Η ΚΑΤΑΡΑ ΤΗΣ ΤΖΕΛΑΣ ΔΕΛΑΦΡΑΓΚΑ Επεισόδιο 3 HD | H KATARA THS TZELAS DELAFRAGKA Epeisodio 3 HD
Η ΚΑΤΑΡΑ ΤΗΣ ΤΖΕΛΑΣ ΔΕΛΑΦΡΑΓΚΑ Επεισόδιο 3 HD | H KATARA THS TZELAS DELAFRAGKA Epeisodio 3 HD
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Short filmTranscript
00:00:00My aunt, my aunt, my aunt.
00:00:02Don't cry, don't cry, my dear Marousso.
00:00:04Talk to me. Talk to me so you can breathe again.
00:00:07I can't, aunt. I can't.
00:00:09I can't talk to you.
00:00:11I'm a disgrace, a disgrace, I'm ashamed. I can't.
00:00:14You, my aunt, you buried yourself in the darkness
00:00:17when your husband died for the sake of your son, Giorgis.
00:00:20You never raised your eyes to look at another man.
00:00:23Yes, you're right.
00:00:25I never raised my eyes and whenever I see a man, I change my course.
00:00:29My aunt, my aunt, my aunt, my aunt, my aunt, my aunt.
00:00:35Of course, my aunt, because we all know
00:00:37how honest and faithful you were to your husband,
00:00:39and not only as long as he lived.
00:00:41But when he left and we were apart,
00:00:43you became a moral rock.
00:00:45Yes, that I'm a rock, I'm a granite.
00:00:49Even though you were a young woman.
00:00:51And now I'm a young woman, Marousso.
00:00:53A young woman?
00:00:54Well, look at my legs, look at my legs,
00:00:56you look like a swallow.
00:00:59Yes, aunt, of course, of course.
00:01:01How old are you? Are you the same age as your mother?
00:01:03No, I'm not the same age as Zozo Sambounzaki.
00:01:06I'm sorry, aunt, how old are you?
00:01:08Let it go, baby. And you, with your questions.
00:01:10I'm saying this because you really are too young for your age.
00:01:14Because when I was little, I did sports.
00:01:17Street sports, gymnastics.
00:01:21And now, aunt, have you stopped gymnastics?
00:01:23Anyway, I'm still doing sports.
00:01:34Well done, aunt, well done.
00:01:35You're putting Kosara down, too.
00:01:37Don't you get bored?
00:01:38All this has passed for me.
00:01:41I stopped and calmed down.
00:01:43I forgot everything.
00:01:45Even the shape of the uterus.
00:01:48That's why, aunt, I'm ashamed.
00:01:50How can I say all these things I've done to a holy woman like you?
00:01:55That I'm a witch.
00:01:57That's why I know how to forgive.
00:01:59Well, aunt, I loved.
00:02:01I loved someone who shouldn't have.
00:02:03Who?
00:02:05Derry Fortunaki.
00:02:06Tapis?
00:02:07What you heard, aunt, Derry Fortunaki.
00:02:10That's why you danced so sadly at his wedding?
00:02:13I know how much I hurt at that moment.
00:02:16From the outside, I looked so beautiful, sweet and happy.
00:02:20And from the inside, I was bleeding. I was dying.
00:02:39What are you planning to do now?
00:02:41I don't know, but I've been thinking about everything.
00:02:43Even suicide.
00:02:44Are you crazy?
00:02:45But I'm Fortunaki and I'm a virgin.
00:02:47And I didn't suffer the same.
00:02:49I was a virgin and I loved Fortunaki.
00:02:52But I hit my ass and in the end I married him.
00:02:56Was it easy?
00:02:57It wasn't easy, but I told my mother and my uncle.
00:03:01Mother and uncle.
00:03:03If I don't take the mitso, the Fortunaki, I'll get high.
00:03:07I'll drink chlorine.
00:03:09And did you drink it?
00:03:10You're crazy.
00:03:11I put in the chlorine bottle, orange juice and I drank it.
00:03:16I did what I wanted.
00:03:18And after they cried me and myrologized me, I recovered.
00:03:22You recovered?
00:03:23Why?
00:03:24So they could bury me alive.
00:03:26I mean, didn't they get mad at you?
00:03:29They got mad, but they drank vinegar and that's how it went.
00:03:32Is that how you married your uncle?
00:03:34If you want to stay strong, you have to get married first.
00:03:37And we got married and the storm started.
00:03:40The Fortunaki got mad at me for taking the mitso.
00:03:43The Fortunaki got mad at me for taking the mitso.
00:03:46And the storm started.
00:03:48That's how uncle Mitso died.
00:03:50My uncle died the third year we got married.
00:03:54I still had him as a Byzantine, my George.
00:03:57We had gone to the Resurrection, the day of the mass.
00:04:01Oh, all the faithful were praying.
00:04:04And on the Resurrection, as soon as the priest said,
00:04:07Christ is risen, I heard a bang.
00:04:10Did the Fortunaki hit him?
00:04:12No.
00:04:13Did the Fortunaki hit him?
00:04:15No.
00:04:16He broke his side and he was afraid of the bang.
00:04:20And he fell down and took him down.
00:04:23Is that how you got married, aunt?
00:04:25We all get married somewhere in this ruined place.
00:04:30Oh, my aunt, how much you suffered.
00:04:33That's why I'm telling you, Maroussos,
00:04:35you may be lucky that you won't get married to Terry,
00:04:39because you won't get pregnant.
00:04:41I can't, I can't, I can't forget him, I can't.
00:04:45You learn little by little and live with the memory.
00:04:49But you, aunt, you said I was pregnant.
00:04:51But Terry is now officially with the Lora of the Respected.
00:04:55Yes, you are right, you are right.
00:04:57I have to forget him.
00:04:59I have to forget him.
00:05:02Are you waiting for someone, aunt?
00:05:04No, let's see who it is.
00:05:09Who is it, please?
00:05:13Good morning.
00:05:25Terry, why did you come here?
00:05:27I fell, but I couldn't take it anymore. Get away.
00:05:29Then why did you wait so long?
00:05:34What a romantic story.
00:05:36But we are unlucky, aunt.
00:05:38No, if you love me, you have to fight.
00:05:41But the Lora is preparing a wedding.
00:05:43Do you love the Lora? Do you love her and adore her,
00:05:45as you love and adore me?
00:05:47No, I don't love the Lora.
00:05:49Well done, my love.
00:05:50Then what are you waiting for?
00:05:52You have to do the trick of mine.
00:05:54What trick? What are you talking about?
00:05:56The trick that will make our in-laws accept our marriage for sure.
00:06:01The trick with the orange.
00:06:03I don't understand. What do you want to say, my son?
00:06:06Mom, it's hard for me to express myself.
00:06:09But I can't complain anymore.
00:06:12I don't want to marry the Lora.
00:06:14What do you mean?
00:06:15I don't want the Lora for my wife.
00:06:17Why? Isn't she a carpenter?
00:06:19I don't have such information.
00:06:22Then why?
00:06:23I don't know.
00:06:24Your father is a carpenter.
00:06:26And he gives you less money.
00:06:29Who cares about the money?
00:06:30I do.
00:06:31I don't care.
00:06:32If the carpenter gives you what I said,
00:06:34take the Lora.
00:06:36And when he dies,
00:06:37do you know how much he will give you as a dowry?
00:06:41Do you know how many deposits you have abroad?
00:06:45Geneva, Zurich, Monaco.
00:06:48All the black ones from the strange jobs.
00:06:51He doesn't let them in.
00:06:52He takes them out.
00:06:53Abroad.
00:06:54Merchants.
00:06:55Barbados Islands.
00:06:57Cayman Islands.
00:06:58Come on, mom.
00:06:59How do you know all this?
00:07:00What do you mean?
00:07:02These are the secrets of the respectable businessmen.
00:07:04What secrets?
00:07:05The people have it all.
00:07:07And the respectable man is a sly man.
00:07:09All the paparazzi know about the black money he makes.
00:07:13Only the tax office doesn't know.
00:07:15Don't talk to me like that, Marusso.
00:07:18Mom, Sifis is a very good boy.
00:07:20And a beautiful boy.
00:07:21And a swan.
00:07:22A three-meter swan.
00:07:25Come on, mom.
00:07:26Let's have a good talk.
00:07:27Let's not spoil everything.
00:07:28Sifis is fine.
00:07:29I say the same.
00:07:30And I think he deserves something better than me.
00:07:33Jean, what are you talking about?
00:07:35No, mom, no.
00:07:36But I love him, Sifis.
00:07:38I tried so hard to love him, but I couldn't.
00:07:40You should try harder.
00:07:42But it will be done with effort, love.
00:07:44Everything is done with effort.
00:07:46Did anyone expect you to enter the parliament?
00:07:48The life of Konstantopoulos?
00:07:49No.
00:07:50But he tried.
00:07:51He tried.
00:07:52But with his heart.
00:07:54But with his smiles.
00:07:56But with his kisses.
00:07:57And he got in.
00:07:58That's what he wanted.
00:07:59Yes, but I don't want him.
00:08:00I want him, Sifis.
00:08:01I want him too, that's enough.
00:08:03Take him then, with my blessing.
00:08:05Don't talk to your mother like that.
00:08:06You swine.
00:08:08I can't believe it.
00:08:09My mother is holding me.
00:08:10I'm struggling and in pain.
00:08:11She's holding me.
00:08:12She's killing me because I love you.
00:08:14Who do you love?
00:08:15Tell me.
00:08:16Not Sifis.
00:08:17I know that.
00:08:18Tell me the name of the person you love.
00:08:20Tell me.
00:08:22Mother, don't push me.
00:08:24I can't think straight.
00:08:25I love the man.
00:08:26I can't leave him.
00:08:28What is the name of the orphan?
00:08:32Mother, kill me.
00:08:33I can't think straight.
00:08:35You give me wood and he gives me sweet kisses.
00:08:41He got in.
00:08:42He got in.
00:08:43Lora is a whore.
00:08:45You'll get another whore.
00:08:47And when he dies with the good overall.
00:08:49I don't want a whore.
00:08:50Don't talk to me about the whore.
00:08:51I don't want to sell my beauty for money.
00:08:53My son.
00:08:55You find little girls to make fun of you every day.
00:08:59It's not easy for Lora to succeed you.
00:09:02Don't be stupid, boy, in your luck.
00:09:05If you find her in such luck,
00:09:07you should marry her to your other son, Melolio.
00:09:09Don't remind me of that useless man.
00:09:11He's over 40 and I don't know what he's doing.
00:09:14And he hasn't brought me a single flower.
00:09:16Kiss me. Kiss me. Kiss me. Kiss me.
00:09:22Here you are. You found a bride for Melolio.
00:09:24Lora, give her to me. We're done.
00:09:25Good.
00:09:27And who are you going to marry?
00:09:29For me, fate has decided something else.
00:09:31I can find out what fate has decided for you.
00:09:34That I'm not going to marry Lora.
00:09:35Let me remind you that you said yes to Aravon.
00:09:39Now what are you going to say?
00:09:41Did I say it? Did I say it?
00:09:43Do I care?
00:09:44Don't lower the level of the conversation.
00:09:46You tell me, Melolio.
00:09:48Don't lower the level.
00:09:50What are you going to tell Lora?
00:09:53Lora?
00:09:54You're a very good girl.
00:09:56A good heart.
00:09:57But my heart is given elsewhere.
00:09:59And she will answer you then.
00:10:03What kind of a man are you?
00:10:06I'm asking you.
00:10:08Why are you turning me away?
00:10:10Only pain?
00:10:12You said yes to my father.
00:10:14And now you're turning me away?
00:10:16Then I'll tell her that I don't sell my heart.
00:10:18Nor do I throw it away.
00:10:19I've given it to someone else.
00:10:20Who?
00:10:21Marousso.
00:10:22Who is Marousso?
00:10:24Doesn't she have a surname?
00:10:26Does she have a career with the little one?
00:10:28Like Marinela?
00:10:30Of course she does.
00:10:31Can I learn it too?
00:10:33Vrondaki.
00:10:34Say it again.
00:10:35Vrondaki.
00:10:36Vrondaki?
00:10:37Yes.
00:10:38The one who danced in the center like this?
00:10:47Yes, the one who danced in the center like this.
00:10:54Manolio!
00:10:56Manolio!
00:10:58Manolio!
00:10:59What is it, mother?
00:11:00Why are you shouting?
00:11:01Your brother, my child.
00:11:04Your brother, my child.
00:11:06What is it?
00:11:07He doesn't want to take Lora Sevastou
00:11:11and he wants to take...
00:11:13Who do you think?
00:11:14Who?
00:11:15Who?
00:11:16I don't even dare to say her name.
00:11:19Say it, mother, who?
00:11:21Let me tell you.
00:11:22Marousso Vrondaki.
00:11:24Who?
00:11:25Marousso Vrondaki.
00:11:26The one who danced in the center like this?
00:11:34Yes, this one.
00:11:35The one who danced in the center like this.
00:11:38Oh, I'm so angry.
00:11:41What did you say to Gria?
00:11:44Gria?
00:11:45What?
00:11:46The first child?
00:11:48Idiot.
00:11:50Mother.
00:11:51Mother.
00:11:52Tell me, Gemila.
00:11:54Who is the groom?
00:11:56I'll tell you.
00:11:57I'll tell you because I can't keep it inside me anymore.
00:12:00Know it.
00:12:01Teris Sportunakis.
00:12:04You said it.
00:12:05Teris Sportunakis.
00:12:07You said it again.
00:12:08Teris Sportunakis.
00:12:10What? The golden Teris?
00:12:11You should have told me the golden Teris.
00:12:13Ta-ta-ta-ta-ta-ta-ta-ta-ta.
00:12:15Yes, but with one heart only he chose.
00:12:17Teris Sportunakis.
00:12:19Michael.
00:12:20Michael.
00:12:24What is it, mother?
00:12:26The worst, my son.
00:12:28The worst.
00:12:29Your sister wants to get married.
00:12:30Teris Sportunakis.
00:12:32Yes, my son.
00:12:36Oh, my God.
00:12:39You're talking nonsense, Esterios.
00:12:41Don't you know that we don't have Vendetta with the Brontes?
00:12:44I knew it.
00:12:45Didn't my heart tell you?
00:12:46I'll cut you and your heart together.
00:12:48Did you see what you did?
00:12:50You killed our mother.
00:12:51Mother.
00:12:52My mother.
00:12:53Bring the chilirarides.
00:12:55Call the chimerologists to cry for our mother.
00:13:00I don't think she really died.
00:13:02She's lying.
00:13:03She's lying, mother.
00:13:05God will burn you.
00:13:09What did I tell you?
00:13:11She doesn't believe me.
00:13:15She doesn't believe me when I die.
00:13:20There you go.
00:13:21She didn't die before.
00:13:22She died now.
00:13:23She didn't die.
00:13:24That's how she does it.
00:13:25I'm going to marry Marousse.
00:13:27And my mother will dance to our wedding.
00:13:29But the wedding can't take place.
00:13:31The Brontes will get up because we gave a girl to the Brontes.
00:13:34And the Brontes will get up because we gave a girl to the Brontes.
00:13:38Do you understand what blood and what Vendetta is going to happen?
00:13:42Tell me, my child.
00:13:43Mother, did you come?
00:13:44For a while.
00:13:45Ah.
00:13:46There you go.
00:13:47She fell again.
00:13:48How can she stand it, ma'am?
00:13:49Didn't I tell you not to call me that again?
00:13:52Idiot.
00:13:53Mother.
00:13:54Instead of hitting me, you hit me?
00:13:57What are you talking about?
00:13:59You're suffocating me like a woman.
00:14:02Mother, wake up.
00:14:03Wake up and I won't hit you again.
00:14:07Leave him alone.
00:14:10Mother.
00:14:11Mother.
00:14:12What do you want me to do, mother?
00:14:14Hit her?
00:14:15Hug her?
00:14:16Carry her on my back and kiss her?
00:14:18I don't know what to choose.
00:14:19Whatever you do, you can't get rid of the love I feel inside me for this angel.
00:14:25My son.
00:14:26Close the drawer.
00:14:28With or without food?
00:14:29Put some water in it.
00:14:31And a piece of bread.
00:14:32The day before yesterday.
00:14:33No, not the day before yesterday.
00:14:35I want it for the patties.
00:14:36Put some of those salad pies we got at the supermarket.
00:14:39They're sweet.
00:14:40You're going to give me sweet pies?
00:14:42Ah, you don't like them?
00:14:43Put some water in it.
00:14:44To make it melt.
00:14:45From the drawer's sofa.
00:14:46You're so heartless, mother.
00:14:48I'm honest and presentable.
00:14:50And I defend the honor of my ancestors.
00:14:54Oh, my heart.
00:14:55What a tragedy.
00:14:57The mother who gave birth to us here is dead and my brother is ready to blow up.
00:15:02As if Greece didn't have other girls to find.
00:15:04And he went and found the daughter of our enemy.
00:15:07But you're wrong, my dear brother.
00:15:09I'm sure that my love for my good Marusos will make them all give us their blessing.
00:15:14And that the Brontacids and the Fortunacids will become friends.
00:15:18Long live the reconciliation.
00:15:20How stupid I am, brother.
00:15:22Teri, where are you going?
00:15:24I'm going to find my good Marusos and we're going to steal.
00:15:26You're doing it wrong, Teri.
00:15:32What are you sitting there and waiting for?
00:15:34Mother, you're here.
00:15:36What am I doing to you and I'm waiting for you to catch him.
00:15:46Wait.
00:15:48Wait.
00:15:49Where are you going? I'm coming too.
00:15:52Wait.
00:15:57Please, my brother, I'm sorry.
00:16:00I'm sorry for you.
00:16:01Then let me go.
00:16:03No, no. I'm sorry for you, my sister.
00:16:05But you're a Brontacid.
00:16:07I can't let you go until you're punished.
00:16:10What is it?
00:16:11My husband.
00:16:12My husband.
00:16:17Mother, the dog bit me.
00:16:20What?
00:16:21The dog bit you?
00:16:22Mother, bring the dog.
00:16:28He ran away.
00:16:29I didn't know what he looked like.
00:16:31The dog.
00:16:32The dog bit me.
00:16:33Open the door.
00:16:34He locked us in.
00:16:35Let's go out through the window.
00:16:37The dog.
00:16:38Let's go.
00:16:50Let's go.
00:17:15My love.
00:17:16Yes, my baby.
00:17:17Are you ready for the big trick, my love?
00:17:19Yes, my man. I am.
00:17:31Terry?
00:17:32Yes, bro?
00:17:33What are you doing there?
00:17:34I'm kissing the woman I'm going to marry.
00:17:36Sleep on this side.
00:17:39Marceau?
00:17:40Go away, Michael.
00:17:41I'm going home.
00:17:42I'm going to leave you here and you're going to spend hours with this jerk, Terry, Fortunacci.
00:17:47Terry, I love him and I'm going to marry him.
00:17:49And you're going to stay the same forever.
00:17:51Did you dare to kiss my brother?
00:17:54Yes, I did. What's your problem now?
00:17:56Oh, my God. He's going to faint.
00:18:03I can't be a boss.
00:18:07What do you want now?
00:18:08What do you want?
00:18:09Come here.
00:18:11Come here, Sebastian.
00:18:12Michael!
00:18:13Come here.
00:18:14Michael!
00:18:15Michael!
00:18:17Sit down, Susan.
00:18:19What do you want, mom?
00:18:20What do you want, mom?
00:18:21Scoundrel!
00:18:22We came here to stop the wedding.
00:18:26Not for you to do your tricks.
00:18:28Mom!
00:18:29Scoundrel, I said!
00:18:31Go home right now!
00:18:33Now!
00:18:34Now!
00:18:35No, mom.
00:18:36I will go home only with my Marceau wife.
00:18:38You?
00:18:39You're going to marry my daughter and you're going to break the spirit of Fortunacci.
00:18:43I see, mom.
00:18:44Sorry.
00:18:45Did you say mom?
00:18:46I don't know, kid.
00:18:48I said you, Mrs. Alexis.
00:18:49I said you, mom.
00:18:50Because, you know, in a little while, you're going to be my mom.
00:18:53Out of anxiety.
00:18:54Forget about the anxiety.
00:18:56You're never going to find her.
00:18:57Give us your blessing so we can finally get over with this.
00:19:00And I'm not going to be a beggar.
00:19:03Say you're going to give us your blessing.
00:19:05You're late, but you're going to get it.
00:19:07Mom, give us your blessing, please.
00:19:09Bless this wedding.
00:19:10I'd rather kill you.
00:19:13That's what's going to happen.
00:19:15We are determined to die.
00:19:18If you don't give us your blessing, we're going to drink chlorine.
00:19:21Right, my love?
00:19:22Yes, my baby.
00:19:23What did he say?
00:19:24That they're going to drink chlorine.
00:19:25Can you give us your blessing?
00:19:28Can you give us your blessing?
00:19:29No!
00:19:30No.
00:19:33You have a lot of money.
00:19:37Viva, my baby.
00:19:40White bottom.
00:19:42Michael!
00:19:43Don't drink it so fast.
00:19:45You're going to drop it heavy.
00:19:56How did they do it?
00:19:57Probably.
00:19:58What do you mean, probably?
00:19:59With the chlorine they drank?
00:20:00I have a lid.
00:20:01You put it on and all the marbles of the toilet go up.
00:20:04My daughter!
00:20:05My daughter!
00:20:12My daughter!
00:20:13My daughter!
00:20:14My daughter!
00:20:15My daughter!
00:20:16What did we do?
00:20:17What?
00:20:18Instead of drinking chlorine next to the white bottom,
00:20:20you drank it and got married to the black bottom.
00:20:22Wake up, my dear.
00:20:24Wake up.
00:20:26Laura is waiting for you with the white bottom.
00:20:31Instead of drinking chlorine, I got you married.
00:20:34I got you married to the white bottom.
00:20:36I got you married to the white bottom.
00:20:38My sister.
00:20:41My sister.
00:20:43Get up.
00:20:45Get up and go to London School of Economics.
00:20:48What did we do?
00:20:51What did we do?
00:20:52What did we do?
00:20:53What did we do?
00:20:55We killed our children.
00:20:58Yes, mother.
00:20:59It's our fault that we didn't let them get married.
00:21:02It's our fault that we didn't let them get married.
00:21:04And our cursed Vendetta, who is a priestess.
00:21:07Instead of seeing the great love our children had,
00:21:12we went blind and killed them.
00:21:16My daughter, let them be alive and let them get married to Fortunati.
00:21:21And you, my dear, let them be alive and let them get married to the dog's daughter.
00:21:30Yes, yes, yes, you said dog.
00:21:32A mother dog who didn't feel her daughter.
00:21:35And me?
00:21:36And you two are dogs.
00:21:39It's our fault that we are married.
00:21:43We are brainless.
00:21:44And here's how life paid us.
00:21:50I kissed them and told them the trick with the orange.
00:21:53Why don't you say that, mother?
00:21:55Because instead of putting orange in the bottles of chlorine,
00:22:00they put orange with anthracite.
00:22:02And now you understand how anthracite worked.
00:22:06That's how life paid us.
00:22:10Was that what you heard?
00:22:12Or date?
00:22:13I don't know.
00:22:14Did anyone speak?
00:22:15No, mother.
00:22:16We are alone.
00:22:17Strange.
00:22:18Anyway, let's continue with the threesome.
00:22:21Come on, Sympethera.
00:22:22With one.
00:22:24With two.
00:22:26With three.
00:22:28Oh, my son.
00:22:30My daughter.
00:22:33Was that it again?
00:22:34I can't understand, Sympethera.
00:22:36Moses, did you get tired of the city, the threesome, and none came out for you?
00:22:42You're not doing well, are you?
00:22:44Don't get worse.
00:22:45Did any of the girls whisper to me then?
00:22:48Did my little man hear me?
00:22:49No, mother.
00:22:50That's what you're saying now.
00:22:51You're embarrassing me.
00:22:52Oh, come on now.
00:22:54These things happen in the city of great sorrow.
00:22:57Come on now, Sympethera.
00:23:00And let's continue with the threesome.
00:23:02With one.
00:23:04With two.
00:23:05With three.
00:23:06Oh, my son.
00:23:08Oh, my dear Stephana.
00:23:12The grave will unite you.
00:23:15I can't believe what's happening.
00:23:17What the hell is going on?
00:23:21Someone vomited.
00:23:22I heard it clearly.
00:23:23Mother, who vomited?
00:23:24What else?
00:23:25Did the dead vomit?
00:23:26Yes, mother.
00:23:27Teris vomited.
00:23:28How can that be?
00:23:30Either someone else vomited or he vomited and he's not dead.
00:23:37Mr. Myrsinis, he's not dead.
00:23:40Who's half a kilo, Chlorine?
00:23:42And you?
00:23:43Who is it?
00:23:44Robocop?
00:23:46Give me half a minute and I'll tell you.
00:23:53Look at this, Chlorine. It's an orange.
00:23:56An orange?
00:23:58Yes, yes, yes.
00:23:59An orange, but Thracian.
00:24:02Oh, that's why the border is being torn.
00:24:04Come on, live.
00:24:06Yes, mother, we live.
00:24:08Get up, Maroussou.
00:24:09Oh, my mother.
00:24:10We almost died to give you a good lesson.
00:24:13You went to make fun of me and to fuck my little sister, Teri Fortunachi.
00:24:18So here it is.
00:24:22Mom, my child.
00:24:23He ate me, I fell.
00:24:25My child.
00:24:26Teri, my love.
00:24:27You killed my brother, you little dog.
00:24:30Now you'll see what you did.
00:24:36I'm dying, mother.
00:24:37For the honor of the little dog.
00:24:41You killed my son.
00:24:44You died a clean death.
00:24:49I'm dying, mother.
00:24:50Long live the Fortunachides.
00:24:53My little boy, my little boy.
00:24:57Dog.
00:25:00The End
00:25:09Oh my God, oh my God, oh my God.
00:25:12What a dreamer, what a dreamer he was.
00:25:16But how instructive.
00:25:18What did he teach me?
00:25:20He taught me that my love for Teri is a way out.
00:25:25This love can only lead us to hell.
00:25:55The End
00:26:26The End
00:26:35I don't accept it.
00:26:36I don't care.
00:26:38The dream I had last night told me everything.
00:26:40It was a nightmare, what you saw.
00:26:42Your stomach may be heavy.
00:26:43Did you eat anything white last night?
00:26:45I didn't eat anything last night.
00:26:48I'm on a diet.
00:26:49And?
00:26:50How's it going? Did you see the results?
00:26:51I've lost four kilos.
00:26:53Oh, nice.
00:26:54Should I start it too?
00:26:55Do you want to do the dialysis together?
00:26:57I don't want to do anything together anymore.
00:26:59The End
00:27:00I can't even come here.
00:27:02In the courtyard.
00:27:03I can't see you painting.
00:27:05Mother, the more we meet, the more we are under attack.
00:27:09Sister Karamazov told me that we have to break up.
00:27:12You are a cosmic and I want to be a sister.
00:27:15Our paths separate us.
00:27:17Our paths will never separate us, Zanette.
00:27:19You are made for me and I am made for you.
00:27:22I gave you everything, Soto.
00:27:24And you ruined me.
00:27:25You ruined my dignity.
00:27:27You left and I don't know where my husband is.
00:27:30How much I trusted you.
00:27:32Because I trusted you, Soto.
00:27:34My love, my love.
00:27:36There is a misunderstanding.
00:27:37Give me a second chance.
00:27:39Don't ask me for a second chance.
00:27:40The more we don't break up, the more we torture ourselves and those around us.
00:27:44I don't care what they will say.
00:27:45I don't count my parents.
00:27:47I don't count Paparia's high society.
00:27:50I don't care what they will say.
00:27:52I don't care what my brothers will say.
00:27:54Why? What will they do to you?
00:27:58Don't you have two sisters, Johnny?
00:28:00Is that why you say that?
00:28:02Zanette, Zanette, I beg you.
00:28:05Don't put an end to our relationship.
00:28:07Why, Soto?
00:28:08What can I expect?
00:28:09To explain to our in-laws about our love.
00:28:12Only our love will end the vendetta that separates them.
00:28:15My boy, what are you drinking and not giving us?
00:28:17Why do you say that, my love?
00:28:18Because you can't drink nothing and believe that we can end the vendetta between us and our in-laws.
00:28:23And why do you deny it?
00:28:24Because the road we walk is a dead end.
00:28:27We lived a dream, Soto.
00:28:29But the opposite reality came and brought me to life, Dinira.
00:28:33Accept it without tears.
00:28:35Everything between us is over.
00:28:38The road separates us
00:28:43The words don't come back
00:28:48And as much as I miss you tonight
00:28:53Tomorrow you won't remember me
00:28:59When the hearts
00:29:03When the hearts separate
00:29:09Tears fill the nights
00:29:14When the hearts look
00:29:19Empty nights wake up
00:29:33Empty nights wake up
00:29:55I gave this crossroad
00:29:59There is not much left
00:30:04And what we have lived together
00:30:09Until the morning will be gone
00:30:16When the hearts separate
00:30:22Tears fill the nights
00:30:26When the hearts look
00:30:32Empty nights wake up
00:30:40When the hearts separate
00:30:46Tears fill the nights
00:30:51When the hearts look
00:30:56Empty nights wake up
00:31:09But why are you like this, sister Karamazov?
00:31:11You look devastated.
00:31:13Yes, because I am a dead man for the holy trinity.
00:31:16For me, you say?
00:31:18But I showed him to Panagos.
00:31:20I know. Sit down. I've been watching you for a few days.
00:31:22I know you got divorced.
00:31:24You got divorced.
00:31:26How was I? How was I?
00:31:27Very good. You hid it very well.
00:31:29When the hearts separate
00:31:34Tears fill the nights
00:31:38You, Miracle.
00:31:39Thank you, sister.
00:31:41You are good.
00:31:42Another thing that keeps me awake at night.
00:31:45What do I do?
00:31:46What are they doing, sister Katsamba?
00:31:48I mean Iliotis, brother Tzavaras.
00:31:51I imagine they will fast and pray.
00:31:53Them.
00:31:54They are praying to Satan.
00:31:56Get out of here. Why do you say that?
00:31:59They are preparing something.
00:32:01With the bull's calf?
00:32:02With the baron Sidostas?
00:32:04I don't know.
00:32:05They are preparing something bad for our monastery.
00:32:08And if you were a priest?
00:32:10I would kill them.
00:32:11I killed the priest for two votes.
00:32:13For the sake of my democratic process.
00:32:15Don't you remember?
00:32:16That's what happened.
00:32:17Now it's sister Katsamba's turn.
00:32:19That's what I'm going to lose.
00:32:21If I don't lose my sister, I'm going to lose her.
00:32:24How can you lose her?
00:32:26I have to report her to the Archbishop.
00:32:30For what?
00:32:31I don't know.
00:32:32We have to find out.
00:32:34Think of something.
00:32:35Come on.
00:32:36With what?
00:32:37With my mind.
00:32:38Do you have this?
00:32:39Bravo.
00:32:41Tell me.
00:32:42We have to report her.
00:32:43That during the fast she eats a second portion of food.
00:32:46Okay.
00:32:47This is not enough to defeat her.
00:32:49Let's say that she eats a third portion.
00:32:51That's not enough.
00:32:52But she eats sweets.
00:32:53That's not enough either.
00:32:54No, sister Karamazov.
00:32:56Regular sweets.
00:32:57With sugar.
00:32:58To see the food.
00:32:59To see the baklava she puts down.
00:33:01That's not enough with your food.
00:33:03Not even the fact that she has made a small barbecue next to her cell
00:33:06and she is grilling steaks and kontosouvli?
00:33:09This is a sin.
00:33:10A sin.
00:33:11But not a big one.
00:33:14So we can't do anything with Voulimia.
00:33:17What should we do with her?
00:33:20Poison?
00:33:22That's your idea.
00:33:23It's not bad.
00:33:26What is it, Jeanette?
00:33:27Don't bother me.
00:33:28Tania, my dear Tania.
00:33:30As you know, you are my best friend.
00:33:33Yes.
00:33:34So you decided to be an aircraft carrier of the series.
00:33:36You are not in the right place, are you?
00:33:38It's kind of stupid, but we have to accept it.
00:33:41You are my best friend.
00:33:43In the whole of Paparia, you are the only one who understands me.
00:33:46Thank you very much, Jeanette, for honoring me with your friendship.
00:33:49How?
00:33:50You are the only one of all the cockroaches that caught work in my husband's store and you didn't drop it.
00:33:55But he dropped it to me.
00:33:56I'm sure.
00:33:57Baron is a sex-eating insect.
00:34:00He doesn't feed women.
00:34:01After all, he is called the Berlusconi of Paparia.
00:34:05He only does the bunga-bunga party.
00:34:07But I rejected him proudly, Jeanette.
00:34:09Well done, my dear Tania.
00:34:11That's how you got rid of the old cockroach and you became my best friend.
00:34:14That's why, my dear friend, talk to me.
00:34:17Open your heart to me.
00:34:18Tania, you know very well that my husband has driven me crazy.
00:34:23Yes, and especially with that prostitute, Gavriela Partolou.
00:34:26For some years now.
00:34:28With Baron, we are married only on paper.
00:34:30I live in a white wedding.
00:34:32How white?
00:34:33The white that distinguishes.
00:34:35As you can see, I was paralyzed for so many years.
00:34:39Of course, my dear Jeanette.
00:34:41Because I'm a new woman, my dear Tania.
00:34:43Young.
00:34:44That's right.
00:34:45I couldn't live like a good woman.
00:34:47A doll like you doesn't deserve such a fate.
00:34:50That's right.
00:34:51I fell in the nets of a pregnant man.
00:34:54It happened by chance.
00:34:56In a crossroad.
00:35:04Where are you going, you bitch?
00:35:06Can't you see the whole car?
00:35:08Listen to what the bastard is saying.
00:35:10Go wash a plate.
00:35:12Get out of here.
00:35:13You hit the wheel and you're going to kill us all.
00:35:15What kind of sexist creature is that?
00:35:17Get out, you bitch.
00:35:19Get out, you bitch.
00:35:21I get out of the car and I detect the absolute sexist.
00:35:28I'm sorry, sir, I didn't mean to.
00:35:30No, no, madam, don't talk to him.
00:35:32It's all my fault.
00:35:33It's my fault that I was on the street.
00:35:34No, no, I'm not talking to him.
00:35:36It's my fault.
00:35:37No, no.
00:35:38It can't be my fault that I saw you.
00:35:40It's my fault.
00:35:41It's my fault.
00:35:42I beg you very much.
00:35:44Push me down with your butt.
00:35:47He was a compliment.
00:35:49And very sexy.
00:35:51No, no, don't talk to him.
00:35:53It's my fault.
00:35:54I'll give you the details.
00:35:55My name is Jeanette Sevastou.
00:35:56My phone number is 6868357.
00:35:59My name is Sotos.
00:36:00Sotos Poulos.
00:36:02But you didn't write my number.
00:36:04I didn't have to.
00:36:05As soon as I heard it, it was engraved in my memory.
00:36:08It will never be erased.
00:36:10Here.
00:36:11Take my number, too.
00:36:13And you took it?
00:36:14I mean the number.
00:36:16Whatever you mean, you're in.
00:36:18We had a relationship.
00:36:20A relationship full of passion, secrets and lies.
00:36:23Until the day before yesterday.
00:36:24The day before yesterday, I broke up with him.
00:36:26Why, Jeanette?
00:36:28Don't say Samantha.
00:36:29Don't call me Samantha, baby.
00:36:31Now they call me sister Katsamba.
00:36:33And what do you want?
00:36:34Do you want me to disown you?
00:36:35No, no, no.
00:36:36Let's not go to extremes.
00:36:37But I'll cut off Samantha.
00:36:39Sotos Poulos declared war on me.
00:36:42Jeanette, you told me that you have a daughter.
00:36:44Although I gave her to him several times.
00:36:46And I'm hot.
00:36:48When he found out that I was talking to Baron Sevastou,
00:36:51he got mad.
00:36:53Jeanette.
00:36:54Why?
00:36:55He wants to buy the share of the monastery.
00:36:58While the Baron has a perfect offer.
00:37:01Half of it is black.
00:37:03100,000 euros for the land,
00:37:05the black shares,
00:37:06and the rest for 24 years.
00:37:09Perfect arrangement.
00:37:11And how much is the black,
00:37:12and how much does the monastery have to pay?
00:37:16Exactly.
00:37:17You're going to sell it to the Baron. Are you crazy?
00:37:20Yes, but Sotos Poulos is going to start raping me.
00:37:23He knows that your mother-in-law is dead.
00:37:26So?
00:37:27Sotos Poulos must be silenced forever.
00:37:30But are you sure that Poulos lied to you
00:37:32to follow your husband's business moves?
00:37:35Of course.
00:37:36Because I told him a secret.
00:37:38And I don't know where he went and said it.
00:37:40Until I found out from my husband.
00:37:42Poor you, Jeanette.
00:37:43You fell victim.
00:37:45But so far,
00:37:46no matter how much I hurt,
00:37:48I tore him from my heart.
00:37:50Hello, hello.
00:37:51Daisy, good doctor.
00:37:52Daisy, good doctor.
00:37:53Over.
00:37:54Daisy, good doctor.
00:37:56Good doctor, can you hear me?
00:37:57Over.
00:37:58Come on, baby.
00:37:59Where are you, doctor?
00:38:00Over.
00:38:01I can't wait, baby.
00:38:02Can't we just talk on the phone?
00:38:04Doctor, I have shocking news.
00:38:06Over.
00:38:07Tell me, who's keeping you?
00:38:08Over.
00:38:09Jeanette Evrastou called me to her house.
00:38:11That's why I was hungry since this morning.
00:38:13Doctor, Jeanette broke up with Poulos.
00:38:15Over.
00:38:16Seriously?
00:38:17I'm sick of this.
00:38:19Now you're interested.
00:38:20But when Daisy talks...
00:38:22How did it happen?
00:38:24First of all, Jeanette called me
00:38:26and told me about her relationship with Sotopoulos.
00:38:28Even though I knew everything,
00:38:30because I watch them all the time,
00:38:32I was surprised.
00:38:34Because I'm a very good actress when I want to.
00:38:36Well done, baby.
00:38:38And then she told me that they broke up yesterday.
00:38:40Over.
00:38:41Why didn't she say that now?
00:38:42Now she's hurting us.
00:38:44Why do you say that, chief?
00:38:45Over.
00:38:49Ladies and gentlemen.
00:38:50Ladies and gentlemen.
00:38:51I have good news for you.
00:38:53What is it?
00:38:55Is there a coronavirus?
00:38:56Yes.
00:38:57Diarrhoea?
00:38:58No.
00:38:59Worse.
00:39:00What happened?
00:39:01The girl is losing it.
00:39:03Hooray!
00:39:04How did that happen?
00:39:05It didn't happen.
00:39:06It's happening.
00:39:08Look at this.
00:39:12Sin.
00:39:15Another sin.
00:39:16Another sin.
00:39:19And a worse sin.
00:39:22I'll send these to the Archbishop
00:39:25and they'll wear them.
00:39:34But where did you find these strange photos, sister?
00:39:37Your friend, Chamba.
00:39:39She has a page on Only Followers.
00:39:41What is this?
00:39:42A cooking site.
00:39:44And what does the sister cook here?
00:39:46Kapama.
00:39:47And why is she bending like that?
00:39:53Wait a minute.
00:39:56Are you sure this is sister Kachamba?
00:39:58Can't you see?
00:40:01This thing looks like a photomontage to me.
00:40:03She must have such a booty, sister Kachamba.
00:40:06What kind of a booty is it?
00:40:08Don't send it to the Archbishop, sister.
00:40:10It's a photomontage.
00:40:12They'll understand.
00:40:13I understood it right away.
00:40:14If you understand it,
00:40:16this is a very bad sign.
00:40:19My dear sister,
00:40:20whoever gave you these photos
00:40:22wanted to make you laugh
00:40:24to make you feel bad.
00:40:26Because I'm a good card.
00:40:27And trustworthy.
00:40:30And they went to look at me.
00:40:33Don't you understand, little girl?
00:40:35Zanette was the best way
00:40:37to follow the moves of the ball.
00:40:39Now, without her, what can we do, Archbishop Over?
00:40:41To prove that the ball loves her
00:40:44and to find her again, Over.
00:40:46How can I prove it, Archbishop Over?
00:40:48You have to find a smart way
00:40:50to prove it without her or the ball getting high.
00:40:53Over.
00:40:54As you wish, Archbishop Over.
00:40:56Think of a smart way to catch them again.
00:40:59I've already thought of a way
00:41:01because I'm very smart.
00:41:02A personal key, Over.
00:41:04Is he a trustworthy man?
00:41:06I've been working with him for a long time.
00:41:08He's my most valuable informant.
00:41:10I'm talking to you about a smart way, Archbishop Over.
00:41:16How are you, beautiful?
00:41:18Pretend you don't know me.
00:41:20I don't know you, Kale.
00:41:22The secret police don't know you.
00:41:25I don't know you.
00:41:26Good morning.
00:41:27What's your name, ma'am?
00:41:29Don't talk to me, Kale.
00:41:30I don't know you.
00:41:31That's why I asked you your name.
00:41:33Don't talk to me, Kale.
00:41:34How can I understand you?
00:41:36Don't pretend you don't know me.
00:41:38Turn around
00:41:39and talk through your teeth.
00:41:41Through my teeth?
00:41:42Yes.
00:41:43Okay, I'll do it.
00:41:45Good morning.
00:41:46My name is Daisy.
00:41:48Say names, Kale.
00:41:49Say names.
00:41:50Why, ma'am?
00:41:51Because the walls have ears.
00:41:53Do you see a wall around it?
00:41:55We're on a secret mission.
00:41:57We can't say names.
00:41:58Turn around.
00:42:00Okay, I'll turn around.
00:42:01But how can I talk if I look over there?
00:42:04Pretend you're talking on the phone.
00:42:05Okay, I'll pretend I'm talking on the phone.
00:42:08Good morning, ma'am.
00:42:09My name is Daisy.
00:42:11Say my name, Christian.
00:42:13Who am I talking to on the phone?
00:42:14Alexis Tsipras?
00:42:15I'm talking to you.
00:42:16Yes, but you can't say my name.
00:42:18Okay, I won't say your name.
00:42:19Good morning, ma'am.
00:42:20My name is Alexis Tsipras.
00:42:22What's up, Alexis?
00:42:23How are you doing in Kumudoura?
00:42:26Can you stop this nonsense?
00:42:28You didn't tell me to say your name.
00:42:29Yes, but you can't say Alexis Tsipras' name.
00:42:32Should I say Mitsotakis' name?
00:42:33No name.
00:42:34You're very angry today.
00:42:37Okay, turn around and listen to me.
00:42:39Okay, ma'am, I'm listening.
00:42:42You should convince your wife to present the medium.
00:42:46My wife, Halima?
00:42:47Not your wife, Michelle Obama.
00:42:49Halima, of course.
00:42:50You should convince her to present the medium.
00:42:53How is she going to present the medium?
00:42:55I'll give you 100 euros for every visit my client will make to your wife.
00:43:02What else should I do with the medium?
00:43:04You're not a normal medium.
00:43:07You're a fool.
00:43:09You're not going to make any more prophecies.
00:43:11Whatever you tell us, you say in the name of the law and you get money.
00:43:14You say in the name of the law and you get money.
00:43:17How much?
00:43:1850 euros per visit.
00:43:2050?
00:43:21Yes, isn't it good?
00:43:2350 euros is good.
00:43:25Oh, you'll like it.
00:43:27So, out of the 50 euros you like, you'll keep the other 30 euros and give me 20 euros.
00:43:33Did I get you the job?
00:43:34So, I'm saying that you can come to my head and I'll get 30 euros?
00:43:38Yes, give me the money your client will give you per visit.
00:43:42Who is your client?
00:43:44Oh, Zanette Sevastou.
00:43:47We're talking about a lot of money.
00:43:52Baby.
00:43:53What is it, baby?
00:43:55Tell me, when we get married, do you want to eat waffles with banana and rye
00:44:01or cupcakes with cranberry and chico piloba for breakfast?
00:44:04What can I say to this idiot?
00:44:06I think waffles with rye and banana.
00:44:09Oh, my love, bravo.
00:44:11You always make the best choice.
00:44:13Because you know, waffles with banana and rye are very beneficial for metabolism
00:44:19and they also help digestion.
00:44:21Oh, how nice. I feel wonderful now that I've heard about it.
00:44:24That's why, when we get married, I'll bring you waffles in our bed
00:44:29and we'll also have gucci-gucci.
00:44:31Oh, my God, we'll do it later.
00:44:33Baby.
00:44:34What is it, baby?
00:44:35When we get married, what color do you want for our bedroom, Zanette?
00:44:39Pink, purple, pink-blue or pink-pink?
00:44:42Whatever you want, my love.
00:44:44I want pink-pink.
00:44:45I want that, too.
00:44:46Oh, my love, you see how much we fit in everything.
00:44:51Baby.
00:44:52What is it, baby?
00:44:53When we get married, what color do you want for our bedroom, Zanette?
00:44:57Pink, purple, pink-pink or pink-pink?
00:45:00Whatever you want, my love.
00:45:01Oh, my love, you see how much we fit in everything.
00:45:05Oh, my God.
00:45:06Take this whore in front of me and bring me my beloved, my sweet Marousse.
00:45:10What are you thinking about, my love?
00:45:13I'm thinking about my future.
00:45:16What are you thinking about, my love?
00:45:19My diploma at the university.
00:45:21What's your diploma about?
00:45:23How many years can someone live if he kills his lover?
00:45:26Yes, but you don't study criminology.
00:45:29I say I should turn it around next year.
00:45:32I should become a psychologist and a criminologist.
00:45:40Maybe I should put an end to my life.
00:45:43That's what I should do.
00:45:45Stella Violandi had so much more than me.
00:45:48I will become a legend.
00:45:50They will write a play for me.
00:45:52And maybe it will become a serial.
00:45:54Really.
00:45:55Who would want to play me?
00:45:59Who else?
00:46:00Zetta Makripoulia.
00:46:02Because we are the same.
00:46:04Innocent.
00:46:05Romantic.
00:46:06And virtuous.
00:46:07Both.
00:46:08Oh, a message.
00:46:09Who could it be?
00:46:13It's him.
00:46:15It's him.
00:46:16He wants to meet me.
00:46:18No.
00:46:19No, no, no, no, no.
00:46:21I'm not going to see him.
00:46:23No matter how much he begs me.
00:46:25Why do you bother me with the stupid messages you send me?
00:46:28I want to be with my husband again.
00:46:30They didn't kill him.
00:46:32You are angry with the TV and you hid it from me.
00:46:35What do you want from me?
00:46:36A spicy adventure?
00:46:37Who do you think I am?
00:46:39An easy one?
00:46:40No, forget him.
00:46:42I want you to understand me.
00:46:44Please.
00:46:45I don't want Laura.
00:46:46I want you and only you.
00:46:48I don't care.
00:46:49You go and get married to your Laura.
00:46:51And I'll go and get married to Sifi.
00:46:53I've decided.
00:46:54How did you tell the media?
00:46:56Madame Halima.
00:46:57I haven't heard of her.
00:46:58Is she good?
00:46:59There is no better one in Paparia.
00:47:01Really?
00:47:02People from all over Greece come to say goodbye.
00:47:05And from abroad.
00:47:06Imagine, she has been visited by Emmanuel Macron,
00:47:09Mick Jagger,
00:47:10and Poppy Tzapanidou.
00:47:11And did she find them?
00:47:12Everything.
00:47:13Imagine, Poppy Tzapanidou told her
00:47:15that she would get 17.83.
00:47:17Not even the standard analysis of such an approach.
00:47:20Oh, dad.
00:47:21My hair is a mess.
00:47:23Well, in Despina Vandi,
00:47:24she had found in her fiancé a man from everywhere.
00:47:27Really?
00:47:28Unbelievable.
00:47:29Yes, unbelievable.
00:47:30My child.
00:47:31In Evridiki Vallavani,
00:47:32she found out that she would divorce Kostas Vassalos.
00:47:35And in Katerina Kenouriou,
00:47:36she found out that she would have an affair with Fee Skorda.
00:47:39Madame Halima has found all this.
00:47:41It's amazing.
00:47:42Yes, that's why I'm telling you.
00:47:44Whatever Madame Halima tells you,
00:47:46it will be the absolute truth.
00:47:48You should trust her blindly, my dear Jeanette.
00:47:51Good evening, dear Jeanette.
00:47:54Good evening, Zakoulas Bochos.
00:47:58Are you also a medium?
00:48:00No, I am a helper medium.
00:48:03I help the prophetess to prophesy.
00:48:05And where is the prophetess now?
00:48:07At the moment, the prophetess is doing self-concentration.
00:48:10Yoga, Dialogism, Hare Krishna, Hare Rama, Hare Roma.
00:48:15Things like that.
00:48:16Do you prepare so much?
00:48:18Yes, yes.
00:48:19What is she, a patroness?
00:48:20No, Madame Halima is doing scientific work.
00:48:23Now she is inside and she is smoking bay leaves.
00:48:26Don't tell me.
00:48:27Yes, whatever bay leaves we put in the pots,
00:48:29the prophetess takes it inside and smokes it.
00:48:31And does the bay do good?
00:48:33In the pots?
00:48:34Very much.
00:48:35It gives aroma.
00:48:36Not in the pots.
00:48:37The prophetess, I mean, helps the bay?
00:48:39Yes, and she helps her a lot because she smokes the bay leaves
00:48:43and something happens to her, like asthma,
00:48:46like she gets dizzy, she has a bad sleep,
00:48:49and so her chakra relaxes so that she can easily enter the spirit of Baba Vanga.
00:48:55What is Baba Vanga?
00:48:57A great Bulgarian blind prophetess.
00:49:01Bulgarian?
00:49:02And what language will she use?
00:49:04Bulgarian.
00:49:05But with a subtitle in Balama, do you understand?
00:49:08Ah, I understand.
00:49:09Ah, wait a minute, wait a minute, because I hear now,
00:49:12and the prophetess comes.
00:49:14Come, Madame Halima!
00:49:17Come, prophetess!
00:49:20Tell us your word!
00:49:22Who is calling me?
00:49:27The black chariot.
00:49:28Who is calling you?
00:49:30Madame Sevastou, the greatest lady of Paparia.
00:49:34Good evening, prophetess!
00:49:36They are talking to you!
00:49:38They can't hear you, they are scared of the black chariot.
00:49:40Come, Halima, take your seat.
00:49:43Come, sit down.
00:49:45Sit down, Madame Sevastou, sit down.
00:49:50Is the prophetess here?
00:49:52Is Baba Vanga here?
00:49:53She is here.
00:49:54She is here.
00:49:55Let's see if Baba Vanga will answer us.
00:49:58She will answer.
00:50:00Well done, ask, Madame Sevastou.
00:50:02Baba Vanga?
00:50:03Yes?
00:50:04Can I ask you a question?
00:50:06Give me twenty coins first.
00:50:14Ask a question now.
00:50:16What do you see in me, Baba Vanga?
00:50:18I see that you are a living doll.
00:50:24It doesn't matter how old you are.
00:50:27And you don't have to say it, you don't have to.
00:50:30Why should I say it?
00:50:32You are thirty, thirty-two.
00:50:35So much?
00:50:36Twenty-five!
00:50:37Well done, he found it.
00:50:39In the end, Baba Vanga finds everything.
00:50:41I'm telling you, she is a great prophetess.
00:50:43Baba Vanga, can I ask the next question?
00:50:46Give me seven coins first.
00:50:50Ten coins, don't be stingy.
00:50:53We said twenty coins.
00:50:54I'm sorry, I got confused.
00:50:56She sees, she sees, but the prophetess sees everything.
00:51:00I put twenty coins.
00:51:02Tell me.
00:51:03What do you see in my erotic life, Baba Vanga?
00:51:06Oh, you are a very lucky woman.
00:51:12A man next to you is a diamond.
00:51:16He adores you.
00:51:18My husband?
00:51:20Don't listen to this nonsense.
00:51:22Don't listen to this nonsense.
00:51:24A man next to you is a diamond.
00:51:26He adores you.
00:51:30What's his name, Baba Vanga?
00:51:32His name starts with a S.
00:51:36Sakis?
00:51:37No, no, no.
00:51:38Sulis?
00:51:39No.
00:51:40Solos?
00:51:41Like the ancient one?
00:51:42No, not even Solos.
00:51:45Sotos.
00:51:46Sotos is his name.
00:51:48Sotos.
00:51:49Oh, I got confused.
00:51:52And how many more times will you get confused?
00:51:55Tell us, prophetess.
00:51:57Tell us his last name.
00:51:59His last name starts with a P.
00:52:02And ends with a L.
00:52:04Oh, what is it that starts with a P.
00:52:07And ends with a L?
00:52:08It's Poulos.
00:52:09What is it?
00:52:10It's Poulos.
00:52:11Oh, my breath is stopping.
00:52:14A man next to you is a diamond.
00:52:17He adores you and cries for you.
00:52:20Sotos?
00:52:21That's him.
00:52:22Is he serious?
00:52:23Yes.
00:52:24Are you sure he smoked a rose?
00:52:26Or did he smoke something else?
00:52:28No, how did he find his name and last name?
00:52:30So, Sotos loves me, Banga Vanga?
00:52:33Like a madman.
00:52:35Oh, I want to remember.
00:52:38You have to change Poulos' mind.
00:52:41How?
00:52:42Do you want your wife?
00:52:43Or are you the wife?
00:52:44I haven't given him anything for a long time.
00:52:47He only cares about money.
00:52:50Ever since I found out that I'm selling the house,
00:52:52he wants to take it all.
00:52:54But he won't get it.
00:52:56Or will you do it?
00:52:57I won't do it alone.
00:52:59We'll do it together.
00:53:00Or do you have a real job in mind?
00:53:02We have to kill him.
00:53:05I have to find something.
00:53:07I have to find something to accuse him of.
00:53:10I have an idea.
00:53:13Let's say he doesn't have a relapse.
00:53:16That's not a good idea.
00:53:18But he's not a psychologist.
00:53:20I've seen him with my own eyes,
00:53:22drinking Frappé with a plastic straw.
00:53:24But this paper straw is not good either.
00:53:27He'll choke after a while.
00:53:29What should I say?
00:53:31Should I say he doesn't love animals?
00:53:33Why?
00:53:34Did he hurt a dog?
00:53:35No.
00:53:36Did he take a cat or a mule?
00:53:38No.
00:53:39He put the moped in the pots.
00:53:41Something else.
00:53:42I'll think of something else.
00:53:44If I can.
00:53:46Then let's say he's an open-minded worker.
00:53:50Why? What did he do to you?
00:53:52One day he threatened me.
00:53:54That's what we say.
00:53:56If he doesn't have a relapse.
00:53:58You're completely wrong.
00:54:00Do you have another solution?
00:54:01Of course.
00:54:02The bird threatens you.
00:54:04With my father-in-law's body.
00:54:06And he tells you that if you don't sell it to him,
00:54:08he'll come out and drink from the body.
00:54:10Yes.
00:54:11There are two solutions.
00:54:13Either the bird disappears, which is difficult.
00:54:16Or the body disappears.
00:54:18What do you mean?
00:54:19This week we're going to bury him.
00:54:22With what the bird will threaten you later.
00:54:30I don't know if I still have the right
00:54:32to come to this room.
00:54:34Shhh.
00:54:36Don't be afraid, baby.
00:54:40My love, my love.
00:54:42Calm down now.
00:54:45Sister, try to concentrate.
00:54:48But he tells me that there is a body buried in the forest.
00:54:51How can you do that?
00:54:53I'm sorry.
00:54:54It's better to bury him next week.
00:54:56That's what happens in Syria.
00:54:57Good.
00:54:58Syria is out of the picture.
00:55:00But did you kill your mother-in-law?
00:55:02What can I do?
00:55:03To bury her alive?
00:55:05And why did you kill her?
00:55:08She made me angry.
00:55:10On the one hand, she told my husband
00:55:12that the food I cook is unhealthy and unsalted.
00:55:15On the other hand, she said that my white clothes are gilded.
00:55:19On the other hand, she said that my living room has a finger of dust.
00:55:22It takes a lot of man.
00:55:24Why didn't she say that you had a girlfriend?
00:55:26That's what she said.
00:55:27That I have four girlfriends.
00:55:29When I heard about four girlfriends,
00:55:32I said, now the grave will be a mess.
00:55:34You were right to lie
00:55:36that you had four girlfriends.
00:55:38Big lies.
00:55:40I only had two.
00:55:41You were saying something.
00:55:43From my nerves.
00:55:45Are you going to bury her now?
00:55:48No.
00:55:49We'll leave her there.
00:55:50She'll go and find her.
00:55:51I'll bury her in the shed.
00:55:52And then she'll have to pay us.
00:55:53No.
00:55:54We'll have to bring the bones.
00:55:55The murderer will go.
00:55:56What job do you have?
00:55:57No, no.
00:55:58We buried her together.
00:55:59We'll bury her together.
00:56:00I'm with the brotherhood.
00:56:02We are like brothers.
00:56:04I'm with the scandal in the villa.
00:56:06What scandal is this?
00:56:08This is an old story.
00:56:09We won't discuss it now.
00:56:11We'll discuss it at some other time.
00:56:13What we have to do now
00:56:15is to go and dig in the forest.
00:56:18Have you brought the bags?
00:56:19What do I have in the car?
00:56:21Sister Tzavara,
00:56:22you'll wait for us in your cell.
00:56:24When we finish digging,
00:56:26we'll call you.
00:56:27When you go to the gate,
00:56:28you'll open the door for us.
00:56:29Oh, my God.
00:56:30What a dangerous thing to do.
00:56:33Sister Tzavara,
00:56:34say hello.
00:56:35Wait for me.
00:56:36I'm on the phone.
00:56:43I'm so happy that I left you.
00:56:47Oh, my God.
00:56:49A dance is love
00:56:52on a slippery track.
00:56:55And the meaning of the moon
00:56:59is to drown you or make you dizzy.
00:57:02A dance is love
00:57:05a music to play alone
00:57:09and a couple hugged
00:57:12out of the world and out of time.
00:57:17Tell him that we had a vision
00:57:21and it will be a lie anyway.
00:57:24Tell him that we had a vision
00:57:27and we'll never be apart.
00:57:30Tell him that we had a vision
00:57:34and we'll never be apart.
00:57:37Tell him that we had a vision
00:57:41and we'll never be apart.
00:58:01A dance is love
00:58:04a music to play alone
00:58:07and a couple hugged
00:58:10out of the world and out of time.
00:58:13A dance is love
00:58:16a music to play alone
00:58:19and a couple hugged
00:58:22out of the world and out of time.
00:58:25A dance is love
00:58:28a music to play alone
00:58:31and a couple hugged
00:58:34out of the world and out of time.
00:58:39Tell him that we had a vision
00:58:43and it will be a lie anyway.
00:58:46Tell him that we had a vision
00:58:50and we'll never be apart.
00:58:53Tell him that we had a vision
00:58:57and we'll never be apart.
00:59:00Tell him that we had a vision
00:59:04and we'll never be apart.
00:59:20Tell him that we had a vision
00:59:24and we'll never be apart.
00:59:28Tell him that we had a vision
00:59:31and it will be a lie anyway.
00:59:34Tell him that we had a vision
00:59:37and we'll never be apart.
00:59:40Tell him that we had a vision
00:59:44and we'll never be apart.
00:59:54If you were here, now you will see what you will go through, like a hell-bent cockroach.
01:00:24If you were here, now you will see what you will go through, like a hell-bent cockroach.
01:00:54If you were here, now you will see what you will go through, like a hell-bent cockroach.
01:00:58If you were here, now you will see what you will go through, like a hell-bent cockroach.
01:01:16Mouth to mouth, a burning breath, you whisper in my ears
01:01:24Words that opened heavy feasts, sweet words, knives
01:01:37But if you lie, but if you lie, your lips are not burned, I will not go alive
01:01:46Sea, sea, let your embrace be, let me sink in it
01:01:55But if you lie, but if you lie, your lips are not burned, I will not go alive
01:02:04Sea, sea, let your embrace be, let me sink in it
01:02:15But if you lie, but if you lie, your lips are not burned, I will not go alive
01:02:30But if you lie, but if you lie, your lips are not burned, I will not go alive
01:02:39Sea, sea, let me sink in it
01:02:48But if you lie, but if you lie, your lips are not burned, I will not go alive
01:02:56Sea, sea, let your embrace be, let me sink in it
01:03:08But if you lie, but if you lie, your lips are not burned, I will not go alive