Al Fondo Hay Sitio Temporada 11 Capitulo 126 Completo
Al Fondo Hay Sitio Temporada 11 Capitulo 126 Completo
Al Fondo Hay Sitio Temporada 11 Capitulo 127 Completo
Al Fondo Hay Sitio Temporada 11 Capitulo 128 Completo
Al Fondo Hay Sitio Temporada 11 Capitulo 126 Completo
Al Fondo Hay Sitio Temporada 11 Capitulo 127 Completo
Al Fondo Hay Sitio Temporada 11 Capitulo 128 Completo
Al Fondo Hay Sitio Temporada 11 Capitulo 126 Completo
Category
🎥
Short filmTranscript
00:00I'm going to kneel and show him the ring.
00:05I thought you brought me to your house out of generosity, not revenge.
00:11And I was wrong, Olinda. I was wrong.
00:19There was a confusion.
00:20PigĂĽicho, no! I have to go alone, PigĂĽicho!
00:22PigĂĽicho, don't follow me!
00:23Don't follow me!
00:28Anastasia! Anastasia! Princess! Princess!
00:31Princess, are you okay?
00:33Princess! Princess!
00:36Anastasia, are you okay?
00:42And this number?
00:45That's weird.
00:47I saw a video.
00:49What could it be?
00:54Why don't you follow me?
01:11Miss, are you okay? Or should we take you to the post office?
01:14No, it's not necessary.
01:17Can't you be more careful?
01:19I'm sorry, I was distracted. You're not going to report me, are you?
01:22He just disappears.
01:25Oh, I see.
01:27Joel, you speak well of me.
01:29Yes, yes, yes.
01:31He's Felix. He's a little clumsy, but he's a good guy.
01:37Let's not talk about him anymore.
01:41What? What's wrong? Why are you looking at me like that?
01:45Like what?
01:46I don't know, with those little eyes of pure amazement.
01:49No, I don't know what you mean.
01:53It's as if you finally realized what you have in front of you.
01:58I'm sorry.
02:00Why?
02:02It's just that you're so...
02:05Beautiful? I know.
02:08You're not modest at all.
02:10Don't be shy. It's normal for women to be shocked by this monument of men.
02:17They attack me and blow me up.
02:19We haven't introduced ourselves.
02:22I'm Joel.
02:53I'm in love with you, but I haven't met you yet.
03:01Maximiliano, no!
03:03I'm sorry. I got carried away by the impulses.
03:06Yes, but it was very bad.
03:09I'm sorry, Lore, but I miss your kisses.
03:12I miss those kisses that made time stop.
03:15And you're going to keep missing them because I'm with Tito.
03:18And if I agreed to come and talk to you in person,
03:21it's because I need you to know that you can't have your hopes up.
03:27So?
03:29Here.
03:33This is a gift.
03:35Maripaz doesn't want it.
03:39Mappy doesn't want it?
03:43Or did the troglodyte ask you to give it back to me?
03:46Tito didn't force anyone to do anything.
03:49At least you're accepting that he's a troglodyte.
03:51I'm leaving.
03:52No, no, no, Lore, come here.
03:58Please.
04:01Remember our dream.
04:04To start a family, you, Mappy and me.
04:07That was our dream.
04:09Maximiliano, please, don't talk to me like that.
04:11I don't know what language to use to tell you that I'm with Tito.
04:18Look, I know that Tito is the obstacle for us, but...
04:23I'm talking to you with my heart in my hand.
04:28Lore, I love you.
04:31Remember how we lived together.
04:34That was full love.
04:36Waking up on Sundays, hugging each other.
04:41I love you.
04:43No, I love you more than before.
04:51Look, I'm going to wait for you.
04:56You do whatever you have to do.
04:59But I swear...
05:01I swear that this is not the end of our story.
05:05And I'm sure...
05:07that our story has a happy ending.
05:12No.
05:23No.
05:25It can't be a joke.
05:27No, Cris.
05:29Believe me.
05:31He's not.
05:38Who sent this to me?
05:42Who are you?
05:54Leave your message in the voicemail box.
06:01Why are they doing this to me?
06:11Why are they doing this to me?
06:19You're a David.
06:21I'm Joel.
06:23A David of Michelangelo.
06:25I don't know you.
06:27A sculpture of the Renaissance.
06:29Well, they've told me that several times.
06:31Let me introduce myself again.
06:33I'm Joel González.
06:35The one who sows, harvests, cooks and devours.
06:37The legend.
06:39To know me is to love me.
06:42You just had to give me one chance.
06:46And you're just getting to know me on the outside.
06:49You're getting to know my spectacular physique.
06:52But you still need to know my multiple talents.
06:56I'm a singer, I'm a dancer, I'm a composer, I'm an actor.
07:00I make my songs, I make musicals, I write.
07:03I compose, I direct.
07:05And I'm also a mechanic.
07:06A complete name.
07:08It's my gift.
07:11Do you live around here?
07:13Look, right here.
07:15This is my house.
07:17Rustic style.
07:19Rustic, baroque, minimalist.
07:22A little industrial.
07:25Well, I already introduced myself.
07:28I'm sorry.
07:30Anastasia Dupeyron.
07:32I kiss your hand.
07:37Do you have a plan for later?
07:40No, no.
07:43Well, then you have it.
07:45We can prepare a barbecue, an Argentine grill.
07:48It's not necessary.
07:50We'll have some mate, a fernet.
07:52I don't know, we'll have a great time.
07:54And why do you speak like an Argentine?
07:56I don't know, I'm a polyglot.
07:58Sometimes I speak like a Mexican.
08:00There is no right, young.
08:02Sometimes like Colocho.
08:04You're very funny.
08:07Joy.
08:09I'm happy to share a grill with you.
08:13So, see you later at your rustic house.
08:19Yes, of course.
08:21We always liked it that way because we loved the story of the three chanchitos.
08:26See you.
08:36See you.
09:07What are you looking at, fool?
09:09What are you looking at?
09:11Go there, fool.
09:13Hey, Joel.
09:15I don't understand how you do it to win over women.
09:18I don't know what I see in you.
09:20Easy, man.
09:22I'm just the way I am.
09:24You know that I have sympathy and charisma.
09:27In your case, you would have to reincarnate in me.
09:30So you can understand it.
09:32You're amazing, Joel.
09:33I know, I know.
09:35Now, take the fabric.
09:37I have to prepare a grill.
09:45What's wrong, Julie?
09:47Why are you crying?
09:49Did a patient die or what?
09:52What do you see in this video, Javier?
09:55Tell me the truth, no matter how hard it is.
09:58What is Cristobal doing, breathing mouth to mouth to Ana Lucia?
10:02They're kissing, Javi.
10:06Oh, my heart.
10:10Cristobal and Ana Lucia are together.
10:15He cheated on me.
10:17And he didn't care that she was my friend.
10:20He's a miserable.
10:22He's a cockroach that should be crushed.
10:27I'm a fool, Javier.
10:31I gave myself to him.
10:33And look how he pays me.
10:36Okay, Julie.
10:38Cry all you want, okay?
10:40I'm here to support you.
10:57You used to sing with me.
10:59And suddenly you're not here anymore.
11:04And I learned that falling in love is not so easy.
11:09And I learned that I can't be without you anymore.
11:15I love you and I can't forget you.
11:20I feel alone.
11:22Cristobal, please.
11:24Help me finish tidying the tables.
11:26My first reserves come in half an hour and I'm missing them.
11:29I haven't finished, please.
11:31Yes, of course, Mrs. Eli.
11:33I finish this table and I go right away.
11:35Really? Thank you, Cristobal.
11:37He's a good partner. The best, really.
11:41It's a shame.
11:43How could you be so fake with me?
11:45You're a hypocrite. You're a miserable.
11:49Why do you talk to Cristobal like that?
11:52What's going on here?
11:53I'll never forgive you for this.
11:55Did you ever hear me?
11:57Julie, please explain to me what's going on.
11:59Because I don't understand anything.
12:01You cheated on me with Ana Lucia.
12:04With my friend.
12:06You cheated on me, Julie.
12:08No, no, definitely not.
12:10Are you going to deny it?
12:12Yes, yes, I deny it.
12:14I was not unfaithful.
12:16I was not unfaithful, I was not unfaithful, I was not unfaithful.
12:18Then ask me.
12:20Who is the person who is kissing Ana Lucia in this video?
12:23Answer me, Cristobal.
12:25That's artificial intelligence.
12:27What is it?
12:29Yes, now everyone can believe anything.
12:31No one can believe anything.
12:33Stop treating me like I'm stupid.
12:35The one in this video is you.
12:39And not only did I recognize you,
12:41I also made you happy.
12:46Julie, forgive me.
12:48Please.
12:50How?
12:52How?
12:54How could you cheat on me with her?
12:58Let me explain to you how things happened, okay?
13:01When you and I broke up.
13:03So that's why you kiss the first person you come across?
13:08That kiss didn't mean anything to me, Julie.
13:10No, no, shut up, shut up!
13:15I don't believe a single word you say.
13:18So don't waste your time trying to convince me.
13:23I hope you and I are happy.
13:28No.
13:30No, really, no.
13:33I hope you are very happy.
13:36Julie, please don't leave.
13:37Don't touch me!
13:41Don't touch me again.
13:44Julie, please wait.
13:45Cristobal, Cristobal, Cristobal.
13:46Give her some space.
13:47This isn't the time to talk to her.
13:49Leave her be.
13:50There will be time for you to explain things to her.
13:53The one who will have to explain things to her is you, Bonvio.
14:16Family.
14:18I need to break this curse that is ruining my love life.
14:22You mean the spell that Aunt Patisita cast on you?
14:27What was that lady's name again?
14:29Maruja, the witch.
14:31Yes, exactly.
14:33That, Grandpa.
14:35She doesn't let me be happy.
14:37But who would have thought that lady would have such a salty mouth?
14:40The aunt has ruined your life.
14:42The relationship you're starting?
14:43The relationship you're ending.
14:45First it was with Macarena,
14:47but she chose Mike and married him.
14:49Then it was with La Tombita.
14:51I don't remember her name either.
14:53Lady, Lady was her name.
14:54That one also ruined my life.
14:56Yes, and then what did you do with La Congresista?
14:58Well, I think La Congresista wanted to marry him.
15:00And that benefactress also ruined my life.
15:02With our money?
15:04Yes, when it looked like there was a light at the end of the tunnel with Romina,
15:09the curse won again.
15:10The curse won again.
15:12I need your help.
15:14She's not letting me be happy.
15:16I want to go back to the sea.
15:18To the sea? Like a fish?
15:20Stop this joke.
15:22Seriously.
15:24How can we help you break that curse?
15:26We can call the shaman.
15:28I don't know, I'll make you a clean one, a flower bath.
15:30Or I'll pass you the egg.
15:32Or I'll spit on your face.
15:34No, no, no, no, no, no, no.
15:36This breaks with just a kiss.
15:38With a kiss?
15:40A kiss from a princess?
15:42Exactly, aunt.
15:44And your pants perfectly with the toad thing.
15:46Stop making jokes, do you want?
15:48Enough, let's see.
15:50Joel, that only happens in the stories.
15:52No, no, no, no, it also happens in real life.
15:54I just need to receive the kiss of a princess.
15:56And the only one I know,
15:58who is the closest to a princess is
16:01Anastasia.
16:03Anastasia?
16:05Yes.
16:07Joel, do you mean the neighbor next door?
16:10No, no, no, no, no, no, no.
16:12They are not bad.
16:14No, they are good people.
16:16And what can we do, Joelito?
16:20Grandpa, I just need you to leave us alone.
16:23That way it will be easier for me to conquer her
16:25and she will give me
16:27the magic kiss.
16:29And you think that woman is going to listen to you, nephew?
16:31Joel, look at you.
16:33That is more difficult than tongue twisters in German.
16:35That girl is unattainable for you.
16:37No, no, no, no.
16:38Her little things have already happened.
16:40What?
16:41Yes, yes, yes.
16:43She is looking at me with other eyes.
16:45She is throwing corn at me too.
16:47She has already told me that she likes me.
16:49Sign.
16:51Well, we will have to believe Joel.
16:53We have no choice.
16:55Yes, we will support you in everything, Joelito.
16:57Well, nephew, what do you want us to do?
16:59I just want to be left on the roof
17:01free.
17:03Just
17:05with a kiss
17:07You are a rat, bombillo.
17:09You told me you were not going to send the video to Jolie
17:11and you did it anyway.
17:13I paid you not to do it.
17:15Cristobal, I swear I did not send the video to your girlfriend.
17:17If you want, you can check my social networks.
17:19I don't even have her contact.
17:21How could I?
17:23You are the only one who knew that.
17:25The only one who saw the video.
17:27I'm not the only one, Cristobal.
17:29Oh, no? Did anyone else see it?
17:31Who? Tell me who saw it or I'll beat you right now.
17:33Hey, hey, what's going on, son?
17:34It's a different person, dad.
17:36He is blackmailing me.
17:38That's a lie.
17:40I gave you food for your dogs.
17:42I called you Mr. Bombillo.
17:44You are a traitor.
17:46Are you a ...
17:48Wait a minute, what video are you talking about?
17:50An intimate one?
17:52No, dad, a video in which Ana Lucia and I go out kissing.
17:54And you with the beautiful model.
17:56They make a nice couple, son.
17:58That's not important right now, dad.
18:00What matters is that Jolie gave that video
18:02and now she doesn't even want to see me in paint.
18:04I'm going to keep working with him.
18:06Excuse me.
18:10Oh, Bombillo, Bombillo.
18:14You shouldn't have sent that video.
18:16What? But I didn't go.
18:18Well, but no one is going to believe you.
18:20So pack your things and get out of here, Bombillo.
18:23I wanted to say Mr. Bombillo.
18:25What? But what insolence is that?
18:27I have a video.
18:29Yes, but your video is no longer useful.
18:31I have another video.
18:33And I just passed it to you.
18:40Cristobal won't forgive me if I send the video to Julia.
18:43He won't forgive you.
18:45So I thought it might be better to send him the video
18:48but from another cell phone, one I got out there.
18:51That's a good idea.
18:53I'll do it tomorrow
18:55and I'll end this absurd story of my son
18:57with the half-haired nurse.
18:59Cheers to that.
19:00Cheers.
19:03I'm dying.
19:05Bombillo has me at his mercy.
19:22At last.
19:24I'm going to kiss my princess.
19:26I'm going to end all evil.
19:28That damn witch.
19:30Let's go.
19:35Hey, hey.
19:38Joel, they're looking for you on the other side.
19:47Can you open the door for me?
19:49I'm coming, princess. I'm coming.
19:55Velasquez.
19:57Yes?
19:58Please check the roast beef.
20:00It's in the oven. I'll be right back.
20:02As you wish.
20:07I love hearing your comments.
20:09Thank you so much.
20:11I hope you come back soon.
20:13Exquisite.
20:18Dad.
20:20Do you have a minute?
20:22All the time in the world for you, daughter.
20:24I'd like to ask you for a special permission.
20:26I want to leave the restaurant for a few days.
20:29Why is that?
20:31Because I promised Jimmy I'd visit him next week.
20:35But Jimmy just left.
20:37I know, Dad, but I miss him.
20:39And he misses me too.
20:41So we want to meet to spend some time together
20:44and get over the distance we feel.
20:47I understand, I understand, daughter.
20:49The desire to be together, that you miss him and all that.
20:52But right now is not the best time to leave the restaurant.
20:56But why not?
20:58Everything is going great here.
21:00Exactly, everything is going great because you are in charge.
21:03If you leave, the restaurant could collapse
21:06and we would miss the opportunity to stand out in the culinary world.
21:10Yeah, but you could take care of it, as you always have.
21:13Exactly, I'm taking care of it.
21:15I'm taking care of public relations,
21:18I'm taking care of the administrative part,
21:20and you're in the kitchen.
21:22That's why everything works great.
21:24Yes, but...
21:26I'm asking you to make this your moment,
21:29your opportunity to stand out
21:31and to finally be my heir.
21:34I understand, Dad.
21:36And I really appreciate you giving me the freedom
21:39to create dishes and comfort myself in the kitchen.
21:41But really, this is very important to me.
21:44I feel that if I don't go, my relationship could be ruined.
21:49Okay, daughter, okay.
21:51I'm just going to ask you not to go the week you're asking me,
21:54but the week after.
21:56Because we have a reservation.
21:58Every week?
22:00Every week. So I'm asking you to re-schedule your schedule.
22:13Hello, Anastasia. Welcome.
22:16You look beautiful.
22:18That dress looks great on you.
22:24You look great too.
22:26The front of the grill suits you well.
22:29Come on, turn around.
22:31Do you want me to turn around?
22:33Yes, to appreciate your beauty.
22:43I brought it dead.
22:46I brought French wine and meat for us.
22:49I hope I didn't bother you.
22:50Oh, well, if you want, I'll take it back to the house.
22:52No, no, no, no, don't worry.
22:54Here you are.
22:56You and your little things.
22:58Well, I'll take care of it, don't worry.
23:00Please.
23:09How lucky to have Juan Bendito back.
23:13While I...
23:16I just found out that Azurimar is pregnant.
23:21I'm talking to you with my heart in my hand.
23:26Lore, I love you.
23:29Remember when we lived together.
23:32That was full love.
23:34Waking up on Sundays, hugging each other.
23:38I love you.
23:40No.
23:42I love you more than before.
23:46Lorena.
23:48Lorena.
23:52Just in case, lunch is ready.
23:54I left your plate served next to Maripaz's in the oven.
23:58They just heat up, okay?
24:00Yes, Olinda, thank you very much.
24:02Don't worry, when Mappy arrives, I'll take care of her.
24:04Yeah, okay, you eat too.
24:06I see you're very skinny.
24:08Are you on a diet or what?
24:10No, no, no, not at all.
24:12It must be the worries that have me like this.
24:14What's bothering you?
24:15Oh, my intuition tells me it's love sickness.
24:19What?
24:21No, no, what love sickness?
24:23It's the lack of work.
24:25And haven't you thought about consulting your future with someone?
24:30With whom am I going to consult it with?
24:32Oh, with a shaman, or with an clairvoyant.
24:35Oh, Olinda, I don't believe in those things.
24:38I understand, of course.
24:40But it's finally a guide, right?
24:43And you are the only one who governs his future.
24:47If you want, I can throw you the payares.
24:51Do you know how to read those things?
24:54In my town, everyone knows how to read the payares.
24:58I've seen some tutorials on the internet,
25:01but I can help you decide your future.
25:09Mmm, the barbecue is already starting, how delicious.
25:13I hope Joel gets one and brings us a little of everything he's preparing.
25:16The only thing I want is that he manages to get rid of the spell that the healer gives him.
25:22One moment, stop eating.
25:24Stop, stop, stop.
25:26Does any of you believe that Joel will be able to kiss the believer?
25:30That is more difficult than Peru going to the World Cup again.
25:33What do you think, compadre?
25:35I don't know, brother, I don't know what to believe anymore.
25:39Hello everyone.
25:40Hello.
25:42Julie, how are you? How did it go at the clinic? Did you save many lives?
25:45Yes, yes, regular.
25:47Julie is a heroin without a layer.
25:50Julie, why don't you sit at the table?
25:53Olindita has prepared a delicious rice with chicken.
25:56I already had lunch at the clinic.
25:59Yes, but leave me my dish for tonight, thank you.
26:03Something's wrong with Julie, right? She's like mysterious, like she's hiding something.
26:07I saw her the same as always. You, compadre? Where did I see her?
26:10You mentioned Teresita.
26:12I was also struck by her behavior.
26:15She didn't even want to try the rice with chicken that she loves.
26:20And how was it? Did you like the lunch?
26:23Yes.
26:25Oh, I'm very happy.
26:32What are you doing, Linda?
26:34Where are you going with that?
26:36Well, it's time to put the tutorials into practice.
26:38Tutorials?
26:40What?
26:42My plan worked perfectly.
26:45Alicia will be working all week.
26:48I must have another excuse for next time.
26:52But first, I must solve this matter with Bombillo.
26:56It can't be that that bastard has me in his hands.
27:02My love, I know I promised you to be there next week,
27:05but they need me here, in the restaurant.
27:10Yes, I know that week was the ideal one, but I'll be there next time.
27:15My dad promised me.
27:18Yes, we'll be together, you'll see.
27:22Okay.
27:24I send you a kiss. I miss you.
27:26Bye.
27:27Bye.
27:33Not again.
27:46Oh la la, this wine...
27:51smells great, and it looks great.
27:55This vine is great, I love it.
27:58Like you.
28:00I'm like the wine, the older I get, the tastier it gets.
28:05You're exquisite. Cheers.
28:06Cheers.
28:14Do I have to put your meat on the grill?
28:16What part of the cow did you tell me it was?
28:18This is a very special cut, it's Kobe meat, imported from Japan.
28:22It's the best in the world, and one of the most expensive.
28:25For example, this cut cost me $1,000.
28:28$1,000? No, no, no, no.
28:30We'd better freeze it and keep it on a fixed date, right?
28:32Just put it on the grill.
28:34This is a special moment.
28:36It's true, you only live once.
28:38Okay, serve yourself.
28:43There you go.
28:45Try it.
28:47What is this?
28:48These are some delicacies I've prepared for you.
28:51They're called chicken legs.
28:53They're the most expensive in the market.
28:55They're $500 each.
28:57And I better not tell you how much the heart of a chicken costs,
29:00because it's an exorbitant thing.
29:02But don't worry, it's all paid for.
29:04And how do you eat it?
29:06Just like that, look.
29:08You grab it, and just pull it with your teeth.
29:11That's it.
29:13Look.
29:15We are...
29:16The 7!
29:18Listen up!
29:20A song for all those who are looking for love
29:23everywhere!
29:36I'm going to suck your fingers.
29:38I've never eaten something so exotic before.
29:43And this is fudge, right?
29:47Yeah, that's good news.
29:57What's wrong? Why are you looking at me like that?
29:59It's just that...
30:03You provoke me so much.
30:05I pray to heaven, I ask in my blood
30:08that she appears as soon as possible,
30:10that she ends my bad streak
30:12and listen to me, any girl.
30:15What, did she provoke you?
30:17Red, brown, happy, with sorrow,
30:19sweet or faulty, we ate her,
30:21calm or nervous.
30:23Don't you think she exists?
30:25She's in my list, a conquest,
30:27at first sight and with her things.
30:29All of them are beautiful,
30:31intelligent...
30:33Let's see
30:35what the Pallares have in store for you.
30:38I'm getting nervous.
30:40Calm down, relax and breathe.
30:44Let's see, Masters Pallares,
30:47tell us,
30:49what is the message?
30:52Blow.
31:02What?
31:04I see.
31:07What do you see?
31:09It says,
31:11these Pallares
31:13try to manifest themselves by saying
31:15that you have to be careful with sunflowers.
31:19What?
31:21Yes, that you have to be careful with flowers,
31:23with all the sunflowers.
31:26But I'm not allergic to any flower.
31:29Well, I don't know.
31:30That's what the Pallares say.
31:32Please, Lorena,
31:34you have to have a little more faith.
31:36Here it is very clear.
31:38It says that you have to take care of the sunflowers
31:40because they won't do anything good for you.
31:42Nothing that has to do
31:44with your job problem.
31:46I don't know.
31:48But that's what the Pallares say.
31:50Have you seen sunflowers lately?
31:52No.
31:54Well, I don't know.
31:56That's what the Pallares say.
31:58Oh, look.
32:00Yes.
32:02But are they effective?
32:04I don't know.
32:06It's the first time I throw them.
32:08But I like sunflowers.
32:10They put me in a very good mood.
32:12Let's see.
32:14Now.
32:16They can be roses too.
32:18Of course.
32:20Roses? I mean, not sunflowers anymore.
32:22I mean, roses or sunflowers,
32:24either one of them,
32:26you have to be careful.
32:28Oh, please, Lorena, now.
32:30The Pallares never get confused.
32:32But they are very imprecise, right?
32:34You're going to realize what it's about.
32:37Now you can't perceive it,
32:40but you'll see.
32:47My God.
32:49How is this possible?
32:51What's wrong?
32:53Why are you looking at me like that?
32:55Anasti, Anasti, Anasti, come here.
32:57Anasti, Anasti.
32:58You healed my curse.
33:00What curse can you have
33:02if you are a divine being?
33:04No, listen to me.
33:06I know it's hard to believe, but
33:08before you,
33:10women left me.
33:12They left
33:14without any reason.
33:16But after your kiss,
33:18I swear everything will change.
33:20Of course it will change.
33:22In fact,
33:24I'm going to take the initiative.
33:26Joel,
33:29do you want to spend
33:31the rest of your life
33:33with me?
33:35Are you asking me to marry
33:37Moa?
33:39In a way, yes.
33:41What do you say?
33:43My God, this is incredible.
33:45The spell broke.
33:47Of course I accept to marry you.
33:55I fell in love with you,
33:57but I didn't know you yet.
33:59I wrote this song
34:01without thinking it was for you.
34:03This song is dedicated to you.
34:06This is one of the happiest days
34:08of my life.
34:10And we have to celebrate it as it should be.
34:12Family! Family!
34:14Family!
34:16What happened, nephew?
34:18I know, you got rid of the curse.
34:20Family, I'm healed.
34:22The curse is over,
34:23I'm healed.
34:25That's great, nephew.
34:27Be very happy.
34:29Three cheers for Joelito!
34:31Cheers!
34:33Cheers!
34:35Cheers, Joel!
34:37The thing doesn't end there.
34:39Family,
34:41I'm getting married.
34:43What?
34:45What do you mean you're getting married, Joel?
34:47Yes, I'm getting married.
34:49You're kidding.
34:51Joel gave me the happiness
34:53No, she must be having a fever.
34:54Listen to me, young man, when are you getting married?
34:56No, no, no, we haven't decided the date yet, Chape.
34:57It's yet to be decided.
34:58But it will be very soon.
35:00What's more, we're going to see that right now, my brother.
35:02Uh-huh.
35:03Family, so stay, please, to celebrate with us.
35:05You can serve yourself everything there is.
35:06You can serve yourself there, your patita.
35:07There, there, little heart to cuddle.
35:09We also have here this meat and cabbage,
35:11but that's for the boyfriends, okay?
35:12That's for the boyfriends, that's for us.
35:14Come on, Chapato, take it, grandpa.
35:15Chapato, your choclo, with everything in your stomach.
35:16Yes, yes, my Choclito.
35:18There's your patita.
35:19Hey, but there's no patita.
35:20There's a selfie, there's a selfie.
35:21There's a selfie, dad.
35:22Selfie.
35:23Come, come, come.
35:24Come, come, come.
35:25Put it on my dad.
35:26Help him.
35:27My love, always.
35:40Hello, Koki, I have a job for you.
35:44Yes, yes, don't worry, I'm going to pay you very well.
35:48Okay.
36:10Stealing Bombillo's cell phone is going to be easier
36:13than stealing a kid's candy.
36:18Yes, it's high in throat.
36:21From the enchanted forests of Notre Dame.
36:23Let's see.
36:26It's true.
36:27Yes.
36:28Nephew, this meat does taste like a thousand dollars.
36:32I had never tasted such delicious meat in my life.
36:36It's so soft that it melts in your mouth.
36:41I would make a stew with this.
36:43And the wine is also good, huh?
36:45Although I prefer my chela, compadre.
36:47I join the cause, compadre.
36:48Xavi, come here.
36:51They called, gentlemen.
36:54Please bring two chelas from Mr. Gilia's warehouse.
36:56Write them down on your account.
36:57Yes, yes.
36:58Bring them, one more.
36:59Yes, right away.
37:00Oh, but for God's sake, already.
37:02What are you doing, dad?
37:04I'm going to make a stew.
37:05I'm going to make a stew.
37:06I'm going to make a stew.
37:07I'm going to make a stew.
37:08I'm going to make a stew.
37:09I'm going to make a stew.
37:10I'm going to make a stew.
37:11I'm going to make a stew.
37:12Like eating bread in front of the poor.
37:16Good afternoon.
37:18I need to talk to Yoli.
37:20I know you already know everything,
37:21but I still want to tell you that I did not deceive you.
37:23That kiss with Ana Lucia meant nothing to me.
37:42I love you.
37:58Please tell Yoli to come out.
38:01I want to explain to her how things happened.
38:08So that it is clear to her that I did not deceive her.
38:10Because when Ana Lucia kissed me,
38:12she and I were not together.
38:14She had broken up with me.
38:15Do you understand?
38:16There is no accusation of infidelity that is worth.
38:25Did you fuck another one?
38:29Infidel.
38:32We didn't know anything about what you're talking about.
38:37Not a word.
38:40We are just finding out.
38:44You put the rope around your neck on your own.
38:47I'm an idiot.
38:49A reverend, I would say.
38:51For cheating on Yoli.
38:54That.
38:56My house is respected.
39:10That's good.
39:23That's good.
39:25That's good.
39:36That's good.
39:40That's good.
39:44Well, it's starting to look like an animal.
39:47It's starting to look like an animal.
39:52Cholo of Wednesday!
39:53Come here, hey!
39:54Ropero!
39:56Ropero!
39:58ROPERO!
40:00Ropero!
40:01Soul mate!
40:02What happened?
40:03The robber took that guy, he took my cell phone!
40:05The motorcycle?
40:06Yeah, it had all my information.
40:07Hurry, give me your cell phone, please.
40:09What the hell are you, a fireman?
40:11Please, Koki.
40:16Hello?
40:17Yes, please, I want to block my number.
40:19Yes, yes, yes, please.
40:21Yes.
40:22Are they sunflowers?
40:24So you can see that I know what your favorite flowers are.
40:28Yes, I like them, but...
40:30Look, I want to give them to you because...
40:33I know that yesterday I said things and did things that I shouldn't have.
40:36Like, for example, trying to steal that kiss from you.
40:39These clowns try to manifest themselves by saying...
40:43that you should be careful with sunflowers.
40:46Why are you silent?
40:48What are you thinking?
40:50Maximiliano, it's a nice detail.
40:52It's a beautiful branch, right?
40:54Yes, but I can't accept them.
40:56What are you talking about?
40:57Sunflowers are your favorite flowers.
40:59They are strong and smell as good as you.
41:02No, it's just that I'm allergic to pollen.
41:05I realized that recently and that's why I can't accept them.
41:11Are you going to...
41:13stay with the collector instead of me?
41:19Lorena.
41:21Please, think about it.
41:22Don't waste the opportunity that life is giving us to be happy.
41:27Okay, I understand that I was wrong yesterday when I tried to steal a kiss from you,
41:30but please, reconsider.
41:32Look, if you have to...
41:34analyze things,
41:37do it.
41:38I...
41:39I'll keep waiting for you.
41:41No, Maximiliano, I already made a decision.
41:47I understand.
41:49I understand and respect your position.
41:53The only thing I'm going to ask you
41:55is that you don't...
41:57don't take your friendship away from me.
42:00Can we still be...
42:02friends as long as you respect the limits?
42:06I promise.
42:08I promise to respect the limits,
42:10but I want you to know that your friendship is very valuable to me.
42:15Okay, gold.
42:19Take care, Maximiliano.
42:21Goodbye.
42:22Gold.
42:30Damn it, Tito Lara!
42:33This is not going to stay that way.
42:34I hate you.
42:35I hate you.
42:36I hate you.
42:37I hate you.
42:38I hate you.
42:39I hate you.
42:40Tito Lara, this is not going to stay that way.
42:42I'm going to get Lorena back, no matter what.
42:44It's not going to stay that way.
42:45You'll see.
42:46Lorena will come back to me.
42:54Please!
42:55Please!
42:57Please!
42:58Please!
42:59Let me go!
43:00Please help!
43:01Julie, please help!
43:04No!
43:05Please!
43:06Let me go!
43:07Please!
43:08I didn't do anything!
43:09I didn't do anything!
43:10I'm innocent!
43:11Really!
43:12Please, no, Joel!
43:13Joel, no!
43:14Joel!
43:15Please, no!
43:16Calm down.
43:17Calm down.
43:18It's just justice.
43:19It's just justice.
43:20No problem.
43:21Tie him up so he doesn't escape.
43:23Don't worry, Pepe.
43:24No one has ever been able to get rid of my famous cobbler's knot.
43:28Oh, honey.
43:29How do they do that to this poor boy?
43:31Don't worry, honey.
43:32That's how we solve things, man.
43:34And get used to it, because you're part of the ONA family.
43:38You're right, honey.
43:39Little by little I will adapt.
43:42But what do you think?
43:43And better, to save time, I'm moving forward with the organization of our wedding.
43:47I love you.
43:48It's okay, honey.
43:49You're the best.
43:50Yes, I am.
43:51Yes, I am.
43:54You're very lucky to have a girl like that look at you.
43:57Miracle, I would say.
43:59I must be the ingredient of the Lord, right?
44:01I mean, for a woman to send me like that.
44:04What are we going to do with Vampirin?
44:06I have several destructive ideas.
44:13Let's start with the strongest.
44:15Ah!
44:23Blessed are the eyes that see you as you are, Mr. Bombillo.
44:27There's more or less, Dieguito.
44:29It hasn't been a good day for me.
44:30Why has something serious happened to you, Mr. Bombillo?
44:33Nothing I can't solve.
44:35In fact, you are part of that solution.
44:38Hello, dad.
44:40How are you?
44:41I am happier than ever.
44:43Now I'm going to tell you why.
44:45But tell me.
44:46Are you sitting?
44:50No, then sit down because I'm going to give you news that you won't be able to believe.
44:56I have met the man of my life.
45:06Hi, Felix.
45:07Miss Alicia, just in time.
45:09In time for what?
45:10To prevent him from burning his brother alive.
45:13What are you telling me?
45:16Yuli!
45:17Yuli, come out!
45:19Come out, please, Yuli!
45:31Not a single message.