El periodista Diego Estévez viajó a Corrientes, y espera en Plaza Mitre frente al juzgado de Goya, encontrar a la jueza en el caso por la desaparición de Loan Danilo Peña. La situación surgió tras una solicitud de una televidente que envió un mensaje a la producción del programa.
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00:00It's very strong.
00:01Listen to what I'm telling you.
00:03This isn't real.
00:05A limit, one.
00:06I'm asking you, as Lubaldi said.
00:08I'm asking you for a limit, just one.
00:10A limit.
00:11One.
00:12Wait, wait.
00:12I'm not asking for more.
00:13It can't stay like this.
00:15No.
00:15It can't stay like this.
00:17It's true.
00:17Contact Diego Estevez.
00:18Call him and have him answer the phone.
00:20Have him get off the bike.
00:22Contact Diego Estevez.
00:22Have him get off the bike, take off his helmet,
00:24and go out in the open.
00:25If this is true,
00:28he'll go up to Human Resources to talk.
00:30Listen.
00:30A TV reporter really sent him.
00:33We didn't do this in production.
00:36We didn't do this.
00:37No, people are amazing.
00:38But listen to what I'm telling you.
00:39Diego Estevez is 15 years old.
00:41Are you kidding me?
00:43He's a Mexican soap opera actor.
00:46Listen.
00:47Diego Estevez, are you a kid?
00:50Love rejuvenates.
00:55Listen to me, Estevez.
00:57How cute is this?
00:59Listen to me, Estevez.
01:00Yes.
01:00Where are you?
01:02You need a little more of this.
01:05Of what?
01:05Of what?
01:06Of seeing these azaleas.
01:07You saw that I picked you a daisy last week.
01:10Yes.
01:10There are some azaleas.
01:12A beautiful winter.
01:13It's hot here now.
01:14Thirty-four degrees to the sun.
01:17The rain will come next year.
01:19You don't know how dry this is.
01:21Where?
01:22Where are you?
01:22Of course.
01:24Why are you asking me?
01:26We can ask you, of course.
01:27Here in Plaza Mitre.
01:29Dad.
01:30Where?
01:30Do you know?
01:31Do you know Plaza Mitre?
01:33Yes, from Goya.
01:34Goya.
01:34Goya.
01:36Of course.
01:36Are you in Corrientes, Diego?
01:38No, I'm telling you he left.
01:39Loza and Belgrano.
01:41You can come and pick me up here in the corner.
01:42There's a picture.
01:43There he goes.
01:43Diego, who is he with?
01:44Put the picture.
01:45Is that the one with the white helmet?
01:48Yes, let me send a thank you.
01:49It's not just Estrena, it's the thank you.
01:52To the friends here in Germany who sell motorcycle spare parts.
01:56Because you saw that the motorcycle is coming.
01:58It's a long way.
01:59700 kilometers.
02:00That's not me.
02:02Don't confuse me.
02:03Listen to me.
02:04You weren't on the motorcycle.
02:04Who were you with?
02:05Stop.
02:05Stop, stop, stop.
02:08Yes.
02:09Diego, are you really in the square?
02:11Here I am.
02:12Sitting next to Mafalda.
02:1460 years of Mafalda.
02:15What did I say?
02:16I am a man of my word.
02:18But...
02:18I said, two in the afternoon.
02:20In Mitre Square, next to Mafalda.
02:24Cristina, I'll be waiting for you.
02:26And here I am.
02:27It doesn't matter.
02:27From two in the afternoon.
02:28I am...
02:29You are waiting for her.
02:29I am an optimist of the goal.
02:31And I warn human resources that until Cristina doesn't show up, I won't come back.
02:36But listen to me, listen to me, Diego.
02:39Your thing is obsessive.
02:42Your thing is already obsessive.
02:44Yes.
02:45And Berrino?
02:45You are...
02:47Lu, I would say...
02:49You are toxic.
02:50In principle, you are toxic.
02:52Yes, a little more than toxic.
02:53The bond hasn't started yet.
02:55I'm giving it my all.
02:57Let me send a greeting to my friends in La Place.
03:01Gran Café.
03:02They are banking me and they have alert 24-7.
03:06Impressive.
03:07I've already put two exchanges.
03:08Listen to me.
03:09Stop cheating.
03:10What are you paying for?
03:11Costing the trip?
03:12Stop cheating.
03:13Listen to me.
03:14It's okay that love is love.
03:16But money too.
03:18With money, it moves.
03:20Well, you're the one on the bike that's passing by, aren't you?
03:23No, I came on the motorcycle, I told you.
03:24Motorcycle.
03:25I send another greeting to the people from Germany,
03:27who are going to have to make an oil change to...
03:28Stop, stop.
03:30This is a long way.
03:32You seem to be stressed with the issue of his mail.
03:35Yes.
03:37Don't worry.
03:38But how long are you going to stay, Diego?
03:39Why aren't you working with me here?
03:41No, I'm not coming back tomorrow.
03:42I already checked the forecast.
03:43Everything is fine, there is sun.
03:45Tomorrow 29 degrees maximum, 15 degrees minimum.
03:48But stop, stop.
03:49Relax a little.
03:50Listen to me, Gaucho.
03:51You have to come and work with me here.
03:52You see?
03:53Because the idea is that we both handle the program.
03:57Ah, but I get you information here.
04:00Well, but don't worry.
04:01I prefer you here and that you drive with me here, Diego.
04:04No, I'm going to grab the motorcycle.
04:06I'm going to be here in an hour.
04:07I'm 75 kilometers away.
04:08I arrive on July 9.
04:10And what are you going to do?
04:11In an hour.
04:11I'm going to take a walk there.
04:13I'm going to have a coffee with Grandma Catalina.
04:15Look.
04:16And I'm going back to Goya.
04:18I have to be here.
04:19My mission is to be here in the square.
04:21Now I'm looking at the federal court of Goya.
04:24I tell you, Pacime.
04:25Do you think they closed the door for me?
04:27No.
04:28Yes, I would do the same.
04:30It's okay.
04:31It's not bad.
04:32In fact, do you want me to give you information?
04:34Yes.
04:36Don't wait for him.
04:37Go back.
04:39Why?
04:40No, you can't do this to me.
04:41They told me he's on leave.
04:43No.
04:44If he's on leave...
04:45No way.
04:46I'm going to wait for him.
04:47Did something happen to him?
04:48No, don't worry, Diego, don't worry.
04:50Besides, he has someone to take care of her, Mafalda.
04:53No, no, but I'm available.
04:55What you need is to read files, test, give me everything.
04:59Give me everything, Cris.
05:01I'll take care of him.
05:02No, no, no.
05:03It's a lot, it's a lot.
05:04Guys, ask him something.
05:05I have no idea.
05:06No, I'm worried that the leave coincides with the departure,
05:10with Diego's trip there.
05:12And, you know, the lady must have said...
05:16Watch out for that, because Diego is saving information.
05:19I know him.
05:20But, excuse me, is she sick?
05:22Does she have problems?
05:23Because I already paid two ice creams.
05:25Leave me alone.
05:26Here in the Nevada ice cream shop.
05:28Don't say Nevada.
05:29Stop it, give me the file.
05:31Stop it.
05:32What are they paying you?
05:33Don't bring anything here when you come back.
05:35Listen, it's kind of a gas station.
05:37But, listen to me.
05:39Why don't you come back, Diego?
05:41Cris.
05:42Do you have money?
05:43Can I talk to Cris?
05:44Talk to him, talk to him.
05:46I'm looking at the photo.
05:47Let's see, talk to Cris.
05:48Thanks again to the German friends.
05:50No, stop it with the German.
05:52Stop it.
05:53Alert 24-7.
05:54What a beautiful photo.
05:56Talk to him.
05:57Cris, listen to me.
05:59Today at 10 p.m., which is the time when we, the Goyenses,
06:03can go out calm, which is cool.
06:05It's a lot.
06:06You already nationalized me, forget it.
06:08You already nationalized me.
06:09I don't know how to say it.
06:10We, the Goyenses, at 10 p.m., after dinner,
06:14we're going to have an ice cream there at the Plaza Mitre.
06:18I already left two cuckoos paid at the ice cream shop in Nevada.
06:23No, stop it.
06:24I like it.
06:25I'm talking to Cris.
06:26Cris, why are you meddling?
06:27You can't invite her on the exchange.
06:29You can't invite her on the exchange.
06:31He talks to her in code.
06:32He talks to the judge in code.
06:33I tell him that I paid him, but I lied.
06:35I didn't pay anything.
06:36Everything on the exchange.
06:38Everything on the exchange.
06:39Listen to me, Diego.
06:40I have to start with a show.
06:42If you're a lunatic...
06:44I like that you're taking care of the unimportant,
06:47because the important thing is here in Goya.
06:49No, no, no.
06:50The important thing is here, and it happens here,
06:52and from here we have to inform.
06:54If you painted on February 14th,
06:56and you started like crazy,
06:57and you went to Corrientes,
06:59and you're waiting for a plaza...
07:00There I am.
07:01There, there, there.
07:02There you go.
07:03Well.
07:04There you go.
07:05Can I have you on the show tomorrow?
07:07We'll see.
07:08Eh?
07:09We'll see.
07:10Yes, listen to me.
07:11Do you have money to return everything?
07:14I have enough for a fuel tank with the card.
07:16And you arrive...
07:17But if you don't send me something by post, I'll pay.
07:19No, let's do something.
07:20Ah!
07:21Wait.
07:22Can I pass my alias?
07:23No, no, no.
07:24No, no, no.
07:25Come on.
07:26That's not it.
07:27That's the limit.
07:28That's our limit.
07:29That's the limit.
07:30If you don't pay anything, give me the alias.
07:31No.
07:32No, no.
07:33There's no more alias.
07:34There's no more of that.
07:35Forget it.
07:36Atilio Bruno tells me, I send you a big hug.
07:38Yes.
07:39They are Goyenses, not Goyanos.
07:41The gentile of the one born in Goya is Goyense.
07:45Goyense.
07:46Perfect.
07:47You are already Goyense.
07:48I am a Goyense, forget it.
07:49No, sorry, sorry.
07:50The other way around.
07:51Exactly the other way around.
07:52Goyano.
07:53Goyano.
07:54Sorry, Atilio.
07:55Goyano.
07:56Goyano.
07:57You are Goyano from now on.
07:58Well, listen to me.
07:59They are going to deport me.
08:00Yes.
08:01I ask you, please.
08:02Tomorrow I want you here on the floor and working.
08:03As much as possible.
08:05So that I don't leave Nagu alone here.
08:08Estrione?
08:09Yes.
08:10I have him more or less, we have it.
08:13Luvaldi comes tired from the newsroom.
08:15Yes.
08:16We make a deal among Estrione.
08:17No, no, we are not making a deal among the three of us.
08:20Sure.
08:21No, listen to me.
08:22Tomorrow?
08:23Yes.
08:24Don't wait for me.
08:25What?
08:26Not tomorrow.
08:27Tomorrow, we will see.
08:28Diego, I send you to look for me.
08:30I send you to look for me, I kiss you and I bring you here.
08:34Así es fácil.
08:35Así que, bueno, nada, aprovechar el sol de corriente.
08:38Me voy a rezar.
08:39No sabes lo linda que es la catedral.
08:41Me voy ahora.
08:42Anda, reza la catedral.
08:43La catedral Nuestra Señora del Rosario hermosa.
08:44¿Vas a sacar turno?
08:45Me voy a rezar por el programa también.
08:47Sí, por favor.
08:48¿Vas a sacar turno?