• hace 3 meses
Transcripción
01:00La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la
01:30la, la, la, la, la, la
01:38Oh, wow. What's going on? Who's knocking on the door like that?
02:03Mrs. McGee, what's wrong with you? You were knocking on the door as if it were an emergency.
02:07I see you're very stressed out.
02:09I-Han, I'll tell you exactly what I told Sanem. You have three seconds to tell me the truth.
02:15Where did Sanem get the money to pay Jalil? Start the count. Three.
02:20Three? Seconds are too few to tell you the truth.
02:24You know what? The truth can be quite complicated, dear lady.
02:28I said three.
02:29He said three? Well, it was three, nothing more.
02:32Two.
02:34Oh, don't pressure me, Mrs. McKee. I'll tell you.
02:37Uh, we're sitting here in the garden so we can get some fresh air. It's good to calm down a little, right?
02:44Well, we're sitting here at the table quietly and we're talking about this.
02:48Do you want me to bring you something to drink? Water? Coffee?
02:51No coffee. A glass of water.
02:53Just water?
02:54Yes. Hurry up.
02:55I'm going.
02:56Quick!
03:04I-Han!
03:05Oh, uh, I don't have any water. I'm going to buy some. It won't take long.
03:11Where are you going? Don't run!
03:14We don't have enough budget for this project. We'll do it with our own means.
03:18We've already started preparing the campaign. We'll launch it next week.
03:22Uh-huh. Uh-huh.
03:24You're welcome.
03:25Of course.
03:26Goodbye.
03:27Let's see, can I know where you're going?
03:29I brought you some tea.
03:31I take my work very seriously, you know?
03:33Now you're a screenwriter in agency practices, so I have to congratulate you.
03:37Yes, I'm very happy. When Deren told me, I was so happy that I hugged her.
03:41Can I hug you too?
03:42Yes, if you hugged Deren, technically you can hug me too.
03:53Oh, no, I can't do it, Mr. Jan.
03:56Okay.
04:02Well, thank you very much.
04:03I want to say thank you for the opportunity you've given me. I appreciate it.
04:07You earned it. You showed your talent and you got it.
04:13Brother.
04:14Yes.
04:15Now I'm a screenwriter in practice, but I'm still a waitress.
04:18If you need a tea, here you have me.
04:20You just have to let me know and I'll be here immediately.
04:22Fine.
04:23See you later.
04:24See you later.
04:25Can you come?
04:26Yes, I'll be right there.
04:31Okay.
04:36Oh, sorry, ma'am.
04:37Oh, my God.
04:38There he comes.
04:41Ayan.
04:42Ayan.
04:43What's up? Why are you running?
04:45It's exercise, Mr. Jan.
04:46That way I have energy all day.
04:48Nyat.
04:49Nyat, grab her.
04:50Don't let her escape.
04:51Oh, no, there he comes.
04:52Oh, let me go.
04:54What happened, Mevkibe?
04:55Get in.
04:56Get in there right now.
04:57I don't have time.
04:58You heard me.
05:00And now what happens?
05:03Tell me.
05:04Where did Sanema get the money?
05:06You have three seconds.
05:08Your time starts now.
05:09Three.
05:10He asked for an advance.
05:11He asked the agency.
05:12Are you crazy?
05:14He just started working.
05:15How are you going to give him that amount of money?
05:19Look me in the eyes and tell me.
05:23Please, I swear I'll tell you the truth.
05:25Now I can't lie to you.
05:26It's impossible.
05:27Mevkibe.
05:28It looks like he's telling the truth.
05:29It's better if you don't pressure her any more.
05:31Leave her alone.
05:32Who gave him the money?
05:33I swear I don't know.
05:34All I know is that they gave it to him at the office.
05:36That's all Sanem told me.
05:38Good.
05:40We're done for now.
05:42We'll ask Sanem for the rest.
05:44Am I free?
05:46You can go, but I'll be watching you.
05:49And tell your friend Sanem, on my behalf,
05:51that I'm not going to forget the subject.
05:53If it weren't for these shoes, I wouldn't have made it, ma'am.
05:56Out!
05:58Oh.
06:00You can't imagine how my knees hurt.
06:02Are you okay?
06:03I hope so, Nihat.
06:04I swear that girl finished me off.
06:06My feet, my legs, my knees.
06:08It hurts.
06:09It runs like a snake.
06:11I had to chase her everywhere.
06:12It's okay.
06:13Stay seated.
06:14I'll bring you a glass of cold water to cool you down.
06:16Wait here.
06:17Oh.
06:22So my mother is very angry.
06:25It's okay, calm down.
06:26I'll talk to her as soon as I get home.
06:28Thank you very much, Ayhan.
06:29Goodbye.
06:35The second one.
06:36The second one?
06:37When was the first one?
06:38Oh, I'm sorry, Miss Sanem.
06:41I had forgotten your great ascent of the backrest.
06:44A three-millimeter jump and I had forgotten it completely.
06:47I apologize.
06:49What do you want, Eren?
06:50Am I boring you?
06:52I thought you were done.
06:53It doesn't matter.
06:54The client thinks the text of the ad is too long and he's right.
06:57You have to review it and cut it out.
06:59I'm going to review it.
07:01By the way, when you do the reduction,
07:03don't forget to take into account the time of the set.
07:05The time, no problem.
07:11You didn't understand me?
07:12Oh.
07:14Ah.
07:15I saw you didn't, okay?
07:16I'll try to explain it to you better.
07:18A word said by the narrator is equivalent to a second of the ad.
07:21Every second means money we save.
07:23So when you cut, don't shake your hand.
07:26Okay, I'll take the final version.
07:28Remember it's urgent because we have to send it to the client
07:31before the shoot starts.
07:32Okay.
07:34Oh.
07:35I can't do it.
07:36They use words I don't understand.
07:46I sent you the financial report of the last three months.
07:49Did you see it?
07:50How can I do it?
07:51I don't have time between one shoot and another.
07:53Besides, I don't understand finances.
07:56You solve it.
07:57This is not as easy as other times.
07:59We have complications.
08:00Expenses have increased and our profit margin is decreasing a little.
08:06We have many new projects that are important.
08:08It's normal for expenses to increase.
08:10But everything is fine.
08:11The clients are satisfied.
08:12You're wrong.
08:13We're not doing so well.
08:14The expenses for the photos doubled more than last year.
08:17Something unexpected always happens in the studio.
08:19And that means additional expenses.
08:21We spend more than we earn.
08:23And what should we do?
08:24Close?
08:25I never said that.
08:26But if there are additional costs, let me know.
08:28You can't always do whatever you want.
08:33Whatever I want?
08:38Whatever I want?
08:40Do you think that's what I do?
08:41Is that what you want to tell me, Emre?
08:43That I have no perspective?
08:44That I don't know what I do?
08:46That I don't know what I do?
08:47And that I'm out there wasting the company's money?
08:49Is that what you think?
08:51You understood perfectly what I wanted to say.
08:53Of course I understood, of course.
08:55But you should know who is the boss of this company.
08:57I am responsible for everything we do.
09:00Calm down, brother.
09:01It's clear to me.
09:02But when you get bored and leave,
09:03Dad and I will have to take care of everything.
09:05We both know you won't stay long.
09:07I'll have to take full responsibility.
09:10You understand what I'm telling you, right?
09:12I have a meeting.
09:13Yes.
09:14We'll talk later.
09:16Okay.
09:20Should I cut this too?
09:22If I cut it from the beginning,
09:23the end seems longer.
09:25What is this?
09:26Impossible.
09:27I can't remove this part.
09:28I would lose all sense.
09:30Maybe I can remove this paragraph from here.
09:32I can also summarize it.
09:34How difficult is this?
09:36How horrible.
09:41I'm reviewing the script to cut it.
09:44Oh yeah?
09:46Yes, that's it.
09:49It looks good.
09:52Good luck with that.
09:58If I remove this part...
10:00Zanem.
10:02Yes, Miss Aylin.
10:03Can you come to my office?
10:04We have to talk.
10:06Can I go later?
10:07I'm cutting the script now.
10:08It'll only be five minutes.
10:10Okay, if it's five minutes.
10:17Listen.
10:18When Jan assigned me to this office,
10:20she told me you could help me with some matters.
10:23Mr. Jan?
10:25If he said so, then so be it.
10:27I'm a full-time employee.
10:29I can help you with anything.
10:31Perfect.
10:32Because, as you know,
10:33there aren't many people in this company
10:35who want to work with me.
10:36But you're very professional.
10:37I appreciate it.
10:38Well, thank you very much.
10:40Is there anything I can do to help you?
10:42Because I don't have a job.
10:44I have to cut the text of the ad.
10:46It's Ovid's ad?
10:47I'm a consultant for that project.
10:49Why?
10:50Well, they want me to cut the script.
10:52They need me to simplify it a lot.
10:54Because they say we exceed the established time limit.
10:57In fact, there's only one version in English.
10:59We'd just have to translate it.
11:01I think it'll be enough.
11:02Because I remember it only lasts five seconds.
11:04Let me look it up.
11:05It'll be easier for you to cut it.
11:08That would be great.
11:10Yes, it's only five seconds.
11:12Let's watch it together.
11:13Together?
11:14Take a seat.
11:15Can I sit with you?
11:16Sure.
11:17Come.
11:24Here it is.
11:25Look, they sent it in a little while ago.
11:27If you think it's good, we'll review it.
11:29And we could summarize it together.
11:31Then we'll see what we do in the adaptation.
11:33I must confess,
11:35I'm a little nervous.
11:37What do we do in the adaptation?
11:39I must confess,
11:40I don't know the language they use here.
11:42I don't understand it well.
11:43You'll learn it.
11:44It happens to everyone.
11:45Don't worry.
11:46Of course I'm going to learn it.
11:48Yes, you'll see.
11:49Let me see.
11:50Here it is.
11:54The story is beautiful.
11:55Yes, it's true.
11:56It's beautiful.
12:01JJ?
12:04What are you doing?
12:05Taking notes.
12:07That woman first captured your soul.
12:09Aren't you aware of the threat she is?
12:11My soul?
12:12Come on, it can't be.
12:13What nonsense.
12:14How was she going to capture my soul?
12:15I'm telling you she did it.
12:16She captured your soul and now she has you under control.
12:19It's okay.
12:20Comrades, everything is fine.
12:22I'm possessed.
12:23You're exaggerating.
12:24Eileen is not as bad as you imagine.
12:26I assure you.
12:27She's not as bad as we think?
12:29You say it because she got you into the advertising department.
12:31Yes, maybe.
12:32Yes, maybe.
12:34I'm scared, Gullis.
12:36Why?
12:37I don't trust myself.
12:39I think I could change sides too.
12:41Because when she looks at me, maybe she'll get me to stand by her.
12:44What should I do?
12:45What should I do?
12:46Please tell me.
12:47Please tell me.
12:48Tell me.
12:49Tell me.
12:50Tell me.
12:51JJ, don't you see that woman hasn't even called you once?
12:53But she will.
12:54I feel it.
12:55The danger is throwing me.
12:58I'm finished.
12:59It's the end.
13:00I'm going to have a herbal tea.
13:02I need to calm down.
13:03Okay, calm down.
13:04A herbal tea will relax me.
13:05I have to hide so she can't see me.
13:07You should do it too.
13:08JJ, don't be silly.
13:09Have a herbal tea!
13:11Don't you speak Spanish?
13:12Why are you yelling at me?
13:22It's good to see you.
13:24Likewise.
13:26You know what?
13:27Five minutes and I'll miss you.
13:29Really?
13:30Uh-huh.
13:31I don't know what to do.
13:32Do you want me to leave my job and go back to work at the store?
13:35I'm just looking for my little dose of Xanem.
13:39Xanem dose?
13:40Dose?
13:41Very well.
13:42See you later.
13:43Yes.
13:44I'm leaving.
13:45Goodbye.
14:02JJ?
14:03Xanem.
14:04How long have you been there?
14:05Long enough.
14:06Did you see Mr. Yan?
14:07Of course.
14:08Now he calls him sir.
14:09Wasn't it Yan?
14:10Did he take his dose of Xanem?
14:11Uh-huh.
14:12Well...
14:13Oh, yes.
14:14And why did you call him sir?
14:15I didn't call him sir.
14:16I called him Mr. Yan.
14:17Mr. Yan.
14:18Mr. Yan.
14:19Mr. Yan.
14:20Mr. Yan.
14:21Mr. Yan.
14:22Mr. Yan.
14:23Mr. Yan.
14:24Mr. Yan.
14:25Mr. Yan.
14:26Mr. Yan.
14:27Mr. Yan.
14:28Mr. Yan.
14:29Mr. Yan.
14:30Mr. Yan.
14:31Mr. Yan.
14:32Mr. Yan.
14:33Mr. Yan.
14:34Mr. Yan.
14:35Mr. Yan.
14:36Mr. Yan.
14:37Mr. Yan.
14:38Mr. Yan.
14:39Mr. Yan.
14:40Mr. Yan.
14:41Mr. Yan.
14:42Mr. Yan.
14:43Mr. Yan.
14:44Mr. Yan.
14:45Mr. Yan.
14:46Mr. Yan.
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14:48Mr. Yan.
14:49Mr. Yan.
14:50Mr. Yan.
14:51Mr. Yan.
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14:55Mr. Yan.
14:56Mr. Yan.
14:57Mr. Yan.
14:58Mr. Yan.
14:59Mr. Yan.
15:00Mr. Yan.
15:01Mr. Yan.
15:02Mr. Yan.
15:03Mr. Yan.
15:04Mr. Yan.
15:05Mr. Yan.
15:06Mr. Yan.
15:07Mr. Yan.
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16:00Mr. Yan.
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17:00Mr. Yan.
17:01Mr. Yan.
17:02Mr. Yan.
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17:48Mr. Yan.
17:49Mr. Yan.
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17:51Mr. Yan.
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17:56Mr. Yan.
17:57Mr. Yan.
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18:00Mr. Yan.
18:01Mr. Yan.
18:02Mr. Yan.
18:03Mr. Yan.
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18:06Mr. Yan.
18:07Mr. Yan.
18:08Mr. Yan.
18:09Mr. Yan.
18:10Mr. Yan.
18:11Mr. Yan.
18:12Mr. Yan.
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18:15Mr. Yan.
18:16Mr. Yan.
18:17Mr. Yan.
18:18Mr. Yan.
18:19Mr. Yan.
18:20Mr. Yan.
18:21Mr. Yan.
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18:24Mr. Yan.
18:25Mr. Yan.
18:26Mr. Yan.
18:27Mr. Yan.
18:28Mr. Yan.
18:29Mr. Yan.
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18:31Mr. Yan.
18:32Mr. Yan.
18:33Mr. Yan.
18:34Mr. Yan.
18:35Mr. Yan.
18:36Mr. Yan.
18:37Mr. Yan.
18:38Mr. Yan.
18:39Mr. Yan.
18:40Mr. Yan.
18:41Mr. Yan.
18:42Mr. Yan.
18:43Mr. Yan.
18:44Mr. Yan.
18:45Mr. Yan.
18:46Mr. Yan.
18:47Mr. Yan.
18:48Mr. Yan.
18:49Mr. Yan.
18:50Mr. Yan.
18:51Mr. Yan.
18:53Ohh..
18:56May be this stay with us?
18:57Of course.
18:58Perhaps he'll become calm.
18:59Would you like me to bring him some tea, or some coffee, or anything?
19:02No, thank you.
19:03You're welcome.
19:04Something hot will do him good.
19:05One cup of tea, please.
19:06Alright, piece of cake.
19:07Fine.
19:08Let's go.
19:38I found you!
19:40I saw you following me a while ago.
19:42Did you think I wouldn't notice?
19:44No, no, no. But how do you do it, Jan?
19:46You always surprise me and I wanted to do the same with you.
19:48I have eyes on my neck.
19:50Let's see.
19:52It looks good on you.
19:54Thank you very much.
19:56What's up with us? Do you have any idea why I don't?
20:00I don't know.
20:02I don't know.
20:04I don't know.
20:06I have no idea why I don't.
20:08We meet in secret as teenagers.
20:10We meet in the parks so they can't see us.
20:12What's going on between us?
20:14When I saw your message to see us in the park,
20:16my heart almost jumped out of my chest.
20:18Don't tell me.
20:20I'll take care of your heart.
20:22Don't worry.
20:24I have a gift for you.
20:26Really?
20:28Yes.
20:30Do you think only you can surprise me?
20:32Don't tell me you did it.
20:34Do you do origami?
20:36It's my hobby.
20:38Really?
20:40Yes.
20:42Why a butterfly?
20:44Because when I see you, I feel butterflies in my stomach.
20:46Are you serious?
20:48Yes.
20:50It's Deren's phone.
20:52Deren, Jan is calling.
20:54Wait.
20:56Hi, Deren.
20:58I'm here.
21:00Yes, there.
21:02Sure, I'll be there. Bye.
21:04I'm sorry.
21:06Deren wants me to go to the office
21:08and make some corrections to the text.
21:10You can't be two minutes without me.
21:12I feel the same way.
21:14I can't be two minutes without you.
21:16We have the same problem.
21:18Shall we go back?
21:20Let's go.
21:22By hand?
21:24By hand.
21:26Let's go this way.
21:28I'm very tired.
21:30I'm tired, too, but I can't do anything.
21:32Good morning, gentlemen.
21:34Good morning.
21:36Can I take a look at your store?
21:38They're going to shoot an ad here.
21:40This store doesn't work.
21:42It's a horrible place.
21:44Is this your store?
21:46I can't hear you.
21:48Gentlemen, we want to shoot in your store, please.
21:50I can't hear you.
21:52Don't push it too hard.
21:54I can't hear you.
21:56Here are scarves and shirts.
21:58This is a horror movie.
22:00Why do you look so disheveled, ma'am?
22:02Don't yell at him.
22:04Get out!
22:06I would never say that to a woman as beautiful as you.
22:08Your store is very beautiful.
22:10Can we see it for a moment?
22:12It's for an ad and we don't have a budget.
22:14So can we go see it?
22:16Please.
22:18You always say it's the last store we're going to see,
22:20but it's not true.
22:22I already lost count of the stores we've seen.
22:24I'm tired.
22:26If you come and you don't like the place,
22:28you'll ask if we have another one.
22:30You'll say the light isn't good,
22:32that the car shouldn't be on the right, but on the left,
22:34and if it doesn't work, who's responsible?
22:36Well, I'll be fired today.
22:38That's why I need to see all the options.
22:40That's a lie.
22:42I think all that's just an excuse.
22:44The thing is, you don't want to be alone with me.
22:46Admit it.
22:48Well, now we're alone.
22:50I don't mean that.
22:52I mean being alone, the two of us together, really.
22:54Hey, you don't have to try so hard.
22:56It's obvious you're in love with me,
22:58and there's no point in denying it.
23:00I know you're a little shy about it,
23:02but you can't deny the evidence
23:04because you told me yourself.
23:06Yeah, but I changed my mind.
23:08You changed your mind?
23:10Well, yeah, I did.
23:12What does that mean?
23:14How could you change your mind?
23:16I mean, don't you realize the sparks
23:18that fly between the two of us?
23:20It's the electricity that flows.
23:22Like, with that old man,
23:24you'll see sparks when I get near him, sir.
23:26Don't touch me!
23:28I don't want sparks.
23:30Not even a battery.
23:32I know, he's a human being, but I want...
23:34Get out of here!
23:36I just wanted sparks to fly.
23:38It's a wonderful day, isn't it?
23:40What are you doing here?
23:42We're inspecting the stores.
23:44We can't talk to you.
23:46If you're looking for a store,
23:48don't look any further.
23:50We're very busy.
23:52Good luck, sweetheart.
23:54I know you'll be back soon.
23:56Oh, Jan, you have my phone number.
23:58You can call me whenever you want.
24:00Just give me a call and we'll talk.
24:14Jan?
24:16Hey, I've got good news and bad news.
24:18What do you want to hear first?
24:20Well, start with the good news.
24:22JJ called me.
24:24He talked to everyone in the neighborhood
24:26and there's no problem to shoot there.
24:28Perfect, then let's start setting up the set,
24:30don't you think?
24:32And that's where the bad news is.
24:34It turns out we have a big problem.
24:36Go ahead, go on, what is it?
24:38We don't have actresses.
24:40The girls we chose aren't coming.
24:42It's about the agency.
24:44They don't want to send them.
24:46I'll talk to them.
24:48Since we have Metin to take care of legal matters,
24:50we're pretty lost with that.
24:52I'll take care of it.
24:54Go get the set ready.
24:56How will you do it?
24:58Don't worry.
25:00I have my methods.
25:02I'll get them to come.
25:04You take care of the set.
25:06All right, if you say so.
25:08The tea.
25:10What about the recording?
25:12I don't understand.
25:14What are you talking about?
25:16I'm sorry, but I've told you so many times
25:18that I don't know how to tell you.
25:20Are you going to let them use the neighborhood
25:22and the whole neighborhood without paying them anything?
25:24I don't understand.
25:26Listen to me.
25:28One of the most prestigious car brands
25:30comes to the neighborhood to record a millionaire ad.
25:32Don't you realize
25:34the opportunity this represents?
25:36They make money and you just watch.
25:38But what are we going to tell those people?
25:40That they pay us to drive on our streets?
25:42Yes, you're right.
25:44It's not good for us or the neighborhood.
25:46If the ad is recorded in the neighborhood,
25:48they'll be advertising it.
25:50How are we going to charge them for that?
25:52No, we can't do that.
25:54It wouldn't look good.
25:56We're not doing it.
25:58Seriously?
26:00You're right.
26:02Well, well, well.
26:04What a shame.
26:06You're talking seriously, aren't you?
26:08Well, it's much worse than I thought.
26:10You only trust me.
26:12And I'll do everything in my power
26:14so that your rights are respected.
26:16If you want to use the neighborhood,
26:18you'll have to pay a small fee for it.
26:20It's normal.
26:22I charge them and then I bring them to you.
26:24You understand me, Juseyin?
26:26I take care of the money and then we divide it.
26:28We distribute it and they give me a commission for the work.
26:30Don't tell me to give them the money because I know them
26:32and there are no millionaires here.
26:34The truth is that I have debts.
26:36So that money would suit me.
26:38We all have debts here.
26:40And that's why...
26:42We have to stay united and fight together.
26:44Do you understand?
26:46Do you agree with me, comrades?
26:48Yes, of course.
26:50Do I have it or not?
26:52Are you with me?
26:54Of course.
26:56One more thing.
26:58You made the right decision.
27:00Now I will be your representative.
27:02Trust me.
27:04Leave it in expert hands like mine.
27:06You understand me?
27:08Yes, of course.
27:36We have everything ready.
27:38Yes, we have everything ready.
27:40Yejin, I gave you a task.
27:42What are you doing here?
27:44The street is not yet blocked.
27:46Did you ask for permission?
27:48I'll take care of that right away.
27:50Sanem, what did I tell you?
27:52Remember that you have to control
27:54all aspects of the shoot.
27:56For example, check the lighting.
27:58Make sure everything is fine.
28:00We can't do anything without your good eye.
28:02The lighting is not right.
28:04Well, put it on.
28:06What is this lamp doing here?
28:08Jan, what about the actresses?
28:10They'll be here in an hour.
28:12Oh, great.
28:16Let's go.
28:18Yes.
28:20What are we going to do with this now?
28:22Hey, the lamp is misplaced.
28:24Someone come and fix it.
28:26Is this our place?
28:28Yes.
28:30It's misplaced, guys.
28:32You shouldn't have put it here.
28:34Did you hear me?
28:36Hi, Jan.
28:38Nihat, Mekbe, how are you?
28:40Welcome to the neighborhood, Jan.
28:42Thanks for the food.
28:44You're a great cook.
28:46You're welcome.
28:48Sanem, come here.
28:50I want to talk to you.
28:52Just a minute.
28:54We have a problem with the food.
28:56I'm trying to fix this.
28:58It's important that you do it, Mom.
29:00We're going to have problems.
29:02Sanem.
29:04What are you doing?
29:06Mr. Jan.
29:08I'm fixing this.
29:10It's okay. I'll take care of it.
29:12Go talk to your mother.
29:14Sanem.
29:16Mr. Jan.
29:18Sanem, go over there.
29:20Go talk to your parents.
29:22Hurry up.
29:24If it falls, it's your fault.
29:26No, it won't fall.
29:28Don't give me any more excuses
29:30and tell me where you got that money.
29:36Mom, Dad.
29:38I already told Jan.
29:40They gave me a raise.
29:42Really? Are you kidding us?
29:44It's a lie.
29:46How are they going to give so much money to a new employee?
29:48Daughter, you can tell us anything.
29:50You know that, right?
29:52I don't know why they agreed to give me the money.
29:54Maybe it's because my sister has been working there for years.
29:56Sanem.
29:58You're driving me crazy, daughter.
30:00Tell me the truth.
30:02Your mother is right.
30:04I'm sorry, but I agree with her.
30:06Mom, why are you pressuring me so much?
30:08I don't know.
30:10Dad has worked in that store for many years.
30:12I thought I was going to lose it.
30:14I was scared, so I tried my luck and I did well.
30:16That's all.
30:18You did well, but you should have told us.
30:20At least you would have consulted with your mother
30:22and asked her for her opinion.
30:24Sanem, can you come and fix this, please?
30:26That's part of your job.
30:28They're going to scold me for their fault.
30:30Please, Mom, don't worry.
30:32Fine.
30:34If you say so, but I've been upset all day.
30:36You know that.
30:38Sanem.
30:40Wow.
30:42What kind of boss do you have?
30:44How can he talk to you like that?
30:46You can't imagine what life is like in that office.
30:48All bosses are the same.
30:50Well, he seems like a nice guy, but...
30:54Let's go.
31:00I love it!
31:02We'll use this street.
31:04Can we put them on the second floor?
31:06Yes, miss.
31:08We have to put the flowers up there.
31:10Sure.
31:12Let me talk to her.
31:14Hello, welcome to our neighborhood.
31:16It's a pleasure to have you here.
31:18You've brought a good team.
31:20But besides that, don't come empty-handed.
31:22Do you need anything?
31:24That's exactly why we're here.
31:26Excuse me, could you tell me who you are?
31:28I'm the representative of this neighborhood.
31:30And these gentlemen are residents here.
31:32He's resident one, resident two.
31:34The people in the neighborhood have been talking about the shooting
31:36and they haven't reached an agreement,
31:38so they asked me to advise them,
31:40and that's precisely why I'm here.
31:42Very good.
31:44So tell me what you've been talking about.
31:46I'll explain it to you quickly, sister.
31:48Sister?
31:50What was I missing?
31:52How dare you?
31:54Damn you, have you ever seen a woman like that?
31:56Huh?
31:58I'm sure you've never seen a woman like me in all your life.
32:00So the best thing you can do is take care of your manners
32:02and talk politely.
32:04Or on the contrary, better not open your mouth.
32:06Hey, what's wrong with her?
32:08Is she crazy? Or is she nervous?
32:10It would be better if we left her for later.
32:12Listen to me, this is not school break.
32:14We're working,
32:16so it's better if you get out of here
32:18once and for all. Now, get out!
32:20Get out!
32:22Ah, I agree with you on something.
32:24This is not a school break.
32:26Do you want to invade the space of these good people
32:28and leave without paying? But that's impossible.
32:30Everything has a price in this life,
32:32and you know that better than we do.
32:34All the residents of the neighborhood agree on that point.
32:36I want you to know that we don't want a large amount.
32:38Sure.
32:40We don't want to be paid in dollars or euros.
32:42We want Turkish Liras,
32:441,000 Liras for each house and 2,000 Liras per store.
32:46You can't keep working here.
32:48What? 1,000 Liras?
32:502,000 Liras?
32:52We're recording an ad without a budget.
32:54Have you ever seen so much money together?
32:56Who do you think you are?
32:58Besides, JJ came here this morning
33:00and told me that the neighborhood agreed,
33:02and no one has asked him for a penny.
33:04Ah, you mean the guy who was here before?
33:06Hey, listen to me.
33:08Well, that was in the morning.
33:10Now the prices have changed.
33:12If you want to shoot the ad, I'm sorry,
33:14but you have to pay us.
33:18Well, I see you have a lot of work.
33:20We won't bother you anymore.
33:22Keep doing what you're doing.
33:24We'll see you later. Bye.
33:26Well, good luck to you.
33:28Chaos never ends here, but I'm used to it.
33:30What do you think?
33:32I scared you.
33:36Jan.
33:38The neighbors are asking us for money
33:40to let us record here.
33:42What do we do?
33:44Okay, I understand.
33:46We're using their space,
33:48so it's normal for them to ask for money in exchange,
33:50and of course we'll pay them.
33:52And how are we going to pay them?
33:54Please explain to me how we're going to pay them!
33:56Sanem.
33:58Yes?
34:00I'm very bored.
34:02The actresses are coming in an hour.
34:04This is your neighborhood,
34:06so tell me where I can go.
34:08Is there anything interesting around here?
34:10It's a very simple neighborhood.
34:12There's not much to see around.
34:14Hmm, I understand.
34:16What there is, is what we see.
34:18In fact, I'd like to disconnect a little
34:20from the life in the city center
34:22and see how people live here in the district.
34:24Get to know people's lives?
34:26Very well.
34:28We can go there so you can meet Melat.
34:30She knows everything that happens around here.
34:32If you want to know anything
34:34about a neighbor here, Melat is the one.
34:36Hello, Melat!
34:38This is Miss Eileen.
34:40And this is Melat.
34:42Nice to meet you.
34:44I'll leave you alone.
34:46Take care of her.
34:48Tell her everything about the neighborhood.
34:50Of course, Sanem.
34:52What can I do for you?
34:54I'd like to fix my nails.
34:56My hands don't look very good.
34:58Oh, I can do it.
35:00Let me take a look.
35:02I'm going to do a great job
35:04and you'll look beautiful.
35:06How elegant.
35:08Bring hot water.
35:10Sit down, please.
35:12Make yourself comfortable.
35:14Take a seat.
35:16This is your home.
35:18That's it.
35:20Make yourself comfortable and relax.
35:22Now tell me, do you want coffee or tea?
35:24Can I make you coffee?
35:26And then I'll wish you luck.
35:28No, thank you.
35:30I drank a lot of coffee and tea at the office.
35:32I'd like you to see my hands.
35:34I don't have time for anything else.
35:36Don't worry.
35:38I'll do your manicure right now.
35:40Give me the water, please.
35:44Well, here we go.
35:46I heard you're going to comb our actresses for the shoot.
35:48That's right.
35:50I hope you like it.
35:52This salon is small,
35:54but I'm a stylist with a lot of experience.
35:56There are even ladies who come from neighboring neighborhoods
35:58to be combed and also makeup.
36:00I'm sure with your help,
36:02I'm sure you'll be very nice.
36:04I like the pretty things you say.
36:06Thank you very much.
36:08I'll leave your hands as soft as a baby's.
36:10Yes, but I don't have much time.
36:12I escaped for a moment
36:14because Zanem spoke very well of you.
36:16That's my dear Zanem.
36:18She's a great girl.
36:20She really is.
36:22And what about Osman?
36:24He's a very handsome boy.
36:26Yes, in fact, he is.
36:28Zanem and he broke up, right?
36:30Wow, you heard that too, didn't you?
36:32No, no.
36:34That was just rumors.
36:36They're childhood friends.
36:38That's all.
36:40In the end, it turned out they were just friends
36:42and they weren't engaged.
36:44What no one understood, you know,
36:46was why Zanem had that ring on his finger.
36:48He had a huge diamond.
36:50Where exactly did he get it from?
36:52I don't know yet,
36:54but at some point I'll find out.
36:56So the whole neighborhood knows
36:58that engagement was fake?
37:00Yes, and all thanks to me.
37:02But I don't like gossip.
37:04That's right, our Zanem.
37:06A little crazy.
37:08Her sister is calmer.
37:10They're very different.
37:12A little crazy?
37:14Well, she's actually completely crazy
37:16because her father loves her.
37:18You can't imagine.
37:20I've known them for many years.
37:23Let's see, this street...
37:40You finally found me.
37:42Oh no, not here.
37:44Let's go in here, there's no one.
37:46Okay.
37:48It wasn't hard to find you thanks to the map.
37:50Come.
38:02I was looking at you from afar.
38:04There was your father, your mother,
38:06and everyone else, and I couldn't take it anymore.
38:08That's why I called you.
38:10It's hard for me too.
38:12You smell really good.
38:14I love that smell.
38:16Maybe you should leave me one of those flowers.
38:18So I can smell it when I miss you.
38:20What do you think?
38:22You smell really good too.
38:24I tried to make a perfume that smelled like you,
38:26but I couldn't.
38:28No one smells as good as you.
38:30Is it the bottle with the initial?
38:32Exactly.
38:34You're very talented.
38:36I'm sure if you smell good,
38:38you could create a fragrance for me.
38:40Come closer.
38:42I'm very hot.
38:44Can we go out?
38:46What do you think?
38:48Let's go out, but not together.
38:50I'll go first,
38:52and then you'll go out, okay?
38:54Okay, I'll go out after you.
38:56Okay,
38:58but let me tell you
39:00that I'm tired of hiding.
39:02I'm doing this just because I love you, okay?
39:04I promise I'll make it up to you.
39:06How? I'm very interested in that.
39:08I said it without thinking.
39:10Seriously, let's go.
39:12I'll go out first, and you'll come after me.
39:14Okay.
39:34Oh!
39:36How many people is this meal for?
39:38Yes, I cooked a lot,
39:40but it's the girls' job,
39:42and they're so proud.
39:44God bless you. I'm very proud of you.
39:46While I was cooking,
39:48I was thinking a lot, Nihat.
39:50Oh.
39:52Is that why you put the handkerchief on your head?
39:54Does your head hurt?
39:56Yes, my head hurts,
39:58for the value of 40,000 liras.
40:00But I found out who gave the money to Sanem.
40:02What a shame.
40:04Who gave it to him, Mevkibe?
40:06It was Jan, I'm sure.
40:08Emre is not the type of person
40:10Jan is a good man.
40:12Our daughter made him feel sorry for us.
40:14She's in love with him.
40:16It can't be.
40:18Mevkibe,
40:20we have to give her the money back.
40:22I don't want to put my daughter in that situation,
40:24for God's sake.
40:26Money is not a problem,
40:28you can get it, but what about her love?
40:30It's obvious that man doesn't love her,
40:32he treats her badly.
40:34But what are you saying? It's impossible.
40:36My daughter is the smartest and most beautiful girl in the world.
40:38Honestly, Jan is a good man,
40:40but he's interested in beautiful high society girls.
40:42He likes to eat raw meat.
40:44I've heard it's fashionable among people like him.
40:46Raw meat?
40:48Are they cannibals?
40:50We have to help her
40:52to forget him, Nihat.
40:54Otherwise, she will suffer a lot.
40:56Okay, we'll do it, but how?
40:58It's not that easy.
41:00We'll plan something, we have to think about it.
41:02We can fool her, but we have to get her to forget him.
41:04Well, yes, okay.
41:06I'll do anything for my daughter's happiness.
41:08Then let's get to work, I like it that way.
41:10Yes, okay, let's go Mevkibe.
41:12Goodbye Aylin, see you next time.
41:14See you later.
41:36Goodbye.
41:38Goodbye.
41:40Goodbye.
41:42Goodbye.
41:44Goodbye.
41:46Goodbye.
41:48Goodbye.
41:50Goodbye.
41:52Goodbye.
41:56Goodbye.
41:58Goodbye.
42:06Goodbye.
42:10Goodbye.

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