開運！なんでも鑑定団 2024年10月01日 大発見！新時代日本画に挑んだ巨匠の＜新発見大作＞＆ずっと所在不明＜昭和傑作彫刻＞に驚天値
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00:00I need somebody, I don't need nobody
00:05You know, I need somebody
00:30This is a work of modern Japanese calligraphy
00:34If it's expensive, I want to sell it and share it with my family
00:40What's the result?
00:46In the 6th collector's treasure hunting tournament, the best collectors are gathered
00:54Today's guest is
00:58He has published more than 150 history books
01:04Mr. Atsushi Kawai, a history writer
01:09He was born in 1965 in Machida City, Tokyo
01:14When he was a 5th grader, he found a piece of pottery in his backyard
01:20He was moved by the fact that people used to live here thousands of years ago
01:26He became interested in history
01:30When he was a junior high school student, he admired Mr. Kinpachi, a 3rd grader
01:36He decided to become a history teacher
01:39When he became a teacher at Toritsu High School, he wrote a paper on the history of Ono Castle
01:52When he published it in a history magazine, he won an award
01:57He took the first step as a history writer
02:01Since then, he has published a series of history books
02:07He has appeared in a lot of TV shows
02:12He has appeared on TV Tokyo and Nippon no Shinjyoushiki
02:20I want him to become a poet
02:25So, Mr. Imada, Mr. Fukuzawa and Mr. Sugai
02:31Here is the question
02:33What did Nobunaga Oda call Hideyoshi, the god of fire?
02:40This is...
02:42Sugai-chan
02:44What was it?
02:46Isn't this a famous one?
02:48Monkey?
02:50Kawai-san, please tell us the answer
02:55Here is the client
02:57This is Ms. Atsushi Kawai from Tsuruten
03:00Thank you for coming here
03:05This is a new way to come here
03:09But you came here the other day, right?
03:13So, what did Nobunaga Oda call him?
03:15Monkey
03:17It's like a bald guy
03:20I think bald is right
03:23Bald mouse
03:25Correct
03:27There is no letter that Nobunaga Oda called monkey
03:32It's a legend
03:35Really?
03:37Let's see
03:39Open
03:44What is this?
03:46This is an old picture book from Meiji to Taisho Showa
03:50I was studying the war in Japan
03:54This is a letter from a soldier
03:57A soldier sent a letter to his country
04:01I'm fine
04:03If you turn it over, you can see a picture of a beautiful woman
04:10This is a letter from a nurse
04:15You found this when you were studying
04:17I also buy letters
04:21Do you sell old letters?
04:24Yes
04:26This is a training school for 14 to 17-year-olds to become a pilot
04:34This is what I went to
04:37This is a commemorative picture of Kamikaze
04:42This is a plane that Asahi News flew in 1937
04:51It flew from Tokyo to London
04:54It was the fastest in the world
04:57There are many sunflowers on the right side
05:00This is called the Olympic Games
05:04It is also called the Olympic of the East
05:07Sports events are held in Japan, China and the Philippines
05:12This picture is novel
05:15It's like pop art
05:17This is a picture of the Great East Japan Earthquake
05:22This is a picture of the damage caused by the Ueno Hirokoji
05:26This is a great material value
05:30The Great East Japan Earthquake
05:33The Great East Japan Earthquake
05:40How much is it?
05:43150 sheets
05:45150,000 yen
05:47Let's open the price
05:521, 2, 3, 4, 5, 6, 7, 8, 9, 10
05:5712,000 yen
06:00Wow
06:02How much is it?
06:04This is a collection of airbrushes from the Meiji, Taisho and Showa eras
06:09Among them, the military mail
06:12The one from the Liaodong Defense Army is the oldest in Meiji 38
06:18The military mail is about 13,000 yen
06:22The one from the Tsuchiyura Navy Air Force is about 12,000 yen
06:27Airbrushes were very popular in this era
06:30Airbrushes were very popular in this era
06:36These old airbrushes should be looked at from a new angle
06:42I think they should shine more
06:46I'm glad I didn't throw this away
06:49My wife told me to throw it away because it's dirty
06:52When I'm in a hurry, I spread it out and go to the next room
06:56I draw a line like this
06:58I draw a line like this
07:00Don't come out of the desk in elementary school
07:04Next is from Moriya City, Ibaraki Prefecture
07:10They are meeting at this public building
07:14Excuse me
07:17Hello
07:19Hello
07:21You are wearing a costume
07:23Hello, my name is Koyama
07:25The next client is Masako Koyama, 79 years old
07:30Everyone is wearing the same costume
07:34What are you going to do today?
07:37What are we going to do?
07:39We enjoy country line dance here every week
07:42Dance?
07:45Country line dance is characterized by dancing with the center of the foot without moving the upper body too much
07:53It's important
07:55Irish dance is also said to be the root of Irish dance
07:59The dance that everyone repeats the same step is now very popular in culture schools
08:06I think it's good for the body
08:08I saw it 20 years ago when I was traveling to the United States
08:12I started learning right after I came back, and I improved a lot
08:16Six years later, I entered the world competition as a representative of Japan
08:21I won the competition
08:25It was said that country line dance had a surprising effect
08:31I used to weigh 77 kg
08:34I started country line dance, and now I weigh 58 kg
08:41I see
08:43By the way, what is your treasure?
08:47This is a gift from my father
08:54Tsunemasa, Tsunemasa's father
08:57After graduating from Tokyo University, he worked at a cosmetics company
09:02He even worked as a clerk
09:05When Tsunemasa opened a shop in Ebisu
09:10As a celebration of his new home, he received this treasure from the president of the company
09:17It's a pretty big work, so my father didn't decorate it at all
09:22After my father died, no one was interested in it, so I left it in a box for nearly 30 years
09:30So he consulted with his family and relatives
09:34If it's worth it, I'll sell it, and everyone in the Koyama family will donate the money
09:44I look forward to working with you
09:48I look forward to working with you
09:50What is the masterpiece of modern Japanese painting?
09:54Let's take a look at the studio
09:56Here comes the client
09:57Here comes the client
10:00I'm Tsunemasa, and I'm from Ibaraki
10:04Nice to meet you
10:07Anyone can learn it easily?
10:09Yes, it's easy
10:11Can these two learn it?
10:13Sugai-chan is a professional
10:16Sugai Imada challenges country line dance
10:21It takes 3 minutes to practice
10:251, 2, 3, 4, 5, 6, 7, 8
10:311, 2, 3, 4, 5, 6, 7, 8
10:351, 2, 3, 4, 5, 6, 7, 8
10:39Not bad
10:41Sugai-chan is good
10:45Let's open the treasure
10:47Open
10:53It's a masterpiece of Takeuchi Seiho
10:56Takeuchi Seiho
10:58West Seiho, East Taikan
11:01This is West Seiho
11:03I don't think it's real
11:06What did you think when you saw it?
11:08The monkey was like this
11:11It was powerful
11:12The eyes and the expression
11:15The monkey is too good
11:18The fur is fluffy
11:21I can feel the temperature
11:24The branches are colorful
11:27It's realistic
11:29It's green
11:31How many people are there in Koyama and Yamawake?
11:35There are 3 families
11:38We decided to divide it into 3
11:42Your relatives are coming?
11:45Yes, my husband
11:47Yamawake
11:49Do you have any plans?
11:52I want to go to a hot spring, eat delicious food, and spend a lot of money
11:59With Yokoyama Taikan, Kyosho built the foundation of modern Japanese painting
12:07Takeuchi Seiho
12:10He was born in 1864 in a small restaurant in Kyoto
12:16He started to be a painter when he was 17
12:21He opened the door of Japanese painter Kono Baidei
12:27He immediately became a master and a disciple
12:31He was not tired of the example of death
12:33He absorbed the techniques of the great predecessors, including Sesshu
12:44He became a big star when he was 36
12:50He visited Paris and European museums for half a year
12:57He was greatly inspired by the works of Koro and Turner
13:06He published his work after he returned to Japan
13:11It was based on a portrait in a zoo in Belgium
13:17Seiho enlarged the face
13:21By drawing it in three dimensions, he created the power of the real Sanagara
13:31In the painting of Rome, he drew a landscape of Italy like a landscape painting
13:38He used the color of sepia, a Western watercolor paint
13:43He also expressed the eternal time when the ruins of the ruined Roman era came to life
13:52After that, Seiho challenged himself to create a new era of Japanese painting
14:00He faced a life-threatening challenge
14:04He was a living creature
14:09Before moving the brush, he observed the object carefully
14:17To draw a frog, he spent 10 days in the garden
14:24There is a story that he was able to tell the difference between life and death
14:34Seiho did not just imitate the shape of the object
14:38Instead, he tried to capture the wild nature of the object
14:53That is how the important cultural property, Hanbyō, was born
15:00Seiho fell in love at a flower shop in Numazu
15:05Seiho took the cat home many times and completed the painting
15:11Seiho's soft fur made Seiho want to pet the cat
15:16However, Seiho's eyes were full of wild instincts
15:23This is the masterpiece of Seiho, who was told to draw even the smell of animals
15:32Let's take a look at the painting
15:36This is a painting of Seiho Takeuchi, a four-pole Hanso
15:41He drew a big four-leaf clover on the left side
15:45He drew a monkey standing on a wintry tree on the right side
15:56Seiho often draws monkeys at home
16:01His facial expressions and hair style are very Seiho-like
16:07But how did he draw it?
16:15Seiho's painting is the most famous one
16:19It's the smallest one in Tokyo
16:23He drew a picture of a monkey
16:27But it's not Seiho's real painting
16:30It's Seiho's face
16:34He drew a picture of a monkey
16:39It's Seiho's face
16:42How much is it?
16:441,500,000 yen
16:461,500,000 yen!
16:48Let's open the prize
16:52How is it?
16:541, 2, 3, 4, 5, 6, 7, 8
17:00300,000 yen!
17:04Wow!
17:06300,000 yen!
17:08Wow!
17:10It's the real one!
17:12This is the real one
17:14by Takeuchi Seiho
17:16You can't see this kind of
17:18Seiho's masterpiece
17:20It's like a meteorite
17:22from the evening to the winter
17:24It's a face of a monkey
17:26It's drawn with
17:28a very famous line
17:30Compared to that,
17:32the hair is drawn with
17:34a brush and a brush
17:36This expression
17:38is from the late Edo period
17:40It's a famous line of
17:42a monkey drawing
17:44I think he studied
17:46the art of his ancestors
17:48And the trunk
17:50It's a cherry tree trunk
17:52When you get close to it,
17:54it's like a abstract painting
17:56It's a very bold pitch
17:58When you get away from it,
18:00it has a rough texture
18:02When you look at the composition,
18:04it's right-facing
18:06This is the first set
18:08I think there is
18:10another one on the right
18:12Another one?
18:14Anyway,
18:16it's Seiho's masterpiece
18:18So,
18:20I'm not sure
18:22if you'll buy it or not
18:24I'll definitely buy it
18:26I'll buy it
18:28Tonight,
18:30collectors from various genres
18:32will gather
18:34in this place
18:36The 6th Collectors' Treasure
18:38Audition
18:42I have
18:449 of these brushes
18:46The guest commentator
18:48is Chiaki
18:50I've been collecting
18:52various things since I was little
18:54Now, I'm into old tools
18:56Old tools?
18:58I collect various things
19:00People who come here
19:03The first collector is
19:05Mr. Takashi Tanaka
19:07Look at my collection
19:09This is it
19:11What is it?
19:13This is
19:15a pile of gum
19:17Really?
19:19There are
19:211,000 pieces in total
19:23What?
19:25When I was in 6th grade,
19:27I started collecting
19:29because it was popular in my class
19:31How did you do it?
19:33I picked it up
19:35I didn't buy it
19:37It's the same pattern
19:39Amazing
19:41They were all sold
19:43in the early 1960s
19:45The design was
19:47based on baseball players,
19:49writers,
19:51cartoon characters,
19:53fortune-telling
19:55and so on
19:57Interesting
19:59What is a pile of gum
20:01to Mr. Tanaka?
20:03It's a disassembly
20:05Mr. Tanaka's
20:07collection
20:09No. 3
20:11No. 3
20:13Lotte's Cool Mint Gum
20:15What's so special about it?
20:17What you see here
20:19are penguins
20:21and whales
20:23But there are
20:25no whales
20:27I don't think
20:29it's rare to see
20:31no whales
20:33No. 2
20:35Zudon Gum
20:37Zudon Gum contains
20:39vitamin B
20:41The right and left
20:43look very similar
20:45but there is a small difference
20:47What?
20:49It's the same
20:51It's the letter B
20:53The hard one
20:55It's the same
20:57but the hard one
20:59looks like a scale
21:01No. 1
21:03Studio Gum
21:05You didn't buy it?
21:07No, I didn't
21:09Mr. Tanaka
21:11cleaned up the earth
21:13You should have spent money
21:15to buy something rare
21:17If I bought it,
21:19I would have wanted
21:21something rare
21:23What are you doing?
21:25Are you OK?
21:27Here are the treasures
21:29Wow
21:31It's colorful
21:33No. 16
21:35Morinaga's Disney Gum
21:37Mickey is here
21:39Yes, he is
21:41Snow White is here
21:43I want it
21:45How did you get it?
21:47I picked it up
21:49Don't ask me how
21:51These two treasures
21:53are written by Mickey
21:55They look the same
21:57but there is a difference
21:59I got it
22:01It's clean and dirty
22:03There is a big difference
22:05Look at the letters
22:07When you throw it away,
22:09use the paper
22:11When you pick up the gum,
22:13put it in the trash
22:15It's the smallest
22:17I didn't notice
22:19When you pick it up,
22:21you think,
22:23oh, the letters are different
22:25No way
22:27He enjoyed it by himself
22:29so he doesn't know the value
22:33His evaluation is
22:3516,000 yen
22:37for 1,000 yen
22:39I wonder
22:41if there is a teacher
22:43who judges the gum
22:45I don't think so
22:47He is sitting next to me
22:49Do you know who he is?
22:51Yes, I do
22:53The gum is a good item
22:55for collectors
22:57The judge is
22:59Shinobu Machida
23:01What is the result?
23:03Come here
23:0511,000 yen
23:07He got it
23:09It's more than 10,000 yen
23:11It's more than 10,000 yen
23:13Morinaga Seika
23:15This gum
23:17was released in 1935
23:19It's 10 yen for 3 pieces
23:21At that time,
23:23there were about 100 gum makers
23:25Among them,
23:27Disney was the most popular
23:29I spent 1,500 yen
23:31for the diary
23:33If it was more beautiful,
23:35it was more than 2,000 yen
23:37It's about 600 to 700 yen
23:39The next collector is
23:41Eiji Fukui
23:43Let's see his collection room
23:45Please come in
23:49Wow, it's amazing
23:51It's cute
23:53It's amazing
23:55It's a nostalgic
23:57corporate mascot
23:59There are plastic models,
24:01holo signs,
24:03brown can TV,
24:05and Famicom
24:07There are about 1,000
24:09retro goods
24:11I started collecting Sato-chan
24:13I fell in love with Sato-chan's
24:15retro style
24:17and I got more and more
24:19In fact,
24:21he is particular about this room
24:23I don't have air conditioner
24:25If I turn on the air conditioner,
24:27it doesn't look like Showa retro
24:29So I didn't turn on the air conditioner
24:31I'm still sweating
24:35What does Showa retro mean
24:37to Mr. Fukui?
24:39It's a space where you can change
24:41your childhood feelings
24:43It's a space where you can
24:45go to your friend's house
24:47It's a room with a concept
24:49I'm 100% satisfied
24:51I think I can make my ideal
24:53Fukui's collection
24:55New Best 3
24:57No. 3
24:59It's a record player
25:01Do you know this?
25:03I've seen it at my friend's house
25:05I often see red,
25:07but this green is new
25:09I've never seen green
25:13No. 2
25:15It's Sato-chan's doll
25:17It's Sato-chan from the Showa 30s
25:19It's not a normal one
25:21It's a size that was put on the counter
25:23It's a small number
25:25It's like a mall
25:27It's almost out of stock
25:29and it's deteriorating
25:31It's important that it's well-stocked
25:33No. 1
25:35How did you get it?
25:37I got it from a flea market
25:39or an auction
25:41There's a way to pick it up
25:43I learned it today
25:45When a flea market app comes out,
25:47it sells fast
25:49If you don't look at it all the time,
25:51you can't calm down
25:53I'm nervous
25:55You can look at it now
25:57Here are the treasures
25:59Wow, it's a torch
26:01It's in a box
26:03Five years ago,
26:05he found it on a flea market app
26:07When I found it,
26:09it was sold for 1 million yen
26:11What?
26:13He thought something was wrong
26:15and asked the seller
26:17I'm sorry, I made a mistake
26:19It's 100,000 yen
26:21I bought it
26:23It's a fate
26:25You didn't play with it?
26:27I took it out to take a picture
26:29Oh, it's cute
26:31You can put it in your hand
26:33You can put it on or take it off
26:35Normally, when the treasure is open,
26:37it comes out like that
26:39He asked me if I wanted to put it out
26:41but I said I wanted to take a picture
26:43You don't want to put it out
26:45His evaluation is
26:47200,000 yen
26:49when he bought it
26:51At that time,
26:53he borrowed 50,000 yen from his wife
26:55He wants to report it to his wife
26:57who lent it to him
26:59What's the result?
27:01He got it right!
27:03That's great!
27:05I didn't expect it
27:07He didn't put it out
27:09It's really beautiful
27:11It's not sunburned
27:13This is from 1980
27:15It's a double name of BANDAI and POPPY
27:17BANDAI and POPPY
27:19merged
27:21It's really short-term
27:23Both names are included
27:25This is also very valuable
27:27The next collector is
27:29Akio Hosokawa
27:31He is exhibiting his collection
27:33in this building
27:35in Oketo, Hokkaido
27:37What?
27:39A supermarket?
27:41It looks like that
27:43Excuse me
27:45What's this?
27:47It's decorated with
27:49money from all over the world
27:51It was collected
27:53more than 20 years ago
27:55Not only Japan,
27:57but also Asia, Africa, Europe
27:59and countries in the South Pacific
28:01There are so many
28:03How many collections do you have?
28:05More than 10,000
28:07Wow
28:09I spent too much money
28:13He closed the supermarket
28:15he ran 7 years ago
28:17and used the building
28:19to turn it into a museum
28:21I see
28:23What is the world's money
28:25for Akio Hosokawa?
28:29I've never thought about it
28:33He managed to do it
28:35It's a mirror
28:37to show the history and culture
28:39It's amazing
28:41Akio Hosokawa's collection
28:43No. 3
28:45No. 3
28:47It's a Biafra
28:491 pound bill
28:51Biafra?
28:53In 1967,
28:55it was distributed
28:57in Biafra,
28:59which declared
29:01independence from Nigeria
29:03After that,
29:05it was destroyed
29:07in just 3 years
29:09It's gone
29:11No. 2
29:13It's a Yappto
29:15What's that?
29:17It's Western money
29:19It's money
29:21but it's not used
29:23to sell things
29:25It was used
29:27as a gift
29:29or a solution
29:33No. 1
29:35Actually,
29:37I wanted to collect
29:39a 2,000 yen bill
29:41to commemorate
29:43Obuchi Naekagaku
29:45Wow
29:47If Obuchi Naekagaku
29:49didn't give me a 2,000 yen bill,
29:51I wouldn't have to spend money
29:53on something like this
29:55His grandchild
29:57came to the studio
29:59How did you feel
30:01when you first saw it?
30:03I thought
30:05something new had started
30:07It was originally
30:09like a convenience store
30:11It was like
30:13a new store
30:15It was sold by a vending machine
30:17in the Edo period
30:19It's worth 5 coins
30:21He bought it
30:23from a coin shop 10 years ago
30:25How much was it?
30:271,500,000 yen
30:291,500,000 yen
30:31If it's a fake,
30:33it's just a joke
30:35But if it's real...
30:37It's related to our family
30:41I have 8 cousins
30:43That's right
30:45His estimate is
30:471,500,000 yen
30:49just like when he bought it
30:51For his grandchild
30:53who is interested in it
30:55he wants to prove
30:57it's a good item
30:59What's the result?
31:01Ta-da!
31:032,000,000 yen!
31:05He did it!
31:07It's in a good condition
31:09Both items
31:11are very expensive
31:1384.2%
31:15But
31:17it's divided into 4 parts
31:19and 2 parts
31:21That's why
31:23it's not popular
31:25It's been sold for 8 years
31:27In 2014,
31:29it was sold out
31:31It's a rare item
31:33Please take good care of it
31:37The next collector is
31:39Mr. Katsuyuki Nakagami
31:41This is my collection
31:47It's an earring
31:49Since he was 20,
31:51he has been collecting
31:53Tomica, Diamond Pet,
31:55and Eidai Grip
31:57The most important thing
31:59when buying an item
32:01is the box
32:03It's an earring with a box
32:05It's very important
32:09What does a mini car
32:11mean to Mr. Nakagami?
32:13It's like a partner
32:15of my life
32:17It's like a companion
32:19Did I say too much?
32:21Mr. Nakagami's collection
32:23Newest Best 3
32:25No. 3
32:29Tomica Gloria Van
32:31It's a model
32:33of a car from
32:35Tokyo Gas
32:37It was only sold
32:39700 units
32:41It's very rare
32:43I'm impressed
32:45I'm impressed
32:47No. 2
32:49It's an old car
32:51of the Continental
32:53It has a shiny gold
32:55decoration
32:57It has an impact
32:59The box is also gorgeous
33:01It's too big
33:03No. 1
33:07It's rare
33:09What kind of people
33:11would buy it?
33:13I wish it was No. 1
33:15To find a rare
33:17mini car,
33:19Mr. Nakagami
33:21went to Tokyo
33:23There are many
33:25mini car shops
33:27around Yamate
33:29Shinjuku, Nippori, Komagome,
33:31Tokyo, Osaka
33:33Ega-chan!
33:35It's Ega-chan!
33:37Here are the treasures
33:39It's so small!
33:41It's so small!
33:43It's a Hong Kong Tomica
33:45Galant GTO
33:47Since 1971,
33:49only a few years
33:51It was made at a factory in Hong Kong
33:53It's very rare
33:55About 20 years ago,
33:57I bought it at a mania shop in Tokyo
33:59for 20,000 yen
34:01I think it's
34:03very rare
34:05But,
34:07there was a box
34:09Where did the box go?
34:11It's not here
34:13Where did it go?
34:15Actually,
34:17a few years after he bought the car,
34:19he got this box for 10,000 yen
34:21My collector friend
34:23came out and
34:25gave it to me
34:27He exchanged the box
34:29for a limited edition car
34:31A limited edition car
34:33He said the box is important
34:35He said it
34:37It's different from what he said
34:39I still want the Tomica
34:41I still want it
34:43It's like a maiden's heart
34:45I want this, I want that
34:47But which one?
34:49It's like the two of them
34:51That's what I mean
34:55The estimated price is 30,000 yen
34:57The box is 10,000 yen
34:59The car itself is 20,000 yen
35:01So I think it's 30,000 yen
35:03The box is 20,000 yen
35:05The inside and the box
35:07are both important
35:09This maiden's heart
35:11Mr. Kitahara
35:13should know
35:15What will happen after this?
35:301, 2, 3
35:36Hong Kong Tomica Galant GTO
35:39He let go of the box
35:41to exchange it for a different car
35:43What's the result?
35:47It's 70,000 yen
35:49It's huge
35:55When I heard
35:57it was a rare model
35:59I knew it was
36:01the Hong Kong Tomica Galant GTO
36:03If it had a box
36:05it would be over 200,000 yen
36:07I got dizzy
36:09I got dizzy
36:11But I knew
36:13I would get another box
36:15That's a mistake
36:17It's hard to get a box
36:19In 1970
36:21Tomica
36:23made it for 180 yen
36:25Then
36:27I got a lot of orders
36:29So I asked
36:31a factory in Hong Kong
36:33to make 6 cars
36:35One of them was this Galant GTO
36:37The reason why
36:39Tomica is expensive in Hong Kong
36:41is that the factory
36:43burned down
36:45and the mold disappeared
36:47You can't make the same thing
36:49Stay tuned for the next episode
36:53Next episode
36:55From Oiso, Kanagawa
36:59Hello
37:01Hello
37:03I've been waiting for you
37:05This is the next client
37:07Masahiko Koizumi
37:0969 years old
37:11Huh?
37:13Modern Craftsman Sculpture Lab?
37:15Craftsman
37:17Actually
37:19this is my home
37:21At that time
37:23I wanted you to know
37:25the charm of sculpture
37:27so I made this
37:29I'm the only researcher
37:31here
37:33Koizumi studied sculpture
37:35at the University of Arts
37:37After graduation
37:39he worked as an art teacher
37:41at a language school
37:4310 years ago
37:45he renovated his home
37:47and opened a museum
37:49He not only decorates his collection
37:51but also
37:53creates his own atelier
37:55and opens a sculpture class
37:57every week
37:59I see
38:01So
38:03let's take a look
38:05inside the museum
38:07You made a museum?
38:09Please come in
38:11Wow
38:13There are so many famous sculptures
38:15lined up
38:17But
38:19how did you get them?
38:21All of them
38:23are online auction
38:25Actually
38:27I sold my real estate
38:29and got a lot of money
38:31so
38:33I bought it
38:35It was pretty cheap
38:37so I started buying
38:39and I couldn't stop
38:41He wanted
38:43many people to see
38:45Last year
38:47he held an exhibition
38:49for free
38:51But
38:53I think
38:55only 3 people came
38:59He wanted
39:01more famous sculptures
39:03for the exhibition
39:05so he looked around
39:07online auction
39:09and found
39:11this treasure
39:13I think
39:15this is one of the best
39:17sculptures I've ever seen
39:19Thank you so much
39:21Will he be able to
39:23find a treasure
39:25online auction?
39:27Please welcome
39:29the client
39:31Mr. Masahiko Koizumi
39:33from Kanagawa
39:35Thank you
39:37for coming
39:39Thank you
39:41So many famous sculptures
39:43were lined up
39:45By the way
39:47how much
39:49did you get
39:51800 yen
39:53What?
39:55Did you hear that?
39:57I did
39:59If I didn't
40:01I would have said
40:03800 yen
40:05I will buy this
40:07If this is real
40:09This is interesting
40:11From 800 yen to the real one
40:13Let's see
40:15Open
40:21What a mystery
40:25Who is this?
40:27This is Seiko Sawada
40:29Seiko Sawada
40:31This is Kayanohime
40:33She is the goddess
40:35of grass
40:37She is the goddess
40:39How much
40:41did you get?
40:43228,000 yen
40:45That's too much
40:47It's not like her
40:49I wish I could
40:51buy this for a few hundred yen
40:53What do you like the most
40:55Mr. Koizumi?
40:57Her face
40:59Her gentle expression
41:01Her expression
41:03Her condition is not good
41:05What do you usually do with this?
41:07I put it outside
41:09the entrance
41:11Outside?
41:13It's not outside
41:15I put it on the ceiling
41:17Why do you put it inside the entrance?
41:19It's too heavy
41:21I see
41:23So you take it outside
41:25Yes
41:29Seiko Sawada
41:31expressed the soul
41:33of the goddess
41:35of grass
41:39She was born in 1894
41:41in Atamimachi,
41:43Shizuoka
41:45At the age of 19
41:47she admired Lodan
41:49She relied on the sculptor
41:51Zui-un Yamamoto
41:53and became a monk
41:55She only worked as a servant
41:57and didn't have any money
41:59Five years later
42:01she finally
42:03entered the Pacific Art Institute
42:05where she worked on
42:07drawings and sculptures
42:11She became famous
42:13at the age of 30
42:15She exhibited
42:17The Dream of the Galaxy
42:19at the 5th exhibition
42:21It was based on
42:23Orihime Tanabata
42:25It was praised for
42:27its beautiful painting
42:29and won a special prize
42:31The theme of the exhibition
42:33was the world of myth
42:35and the legend
42:37Sawada made it
42:39very feminine
42:43For her husband
42:45Yamato Takeru
42:47she threw herself
42:49into the sea
42:51and sank
42:53Ototachibana
42:55Her body
42:57was carved into
42:59the ruins of Marubashira
43:01which was used
43:03as a temple
43:05in Mishima Taisha
43:07Kasei Choshin
43:09is a picture of
43:11a young woman
43:13with her upper body
43:15bent
43:17and the lower body
43:19of a bird
43:21It is a strange picture
43:23It is a masterpiece
43:25by Sawada
43:29Sawada's method
43:31of production
43:33was simple
43:35When she thought
43:37about the theme
43:39she drew
43:41the image
43:43and did not
43:45touch it
43:47She put the sculpture
43:49under the pillow
43:51She got up
43:53in the middle of the night
43:55and stopped drawing
43:57However,
43:59after 50 years
44:01she changed her mind
44:03and started to
44:05look for the theme
44:07in the sculpture
44:09She thought
44:11the source of the wood
44:13was in the sculpture
44:15She decided to
44:17revive the sculpture
44:19The result
44:21was the Daisho
44:23Fudo Myo-O
44:25It is known
44:27as an image
44:29that embodies
44:31anger from ancient times
44:33However,
44:35Sawada's work
44:37has a relaxed
44:39calmness
44:41even though
44:43it is based on
44:45tradition
44:47She won the
44:49Donka-Kun Award
44:51at the age of 93
44:53She closed her life
44:57Let's take a look
44:59at the work again
45:01It is a Sawada-Seiko
45:03wood sculpture
45:05It is 125 cm high
45:07She left a trace
45:09and carved
45:11the image of
45:13Kayanohime,
45:15a goddess
45:17and a deer
45:21Behind the pedestal
45:23is the name
45:25of Seiko
45:27which was used
45:29from the age of 38
45:31to the age of 61
45:33After a thorough research,
45:35a drawing of Kayanohime
45:37was found
45:39in the Sawada-Seiko
45:41Memorial Museum
45:43How did she
45:45make it?
45:47How did she
45:49make it?
45:53Isn't it too soft?
45:55No, this is
45:57the trace of Seiko
45:59The trace
46:01The touch of deer
46:03and the touch of Kayanohime
46:05are different
46:07The face
46:09The size is not balanced
46:11If the deer was this size,
46:13she would have been
46:15a big woman
46:17If it was real,
46:19we would have
46:21kicked her
46:23After the commercial,
46:25the studio
46:27was shocked
46:41How much would she pay?
46:471,200,000 yen
46:49Mr. Imada
46:51I will pay 800 yen
46:53I'm in
46:55Let's open the price
46:571,200,000 yen
47:074,000,000 yen
47:09It's real! It's real!
47:16Excuse me.
47:22This is a masterpiece from the 10th century.
47:27A masterpiece?
47:28Yes, a masterpiece.
47:30I was finally able to see the real thing.
47:34It was once exhibited at the Atami Museum.
47:41But no one knew where it was.
47:43This is from the 18th century.
47:46The way it was carved is that Japanese carvings are made of wood.
47:49It's wrong to make the wood look like marble.
47:53Buddha statues leave their marks.
47:57That's how it was carved.
48:00It's rough and rough.
48:03So we colored only the sheath.
48:05And we made the deer feel the color of the wood.
48:10Unfortunately, it's in a bad condition.
48:13If you leave it alone for 5 minutes, the face will fall apart.
48:17And the right hand has a crack.
48:21If you have a new Sanada work,
48:25or if you have a grand opening,
48:28please be careful about the condition and show it to us.
48:32Please don't leave it in front of the entrance.
48:37You can put it in the place of Kou Takamura.
48:40Please take good care of it.
48:42Thank you very much.
48:46We are looking for a client.
48:48If you want to sell your treasure,
48:52please apply for the application
48:56including the photo and episode of the treasure.
48:59We are waiting for you.
49:01For more information, please check the program website.