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La Promesa Ep 430 Completo:
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La Promesa Cap 430
La Promesa Ep 430
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00:10Frankly, Mr. Baeza,
00:12I don't understand why, if I had nothing to hide,
00:15you lied to me at first.
00:17I assure you that it was nothing calculated, Sergeant.
00:20Whether it was or not, you lied to me.
00:22I guess I wanted to avoid
00:24having to give you too many explanations.
00:26The same ones you're going to have to give me now.
00:28Yes, how fair.
00:30I should have told you the truth from the beginning.
00:32Anyway, let's get down to business.
00:34You told me that Mrs. Adarre
00:36had passed away.
00:37In fact, that's what everyone thinks.
00:39That's right.
00:40How is it possible that now you tell me she's still alive?
00:42It's a long story to tell.
00:45I'm a patient man
00:48and I have all the time in the world.
00:50When we learned that Mr. Castillo
00:52had left prison,
00:54it was clear to us that he was not going to give up
00:56and that he was going to tell Mrs. Adarre
00:58that if he didn't have the opportunity
01:00to have her by his side,
01:02he would try to kill her.
01:04How is it that it was clear?
01:06What made you reach that conclusion?
01:08Well, he managed to break the promise
01:10without being seen.
01:12He even got to Mrs. Adarre's room
01:14where he left a bottle of Cicuta
01:16as a threat.
01:18Cicuta.
01:20The same substance with which he poisoned her the other time,
01:22as I read in his prison entry report.
01:24Yes, yes.
01:26The only way to prevent that man
01:28from killing her was to get ahead
01:30and make Mrs. Adarre die sooner.
01:34So to speak.
01:36Well, of course, yes.
01:38So we simulated the death of Mrs. Adarre
01:40so that that man would leave her alone
01:42and she would be gone forever.
01:44A reverse plan.
01:46But well done.
01:48Well, that's what we thought then.
01:50You say it because it didn't work?
01:52No, it didn't work, no.
01:54Don't ask me how, but that man didn't bite the bullet.
01:56I don't know how he did it,
01:58but he suspected that Mrs. Adarre
02:00was still alive.
02:02And soon after, he let us know.
02:04How did he let you know?
02:06Well, he showed up in Mrs. Adarre's town
02:08where he had supposedly buried her,
02:10and there he came out of doubt.
02:16He dug her grave.
02:18He dared to do that.
02:20He found her empty, as is natural.
02:22The sepulcher of the town
02:24can confirm what I say if he wants to speak to him.
02:26And what did they do then?
02:30It is evident that if Mr. Castillo
02:32discovered his hiding place
02:34or she left him,
02:36she would end up dead, but this time for real.
02:38Which he confirmed
02:40by sending us a threat for a letter.
02:42I hope you put that letter
02:44at my disposal immediately.
02:46Of course, sir.
02:48I did everything I could
02:50to prevent that from happening.
02:54To the point
02:56of killing Gregorio Castillo?
02:58No, no, no.
03:00That was not the case.
03:02We couldn't have done it.
03:04Why?
03:06Because we never heard from him again.
03:08I put all my effort
03:10to meet with him.
03:12In fact, I sent him a note in that letter.
03:15And I wonder, Mr. Baeza,
03:17how did you get that note?
03:19Well, I didn't know where he was,
03:21but I had heard him say that he stopped
03:23from time to time in the tavern in Luján.
03:25So I left the envelope there
03:27without being sure that it would get to his hands.
03:30And what did he say in that note?
03:32Well, he insisted
03:34that we meet, that he choose
03:36the place and the moment.
03:39And why did you want to meet
03:41with Mr. Castillo?
03:43I wanted to try to convince him
03:45to leave Mrs. Darre in peace.
03:50Considering what he has told me,
03:52there is no doubt that his claim
03:54was very optimistic.
03:56Yes, I have never been optimistic,
03:58but it could be, yes.
04:00He really aspired to make Mr. Castillo
04:02come to his senses.
04:04No, I guess he didn't want to resign me.
04:06He resisted me.
04:08Besides, that note was of no use
04:10because he never contacted me.
04:14So...
04:18Mrs. Pia Darre is still alive.
04:20That's right.
04:22A very important and
04:24adventurous news, without a doubt.
04:26I'm glad for her.
04:28But this indicates it directly.
04:30What do you mean?
04:32Yes, I mean
04:34that she happens to be the main suspect
04:36in the murder of Gregorio Castillo.
04:39Pia Darre would never do something like that.
04:43What conviction.
04:46It seems that he is willing to
04:48put his hand in the fire for her.
04:50I am completely sure.
04:52Mr. Gaeza, all that is very good.
04:54But you will understand that I,
04:56as a representative of the law,
04:58do not let myself be guided more
05:00than by the facts.
05:13Excuse me, sir.
05:15I need you to show me a horse as soon as possible.
05:17Right now I'm looking for a lackey to take care of it.
05:19You bring me careless, who will take care of me?
05:21Yes, sir. I will give order to prepare
05:23the horse and to dress it.
05:25You're taking too long.
05:27The horse, already yours, is a very nervous animal, sir.
05:29What do you mean by that?
05:31Why don't you just do what I tell you?
05:33I'm sorry, but I had the feeling
05:35that you were very upset to ride.
05:37And what if I am?
05:39I just want to show you the importance
05:41Where did they teach you that?
05:43In high school? For riders?
05:45No, sir. But a few years ago I worked for someone
05:47who received a luctuous news
05:49and decided to do the same as you,
05:51go out to ride.
05:53And maybe it was by chance,
05:55but the reality is that he suffered a mishap
05:57and his body was returned lifeless.
05:59If you walk for a while and calm down,
06:01it will do you good.
06:03And while I give order to prepare everything.
06:05All right.
06:07And of course, sir, I can do anything
06:09to help you solve this contradiction.
06:11Well, you just have to tell me.
06:13I appreciate it, Mr. Ricardo,
06:15but I'm not able to talk now.
06:17As you said, I'm too upset.
06:19On the other hand, your suggestion
06:21to relax me seems to me to be right.
06:23Great.
06:25Well, if you don't mind, sir,
06:27we'll meet at the caballeriza in half an hour?
06:29Half an hour.
06:31All right.
06:33Oh, and Mr. Ricardo.
06:35Sir.
06:37If someone asks about me,
06:39tell them that I have received an urgent call
06:41and that I had to leave immediately.
06:43As you wish, sir.
06:45Right now I don't see myself talking to anyone
06:47about this family without committing a serious imprudence.
06:49Don't worry, sir. I'll do what you say.
06:53Good afternoon, sir.
06:59Ricardo, has something happened to Count de Añil?
07:01He has received an unexpected news
07:03and had to leave in a hurry.
07:05Let's hope it's nothing serious.
07:09Mr. Ricardo,
07:11could you please let Mr. Baeza know?
07:13Mr. Baeza has just left La Promesa, sir.
07:15Really?
07:17Wow.
07:19I had to give him an important task.
07:21If you don't mind,
07:23may I do it?
07:25Of course.
07:27Forgive me.
07:29It's not because I'm not worthy of your trust.
07:31It's the custom.
07:33I always use it, Mr. Romulo.
07:35Thank you, sir.
07:37What do you need?
07:39Nothing right now.
07:41But tomorrow, at 1 p.m.,
07:43I'll leave the palace and I'll need one of our cars.
07:45Be careful. I'll make sure it happens.
07:49Mr. Ricardo.
07:51It's very important for me
07:53that no one finds out about my departure.
07:55And when I say no one,
07:57I mean no one.
07:59I understand, sir.
08:01No.
08:03I'll tell him when the time comes.
08:07Sir.
08:29You!
08:31Come here for a moment.
08:39I want you to thoroughly clean
08:41Ms. Catalina's room tomorrow afternoon.
08:43And most importantly,
08:45I want you to tidy up her closet.
08:47Because Ms. Catalina,
08:49after the press interview,
08:51she didn't even try on her last dress.
08:53And that closet is a mess right now.
08:55Is Ms. Catalina trying on her dress?
08:59That's what I said, yes.
09:01Ms. Catalina?
09:03Are you deaf, María Fernández?
09:05Do you understand me?
09:07Yes, ma'am.
09:09Well, you know what you have to do.
09:11The thing is that tomorrow is my day off.
09:13And?
09:15Well, maybe you don't care
09:17that I do it the day after tomorrow.
09:19Of course I care.
09:21Because I want that closet to be tidied up tomorrow
09:23and not the day after tomorrow.
09:25Ms. Petra, it's my day off.
09:27I said that.
09:29But you can change it.
09:31Take another day off.
09:33I'll do it myself
09:35with the other girls.
09:37I'd rather not change it.
09:45You'd rather?
09:47Did you say that?
09:49Yes, Mrs. Arcos.
09:51And who are you to prefer anything?
09:53It's the gentlemen
09:55who prefer.
09:57And we agree
09:59that they pay us for that.
10:01Don't worry,
10:03I can take care of
10:05Ms. Catalina's room.
10:07Come on, María Fernández.
10:09You were taking too long to get in the closet.
10:11And if you want, I can tell Teresa
10:13and between the two of us,
10:15we'll do the cleaning in a blink of an eye.
10:19Okay.
10:21Tell Teresa.
10:23And you two take care of it.
10:25But you'd better not neglect
10:27your other tasks.
10:29Yes, Mrs. Arcos.
10:31Thank you very much, Mrs. Arcos.
10:33And if you don't want anything else?
10:35No.
10:37Good night.
10:39One moment.
10:41If you meet Santos,
10:43tell him that I want to talk to him.
10:45Yes, ma'am.
10:51I'd rather not change my day off.
10:59Good night.
11:15Good evening, Mrs. Darby.
11:17I know I'm not new,
11:19but this is a matter of utmost importance.
11:23This is Sergeant Burdina.
11:25Sergeant Burdina.
11:27Burdina, this is Mrs. Pia Darby.
11:29Yes, come in.
11:35Nice to meet you.
11:47I see you have a very good look
11:49and color on your cheeks to be dead.
11:53Do you want an infusion?
11:55I don't need anything, Mrs. Darby.
11:57I won't take anything.
12:01Can we go to what really matters?
12:03Of course.
12:05Sit down, please.
12:15I think you know
12:17why I'm here.
12:19We have a violent death,
12:21the death of your husband,
12:23with a gun.
12:25Someone killed him with a single shot.
12:27He shot him in the chest.
12:31And I guess you think
12:33that someone
12:35could be me.
12:39Did he have a good reason?
12:41Yes, I guess the best of reasons.
12:45What I didn't have or have is the gun.
12:47I don't know how you shoot a man
12:49in the chest, Sergeant.
12:51I don't have the strength.
12:53Even so, you will understand
12:55that my obligation is to question you.
12:57I must clarify the facts.
12:59Of course.
13:01I haven't heard from Gregorio
13:03or seen him in a long time,
13:05but I will help you
13:07in whatever you need.
13:09I appreciate your goodwill.
13:11When was the last time
13:13you saw your husband?
13:15As soon as he got out of jail,
13:17he came straight to the promenade.
13:22Did he want to talk to you?
13:25No.
13:27What he wanted was to take me
13:29with him, under the threat
13:31of death.
13:35Did they talk
13:37about your son?
13:40Yes.
13:42Sergeant, I told him
13:44that my son was born dead
13:46and I did it only to protect him,
13:48I assure you.
13:50And how did Mr. Castillo react
13:52to this?
13:54Well, he didn't seem to care,
13:56the truth.
13:58What was said was that he would come back
14:00and that's what he did.
14:02And did they talk again?
14:04No.
14:08How is that?
14:10We didn't even see each other.
14:12I didn't want to see him,
14:14I was scared to death and
14:16although they helped me
14:18and he managed to sneak into my room
14:20when I wasn't there
14:22and leave me a bottle of Cicuta.
14:30And how
14:32did you interpret this?
14:36There's nothing to interpret, Sergeant,
14:38the message is very clear.
14:40As you know, he spent many months
14:42giving me Cicuta
14:44to spoil my pregnancy.
14:46I understand
14:48that this would scare you even more.
14:50Of course.
14:52So we thought it was best
14:54for me to die.
14:56I mean, it was best to pretend my death
14:58so that he
15:00would cease his efforts
15:02and go forever.
15:08Mrs. Adarre, do you have
15:10a problem with registering the cabin?
15:12No.
15:14Of course not.
15:16Although I already told you
15:18that I didn't find anything.
15:20I'm telling you that I don't have a gun
15:22and that I've only touched one in my life.
15:24Don't just take it the wrong way.
15:26Understand that if I continue to investigate,
15:28it is to confirm your innocence.
15:42Mr. Arcos,
15:44I was told you wanted to see me.
15:46Yes, you were told correctly.
16:12What do you want me to do with him?
16:14Leave him where he was.
16:16Has he been of any use to you?
16:18Did you hear what I just told you?
16:20Yes, Mrs. Arcos.
16:22Well, you know what you have to do.
16:24I will.
16:26And don't say a word about this to anyone.
16:28I understand, ma'am.
16:32It will be our secret, Santos.
16:34I don't care.
16:36I don't care.
16:38I don't care.
16:40I don't care, Santos.
16:44I don't care.
17:10Good morning.
17:14Good morning.
17:22You seem to be in a very good mood today.
17:24Yes.
17:26Yes, I could say that I have been very happy.
17:30And if you can tell me, what is it about?
17:32I wouldn't know how to tell you.
17:36Nothing in particular.
17:38I just feel that today could be a good day.
17:42I'm glad.
17:44I hope that the day
17:46is up to your expectations.
17:48I hope so.
17:54Manuel, do you remember the Counts of Valvas?
17:58We used to go there a lot.
18:02And I got along especially well with their children,
18:04especially with Adrian the Elder.
18:06He was a very funny boy.
18:08And we shared a lot of adventures.
18:10Is that how you call the parties
18:12you used to do together?
18:14Mother, we were very young, keep that in mind.
18:16Yes, I don't miss that detail.
18:18In fact,
18:20it is the only reason why his parents and we
18:22were so patient with your little friend and you.
18:26And anyway, why has the Counts of Valvas
18:28come to mind now?
18:30Well, you see,
18:32they have invited me to a snack today.
18:34How come we haven't seen each other for so long?
18:36That's an excellent plan.
18:38Is it?
18:40I had thought that,
18:42since you got up in such a good mood,
18:44maybe you'd like to join me this afternoon.
18:48It could be an opportunity to see the children again
18:50and, who knows,
18:52resume your friendship with Adrian.
18:56You know,
18:58I'd love to.
19:00I'd love to, really.
19:02But I have an unavoidable commitment this afternoon,
19:04so it will have to be at another time.
19:06What unavoidable commitment are we talking about?
19:10Some matters related to the administration of the farm.
19:12But I'm not going to bore you with details.
19:16In fact,
19:18the sooner I get to it, the better.
19:22Good morning, Mother.
19:24Good morning.
19:32Good morning.
19:46What are you doing here?
19:48You said you wouldn't come for the promise in a few days
19:50because you had a trip.
19:52The questions were there. I'm going to ask them.
19:56I'll let the cooks know right now.
19:58No. It's not necessary because the questions are for you.
20:00Or rather, the question, because I only have one.
20:04Where do you have the money?
20:08What money?
20:10Don't play dumb, Mercedes.
20:12And above all, don't take me for a fool.
20:14You know exactly what money I'm talking about.
20:16Where do you have it?
20:20What does this have to do with anything, Mother?
20:22So it's true?
20:24You stole the money?
20:26Don't scream.
20:30No.
20:34I didn't know until this morning
20:36that your father told me.
20:38You took a lot of money from the palace.
20:40Where is it?
20:42Nowhere.
20:44I told you not to take me for a fool.
20:46And I told him I don't have that money.
20:48Not anymore.
20:50Have you spent it?
20:52No. I wish I had spent it.
20:54So you admit that you stole it.
20:56I wanted him to do it.
20:58But he did the opposite. He had to do something.
21:00Something like robbing your own parents?
21:02No. My father.
21:04And a thief who robs a thief.
21:06You know, Mother.
21:08Stop talking nonsense, Mercedes.
21:10What you have to do is return
21:12the money I took from you.
21:14But you?
21:16How could you do something like that?
21:18What were you thinking?
21:20I already told you. To get ahead.
21:22Get ahead? And you end up a maid?
21:24No. She's not a maid. She's a maid.
21:26I know that perfectly well.
21:28Please. Where are you going to stop?
21:30You left home taking enough money
21:32to live for many years
21:34without having to do anything.
21:36And the question I'm asking you is very simple.
21:38Where do you have it?
21:40I'll tell you again.
21:42I don't have it anymore.
21:44And I'll tell you again that that money wasn't yours
21:46and that you had no right to touch it.
21:48Very well, Mother. Take it without having to take it.
21:50I'm taking it now as an avatar.
21:52It's life. I've lost it.
21:54But you know something?
21:56Sometimes I think things are fine this way.
21:58And it was a matter of divine justice
22:00or something like that.
22:02After all, this money was the result
22:04of the misfortune of many people.
22:06Stop being silly, Mercedes.
22:08All this is very puerile.
22:10Money is money.
22:12And as much as you think you know everything,
22:14you have no idea how hard it is for your father
22:16to earn that money.
22:18Since you started coming to the promise,
22:20I figured there was something below.
22:22What really matters to you and your father
22:24is that he brings that money home.
22:26Not that I come back
22:28or that I stay here.
22:30But that's not true.
22:32I've been coming to this house for a long time
22:34and I haven't known about the money until yesterday.
22:36I don't know if I can believe you, Mother.
22:38Maybe he's tired of going for the good ones.
22:42But what's the big deal?
22:44I'm telling you I don't have that money.
22:46And even if I did,
22:48to be honest,
22:50before I give it to my father,
22:52I'd rather burn it.
23:14Ma'am.
23:16Ah.
23:19What?
23:21How did it go with Hanna's deathbed?
23:25Well, yesterday I tried to assign her
23:27a task for this afternoon.
23:30And she said
23:32that it was her day off.
23:34I see.
23:36And what did you tell her?
23:38Well, that she could change her notebook.
23:40But right away her little friend
23:42María Fernández ...
23:44The writer?
23:46Yes, ma'am, the writer.
23:48She came to her aid
23:50and offered to do the task.
23:52It's clear that they're hiding something, ma'am.
23:54Don't doubt it.
23:56I've proposed to my son
23:58a plan for this afternoon.
24:00But he's come up with
24:02the most absurd excuse.
24:04Practically taking me for a fool.
24:06Then there's no doubt, ma'am.
24:10Yes.
24:12It's the last day.
24:14Or there are many possibilities that it is.
24:18The only thing we need
24:20is to know where they plan to get married,
24:22that pair of fools.
24:43I see you came alone this time.
24:45I apologize, Mrs. Darre.
24:47I brought the sergeant with me last night
24:49because I had no choice.
24:51I can imagine.
24:53I don't know if I could have warned you,
24:55but I didn't want to do it either.
24:57I wanted you to see that we have nothing to hide.
24:59Well, nothing or almost nothing.
25:01Well, almost nothing.
25:03But when the sergeant told me
25:05that he wanted to talk to you,
25:07I thought that the best thing
25:09was to bring him often.
25:11And so he would get the idea
25:13that there was nothing agreed between you and me.
25:15The truth is that it makes sense.
25:19And besides, I don't know him very well,
25:21but that man
25:23is cavalier and very methodical.
25:25Mr. Baeza, you did well.
25:27So I won't turn you around anymore.
25:29It's time to get rid of the skein,
25:31don't you think?
25:33Of course.
25:35Are you going somewhere, Mrs. Darre?
25:37I'm going to talk to Darre.
25:39Yes, yes, but it will be a matter of a few days.
25:41But Mrs. Darre ...
25:43Mr. Baeza, I can finally go see my son
25:45without putting him in danger, please.
25:47I need to see him, I need to hug him,
25:49I need to kiss him.
25:51And don't make that face, I know you understand it perfectly.
25:53Yes, of course I understand it.
25:55Of course I understand it, but I don't know if it's appropriate.
25:57I don't know if it's the people investigating
25:59and everyone believing him dead.
26:01Well, I'll be back soon.
26:03And when I come back, I'll give you the necessary explanations.
26:05I need to see him.
26:07Well, you'll see.
26:09Of course I'll see.
26:11Besides, he will be with me even if he has behaved in an exceptional way.
26:13And he deserves to return to Lujan.
26:15And he deserves to recover his life, don't you think?
26:17Oh, yes, I have to give him all the reason.
26:19Because that woman has left everything for that creature.
26:21And as for the second ...
26:23Well, maybe nothing happens either.
26:25Well, wait a few days to reveal that you are alive.
26:27I count on your good look then,
26:29when it comes to leaving in a few days.
26:31What do you want my good look for?
26:33Well, yes, but that way I won't be more calm, Mr. Baeza.
26:35Of course, you are what you are.
26:37You have seen me good, yes.
26:39The only thing that bothers me,
26:41to weigh all this,
26:43is that we are going to lengthen
26:45Mr. Pellicer's suffering.
26:47Does it bother you that much?
26:49He does everything possible to hide it,
26:51but since you passed to a better life,
26:53he has not raised his head.
26:55Well, maybe it's like that for some other reason.
26:57No, Mr. Pellicer, we are very friends.
26:59Since always, I know him.
27:01Besides,
27:03he could be more honest with me
27:05than he usually is.
27:07He told me that you had been
27:09a very special woman for him.
27:11He even offered to do
27:13everything possible for you.
27:15And you didn't tell him anything then?
27:17No, nothing.
27:19He suspected that I was hiding something.
27:21He asked me for explanations
27:23and I didn't want to give them to him.
27:25I told him that as soon as I could,
27:27I would tell him everything.
27:29I do ask for permission
27:31to talk to him,
27:33before telling the others.
27:35Well, you have it, Mr. Baeza.
27:37After what he has told me,
27:39it would be a nice gesture towards Mr. Pellicer.
27:41And if I am honest with you,
27:43it is true that before all this happened,
27:45Mr. Ricardo and I
27:47were not ...
27:49getting close,
27:51so to speak.
27:53Well, don't worry.
27:55Don't worry. I'll talk to him.
27:58By the way, I hope this doesn't reach
28:00the sergeant's ears.
28:02I don't want him to think
28:04that you are running away.
28:06Well, if that happens,
28:08tell him the truth.
28:10Tell him where I've been and that I'll be back soon.
28:12Let's hope it won't be necessary.
28:28Have you seen a little bird around here, Mrs. Amalia?
28:30Yes.
28:34Well, it's strange that you didn't even stop by to say hello.
28:36I was on a trip. What happened?
28:38Did he come?
28:40He just came back from the trip.
28:42Ah.
28:44And he visited the doctor
28:46to clarify something.
28:48What thing?
28:50Well, something about the recipes
28:52that I wrote down.
28:54Doubts, let's say.
28:56Doubts?
28:58How much do you know about cooking
29:00to clarify the Duchess's doubts?
29:02You only know a little bit of what López teaches you.
29:04No, they are not culinary doubts, Mrs. Candela.
29:06Come on, culinary doubts.
29:08If they are the recipes, what don't you understand?
29:10It's just that what the Duchess doesn't understand
29:12are not the steps she has to take,
29:14but rather my letter.
29:16Your letter is beautiful.
29:18That's true.
29:20If you are helping the Duchess, it is largely thanks to your letter.
29:22Well, it was just a few lines.
29:24I understood this perfectly.
29:26Let's finish.
29:28A few lines, a few lines.
29:30Be more careful and wait longer.
29:32And how do you want me to do it, Mrs. Candela?
29:34With how fast López speaks,
29:36I try not to leave anything unnoticed,
29:38but that's already difficult.
29:40And well, my calligraphy resists me a bit.
29:42Damn calligraphy.
29:44I pass it to Canuta when I have to write Islamic calligraphy
29:46so that later it doesn't come out,
29:48because every day I have the letter, I see.
29:50Woman, that's what it's like to have a boyfriend
29:52and you understand what he puts,
29:54which is weirder.
29:56The letters are prettier, uglier.
29:58They even say that God writes straight,
30:00but with the wrinkles crooked.
30:02Candela, that has nothing to do with calligraphy.
30:04Well, you say it.
30:06Noble.
30:10Who told you
30:12that I'm not going to be your personal maid?
30:14Mrs. Hanna this,
30:16Mrs. Hanna the other.
30:18Does the lady have her ass refreshed?
30:20Or do I need a seat bath?
30:24Well, this is it.
30:26Closed so that no one can see
30:28how beautiful you look.
30:30No one can see you except me.
30:32Thank you for everything, Maria.
30:36Mr. Manu is going to stay hidden for you.
30:40Look at me.
30:42I'm shaking. How is it possible that I'm more nervous than you?
30:44What am I going to do?
30:46Well, well.
30:48Have you already put it on?
30:50Of course I've put it on.
30:54What a great excitement.
30:56Well, and after the priest
30:58marries you, what?
31:00What?
31:02What do you have in mind,
31:04Mr. Manolito, and you?
31:06We are going straight to Madrid.
31:08What happened?
31:12Since you are so close,
31:14I felt the vertigo.
31:16Maria, you don't have to worry about anything
31:18because Manuel has prepared
31:20even the smallest detail.
31:22And besides, everything is going to be fine.
31:24Everything has to be fine.
31:26Of course. I hear you.
31:28And it will all be thanks to you.
31:30You have also put on Mrs. Petra's face
31:32for me.
31:34Man, she's not going to miss the day of your wedding
31:36to order a wardrobe.
31:38Because she has made us stupid, right?
31:40Today it's your turn, Dalel,
31:42if you want, for the love of your life.
31:45And I wish you all the happiness in the world.
31:49And I hope you'll be there.
31:51Because I'm going to miss you a lot
31:53at church.
31:55I work for you.
31:57Well, don't worry about that.
31:59Today you are important.
32:01And everything is going to be perfect.
32:10Tell your mother that she has come.
32:12Now I know.
32:14Now I know what this mess is all about.
32:16The kitchens, the recipes and the notes, Lope.
32:21But Vera, we've known that since the beginning.
32:23Your mother wants you to come home.
32:25No. That's what you and I believe.
32:27What my mother wants back home
32:29is the money she takes from me.
32:31The briefcase?
32:35The briefcase.
32:37Well, it won't be easy.
32:39Much less knowing where that money comes from.
32:42I don't understand you.
32:44Well, my father got that money
32:46at the expense of the suffering of other people, Lope.
32:48And what does that have to do with it?
32:50Neither my mother nor my father
32:52can go to the Marquess and claim it.
32:54What are they going to tell her?
32:56Before you stole the money from my daughter,
32:58we had stolen it from others.
33:00So please give it back to us.
33:05But then your mother knows
33:07that you took the money.
33:09Yes.
33:10But why did you tell her?
33:12No, she already knew.
33:14She just found out, she told me.
33:16No, maybe that's the truth.
33:18Lope, but it was a briefcase.
33:21It's not that I was very upset to deny it
33:23when she asked me.
33:25My God.
33:27Vera, this could end very badly.
33:29As badly as it started.
33:31What do you mean?
33:34What?
33:35When I reported my father,
33:37they came looking for him at home.
33:39Yes, well, you've already told me that.
33:41Yes, but you have no idea how it went.
33:43The Civil Guard came,
33:45took him to the barracks and locked him up.
33:47What meant a relief for you at first.
33:50Yes, but for a short time.
33:52Because after a few days, they set him free.
33:54And when I found out that I was coming home,
33:56I also found out that I was sentenced.
33:58And that as soon as my father set foot in the palace,
34:00he would come for me.
34:02To hit you.
34:04To kill me.
34:06You don't know that man.
34:08No, I don't even want to know him, Vera.
34:10After everything you're telling me,
34:12I have no interest.
34:14The fact is that I came to fear for my life, Lope.
34:16And you left.
34:18I was in a very desperate situation.
34:20I had just found out that my father was coming home
34:22and I knew it was going to be the first thing I did
34:24when I got to the palace.
34:26How strange.
34:28I had very little time,
34:30money.
34:32I went into my father's office
34:34and I didn't think twice.
34:36And you didn't feel bad?
34:38Not at all.
34:40I knew exactly where my father had taken all this money.
34:42You took it just like that?
34:44I took it and left.
34:46Without looking back.
34:48I was scared to death,
34:50but I didn't have time to look back.
34:52And then I found you in the woods.
34:56Shortly after.
34:58You looked like a vagabond
35:00and you took the money to buy Lujan
35:02and the surroundings.
35:04Money that didn't last long in my hands.
35:06At least I could have spent something, don't you think?
35:08Everything.
35:10Everything.
35:12The fact is that now my mother wants that money
35:14and I don't have it.
35:16And if you had it, would you give it to her?
35:18Of course not, Lope.
35:20And what's this?
35:22This is my delivery card.
35:28And where are you going with this?
35:44You look very pretty.
35:50Are you going out?
35:54Yes.
35:56I'm going to ...
35:58to the Counts of Valvas' house.
36:00An informal snack.
36:02Well, I think it's a good way
36:04to spend the afternoon
36:06and yet you seem disgusted.
36:08I asked your son to accompany me,
36:10but he, as always, has many matters to attend to.
36:12And as always,
36:14any of them has priority over his mother.
36:16If you want,
36:18I can go with you.
36:20No, Alonso. You have not been invited.
36:22And frankly, I prefer to go alone
36:24than in bad company.
36:26Neither the Count nor the Countess will miss seeing me.
36:28In fact, I sometimes do business with him.
36:30So while you
36:32talk about your things,
36:34we can get to work.
36:36Don't insist, Alonso. I told you I don't want to go with you.
36:38How many times do I have to tell you
36:40that I don't want to know about you?
36:42Many, Cruz.
36:44Because I'm not going to resign myself to losing you.
36:48I think you don't understand.
36:50You have already lost me.
36:52You would have been better off before seducing my intimate friend.
36:54I didn't seduce her.
36:58Why do you give credit to that scum you have for a brother-in-law?
37:02You have been convinced by someone you have never trusted.
37:06You can't condemn me for something Lorenzo says.
37:08Yes, I can.
37:10He has deceived you.
37:12I have not done what he says I have done.
37:16Not like he says I have done.
37:18Cruz, you are the woman of my life.
37:22And I will not let you leave my side
37:24because of the infamy of a miserable man.
37:28We have to recover what is ours.
37:32We have to be ourselves again.
37:34Those are just words, Alonso.
37:36And they are worthless.
37:38What matters are the facts.
37:40And you did what you did.
37:42You did it the way you did.
37:46And now, if you'll excuse me,
37:48I don't have time for this nonsense right now.
37:52I have to go.
38:22I have heard the music.
38:24And I figured that you were the one who was listening to it.
38:28I hope I'm not bothering you.
38:30No, no, no. Of course not.
38:34Look, Martina has proposed to me
38:36to take a walk around Lujan.
38:38And I have not wanted to accept
38:40without knowing if you were coming.
38:42I have considered it for your own good.
38:44But I have to go.
38:46I have to go.
38:48I have to go.
38:50I have considered it for your own good.
38:52Yes.
38:54After everything that has happened,
38:56I don't want to leave you alone.
39:00You don't know how happy I am
39:02to have met you, Curro.
39:04Our conversations these days
39:06have done me a lot of good.
39:08I'm glad to hear that.
39:10Yes, for me they have also been ...
39:12How to call it?
39:14Cure.
39:16I had a thorn stuck in my heart.
39:18And thanks to you,
39:20it is no longer there.
39:24I had my own thorn stuck.
39:26I had heard so much about you
39:28that I had created
39:30an image, not very good,
39:32full of prejudices.
39:34But now I know it was an unfounded idea.
39:38I have discovered that you are a good and generous man.
39:40With a noble heart.
39:44To me, with you,
39:46I have not needed to overcome any prejudice.
39:48I have only been able to confirm
39:50all the good that I had heard from you.
39:54In fact,
39:56I think I can add something
39:58of my own harvest.
40:00You are wonderful.
40:16I have brought the last ones that were
40:18at the dinner.
40:20We will have to ask for more.
40:22Miss, what a joy!
40:24I'm sorry.
40:26No, no, no, no.
40:28Leave it, leave it, miss.
40:30That's where they come from.
40:36How can I help you?
40:42I come to accept your offer
40:44from yesterday.
40:48And what did I offer you?
40:50A pot of heaven, a tortel,
40:52a Maddalena?
40:54No.
40:58You offered to listen to me, Simona,
41:00which is what you always do.
41:02And I think that's what I need, for you to listen to me.
41:06Well, here I am.
41:08I'm all ears.
41:10If I told you that yesterday,
41:12it was because
41:14I think I really know you.
41:16And I'm sure
41:18something is happening to you.
41:24I'm very worried.
41:26That's the truth.
41:28And more
41:30because you
41:32have always trusted me
41:34to tell me about your harvest.
41:36And the fact that I didn't do it,
41:38well,
41:40it made me think that
41:42it's about
41:44Fuste.
41:50I'm in a very tight spot, Simona,
41:52and I don't see how to get out of it.
41:56And the worst thing is that it doesn't affect me alone,
41:58but it affects other people
42:00for good.
42:04But, miss,
42:08tell me what it is.
42:14I know that I'm just a cook
42:16and there's little I can do.
42:18But if you tell me what's going on,
42:20you can count on that little.
42:22Besides,
42:24you'll feel much better
42:26if you unburden yourself.
42:30Miss.
42:38Miss.
43:08Miss.
43:18Has anyone seen you leave the palace?
43:20It's the same. It's my afternoon off.
43:28Wait a minute. Is this what you do
43:30on your free afternoons?
43:32Cover yourself up to your chin and marry the first one to pass?
43:34Not everyone has their weaknesses.
43:38What about you? Has anyone suspected anything?
43:40No.
43:42No, my mother is having lunch at a friend's palace
43:44and Don Ricardo knows I'm leaving,
43:46but he doesn't know where.
43:48And the driver has given him such a tip
43:50that he doesn't even know who I am or where he's taking me.
43:52Well, he has to take you to the station.
43:54Yes, that's all he remembers.
43:56But he'll forget as soon as I tell you here.
43:58Powerful gentleman.
44:00He's Don Minero, yes, I know.
44:02Well, that phrase may sound unfair,
44:04although in this case it's true.
44:09You're going to be the last one to see all this.
44:15And me?
44:17But it's over.
44:19It's over.
44:21My parents will find out when they receive the letter
44:23and by then you and I will be husband and wife.
44:26So much so that when they see us on the street
44:28they'll say, look, what a happy marriage.
44:39For a moment, I've had a very bad time.
44:43I was all the time thinking about the possibility
44:45that something would happen at the last minute
44:47and you couldn't come.
44:51I feel the same.
44:55But I feel that all the difficult things have already passed.
44:59And now all that remains is for Father Samuel
45:01to give us his blessing.
45:03It's over.
45:05And now all that remains is for Father Samuel
45:07to give us his blessing.
45:09Yes.
45:13By the way,
45:15shouldn't he be here?
45:21Yes, you see, that's my fault.
45:24At the last moment I asked him to go
45:26in search of the photographer of the hat.
45:30Ana, you too.
45:32I didn't trust that poor man.
45:34Well, what did you want me to do?
45:36I couldn't go, the photographer knows me
45:38and I didn't want to stir up trouble
45:40and for my parents to find out.
45:42But on the other hand...
45:45You wanted to have a memory
45:47to show our children.
45:53And our grandchildren.
46:03But you don't want to be in the picture
46:05with that cape covering all the dress you're wearing underneath.
46:08No?
46:11No.
46:32Ana.
46:36Ana.
46:38Yes, what is it?
46:42Here you are.
46:49You can't imagine how lucky I am.
47:03Yes.
47:16I've been looking for you all over the palace.
47:19I've been in Miss Catalina's room for a while
47:21cleaning and tidying it up
47:23together with María Fernández.
47:25What do you want?
47:26Nothing, I just wanted to talk to you.
47:29Did you want to talk to me or just like that?
47:32There's something that worries me
47:34and I think I owe you an explanation.
47:36Marcelo, don't drive me crazy, for God's sake.
47:39Yesterday I saw you talking to María Fernández and Hanna.
47:42So what?
47:44I assumed that María Fernández had told you everything.
47:47She told me what?
47:48Marcelo, I don't know what you're talking about.
47:50So María Fernández didn't tell you the story?
47:53What story?
47:54For God's sake, Marcelo, I don't know what you're talking about.
47:56María Fernández saw me flirting with a maid.
48:03What a surprise.
48:04She caught my attention for not respecting my wife.
48:09You're the worst.
48:11In any case, María already told me
48:13that you weren't where you were supposed to be.
48:16I know I should have been more cautious
48:19but I let myself go
48:22and my nature is what it is.
48:27I'm sorry, but this is over.
48:29What do you mean it's over?
48:31Marcelo, it's over.
48:34I'm going to tell the truth and God willing.
48:39I'm sick of pretending you're my husband.
48:46Teresa, wait.
49:02Where have you been?
49:04We've been looking for you for a long time.
49:06Well, I've been here all the time.
49:08In the end, I slept with Julia.
49:11I see.
49:12And she's excited about the walk.
49:15It's a very good afternoon.
49:17We could even walk to Luján and have a snack in the square.
49:20I don't feel like going to Luján or walking or having a snack there.
49:25And why is that?
49:28Because I've been thinking.
49:31About what?
49:33About how things have been these last few days.
49:39What things, Martina?
49:42Well, I think it's time for Julia to go home.
49:49And why is that?
49:52Well, because her parents are back,
49:54because the painting is restored,
49:57because the family needs to get their intimacy back.
50:01Of course.
50:03If that's what she wants, I'll leave tomorrow.
50:06They've all been quite generous with me.
50:09The last thing I want is to abuse their hospitality.
50:15I swear I'm going to be full of gratitude.
50:20No.
50:23You're not going anywhere.
50:25Not until you feel that the time has really come to leave.
50:31Martina, Julia is also my guest.
50:42Can I open my eyes now?
50:44One second.
50:46You told me that three minutes ago.
50:49Three minutes later.
50:59That's it.
51:10A bride can't go to the altar without her bouquet.
51:14Even if it doesn't make your beauty sound from far away.
51:18It's the most beautiful bouquet I could have.
51:25You're beautiful.
51:28Stop saying that, Manuel.
51:35Of course, María.
51:36And you managed to make this dress look like a glove to you.
51:40What maybe we haven't achieved is that it's not the same as the original.
51:44Hanna, with you, nothing is the same as it was before.
51:50Although the truth is that you haven't done much to it.
51:54I don't know.
51:55If it was just to calm María down because her boyfriend would have seen it.
52:00No.
52:01The curse thing.
52:02Come on.
52:03I didn't want to kill the illusion, nothing more.
52:07Well, that's why you don't have to worry.
52:09Because angels are not affected by curses.
52:13And you are an angel.
52:16Well, this angel is so nervous that he wouldn't be able to fly even if he wanted to.
52:22We'll fix that in due time.
52:26Now I can only tell you that the topics are being fulfilled.
52:31Because I feel that this is the happiest day of my life.
52:34Mine too.
52:36And mine too.
52:54You know, I think this cure is a bit peculiar.
52:57Can you imagine? It's been there all the time, but it made us wait for consciousness.
53:03I don't care.
53:06The important thing is that we are going to get married right now.
53:10Right?
53:12Yes.
53:13We are getting married.
53:35Yes.
53:46I don't remember ever seeing a boyfriend on the altar without his godmother by his side.
53:55Did you really think you could do something like that?
53:57Without me finding out?
54:05AVAILABLE NOW