Valle salvaje Cap 14
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TVTranscript
00:00You can count on me, even if it's just being silent.
00:05There are times when silence is healing.
00:11There are people who also...
00:14Alejo, everything has changed.
00:16Why? What has changed?
00:18We made a mistake.
00:20Loving is not a mistake.
00:22Yes. Yes, when it's between an aunt and her nephew.
00:25You've spent your whole life taking care of her.
00:27You're finally going to be able to think about yourself, to have a life.
00:33She's crying, Mercedes. She's crying.
00:36We won't fire her.
00:38It's about her realizing that she has no choice but to leave.
00:41Wait, Luisa.
00:43It would be convenient if you provided for all the chimneys in the house.
00:48We don't need them.
00:50That girl is pregnant, for God's sake.
00:52If she can't stand it, it would be best for her to leave and leave her position to someone else who is capable.
00:57What's best for whom?
01:01It could be that my mother's death was not the result of her illness.
01:04Galen told us...
01:05That she had died while she was sleeping. Yes.
01:07Because of respiratory problems.
01:09That they can be caused by an excess of medication.
01:12We won't be seeing ghosts where there aren't any, Bernardo.
01:14She was impregnated, right, Rafael?
01:16I'm not sure, but I don't doubt it either.
01:19The fact that you're not in love with me doesn't mean that we can't be friends.
01:26Are you going to teach me how to do my job now?
01:30No, no, no. It's just that I saw you before.
01:32It was... It was what they told me.
01:34Well, they told you wrong.
01:36I can see that you won't be up to Pilar.
01:38I'm sorry to disappoint you, but I'm not even going to try.
01:41She's going to marry the duke. Isn't that true?
01:44Whoever told her that has deceived her.
01:47Who else is here who told me that?
01:49How dare you tell that woman something that your children don't even know?
01:52Victoria appeared at a time when I was...
01:56destroyed, sunk, and I don't know why I told her.
02:00I must be the one who married you, not your sister-in-law's dead fly.
02:04You and me? Have you lost your mind?
02:18Victoria.
02:21Did you call me?
02:25That's right. Come in.
02:33From now on, if you want anything from me, I ask you to come to my house.
02:37There's the same path from here to there, but the other way around.
02:40How can I help you?
02:43Although I know it's like asking the wolf to stop hunting chickens,
02:47I beg you to be discreet.
02:49How can I not be more specific?
02:51Discreet with what?
02:54José Luis and I have been talking.
02:56And we don't want anyone to know about our engagement.
02:59At least for now.
03:01I didn't know it was a secret.
03:03It's not.
03:05But it's up to us to tell my nephews the news.
03:09We don't want anyone else in the family to find out.
03:13If it's true that you thought about that engagement together,
03:16why isn't José Luis here telling me?
03:21He's a busy man.
03:23And to ask him to stay out of it, I have to do it myself.
03:27What a pleasant surprise, Mercedes.
03:29I never thought I'd be in such a hurry to become the lady of the house.
03:35You think we're all like you, don't you?
03:39That we act by strategy, following a plan.
03:43I never accepted orders from Pilara.
03:45I guess she doesn't expect me to accept them now from you.
03:48I didn't expect it, but the truth is that she has called you and you have come to escape.
03:56The only thing I care about you, Victoria,
03:59is that you come to keep the discretion I asked you.
04:02Don't worry, I won't say anything.
04:05But I will speak for the respect I have for Don José Luis and his family, not you.
04:10Do it for what I consider, but do it.
04:13A respect that, from what I see, you don't have.
04:18Aren't you ashamed to marry your sister's widow with her still warm corpse?
04:27I'm sorry to inform you that this is not a matter of your discontent, Victoria.
04:32Now, if you'll excuse me.
05:02I have a wound that does not heal over time
05:09For a betrayal that pierced my heart
05:13As if it were a fist
05:22That locked me in this torment
05:27Of silence and lies
05:30Everything I knew is getting further away
05:37I live dreaming
05:40With what fate decided to deny us
05:45Condemned to the taste of bitterness
05:49Dancing with madness
05:51Imagining that it is you
05:55I live dreaming eternally
05:59Hoping that in this wild valley
06:03Your light will illuminate me
06:05That in this wild valley
06:09Your light will illuminate me
06:25The matter is delicate.
06:27I hope you can give me your honest opinion.
06:30Sure. What is it about?
06:34As you well know, your mother always lived under the threat of an early death.
06:39Unfortunately.
06:41Hence, she had a lot of time to think about how she wanted things to be when she was gone.
06:48I know.
06:50I left it written.
06:52I can't separate myself from the letter she wrote to me.
06:56Aunt Mercedes and I were left a set.
06:59Her greatest desire was for the family to remain united.
07:03I guess she asked us all the same thing, but in different ways.
07:06Isn't that right?
07:08In our case, it went much further.
07:12Much further?
07:15Much further.
07:18Your mother wished that after her death,
07:23that Mercedes and I would be reunited in marriage.
07:33Damn my stamp.
07:38Luisa, what are you doing on the floor? Leave that, for God's sake.
07:41It's just a scratch.
07:43Don't worry, Miss Adriana. I'll do this in a blink of an eye.
07:46Don't even talk.
07:48Give me your hand and get up, please.
07:56But you're exhausted.
07:59You know perfectly well that you shouldn't make such a big effort.
08:02We've talked about it a thousand times.
08:04Let me fix that and then I'll get some rest. I promise.
08:09You wouldn't have put all that firewood on your own, would you?
08:12On my own?
08:13Luisa...
08:14But little by little, like ants.
08:15This can't be.
08:17You have permission to avoid the hardest tasks. Why haven't you listened to me?
08:22They ordered it for you.
08:25I would have liked to be a marquise, but maybe in another life.
08:29In this house, this is my job, and for my dead, do I have to do it as God commands?
08:33Luisa, who did you go to see?
08:36My aunt Victoria.
08:39Matilde.
08:42Mrs. Isabel ordered it.
08:45Isabel?
08:53Well, I'll talk to her today.
08:55Don't do it, I beg you. Don't scold her.
08:57Of course I will, Luisa.
08:58She's no one to tell you to do that.
09:00Besides, if something happened to you with the pregnancy, God forbid,
09:04it would fall on our consciences.
09:06Please, Miss Adriana, don't say anything to her.
09:09I assure you that I feel healthy and strong as an oak.
09:13I don't believe you anymore, Luisa.
09:20You have to rest more.
09:23And don't take any risks.
09:25Your health is more important than giving light to this house or collecting firewood.
09:28Yes, I know.
09:30But what I don't want is to lose my job.
09:32You're not going to lose it.
09:34I'm here.
09:39So sit down.
09:43Sit down.
09:53I'll take care of the firewood.
09:57Then should I congratulate my father?
10:01No.
10:03The decision has not yet been made.
10:06I've never seen you at your best like that.
10:10And I'm still making the idea.
10:13I don't blame you for that.
10:16But I am aware that this is a very delicate matter,
10:21not only for your aunt and for me, but for the whole family.
10:26Have you already informed my brothers?
10:30No, of course not.
10:33You are the first person I trust.
10:37Although your aunt didn't even want me to do it.
10:44But as my cousin,
10:47knowing your opinion is essential to me.
10:50Thank you, Father.
10:53Well, what do you think?
10:57If I'm honest,
11:02I don't know if I could get used to Aunt Mercedes
11:06taking over as a mother.
11:08Well, no, the truth is not about that either.
11:11As you said,
11:13what your mother wanted was for the family to remain united.
11:18And who better than her sister for such a menester?
11:22Mercedes was always by her side. She knew her better than anyone.
11:26I don't know what to tell you.
11:30Her death is so recent.
11:33I still have the impulse to go and find her several times a day.
11:37And I have to constantly remember that she is no longer with us.
11:44The same thing happens to me.
11:47Don't tell my brothers anything yet.
11:51They are also ignoring your death.
11:55I understand that if it is the last wish of a mother,
12:01you must value it with determination and attention.
12:05And I'm sure you'll make the right decision.
12:10I'll accept it, Father. Whatever it is.
12:41Is this how it's going to be from now on?
12:45How?
12:48We're going to look at each other like two strangers.
12:56I'm sorry, Alejo.
12:59I don't want you to feel sorry, Mercedes. I want you to reconsider.
13:03We can still resume our plans.
13:06No, we can't.
13:09I'm sorry I was so stupid to give you hope.
13:13I should never have agreed to that madness.
13:15Love implies doing crazy things.
13:17It can't be.
13:20It never made sense.
13:23I left my youth behind a long time ago.
13:26And you're still learning to be an adult.
13:29What are you saying, Mercedes?
13:31Two days ago you were willing to run away with me and now you accuse me of being a child.
13:35You must mature, Alejo.
13:38You must accept that our relationship never should have started.
13:43And now it's over.
13:46Okay.
13:49Say you don't love me.
13:52Say it out loud. And I'll say it out loud.
14:01I don't love you.
14:08I don't believe you.
14:10Then believe me, Alejo.
14:13There are too many reasons. I'm your aunt and I'm twice your age.
14:17It can't be.
14:19You didn't care about being my aunt or being twice my age.
14:21Two days ago, when we tried to run away, do you remember?
14:27Your mother is dead.
14:30Everything has changed.
14:33You're the only one who has changed.
14:37Mercedes.
14:39Don't let fear take over you.
14:42Get out of there.
14:44Get rid of the shackles that bind you to this family.
14:47Be good to yourself.
14:53That's what I'm doing.
15:08We were just talking about the land and the cattle.
15:11Why are you so upset?
15:13Because you're lying to me.
15:15I heard everything.
15:17What did you hear exactly?
15:19I heard how you were blessing Father to marry Aunt Mercedes.
15:22Lower your voice. Calm down.
15:24I didn't bless him because the decision hasn't even been made.
15:27You told him you'd support him. He should decide what he should decide.
15:30And that's what I'll do, Irene.
15:32That decision doesn't concern us.
15:34Shouldn't we decide who will take over Mother's place?
15:37No one will take over Mother's place.
15:40You didn't say you heard everything.
15:43It was Mother's will.
15:45I don't care about her will.
15:47It's nonsense.
15:48No one asked you.
15:51Irene, Father knows what he's doing.
15:54We must trust him.
15:56Why do you always have to accept whatever he says as if it were God's word?
16:01I'm just trying to be a good son.
16:04You should try it sometime.
16:06No, thank you.
16:08I have my own opinion and I'm no one's puppet.
16:12Neither do I.
16:18This link is a mistake.
16:21It goes wherever it goes.
16:23You have to deny it, Julio.
16:25You're the only one Father listens to.
16:28You're the only one Father listens to.
16:30No.
16:34Either you do it or I will.
16:36You won't do it because no one knows you found out.
16:38Maybe it's time they found out.
16:40Please, Irene, calm down.
16:42You can't intervene in any way.
16:44You must keep it a secret.
16:47We have to respect Father's decision.
16:54Promise me you'll do it.
16:58No.
17:00I can't.
17:02I can't promise you anything.
17:15Where are you going, Isabel?
17:17I'm going to see how Luis is unloading firewood.
17:22He's finally done it.
17:25Thank God, it took her so long.
17:27You shouldn't have told him to do it.
17:29It's a lot of work for a pregnant woman.
17:32The cold is coming, Adriana.
17:34All the firewood in the house has to be well-stocked.
17:37What did you want us to do?
17:38Take it to Gaspar, for example.
17:40That's not a task for Gaspar, as far as I know.
17:42Juana always took care of that.
17:44And Luisa is here to replace her.
17:46She's the one who should do it.
17:48As far as I know, Juana wasn't pregnant.
17:50It's not our fault that Luisa is like this.
17:54She should have thought about it before saying yes to the job.
17:57She wanted to be here, hand in hand, without giving up.
18:01But don't you realize that she still needs it to survive?
18:04She's alone in the world, Isabel.
18:06In charge of several siblings and with a baby on the way.
18:09What I think is that you have to be very responsible
18:12to give birth to a child without having insurance.
18:17I don't recognize you, Isabel.
18:19I'm just telling you the truth, Adriana.
18:22Luisa is abusing your good faith.
18:25Since we got to Valle Salvaje, you've changed.
18:28You're no longer the loving and understanding Aya you used to be.
18:31Am I the same?
18:32No.
18:34Having my aunt Victoria instead of being the aunt
18:36has made you look like her.
18:41I'm just trying to do my job well,
18:44as I've always done, for the good of this family.
18:49Well, if that's the case,
18:51from now on, I'm asking you to help Luisa a little bit.
18:54Because to me, she's almost another member of this family.
19:18Oh, my God.
19:48I love you.
20:07My dear Rafael,
20:09if you're reading these lines,
20:11it's because I'm no longer among you.
20:15Cry for me, but don't do it for too long.
20:24Because life goes on,
20:27and you know that my greatest desire
20:30is always for you to be happy.
20:33Like your brothers,
20:35but you especially.
20:38Don't make that face I'm imagining, son.
20:41You know you're my favorite.
20:43Since you were born and you were put in my arms,
20:46I felt it that way.
20:48As for so many things, I have no explanation,
20:51but it would be stupid to deny it.
20:54That's why I have to ask you a favor.
20:57You're still the same.
20:59You never change.
21:01You're a good man.
21:03And you've been the best of children.
21:13I love you.
21:43I love you.
21:51Does it bother you?
21:56But...
21:57I'm afraid I'm not the best in the company right now.
22:03I didn't come for you to entertain me.
22:06I hope so.
22:08And I didn't come for you to tell me how you're feeling.
22:13You know that?
22:16Everything was radiant and now it's turned to ashes.
22:20A bomb has fallen that...
22:23Instead of spreading gunpowder and fire,
22:26it's spreading sadness and despair.
22:29That's why I came.
22:32To tell me that life is sad?
22:34No.
22:35To try to ease your pain.
22:38How?
22:41How?
22:44Can I tell you a secret?
22:46Please.
22:49Sometimes I talk to him.
22:52With your father?
22:55Don't think I've lost my mind.
22:57I know perfectly well that he's dead.
22:59I feel calmer.
23:01But it comforts me to talk to him.
23:04To tell him things.
23:06What things do you tell him?
23:08I tell him what I've talked about with Isabel.
23:11How Barbara and Pedrito are doing.
23:13Sometimes futile things like what I've eaten or what I've done that day.
23:18And sometimes things that are even worse.
23:21Like what?
23:22Things that afflict me.
23:25That worry me.
23:26Or reproaches that lead us to the most arduous discussions.
23:30Reproaches?
23:32I asked him to sign an annulment agreement without telling me.
23:37With a man I didn't know.
23:43Why don't you try it?
23:48To talk to my mother?
23:51In life, it was your macula.
23:53Maybe you can still be it, even if it's not between us anymore.
23:56I wouldn't know where to start.
24:00You can...
24:02You can start by telling him how you feel.
24:05Everything you miss him.
24:08What moved you about his letter.
24:10And what comforts you when you read it.
24:15At least you have your mother's body here.
24:18So close.
24:20I wish I could visit my father's grave from time to time.
24:24I haven't been able to visit his grave yet.
24:28Then do it.
24:30It will ease your soul.
24:34Adriana.
24:37When did you arrive?
24:39I didn't know you were at home.
24:41I've been asking for you.
24:43But I didn't know where to find you.
24:46Here I am.
24:47What can I do for you?
24:49Excuse me.
24:50Now that you've met, I'm leaving.
24:53I have a lot to do.
24:58Bye.
25:29Bárbara.
25:34That's my notebook.
25:36I sewed it carefully.
25:39It can still be read.
25:42Why did you do it?
25:44I felt sorry that it would be lost forever.
25:48I took the liberty of reading it a little.
25:51On my own.
25:54She read it.
25:57From end to end.
25:59Without leaving a page.
26:02The story of the seamstress is...
26:05so romantic.
26:07So perfect.
26:11Did you really like it?
26:13It's great.
26:14I loved it.
26:16I think it could be that great work that she told me she wanted to write to pass on to posterity.
26:23I don't know why she tore it up, but...
26:26I thought it could be the result of a robbery.
26:29And that she might regret it and want to keep it.
26:55It's you, my love.
27:06I'd like to help you, but...
27:09Rafael is upset.
27:12I don't know what to do.
27:15I don't know what to do.
27:18I don't know what to do.
27:21Rafael is upset.
27:23Even if you want to, you can't avoid the pain.
27:26He had a very special bond with my mother.
27:30More intimate and closer than the one he had with the others.
27:33Like his with his father?
27:35Something like that.
27:37That's why he's having a hard time.
27:39It's as if they had ripped a part of himself off.
27:43I can understand that.
27:44And me.
27:48Why were you looking for me, Adriana?
27:55I came to talk to you about...
27:57Me? About what?
27:59About our bond.
28:01I'm listening.
28:03Look, I've always imagined the day of my wedding...
28:07I've imagined it as the happiest day of my life.
28:10Not you.
28:14That's why I think...
28:17that maybe the circumstances are not suitable for a celebration...
28:22where joy and happiness reign.
28:25What do you mean?
28:28I think it's not a good time to celebrate a wedding...
28:31when the spirits of your family are on the ground.
28:36I thought it was something we had already discussed.
28:39We had already agreed to postpone it for a few days.
28:42It takes more than a few days...
28:45to recover from the death of a mother.
28:48Are you talking about postponing it...
28:51for months?
28:53I'm talking about postponing everything...
28:56that is necessary...
28:58to maintain mourning and respect your mother's memory.
29:06It's been a very hard blow for you.
29:10That's true.
29:13And I'm not in a hurry to marry you.
29:16I wanted you to know.
29:19You're very kind to think about me...
29:22and my family.
29:24A family that will soon be mine.
29:27Unfortunately, you know that...
29:29the decision is not up to us.
29:32I know.
29:33But maybe we could suggest it to your father and my aunt Victoria.
29:37Don't you think so?
29:40Okay, Adriana.
29:43We'll talk to them and...
29:45we'll express our wishes to them.
29:48What happens next...
29:50will be out of our control.
29:58I didn't get to know her well, but I liked her mother.
30:02I didn't know you two were in a relationship.
30:04It was brief, but yes, we had it.
30:07We talked a few times and, as I told you, she had a high fever.
30:11Knowing her, I'm sure you liked her.
30:14And she liked me.
30:17And I have to admit that she gave me a couple of tips that I couldn't forget.
30:22What tips?
30:24Do you really want to know?
30:26Because if not, I'm going to ask.
30:29I'm a little ashamed to tell you.
30:32I didn't mean to shoot, I didn't mean to.
30:36She encouraged me to look at you.
30:39What does that mean exactly?
30:42You know.
30:44Seeing you with other eyes.
30:47Ah, yes.
30:49Yes.
30:51And do you know what I've discovered?
30:54I'm sure you're about to tell me.
30:58A wonderful man.
31:01Sweet, attentive, sensitive.
31:06Am I all that?
31:09And attractive.
31:11But that's the least of it.
31:14And all that comes very close to what I'm looking for in a man.
31:18I didn't know you were looking for something.
31:22All ladies do, don't you think?
31:24I wouldn't know how to tell you, I'm not a lady.
31:28Anyway, as you know, I live submerged in my books.
31:33In your books and in those poems in which I can't stop thinking.
31:37I'm glad they're to your liking.
31:40Don't be naive.
31:42We both know what's going on here.
31:44Be happy, please.
31:47I can't.
31:49You already know that what's happening is that inside of me
31:53a feeling is growing towards you, Alejo.
31:56A feeling that I can't stop.
32:00I can't and I don't want to.
32:12Here's the money to pay for the days, Gaspar.
32:15Thank you, Don Julio.
32:17I'll pay you the salary at the end of the day.
32:22Don Julio, have you been able to talk to your brother Rafael?
32:25As I asked, we need to hire more workers urgently.
32:29I haven't had a chance to discuss that with him yet.
32:36In any case, I'll give you some advice, Gaspar.
32:40If you want Rafael to reconsider your opinions,
32:43you should stop making mistakes.
32:46Are you talking about Don Julio?
32:49I've heard that some of our workers have gone to work at the neighboring farm.
32:54Men who were in your position and you've lost them.
32:56No.
32:57Things haven't happened like that.
32:59Those men had been unhappy for a long time.
33:01They charged their wages late and badly.
33:03I've retained everything I could.
33:05This time they'll charge on time.
33:07So make sure no one else leaves before I can talk to Rafael.
33:14Don Julio.
33:20Don't think I'm not aware of your game.
33:23I don't know what game you're talking about, Gaspar.
33:26I've been telling you what's going on with me ever since I was a kid.
33:29We were lazy and things worked that way.
33:32We were always two brothers.
33:34Julio and Rafael, Rafael and Julio.
33:36Climbing up the trees, running through the field,
33:39hunting rats.
33:41And behind you, Gaspar,
33:43like a sloth, drooling for a little attention.
33:46I don't remember things going that way, Gaspar.
33:49I remember it very well.
33:51Because yes, sometimes my time came.
33:54Do you know when it happened?
33:56When they fought.
33:58I really don't remember how fierce they got.
34:01Until Mr. José Luis or Doña Pirala had to come to separate them.
34:05And they also fought for me.
34:07For me.
34:09Gaspar, now I want to play with you.
34:11No, Gaspar, now even with me, not with you.
34:15How happy I was then, how important I felt.
34:18We were kids, Gaspar.
34:20I felt almost as happy,
34:22almost as important as when the other day
34:25I was named captain of the wild valley.
34:29I know why Mr. Julio stole my promotion.
34:32I don't know why it happened the same way as when we were kids.
34:36The problem came later,
34:38when they reconciled,
34:40again the two brothers laughing,
34:42walking through the fields,
34:44hunting birds with slingshots.
34:49And Gaspar, again, forgotten.
34:52Again, sad and alone, waiting for his opportunity to come.
34:58Don't try to justify your game with me as always,
35:02pointing out mistakes of which I am not responsible.
35:13I fell in love for the first time.
35:18I fell in love for the first time.
35:26You'll be happy.
35:28You've already got what you wanted.
35:30Messing up between Adriana and me.
35:34I never wanted such a thing.
35:36You've done it.
35:38You took advantage of the fact that Bárbara and Adriana
35:40treat you with affection
35:42to leave your homework and speak ill of me.
35:46I haven't spoken ill of anyone. I don't have that bad habit.
35:49You have.
35:50But you've miscalculated.
35:52Very bad.
35:53Because soon, Adriana will be Mrs. Don Julio Gálvez de Aguirre
35:58and she won't have time to lose it with you.
36:00What good will it do you to speak ill of me behind my back?
36:03Oh, Mrs. Isabel, you're in trouble.
36:05I, Miss Adriana, have never spoken ill of anyone,
36:08and you, Miss Isabel, on the contrary.
36:10I haven't bitten my tongue or spoken ill of anyone.
36:13How brave.
36:14Yes, ma'am. Yes.
36:17I've kept quiet and put up with everything you've written.
36:20But I won't let you come here and speak ill of me.
36:24How can I speak ill of you, ma'am?
36:27With manners.
36:28I may not be from a good family
36:30or have such long last names as you,
36:32but at least I haven't spent half my life
36:34with the croissants.
36:36What about the boba soup?
36:37What do you know, you nasty woman?
36:39I know what I see.
36:40That's why I have eyes on my face.
36:42Very little shame.
36:43That's what you have.
36:44You'd better keep your mouth shut
36:46if you don't want to start having problems.
36:48Problems? I already have.
36:50Because of you,
36:51I can't stop putting on airs,
36:52going behind my back,
36:53making my life impossible.
36:55But know that the only thing I try to do is do my job well
36:57and I do it with much more grace than you.
36:59That said, it's in passing.
37:00What did you say?
37:01You heard me.
37:02I don't have hair on my tongue either.
37:03I can see that.
37:04But I wouldn't have you anyway.
37:05Neither would I.
37:06What goes around, comes around.
37:08And the truth is that I'm glad I stayed.
37:10And now, if you'll excuse me,
37:12I don't want to waste time with pamplinas and stupidity.
37:15I have a lot of work to do.
37:34I can't do this.
37:58I'm not capable.
38:00I can't conceive that my mother is in that grave.
38:02She can't even hear me if I talk to her.
38:04I can't believe she's dead.
38:07Your mother lives inside you, Rafael.
38:11Of course she can hear you
38:13and comfort you.
38:16Try it again.
38:26Your mother is waiting for you.
38:56Mother.
39:25Mother, I'm sorry...
39:28I'm sorry I took so long to come and pay my respects.
39:36I'm so sorry for her absence, Mother.
39:42Sometimes I hear her footsteps and her voice.
39:47But no.
39:49It's Irene who's crying.
39:53And Mercedes who's being called by her dreams.
40:00I see her everywhere and she's not in any of them.
40:14I'm not ready to live without you, Mother.
40:21Now that she's gone, I feel so useless, like a child.
40:27Or like those men who, agonizing in the battlefield,
40:30called their mothers until their last breath.
40:39I need your advice, Mother.
40:43Your wise words in the face of any of my cares.
40:48I'm lost without your hugs.
40:54And no.
40:56I don't want to stop crying.
40:59I want this wound to never heal.
41:04Because that would mean that your absence doesn't hurt anymore.
41:11This pain reminds me how great my love for you is.
41:18This pain still keeps us close, Mother.
41:27I could spend the next few years of my life
41:31counting each one of your hair.
41:34And then I'd keep the lunars of your body.
41:39And later...
41:40You'd better count to a hundred.
41:42Today I feel so heavy that I can't breathe.
41:45I'm sorry, Irene.
41:47I understand how you feel. I know you were very close to your mother.
41:53I imagine that the emptiness I leave you must be so deep.
41:56No.
41:58Your mind doesn't understand what's going on with me or how I really feel.
42:03Of course it does.
42:08I imagine that it will be as if the sun goes down and dawns again.
42:14As if the birds and crickets would never sing again.
42:21And I'll hear the fresh water of the rivers.
42:26How do you know that?
42:29Because I would feel the same.
42:31If your mother died?
42:34If I miss you.
42:36That's how it will be when you miss me.
42:39Do you think I'm going to die before you?
42:42No, Irene.
42:44I think that at some point you'll meet someone more alchemic than me.
42:47Someone who remembers your last name.
42:49No. No.
42:50Yes.
42:52And you'll leave.
42:55And you'll leave me like a wooden toy under the rain, abandoned.
42:58Broken and useless.
43:00No, Gaspar. That's not going to happen.
43:03Yes, Irene.
43:05We both know that your father wants to marry you soon and he won't be with me.
43:10Then I'll be as unhappy as you in your marriage.
43:14Terribly unhappy.
43:18Life is not fair.
43:22Life is not fair in a wild valley.
43:28Gaspar.
43:30Why do you make me think of sad things?
43:33Not today.
43:35I can't comfort you today.
43:53I have so many things to tell my mother.
43:58And I dropped the most important one.
44:04I have a secret.
44:07A secret that I haven't confessed to anyone and I wish I had told her.
44:13You would have known what to do with it.
44:17And the truth is that now it burns me inside and I don't know how to handle it or what to do.
44:24I feel lost, mother.
44:29Alone.
44:32Going down the drain for a sea of doubts that have no answer or solution.
44:47I love my brother's promise, mother.
44:53But I love her as I have never loved anyone.
44:58She is wonderful.
45:01Brave, with arrests, but for real.
45:06She is not afraid of anything and does not stop in front of anyone.
45:14She makes my neck tremble.
45:19And I run out of breath as soon as I see her.
45:27I know I should think of the family and that's what you would have told me.
45:35But I can't.
45:39And I also know that you would end up understanding me.
45:45I didn't call her mother, but I love her.
45:53And the truth is that now I can't stop doing it.
46:08Better.
46:12Have you heard everything?
46:17Rafael, if it were up to me, I would marry you right now.
46:24In this same place.
46:27And I would shout yes to the four winds.
46:32Yes forever, yes until death separates us.
46:37And I would answer that not even death could separate us, Adriana.
46:53Mercedes has only asked you for discretion and I agree with her.
46:57It is an extremely delicate decision. I don't want my children to find out in a hurry.
47:02I will let them know my decision at the right time.
47:05Your decision?
47:07Yes. And I will meditate on it with great care and determination.
47:12In the future, if you want something from me, tell me personally.
47:17I don't have to put up with Mercedes's tone.
47:20She seemed like a dead fly and now she thinks she has the right to give me orders.
47:24To me.
47:25She misses me. It's not usually her way of behaving, but I'll talk to her.
47:30Do it before she goes to her delusions of grandeur.
47:33And if necessary, you put a leash on her like dogs.
47:36She must not intervene in any way in our affairs.
47:41Be careful, Victoria. That's not going to happen.
47:44I hope so. Where Pilara didn't go, much less should she go.
47:50Besides, Pilara had a class that Mercedes lacks.
47:55You will need to remind your sister-in-law that she will continue to be just as insignificant as before her sister's death.
48:02What does that mean?
48:05Stop her. She is neither the lady of the house nor will she be the lady of Valle Salvaje.
48:12Where do you want to go, Victoria?
48:15To forget that absurd nonsense of getting married to Mercedes. That link is not going to happen.
48:21You don't decide that.
48:22I think so.
48:23Do you think I'm one of your maids? That you can give me orders?
48:28It's not a request.
48:31You'll see what you do, José Luis, but it's not in your interest to have me against you.
48:37Are you threatening me, Victoria?
48:40Call it what you want.
48:42I just hope that at this point in our lives you are well aware of how far I am able to go to get what I want.
48:54The A again.
48:56And this other one is the...
49:00The L.
49:01Very good, Luisa! You got it right away!
49:03I have the best teacher in the world. His name is Don Pedrito Salcedo de la Cruz.
49:10In a little while you will be able to read all the entire library of the big house by yourself.
49:15Do you think I dress up as a man-eater at the University of Salamanca?
49:20Do you think I dress up as a man-eater at the University of Salamanca?
49:25What about that girl?
49:26Well, because she's not from my town either. I've seen men who have her even bigger than mine.
49:32Look at her, teaching Luis how to read.
49:34She's smarter.
49:36Teach her how you do it.
49:38When she learns more, Pedrito. I'm not bragging yet.
49:41Besides, Adriana is waiting for you to take a walk. Come on, Pedrito, run!
49:45We'll continue tomorrow. And you, study a lot while you're at it.
49:49A lot, Mr. Professor.
49:51Run.
49:54I've come to pick you up because...
49:57we have to move a piece of furniture upstairs.
50:00Upstairs?
50:14It won't be too heavy for us.
50:16No, we can do it between the two of us. And I don't want to bother anyone with this mess.
50:21You take it from there, I'll take it from here.
50:24Come on.
50:25Happy?
50:26Wait, wait, wait.
50:28Let's go.
50:30Up with her.
50:49But push, Luisa, I can't see you pushing.
51:01See how it's not that heavy?
51:07A little slower, Mrs. Isabel, it's slipping.
51:09Don't stop, please.
51:10Come on.
51:11Be careful, it's a very valuable piece of furniture, Luisa.
51:16Do you want us to go down?
51:18Do you want to pick it up again?
51:19Do you want to go upstairs? My liver is coming out, for God's sake!
51:22Yes, yes.
51:31Come on.
51:32The last push, I promise.
51:56Pedrito, wait for me.
52:00Come on.
52:16Kid, you shouldn't play here alone.
52:19You haven't learned your lesson.
52:21You could get lost again.
52:23I'm not going to get lost, sir.
52:25Because I have my compass.
52:27It's with me.
52:30I can't find any, Adriana.
52:32Every time they see me, the butterflies hide.
52:35I don't think they're that smart, Pedrito.
52:38You'll see that as soon as you least expect it, they'll show up.
52:41Try over there.
52:43That's where they usually are, fluttering about on the flowers.
52:47You can also find in that place,
52:49grasshoppers and lizards.
52:53Really?
52:55Is it true that if you cut its tail, the lizard will grow back?
52:58Completely true.
53:00Adriana, we have to go there.
53:02I want to see how the tail grows on the lizard.
53:04Let's go.
53:07The kid is so energetic.
53:09Watch your brother, miss.
53:11The other time, it was a real miracle that they found him alive.
53:15Believe me.
53:16Yes, thank you very much.
53:18I'm not going to leave him or lose sight of him for a second.
53:22I assure you.
53:28He got up so cold, didn't he?
53:31Well, now, if you'll excuse me, I'm going to get the kid.
53:34Pedrito!
53:36My love, wait!
53:48I found something.
53:50Look.
53:53I think his mother's death wasn't what everyone thinks.
53:57What's going on, Bernardo?
53:59Unfortunately, I can't prove anything,
54:01but I think his mother was poisoned.
54:12I'm sorry to have treated you like I did, Gaspar.
54:14And, above all, I've disrespected you.
54:18Water passes like a whirlwind.
54:20I've already found out who owns the button
54:22we found in his mother's closet.
54:25Do you know who could be responsible for his death?
54:29Who?
54:30If there's anything to find out, we'll find out.
54:32And no one else.
54:35It's about the wedding.
54:38I think that, as things are in the big house,
54:41and as I find myself,
54:43the best thing would be to forget about her for a while.
54:45The opinion that counts, as you will understand,
54:48is that of the father, more than that of the son.
54:50Then we count on his bene placito.
54:52You can count on me studying it carefully
54:55and finding a solution that satisfies us all.
54:58What does that mean?
55:00Exactly what I just said, no more, no less.
55:05Rafael, you're very strange.
55:07Yes, I'm sorry.
55:09You may be the one who was closest to his mother,
55:11but the others have also felt their loss enormously.
55:15All I want to know is who was the last person
55:17who saw his mother alive.
55:18And what do I know, who was the last person
55:20who saw his mother alive?
55:21Give up the game you're playing with Bárbara.
55:24Because you'll hurt her.
55:26I'm madly in love with him.
55:28Get into your business.
55:30He's still a kid.
55:31A kid that until two days ago you wanted
55:33in your bed like a man.
55:35Mercedes and father getting married?
55:37I think that's what the aunt was waiting for.
55:39Quiet.
55:40Away.
55:41What are you doing?
55:42The other day he almost killed me with the shaver,
55:44yesterday with the stairs.
55:46He almost followed them, doesn't it seem strange to you?
55:48It's strange that you're so clumsy.
55:50I'm clumsy when I'm with you.
55:51What a coincidence.
55:53You're accusing me of something,
55:55careful with what you're saying.
55:56I thought that...
55:58that's what made Luisa understand about her accidents.
56:01I'm incapable of hurting a fly.
56:05Luisa!
56:06I'm Julio Gálvez de Aguirre.
56:08We've met before, remember?
56:10Luisa, you're not well.
56:12Let me go!
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