking for the 24-year-old Angeliki Akimidou
29:21to make a report on the case.
29:25Did they find them?
29:26You shouldn't be afraid of that.
29:28They shouldn't find Angela.
29:30You'll make it.
29:31And you have the good news for me.
29:33You told me.
29:34In this story, I'm connected to the defendant.
29:37I know.
29:38Since you know, find her before the police.
29:40Did they kill them?
29:42What are you talking about?
29:44Isn't it possible for you to be discovered by the press?
29:47I don't have a record in the police.
29:50I don't even have a Greek ID.
29:52I was born in Switzerland.
29:53I'm Swiss-Danish.
29:54That's what my father wanted.
29:55That's what happened.
30:05What do we do?
30:07Until now, they were chasing us alone.
30:09Now, the police is chasing us too.
30:11At least the photo is very different.
30:13It's not recognizable.
30:14So what?
30:15We have to hurry.
30:16If we don't get there first,
30:18Angela will be in trouble.
30:20What do you mean?
30:21She's in danger of going to jail.
30:23For murder.
30:24For double murder.
30:29We have to move fast.
30:31There's a chance they'll sue
30:33two post-rape car companies.
30:35And their chain of restaurants in Belgium, France and Spain.
30:38The candidates are...
30:40The candidates are...
30:43I'll buy it.
30:46I'll buy it.
30:48I'll buy it.
30:50I'll buy it.
30:51Take them and come back.
30:53We have guests.
30:54Who's coming?
31:01Oh, it's them again.
31:03Ritsa, I see you.
31:04I'm back in Belgium.
31:05I see.
31:06Come in.
31:07Hello.
31:10Welcome.
31:12Welcome.
31:16Oh, you kept this.
31:18Her sister...
31:19She broke it during the move.
31:21Ritsa!
31:22A small gift for the house.
31:24Oh, you shouldn't have.
31:30A blanket.
31:31It's for the wall.
31:34A blanket for the wall.
31:37We didn't have that.
31:38And this is from Theopoula.
31:44What is it?
31:45Tissues for the TV.
31:47Oh, to wipe?
31:49Cosmetics.
31:54From above.
32:01Very nice.
32:02We didn't have that.
32:03We needed it.
32:04What did you say?
32:05Nothing.
32:07Nothing.
32:14Did you tell them?
32:15Yes.
32:16They agreed to one.
32:17Did you choose it?
32:18Not yet.
32:19I didn't have time.
32:20Where are the others?
32:21Angela is at home.
32:22Zouboulia with the baby.
32:23Fotis and Thomas?
32:24Problem.
32:25They're closing the newspaper archives tomorrow for a month.
32:27Why?
32:28I'm going to renovate the building.
32:29Whatever they find, they have to find it today.
32:31Otherwise...
32:32Great.
32:33We can't buy the archives and bring them here.
32:34And we're closing a renovation in the building.
32:37What are we going to do now?
32:39I don't know.
32:40They said they'd think about it.
32:44Spyros, take your grandma and Mrs. Theopoula outside.
32:47We're coming, too.
32:48Ritsa!
32:51Make sure they don't miss anything.
32:53What's up, guys?
32:54What do we have?
32:55Of course.
32:56My Theopoula.
33:07What's going on?
33:10Alex.
33:11I want you to do something very simple.
33:13Mrs. Sofia and Mrs. Theopoula are going to meet in a few minutes
33:17to talk to the investigators
33:19and get information from friends and relatives of Makaridis Kastelis.
33:22As you can see, Spyros can't go
33:24because he might be seen by someone
33:26and we don't know who's there right now.
33:28So...
33:29Who's going to watch her?
33:31Me.
33:32Me.
33:33Me.
33:34Who's going to watch her?
33:37Who?
33:40Do you have a black suit?
33:51We're late.
33:52Now what?
33:53Now we're going from table to table to see who Kastelis is.
33:57And how is that going to happen?
33:58Didn't you hear what he said outside?
34:00There's a crowd of four ladies in here.
34:02We're going to the city.
34:04Hurry up.
34:18So we can't take any photos today?
34:21I told you, no.
34:22There's no photocopy.
34:23The transfer has already started and they've already taken it.
34:26Can we then fly to Athens to take some photos and then come back?
34:29It's forbidden.
34:30And make sure you're done in an hour.
34:32I have to hang up.
34:34Yes, ma'am.
34:36She's sulking.
34:37Where's the other one?
34:38Why hasn't she come yet?
34:39Good morning.
34:40I'm Frida from Paraskeva.
34:42I'm a journalist.
34:44I'm Jack.
34:45I'm a photojournalist and a photographer.
34:47I'm a co-worker.
34:48I'm here to take your portrait.
34:49What?
34:56It was so good.
34:58Indeed.
34:59Indeed.
35:01Goodbye.
35:02Goodbye.
35:06I wouldn't recommend you to invest in containers.
35:09The news comes from outside.
35:10They're not so encouraging.
35:11Telecommunications and information companies.
35:14That's my first suggestion.
35:22Who are you?
35:24I'm Zoe from the groom.
35:29You get it, right?
35:31Yes.
35:32I didn't do anything.
35:34You know.
35:35I know.
35:36You don't need to explain.
35:37I know you're in trouble.
35:39The only people who know me here in Athens
35:42are you,
35:44the girls from the theater
35:46and the kids.
35:47Why?
35:48Did you ever think I'd go and talk to the police?
35:50No, I just...
35:51The girls won't say anything either.
35:53I'll talk to them today.
35:56I'm sorry.
35:57It's a shame you left home.
35:59You could have told me on the phone.
36:01What did you think?
36:02I wouldn't believe you.
36:04It's okay.
36:05It's better this way.
36:07We had a long time to meet.
36:09Indeed.
36:10I hope this story ends
36:12so you can see the new play.
36:14Is it on?
36:15No.
36:16It's being written now.
36:17Which page are you on?
36:20Page 3.
36:21If they haven't put me in jail yet,
36:23I'll be there.
36:24You'll be there, won't you?
36:26That's how they'll let you go.
36:30I don't know.
36:32We're in a place
36:34where they say
36:35the story of modern Greece is being kept.
36:39My story,
36:41my sin.
36:45He's the reason we're doing this report.
36:48With us is Mrs. Maria Despo.
36:51Tell us, Mrs. Despo,
36:52how many years have you been working at the archive?
36:54I've been working for six years.
36:56So you're the subject of our story.
36:59A modern earner.
37:02What exactly do you do here?
37:04Describe a day at work for us.
37:06I come at 7.
37:08At 7.
37:09I eat a cheese pie.
37:11Cheese pie.
37:13What are you doing there?
37:14Cut.
37:15Half a minute.
37:16No, no.
37:17I didn't stop you.
37:18We just want to give you a working hour.
37:20You just don't look good.
37:21What?
37:22You're shining.
37:23I'm shining?
37:24You're shining.
37:25Sit down.
37:27Close your eyes.
37:29Close them.
37:36Of course, only Fotini had it.
37:38The last two years,
37:39I didn't even leave the house.
37:41I used to go for walks in the garden.
37:43She didn't have any siblings.
37:46How could I have guessed she had it?
37:48They say,
37:49I don't know,
37:50because I don't get involved in other people's business,
37:53I don't know if you understand me.
37:54I feel you.
37:55And I understand you perfectly.
37:57And that's just the way I am.
37:59So, they say,
38:00that since she got involved in that scandal
38:02and was in prison for two years,
38:04everyone wrote him off.
38:06Really?
38:07She didn't have a wife or children,
38:09but no friend of hers ever showed up to see him.
38:11We had him in the neighborhood for ten years.
38:13We never saw him.
38:14I see.
38:15As far as siblings go,
38:17she had a brother,
38:18Eterothali.
38:19He came to see him.
38:21Often?
38:22They didn't have a good relationship.
38:24He died, too.
38:26It's been a while.
38:27Last summer.
38:28From the heart.
38:29Stavrianidis, the minister.
38:32Was he his brother?
38:34Eterothali, of course.
38:36I see.
38:37I see.
38:47He has no family.
38:48I know.
38:49Five people, all of them.
38:51And they're from the neighborhood.
38:53So, what do we do?
38:54We leave.
38:55We learned what we had to learn.
38:58Go get Theopoula.
39:01My grandson.
39:03Congratulations.
39:06Not yet.
39:07We're on the right track.
39:09I'll check the information.
39:11You don't have to.
39:12We have all the information we need.
39:14Really?
39:15Yes.
39:16Mrs. Sofia has found a neighborhood for the divorced.
39:18Besides, you're at the wrong table.
39:24Why wrong?
39:28That's right.
39:30Domas and Fotis have gone to the newspaper archives.
39:34Sofia and Theopoula and Dalia's lawyer
39:38have gone to Kasteli's office.
39:40And we're here.
39:44What are you listening to?
39:46All the grandmothers in the world
39:48tell their grandchildren fairy tales.
39:49And I...
39:52Are you opening, Leia?
39:53I'm opening, Marinella.
39:55Come.
40:00Now! Now!
40:04Sit here.
40:05Sit.
40:06Be quiet.
40:07Here.
40:12Good evening.
40:13Welcome.
40:14How come you're here?
40:15Didn't you find a place to stay?
40:17Everything's fine.
40:18I'm glad to hear that.
40:20We've got everything you need.
40:21A one-year-old archive.
40:23Come in.
40:24Come in.
40:25Where's Fotis?
40:26He's at home.
40:27He told me to tell you
40:29that he'll be waiting for you there at 10 p.m.
40:31Great.
40:32How come you're here?
40:33He came to my room.
40:35Good evening.
40:36Good evening.
40:38A surprise, as always.
40:42I'm ready.
40:43Let's go.
40:44Let's not be late.
40:45I have to come back early
40:47to take care of Leia.
40:48She has to investigate.
40:50Isn't that right, Leia?
40:52What time are you meeting the kids?
40:5410 p.m.
40:55I'm so jealous of you.
40:57I'm so jealous of you.
41:04What was that?
41:07A lightning bolt struck my head.
41:10Did you see it?
41:11Did you see it?
41:14And I can't go back
41:16because who's going to pick me up?
41:19I'm back, Dracula.
41:21Did you forget your keys?
41:23What are you doing here?
41:25Why did you go out?
41:26Are you crazy?
41:29What happened?
41:31The truth is
41:34that I didn't leave the house
41:36because it was so dark.
41:38Did they kick you out?
41:42I heard my uncle one night
41:45telling my mom to lock me up in a building.
41:49I was a difficult kid.
41:51I admit it.
41:53I just didn't...
41:56What would you do if your daughter
41:58did something like that?
42:00I would have loved her.
42:02I would have thrown a stick at her
42:04so that we could explain.
42:06But then I would have loved her.
42:08I would have taken care of her more.
42:10Because I think that's what she needed.
42:12And now?
42:14Now what?
42:17Are you going to kick me out?
42:20Is that what you were thinking?
42:22Is that why you came?
42:24I was always a nuisance.
42:26For everyone.
42:28It's the same for you.
42:31If you want, I can surrender.
42:34If I leave, you can continue.
42:37Or stop looking for me.
42:39And I won't say anything.
42:41Ever.
42:42Are you crazy?
42:43Do you want me to give you a stick?
42:45I've eaten so many sticks.
42:48And nothing happened.
42:50You didn't faint, so...
42:53What are you saying?
42:55Are you crazy?
42:57Are we going to leave you?
42:59Is it possible to break up?
43:01Or is it easier to stop?
43:04That's the point.
43:06To stop.
43:07And when did we make the point
43:09to do it now?
43:13Are you better now?
43:15Yes.
43:16Let's go inside.
43:17Pour some water on your face.
43:19I'll make some coffee.
43:20We have a long night ahead of us.
43:22Come on.
43:23Get up.
43:28Kastelis was Stavrianidis' brother.
43:31He says something.
43:33But he doesn't want to explain it.
43:36They didn't have a good relationship.
43:39And he must have something else
43:41to do with the murder.
43:43But Venetopoulos was caught.
43:45He was convicted.
43:46We're not looking for Venetopoulos.
43:48I'm sure.
43:49Remember what Stavrianidis said
43:51before he died?
43:52They'll get rid of her.
43:54Don't let them get rid of her.
43:56Don't say that about someone
43:58who's been in prison for 20 years.
44:04What time did she go?
44:06Four.
44:07She's still asleep.
44:08Should I wake her up?
44:10No, leave her alone.
44:11She had a hard day.
44:12We'll find a way to get her back.
44:14The police will look for you.
44:16We'll get her back the way we got her.
44:20Good night.
44:22Good night.
44:23Don't do this to me.
44:25If she's asleep,
44:26who's going to look for her?
44:28Fostiras?
44:29What?
44:30Nothing.
44:31Look for her.
44:32And if you find anything,
44:33tell me.
44:34We've been locked up for six hours.
44:36Look for her.
44:37Why is she here?
44:41What?
44:42I found him.
44:43I found him.
44:44Who?
44:45What does Stavrianidis have to do with the murder?
44:48Angela, wake up.
44:49I found him.
44:50I found him.
44:51It's me.
44:55It's me.