La promesa - Temporada 3 - Ep 433

  • 2 days ago

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00:00♪♪♪♪
00:30I thought something like that would happen to me when I moved to the hangar.
00:36By the way, if you lived locked up, how did you meet that man?
00:40It was because of Tadeo.
00:42I didn't want to see anyone, not even my own family.
00:46But Tadeo insisted that I help a friend of his who had a problem.
00:50And that friend turned out to be that Adriano, right?
00:55That's how it was. Yes.
00:57I couldn't deny it. Tadeo had done me a lot of favors.
01:03And what did that guy need from you?
01:07He had lost his father overnight.
01:10And he had to get his lands back.
01:13And he didn't know how, and Tadeo asked me to help him.
01:17And you accepted.
01:19I told you I owed Tadeo a lot.
01:20At first, Adriano and I didn't make good friends. On the contrary.
01:28But you ended up doing them.
01:31The truth is, Catalina, I don't understand it.
01:34Why?
01:36Because I know you.
01:38I find it very strange that you ended up doing something like that.
01:44Deep down, we were very similar.
01:46Similar? What were you similar in?
01:48What were you similar in?
01:50Well, he had lost his father and his life took a turn.
01:54And mine too, when everything ended between us.
01:57I don't know. In the end, it was my fault that you got together with him.
02:00No, I don't think it's anyone's fault.
02:02In fact, it was a stroke of luck to meet him.
02:06But how is it going to be a stroke of luck that you fall in love with that guy?
02:09You don't have to talk like that.
02:11It's what happened. No more, no less.
02:14It was much more.
02:16Thanks to Adriano, I had the courage to get out of the hangar.
02:19To face life again.
02:21What's wrong with you today?
02:23It was like that. He helped me get my spirit back, the joy.
02:27And what if you got it back by shooting together in the hangar?
02:30Don't be so vulgar, please.
02:32What you're telling me is a very vulgar story.
02:34In any case, it's a story that ended.
02:37No, it hasn't ended, Catalina.
02:39I don't know if you've realized it, but you're pregnant with that man.
02:45And to think that I always respected you.
02:48And I behaved with you like a gentleman.
02:50You and I are not together.
02:52Adriano and I met, we supported each other in a bad moment.
02:55Stop it, please. It's okay.
02:57It's okay.
03:00Are those the best explanations you have?
03:04Yes, they are the only ones I have.
03:08Well, they don't work for me.
03:15Let's go.
03:16Let's go.
03:43This is very serious.
03:44Very serious.
03:46Marrying a maid.
03:48We already know it's very serious, Lorenzo.
03:50You don't have to repeat it every minute.
03:52But you've shown Manuel that this is a mess.
03:54Of course, but he's obsessed with marrying that girl.
03:56There's no one to get him out of there.
03:58He doesn't get off his ass.
04:00He's always been very stubborn.
04:02Well, one can be stubborn with his political ideas.
04:04Or if he likes a bullfighter more than another, but in something like that.
04:06Well, he's doing it, he doesn't listen.
04:08For God's sake, this youth.
04:10Yes, they are deaf to any kind of advice.
04:12Until they mature and acquire a little knowledge.
04:15They can.
04:17But we can't wait for them to mature to solve this.
04:19No, of course not.
04:21Just imagine Manuel marrying a maid,
04:23my body shakes.
04:25Imagine it.
04:27And we would be the food of the whole country.
04:29I think that from something like that, they would be in a mess.
04:31Thank you very much for your words to everyone.
04:33It's relieving me a lot to hear you.
04:35I'm sorry.
04:37I'm sorry because we didn't want you to be worse.
04:39Well, that's exactly what you're achieving.
04:40Well, we just want to help them.
04:42And I think I speak on behalf of everyone.
04:45Yes, of course.
04:47If we can do anything to prevent him from marrying that maid,
04:51you don't have to ask for anything else.
04:53Is that whore still here?
04:55Yes, unfortunately.
04:57I hope I don't run into her because I don't answer.
04:59It's better this way.
05:01Yes, it's better this way.
05:03As soon as I see her, I pull her hair.
05:05And why don't you kick her in the street?
05:07Lorenzo, you were at dinner.
05:08Of course, if Hanna breaks her promise,
05:10she will announce what happened to everyone.
05:12It's true.
05:14You just have to negotiate with him.
05:16As you wish.
05:18But in a negotiation, both sides must give in.
05:21How far are you willing to give in?
05:24I just know that we are not going to allow him to marry a whore.
05:27We can't let something like that happen.
05:30The thing is to know how far you can pressure Manuel.
05:33To think that there would be so many women who would want to go to the altar with him.
05:37You have to look at a maid.
05:39That a man whims with a maid is the most common thing.
05:42That has always happened,
05:44but everyone knows that it is for a while, not to take her to the altar.
05:50Well, my son is not enough for a while.
06:03Hanna, are you going to say goodnight?
06:07I'm ashamed to look at your face after everything I've done to you.
06:11Maria, leave him alone.
06:13What he has done is done.
06:15I can't stop thinking about how he could get my notebook
06:18at the hands of the Marquise.
06:20Well, the point is that I'm coming,
06:22so it's not going to help you at all to torture yourself.
06:24Leave him alone.
06:26Do you have to think that because of me,
06:28you are not married to your Manolito right now?
06:30Torturing you is not going to help you at all.
06:33Because I don't understand how it could happen.
06:35If I always carried my notebook with me,
06:38or I had it hidden under the pillow ...
06:41Do you think they could have entered the room to get it?
06:44I don't know, Maria, but I don't care.
06:48Well, now that I think about it, once I was sewing,
06:52and I had to leave it in a basket,
06:55because Mrs. Petra came to pick me up.
06:58Come on.
07:00Go upstairs to fix the ladies' bedrooms.
07:03They have already gotten up from the nap.
07:05Now?
07:07Of course now.
07:09You'll regret that later.
07:13Maria Fernández, what are you waiting for?
07:15I'm coming, Mrs. Petra.
07:20Maria!
07:22I'm coming, I'm coming.
07:24I'm coming.
07:25I'm coming, I'm coming.
07:27Fly!
07:40But of course, then shortly after I came back for him,
07:43and the notebook was right where I had left it.
07:46But when you left, Petra stayed there.
07:50As far as I know, she came after me.
07:53But of course, now I'm not sure.
07:56Well, don't think about it anymore.
07:58It was her.
08:00But I came back shortly after, Hanna.
08:03And I don't think I gave it to her to read it,
08:06take it to the Marquise and ask her to read it.
08:09I understand.
08:11Besides, I didn't even write when your wedding would be.
08:14I don't even know if I knew it or not back then.
08:17Well, one way or another, the point is that she found out, Maria.
08:20That can't be solved anymore.
08:22Well, if she found out, and it's my fault that she found out.
08:23So what?
08:26But what happened, right? Maria is going to be there.
08:29And that I don't stop looking for you, I tell you, Hanna.
08:33Do you want to listen to me and stop saying nonsense?
08:36Well, what do I think, Hanna?
08:40Well, you don't have to think about that.
08:50Because the most important thing that has happened to me in this life
08:53has been meeting you.
08:56And no matter how many times you meddle, that will never change.
09:24Don't you like my company?
09:29I understand you, it's not the happiest in the world.
09:32No, it's not that, Manuel.
09:35I just didn't want to bother you.
09:38I was surprised to see you so ...
09:40taciturn after how happy you were this morning.
09:45It's what it takes to keep thinking about it.
09:54The thing is that ...
09:56I wanted to talk about a matter, but ...
09:58looking at everything you're going through, I don't think it's the best time.
10:02More problems?
10:05No, I wouldn't call it that, exactly.
10:09My mother has said another nonsense about Hanna.
10:12No, no. It's not about Hanna.
10:16It's about Julia.
10:18Julia?
10:21What about her?
10:24Do you remember that you were familiar with her face?
10:29Yes.
10:31Yes, she said that she looked like a French actress,
10:34that was said a lot.
10:36Yes, yes, she said that.
10:38But now I know that you weren't familiar with that.
10:40No?
10:42And why?
10:44Because you had already seen a picture of her.
10:47Just like me.
10:49Me?
10:51Where?
10:53On your forehead.
10:57What do you mean on my forehead?
10:59Manuel, she is the young woman in the picture that Paco always wore.
11:03The one who always taught us as soon as she could.
11:07The picture that Paco always wore was the one of his fiancée, Matilde.
11:13We always talked about her.
11:16That's what Julia's real name is.
11:24Julia is Matilde?
11:26The same.
11:31But what is she doing here?
11:34She came looking for explanations.
11:37The same ones that Jose Juan didn't want to give her.
11:39And that's why she made up all this farce.
11:42What explanations are you talking about?
11:47She wanted to know how
11:50and why her fiancé died.
11:53Why?
12:21Sit down, mother.
12:23I hope you have called me here to tell me where the money you took is.
12:28I want to talk about the money, yes.
12:30I'm glad you finally come to your senses.
12:34Are you tired of pretending you don't have it?
12:37I'm afraid I haven't pretended.
12:39And that you may have lost that money.
12:42What?
12:44What I told you, mother.
12:46I haven't lied to you.
12:48I've lost that money and therefore you can't get it back.
12:50Yes, of course. The money has vanished.
12:52Mother, I've really lost that money.
12:55No.
12:57You don't lose a suitcase full of money
12:59as if it were an umbrella or a hat that is left forgotten anywhere.
13:02No.
13:04Well, that's what happened.
13:06I hid that money in the promise so that no one would find it
13:08and, incidentally, so that they wouldn't reveal my identity.
13:10What happened? Did they steal it from you here?
13:12Yes.
13:14I guess someone found it.
13:16He took it, passed it from hand to hand
13:18and ended up in the hands of the Marquise.
13:20Cruz has it?
13:22Or at least he had it.
13:24To know where that money could be at this point.
13:27Oh my God.
13:29And what are we going to do now?
13:32Mother, don't get like this.
13:34It was a lot of money, I won't deny it,
13:36but not so much for you.
13:38You have no idea.
13:40You don't know what we're going through, your father and I.
13:43What do you mean? Has something happened?
13:46We're going through a very delicate situation.
13:49What?
13:51What you hear.
13:53We're on the brink of ruin.
13:55Your father has spent a lot of money trying to
13:57solve the problems you left in your path.
14:00So much to be in such a desperate situation?
14:03It's been a lot of money, Mercedes.
14:05In addition, your father did some business that
14:08didn't go well and
14:10we've lost several thousand pesetas.
14:12Father, always the same with his business.
14:14And as you know we're not doing well,
14:16they don't give us a loan either
14:17and we're in deep shit, daughter.
14:19Don't worry, mother.
14:21Your father is very cunning.
14:23And I'm sure he'll find someone to get ahead.
14:25And you're making fun of him.
14:27It's what he's always done, isn't it?
14:31And what about you?
14:35Do you think you're better than him?
14:38You stole from your parents.
14:40You came into this house with lies,
14:42deceiving everyone.
14:44So don't you dare give us any moral lessons.
14:45Not a single one.
15:04Yes, yes, yes.
15:06Of course the Duchess of Carril
15:08can come here whenever she wants.
15:10But at least she could give notice, right?
15:12Because what's happening doesn't make any sense.
15:14Go to the door of my office
15:16and let me know as soon as the Duchess of Carril leaves.
15:18Immediately.
15:44It's Mrs. Alcorz.
15:46Is something wrong?
15:49What did you say?
15:51No, it's just that she's been staring at me.
15:56Am I doing the job wrong or something?
15:59No.
16:01No.
16:03It's just that...
16:05I've been thinking
16:07how bad your father feels
16:09that you and I are getting along.
16:10Yes.
16:12Lately.
16:14He doesn't care about anything I do.
16:16It's better not to bother him.
16:18I just want there to be peace
16:20between the two of you,
16:22but that's not why I'm going to...
16:24I'm not going to leave the complicity
16:26between you and me out of the question.
16:28Of course not.
16:30He can tell me about this.
16:33Has he told you anything
16:35about our conversation?
16:38About what?
16:40About nothing.
16:42It's better to leave him alone.
16:44No, Mrs. Alcorz.
16:46If this affects you and me,
16:48I need to know.
16:51Okay.
16:54I'm going to tell you,
16:56but...
16:58because I think it's best
17:00that you find out about me.
17:02Your father reproached me
17:04for neglecting my...
17:06my tasks
17:08That's what he said?
17:10And in such an open tone
17:12that I had no choice but to stop the clock.
17:14I told him that what I did in my free time
17:17was just my own business.
17:19Very well said.
17:21Because I already told him
17:23that lately everything bothers him.
17:25Has he told you anything?
17:27Yes.
17:29About the bouquet of flowers I gave him.
17:31That I shouldn't have spent so much money.
17:33You see?
17:34It bothers him that we do good things
17:36one after the other.
17:38Well, I'm starting to get fed up.
17:40I'm going to have to talk to him
17:42and make it very clear.
17:44No, don't do anything, son.
17:46You leave things as they are.
17:48It's better not to do anything.
17:50If I've told you,
17:52it's because we trust each other.
17:54But...
17:56it's better not to make a world out of this.
17:58Okay?
18:04Okay.
18:27They told me you wanted to see me.
18:31Julia.
18:33Yes, I wanted to congratulate you
18:35on how the painting turned out.
18:39I started from a good work
18:41and that helps a lot.
18:43You know, my father is delighted with the result.
18:45And my sister Catalina.
18:47In fact, I think that if the promise
18:49was broken right now,
18:51they would save this painting
18:53rather than their own jewels.
18:55Let's hope they don't see each other in that mess.
18:58I felt sorry to finish the restoration.
18:59I spent a few days
19:01working on the painting.
19:03I almost felt like that woman
19:05and I were friends.
19:08You must think I'm crazy, right?
19:10No, not at all.
19:12Artists go through things like that.
19:15Thank you,
19:17but I'm very impressed by the word artist.
19:19Not seeing how this painting turned out.
19:23She must have been a great woman.
19:25At least that's what the painter reflected.
19:27Yes.
19:30That's what they told me.
19:33You know,
19:35it made my father very happy.
19:37And that's not something common
19:39in all marriages.
19:43Are you okay, Manuel?
19:48I'm trying.
19:56I don't want to meddle where I'm not called.
19:58But if I could do something to help...
20:01I appreciate it,
20:04but it won't be necessary.
20:08Julia, I actually called you
20:10for another reason,
20:12not to talk about this painting.
20:15I can imagine that.
20:17So imagine what I want to talk to you about.
20:21I can see that.
20:23What has the promise brought you, Matilde?
20:27I don't mind telling you.
20:30And since we're here,
20:32I'd like us to talk about Paco.
20:35About everything that happened to him.
20:38Of course.
20:42Please, have a seat.
20:47We have a lot to talk about.
20:56Okay.
21:21It's you, right?
21:23Don't deny it.
21:24María Fernández,
21:26what makes you think
21:28you can go to the Key Master?
21:30You gave my notebook to the Marquise,
21:33because you knew I wrote.
21:35I even broke some papers once.
21:38Admit it.
21:40It was you.
21:44You can think whatever you want.
21:55And we couldn't do much more for Paco.
22:06He died thinking about you.
22:10He kept your last breath in his mind.
22:17He loved life.
22:19Yes.
22:21And he loved you.
22:24With madness.
22:34Can I ask you a question?
22:38Go ahead.
22:41All this just happened, right?
22:47Yes.
22:50That's right, but
22:53I also prefer to know your version of events.
22:57My version?
23:02Don't you trust that our stories coincide?
23:05No.
23:07I don't want to distrust anyone.
23:09But
23:11José Juan spoke very badly of Curro.
23:17I see.
23:21Although
23:24the truth is that
23:26during these days I've been able to get to know Curro a little bit and
23:30he seems like a good person to me.
23:33He doesn't just seem like it.
23:36He is.
23:37I guarantee it.
23:39That's why I'm so surprised.
23:41I don't understand the words José Juan said to him.
23:45Look, Matilde, you don't have to turn him around too much.
23:50We were in a war.
23:52And that can affect anyone's understanding.
23:56But all of you were companions.
24:00I know.
24:05But in such an extreme situation,
24:08thoughts go wild
24:10and get out of control.
24:14You have to try to forget.
24:17No matter how difficult it is.
24:21I know.
24:23But
24:27in that war, I lost the love of my life.
24:30My only love.
24:34Do you know what that is?
24:38Are you able to put that in my skin, Manuel?
24:40In my skin, Manuel.
24:50I swear it wasn't my fault.
24:51It's never your fault.
24:52Let me explain.
24:53I don't want you to explain anything to me, Marcelo.
24:54What I want is for you to do things right, once and for all.
24:56Because if you continue like this, what you're going to achieve is that they kick you in the street.
25:04María, don't you see where you're going?
25:06I'm sorry, Teresa. I hadn't seen you.
25:09Can I know what's wrong with you?
25:11What's wrong with me?
25:12That I'm an idiot and a fool without any knowledge.
25:16You don't have to talk about yourself like that.
25:18I deserve it.
25:19For being so stupid.
25:21If it weren't for me,
25:23Jana and Manuel would be married.
25:25What?
25:27Of course, you mean you knew everything.
25:30Of course I knew it from the beginning.
25:32And I covered it up because I'd do anything for her.
25:34And that's why she doesn't tell me.
25:35So how did Mrs. Marquesa find out?
25:37Because I didn't tell her with my mouth.
25:39I wrote it down.
25:40What do you mean you wrote it down?
25:41Yes.
25:42For a while, I've been accused of writing love stories in a notebook.
25:45Yes, I've seen you with that notebook more than once.
25:48So what did you do?
25:49Did you write the story of Jana and Mr. Manuel?
25:51Well, not with their names.
25:53But anyone who read it and knew them would realize what I was referring to.
25:58And what did you do?
25:59Did you give it to Mrs. Marquesa to read?
26:01No, daughter, I'm not that unconscious.
26:03But someone took it and gave it to Mrs. Cruz.
26:05And who would be able to do such a bad thing?
26:07Who do we know?
26:08Teresa.
26:09Who is the baddest person in the whole palace, huh?
26:12Mrs. Petra.
26:13Exactly.
26:15So Mrs. Petra took your notebook.
26:17That's what I think, because she knew I was writing.
26:20Even before I started the notebook, she broke a few sheets of paper
26:23because she caught me writing at work hours.
26:26Knowing her, you're capable of that and much more.
26:28Well, yes, I think it was her.
26:30Although she doesn't admit it.
26:32The point is that he has ruined the life of my best friend.
26:36María, this wasn't your fault.
26:39It was, Teresa.
26:42Because in the end, Jana and Mr. Manuel have been able to marry us.
26:46And let's see if they can get married someday.
27:02A few days later
27:07Father?
27:08When you enter this office, call me first.
27:11Even if you are my son, you have to keep certain manners.
27:14You apply the story with that of manners.
27:19But what happens now?
27:21Well, the usual.
27:22That he has taken her with Mrs. Arcos.
27:24It seems mean to me that the other day he would recriminate her
27:27for taking care of me during my convalescence.
27:29I only asked for information.
27:31I have to know what the key soul is doing during working hours.
27:34But Mrs. Arcos was not taking care of me during her working hours,
27:38but in her free time.
27:39That's what she told you.
27:40And that's what I think.
27:43Above what your father tells you, right?
27:48Why does it bother you so much that someone wants to take care of their son?
27:53I tell you that what bothers me is that it is done during working hours.
27:57Just as it bothers him that I am a grateful person
28:00and that is why he asked me to give him a bouquet of flowers.
28:03I only told you to spend your rooms with cash.
28:06Your salary is not enough to pay off.
28:08But I already told him that it is not his business what I spend my money on.
28:11Just as it is not what Mrs. Arcos does in her free time.
28:14That's why I forbid him to reproach her again.
28:17You forbid me?
28:18Yes.
28:20That's what I said, leave us alone once.
28:24Son,
28:25you are not seeing that that woman is behaving as if she were your own mother.
28:31I know very well what you are doing.
28:33But ...
28:36I like to feel that someone is worried about me.
28:39To vary.
28:53Well, yes.
28:54I can keep the promise.
28:56And your uncles have accepted?
28:58They have said that this is like my home and that it will continue to be as long as I want.
29:03I see, I see.
29:04Well, it's just that ...
29:05Deep down I knew they were going to tell me something like that.
29:07Because I have always been like a daughter to them and I knew that they were also going to dislike the fact that ...
29:12But your uncles are not your parents, Martina.
29:16Yeah, I know.
29:17Well, it doesn't seem so.
29:21Does it bother you that they are happy that I stayed with them?
29:25No.
29:27No, what bothers me, daughter, is ...
29:29Well, that you don't come to live with me.
29:31But that can't put it in front of me because I already told him that I accepted that marriage
29:36as long as I could stay here in La Promesa.
29:38That was the pact.
29:39I know.
29:40I know, I have it very present, Martina.
29:42And I promise you that I will keep my word.
29:46Although ...
29:47Count de Ayala is ...
29:49What?
29:50Count de Ayala what?
29:52Well, he was the one who asked me to convince you to live with us.
29:55Can you convince me of something like that?
29:57Daughter, and you can't try it even for a few months?
29:59Let's leave it.
30:00Please.
30:01No.
30:03Well, I just hope he takes it well.
30:05He will understand that I don't care how the count takes it.
30:07I'm going to stay here, yes or yes.
30:09Martina, if I'm insisting, it's ...
30:13Well, because you are my daughter and because I love you.
30:15And I would like you to be by my side.
30:18But I'm going to visit you from time to time.
30:20And you can come to La Promesa whenever you want.
30:23Me and you, wherever you are.
30:29I don't like to hurt him, mother.
30:32Well, don't worry, because I understand it perfectly.
30:38Who has seen us and who sees us, huh?
30:41Before the father was missing, we were always like the dog and the cat, arguing about anything.
30:47Well, after your father died, we also argued about ours.
30:50Yes, but hey, we ended up getting closer, right?
30:54Yes.
30:56For ...
30:57For now, let's separate.
30:59Let's see ...
31:01We will be far away, but ...
31:04I will always have her very present.
31:07And remember that there were days when we were in the same room and I didn't even want to see her.
31:11Don't look at me like that, girl.
31:12Well, but that has already changed.
31:15We will be separated, but we love each other more than ever.
31:18Well, that's a consolation, daughter.
31:21But that's all.
31:22A consolation.
31:27Ana, don't get sad.
31:30And think that you are going to be very happy.
31:33Do you agree with that?
31:46Mrs. Petra, come for a moment, please.
31:51Tell me, what can I do for you?
31:53I just argued with my son because of you.
31:56Am I going to be to blame again for you being in bad terms with Santos?
31:59Well, this time yes.
32:01Because he would not face me like that if there was no one behind him pushing him.
32:04What does one have to hear?
32:06Stop getting in our way.
32:08I have not done such a thing.
32:10So if you want to find out the cause of your misconduct with your son, look elsewhere.
32:14The cause is you.
32:17Goodbye.
32:18Wait, I'm not finished.
32:21But I am.
32:22Because I plan to continue treating your son as I have done so far.
32:25That is, with the same affection that he treats me.
32:29And we both know what bothers you so much.
32:33And it is that your son has me more at stake than you.
32:48Yes.
32:56Yes?
33:03María Fernández told me you wanted to see me.
33:08Yes, that's right.
33:10Well, you tell me.
33:19From what I see, you have returned to work.
33:22Yes, I already warned you, so I don't know, are you surprised?
33:26I already told you that I didn't think it was appropriate.
33:29Manuel, I'm not going to stay in my room, as if I were afraid of something.
33:33I don't want to discuss that topic again.
33:35I don't want to discuss it with you either.
33:37Well, look, one thing we agree on.
33:41I have a hard time when we are angry.
33:44Me too.
33:49If I sent you to call, it's because I wanted us to make peace.
33:57Well then, let's stop talking about this topic.
34:03You're right.
34:08What happened to Manuel?
34:11Because it's as if everything had twisted in just two days.
34:15No.
34:19Everything has not twisted.
34:22You and I still love each other.
34:25And that hasn't changed.
34:28No, that hasn't changed.
34:31Nor will it change.
34:35My life has gone upside down.
34:38My colleagues keep asking me what I'm going to do, what I'm going to stop doing, and my job, well ...
34:44Has something happened at work?
34:45No, but ...
34:47Every time I go up to the noble floor, I think I'm going to meet your mother or your father.
34:56Actually, for my father, you don't have to worry.
34:58He spends most of his time in his bedroom.
35:02I'm afraid of your mother.
35:08I don't know, maybe ...
35:09Maybe ...
35:13Maybe you should avoid setting foot on the noble floor.
35:15Don't tell me that again, Manuel.
35:18That hiding is not the solution.
35:20I'm not talking about hiding.
35:22I'm talking about being prudent.
35:25But we haven't done a single thing in which we have been prudent.
35:29Not even this love is prudent, so don't tell me it is now.
35:36You're right.
35:39It's okay, I won't say it again.
35:43What are we going to do?
35:48You see, my father asked me for a few days to think.
35:52But tomorrow won't happen.
35:54I'll go see him and tell him how things are.
35:57And how are things?
36:00I'm going to marry you, Hanna Expósito.
36:04Say what you say.
36:06And whatever you say.
36:09And you know it perfectly well.
36:25I'm telling you, María Fernández knew it.
36:29She was so excited about Hanna and Don Manuel.
36:31That's for sure.
36:33She doesn't have to.
36:34Don't be naïve, Simona.
36:36Those two sleep in the same room and tell her everything.
36:39Sometimes you can keep a secret for a long time, even the most beloved agenda.
36:43It's true.
36:44Yeah, but María Fernández...
36:46María is coming.
36:51What's going on?
36:53What's going on here?
36:57Did you ask for three tickets?
36:58Come on, María.
36:59Leave the packages and sit with us for a moment.
37:07Well, can someone explain to me what's all this about?
37:10You're already seated, right?
37:12Come on.
37:14You knew.
37:16About what?
37:18What are you going to do?
37:20What are we talking about here every day?
37:22I don't know.
37:23About the price of the lamb?
37:25Stop being silly, María.
37:27You knew from the beginning that Hanna was sleeping with Mr. Manuel.
37:32Let's see, from the beginning.
37:33From the beginning, no.
37:35And no, they were sleeping together.
37:37They were...
37:39...sleeping together.
37:41That's the same thing.
37:42No, it's not.
37:44And I don't care if I knew or not.
37:46Even if I had known, I would have kept my mouth shut.
37:49Because I'm not like the others.
37:51Yeah.
37:52That mouth that you never close.
37:56Well, Hanna has the right to fall in love with whoever she wants.
37:59Yeah.
38:00Yeah.
38:02But what a coincidence
38:04that of all the men who are around here,
38:07she has fallen in love with the most convenient one.
38:10With Mr. Manuel.
38:12That your friend Hanna is a fresh one.
38:15I won't let you talk like that about my friend, huh?
38:19It's clear that this relationship
38:22is the most convenient thing.
38:24Mrs. Arcos, you don't decide who falls in love.
38:27You don't know about the heart.
38:28It seems to me that too many pamphlets are read here.
38:32On the one hand, there is love.
38:34And on the other, there is interest.
38:36It is clear that this relationship is the most interesting thing.
38:39Hanna is not like that.
38:41No, Hanna is like all of them.
38:43Or like almost all of them.
38:45That a waitress has been in this world for a long time
38:48to make mistakes with these things.
38:50Well, I think she really loves him.
38:53I have not said otherwise.
38:55I love him.
38:56I have not said otherwise.
38:58He loves her, yes.
39:00But because of her rooms and her position.
39:02Hanna is too crazy to fall in love with a poor man.
39:08Poor Mrs. Jimena.
39:10What bad thing had to happen to her?
39:13I can't get my head off seeing what's going on.
39:16I'll tell you what that housewife is now.
39:19You know it too well.
39:21Hanna was the love of which Mr. Manuel spoke at the time
39:24and which Mrs. Jimena sought so much.
39:26And the sincerity of your little friend Hanna
39:29proves that she has been deceiving you like a pamphlet.
39:32And you have been left face to face.
39:34In that tongue-twister,
39:36God knows how long she has been deceiving you.
39:40What a bunch of idiots.
39:57Each sheep must go with her partner,
39:59because if not, problems will arise.
40:01What do you mean?
40:03It is clear.
40:05The gentlemen have to marry each other and the poor the same.
40:07Well, if I run into a noble woman of good looks,
40:11I don't disgust her.
40:14Let's see, for a few days.
40:16But a man marries a maiden,
40:19that can't end well.
40:21Well, there have been cases.
40:23Where?
40:24In novels, for example.
40:26Yeah, Lope, but novels are not life.
40:29Let's see, I don't know of any case that has gone well.
40:32Mr. Manuel should have spent more knowledge.
40:35It must be said that the girl is beautiful.
40:37It is normal that the gentleman has clouded his understanding.
40:40Yes, but a cloud lasts a few hours.
40:42They have moved on and are harming Mr. Manuel's parents
40:46and his last name.
40:48Marcelo, the Marquis has many years, he will move on.
40:50But very unprofessional.
40:51A noble must respect his title.
40:53And this is just the opposite.
40:55Well, I think that if they love each other,
40:58one must not stop them from being noble and the other not.
41:00How naive, Lope.
41:02I think that here Han has taken the opportunity to make himself rich.
41:06You would do the same, right, Lope?
41:08Santos, I'm talking about love.
41:10I'm not talking about making you rich.
41:12Let's see, the point is that both should take a step back.
41:16Well, I think that if they love each other, they have to move on.
41:18If they get married,
41:19they will be miserable.
41:21Miserable?
41:23With the rooms that the Marquis has?
41:25I doubt it.
41:27It is that if the Marquis allow that marriage,
41:29most likely,
41:31he will take away the inheritance from Mr. Manuel.
41:33Marcelo, that is very exaggerated.
41:35As little as I know the Marquis,
41:37I would not be surprised at the very least.
41:39Me neither.
41:41He will not let anyone humiliate her,
41:43not even his own son.
41:49No.
42:06Come in.
42:15Have you spoken to Manuel?
42:17No.
42:19I have not spoken to him all day
42:21nor have I done to see him, the truth.
42:23And you?
42:25No, I thought he was going to come to dinner,
42:27but since he has not shown up ...
42:29He does not want us to insist on that absurd wedding.
42:31Well, of course we are going to insist,
42:33until that stupid idea is removed from his head.
42:35He is so stubborn.
42:37I know.
42:42And if we offer him a trip?
42:44I don't know,
42:46wherever he wants, with everything paid,
42:47a trip of three or four months.
42:49No, he is not in the world now
42:51for trips with Europe at war
42:53and all those German submarines
42:55sinking all the ships they find.
42:57Yes, maybe you are right.
42:59What we should offer is to her
43:02and pray that the Germans
43:04will torpedo her ship.
43:06Although, well, if Manuel left,
43:08she would go behind
43:10and they would end up getting married
43:12in the first parish they find.
43:14But then what do we do?
43:15What makes him ridiculous in that way?
43:17The heir of the Marquis of Lujan
43:19married to a maid.
43:21Where has that been seen?
43:23I don't know, Alonso, I don't know what we can do.
43:25But any argument we give him would be useless.
43:27Well, if the arguments don't work,
43:29we'll have to be tougher.
43:31If you mean to threaten him,
43:33all I would do is beat him up.
43:35He would get married tomorrow.
43:39And if we talk to someone?
43:41Someone he trusts?
43:43Someone who can convince him?
43:45Someone who has two fingers up?
43:47He won't listen to anyone, Cruz.
43:49And if we do something like that,
43:51the news would spread in two days.
43:53Then you propose something, Alonso,
43:55because you put a stop to everything.
43:57I just try not to make things worse, that's all.
43:59Things are like this thanks to you.
44:01What, now it's my fault
44:03that she wants to marry a maid?
44:05Well, with this maid, yes.
44:07I wanted to kick her out as soon as she got to the palace,
44:09but you stopped me.
44:11She was saved by life.
44:13We couldn't kick her out.
44:15She came to what she came.
44:17And now she's about to get it.
44:20We still have time to solve this.
44:22If we depend on what you do, we're ready.
44:26I'm going to leave.
44:28We'll talk tomorrow when you're calmer.
44:30No, I won't be calmer, Alonso.
44:32I'm not going to calm down
44:34until we finish this nonsense, man.
44:40Ma'am.
44:42What do you want?
44:44I just came to give him the last hour
44:46and check his menu for tomorrow,
44:48but if I bother you, I'm leaving.
44:50You bother me, yes, but stay.
44:52I have something to ask you. Close that door.
45:00I want to know how it all started.
45:02Why didn't anyone find out
45:04about what was going on between my son and that fresco?
45:06Because it's clear that this comes from afar.
45:08Well, ma'am, I don't know when or how it started.
45:10So you're the key master
45:12and once again you haven't noticed anything.
45:14I suppose, ma'am, that it would take a long time.
45:17And, who knows,
45:19maybe it all started
45:21when Pia was still the key master.
45:23Is that really your excuse?
45:25Do you think you're going to be better off
45:27blaming her?
45:29Ma'am, I have to remind you
45:31that if it weren't for me,
45:33I would have given him that notebook.
45:35His son, Don Manuel,
45:37would be married to Hanna right now.
45:38And I would have to thank you.
45:40No, that's not what I want, ma'am.
45:42I just don't want her to be so unfair to me.
45:45I don't think I deserve it.
45:50You can go.
45:52As you wish.
46:09No!
46:11If I win the next point, I win the game.
46:13No, no, no, wait, don't take it out, don't take it out.
46:15I need a break.
46:17I don't know if the rules
46:19include these breaks.
46:21Do you want me to throw up here?
46:23Okay.
46:25But two minutes.
46:27No, no, I need at least a quarter of an hour
46:29and something to eat too.
46:31If we hadn't come down without breakfast,
46:33it wouldn't be like this.
46:35It's not like that.
46:36If we hadn't come down without breakfast,
46:38it wouldn't be like this.
46:40I don't like doing sports with a full belly
46:42because I feel very heavy.
46:44Well, with an empty stomach,
46:46you don't look very light either.
46:48She's so cocky because she's winning,
46:50but let her know that the game is not over yet.
46:52I think for you, yes.
46:54It's going to be hard for you to come back.
46:56You know, I think he cheated on me
46:58and that he's played badminton more than once
47:00because otherwise I don't understand
47:02that he always beats me.
47:04I repeat, only once.
47:06How many times do I have to tell you the truth
47:08that I don't like lying people?
47:11Yeah.
47:13Me neither.
47:15And still, life.
47:17What's wrong?
47:19Nothing.
47:21Did what I said bother you?
47:23Because it was a joke.
47:25No, it's not that.
47:27Besides, you're right.
47:29I lied to you.
47:31So you're an expert in badminton
47:33and that's why you always beat me?
47:35It's true that I lied to you,
47:37but not about that.
47:40About what?
47:44Yesterday you were honest with me
47:46when you told me about your fiancé.
47:49Of course, because we're friends
47:51to be honest, right?
47:53Yes.
47:56That's why I think I have to tell you
47:58who I really am.
48:05Come in.
48:09Come in, Lope.
48:11Sit down.
48:13Don't you want me to go get Mrs. Simona?
48:15No, it's not necessary
48:17and I don't need you to explain any recipe to me.
48:20Sit down, please.
48:35Who are you?
48:38Lope, I came because
48:40I need your help.
48:42How can a simple cook help you?
48:45A lot.
48:47And you know very well
48:49why you don't need me to tell you.
48:51I don't know what you mean.
48:53I want to sort things out
48:55between Vera and me.
48:57She doesn't like
48:59how she's writing down the recipes...
49:01Lope, please.
49:02She doesn't like how she's writing down the recipes...
49:04Lope, please.
49:06She wants to put the cards on the table.
49:09That's right.
49:11That way it'll be easier to talk.
49:16Good.
49:19I know Vera is your daughter.
49:24And now you'll tell me
49:26that you don't like my relationship with her, right?
49:29That's something I already imagined.
49:32Of course I don't like her
49:34as I wouldn't like anyone
49:36who has two fingers in front of them.
49:38Are you calling us stupid?
49:40No. In love.
49:42This kind of nonsense is typical of lovers.
49:46You're right about that.
49:48We're very in love.
49:50Yes, and I can understand that
49:52because love doesn't distinguish between social classes
49:54and intelligence shouldn't either.
49:57And that's what I came to ask you, Lope.
49:59A little bit of intelligence.
50:00And if I do it,
50:02it's because I know you're a smart boy.
50:04I don't know if I am, ma'am.
50:07What I do know is that I love your daughter
50:09and that your daughter loves me.
50:11Yes, you love her. I don't doubt it.
50:13But you don't live from love.
50:15I know that too. I'm not an illusion.
50:17Then you must have realized
50:19that my daughter is too much of a woman for you
50:21and that you have nothing to offer her.
50:26Maybe...
50:28Lope, shut up and listen.
50:31If you love my daughter so much,
50:33I guess you want what's best for her.
50:36Right?
50:38Of course I do.
50:40Very well.
50:42Well, neither you
50:44nor the life you can offer her
50:46is what's best for Mercedes.
50:48So I ask you, please,
50:50to leave her alone
50:52and convince her to come back to my house.
50:54You will all be aware
50:56of the infamous relationship
50:58between my son
51:00and one of the maids
51:02who works in this house.
51:04I want to warn you
51:06that I will take very harsh reprisals
51:08against anyone
51:10who spreads this matter.
51:12How are you and your Manolita?
51:14Bad, bad, terrible.
51:16A disaster, Maria, I don't know.
51:18The Marquesas will never allow
51:20us to live our love freely.
51:21Well, but it's with a couple of two
51:23and there are plenty of others.
51:25And in the end,
51:27you'll see how they go through hell.
51:29Manuel is going to talk to his parents
51:31to give them his last kiss.
51:33We paid for a valley of tears.
51:35Well, I try to do my best
51:37so that I'm not like that,
51:39so as not to get too close.
51:41With Marcelo, for example,
51:43I give him wrong instructions
51:45and I make him work twice as hard.
51:47Doesn't he realize?
51:49That jerk doesn't know where his right hand is.
51:51Why did you come here now?
51:53Can't I have matters to deal with
51:55that have nothing to do with you?
51:58I'm very glad
52:00I'm not the center of his attention.
52:02Well, then this conversation is over.
52:04And now, if you'll excuse me,
52:06I have more important matters to deal with.
52:09Given your relationship with Don Manuel,
52:11I really don't know if I should give you orders
52:13or rather the opposite.
52:15Excuse me?
52:17Well, I understand that you have the power
52:19to do whatever you want,
52:21but I would like to give you
52:23lighter tasks.
52:25Because the last thing I would like
52:27is for you to complain about me to your boyfriend.
52:29What I am is broken.
52:31Disappointed with you.
52:33I know I was wrong, Pelayo.
52:35But I couldn't do anything
52:37but move on.
52:39I can't speak for you.
52:41But as far as I'm concerned,
52:43I know I love you.
52:45What difference does that make now, Catalina?
52:47Your embarrassment changes everything.
52:49But what are you doing here?
52:51We need to talk.
52:53Except for the water temperature
52:55I like for the bathroom.
52:57Well, you're wrong.
52:59I have a lot to say.