Al Fondo Hay Sitio 11 Capitulo 48 Completo

Ding Gru
Ding Gru
  • 4 months ago
Al Fondo Hay Sitio 11 Capitulo 48 Completo
Al Fondo Hay Sitio 11 Capitulo 49 Completo
Al Fondo Hay Sitio 11 Capitulo 50 Completo
Al Fondo Hay Sitio 11 Capitulo 48 Completo
Transcript
00:00Woo! Yeah!
01:01Whatever you say.
01:18It can't be.
01:25What are you doing here, Javier?
01:28You're the one who doesn't know what you're doing these days!
01:30No!
01:31One, two, and three!
01:38And you?
01:39I'm fine with my chela.
01:40Oh, don't get bored. Come on, drink it.
01:42I'll pass.
01:48This is going to be more easy than the last time.
01:52Give me a little time.
01:53What? And you had all the batteries at home.
01:55Yes, but they ran out of batteries.
01:57Well, nothing that a drink doesn't solve.
02:01Cheers!
02:05Oh, he's dying for him.
02:09How cute.
02:26Ochato, the atmosphere is great, right?
02:28Great what?
02:29The atmosphere, the atmosphere.
02:30Oh, yes, yes, yes.
02:31Yes, yes.
02:32What's up, right?
02:33Of course, man.
02:39Hey!
02:40What?
02:41Look at the plates that are there.
02:42What?
02:43The plates that are there, I'm telling you.
02:44You have no idea.
02:45Ochato, look, I came to make you a drink, man.
02:47What's more, I don't even know why I told you I had a drink.
02:49Man, you calm down, I'm nervous.
02:51Yeah, yeah, let's see.
02:53That's it, that's it.
02:54Hey, hey, hey.
02:55Look, learn.
02:56Yeah, there it goes, down.
02:58Ah, down.
02:59That, that, that, that.
03:01Calm down, man.
03:02Hey, let's put a dancing.
03:05Oh, my death.
03:07You have a lot of problems with the skeleton, huh?
03:09You are not.
03:10You are not.
03:11Valentino.
03:14Maripaz!
03:15What are you doing here?
03:16What are you doing here?
03:18I came with my cousins and you?
03:19Ochato brought me.
03:20He came with my feet today.
03:21Maripaz, come here.
03:23No!
03:24No!
03:25I, I think that now you have accepted him.
03:27Yes!
03:28Let's go, let's go, let's go.
03:29Hey, cousin, anything we're going to be dancing, okay?
03:32Yes, bye.
03:33Valentino, what's wrong with you?
03:35Ochato brought me by force.
03:37Hey, what are you doing here?
03:39I came with my cousin, I already told you.
03:40If you are a minor of age.
03:41Hey, I'm going to tell your old man.
03:42It's just that.
03:43How is it if your cousins are going to bring you if you are a minor of age?
03:45But you could call me to let me know.
03:46What people are stopping?
03:47Tell me who you are and I'll tell you who you are.
03:48What?
03:49You can't tell me, Maripaz.
03:50I'm coming with them.
03:51You don't even bring a friend to the chat.
03:52What does that have to do with it?
03:53You're not alone, cousin.
03:54You don't have friends.
03:55But on TV.
03:56Don't talk to me like that.
04:07What?
04:13My uncle Tito has to know this.
04:15My uncle Tito.
04:21Hey, buddy.
04:22Who is the clown who is calling me at this time?
04:23Send him to fly.
04:24Hey, buddy.
04:25A touch, a touch, a touch.
04:27It's Happy.
04:28To Caracas.
04:30Hello, Happy.
04:31Are you okay?
04:32What?
04:33What happened?
04:35Happy says he has seen Maripaz and Valentín in a disco.
04:38Impossible.
04:39If he is already sleeping in his room.
04:43He is not.
04:44And he has 80 lucas to play with that unproductive worm.
04:56Laia Sanz.
04:58I don't want to take you home loaded.
04:59I'm perfect.
05:01Very perfect.
05:02You have been a raw laxus.
05:03Raw laxus.
05:08It's your moment.
05:09What?
05:10Let's dance.
05:11Laia, I don't want to dance.
05:12Really.
05:13Come on.
05:40Yuli, let me explain.
05:44One, two, one, two, yes.
05:45Testing.
05:46Yes, yes, yes.
05:47Good evening, young people.
05:48Good evening.
05:49I have asked the DJ to please turn off the music.
05:52Because I'm looking for my daughter.
05:54She is like a princess.
05:56I don't know if you have seen her.
05:57Maripaz Contreras, your worried father is looking for you.
06:04What are you doing here?
06:07I ask you the same, miss.
06:14What are you doing here?
06:36Little girl.
06:37You told me you were going to bed early.
06:39And on top of that you took out 50 bucks from your father and 30 from me.
06:44Can you lower your voice?
06:47Have you been drinking?
06:49I drink virgin.
06:52Listen to me, rascal.
06:54If you bring my daughter back to this hellish club,
06:57I swear I'm going to put you in the water sometimes.
06:59But first I'm going to use it and I'm not going to pay.
07:02Jimmy brought her.
07:06So it was you.
07:07Yes, yes.
07:08No, no, no.
07:09I told him you had given me permission.
07:12Little girl, this is a place for adults and you are still a girl.
07:16Look, if you wanted to have fun, you could play in the house with your Barbie.
07:24I'm never going to forgive you for this.
07:29Little girl, little girl, don't go.
07:31Don't go.
07:32See you later.
07:40Love, let me explain to you.
07:43Okay?
07:44It's just ...
07:46Take your love.
07:50Julie, listen to me.
07:51You're an idiot.
07:53And you'll be happy, right?
07:57And what about the music?
07:59Why don't you put it on?
08:01Let's see some loud applause for the artists.
08:04Yes?
08:05Applause, applause.
08:06Bravo, bravo.
08:10We have prepared this little show for you with a lot of love.
08:15And let the music play.
08:17Don't dance.
08:32Przyepasz!
08:41I'm going and I'm not going to live one second shorter.
08:44But how can you say that Sabrina?
08:46And Chalito, your mom doesn't return yet while the trip
08:49Chalito say something please
08:50I don't know what's up Pepe.
08:51Maripaz, why don't you stay to sleep tonight.
08:53Tomorrow you decide what to do.
08:56Little girl, little girl.
08:57Please listen to him.
08:58I was very worried.
08:59Don't tell me little girl
09:00Baby?
09:00Oh, you don't know how much I regret meeting you!
09:02Put the baby down!
09:04But what happened to the baby?
09:07Why is he dressed like that?
09:13What happened to your son?
09:16I saw Cristobal kissing Laia.
09:30I'm sorry.
09:43Please answer. Answer me, baby.
10:00Before you say anything,
10:03I didn't kiss her, sis.
10:05No, you put your mouth like this.
10:08What?
10:10What were you doing at the club with Laia?
10:13We went to relax for a while, to distract ourselves.
10:17I can't keep suffering for Yuli and dreaming about Benjamin.
10:21You dream about Benjamin?
10:22Yes, I'm having nightmares.
10:25I'm sorry.
10:27Yes, I'm having nightmares.
10:29Look, Cris.
10:31I really hate that you're going through this.
10:34Coming to have sex with your ex?
10:36I didn't kiss her!
10:41Vale.
10:42I don't like Laia.
10:43I love Yuli.
10:45That's a nice way to show it.
10:47She's sacrificing herself so that crazy guy doesn't hurt you
10:50and you're in love with that idiot.
10:53Why didn't you tell me they were there?
10:55Because I didn't know they were there on their night out.
10:59Damn it.
11:00I warned you a thousand times, Cris.
11:02A thousand times.
11:16What a beautiful night.
11:18I really want to spend it alone.
11:21I'm having a great time.
11:39I'm coming.
11:40I'm coming.
11:46I can't take it anymore.
11:48What happened yesterday, Laia?
11:51What happened?
11:52What?
11:53A kiss, maybe?
11:54A kiss?
11:56A kiss?
11:57You have no idea what you've gotten me into.
12:00Look, look, look.
12:01We were at the club.
12:02Dancing, drinking.
12:06I don't remember anything else.
12:07I don't even know how I got home.
12:08I brought you.
12:09In a taxi.
12:10You fell asleep.
12:13And you say I kissed you?
12:14And Yuli didn't see us.
12:19Oh my God.
12:20I don't know.
12:22Cris, I'm sorry.
12:23Really.
12:24I don't remember anything.
12:26I feel like an idiot because I tried to cheer you up
12:28and what I did was make you more depressed.
12:30Do you want me to talk to her?
12:32And what are you going to tell her if you don't remember anything?
12:36That I was very drunk.
12:38Cris.
12:39I love you and I like you
12:41but I don't think of you that way.
12:43Now I only have eyes for the restaurant.
12:46I feel terrible for you.
12:47I'm really sorry.
12:50I love you.
12:51I love you.
12:52I love you.
12:53I love you.
12:54I love you.
12:55I love you.
12:56I love you.
12:57I love you.
12:58I love you.
12:59I love you.
13:00I love you.
13:01I love you.
13:02I love you.
13:03I love you.
13:04I love you.
13:05I love you.
13:06I love you.
13:07I love you.
13:08I love you.
13:09I love you.
13:10I love you.
13:11I love you.
13:12I love you.
13:13I love you.
13:14I love you.
13:15I love you.
13:16I love you.
13:17I love you.
13:18I love you.
13:20I love you.
13:21And if we tell a little joke?
13:41Don't be unopportunist!
13:42Do you have to move your coffee in such a strident way?
13:48Do I tell you something about the way you chew?
13:51You look like a ruminating camel.
13:53And you are tasting the coffee as if you were a barista.
13:59In everything you want to imitate Gaston.
14:01You are pathetic.
14:02He is the one who imitates me.
14:07Oh my God!
14:08You don't even reach his heels.
14:13Enough!
14:14The situation is unsustainable.
14:18I agree with you, Peter.
14:21I think that both of you have to go to a therapy.
14:33Did you finish the cheese?
14:35I don't know.
14:39I'm coming.
14:41Come in.
14:44Don't say anything.
14:48Hello.
14:49Mrs. Ocharo, how are you?
14:50Come in.
14:52Sorry to bother you.
14:53Is Joel here?
14:55Joel?
15:06Miguelito, you are awake.
15:09Yes.
15:11I was eagerly waiting for this day to come.
15:17Why? Do they fire you?
15:19No.
15:21It's for another reason.
15:23Something much more important.
15:28Olindita.
15:32I had told you before.
15:37What are you doing?
15:40Nothing.
15:46Do you want to marry me?
16:00Lady.
16:01Hello, Joel.
16:03Sorry, did I interrupt something?
16:05Good, Joel.
16:06They are all coming back.
16:07Don't worry, nephew.
16:09Don't listen to her.
16:10You never interrupt.
16:11Don't worry.
16:14You were almost family.
16:17Thank you, Mrs. Ocharo.
16:19What?
16:20Don't tell me that...
16:22Grandpa.
16:23No, Mr. Gilberto.
16:24No.
16:25A gentleman like him, no.
16:26I'm so sorry.
16:27No, don't worry.
16:28No, no.
16:29My dad is not dead.
16:30No, no.
16:32Yes, he gave us a scare.
16:34But it's okay.
16:35Good.
16:36Well, I think you two have things to talk about.
16:40That's right.
16:41After the slap he gave you,
16:42you're going to have to slap him a lot.
16:45Come on, nephew.
16:46Promise him the moon and the stars.
16:48We're listening to you.
16:49Damn.
16:50They need privacy.
16:52Yes, at least.
16:53So, don't back out, okay?
16:55Oh, that's how it is.
16:57Yes, yes, yes.
16:58Yes, circulate.
16:59What?
17:00They need privacy.
17:01Privacy, right?
17:03Come on.
17:07Come on, they need privacy.
17:12They need privacy, but not so much.
17:22And what do you say, Trotolita?
17:27Gilberto, you caught me off guard.
17:31But yes, already from Chalhuanca.
17:34We came up with that idea.
17:36Yes, I am delighted to be your wife,
17:39but why the hurry?
17:43This gave me a first warning.
17:48Don't say that.
17:50You have for a while.
17:52We can't know that.
17:56I already have my suitcase ready just in case.
18:00But who worries me now is you.
18:03I'm leaving.
18:05What will I do with you?
18:07Gilberto, I already know how to take care of myself.
18:09I don't doubt it.
18:11But now it's me who wants to take care of you.
18:19Look, I don't worry about myself anymore.
18:23I worry about you.
18:26It's my motivation.
18:28Well, I say yes.
18:33I want us to be together
18:36all the time this life gives us.
18:46And now,
18:48we have to tell Father Manuel.
18:51What?
18:52Are you telling me to marry Oritititita?
18:55Why wait any longer?
18:58With a priest and everything, right now?
19:01It's just that no one can know.
19:03And if I leave tomorrow?
19:05Shut up and don't talk like that.
19:06That's not going to happen.
19:08I don't doubt it.
19:10But I don't want you to be on the street when I leave.
19:13Gilberto, you got scared by the chukake he gave you,
19:16but you are very strong like a bull.
19:20I'm not going to stay on the street.
19:22Besides, you have given me what I have always wanted and never had.
19:26A beautiful family.
19:29I'm already part of the Gonzalez family.
19:32What I don't want is to be seen as an opportunist.
19:37Let's plan things well.
19:39Let's make things beautiful.
19:45You're right.
19:47Maybe they could think badly.
19:50All in due time.
19:55Excuse me.
19:56Am I interrupting?
19:57No, no.
19:59It's okay.
20:00Come in, Yurisita.
20:02How much love.
20:04That's how we are.
20:05Very flamboyant.
20:07Well, they will be happier when I tell them
20:10that they have already signed Mr. Gilberto's will.
20:16How beautiful they love each other.
20:19You are also going to get someone who loves you, handsome.
20:23I thought I already had it.
20:28Peter!
20:29Are you telling me that I should go to therapy?
20:32Excuse me, madam, but the situation is unsustainable.
20:36Even your faithful Peter sends you crazy.
20:39You too, dad.
20:40Talk to me nicely, daughter.
20:41Both need therapy.
20:43And soon we will also go crazy with their unsustainable fights.
20:46Do you see what you do?
20:47Me? You?
20:48You.
20:49No, you, you.
20:50You.
20:51Enough!
20:52For the love of God.
20:54Look for psychological help.
21:00Peter is right.
21:02This house has become a battlefield.
21:04Either they stop flirting or we all go to the asylum.
21:08What's wrong?
21:09Everyone is sensitive today.
21:11No, Mr. Diego.
21:12It seems that your days in that cold dungeon were not enough.
21:15Well said, Claudio.
21:16See? They lock you up again.
21:18And you don't stay behind either, Mrs. Francesca.
21:20Because to fight you need two.
21:22And I tell you with the ...
21:23Excuse me.
21:26Do you see what you achieve?
21:27Even servitude lacks respect.
21:29To me? No, you were sent to the asylum.
21:31To you.
21:32To you.
21:33To you.
21:34To you.
21:35To you.
21:36To you.
21:37To you.
21:42I have to admit that your presence surprises me.
21:46I mean, I knew you were going to come back one day.
21:48But I didn't think so soon.
21:51What do we have?
21:53My looks.
21:55My caresses.
21:58My crowd of people.
22:01Or my deadly scent.
22:03No, Joel.
22:04I didn't come for you.
22:05I mean, yes, but no.
22:08It's not what you think.
22:10Do you want to go out with me or not?
22:12I don't understand you.
22:13Yes, tonight.
22:15But not because I want to go out with you.
22:17But because I want something with you.
22:22You better put it in algebra because I don't understand.
22:25I can't hear you.
22:27Louder, nephew.
22:29Guys, don't listen to them.
22:31We are not listening to anything.
22:33Are you going or not?
22:34That's what I said, Pe.
22:35I can't hear you.
22:36Shut up.
22:38I want you to help me with an operation.
22:40Operation?
22:41Hold on, hold on.
22:42I'm not a cop.
22:43That's precisely why the boss loves you.
22:48We need a bait to be able to catch a dangerous gang of riñoneras.
22:56I appreciate your initiative, but I want the moron who kissed the mayor in the park.
23:03General, no.
23:04It turns out that that civilian is...
23:06We need that idiot who arranged the whole operation.
23:13Excuse me, General, but Joel is not a cop.
23:16It could be very dangerous.
23:18But he is the perfect victim for those criminals.
23:21This guy, for the first time in his life, will have to do good to society.
23:29Do you want me as an undercover agent?
23:32There are going to be undercover agents all over the club.
23:35We just need to catch those riñoneras with our hands in the dough.
23:38The muscle mass, right?
23:40That's what Joel is.
23:41Look, I don't want to offend you, but you're just the kind of guy she's looking for.
23:46Beautiful.
23:47Easy and credulous.
23:48Fortunately, you didn't want to offend me.
23:50It's just that those women smell like cops.
23:53Hold on, hold on.
23:54So you're asking me to...
23:56Lady, I'm very sorry.
23:57I really like to see you, but I can't put myself in danger.
24:00No, no.
24:01There are bullets there.
24:02I mean, no, no.
24:03Forget it.
24:04Oh, Joel.
24:05No, look.
24:06Look, let me give you this medal, as a souvenir.
24:09It's my first decoration.
24:12Is that why you're looking for me, Lady?
24:14It's just that catching a riñonera is very difficult.
24:17They take great care of themselves.
24:19And without evidence, we can't accuse them.
24:21That has to be at the right time of the crime.
24:23Oh, yes.
24:24When they're cutting me like a market chicken.
24:26Right there, right there.
24:27No.
24:28It's like that, but...
24:31Hey, family, come out, come out.
24:33They're gossiping.
24:34I'm going to tell you.
24:35I'm going to tell you.
24:36Come out, please.
24:37Listen.
24:38What's up, Miss Lady, your officer?
24:40I want to use you as bait.
24:42No, no, no.
24:43Don't be like that, Joel.
24:44I love you.
24:45What's going on?
24:46You're not friends?
24:47No, old lady.
24:48Here he wants to put me in danger.
24:49Tell him.
24:50What?
24:51What's up, Lady?
24:52Here, Miss Lady wants to use me as bait for a police operation.
24:55Yes.
24:56He says he wants to catch a riñonera.
24:57What?
24:58What?
24:59No, no, no.
25:00No, no, no.
25:01Bad, bad, bad, bad.
25:02Oh, cooking gives me calm.
25:04It gives me peace.
25:06In addition, this is making me delicious.
25:10Excuse me.
25:11Excuse me.
25:12Excuse me.
25:13What are you doing?
25:14I'm making lunch.
25:15Well, I'm going to cook.
25:16So take out your junk from my kitchen.
25:18Please.
25:19What is that about junk?
25:20Listen.
25:21A little more respect.
25:22I'm making a filet mignon.
25:23So wait for your turn.
25:24Well, I'm sorry, but steal it.
25:27And it needs to be cooked.
25:30Hey, what's wrong with you?
25:31What are those manners?
25:32Get out of my kitchen.
25:33Oh, but please.
25:34My pot is going to burn.
25:35It will be my fault.
25:39The only thing I was missing, my pot, my kitchen.
25:43Go to therapy, crazy.
25:45Control yourself.
25:47Get out of here.
25:49I am as I am.
26:00Oh, I'm not used to those bad treatments.
26:03Don Diego is an energum, isn't he?
26:05Oh, I'll comfort myself by pouring.
26:08I'm tired of enduring bad things.
26:10I don't know why I don't earn a million dollars
26:12and send everyone to hell.
26:14Of course, of course, of course.
26:15Or I don't know why I better not win the lottery.
26:17Or I find a treasure hidden like the Count of Monte Cristo.
26:22Oh, oh, oh, I'm falling, I'm falling.
26:26Oh, my God.
26:27How lucky I didn't fall.
26:29I would have been the last one with this cold.
26:31Claudio, I already finished in the kitchen
26:33so you can prepare your lunch.
26:34No, thanks, I'm not interested.
26:36What is this that is on the door?
26:45This was put by our powerful neighbors
26:47for their multiple chains.
26:49What?
26:51Well done, well done by scoundrels.
26:54So we are worse than those...
27:02Ah!
27:04Ah!
27:07It's good that women love me for my body,
27:09but do they love my kidneys?
27:11Son, what does that girl have in her head?
27:13It's not her idea.
27:15It's the idea of ​​her superior, her boss.
27:17Well, you calm down, son.
27:19You don't have to accept things you don't want to do.
27:21Yes, I know, but obviously
27:23I'm the perfect guy for his operation.
27:26Ah!
27:28I ran out of the aforementioned patience
27:31and then I opted for silence
27:33in order to reach a good agreement.
27:35Oh, to the grain, Ronald.
27:37Well, I could sum it up in two words,
27:39but the emotion would be null.
27:41Then don't tell me anything.
27:42I don't have time for lawyer gossip.
27:44Leave your report and bye.
27:46I notice you are very irritable lately, Francesca.
27:49Everyone feels irritable to me.
27:50What's wrong?
27:51I feel irritable, you too.
27:53Then you should consider therapy.
27:56I don't have time for that.
27:58Look, I was the same.
28:00When I got divorced, I was mad.
28:02Everything annoyed me.
28:04Oh yes, I remember you said
28:06pamplinas y recorcholis three times a day.
28:09Once I threw a pencil.
28:11I couldn't stand it.
28:13The psychologist taught me a simple trick
28:16that helped me control my bad mood.
28:18I'm interested.
28:19What trick?
28:21Developing a useless talent.
28:23A useless talent, you say?
28:25That's right.
28:26As a lawyer, I earn quite well
28:28and you are a successful entrepreneur.
28:30What you don't know is that I make balloon dogs.
28:52And that made you more peaceful.
28:54You don't know that doing this requires
28:56a lot of concentration and patience.
28:58You can't imagine how it helped me.
29:00Try it.
29:07I see.
29:08I understand that it's not your thing.
29:10It's not my thing.
29:11We've wasted too much time.
29:12Leave your report and close the door when you leave.
29:14Julio.
29:15Julio.
29:16Julio.
29:17Julio.
29:18Julio.
29:19Leave your report and close the door when you leave.
29:21Very well, Francesca.
29:22Excuse me.
29:36Me with balloon dogs.
29:40Although it wouldn't be a bad idea to adopt a dog.
29:49This balloon dog thing is super relaxing.
29:53Francesca should listen to me.
29:55Diego.
29:56Ready for a bath?
29:58No.
29:59Ready to go to bed.
30:00Another one with bad humor.
30:02Here.
30:03I'll give you an inflated dog.
30:16What's going on there?
30:20I don't know.
30:31Oh, my son.
30:33He's as lucky as I am in love.
30:50Now I understand why they couldn't find anyone.
30:58And our story...
30:59Don't you get it?
31:00Don't you get it?
31:01I see you there and I say,
31:02why would I go to the pool?
31:03Why?
31:04If I can do yoga.
31:05Do you teach yoga?
31:06Yes, of course I teach yoga.
31:08Of course I teach yoga,
31:09but I don't think it's a good idea now.
31:11Teach me?
31:12Why not?
31:13Why isn't it a good idea if you teach me yoga?
31:15Why couldn't it be a good idea?
31:16Okay, I'll teach you.
31:17That's how we solve your problem.
31:19What problem?
31:20Don't get so upset.
31:21I don't have any problem.
31:22No, I mean that people normally have anxiety problems,
31:24and control.
31:25Control?
31:26What control?
31:27Do you think I need control?
31:28No, I don't need control.
31:29I'm fine.
31:30But teach me.
31:34It didn't last long, compadre.
31:36I'm not good enough as a father.
31:38Don't give up, compadre.
31:40No one does it knowingly.
31:41And you have it very difficult.
31:42Facing a teenager without having met her as a child.
31:46You're right about that, compadre.
31:48How can I not screw it all up
31:49if I don't even know her well,
31:51and she doesn't see me as an authority?
31:53There you go, compadre.
31:54You have it very difficult in yoga, compadre.
31:56It's complicated.
31:57This Diego, why does he have to meddle
31:59with what it costs me to have time for me?
32:01Charito, what did you want?
32:02I'll grab him by the foot, clean.
32:04Sorry.
32:05What are you talking about?
32:06My compadre is sad because Maripaz sent him to hell.
32:09I just want the best for her, Charito.
32:12I worry about taking care of her,
32:14but I already screwed her up,
32:15and now she doesn't want to know anything about me.
32:17Oh, Tito, if you only knew
32:18how many times my children have told me they hate me.
32:21There you go, compadre.
32:22I'm telling you.
32:23And Charito, especially in adolescence, right?
32:24Forget it.
32:25It's a terrible time.
32:26One day they adore you, you're their hero,
32:27and the next day they don't even want to see you.
32:29But don't worry.
32:30You're doing things right.
32:32You think, Charo?
32:33It's just that I'm kind of a beast,
32:35and Maripaz is a lady, right?
32:37If I had met her when she was a girl,
32:39we would have played super cool,
32:41and I would even look like a super dad.
32:43But that wasn't like that, right?
32:45So, we hardly know each other,
32:47and I find her like a rebellious teenager,
32:50and I'm not an authority at all.
32:52What do I do?
32:53Well, the truth is that seeing her like this,
32:55you have it pretty hard, Tito.
32:57Don't tell me that, Charito.
32:59Look, I would advise you to look for an intermediary.
33:02How is that thing?
33:04Look, adults won't listen to us,
33:06teenagers.
33:07But if you get closer to someone older than you,
33:10a friend, a friend,
33:12with whom she can feel comfortable,
33:14open up, talk.
33:16You're right, Charito.
33:18Because if I insist, it's going to be worse.
33:21Instead, if she talks to someone her age,
33:23she will listen.
33:24I'm not telling you, compadre.
33:25Charo is a cape.
33:26Just look how well she raised her children.
33:29Grace, Jaimito.
33:31Although Joel is the exception that confirms the rule.
33:34Well, my Joel is a soul in constant search.
33:37But I'm sure he'll find his way soon.
33:40Useful to society.
33:43Turn me into a hero.
33:47Why did the feeling play me?
34:05Family!
34:06Look who's back!
34:09Look, look, look!
34:11Hey!
34:12Humberto, welcome here.
34:14Hey, Gilby.
34:15Did you see me hanging out?
34:16Once again, he mocked La Pelona.
34:18Ouch!
34:19Damn!
34:20Oh, daddy.
34:21But you told us to pick you up.
34:23But if I have Olympia, take care of me.
34:26Taxi, we'll be back.
34:27No, but why do you spend money?
34:28You should have told us.
34:29We had to pick you up.
34:30I wanted to give you the surprise.
34:32And wow, he gave it to us.
34:33But it's weird that Julie didn't tell us either.
34:36We bought her silence.
34:38Daddy, you must want to rest.
34:41Go rest and I'm going to make you a sandwich.
34:44I'm tired of being in bed.
34:47Rather, it causes me a chicken soup.
34:51No, but don't be bad, Mr. Gil.
34:53TV doesn't go from bread to butter.
34:55Don't worry.
34:56I'm going to prepare.
34:57I'm here to take care of my Gilberto.
35:01Good nurse you got, Mr. Gil.
35:04Ah, I'm a lucky man.
35:07Let's make a circle of love.
35:09No.
35:11Daddy.
35:13Daddy.
35:14Oh, Mr. Gil, I'm really going to miss you
35:16when I really stretch your leg.
35:20Dad, don't make your grandfather do anything.
35:23What's up, Claudio?
35:24What is that so urgent?
35:26It has to do with what's going on in the room.
35:27And what's going on in the room?
35:29Don Diego brought Professor Xavi.
35:31Oh, how long have you been friends?
35:34Oh, Francesca.
35:35Join us, please.
35:37I'm not for those things.
35:38Well, neither is Diego.
35:39Look at him, there he is, trying.
35:41Come on, Mrs. Francesca, relax.
35:43Leave her, Claudio.
35:44She's not for these things anymore.
35:46How are you going to say that?
35:47Bad boy, insolent.
35:49Claudio, the idea was to put on more comfortable clothes,
35:51not to disguise as Neron.
35:52Oh, rude.
35:54Well guys,
35:55it's time to do a very simple meditation exercise
35:59to align our chakras
36:02and connect with the mother frequency.
36:05To do this, I need everyone to repeat this sound.
36:17One more time.
36:26Thank you very much for the soup.
36:29It comforted me a lot.
36:31But I thought you were going to show your ring.
36:34What?
36:35Didn't you like it?
36:37Don't get me wrong, please.
36:40It's just that...
36:43I love my little ring.
36:44I love that we took the next step,
36:46but I don't think it's time to show it.
36:49I don't want them to think badly of me.
36:54Because of our commitment?
36:56Because you just got sick.
37:01Maybe you're right.
37:04Well,
37:06you'll announce it when you think it's convenient.
37:10In the meantime,
37:12it's between us.
37:16Daddy.
37:19It's good that you're fine now,
37:21because you are strong as an oak.
37:25But...
37:28How would we do it?
37:29Well, how would I do it with Gaspar?
37:32Do what?
37:33After all this confusion,
37:36my bones have fallen to the ground.
37:41Does the universe
37:43not want him and me to be together?
37:45Don't say that, dear.
37:47Do you feel that?
37:51Well...
37:54Well, if you don't feel it,
37:56then don't even mention it.
37:58But if you feel it,
38:00there's nothing to do.
38:02I think
38:04Gaspar and you are meant for each other.
38:09But if the universe doesn't want us to be together...
38:11Are you going to listen to the universe
38:13or are you going to listen to your heart?
38:23Bye.
38:32At least the screams are over.
38:36My daughter
38:38is quite stubborn,
38:40like her mommy.
38:41You see that it is not yet time to announce what is ours.
38:49Thank you for listening to me, friend.
38:52I can't stop thinking about what happened at the disco.
38:55How I hate Laia.
38:56Yes, I understand you.
38:57I couldn't work or think about anything else
38:59when I was not well with Jimmy.
39:01Yes, but I put it on the table.
39:03Yes.
39:05We can't be together.
39:07I only bring her misfortunes.
39:10Lili?
39:11I have something to tell you. We'll talk later.
39:14Lilit will be your new partner.
39:16Like you, she is doing her internship at the infirmary.
39:20Hi, Lili.
39:21I'm sure we'll be good friends.
39:23Lili, no.
39:24Lilit.
39:30Joel González did not want to collaborate with the anti-Riñoneras operation, General.
39:35I don't blame him.
39:37Because it is a very risky procedure.
39:40But we can do it by changing the strategy.
39:44Are you willing to infiltrate the gang?
39:48Yes, General.
39:50In that case, you will be the novice Riñonera
39:53and Major Salcedo will be your victim.
39:57They will call the attention in the bar to recruit you.
40:01Understood, General.
40:07She doesn't answer.
40:10Dude, she has blocked you.
40:11Realize it.
40:12How long are you going to insist?
40:13Until she answers me.
40:15Well, you won't get anything like that.
40:17So let it go.
40:18Laia, you don't understand.
40:19Ours can't end like this.
40:20We have worked too hard to be together.
40:23Look, when you want to continue with your life, let me know.
40:26Eh?
40:36Look, Junior.
40:3720 soles to buy an ice cream.
40:39The taxi is already paid, okay?
40:41And here you have a card from the children's section of our funeral.
40:44I'll put it on you.
40:45What were you doing with my child?
40:47Nothing bad, Tere.
40:48I'm going to be his intermediary, mom.
40:50What?
40:51He's going to help me with Maripaz, who doesn't want to talk to me.
40:53Just like Charon advised, mom.
40:55No way.
40:56My son is not going to be an intermediary.
40:58But Tere, please.
40:59By age.
41:00Junior is the closest to Maripaz.
41:02Let's see.
41:03My hyperbaric creature is not going to get into trouble because of you.
41:07Let's go, my boliques.
41:09But mom, I like Maripaz's cousin.
41:12No, but...
41:1420 soles.
41:15No way, brother.
41:16If Tere doesn't want it, it's impossible.
41:18It was perfect for me to help with Maripaz.
41:20He's the closest I've had a son.
41:22Well, who's next on the list?
41:23Let's see, let's see.
41:25Oh, Jimmy.
41:27Yes, yes, I understand you.
41:28It's like Joel, right?
41:29I mean, everything is fine with Jimmy, right?
41:30It's cool, I like it.
41:31But it's about my daughter, man.
41:33Yes, well, as the saying goes, one thing is one thing and another thing is another thing, man.
41:40Here is the direct replacement of the distributor.
41:43Is it original?
41:44Yes, 20% Chinese.
41:47The important thing is that it works.
41:48No, my leg is not guaranteed.
41:50We'll have to try it.
41:51But tell me, keep telling me.
41:53No, there's nothing else to tell.
41:54He just looked for me because I helped him with the operation and that's it.
41:57Yeah, but he looked for you.
41:58He could have looked for someone else.
41:59Is that love?
42:02I think he's looking for an approach, right?
42:05He looks for you again.
42:06He sees you again.
42:07They talk again.
42:08That's how it goes.
42:09No, no.
42:10Her thing is convenience.
42:11Yeah, yeah, yeah.
42:12It can be that.
42:13Hit her.
42:14Hit her right away.
42:15Because she comes, moves the floor and complicates your life.
42:16Yes, yes.
42:17It's true.
42:18It is or it is not.
42:19It is.
42:20It is or it is not.
42:21He talks again.
42:22You know what?
42:23And find one that is not a cop, seeing so many women in the world.
42:26Besides, remember, if one leaves, two come.
42:30How nice, right?
42:31Who says it, right?
42:32The one who does not surpass my aunt and the one who does not surpass my wife.
42:34But we want you to get it.
42:37And we're going to do it today.
42:38Because today we are going hunting.
42:39So shave, okay?
42:40Get handsome.
42:41What are you doing, friend?
42:42Oh!
42:43Oh!
42:44Did I scare you?
42:45Uh...
42:46Yes...
42:47No.
42:48I was super focused on memorizing the internal organs.
42:49I confess that I passed anatomy with the right ones.
42:50And I didn't want to mess up.
42:51Oh, don't worry.
42:52I'll help you if you want.
42:53You're very kind, but it's not necessary.
42:54I'm going to do the round.
42:55Oh, but it's still Janina's turn.
42:56Stay and let's talk.
42:57I'm going to do the round.
42:58Oh, but it's still Janina's turn.
42:59Stay and let's talk.
43:00Oh, but it's still Janina's turn.
43:01I'm going to do the round.
43:02Oh, but it's still Janina's turn.
43:03Stay and let's talk.
43:04Oh, but it's still Janina's turn.
43:05Thank you, but no.
43:06I miss Dolores.
43:07Hey, yes, I'm a little tired.
43:08I don't know if you're in a hurry.
43:09We could get an ice cream.
43:10No, I'm not in a hurry.
43:11Come on, Joel.
43:12General, I invite you then.
43:13Yes.
43:14You cannot be late.
43:18General, I'm in a hurry.
43:25Hey, I'm a little tired.
43:28I don't know if you're in a hurry.
43:29Can we go for an ice cream?
43:31No, I'm not in a hurry.
43:32Oh, great.
43:33I invite you then.
43:34Yes, yes, yes.
43:35It can't be.
43:36It's happening.
43:38What do you think?
43:42Wonderful.
43:43Say it, you say it.
43:46It's very tasty.
43:47It's very tasty.
43:48And you just cooked.
43:49And who taught you?
43:50And then I'm the technological outdated.
43:52Enter YouTube and a tutorial and voila.
43:54Ready.
43:55Hey, what are you doing there?
43:56Are you constipated?
43:57What do you ...
43:59Hey, and that look?
44:00Ah, how are you?
44:01Beautiful or not?
44:02I'm going out there to see.
44:03Ah, you're going hunting.
44:06That's the idea, Petito.
44:07Why do you look at the people you go out with?
44:09Why does it bother you?
44:10Oh, don't overdo it.
44:11Well, you too.
44:12I decided to go out precisely with Laia.
44:14Because I work with her?
44:15Because she's my friend?
44:16And because she worries about me?
44:18No, she doesn't worry about you.
44:20She takes advantage of the situation, which is very different.
44:23You see her as the bad girl in the movie.
44:25Cris, Laia is the bad girl in the movie.
44:27Realize that.