Pájaro Soñador Capítulo 103 (Doblado En Español 4K)

  • 2 days ago
Transcript
00:00Elle.
00:08Pájaro soñador
00:14Salió perfecto.
00:14Queríamos deshacernos de ultima pero al final,
00:16nos libramos de las dos.
00:17Encerito felicito Uma.
00:19Sabía que lograría deshacerte de esas chicas,
00:22nunca lo dude,
00:24pero reconozco que no creí que sería tan rápido.
00:26Ay ponga crees que organice
00:29I always have a plan, dear.
00:31Yes, I see.
00:33But it turns out that now we have another problem.
00:36Sanem is going to work with Yigit in the offices below.
00:40Forget about those little details and focus on the important thing.
00:44From now on, there is no Sanem in Jan's life, right?
00:48And you will go with him to the Balkans.
00:51It's true. Jan and I are going to go to the Balkans together.
00:55I think now our priority is for Jan to come back with you, Polin.
01:01And I'll take care of that, Uma.
01:04I'll do everything I can to remind Jan why we fell in love and were together for so many years.
01:11Besides, I don't think Yigit will stay here long.
01:14He'll probably get bored and go back to Canada.
01:17See? You said it yourself.
01:19Sanem will not be part of your life in any way.
01:22So let's forget about her. Don't worry.
01:25You're right. Now I have nothing to worry about.
01:30Excellent.
01:42So here you are. I've been calling you all afternoon.
01:45I needed to come to the gym.
01:49I don't even know how many I have.
01:57What's wrong? You look worried. What's wrong?
01:59Nothing.
02:00No. Something's wrong with you. That's why you called me so many times.
02:03And you came to pick me up at the gym.
02:06What's wrong, Emre?
02:07After Sanem left, Leila did the same.
02:09Really?
02:14She left too?
02:16I haven't seen her very excited lately.
02:18So I don't think she took you by surprise.
02:22I know. I thought I could convince her.
02:25But she didn't listen to me.
02:26No, brother. I understand you perfectly.
02:28Aydin's sisters are very stubborn.
02:30It's impossible to convince them of anything.
02:32She comes from a family. They do what they want.
02:34And there's no way to make them change their mind.
02:37But tell me, didn't you tell her they weren't made for each other?
02:41I know, but she was my assistant.
02:44I doubt I'll find another one like her.
02:47Really? Just your assistant? You don't even believe that.
02:50No, let me go. I don't want to.
02:51Let's exercise.
02:52No, no, no.
02:53Come on. I'm going to give you a lesson.
02:54I'll just do some cardio.
02:55That's going to help you.
02:56I'll just do some cardio.
02:57Don't say no.
02:58Cardio.
02:59But didn't they ask you to work two more weeks like Sanem?
03:02No, because I had days off that I didn't take,
03:06so they didn't ask me to stay.
03:08I didn't have anything pending.
03:10Excellent. That's great, honey.
03:13And now I'll work in the same publishing house as I did,
03:15because my boss made him a job offer.
03:17That's right.
03:18Sanem's new boss offered me a job as an administrator,
03:21and I accepted it.
03:22So from now on, Sanem and I will work together again.
03:26That's great.
03:27You quit that job, and good things started happening to you.
03:30Yes.
03:32You'll see that this is just the beginning.
03:34You're going to do great, honey.
03:36Hey, here's Sanem.
03:40Don't you want to go to J.J.'s house tonight?
03:43I have to talk to you about something urgent.
03:45What?
03:46No, don't worry.
03:47It's something good.
03:48First we'll talk to our parents to tell them everything,
03:51and then we'll meet at J.J.'s house after dinner.
03:53All right.
03:54All right. See you.
03:57Where's Jan?
03:58I don't know. I haven't seen her.
04:00I haven't seen her either.
04:02What a weather.
04:03Let's go.
04:10You say it first.
04:13No, you say it. I won't say it.
04:16It's excellent.
04:18Delicious.
04:23Delicious.
04:25What's going on?
04:27Why are you looking at each other like that?
04:30Quit the job.
04:32Well, we already knew that, honey.
04:36Definitely.
04:37Yes?
04:38I'm not going back to the agency.
04:40It's part of the past.
04:42I'll never work there again.
04:44You know I don't like to meddle in your business,
04:47but you're sure, honey.
04:48You thought it through.
04:49What your mother means is that you think it through.
04:51Don't regret it.
04:52I'm sure.
04:53I know it's the best for me.
04:55Very good.
04:56If you're happy, that's fine.
04:57You're going to be fine, honey.
05:00Quit the job.
05:02What are you saying?
05:04Why did you do it, honey?
05:06Dad, it's not a bad thing,
05:07but it was something that had to happen.
05:09Well, I think it's fine.
05:11Besides, I saw that you weren't happy there, Leila.
05:14They made you work a lot.
05:16I'm sure that after you got married,
05:18you would have had less time.
05:19I think it's fine.
05:20You're right, Mom.
05:21Yes.
05:23We're going to work together.
05:25But what are you saying?
05:27I haven't been able to try another bite.
05:29Why don't you tell us everything at once?
05:31Where are you going to work?
05:33Mom, we're going to work at a small publishing house
05:36that's new.
05:37They offered me a job today.
05:39I'll be the administrator and Zanem will be the publisher.
05:42All good news.
05:43Where is the publishing house?
05:44Is it far?
05:45How will you go to work?
05:46Is it a safe place?
05:47I don't want you to have any problems,
05:49because that kind of thing worries me a lot.
05:51No, Dad.
05:52Don't worry.
05:53If you want, you can come see our boss and the offices.
05:56Ah.
05:57I think it's fine.
05:58If you're happy, then I'm very happy for you.
06:02And where is the publishing house?
06:08Do you remember...
06:09What?
06:10The other office?
06:11Yes.
06:12It's right there.
06:13How?
06:14Well, you enter the building,
06:15and to the right there are some stairs,
06:17and you turn again.
06:18Do you know that place, Dad?
06:20Well, now that you mention it...
06:22Mom, you already know where it is.
06:23Well, you turn right and then you go down.
06:25Yes, you turn right and you go down the stairs.
06:27And there is the office, just going down the stairs.
06:32We're going to work together.
06:34It's great.
06:35There we will continue going to the same building,
06:37but on another floor.
06:38It won't be a big change, right?
06:40Don't you think that's perfect?
06:42It's true, Mezquivé.
06:43The girls are right.
06:45Besides, that way they won't be far from their friends.
06:47The truth is, I see it perfect.
06:49Yes.
06:52What?
06:53It's right there.
06:55Yes.
06:56Down.
06:58Deren knows very well what this client wants.
07:01Talk to her.
07:02We have reviewed the data of the tire company.
07:04We sent the slogan proposal.
07:06We're just waiting for the answer.
07:07Okay?
07:08Everything is organized.
07:09And you can do that, right?
07:10Everything is already underway.
07:12So you won't have any problems.
07:15So you're leaving?
07:16I already told you yes.
07:17How many times have we talked about it?
07:19Emre, we already talked about it.
07:21I have to go.
07:22I have everything ready.
07:23You know it very well.
07:24What I don't understand is why you don't believe me.
07:26I thought you reacted impulsively.
07:29Are you going to the Balkans?
07:31Yes.
07:32It's already a fact, Emre.
07:33If you had told me six months ago,
07:35I would have been fascinated that you would leave the company in my hands.
07:39But I'm not the same as before.
07:41I know.
07:42And that's why I'm leaving quietly.
07:43Because I know you'll stay in charge of the agency.
07:52Don't go, brother.
07:54Don't go, brother.
07:59By the way,
08:01we have received another job from the company of Red Mode.
08:04Okay?
08:05Eren already works on that.
08:06Don't ruin it.
08:07Handle it carefully, okay?
08:10Emre, focus, please.
08:12Bolen will be here soon.
08:13We're going to work on his book.
08:14And I want to leave everything ready before she comes.
08:17I want to leave everything in your hands, please.
08:21Hey.
08:23It's okay.
08:41Neighbor!
08:44How are you?
08:46What a surprise.
08:47Are we okay?
08:50Can I have a kiss?
08:52We came to congratulate you.
08:54Thank you, Gülis.
08:56Hi, Eren.
08:57Hi.
08:59The offices are very nice.
09:00Really?
09:01Your desk is nice.
09:02Yes, yes.
09:03I'm installing it little by little.
09:06Look, I brought you this.
09:07It's so you don't hurt your eye.
09:09Thank you very much, Jeje.
09:10Sanem, this will protect you from bad vibes.
09:13Congratulate her now!
09:15I want to hear you both say congratulations.
09:17Why are you yelling, Jeje?
09:18You'll embarrass Sanem.
09:22Sanem, you left Jerry at the office.
09:24That's why I brought him.
09:25He'll be my replacement.
09:26A little Jeje.
09:28It's for you.
09:29Come on.
09:30Oh, Jeje.
09:31You and your crazy ideas.
09:32You're a good person, but you look like a coffee maker.
09:34Why do I like coffee?
09:36What are you talking about?
09:37I'm like that.
09:38Don't meddle, Gülis.
09:39If you have a problem, tell him and I'll come running.
09:42I'll be on the lookout.
09:43So...
09:45Give me a hug.
09:46It's okay.
09:47Hug.
09:49The truth is that I'm adapting very well to this place.
09:54I just have to order a few things.
09:56Of course.
09:57Although they are few.
09:58And you didn't go far from the agency.
10:01Since you're so close, we can go eat together sometimes, right?
10:05I'll miss you a lot, Sanem.
10:06We'll all miss you.
10:07There's a tea crisis upstairs.
10:10It's just that everyone is drinking coffee.
10:12Not everyone, but almost everyone.
10:15That's true.
10:16Well, no way.
10:17Whenever you want tea, you can come see me, guys.
10:20I'll make them for you with pleasure.
10:24Leila?
10:25Hi.
10:27Hi.
10:28Leila?
10:29My sister is also going to work here.
10:31Really?
10:32I'm so glad.
10:33I was sad to find out that you had left.
10:35But if you're here, we'll see each other often.
10:38This office is the best.
10:39Maybe I'll work here later.
10:41You wish.
10:42There's no Deren here that causes us so much stress.
10:45People.
10:46She said people.
10:47I heard it too.
10:48She said people.
10:49Of course.
10:50I said people.
10:51The people that cause us stress.
10:52That's what I meant.
10:53We'll talk later, Gullis.
10:54Let's go to the office.
10:55We have work to do.
10:56Come back later.
10:57Of course.
10:58We'll come see you.
10:59Oh, you're going to work here too?
11:01Oh, how are you?
11:04We came to congratulate Sanem and you too.
11:06Of course.
11:07We loved your office.
11:08It's beautiful.
11:09Thank you very much.
11:10We're still conditioning her.
11:11Obviously.
11:12Does anyone want coffee?
11:13Oh, why not?
11:14We have work to do.
11:16Yes, you said that.
11:17You two go back to the office.
11:19I'll have a coffee.
11:20I'll make coffee.
11:21Oh, you like coffee as much as I do.
11:23Of course.
11:24Oh, I like it too.
11:25Of course.
11:26What a coincidence.
11:27Sanem,
11:28Polen will be here soon in case you want to go up.
11:31I think it would be better if you wait a moment.
11:36I'll go up to the agency to pick up some things I still have there.
11:40I won't be long,
11:41but I don't want them to say I left my things and I didn't take them.
11:44Okay.
11:45I won't be long.
11:46I'll be quick.
11:47You'll be there.
11:48Sanem, please tell Polen that the artistic director will be here soon.
11:50She already knows.
11:51But if you see her, please remind her, okay?
11:53Very well.
11:54I'll go to the archive, but if I see her, I'll tell her.
11:56See you.
11:58I'll go set this up.
11:59Very good.
12:00See you later.
12:01And I'll have coffee as you drink it.
12:02And you, how do you want it?
12:04No sugar, please.
12:05As you drink it, little one.
12:07Very good, Yei Yei.
12:09By the way, what does Yei Yei mean?
12:11Why are you so nosy?
12:13Well, I'll go get the coffee and we'll keep talking.
12:16You'll be on time.
12:17Oh, no.
12:18I'm sick of this.
12:19The posters are going to arrive.
12:20Yei Yei.
12:22They must arrive.
12:26Hey, Yan, I hope my book project isn't taking up too much of your time.
12:30I don't want to bother you.
12:31No, don't worry.
12:32I already gave Emre all the projects.
12:34So I can focus on your book.
12:36I want to finish it before we leave.
12:38It's important.
12:39You're the best.
12:40I really appreciate it, Yan.
12:43Excuse me.
12:48Am I interrupting?
12:49In fact, yes.
12:51What are you doing here?
12:53Aren't you at your new job?
12:54Yes, of course.
12:55I'm already at my new office.
12:58The environment is very nice and very healthy.
13:00They're very nice.
13:02I love being there.
13:03I'm glad.
13:04I'm going to repeat the question.
13:05What are you doing here?
13:06We need to talk about something important.
13:09So...
13:10What?
13:11Sportive life.
13:12What?
13:13Sportive life.
13:14I don't understand.
13:16Sorry, it's confidential.
13:19Sportive life.
13:30Sportive life.
13:31Sportive what?
13:33What are you doing?
13:34It's supposed to be a secret.
13:35Sportive life.
13:36Of course.
13:37Why do you mention it?
13:38Very well.
13:39I understand you.
13:40It's true.
13:41I told you it was a secret.
13:42Nothing will happen.
13:43Pauline is trustworthy.
13:45You can talk.
13:46She won't say anything.
13:47Is she trustworthy?
13:48Of course.
13:49Obviously, I finished what I had pending
13:51and passed the files to my colleagues.
13:53I only have this one left.
13:55Sportive life.
13:56But since I'm very responsible,
13:58I came to see you to leave...
14:00Sportive life.
14:01Also.
14:03It's not necessary.
14:04Hey, Jan, can you look at this?
14:06Please, Pauline.
14:07One moment.
14:08Do you want to?
14:10It's not necessary?
14:11Yes, everything is under control.
14:13Under control?
14:15Did you do it yourself?
14:16Yes, I solved the problem.
14:17It's done.
14:18So don't worry.
14:19Jan, please come.
14:20One second, Pauline.
14:21It's done.
14:23Okay.
14:24I just wanted to help you.
14:25Jan, can you look at this?
14:26What are you waiting for, Pauline?
14:27One second, Pauline.
14:30Yes, I understand.
14:31And I appreciate your help.
14:33But from now on, I'll take care of everything.
14:36So it's not necessary.
14:37Very well.
14:38As you wish, Jan.
14:39I just wanted to help you.
14:42Oh, by the way, Chiquit asked me to remind you
14:45that you have a meeting with the artistic director of the book.
14:47It's important.
14:48I know, Sanem.
14:49I'll be down in a minute.
14:50Don't worry.
14:51The shrimp are very yellow.
14:55Hey, Jan, can you come, please?
14:57Oh, good.
15:00Good morning, Mr. Q.
15:01Good morning, Mrs. President.
15:03What do you want now?
15:04Mr. Q, we're partners now.
15:06But I also have my own store, and I can't leave it alone.
15:09So Aysen will be my representative.
15:12What?
15:13Why doesn't he stay in your store?
15:15Why do you do it?
15:16I don't want him here.
15:17What's wrong with you?
15:18But how is a man going to work in a lingerie store?
15:20Please, that's not possible.
15:21I'd better go.
15:22I have a client waiting for me.
15:24I can't.
15:25I have a client to attend to.
15:26Wait.
15:27Where are you going?
15:28Wait.
15:29Oh, God.
15:31Okay.
15:37Is it true that you charge 100 liras for a jar of honey, Mrs. President?
15:40What are you doing?
15:41Why are you putting your fingers in the honey?
15:43Stop touching the products.
15:45You're making me angry.
15:46I just wanted to know if it was organic.
15:51Does it feel good, Mrs. President?
15:52Shut up!
15:53If you keep making me angry, you'll see what happens to you.
15:56I'll arrange the eggs.
15:58Do whatever you want.
16:00I'll have to put up with this idiot.
16:04I understand that you will make the final decision because you are the artistic director of the book.
16:08But I would like to focus on this type of cuisine.
16:11Also short texts, more visual, a style like that.
16:14What do you think?
16:16I don't understand, honey.
16:18Yes, it's very beautiful.
16:19Yes, it's beautiful.
16:20And well, it turns out that this is one of my favorite books in London.
16:24One question.
16:25Is it going to be published in England?
16:27No, it will only be published in Turkey.
16:29And who has a kitchen like this?
16:31That's not believable.
16:32Please.
16:33What do you mean by that, Sanem?
16:35I don't understand what you mean.
16:37I think I didn't explain myself well.
16:39I'm sorry.
16:41The cover kitchen.
16:43It seems that it cost a lot.
16:45If we put expensive kitchens like this, that means that the recipes will also be.
16:49That's how I see it.
16:50That's the impression I get.
16:51That's why I think it's not the line we should follow.
16:54Calm down.
16:55I'm a little confused.
16:57Tell me, could we talk to the photographer?
17:00Of course.
17:01That is, if he is available, work upstairs.
17:04We don't need to call him.
17:06He's probably very busy.
17:08I'll talk to him later.
17:09Please, please.
17:11The photos are very important.
17:13We have to talk to him as soon as possible to define the line to follow.
17:17Of course.
17:18Work upstairs.
17:19Let's talk to him.
17:20You just have to call him on the phone.
17:21I'm going to call him.
17:22I'm going to call him.
17:23I'm going to call him.
17:24He's number two on my favorites.
17:26Number one is my mother.
17:29He blocked me.
17:31Jan?
17:33Can you come down for five minutes?
17:34I need your help.
17:35I need?
17:36He should have said we need.
17:37We all decided to come.
17:40So we agree that the main idea of our book is,
17:43You are what you eat.
17:45Agree?
17:47I think what you mean is,
17:49What you eat represents you.
17:51Or something like, eat what God gives you.
17:53We don't use that expression at home.
17:56I don't know what they say at your house,
17:58but mine is a very common expression.
18:00What's the problem?
18:01The phrase, you are what you eat, has vegan connotations.
18:05Or people who follow a strict diet use it.
18:08This book is about flavor, about enjoying food.
18:10I think it should be something like, eat what you want.
18:13Otherwise, it will give another impression.
18:15Don't be offended.
18:17But I thought the artistic director was me.
18:20He's impulsive, but he's not a bad person.
18:22You just take the pictures and that's it.
18:24The pictures?
18:25Yes, of course.
18:26They'll be ready soon.
18:27Don't worry.
18:28Jiggy, can you help me, please?
18:29Nellis, the truth is, I...
18:31I agree with what Jan says.
18:32We prefer a more conservative concept.
18:34Something that represents the Turkish flavor.
18:36That's right.
18:37Don't get it wrong, please.
18:39But what we want is to represent that fantastic mixture
18:42of cultures in a kitchen.
18:44I understand, but there are many opinions here.
18:47I'm trying to create a whole universe in my mind.
18:49The continuous interaction where one can move forward.
18:52What we're doing is a rain of ideas.
18:54After all, that's how business works, isn't it?
18:57Besides, what is that continuous interaction?
18:59I don't understand it.
19:01Anyway, continue.
19:03My dear photographer friend, do you understand?
19:05My dear photographer friend, do you understand?
19:10Just a little.
19:11Do you think you can take the pictures as I ask you
19:13so I can take care of everything?
19:15Can you do it?
19:16Yes, of course.
19:17But I'll need you to describe it to me better.
19:21I'll be able to work better if I have a slightly clearer idea.
19:25How am I going to work this way?
19:28No, no, wait.
19:29I think I can show you something that gives you an idea.
19:31Like this.
19:32We want this artistic line.
19:35You never told me it would be like this.
19:37Oh, the queen of drama.
19:39Look, Denise.
19:40I know my friends are a little intense,
19:43but we can work as a team.
19:45What I have in my mind is something like images
19:49with a concept like the one from the 70s.
19:52With wood and a soft light.
19:54Oh, do you want us to take photos from the 70s
19:57to sell them this year?
19:59Seriously? How interesting.
20:00Of course.
20:01Excellent.
20:03It's a very good idea.
20:05With food from that year.
20:06What did you say?
20:07It's from the 70s.
20:08That idea expired.
20:10Jiggy, this is too much for me.
20:12As you know, my time is valuable.
20:14I can't work with your friends.
20:16I could never do it.
20:18Oh.
20:19Denise, no.
20:20Don't go.
20:21Denise, can we talk for five minutes?
20:23Don't go.
20:24Oh, what a shame.
20:26And what are we going to do now with the artistic direction?
20:29And now who's going to do that job?
20:31Well, now we don't have time.
20:32My artistic director.
20:34I'll take care of that, Pole.
20:36Don't worry.
20:37Jan, are you serious?
20:39I caused this problem, so I'm willing to solve it.
20:42Oh, this is great.
20:44I appreciate it, Jan.
20:45Pole, I was already panicking.
20:47But everything is fine.
20:49Jiggy, you don't have to worry.
20:52We have a new artistic director.
20:54Jan Divit.
20:56Oh, are you serious?
20:59It's great.
21:00Our editor is here.
21:03Present.
21:04Our artistic director.
21:05So now we're your clients, Jan.
21:07That's right.
21:08The truth is, Denise was a very strange guy.
21:11Did he mention anything about him not liking eggs with onions?
21:14In fact, the onion is not something that gives much flavor to the food.
21:17It is not necessary in all dishes.
21:19Oh, the truth is that I do like it.
21:21But I still don't eat it in England.
21:22I would eat it.
21:26What is this?
21:27This organic coconut oil is in fashion.
21:29But what is it for?
21:31Even I could do that.
21:33Not that we were in the Dominican Republic eating coconuts all day.
21:36Oh, please.
21:41I can do this.
21:43A little butter and sugar.
21:45And a little milk to make it white.
21:47And that's enough.
21:49I'm sure mine would taste better.
21:56But how disgusting.
21:57How do they sell this?
22:00Do people really buy these things?
22:03Very good.
22:05Hello, Musafer.
22:07Come in, come in.
22:11What's wrong with you? You look terrible.
22:14Yes, thanks to the spirits, the jackal is healthy.
22:17Now I work for Aniat in his store.
22:19I'm the distributor.
22:21Well, but you have a job.
22:23And from what I see, you too, right?
22:25You took my place.
22:26You are sitting in my store of organic products.
22:29I see that in the end you loved organic products.
22:31Very good, jackal.
22:32You do know how to position yourself.
22:34Oh, no, this place is yours.
22:35Our president, Mevki Bey, had to go home.
22:37And that's why I'm in charge of the store.
22:39Just until she comes back.
22:40Did you love President Mevki Bey?
22:42Of course, because it is.
22:43Sit down now.
22:45What do you feel?
22:46You're just an opportunist.
22:48Who thinks he's a great elephant.
22:50But you're not even an ant.
22:52There will always be someone better than you.
22:54One day they will fire you.
22:56You'll see.
22:57Nobody is essential.
22:58They will throw you out of here like a stray dog.
23:01But what's wrong with you? Are you crazy?
23:03You take care of your things.
23:05I'll take care of mine.
23:06Get to work.
23:07Goodbye.
23:09They're going to charge you.
23:10The umbrella broke.
23:11They're going to charge me in the hardware store.
23:13And I have no money.
23:14Yes, of course.
23:15Get out of here.
23:27Can we start?
23:28Yes.
23:30We're ready.
23:31Can we start now?
23:32Yes, let's start.
23:33What are we here for?
23:34We meet in this office to discuss this.
23:36I'm just trying to focus.
23:38Calm down.
23:39I just need a good tea.
23:41I can make the tea.
23:42What are you doing, Sanem?
23:43You're the client.
23:44Yes, it's true.
23:45And the client is always right, isn't it, Yeye?
23:48Yes, of course.
23:49But don't overdo it, please.
23:50Everyone's going to want tea.
23:51Me, Yeye.
23:52Yes, me too, please.
23:53Coffee, please.
23:54All right.
23:55Excuse me.
23:56Well, we're going to start the meeting.
23:59Well, do you want to start with this?
24:02You're the editor, Sanem.
24:03Yes, it's true.
24:04Please.
24:05I'm the editor.
24:06Yes, Miss Sanem, go ahead.
24:08We're listening.
24:09We have a lot of confidence in you as a photographer.
24:12I appreciate it.
24:13We've seen part of your projects.
24:15You're an excellent photographer.
24:17The truth is, your work is very good.
24:19It's magnificent, Jan.
24:20Thank you very much.
24:21That's very kind of you.
24:23Jan will be the artistic director of this book.
24:26He'll take care of all the artistic part.
24:28Really?
24:29No one told me, Jan.
24:30It was a coincidence.
24:31Jan wanted this.
24:33Yes, he really wants to work on this project to help Polen.
24:37It's clear that he's a person who likes to help
24:39and he wants to work on this book that Polen will write.
24:42I can only speak wonders of him.
24:44It's true.
24:45I appreciate it, Jan.
24:46Thank you very much.
24:51It's true.
24:52I appreciate it, Jan.
24:53If it wasn't for you, I wouldn't have had the courage
24:55to enter this great project.
24:57Now I feel much more...
24:59calm.
25:00How do I say it?
25:01I feel like there's no need to talk about the subject.
25:03Our hearts beat at the same time, right?
25:06You're full of peace and harmony.
25:09You're a perfect couple.
25:11Everything is so interesting.
25:13But...
25:15I'm also in this project.
25:17My first project as an editor.
25:20This is excellent.
25:22I had my doubts, but now I see it as a great opportunity to succeed.
25:27I'm also very surprised.
25:29This seems very interesting to me.
25:31We are fortunate to be able to work with an editor like you.
25:34I want to add one thing, Jan.
25:36Of course, please.
25:37The key to being able to work as a team is to be in the same tune.
25:41And this is something that business people know.
25:44Although we only have one day, I really enjoy working with Serena.
25:47We started at 24 hours.
25:48Exactly.
25:49But it seems like we've been working all our lives.
25:52Anyway.
25:53Beautiful.
25:54Let's continue.
25:55It seems like you've been together all your life.
25:58As you say, all that happiness was thanks to a car accident.
26:02Blessed accident.
26:03That's right.
26:04Yes, there are accidents that happen because we have our heads in something else.
26:08Of course.
26:09Yes.
26:10And we're in the same tune, right?
26:12Oh, sorry.
26:13I thought I saw a fly.
26:15It's true.
26:16We work very well together.
26:17It's something fantastic.
26:18I'm lost.
26:19I need tea.
26:20Where's the tea, JJ?
26:21I'm coming!
26:22I'm coming, Mr. Jan!
26:23Here you go.
26:27Me, coffee, please.
26:31Oh, there's no tea for everyone.
26:32What's wrong, JJ?
26:33It's a joke, Pole.
26:37Did you already drink it?
26:39I think it's all clear and there's not much to talk about.
26:42Yes, I think there are too many words.
26:44I think I'm lost.
26:46We just have to define the dates.
26:48Why?
26:49Do you plan to go somewhere?
26:50When?
26:51With whom?
26:52When will you be back?
26:53I'm talking about the book.
26:54Yes, that's why I'm asking you these questions.
26:55Because we have to adapt our calendar to yours, Jan.
26:58Huh?
26:59What publication date do you have in mind?
27:01As soon as possible.
27:02What?
27:03What do you mean?
27:04One minute.
27:05We want to publish the book as soon as possible.
27:06In a week or later.
27:07Uh, but that's impossible.
27:09Of course it's possible.
27:10If you work well, you can get it.
27:13But Sanem, right now it's impossible.
27:15We have a lot of projects right now.
27:18Are we late?
27:19Unfortunately, no.
27:20Remember we started the shoe campaign late?
27:23I left the brand research done.
27:25Yes, and I work on that campaign.
27:27Thank you, JJ.
27:28Where's the budget for the car project?
27:30I had that project already advanced,
27:32and now my ex-colleagues are finishing it.
27:34Bravo, Sanem!
27:35JJ, shut up!
27:37Sanem, uh, since you don't work here anymore,
27:41you can't comment on the agency's projects.
27:44Okay?
27:45Because all of that is confidential information.
27:48I'll always have them in my heart.
27:51It's like I've never left.
27:54Okay.
27:57This tea is horrible, JJ.
27:59Really?
28:00Ah!
28:01I like it better when I make the tea.
28:03Of course.
28:04I like it a lot.
28:05Thank you, JJ.
28:06I drank it from a straw.
28:08I'm sure he burned his throat.
28:10I don't doubt it.
28:13He's a very handsome guy.
28:15Be quiet.
28:16Mrs. Uma is coming.
28:17Hurry up.
28:18Let's go.
28:19Let's go.
28:20Don't leave me alone.
28:21What are you doing?
28:23Giselle?
28:24Gulli, Mrs. Uma.
28:26I can smell it.
28:27I don't know what you heard,
28:29but we were talking about something else.
28:31I can smell coffee.
28:34There's nothing like the smell of coffee.
28:36Where's my coffee?
28:37Of course!
28:38I'll bring it right now.
28:41Yes.
28:45Yes, of course.
28:46We can do that,
28:47but you have to pay close attention to what I say.
28:49Okay.
28:50See you later.
28:53Honey.
28:54Hi.
28:55It wasn't for you.
28:56It was for Polen.
28:57Hi.
28:58How are you, Uma?
28:59Shall we have a coffee together?
29:00Of course.
29:01Of course.
29:02Gulli, I'll have a coffee with Uma
29:04when I get back to see you.
29:05Very well.
29:06Giselle, bring us two coffees.
29:08Of course, Mrs. Uma.
29:09Giselle?
29:10Yes, that's my name.
29:11Janine, shall we go?
29:13Yes, of course.
29:14Come on in, please.
29:16See you later.
29:17Have a good day.
29:18See you later.
29:24Would you like a coffee, Mr. Jan?
29:26Yes, very much.
29:30Leila, I'm going crazy.
29:32What happened?
29:33You look very stressed.
29:34Tell me what happened.
29:35Jan is driving me crazy.
29:36I really want to kill him.
29:39He's a bad man.
29:40But what happened?
29:41What else could happen, Leila?
29:43I'm going crazy.
29:44I swear.
29:49Hi, brother.
29:50How did it go?
29:51Emre, you know me, right?
29:53Yes.
29:54I'm usually a kind man.
29:56Patient, polite, a gentleman.
29:59I'm a good person, you know.
30:01I'm not someone violent or anything.
30:03I'm not like that.
30:05In fact, I'm against violence.
30:07And when I get stressed, I go to the gym.
30:09But outside the ring, I've only fought with you.
30:12You know that.
30:13It's true.
30:14Yes, you're polite and kind.
30:16But the violence...
30:17Emre, I'm going to tell you something.
30:19And I don't want you to be surprised.
30:20But I really tell you that I would break his face.
30:23Do you understand me?
30:24And when I hit, I hit hard.
30:26You know that.
30:27That makes sense.
30:28If I grab him, I kill him.
30:29I tell you that.
30:30Stop talking nonsense.
30:31Please.
30:32Sit down, please.
30:33Don't make him chase you around the office.
30:35No, no, no.
30:36I have to get rid of this negative energy.
30:38Otherwise, I'll become a murderer.
30:40Because I swear I'm going to kill him.
30:42I'll cut him into a thousand pieces and that's it.
30:44I wonder if you know anything about kickboxing.
30:46Can you defend yourself?
30:47What do you think?
30:48Why?
30:49I could go to your gym and solve things there.
30:52Really.
30:53Because if you have boxing knowledge,
30:55it would help me not to have any remorse.
30:58I think that would be the best solution.
31:00But if you don't know, then I don't know.
31:02Maybe I would be ashamed.
31:04Do you understand what I mean?
31:05I don't know.
31:06It could hurt him a lot.
31:07No, no.
31:08What are you doing?
31:09I can't stand to see him.
31:10Calm down.
31:11Why doesn't he leave, Leila?
31:12Why?
31:13Just seeing them together makes me angry.
31:14I'll go to the doctor to get a sedative.
31:15Why don't you ask me to sit down?
31:17Calm down for a moment.
31:18Stop moving.
31:19I'm tired of following you from one side to the other.
31:21Breathe.
31:22Very good.
31:23I gave him the days he had left.
31:24And yet he came to the agency.
31:26Why doesn't he stay in his office?
31:28It stresses me out.
31:29I just started a new job.
31:30A new life.
31:31And yet he's back.
31:33Hi, girls.
31:34Hi, Yigit.
31:35How are you?
31:36Very well.
31:37And you?
31:38Fine, thank you.
31:39I'm done with my job.
31:40What are you doing?
31:41Laughing and gossiping makes people happy.
31:44Yes, we were just talking.
31:47Osman calling.
31:49Hi, Osman.
31:51Oh, you're here?
31:54To look for a house?
31:56Why?
31:59Yes, you're right.
32:00We have to look for a house, but...
32:03Okay, I'm on my way.
32:05Very well.
32:08Osman came to look for me.
32:09I'm leaving.
32:10Well, good luck.
32:12See you.
32:13Preparations for the wedding?
32:15That's right.
32:16Good luck.
32:18Bye.
32:22Well, I think I have to calm down, right?
32:29I'm so glad I'm here.
32:31I love my job, really.
32:33When I started at the agency, I didn't have a desk or anything.
32:37Until later.
32:38Really?
32:39I'm glad you're happy here.
32:40Thank you very much.
32:42I started there as a messenger.
32:44My job wasn't even defined.
32:46They told me, bring me a tea.
32:49And I took the tea to Mr. Jan's office.
32:52Here's your tea, Mr. Jan.
32:54And that's how he got the tea.
32:56And that was daily.
32:58Everyone asked me to do something, but I didn't know how to do things.
33:02Working at the agency was very difficult.
33:04It really wasn't.
33:06But in this office, I feel comfortable.
33:10And it's pretty.
33:11It's quiet and you feel at peace.
33:13High ceilings.
33:14Yes, I love high ceilings.
33:15It looks very beautiful.
33:17And besides, we're going to take that thing out of there.
33:19That's all that's missing.
33:21Exactly, Sanem.
33:22We have a very nice office.
33:24So now I invite you to get us to work.
33:27I know you don't want me to read what you've written.
33:30And I understand that perfectly.
33:32But maybe we could talk a little bit about history.
33:34If you want.
33:35Of course.
33:36I came here to work.
33:37Let's go to my desk.
33:38Perfect.
33:40Sit down.
33:41Very well.
33:42I'll sit here.
33:43Yes.
33:45And what is it about?
33:47I mean, do you have a story or something like that?
33:49Yes.
33:51It's called Bird Dreamer.
33:54It will be a novel inspired by my life
33:56and also inspired by my dreams.
33:58Very good.
33:59I think it's perfect.
34:00In fact, writers usually start by narrating their own lives.
34:03It's a very common practice.
34:06That gives a touch of reality to the matter.
34:10What else do you have?
34:12Well, it's the journey of a girl who lives in a humble neighborhood,
34:16but who has many dreams.
34:18She dreams of big things.
34:20I want to tell the greatness of her dreams
34:22because it's what she really wants to do.
34:26I want the character to be real.
34:28I want to create a living character.
34:30And why do you want to call it Bird Dreamer?
34:33Because she lives for her dreams.
34:36Days are not enough for her.
34:38She gets up very early.
34:39Her family has a store.
34:41And every day she opens it very early.
34:44It's a very powerful character.
34:46And the story has a lot of potential.
34:49I think you should start writing it now.
34:51I'm not sure about the end.
34:52I already wrote some notes,
34:54but I don't know how it's going to end.
34:56Yes, I understand.
34:57But you should start writing now.
34:59Do it as soon as possible.
35:00Yes, okay.
35:01Hi.
35:02Hi, Polen.
35:03Well, I'll start working.
35:06I was just waiting for you.
35:08Let's go to my office.
35:09Fragrance.
35:10We have to buy fragrances.
35:13I want to read that novel.
35:15Yes.
35:16You don't choose your family.
35:19Do you like it?
35:21Yes.
35:22It's a very nice house,
35:23but why are you in such a hurry, Osman?
35:25Why?
35:26Isn't it okay?
35:27Yes, it's okay, but we didn't talk about this.
35:30I didn't know you wanted to buy a house.
35:34Well, I have to make a call.
35:38I'm doing well at work.
35:41I have money for the mortgage.
35:43And besides that, I'll ask for a loan.
35:47I want us to have a house when we get married.
35:50I think it's great, but it's a lot of money, don't you think?
35:54I'm sorry, but the truth is,
35:55I wasn't planning on asking for a house loan.
36:00Leila, I have a one-year contract
36:02and the television series.
36:07Don't worry.
36:10Don't worry.
36:11Everything will be fine.
36:13In the summer, our lives will change.
36:17That's true.
36:19Everything will change.
36:24The important thing is to find a house,
36:27because wherever you are, my heart will be there.
36:33My heart will be there.
36:45Hi.
36:46What do you think?
36:49We like it, but we want to think about it.
36:53I'll wait for your call.
36:54See you later.
37:04Bye.
37:16Hello, DJ.
37:17Hi, Grandma.
37:18Don't cut the onion too thick.
37:19But I'm cutting it very thin, very small.
37:21Shut up!
37:22I'm cutting it very small.
37:24Don't cut it too thick.
37:25Eat fast food.
37:26Yes, of course I eat fast food from time to time,
37:28but it's healthy food.
37:30I usually only eat salads and organic things.
37:33I'm going to take it away right now, Grandma.
37:35Don't worry, please.
37:36Shut up!
37:37I see everything.
37:39Anyway, why did you call me, Grandma?
37:41DJ, I'm going to die.
37:43What?
37:44What are you talking about?
37:45Why are you calling me?
37:46Call an ambulance.
37:47I'm a long way from there.
37:48Call an ambulance, Grandma.
37:49Please, not me.
37:50Shut up!
37:51I'm not dying now.
37:52Oh, so you're not going to die now.
37:54You're going to die later.
37:56Are you going to die tomorrow?
37:58I'm planning your death, but what nonsense are you saying?
38:01You're a liar.
38:04Grandma?
38:05I'm 10 years old, but I'm still not happy, DJ.
38:09I haven't met your children yet.
38:11Hey, Grandma, I can't hear you well.
38:13It's cutting.
38:14I can't hear anything.
38:15Your children.
38:16What's wrong with them?
38:17Did you say my children?
38:18Yes.
38:19Do you want to meet my children, Grandma?
38:21You have to get married as soon as possible, DJ.
38:24Get married?
38:25Are you going to die if I don't get married?
38:27Grandma, don't say that.
38:28Don't you see that I have my plans?
38:30I don't care about your plans.
38:31Why are you yelling at me?
38:32Don't yell at me, Grandma.
38:33Don't get upset.
38:34Don't get upset.
38:35Grandma, please, govern yourself.
38:36You can't force me to get married.
38:38I won't do it.
38:39I won't do it.
38:40I want you to get married.
38:46But what's wrong with her?
38:47She can't threaten me that way.
38:50She told me that I have to get married.
38:52What am I going to do now?
38:53Now I'm going to cut the onion however I want.
38:56And I'm going to leave the avocado to the bone.
38:58I'm going to eat fast food.
38:59Yum, yum, yum, yum.
39:00She knows everything.
39:01She's like Batman's grandmother.
39:15Delicious.
39:16You have exceeded your limits, Nefkiveh.
39:18I loved it.
39:19How about you, Nef?
39:20Very good, Dad.
39:21It's incredible.
39:22Very good, very good.
39:24I also cooked it with my organic olive oil, of course.
39:27The flavor of the organic oil.
39:29That's it.
39:30Did you use the oil from there, Nefkiveh?
39:33Yes, the oil.
39:34That one?
39:35Yes.
39:39Why are you laughing?
39:40It's delicious.
39:41You have an incredible taste, Nefkiveh.
39:45This olive oil is mine.
39:47I filled your bottle with my oil and you didn't even notice.
39:50Did you see it?
39:51You don't notice the flavor or anything.
39:56I can't believe what you did.
39:58It was strange to me that you ate everything without protesting or criticizing anything.
40:02In fact, I did notice a strange flavor.
40:05But I thought it was the aubergines.
40:07But well, I know why it was.
40:09Mom, it looks like I scored you a goal.
40:12Yes, of course.
40:13Of course.
40:14Mom.
40:15What?
40:16It was delicious.
40:17I'm going to write my novel.
40:18Very good, Nefkiveh.
40:19May inspiration reach you.
40:20Listen to me.
40:21Tell your sister to come eat something.
40:23She's getting thinner every day.
40:24Aren't we going to recognize her?
40:26Okay, I'll tell her.
40:27Tell her to come down.
40:31Dad, I scored a goal!
40:33Crazy.