La promesa - Temporada 3 - Ep 433
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00:00♪♪♪♪
00:05I don't know how you could do something like that.
00:08When I realized it, it was too late.
00:12I find it hard to understand now,
00:15but I lived locked up in the hangar,
00:18angry with the world.
00:20You make it worse.
00:21It doesn't seem like a situation to go from lovebirds...
00:23Lovebirds?
00:25It's hard for me to call it that.
00:27I didn't look for it.
00:29And I thought something like that would happen to me
00:31when I moved to the hangar.
00:35By the way, if you lived locked up,
00:37how did you meet that man?
00:39It was because of Tadeo.
00:41I didn't want to see anyone,
00:43not even my own family.
00:45But Tadeo insisted that I help a friend of his
00:48who had a problem.
00:50And that friend turned out to be Adriano, right?
00:55That's how it was. Yes.
00:57I couldn't deny it. Tadeo...
00:59Tadeo had done me a lot of favors.
01:03And what did that guy need from you?
01:07He had lost his father overnight.
01:10And he had to get his lands back.
01:13And he didn't know how.
01:14And Tadeo asked me to help him.
01:17And you accepted.
01:18I told you I owed Tadeo a lot.
01:23At first, Adriano and I
01:25didn't make good friends.
01:27On the contrary.
01:28But you ended up making them.
01:32The truth is, Catalina, I don't understand.
01:35Why?
01:36Because I know you.
01:39I find it very strange
01:41that you ended up doing something like that.
01:45Deep down, we were very similar.
01:47Similar?
01:48What were you similar in?
01:50Well...
01:51He had lost his father and his life took a turn.
01:54And mine too, when everything ended between us.
01:57I don't know. In the end, it was my fault
01:59that you got together with him.
02:00No, I don't think it's anyone's fault.
02:03In fact, it was a stroke of luck to meet him.
02:06But how can it be a stroke of luck
02:08that you slept with that guy?
02:09You don't have to talk like that.
02:11It's what happened.
02:12No more, no less.
02:14It was much more.
02:17Thanks to Adriano, I had the courage to get out of the hangar,
02:19to face life again.
02:21You have a lot to say.
02:22It was like that.
02:23He helped me get my spirit back,
02:25the joy.
02:26And you got it back,
02:28shooting together in the hangar.
02:29Don't be so vulgar, please.
02:31What you're telling me is a very vulgar story.
02:34In any case, it's a story that's over.
02:36No, it's not over, Catalina.
02:38I don't know if you've realized it,
02:39but you're pregnant with that man.
02:45And to think that I always respected you
02:47and behaved with you like a gentleman.
02:49You and I were together.
02:51Adriano and I met.
02:53We supported each other in a bad moment.
02:54Enough, please.
02:55It's okay.
02:57It's okay.
03:00Are those the best explanations you have?
03:03Yes, they're the only ones I have.
03:08Well, they don't work for me.
03:21I love you.
03:43This is very serious.
03:45Very serious.
03:46Marrying a maid.
03:47We know it's very serious, Lorenzo.
03:49You don't have to repeat it every minute.
03:51But you've shown Manuel that this is a mess.
03:53Of course.
03:54But he's obsessed with marrying that girl.
03:56There's no one to get him out of there.
03:57He doesn't back down.
03:58He's always been very stubborn.
04:00Well, one can be stubborn with their political ideas.
04:03Or if he likes a bullfighter more than another,
04:04but in something like that.
04:05Well, he's doing it.
04:06He doesn't listen.
04:07He doesn't listen.
04:08My God, this youth.
04:10Yes.
04:11They're deaf to any kind of advice.
04:13Until they mature and acquire a little knowledge.
04:16They can.
04:17But we can't wait for them to mature to solve this.
04:19No, of course not.
04:21Just imagining Manuel marrying a maid
04:23makes my body shake.
04:25Imagine that.
04:26And we'd be the food of the whole country.
04:28I think that from something like that,
04:29they'd be in a mess.
04:31Thank you very much for your words to everyone.
04:33It's very relieving to hear you.
04:35I'm sorry.
04:36I'm sorry because we didn't want you to be worse.
04:38Well, that's exactly what you're achieving.
04:40Well, we just want to help them.
04:42And I think I speak on behalf of everyone.
04:45Yes.
04:46Of course.
04:47Yes.
04:48If we can do anything
04:49to prevent him from marrying that maid,
04:51you don't have to ask for anything else.
04:54Is that whore still here?
04:55Yes.
04:56Unfortunately.
04:57I hope I don't run into her because I don't answer.
04:59That's better.
05:00Yes, that's better.
05:01As soon as I see her, I'll pull her hair.
05:03And why don't you kick her in the street?
05:05Lorenzo, you were at dinner.
05:07Manuel has been very clear.
05:08If Hanna leaves the promise,
05:10he will announce what happened to everyone.
05:12It's true.
05:13All you have to do is negotiate with him.
05:15As you wish.
05:17But in a negotiation,
05:18both sides must agree.
05:21To what extent are you willing to consent?
05:24I just know that we will not allow him to marry a whore.
05:27We can't let something like this happen.
05:30The thing is to know to what extent you can pressure Manuel.
05:35To think that there would be so many women
05:37who would want to go to the altar with him.
05:39You have to look at a maid.
05:41That a man whims with a maid is the most common thing.
05:44That has always happened.
05:46But everyone knows that it is for a while,
05:48not to take her to the altar.
05:52Well, my son is not enough for a while.
06:05Aren't you going to say good night?
06:08I'm ashamed to look at your face after everything I've done to you.
06:12Maria, let it be for once.
06:14The fact is done.
06:15I can't stop thinking about how my notebook
06:17could get into the hands of the Marquise.
06:21Well, the point is that I'm here.
06:22So it's no use to you to torture yourself.
06:24Let it be.
06:25Do you have to think that because of me,
06:27right now you are not married to your Manolito?
06:31Torturing yourself is no use to you.
06:33I don't understand how it could happen.
06:36If I always carried my notebook with me.
06:38Or I had it hidden under the pillow.
06:42Do you think they could have entered the room to get it?
06:44I don't know, Maria.
06:45But I don't care.
06:49Well, now that I think about it,
06:50once I was sewing.
06:53And I had to leave it in a basket.
06:56Because Mrs. Petra came to pick me up.
07:03Come on.
07:04Go upstairs to fix the ladies' bedrooms.
07:06They have already gotten up from the nap.
07:08Now?
07:09Of course now.
07:10You'll regret that later.
07:15Maria Fernández, what are you waiting for?
07:17I'm coming, Mrs. Petra.
07:23Maria!
07:25I'm coming, I'm coming.
07:26Fly!
07:34Come on.
07:40But of course, then I came back for him shortly after.
07:42And the notebook was right where I had left it.
07:46But when you left, Petra stayed there.
07:50Not that I know, she came after me.
07:53But of course, now I'm not sure.
07:56Well, don't think about it anymore.
07:58It was her.
08:00But I came back shortly after, Hanna.
08:02And I don't think I gave it to her to read it,
08:04take it to the Marquise and ask her to read it to her.
08:08I understand.
08:10Besides, I didn't even write when your wedding would be.
08:13I don't even know if I knew it or not back then.
08:16Well, one way or another, the point is that she found out, Maria.
08:19That can't be solved anymore.
08:21Well, if she found out, and it's my fault that she found out.
08:23So what?
08:26It's what happened, right?
08:27Maria, enough already.
08:29I just can't stop looking for you, Hanna.
08:33Do you want to listen to me and stop saying nonsense?
08:36Well, what do I think, Hanna?
08:41Well, you don't have to think about that.
08:45Let's see.
08:51Because the most important thing that has happened to me in this life
08:54has been meeting you.
08:56And no matter how many times you meddle, that will never change.
09:03No.
09:24Don't you like my company?
09:29I understand, it's not the happiest in the world.
09:32No, it's not that, Manuel.
09:35It's just that I didn't want to bother you.
09:37I was surprised to see you so...
09:39taciturn after how happy you were this morning.
09:45It's what it takes to keep thinking about it.
09:53The thing is that I wanted to talk about something, but...
09:58seeing what you're going through, I don't think it's the best time.
10:02More problems?
10:04No, I wouldn't call it that, exactly.
10:09My mother has said another nonsense about Hanna.
10:11No, no.
10:13It's not about Hanna.
10:16It's about Julia.
10:18Julia?
10:21What's going on with her?
10:22With her?
10:26Do you remember that you looked familiar to her?
10:30Yes.
10:32Yes, she said that she looked like a French actress,
10:34that was said a lot.
10:35Yes, yes, she said that, but...
10:37now I know that you didn't look familiar because of that.
10:40Oh, no?
10:42And why?
10:45Because you had already seen a picture of her,
10:47just like me.
10:50Me?
10:51Where?
10:53On your forehead.
10:57What do you mean, on my forehead?
10:58Manuel, she's the young woman in the picture that Paco always wore.
11:03The one who always showed us as soon as she could.
11:07The picture that Paco always wore was the one of his fiancée, Matilde.
11:13We always talked about her.
11:16That's what her real name is.
11:21Julia.
11:26Julia is Matilde?
11:27The same one.
11:32But what is she doing here?
11:35She came looking for explanations.
11:37The same ones that José Juan didn't want to give her.
11:39And that's why she made up all this farce.
11:43What explanations are you talking about?
11:47I wanted to know how.
11:48How?
11:50And why did your fiancé die?
12:19Sit down, Madre.
12:21I hope you invited me here to tell me where the money you took is.
12:26I want to talk about the money, yes.
12:28Good.
12:29I'm glad you finally come to your senses.
12:32Are you tired of pretending you don't have it?
12:35I'm afraid I haven't pretended.
12:37And that you may have lost that money.
12:39What?
12:41What I've told you, Mother.
12:43I haven't lied to you.
12:44I've lost that money, and that's why I'm here.
12:46I haven't lied to you.
12:47I've lost that money, and that's why you can't get it back.
12:50Yes, of course.
12:51The money has vanished.
12:53Mother, I've really lost that money.
12:55No.
12:56You don't lose a suitcase full of money
12:58as if it were an umbrella or a hat that you leave forgotten anywhere.
13:02No.
13:03Well, that's what happened.
13:05I hid that money in the promise so that no one would find it
13:08and, incidentally, so that they wouldn't reveal my identity.
13:11And what happened? Did they steal it from you here?
13:13Yes.
13:14I suppose someone found it, took it,
13:16passed it from hand to hand and ended up in the hands of the Marquise.
13:20Cruz has it?
13:22Or at least he had it.
13:24To know where that money could be at this point.
13:26Oh my God.
13:29And what are we going to do now?
13:32Mother, don't get like that.
13:34It was a lot of money, I won't deny it, but not so much for you.
13:37You have no idea.
13:39You don't know what we're going through, your father and I.
13:42What do you mean? Has something happened?
13:46We are going through a very delicate situation.
13:49What?
13:50What you hear.
13:51We are on the brink of ruin.
13:54Your father has spent many rooms trying to solve the problems you left in your way.
13:59As many as to be in such a desperate situation?
14:02It has been a lot of money, Mercedes.
14:04In addition, your father did some business that did not go well and we have lost several thousand pesetas.
14:11Father, always the same with his business.
14:14And as I have known that we are not doing well,
14:16he does not grant us a loan and we are with the water to the neck, daughter.
14:19Don't worry, mother.
14:21Your father is very cunning.
14:22And I'm sure he'll find someone to intimidate to get ahead.
14:25And you're making fun of me.
14:27It's what he's always done, right?
14:31And what about you?
14:35Do you think you are better than him?
14:38You stole your parents.
14:40You entered this house with lies, cheating everyone.
14:44So don't you dare give us any moral lesson.
14:46But not one.
15:04Yes, yes, yes.
15:05Of course the Duchess of Carril can appear here whenever she wants.
15:09But at least she could give notice, right?
15:11Because what is happening does not make any sense.
15:14Come on, go to the door of my office and when the Duchess of Carril comes out, let me know.
15:18Immediately.
15:35Mr. Alcors, is something wrong?
15:40How do you say?
15:42No, how has he stayed there, dumbfounded, looking at me.
15:47Am I doing the job wrong or something?
15:50No.
15:51No.
15:52No.
15:53No.
15:54No.
15:55No.
15:56No.
15:57No.
15:58No.
15:59No.
16:00No.
16:01No.
16:02No.
16:03No.
16:05It was just that ...
16:07I've been thinking about how bad your father feels that you and I get along.
16:14Yes, lately ...
16:16He doesn't care about everything I do.
16:18It's better not to take it into account.
16:20I just want there to be peace between you two, but that's not why I'm going to ...
16:25I'm not going to leave the complicity between you and me out of the way.
16:28Of course not.
16:30He can give a mass on this matter.
16:34Has he told you anything about our conversation?
16:39What is he talking about?
16:43Nothing.
16:44Better let him be.
16:45No, Mr. Alcors, if this affects you and me, I need to know.
16:52Okay.
16:55I'm going to tell you, but ...
16:58Because I think it's better that you find out about me.
17:01Your father reproached me for neglecting my ... my tasks ...
17:05to take care of you when you were sick.
17:08Did he say that?
17:10And in such an open tone that I had no choice but to stop the clock.
17:13Don't say that.
17:14I told him that what I did in my free time was just my business.
17:18Well, very well said.
17:19Because I already tell him that lately everything bothers him.
17:24Has he told you anything?
17:26Yes.
17:28About the bouquet of flowers I gave him.
17:30That I shouldn't have spent so much money.
17:32You see.
17:34It bothers him that we do good things for each other.
17:37Well, I'm starting to get fed up.
17:39I'm going to have to talk to him and make it very clear to him.
17:41No.
17:42Don't do anything, son.
17:44You leave things as they are.
17:46Better not to do anything.
17:47If I have told you, it is because of the trust that we have in each other.
17:52But it is better not to make a world out of this.
17:56Agree?
18:23They told me they wanted to see me.
18:27Julia.
18:29Yes.
18:30I wanted to congratulate you on how the painting turned out.
18:34I started from a good work and that helps a lot.
18:38You know, my father is delighted with the result.
18:41And my sister Catalina.
18:43In fact, I think that if the promise were broken at this very moment,
18:46they would save this painting before their own jewels.
18:49Let's hope they don't see each other in that break.
18:53I was sorry to finish the restoration.
18:55I spent a few very entertaining days working on the painting.
18:59I almost felt that that woman and I were friends.
19:04You must think I'm crazy, right?
19:06No, not at all.
19:08Artists go through things like that.
19:11Thank you, but the word artist is too big for me.
19:14Not at the sight of how this painting turned out.
19:18She must have been a great woman.
19:20At least that's what the painter reflected.
19:24Yes.
19:27From what I've been told, she was.
19:30You know, she made my father very happy.
19:34And that's not something common in all marriages.
19:38I'm sorry.
19:40And that's not something common in all marriages.
19:45Are you okay, Manuel?
19:50I'm trying.
19:56I don't want to meddle where they don't call me.
19:58But if I could do something to help ...
20:01I appreciate it.
20:04But it won't be necessary.
20:07Julia, I've actually called you for another reason.
20:11Not to talk about this painting.
20:14I can imagine.
20:17So imagine what I want to talk to you about.
20:20I can guess.
20:23What has the promise brought you, Matilde?
20:28I have no problem telling you.
20:31And since we're here, I'd like us to talk about Paco.
20:36About everything that happened to him.
20:40Of course.
20:44Please, sit down.
20:49We have a lot to talk about.
21:07Paco.
21:21It's you, isn't it? Don't deny it.
21:24MarÃa Fernández.
21:26What are those ways of addressing the key master?
21:30I give you my notebook, Mrs. Marquesa.
21:32Because you knew I wrote.
21:35I even broke some papers once.
21:38Admit it.
21:40It was you.
21:44You can think whatever you want.
21:58And we could do little more for Paco.
22:05He died thinking of you.
22:09He kept you in his mind until his last breath.
22:16He loved life.
22:18Yes.
22:22And he loved you.
22:25With madness.
22:28With madness.
22:37Can I ask you a question?
22:41Go ahead.
22:44All this has already been told to Curro, hasn't it?
22:50That's right, but ...
22:53I also prefer to know his version of the facts.
22:57My version?
23:02Don't you trust that our stories coincide?
23:05No.
23:07I don't want to distrust anyone.
23:09But ...
23:11José Juan spoke very badly of Curro to me.
23:17I see.
23:22Although ...
23:24The truth is that ...
23:26During these days I have been able to get to know Curro a little and ...
23:30He seems like a good person to me.
23:33He doesn't just seem like it.
23:36He is.
23:37I guarantee it.
23:39That's why I'm so surprised.
23:41I don't understand the words José Juan said to him.
23:45Look, Matilde, you don't have to turn it around.
23:50We were in a war.
23:52And that can affect anyone's understanding.
23:56But all of you were companions.
24:00I know.
24:05But in such an extreme situation ...
24:08Thoughts go wild.
24:10And they get out of control.
24:14You have to try to forget.
24:17No matter how difficult it is.
24:23I know, but ...
24:27In that war, I lost the love of my life.
24:31My only love.
24:35Do you know what that is?
24:39You are capable of running in my shoes, Manuel.
24:49I swear it wasn't my fault.
24:51It's never your fault.
24:52Let me explain.
24:53I don't want you to explain anything to me, Marcelo.
24:54What I want is for you to do things right, once and for all.
24:56Because if you continue like this, what you're going to get is to be kicked in the street.
25:03MarÃa, don't you look where you're going?
25:06I'm sorry, Teresa. I hadn't seen you.
25:09Can I know what's wrong with you?
25:11What's wrong with me?
25:12That I'm an idiot and a stupid without any knowledge.
25:16You don't have to talk about yourself like that either.
25:18I deserve it.
25:19For stupidity.
25:21If it weren't for me ...
25:23Hanna and Don Manuel would already be married.
25:25What?
25:27Of course, you mean you knew everything.
25:30Of course I knew it from the beginning.
25:32And I covered it up because I would do anything for her.
25:34And that's why I didn't tell her.
25:37So how did Mrs. Marquesa find out?
25:39Because I didn't tell her with my mouth.
25:41I wrote it.
25:42What do you mean you wrote it?
25:43Yes.
25:44For a while, I've been accused of writing love stories in a notebook.
25:48Yes, yes, I've seen you with that notebook more than once.
25:50So what did you do?
25:51Did you write the story of Hanna and Don Manuel?
25:53Well, not with their names.
25:55But anyone who read it and knew them would realize what I meant.
26:00And what did you do?
26:01Did you give it to Mrs. Marquesa to read?
26:03No, daughter, I'm not that unconscious.
26:05But someone took it and gave it to Mrs. Cruz.
26:07And who would be able to do such a bad thing?
26:09Who do we know?
26:10Teresa.
26:11Who is the baddest person in the whole palace, huh?
26:12Goodbye.
26:14Mrs. Petra.
26:15Precisely.
26:17So Mrs. Petra took your notebook.
26:19That's what I think, because she knew I was writing.
26:22Even before starting the notebook, she broke a sheet of paper because she caught me writing at work hours.
26:28Knowing her, you are capable of that and much more.
26:30Well, yes, I think it was her.
26:32Although he doesn't admit it.
26:35The point is that he has annoyed my best friend's life.
26:39MarÃa, this is not your fault.
26:41Directly, yes, Teresa.
26:44Because in the end, Hanna and Don Manuel couldn't get married.
26:48And let's see if they can get married someday.
27:07Father.
27:08When you enter this office, call first.
27:11Even if you are my son, you have to keep certain forms.
27:14Apply the story with that of the forms.
27:19But what happens now?
27:21Well, the usual.
27:22That he has taken her with Mrs. Arcos.
27:24I think it's mean that the other day he recriminated her for taking care of me during my convalescence.
27:29I only asked for information.
27:31I have to know what the key soul is doing during the working hours.
27:34But Mrs. Arcos was not taking care of me during her working hours, but in her free time.
27:39That's what she told you.
27:40And that's what I think.
27:43Above what your father tells you, right?
27:48Why does it bother you so much that someone wants to take care of their son?
27:53I tell you that what bothers me is that it is done during the working hours.
27:57Just as it bothers him that I am a grateful person,
28:00and that's why he asked me to give him a bouquet of flowers.
28:04I only told you to spend your rooms with Césera.
28:07Your salary is not enough to pay off.
28:09But I already told him that it is not his business what I spend my money on.
28:12Just as it is not what Mrs. Arcos does in her free time.
28:15That's why I forbid him to reproach her again.
28:18You forbid me?
28:19Yes.
28:20That's what I said, leave us alone once.
28:24Son,
28:26don't you see that woman is behaving as if she were your own mother?
28:31I know very well what she is doing.
28:33But ...
28:36I like to feel that someone is worried about me.
28:39To vary.
28:45To vary.
28:53Well, yes.
28:54I can keep the promise.
28:56And your uncles have accepted?
28:58They have said that this is like my home and that it will continue to be as long as I want.
29:03I see, I see.
29:04Well, it's just that ...
29:05Deep down I knew they were going to tell me something like that.
29:07Because I have always been like a daughter to them,
29:09and I knew they were going to dislike the fact that ...
29:12But your uncles are not your parents, Martina.
29:15Yeah, I know.
29:17Well, it doesn't seem so.
29:21Does it bother you that they are happy that I stay with them?
29:25No.
29:27No, what bothers me, daughter, is ...
29:29Well, that you don't come to live with me.
29:31But that can't put it in front of me because I already told him that I accepted that marriage,
29:36as long as I could stay here in the promise.
29:38That was the pact.
29:39I know.
29:40I know, I have it very present, Martina.
29:42And I promise you that I will keep my word.
29:46Although ...
29:47The Count of Ayala is ...
29:49What?
29:50The Count of Ayala what?
29:52Well, he was the one who asked me to convince you to live with us.
29:55No one can convince me of something like that.
29:57Daughter, and you can't try it even for a few months?
29:59Let's leave it, please.
30:01No.
30:03Well, I just hope he takes it well.
30:05He will understand that I don't care how the Count takes it,
30:07I'm going to stay here, yes or yes.
30:09Martina, if I'm insisting, it's ...
30:12Well, because you are my daughter and because I love you.
30:15And I would like you to be by my side.
30:17But I'm going to visit her from time to time.
30:20And you can come to the promise whenever you want.
30:23I'll go wherever you are.
30:28I don't like hurting you, mother.
30:32Well, don't worry, because I understand it perfectly.
30:38Who has seen us and who sees us, huh?
30:41That before the father left, we were always like the dog and the cat,
30:44arguing about anything.
30:47Well, after your father died, we also argued about ours.
30:50Yes, but hey, we ended up getting closer, right?
30:54Yes.
30:56For ...
30:57For now, let's separate.
30:59Let's see ...
31:01We will be far away, but ...
31:04I will always have her very present.
31:07And remember that there were days when we were in the same room and I didn't even want to see her.
31:10Well ...
31:11Don't look at me like that, girl.
31:13Well, but that has already changed.
31:15We will be separated, but we love each other more than ever.
31:18Well, that's a consolation, daughter.
31:21But that's all.
31:23A consolation.
31:27Ana, don't get sad.
31:30And think that you are going to be very happy.
31:33Do you agree with that?
31:40Yes.
31:46Mrs. Petra.
31:47Come for a moment, please.
31:51Tell me, what do you offer?
31:53I just argued with my son because of you.
31:56Will I ever have the fault that you are at odds with Santos again?
32:00Well, this time, yes.
32:01Because he would not face me like that if there was no one behind him pushing him.
32:05What does one have to hear?
32:06Stop getting between us.
32:08I have not done such a thing.
32:10So if you want to find out the cause of your discomfort with your son, look elsewhere.
32:14The cause is you.
32:17Goodbye.
32:18Wait, I'm not done.
32:20But I am.
32:22Because I plan to continue treating your son as I have so far.
32:25That is, with the same affection that he treats me.
32:29And we both know what bothers you so much.
32:33And it is that your son has me more at stake than you.
32:38Goodbye.
32:56Yes?
33:03MarÃa Fernández told me you wanted to see me.
33:08Yes, that's right.
33:10Well, you tell me.
33:19From what I see, you have returned to work.
33:22Yes, I already warned you, so I don't know, what are you surprised about?
33:26I already told you that I didn't think it was appropriate.
33:29Manuel, I'm not going to stay in my room as if I were afraid of something.
33:33I don't want to discuss that topic again.
33:35I don't want to discuss it with you either.
33:37Well, look, we agree on one thing.
33:41I feel very bad when we are angry.
33:44Me too.
33:49If I sent you a call, it's because I wanted us to make peace.
33:57Well then, let's stop talking about this, Tom.
34:03You're right.
34:08What happened to Manuel?
34:10Because it's as if everything had been twisted in just two days.
34:15No.
34:19Everything has not been twisted.
34:22You and I still love each other.
34:25And that has not changed.
34:28No, that has not changed.
34:31Nor will it change.
34:34Look.
34:36My life has taken a turn for the worse.
34:38My colleagues keep asking me what I'm going to do, what I'm going to stop doing.
34:42And my job, well ...
34:44Has something happened to your job?
34:46No, but ...
34:48Every time I go up to the noble floor, I think I'm going to meet your mother or your father.
34:56Actually, for my father, you don't have to worry.
34:59He spends most of his time in his bedroom.
35:02I'm more afraid of your mother.
35:08I don't know, maybe ...
35:13Maybe you should avoid setting foot on the noble floor.
35:15Don't tell me that again, Manuel.
35:18That hiding is not the solution.
35:20I'm not talking about hiding.
35:22I'm talking about being prudent.
35:25But we haven't done a single thing in which we have been prudent.
35:29Not even this love is prudent, so don't tell me it's now.
35:36You're right.
35:39Okay, I won't say it again.
35:43What are we going to do?
35:48You see, my father asked me for a few days to think.
35:52But tomorrow won't happen.
35:54I'll go see him and tell him how things are.
35:57And how are things?
36:00I'm going to marry you, Hanna Expósito.
36:04Say what you have to say.
36:09And you know it perfectly well.
36:12I love you.
36:26I'm telling you, MarÃa Fernández knew it.
36:29She knew so much about Hanna and Don Manuel.
36:31That's for sure.
36:33She doesn't have to.
36:35Don't be naïve, Simona.
36:37Those two sleep in the same room and tell her everything.
36:39Sometimes you can keep a secret for a long time, even the most beloved agenda.
36:43It's true.
36:44Yeah, but MarÃa Fernández ...
36:46Ah! There comes MarÃa.
36:51What's up?
36:53What's going on here?
36:57Did you order three passes?
36:58Come on, MarÃa. Leave the packages and sit with us for a moment.
37:10Well, can someone explain to me what this is all about?
37:14You're already seated, aren't you?
37:16Come on.
37:18You knew.
37:20About what?
37:22What are you going to do? Relax?
37:24What are we talking about here every day?
37:26I don't know. About the price of the lamb?
37:28Stop whining, MarÃa.
37:30Did you know from the beginning that Hanna was sleeping with Mr. Manuel?
37:35Let's see, from the beginning, from the beginning, no.
37:38And no, they were sleeping together.
37:40They were ...
37:42... sleeping together.
37:44It must be the same.
37:45No, I don't know.
37:47And whether I knew it or not, even if I had known, I would have kept my mouth shut.
37:52Because I'm not like others.
37:54Yeah, that mouth that you never close.
37:59Well, Hanna has the right to fall in love with whoever she wants.
38:02Yes, I know.
38:04But what a coincidence that of all the men who walk around here,
38:09she has fallen in love with the most convenient one.
38:12Mr. Manuel.
38:14That your friend Hanna is a fresh one.
38:17I don't allow you to talk like that about my friend, huh?
38:21It is clear that this relationship is the most convenient.
38:26Mrs. Arcos, you don't decide who you fall in love with.
38:29You can't kill your heart.
38:32It seems to me that too many pamphlets are read here.
38:36On the one hand, there is love.
38:38And on the other, interest.
38:40It is clear that this relationship is the most interesting.
38:43Hanna is not like that.
38:45No, Hanna is like all of them.
38:47Or like almost all of them.
38:48That a maid has been in this world for a long time to make mistakes with these things.
38:52Well, I think she really loves him.
38:56I have not said otherwise.
38:58She loves him, yes.
38:59But for her rooms and for her position.
39:02Hanna is too crazy to fall in love with a poor man.
39:07Poor Mrs. Jimena.
39:10How bad it had to happen.
39:13I can't get my head off seeing what is happening.
39:16I'll tell you what that woman is doing now.
39:19You know it too well.
39:20Hanna was the love of which Mr. Manuel spoke at the time.
39:23And to which Mrs. Jimena sought so much.
39:26And the sincerity of your little friend Hanna
39:28shows that she has been deceiving you like a pamphlet.
39:32And you have been left face to face.
39:34In that tongue-twister,
39:36God knows how long she has been deceiving you.
39:40What a panda.
39:42What a bitch.
39:57Each sheep must go with her partner,
39:59because if not, problems will arise.
40:00What do you mean?
40:01It is clear.
40:02The gentlemen have to marry each other
40:04and the poor the same.
40:07Well, if I run into a noble woman of good looks,
40:11I don't disgust her.
40:14Let's see, for a few days.
40:16But a man marries a maiden,
40:19that can't end well.
40:21Well, there have been cases.
40:23Where?
40:24In the novels, for example.
40:25Yes, Lope, but novels are not life.
40:28Let's see, I don't know of any case that has gone well.
40:31Don Manuel should have spent more knowledge.
40:34It must be said that the girl is beautiful.
40:36It is normal that the gentleman has clouded his understanding.
40:39Yes, but a cloud lasts a few hours.
40:41They have moved on and are harming
40:44Don Manuel's parents and his last name.
40:46Marcelo, the Marquess has many years.
40:48He will move on.
40:49But very underprivileged.
40:51A nobleman must respect his title.
40:53And this is just the opposite.
40:55Well, I think that if they love each other,
40:57one must not stop them,
40:58that one is noble and the other is not.
41:00How naive, Lope.
41:01I think that here,
41:02Han has taken the opportunity to make himself rich.
41:06You would do the same, right, Lope?
41:08Santos, I'm talking about love.
41:10I'm not talking about making you rich.
41:12Let's see, the fact is that both should take a step back.
41:16Well, I think that if they love each other,
41:17they have to move on.
41:19If they get married,
41:20they will be miserable.
41:22Miserable?
41:23With the rooms that the Marquess has?
41:25I doubt it.
41:26If the Marquesses allow that marriage,
41:29they will most likely take away Mr. Manuel's inheritance.
41:32Marcelo, that is very exaggerated.
41:34As little as I know the Marquess,
41:37I would not be surprised at all.
41:39Neither would I.
41:41She will not let anyone humiliate her,
41:43not even her own son.
41:52The Marquess of Alba
42:06Come in.
42:15Have you spoken to Manuel?
42:17No.
42:18I have not crossed paths with him all day,
42:20and I have not done to see him either, the truth.
42:22And you?
42:23No.
42:24I thought he was going to come to dinner,
42:25but since he has not shown up ...
42:27He does not want us to insist on that absurd wedding.
42:30Well, of course we are going to insist,
42:32until that stupid idea is removed from his head.
42:34He is so stubborn.
42:35I know.
42:41What if we offer him a trip?
42:44I don't know,
42:45wherever he wants,
42:46with everything paid,
42:47a trip of three or four months.
42:49No.
42:50The world is not now for trips with Europe at war.
42:53And all those German submarines
42:55sinking all the ships they find.
42:57Maybe you're right.
42:59What we should offer is to her,
43:02and pray that the Germans will torpedo her ship.
43:06Although, well, if Manuel left, she would go behind.
43:09And they would end up getting married in the first parish they find.
43:12But then what do we do?
43:14We cannot allow him to make a fool of himself that way.
43:17The heir of the Marquis of Lujan, married to a maid.
43:20Where has that been seen?
43:21I don't know, Alonso, I don't know what we can do.
43:23But any argument we give him would be useless.
43:26Well, if the arguments don't work, we'll have to be tougher.
43:30If you mean to threaten him,
43:32all I would do is beat him.
43:34He would get married tomorrow.
43:39And if we talk to someone?
43:41Someone he trusts,
43:42someone who can convince him?
43:44I don't know,
43:45someone noble, someone who has two fingers up.
43:47He won't listen to anyone, Cruz.
43:49And if we do something like that, the news would spread in two days.
43:52Then propose something, Alonso,
43:54because you put a stop to everything.
43:56I'm just trying not to make things worse, that's all.
43:58Things are like this thanks to you.
44:01So now it's my fault he wants to marry a maid?
44:04Well, with this maid, yes.
44:06I wanted to kick her out as soon as she got to the palace,
44:08but you stopped me.
44:09She saved his life.
44:10We couldn't kick her out.
44:11He's going to save her.
44:12That's an ambush she's taking to stay here.
44:15She came to what she came.
44:16And now she's about to get it.
44:20We still have time to solve this.
44:22If we depend on what you do, we're ready.
44:26I'm going to leave.
44:28We'll talk tomorrow when you're calmer.
44:30No, I won't be calmer, Alonso.
44:32I'm not going to calm down until we finish this nonsense, man.
44:40Ma'am.
44:41What do you want?
44:44I just came to give him the last hour
44:46and consult the menu for tomorrow,
44:48but if I bother you, I'm leaving.
44:50You bother me, yes.
44:51But stay.
44:52I have something to ask you.
44:53Close that door.
45:00I want to know how it all started.
45:03Why didn't anyone find out
45:04about what was going on between my son and that Fresca?
45:06Because it's clear that this comes from afar.
45:08Ma'am, I don't know when or how it started.
45:11So you're the key master
45:12and once again you haven't noticed anything.
45:15I suppose, ma'am, that they would be together for a long time.
45:18And...
45:20Who knows, maybe it all started when Pia was still the key master.
45:24Is that really your excuse?
45:25Do you think you're going to be better off blaming her?
45:29Ma'am, I have to remind you that if it weren't for me,
45:32I would have given you that notebook.
45:34Your son, Don Manuel, would be married to Hanna right now.
45:38And I would have to thank you.
45:40No, that's not what I want, ma'am.
45:42I just don't want her to be so unfair to me.
45:45I don't think I deserve it.
45:50You can go.
45:52As you wish.
46:09No!
46:10If I win the next point, I win the game.
46:12No, no, no, wait, don't take it out, don't take it out.
46:14I need a break.
46:16I don't know if the rules include these breaks.
46:18But if you want me to throw up here...
46:21Okay, but two minutes.
46:23No, no, no, I need a minimum of a quarter of an hour.
46:26And to eat something too.
46:28If we hadn't come down without breakfast, it wouldn't be like this.
46:31It's just that we don't have time.
46:33We have to go.
46:35If we hadn't come down without breakfast, it wouldn't be like this.
46:37It's just that I don't like doing sports with a full belly because I feel very heavy.
46:41Well, with an empty stomach, it doesn't look very light either.
46:45She's so cocky because she's winning, but let her know that the game isn't over yet.
46:49I think it's going to be hard for you to come back.
46:55You know, I think he cheated on me.
46:57And that he's played badminton more than once, because if not, I don't understand why he always beats me.
47:01I repeat, only once.
47:03No, no, I don't believe it.
47:05He's played more times. Tell me the truth, I don't like lying people.
47:11Yeah, me neither.
47:13And still, life.
47:15What's wrong?
47:19Nothing.
47:20Did what I said bother you? Because it was a joke.
47:24No, it's not that.
47:26Besides, you're right.
47:29I lied to him.
47:30So he's an expert at badminton and that's why he always beats me.
47:35It's true that I lied to him, but not about that.
47:40About what?
47:44Yesterday, you were honest with me when you told me about your fiancé.
47:49Of course, because friends are supposed to be honest, right?
47:53Yes.
47:56That's why I think I have to tell him who I really am.
48:01I love you.
48:13Come in.
48:17Come in, Lope. Sit down.
48:20Don't you want me to go get Mrs. Simona?
48:22No, it's not necessary and I don't need you to explain any recipe to me.
48:26Sit down, please.
48:30Sit down.
48:38What are you doing here?
48:41Lope, I came because I need your help.
48:45How can a simple cook help you?
48:48A lot.
48:49And you know very well why, without me having to tell you.
48:53I don't know what you mean.
48:55I want to fix things between Vera and me.
48:59You don't like how she's writing down the recipes that I ...
49:02Lope, please.
49:06She wants to put the cards on the table.
49:09That's right.
49:10That way it will be easier to talk.
49:16Good.
49:19I know that Vera is your daughter.
49:22And now you will tell me that you don't like the relationship I have with her, right?
49:28That's something I already imagined.
49:30Of course I don't like it.
49:32As no one would like to have two fingers in front of them.
49:36Are you calling us fools?
49:37No.
49:38In love.
49:40This type of nonsense is typical of lovers.
49:44You are right about that.
49:45We are very in love.
49:47Yes.
49:48And I can understand it.
49:49Because love does not distinguish between social classes.
49:51And intelligence should not either.
49:54And this is what I come to ask you, Lope.
49:56A little intelligence.
49:58And if I do it, it's because I know you're a very smart boy.
50:02I don't know if I am, ma'am.
50:05What I do know is that I love your daughter.
50:06And that your daughter loves me.
50:08Yes.
50:09You want her.
50:10I don't doubt it.
50:11But you don't live from love.
50:13I know that too.
50:14I'm not an illusionist.
50:15Then you will also have realized that my daughter is a lot of woman for you.
50:19And that you have nothing to offer her.
50:23Maybe...
50:24Lope.
50:26Shut up and listen.
50:30If you love my daughter so much,
50:33I guess you want the best for her.
50:36Right?
50:38Of course I do.
50:39Very well.
50:40Well, neither you nor the life you can live
50:43is the best for Mercedes.
50:45So I ask you, please,
50:47to leave her and convince her to come back to my house.
50:57They will all be aware of the infamous relationship
51:01between my son and one of the maids who works in this house.
51:05I want to warn you
51:07that I will take very harsh reprisals
51:09against anyone who spreads this information.
51:11Against anyone who spreads this matter.
51:14How are you with your Manolita?
51:16Bad, bad, terrible.
51:17A disaster, Maria. I don't know.
51:20The Marquises will never allow us to live our lives freely.
51:24Well, but it's with a couple of two.
51:25And the rest are left over.
51:27And in the end, you'll see how they go through the ring.
51:30Manuel is going to talk to his parents to give them his last word.
51:33We go down a valley of tears.
51:35Well, I try to do my best not to be like that.
51:38So as not to get too excited.
51:40With Marcelo, for example,
51:42I give him wrong instructions and I make him work twice as hard.
51:46And he doesn't realize it.
51:47That bastard doesn't know where his right hand is.
51:50What I don't understand is what you've come here for.
51:53Can't I have matters to deal with that have nothing to do with you?
51:58I'm very glad I'm not the center of your attention.
52:01Well, then this conversation is over for me.
52:04And now, if you'll excuse me,
52:05I have more important matters to deal with.
52:08Given your relationship with Don Manuel,
52:10I really don't know if I should give you orders or rather the opposite.
52:14I'm sorry?
52:15Well, I understand that you have the power to do whatever you want, so...
52:19I imagine I'll have to assign you lighter tasks.
52:23Because the last thing I would like is for you to complain about me to your boyfriend.
52:28What I am is broken.
52:30Disappointed with you.
52:32I know I was wrong, Pelayo.
52:34But I couldn't do anything but move on.
52:36I can't speak for you.
52:38But as far as I'm concerned, I know I love you.
52:41What's the big deal now, Catalina?
52:42Your image changes everything.
52:44But what are you doing here?
52:46You and I have a conversation pending.
52:49We have nothing to talk about.
52:51Except for the temperature of the water I like for the bathroom.
52:54Well, you're wrong.
52:55I have a lot to say.