La Promesa - Capitulo 440
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Short filmTranscript
00:00♪
00:30I swear it wasn't my fault.
00:54It's my fault.
00:55It's never your fault.
00:56Let me explain.
00:57I don't want you to explain anything to me, Marcelo.
00:58What I want is for you to do things right, because if you continue like this, what you're
01:01going to achieve is that they kick you in the street.
01:03I just asked for information.
01:05But Mrs. Arcos wasn't taking care of me during her hours of work.
01:08Well, that's what she told you.
01:09And that's what I think.
01:11Above what your father tells you, right?
01:13Julia is Matilde?
01:15The same one.
01:16But what is she doing here?
01:17She came looking for explanations.
01:20The same ones that José Juan didn't want to give her.
01:22And that's why she set up all this farce.
01:24I plan to continue treating your son as I have so far.
01:26And we both know what bothers you so much.
01:30It's that your son values me more than you do.
01:34We have lost several thousand pesetas.
01:36Father, always the same with his business.
01:38And what about you?
01:39Do you think you're better than him?
01:42You stole from your parents.
01:44You came into this house with lies, deceiving everyone.
01:47So don't you dare give us any moral lessons.
01:50What about Conde de Ayala?
01:51Well, he was the one who asked me to convince you to live with us.
01:54Nobody can convince me of something like that.
01:56Well, I just hope he takes it well.
01:58You see, my father asked me for a few days to think.
02:00But tomorrow won't happen.
02:02I'm going to marry you, Hanna Expósito.
02:05Say what you say.
02:07And no matter what.
02:08The heir to the Marquis of Lujan married a maid.
02:11Where did you see that?
02:12I don't know, Alonso. I don't know what we can do.
02:14Yesterday you were honest with me when you told me about your fiancé.
02:18Of course, because friends are supposed to be honest, right?
02:22That's why I think I have to tell her who I really am.
02:25If you love my daughter so much, I guess you want the best for her.
02:29Of course I do.
02:30Well, neither you nor the life you can offer her is the best for Mercedes.
02:35So I ask you, please, to leave her and convince her to come back to my house.
02:41A few days later
02:47Lope, please.
02:49Put your feet on the ground and think about my daughter.
02:52That's what I'm doing, ma'am.
02:53What are you doing?
02:54Thinking about your daughter.
02:56I think about what I can offer her.
02:58And above all, I think about what she wants.
03:01What she wants?
03:02Yes.
03:03Which is the only thing you don't seem to take into account.
03:06And coincidentally, what she wants is just what you need.
03:10Isn't that right?
03:11Ma'am, I don't know what I need.
03:13I don't know.
03:15And I confess that sometimes I feel that I'm not up to her.
03:18And it makes me very anxious not to be at her level.
03:21Logical.
03:22Because you will never be.
03:26But you have the honor to admit your limitations.
03:31I'm not talking about limitations, I'm talking about doubts.
03:34In any case, above all is the love I feel for her.
03:37And that love is the most important thing, ma'am.
03:40As long as I feel that for her, I will fight for her and I will not give up.
03:45Because the most important thing in this life, for me, is to see her happy.
03:50See her happy?
03:51But don't you realize that because of you, my daughter is throwing her whole life on the line?
03:55Ma'am, neither you nor I know that.
03:57Yes, I know.
03:59My daughter has no future with you.
04:01And yet with her family, yes.
04:04Ma'am, life with your family, you already know it and you have repudiated it.
04:08And no matter how hard it is for you to understand, your daughter has chosen to be here.
04:11With me.
04:12Lope, my daughter is playing.
04:15She is playing to be someone of your condition.
04:19But the reality is that Mercedes is very capricious.
04:22And that she is used to being surrounded by luxury.
04:24And that people don't change.
04:26And when she gets bored of this hobby, she will deny you.
04:30And then she will reproach you for not getting her right.
04:33That's not true.
04:34Yes, it is.
04:37So I ask you to please make my daughter reconsider and know what is best for her.
04:42Ma'am, all you think about is what is best for Mercedes.
04:46But you have no idea what is best for Vera.
04:49And you have no idea how the world works.
04:53With that wonderful love you have, you are not going to eat.
04:57With that love you are not going to buy her a palace, or jewelry, or clothes.
05:00It's just that Vera doesn't need that.
05:02That Vera is Mercedes.
05:04And that Mercedes needs all that and more.
05:06That Vera is no longer Mercedes, ma'am.
05:09What your daughter needs is affection.
05:11Respect.
05:13An honest job and a family.
05:15Please get out of the guindo now, boy.
05:18My daughter will never form a family with you.
05:23If you allow me, I have to go back to my homework.
05:28Sure.
05:29You have to cook potatoes,
05:32chop onions,
05:34cut carrots.
05:39Never, in your entire life,
05:43have you dreamed of being with a woman who is not even half my daughter.
05:47So enjoy this moment, cook, because it's going to end.
05:52And I'll tell you one thing.
05:54You're not going to get a penny out of us.
05:57Ma'am, I don't need your money.
05:59No, of course.
06:01You love being poor and sweating all day long.
06:04Enough already.
06:06I hope my daughter realizes very soon that you don't deserve her.
06:12Well, if that ever happens, don't worry, because I'll let her go.
06:16But in the meantime, I'm going to stay by her side.
06:19Do you know why?
06:21Because she was her daughter who asked me to.
06:47I don't know if I can tell you
06:52The things that have happened since I saw you
06:56The lights that have danced through our garden
07:00The new rumors
07:02Between the heart and the walls
07:06In the promise
07:08There will be particles of love in motion
07:13There will be secrets that will never come out
07:17It will be as beautiful as the flight of a bird
07:23In the promise
07:25The farewells are spins on the ground
07:29Even the flowers will dance in their own way
07:33Balancers between fear and passion
07:39We are like a jump to the D3
07:44We are love when you live life to death
07:48A long way to go
07:52In the promise you will be a matter of luck
07:57We are like a jump to the D3
08:01We are love when you live life to death
08:06A long way to go
08:10In the promise you will be a matter of luck
08:19But who is it?
08:21Is Julia Valdés Rodríguez my guest?
08:24Who came here to bring me the pendant I lost?
08:28No, Martina, I'm not who you think I am.
08:30My name is not even Julia.
08:32My arrival at La Promesa was not as casual as you think.
08:37But who are you?
08:40My real name is Matilde.
08:43And why did you lie to me?
08:45Are you going to blow my head off?
08:47I'm very sorry. I didn't mean to deceive you.
08:50Actually, I was looking for that job from the beginning.
08:53Francisco de la Mata.
08:56What?
08:58He was with my fiancé in his last moments of life.
09:06My boyfriend, Paco, died on the front.
09:11Next to Curro.
09:15Do you want me to tell you the story?
09:17Of course.
09:20And soon after, the Duchess of Carrí came here.
09:25I don't know, Candela.
09:27These distinguished ladies who have no obligations
09:30can do whatever they want and come whenever they want.
09:33I don't doubt it.
09:35But she will admit that it is not normal,
09:37as it is not normal that she has locked herself up with López.
09:40At this point, I don't know what is normal and what is not.
09:43Look, here is Lopillo. Why don't you ask him yourself?
09:46Look, here is Lopillo. Why don't you ask him yourself?
09:49López.
09:52Simona told me that the Duchess of Carrí has already shown up here.
09:57And that she sent you a call.
09:59Well, Mrs. Simona told her well.
10:01But the lady is unhappy with something.
10:04Because locking yourself up with her in the office alone is weird.
10:09No, don't worry.
10:10She just asked me some suggestions
10:13about a dinner she is going to prepare in her palace.
10:15Another dinner?
10:17This woman has a party one day like this and another one like that?
10:19Yes, she has to have the cooks there.
10:21They have to be on their toes.
10:23Yes, more than working in a coal mine.
10:27That's why the lady has to get rid of the ideas of our Lopillo.
10:31Otherwise, in the end, we are going to be lucky
10:34that the lady doesn't have so many commitments.
10:37She will want to put it on, but at least she doesn't work so much.
10:40Candela, did I tell a lie?
10:43Can I help you, ma'am?
10:45Mr. Pellicer, how quickly you have been.
10:48And how timely.
10:50So you can transmit to the service what I have to tell you.
10:53I would be delighted to do so as soon as you tell me what it is about.
10:59I will try to be very clear,
11:01so that there are no misunderstandings.
11:05I realize that in this area
11:08there is no gossip that escapes them.
11:12Therefore, I assume that ...
11:17that you will be aware of ...
11:21the infamous relationship between my son
11:24and one of the maids who works in this house.
11:29As you can imagine, this is ...
11:32This is a matter that ...
11:35that is the most unpleasant thing for me.
11:38But ...
11:40I want ...
11:42to clarify it so that there are no doubts.
11:48My son ...
11:50has been subjected to ...
11:52to a lot of pressure.
11:54For a while.
11:56And this has undoubtedly ...
11:58led him to ...
12:00to a state of confusion.
12:02Look how he tells us now that his thing with Hanna is a lie.
12:05Anyway, we are not going to ...
12:07We are not going to magnify ...
12:09this matter.
12:11I am sure that Manuel ...
12:13will soon clarify his ideas.
12:16And what is clear ...
12:18is that this cannot transcend the walls of the palace.
12:21Don't worry, Mrs. Marquesa.
12:23No, I'm not, Mr. Pellicer.
12:25I'm not.
12:27There are people here who ...
12:29have given me reasons to the contrary.
12:34I want to warn you.
12:37That I will take very harsh reprisals ...
12:39against everyone who spreads this matter.
12:42Is it clear?
12:45You can take it for granted.
12:46I hope you are all up to the circumstances ...
12:49and continue ...
12:51acting as if nothing had happened.
12:54I have been very magnanimous ...
12:56allowing that whore to continue working in this house.
12:59Because my first intention was to put her on the street.
13:03Don't make me regret ...
13:05my generosity.
13:07Don't worry, ma'am.
13:09Everyone will know how to be up to the task.
13:16And do me the favor of cleaning this mess.
13:19Yes, Mrs. Marquesa.
13:20We will leave it clean as a whore.
13:27It's going to be a mess, huh?
13:29And I'm going to destroy Juanete.
13:31But if I don't give you ...
13:32you put your foot in this mess that I already saw coming.
13:34It's already worth it, huh?
13:36First she starts throwing all kinds of dirty money ...
13:38and then she gets into our kitchen.
13:40She has called us pigs.
13:42The kick is well used.
13:43Although better a moratorium than a dismissal.
13:46So be it.
13:48Come on, Laurel.
13:49Where?
13:50There, two little eyes.
13:52Give me the ball, Catrín.
14:05Your hat ...
14:09and your coat, ma'am.
14:11And you had to bring it to me, precisely you.
14:15I'm a maid as good as any other.
14:22Besides, I guess you didn't think of leaving without saying goodbye.
14:27If I have to say goodbye to all the servants,
14:29I will never leave this condemned palace.
14:34I am glad that I finally see myself as one more servant.
14:38It is more and more unpleasant for me to come here every day.
14:42And I understand it perfectly.
14:44It was not easy for me either
14:46for you and me to say those thick words.
14:50Should I understand this then as an apology?
14:57Well, I'll take it that way.
15:00Understand it as you like.
15:02But I don't intend to do anything else.
15:04The situation in which you are now
15:06has been sought out by father and you alone.
15:08Oh, sure.
15:09You had absolutely nothing to do
15:11with the disappearance of the money.
15:13Maybe I didn't have to take it.
15:15But I'm not going to be frustrated.
15:17That money didn't belong to father legally.
15:19Yes, yes, yes.
15:20I already know that canteen.
15:22Mother is not going to get another answer.
15:24Mercedes, no matter how much you try to provoke me,
15:28I'm not going to get involved in any other discussion with you.
15:31I didn't mean to provoke you,
15:33but you don't know how much I appreciate it.
15:35What I don't understand is why you came here now.
15:38Can't I have in the promise
15:40matters that have nothing to do with you?
15:46I'm very glad I'm not the center of your attention.
15:50Well, then this conversation is over.
15:53And now, if you'll excuse me,
15:55I have more important matters to discuss.
16:01I'm sorry.
16:14And that's why the promise came?
16:16That's right.
16:18I'm very sorry I lied to you.
16:20But I needed to know first-hand
16:22all the truth about Paco's death.
16:24And also know the implication
16:26that Curro had with all that.
16:28That's it.
16:30I couldn't stand the idea that
16:32the person who supposedly
16:34had been responsible for my death in life
16:36would continue with hers as if it were such a thing.
16:40Julio...
16:42Well, I don't know if I should keep calling you that.
16:46Yes, of course.
16:48As long as you're in this palace,
16:50you'll still be Julio.
16:54It's just that...
16:56I'm very sorry for everything that has had to happen.
17:00I can't even imagine
17:02what you must have suffered.
17:05And I still do.
17:07I haven't forgotten.
17:13I understand.
17:16Saving the distance, of course.
17:18But I've been through something similar.
17:21My father died not long ago.
17:25You told me, yes.
17:27It's very hard to assume
17:29that you won't see the person you love again.
17:33And even so, I don't intend to compare myself to you
17:36because my father was heartbroken
17:38and that was what took him away.
17:40The law of life.
17:42Before time, but...
17:44But yes, the law of life.
17:47But nevertheless, his fiancée
17:49was in the flower of youth.
17:53And she left in a very tragic way.
17:57I confess that it's hard for me to overcome myself.
18:00I admit that...
18:03I was in a lot of pain and...
18:05I thought there was a clear culprit.
18:08Because of what they told you about Curro.
18:10That's right, but...
18:12Now I know that he's a noble person and that...
18:14He had no responsibility for that atrocity.
18:17In fact, I'm convinced that the death of his fiancé
18:19had a great impact on him.
18:21It's so true.
18:23Curro himself confessed to me that...
18:25The death of my fiancé weighs deeply in his heart.
18:31But then...
18:37The whole issue of the restoration of the painting
18:40was an excuse to extend his stay in La Promesa.
18:52Look.
18:53Let's see this one.
18:55This one looks good.
18:57Are there any others out there?
18:59I...
19:01I heard Curro and you talking about my departure.
19:04And well...
19:06I had to think of something to stay.
19:09But then he made up that he knew how to restore paintings.
19:13Well, I have some knowledge.
19:15But I didn't actually touch the painting.
19:19You can rest assured.
19:20It's a very important painting for my family.
19:22I know.
19:23And that's why I was very careful.
19:26I give you my word.
19:30Can I trust you to keep my secret?
19:37Of course.
19:47What are you doing here?
19:49What do you mean? This is my bedroom.
19:52Of course it is.
19:54But I thought you had an appointment with Salvador
19:57to go to the Luján churrería.
19:59Yes, that's why I'm dressed like this, like a churro.
20:05Are you okay?
20:09The truth is that I'm not very Catholic.
20:12What happened to you?
20:14I have a lot on my plate.
20:15I haven't been able to get my head up since I found out
20:17that the Marquise read my blessed notebook.
20:20Well, that has to end.
20:21Right now you're going to put on a street dress
20:23and I'm going to help you.
20:24And you're going to get to your appointment.
20:26I don't have an appointment anymore.
20:29A waiter had to make a reservation near the Palacio del Conde Matesán
20:32and I already took advantage of it.
20:33So I'll let Salvador know.
20:35Have you canceled Maria?
20:39I thought you were crazy about that meeting.
20:44It is what it is.
20:46And what's wrong with you?
20:47You're not dying to see Salvador anymore?
20:49Of course I'm dying to see Salvador.
20:51But for half an hour, which is what you could steal from work,
20:54that's why I don't move Rome with Santiago.
20:56And I don't want to beg for mercy either.
20:58Maria.
21:00Don't be like that, Hanna.
21:01If Salvador already told me that I had to be on guard
21:03in case the Count claims him
21:05and that I was barely going to be able to be a little bit.
21:08Well, it seems to me that any time is good
21:10to share a chat, a smile,
21:12even if it's a short time.
21:15When Salvador said he was going to serve out of promise,
21:18I never imagined he was going to make me so angry.
21:22Well, the distance is very hard for lovers.
21:26It's more than I imagined.
21:29And the distance between the palaces is added to the fact that
21:32that count looks more like a garbanzo to an old man.
21:35Is he very old or what?
21:37More than a cloth merchant.
21:39And he has the bad habit of always taking Salvador.
21:41Don't you find me strange with the first kiss he has?
21:46I'm glad he's doing well.
21:48But...
21:50But...
21:52I don't know if there's room for me in that new life of Salvador.
21:56Maria, stop saying nonsense.
21:58For Salvador, you are the first.
22:01I feel him so far away.
22:03Well, you'll see how soon
22:05he's going to give you a big hug.
22:07That never ends.
22:10Well, don't worry about me.
22:12You have enough with what you have.
22:15Of course, we're both screwed.
22:21How are you with your Manolito?
22:24Fine.
22:26Bad, bad, terrible.
22:28A disaster, Maria. I don't know.
22:31But you're still in love with him, as always, aren't you?
22:33Of course I am. It happens.
22:35That's the important thing.
22:37But it's not so easy when everyone is against it.
22:42Well, not everyone. I'm not against it.
22:44Neither am I, nor the rest of your colleagues.
22:48The Marquises will never allow us to live our lives freely.
22:53Well, but you're with a couple of two, and the rest are left over.
22:57And in the end, you'll see how it goes.
22:59I hope so.
23:02Manuel is going to talk to his parents to give them an ultimatum.
23:06I don't know what that will be, but it's a threat.
23:08More or less, yes.
23:10Be careful, because if there's something the Marquise doesn't like, it's only in the ultimatum.
23:31Mrs. Arcos?
23:33Am I welcoming you at a bad time?
23:36And when is a good time in this Valley of Tears?
23:38I had to leave my office to the Marquise of Carril and now I'm late with my homework.
23:45I'm very sorry.
23:48The Marquise, who wants to be on good terms with that lady, and we have no choice but to fulfill her wishes with the best of our smiles.
23:57Even if they are fake, it is better not to take the opposite of the Marquise.
24:02And less in these moments that she is going through such a delicate situation.
24:12What do you mean?
24:15What is it going to be?
24:17The tedious matter of your son Manuel with Hanna?
24:20Ah, that.
24:25You were thinking of something else, my friend.
24:28Isn't that right?
24:30What do you mean exactly?
24:33Well, I'll tell you because I know you're not going to get out of here.
24:45Things between the Marquises have not been going very well lately, let's say.
24:52Hmm, wow.
24:54And it really is the only problem that Mrs. Marquise faces.
24:59And do you know why?
25:02Because she did not consume that aberrant honey.
25:08It seems to me that you had something to do with the fact that this accident did not occur.
25:14And you too, Santos. And if you think about it, you surely know why.
25:21The notebook.
25:23And now Mrs. Marquise is in debt to us because we prevented that aberrant honey.
25:29And have you thought of any kind of gratification in this regard?
25:33No, no, for God's sake. Money is something vulgar and ephemeral.
25:37And it also does not allow you to get the things that really matter.
25:41I don't understand.
25:43Over time, Santos, you will understand the importance of the fact that the powerless is in debt to you.
25:50And by the way, speaking of debts, how are you doing with that useless Marcelo?
25:55That scoundrel has no arrangements, Mrs. Marquise.
25:57You see, what I'm telling you is that we paid for a valley of tears.
26:02Well, I try to do my best not to be like that, so as not to please me too much.
26:07With Marcelo, for example, I give him wrong instructions and I make him work twice as hard.
26:12Doesn't he realize?
26:14That bastard doesn't know where his right hand is.
26:17I like your way of seeing things. I don't know where you got it from, but I like it.
26:22Well, not from my father, of course.
26:25Because that man has not had a single minute of his life.
26:28Then it must have been your mother.
26:30Who, by the way, you talk very little about.
26:35Because I barely knew her.
26:37She died when I was very young.
26:41A tuberculosis.
26:43He took her.
26:45When my father became a widow, he took his birthrights and we left Masegoso.
26:51To Tugueros, here in Cordoba.
26:53I don't know Masegoso.
26:56It's a Manchego town.
26:59But I barely have any memories of him.
27:02Like my mother.
27:05Oh, I'm sorry.
27:10It's curious.
27:11How sometimes we can miss something.
27:15Something that we barely remember.
27:19Or that we don't get to know.
27:22It happens to me at least.
27:25Poor boy.
27:29There is no consolation for something like this.
27:35Believe me if I tell you that I am very sorry, sir.
27:38Believe me if I tell you that I am very sorry, sir.
27:43You were the few who knew about my relationship with Hanna.
27:47I have always known that I could trust you, Romulo.
27:52So I would like to ask you a favor.
27:54Of course, whatever is in my hand.
27:56Look, Mr. Baeza, I try to keep an eye on Hanna.
27:59But the reality is that the fact that she continues to work as a maid complicates everything quite a bit and ...
28:05I'm afraid of my mother's reprisals.
28:08Don't worry, I'll keep an eye on her.
28:12Actually, I just need you to let me know if I see something strange.
28:14Or if you notice that, I don't know, Petra or my own mother or anyone else is against her.
28:19I won't take my eyes off her, but I also have to tell you that ...
28:23that I'm worried about you.
28:27You don't have to worry about me, Mr. Baeza.
28:30I'm fine.
28:31In fact, I have set out to get something positive out of this whole matter.
28:34Now that everything has come to light, I no longer have to hide my love for Hanna.
28:38It is a relief, of course.
28:40It is.
28:42We have been keeping our relationship a secret for too long, you know?
28:45Sometimes secrets can become a very heavy burden.
28:50Yes.
28:52But my love for her is still intact.
28:54Even stronger.
28:56You know, I know I'm going to marry her.
28:58Although I still don't know when or how.
28:59If you allow me ...
29:01I would like to give you some advice.
29:04Don't be in a hurry.
29:06The moods are very heated around here.
29:09I know, but that's precisely why I think I have to stay firm with my decisions.
29:14Mr. Baeza, when you said that secrets are as heavy as bears ...
29:19you were referring to Mrs. Pia, right?
29:22That's right, sir.
29:24I think Mrs. Adar is suffering too much.
29:26I think Mrs. Adar is suffering too much.
29:30Yes.
29:32But there is less left.
29:34You know, I think we have never been so close to being able to reveal to everyone that she is alive.
29:38And I don't think there is much left for them to locate the person responsible for Gregorio Castillo's death.
29:44God forbid.
29:46On the other hand, you have already told me that you told the sergeant that Mrs. Pia was still alive.
29:51I had no choice. The sergeant himself spoke to her.
29:54And since then we have not had news of him.
29:57Something tells me that he has directed his investigation in another direction.
30:01It could be.
30:02Yes.
30:03You know, I'm still thinking about an account adjustment.
30:08If I hadn't been so clumsy as to use an envelope with the promissory note ...
30:12But it doesn't make sense for you to adjust to that, sir.
30:14It was a clumsiness, Romulo.
30:16I don't know, I guess I had my head somewhere else.
30:19Yes, at his wedding. He had his head.
30:21Where?
30:22So, don't worry.
30:25The most curious thing about all this is that I'm not married yet.
30:28But he has done everything possible.
30:30Maybe now is the time to stop and think about the next step.
30:40Girls, a little more energy!
30:45Come on.
30:47We have already promised the Marquise that we are going to give him the kitchen with a patina.
30:50I don't have the strength.
30:52One, two and three.
30:56You can't.
30:58And if Lope warns you, with his help ...
31:00No, I have to see it.
31:02To move this mousetrap, you need the help of a boy or more than two.
31:07Unless they are Antonio and Policarpo.
31:11The two guys who kept the door of the poor lady's room.
31:16What are you up to now, Carly?
31:19Good morning.
31:21I see you all very suffocated.
31:23What are you doing in the round?
31:25I was looking for Santos to tell me what I have to do today.
31:27But hey, I came down to say hello.
31:29To say hello, huh?
31:31Well, here, until lunchtime, you can't eat anything.
31:34Wow.
31:36I knew you were coming to say hello.
31:38Since ...
31:40Well, why are you so upset?
31:43Wouldn't they be trying to move this table?
31:45Come on, hurry up, boy.
31:47What for?
31:49Well, to clean the bottom, below.
31:51Because the marquise has called our attention
31:53and we don't want him to do his job again.
31:55But nothing is impossible.
31:57This weighs like a bull in a canoe.
31:59Sometimes it is better to cheat than to force.
32:02They won't have a pill of soap around.
32:04Another one who is calling us a whore.
32:06That's not why, Mrs. Candela.
32:08Come on, leave it to me.
32:10I'm going to show you a trick.
32:12Here you have the soap.
32:14Let's see how that trick is.
32:16Look, first we wet the soap.
32:17Then we put a little on the floor.
32:24And next to the legs.
32:32And ...
32:34Ta-da!
32:36And those are the magic words for the table to move?
32:38No, for them to move, they have to push it.
32:40But now it will be much easier for them.
32:43Come on!
32:45Try it.
32:48No!
32:50It works!
32:52Yes, I told you.
32:54You could have helped a little.
32:56You couldn't have stayed there looking.
32:58It's the law.
33:00Recognizing a boy was right.
33:02Thank you very much, Marcelo.
33:04Yes, this time you have succeeded.
33:06I always succeed, Vera.
33:08Especially in front of well-placed ladies.
33:10Watch your tongue, Marcelo.
33:12We are not married men.
33:14You have to measure the requirements.
33:15And what am I going to do to him
33:17if I'm surrounded by beautiful flowers like you?
33:19Go to your mother.
33:21What a mess you've made.
33:23Never again.
33:25Goodbye.
33:30Vera, me.
33:32Can I talk to you for a moment?
33:34Please.
33:36I need to explain to you.
33:38I don't want to know more details.
33:40Thank you. It's all very clear.
33:42You and I were not together,
33:43and that's another point.
33:45There is no betrayal or deception.
33:47I felt tremendously alone.
33:49And hurt.
33:51And does that justify what you did?
33:53No, it doesn't.
33:55But I want you to understand the whole circumstance.
33:57I was in a moment of despair.
33:59I felt suffocated.
34:01Okay, I understand.
34:03Is there anything else you want to tell me?
34:05Yes.
34:07I'm sorry.
34:09I'm very sorry.
34:11More than you can imagine.
34:13I know you did it.
34:15But that's it.
34:17I'm sorry.
34:21I don't think there's sincerity in your forgiveness
34:24if you're still so angry with me.
34:26Children get angry when they are told no.
34:28What I am is broken.
34:31Disappointed with you.
34:33And I think I'm being too indulgent with myself.
34:36I know I was wrong, Pelayo.
34:38But I couldn't do anything but move on.
34:41Move on?
34:43Yes, move on.
34:45And I would like it to be with you.
34:47Although I am aware of how difficult things are now.
34:50Yes, they were already difficult before.
34:52I can't speak for you.
34:54But as far as I'm concerned, I know I love you.
34:57And I thought you felt the same.
34:59What's the big deal now, Catalina?
35:01Your pregnancy changes everything.
35:03I know, Pelayo.
35:05But as much as I want, I can't go back.
35:07That's more than obvious.
35:09And that's why I would like to take advantage of the circumstances
35:12so that instead of separating us forever,
35:14we can definitely unite.
35:20I find it incredible,
35:23but incredible that you have the shame
35:25to even ask me something like that.
35:27Do you realize what you're asking me?
35:29I am quite aware of it, yes.
35:32But I understand perfectly well
35:34that you don't want something like that for your life.
35:39But if I'm asking you,
35:41it's worth fighting for what we have.
35:45I love this child.
35:47And I'm going to have him above everything else.
35:50But I don't want to lose you.
36:11The main bedroom will be ready for our wedding night.
36:23Yes, with all the decoration I asked for.
36:25Of course.
36:27Including the blue velvet curtains with the golden embroidery.
36:30And the Persian carpets.
36:32I have been told that they are on their way
36:34to play with the wooden bed of Évano Gondosel.
36:36Big size, I understand.
36:38The bed for a queen.
36:40Don't you want to try it?
36:42Yes, I'm sure it will be very comfortable
36:44and we will sleep very well there.
36:47Everything will be perfect.
36:51By the way, we haven't talked yet
36:53about the decoration of Martina's room.
36:58Ignacio.
37:00You talked to her, didn't you?
37:02Yes.
37:04Tell me, what did she tell you?
37:09Well, she denied it, Ignacio.
37:13Wow.
37:15I didn't expect it.
37:17Well, I don't want you to take this as a personal affront
37:19because she really has nothing to do with you.
37:21Are you sure?
37:23Yes, she just wants to keep her promise, that's all.
37:27I guess it's a firm decision
37:29and I have nothing to say.
37:31Well, I know you were very excited
37:33that the three of us would live like a family, but ...
37:36I also understand that Martina is an adult person
37:38and she makes her own decisions.
37:40That's right.
37:42Although that doesn't mean she's very sorry,
37:44especially for you.
37:46I was convinced that her presence would do you good.
37:49But if it's like that, it's like that.
37:53Well, I really appreciate your understanding.
37:57You're welcome.
38:02Now, if you want, we could talk
38:04about the decoration of the living room.
38:06Sure.
38:09Well, I was stunned when they told me
38:11that the Marquess came down to the kitchen in person.
38:14But what exactly did she say?
38:16Well, nonsense, according to Candela and Simona.
38:18That Don Manuel was focused,
38:20without laughing,
38:22and without knowing what to do.
38:24The thing is that the Marquess
38:26hopes that she will clarify her ideas.
38:28What do you think?
38:30What do I think?
38:32Well, I think this woman doesn't know anything
38:33or at least she doesn't want to know.
38:35I don't know how hard it is for her to understand
38:37that her son and I have fallen in love.
38:43Hanna, I need to talk to you.
38:46Of course.
38:48Look, I'm in a very uncomfortable situation.
38:50I have to do the blueprints for tomorrow.
38:53And ...
38:55You tell me.
38:57Well, given your relationship with Don Manuel,
38:59I really don't know if I should give you orders,
39:01or rather the opposite.
39:03I'm sorry.
39:05Well, I understand that you have the power
39:07to do whatever you want, so ...
39:09I imagine I'll have to assign you
39:11lighter tasks.
39:13Because the last thing I would like
39:15is for you to complain about me to your boyfriend.
39:17Enough of insensitivity, Mrs. Arcos.
39:19Mr. Baeza, as a key master,
39:21it is my obligation
39:23to organize the shifts properly.
39:25But will you be aware of the specific indications
39:27that the Marquess gave this morning?
39:29Of course.
39:30What I want
39:32is for there to be absolute normality
39:34and discretion.
39:36For everything to return to how it was before.
39:38No one wants a scandal, Mr. Baeza.
39:40But there are considerations to take into account.
39:43Like what, Mrs. Arcos?
39:45Like, for example,
39:47whether Hanna should or should not
39:49serve the gentlemen's dinner.
39:51Of course she can.
39:53She may find herself in a very uncomfortable situation,
39:55not knowing whether she should sit at the table
39:57or serve it.
39:58But will she?
40:00Don't worry, Miss Fernández.
40:02Mrs. Arcos, stop meddling.
40:04I think the last thing you care about
40:06are the dials.
40:08And all you want
40:10is to make firewood from the fallen tree.
40:12Well, in this case, Mr. Baeza,
40:14as you can see,
40:16the tree is very frivolous.
40:18In fact, it casts a shadow on all of us.
40:20Mrs. Arcos.
40:22Mr. Baeza, should Hanna serve or not serve the dinner?
40:25In this case,
40:26there is enough firewood to serve the dinner.
40:28We don't need the maids.
40:30So Miss Expósito
40:32can dedicate her time to other tasks.
40:34Well, that was precisely
40:36what I wanted to clarify.
40:38Well, let's have the party in peace.
40:40Miss Expósito,
40:42come with me to my office.
40:44I need your immediate collaboration.
40:52Oh, María Fernández,
40:54look how things are.
40:56Some get rid of their tasks
40:58and others
41:00don't even have time to write.
41:02It's a shame that the world of literature
41:05has lost such a promising figure.
41:27Excuse me, sir.
41:29Is everything to your liking?
41:31Yes, yes, don't worry, Mr. Ricardo.
41:34I'm sorry, but I've noticed
41:36that you haven't been present at the dining room
41:38and that you've stayed here locked up
41:40during the dinner.
41:42I don't want to be intrusive, sir.
41:44I'm fine.
41:46I just want to be calm.
41:48If it's not too much to ask.
41:50Excuse me if I've disturbed you, sir.
41:52Wait, wait, Mr. Pellicer.
41:53I'm very sorry.
41:55It's not your fault.
41:57I've paid with you again in my bad mood.
42:00It doesn't matter, sir.
42:02It's just that
42:04I'd like to find a way
42:06to help you.
42:08I see you're in a bad mood.
42:10Have you received any bad news?
42:13The worst of all.
42:15If you want to share it ...
42:18Share it with you?
42:20If you allow me the advice,
42:22the experience has shown me
42:24that verbalizing provocations
42:26is the best way
42:28to take away part of your seriousness.
42:31I'm afraid that in this case
42:33that won't help at all.
42:35I'm sorry to have bothered you, sir.
42:37You won't lose seriousness,
42:39but ...
42:41maybe it will relieve me a little.
42:43I'm listening, sir.
42:50It's about Miss Catalina.
42:54She's pregnant.
42:57As you say, sir.
42:59And the worst thing is that I'm not the father of the child.
43:05I'm very sorry, sir.
43:08And of course I assure you
43:10that this information will not get out of here.
43:13You're right, Ricardo.
43:20She confessed it to me herself.
43:22Can you believe it?
43:25I guess it must have been
43:27a very hard blow for you, sir.
43:29I admit that in the past
43:31I was not honest with her.
43:33I behaved badly, very badly.
43:35But I didn't expect this.
43:37I see.
43:40We were going to give ourselves another chance, you know?
43:43We love each other.
43:46But now it's impossible.
43:47Now it's impossible.
43:49Nothing is impossible, sir.
43:52That's what she did.
43:57Do you know what she asked me to do?
43:59To assume the paternity of that child.
44:04What would you do in my place?
44:06I ... no, no, no.
44:08That's not important, sir.
44:10I need to know your opinion.
44:13I don't know.
44:17You have said that you love each other very much.
44:20One does not stop loving someone overnight.
44:24Well, sir, I think
44:26that Miss Catalina is offering you a solution
44:29to be able to continue together with you.
44:32Without going into other considerations.
44:36I don't know if I'm going to be able to assume something like that.
44:41I don't know, I'm not able to think clearly.
44:44Maybe the one who told you is capable.
44:48I don't know.
44:51In any case, I am grateful that you have listened to me.
44:54If it has helped you to tell me something,
44:56I am happy from the bottom of my heart.
44:58And sir, if you allow me one last advice.
45:00Do what you do.
45:02First, take a bath,
45:04calm down
45:06and think very well about what your next step will be.
45:32Well, I like this one.
45:34The 5.
45:37The 5 ...
45:39Folding fan
45:41made up of a fully wooden carved handle.
45:44Which one do you like best?
45:45Well, without hesitation,
45:47the 7.
45:50Well, yes, it's a very good choice too.
45:53Ready?
45:55Well, pay these two to the traveler
45:57and take the rest from here.
46:05Well, I don't know if we should have stayed as savants.
46:09No, there will be more.
46:11You think that all the travelers in the area
46:13are looking forward to the promise.
46:16Well, the next ones will run on my account.
46:18Anyway, thank you for taking care of mine.
46:21The truth is that I have not asked you
46:23just to accompany me to give you a fan.
46:25No?
46:28Martina has asked us permission to stay on the promise
46:32after your wedding with Ignacio.
46:34I know, I know.
46:36And I also know that you and Alonso have accepted.
46:39Well, Martina is an adult woman
46:41and both for Alonso and for me
46:44it is a pleasure to have her here.
46:46I really just wanted to inform you.
46:49Yeah, well, I was aware of her intentions.
46:52And although I would prefer her to live with me,
46:55I also understand that she is an adult, as you say,
46:57and we will respect her criteria.
46:59We will respect.
47:01Ignacio and I.
47:04Is he also aware?
47:06Yes, I myself have informed him before.
47:08Well, besides, he has taken it very well, thank God.
47:11Well, what other option could he have?
47:13Well, it could have been a confrontation for him,
47:15that negative of Martina.
47:17Or having opened another front, I don't know.
47:20Because besides, he was very excited
47:22that the three of us were like a family.
47:25What's with that smile?
47:27Come on, Margarita, don't be naïve.
47:30What Ignacio has done is called fulfilling and not spending.
47:33What do you mean by that?
47:34Well, I get the feeling
47:36that he is delighted to get rid of a girl
47:39who has already done enough displays of contempt in the past
47:42and from whom he has wanted to get rid of several times before.
47:45What interest could he have in the three of you living together?
47:49Come on, he's getting everything out of his mouth.
47:52What happens is that you don't even find out.
47:53What happens is that you don't even find out.
48:03Can I talk to you?
48:05No, I'm very busy.
48:07I need to explain to you.
48:09I assure you that this time will be the last,
48:11the reason why Santos scolded me.
48:13I don't want to hear your explanations.
48:15I'm almost done here, we'll talk at another time.
48:17For God's sake, Teresa.
48:19I've been trying to talk to you for days.
48:21I don't want to hear your childish excuses anymore.
48:23It's hard enough to be playing cat and mouse with me.
48:27Okay, tell me.
48:29Let's see.
48:31Santos got me in a hurry to finish the clothes.
48:33And he also told me to change the buttons on a shirt.
48:36That's rare to see someone in charge on the street.
48:38I know, but I only do what I'm told.
48:40And?
48:42Well, in a hurry, I sewed the buttons inside.
48:46I shouldn't have changed the buttonhole.
48:49Blaming a partner of your own negligence.
48:53I didn't say that.
48:55Mrs. Arcos, this is a private conversation.
48:58Stop being one when you involve others.
49:01And I have to watch out
49:03because I rule the good atmosphere among all the members of this house.
49:06Sure, and you know how to do that perfectly.
49:10I know you were talking about Santos.
49:13And I'm completely convinced that he explained your tasks well.
49:17There is nothing to justify that bad things about the buttons.
49:20Anyone can make a mistake.
49:21Yes, but not one after the other.
49:24You don't pay attention to things.
49:27And you're useless.
49:29You interrupted a conversation of the captain.
49:32You ruined a horse ride of Mr. Curro
49:35and you ruined some buttons.
49:37I already apologized for all that.
49:39You're a terrible street.
49:41And I don't know how long you'll be here.
49:44But I assure you
49:46that for someone like you
49:48there is no place in the promise.
49:49There is no place in the promise.
49:50There is.
50:18But what are you doing here?
50:20You and I have a pending conversation.
50:23Us?
50:25You and I have nothing to talk about.
50:27Except for the temperature of the water that I like for the bathroom.
50:30Well, you're wrong.
50:32I have many things to say.
50:34Have you seen such indifference?
50:36Is this how you thank me for the generosity I have had with you,
50:39not to kick you out of here forever?
50:41Look, forgive my insistence,
50:43but I think it's important that we talk.
50:45I don't know why.
50:47Well, because since all this came to light,
50:50I have to be quiet out of respect, but ...
50:52I think the time has come
50:54for me to tell you my reasons.
50:57I see you're not going to stop being stubborn, are you?
51:01Come on, talk.
51:04I want you to understand
51:06that Manuel and I never intended for this to happen.
51:10In fact, what happened between us
51:12came out of our sadness.
51:15When we realized what we felt,
51:17we tried to avoid it, but it was impossible.
51:20And it was impossible because
51:22our love is sincere and pure.
51:24Pure?
51:26Please,
51:28my ears bleed from hearing you say those lies.
51:31You don't love my son,
51:33but rather his rooms and his last name.
51:36That's not true.
51:38But who are you trying to fool, shameless?
51:40Since you set foot in this palace,
51:42I've had my eye on you.
51:44Why did you decide to work here, huh?
51:46I fired you.
51:48And yet you ...
51:50You managed to convince the Marquis
51:52with your bad deeds.
51:54I saved Manuel's life.
51:56Do you think I'm also to blame for that accident?
51:58It could be anything.
52:00Who says lies now?
52:02We offered you money so you could leave.
52:04But you didn't want it.
52:06You wanted more.
52:08You wanted everything.
52:10You wanted to hunt down the heir, right?
52:12And you didn't hesitate to destroy a marriage to get it.
52:14You know perfectly well that Manuel never loved Ximena.
52:16Because you got in the way.
52:18You destroyed that poor girl's life
52:20and you're going to destroy my son's too.
52:22Enough!
52:24I'm not going to let you talk to me like that.
52:26And you know what I'm telling you?
52:28You were right.
52:30I have nothing to say to you.
52:32Well, now I'm the one who wants to continue.
52:34Very well.
52:36Don't you dare leave me with a word in my mouth.
52:38Come here, I tell you!
52:46How are you listening to him, huh?
52:47The lady up there reading the fans
52:49and the traveller down here
52:51getting drunk on ham and wine.
52:53And what about the capital?
52:55The poor man was only talking about his daughter.
52:57And it turns out
52:59that he has sent
53:01the photo of the girl
53:03to a beauty contest.
53:05He organized a magazine.
53:07The girl is so pretty.
53:09The girl is uglier than me.
53:11And then?
53:13Then he gave me a lot of flyers
53:14so that he would distribute them
53:16among the members of the service
53:18so that they would vote for the girl.
53:25The Virgin Juana.
53:27The girl is so ugly.
53:29And what does this say up here?
53:31I can't see it!
53:33For the contest,
53:35you have to put
53:37a title to the photo.
53:39And look what the convict has put!
53:44The girl in his eyes!
53:46I can't see you!
53:48Poor thing.
53:50Teresa,
53:52can we help you with something?
53:54Are you happy, lesbian?
53:56Let's see if I can get over the discomfort.
53:58But what are you thinking about?
54:01Well, Mrs. Arcos has put Marcelo
54:03to fall from a donkey.
54:05And what nonsense has Marimán Drahos told her now?
54:07None, Mrs. Simona.
54:09And that's what hurts me,
54:11that she has only told her the truth.
54:12Maybe I fell from the world,
54:14but I didn't shed bad blood for them either.
54:16I would have liked to defend him,
54:18but I couldn't.
54:20It's just that Marcelo keeps making mistakes.
54:22Yes, he makes them,
54:24but deep down he's a good boy.
54:26And if Marimán Drahos doesn't see it,
54:28it's because she only has eyes for the saint.
54:30May God raise them,
54:32and they like each other.
54:34Yes, lately they look very united.
54:36Yes, especially since Santos got sick
54:38and she was taking care of him all the time.
54:40Nail and flesh.
54:42What do you mean?
54:44That after Feliciano's death,
54:46may he rest in peace,
54:48Mrs. Petra has taken Santos under her wing.
54:51And the saint is delighted with the deal.
54:57I'm sorry to bother you, ladies.
55:00Mr. Baeza wants to meet
55:02with all the servants in the dining room.
55:13Good afternoon.
55:15Good afternoon.
55:17Good afternoon.
55:21I suppose you can easily imagine
55:23what I want to talk to you about.
55:25The only thing that can be talked about in the promise.
55:28That's right.
55:32But since everyone is
55:34stabbing around the corners,
55:36I would like to know
55:38what you have to say.
55:39I'm very bored, Manuel.
55:41Mother, that's not an attitude
55:43to be able to reach a conclusion.
55:45I don't know what conclusion you intend to reach.
55:50To begin with, I wish
55:52that you accept Hanna,
55:54that you meet her
55:56and discover what a wonderful woman she is.
55:59Wonderful woman?
56:01She's a maid, for God's sake.
56:03Yes, a maid.
56:05A maid.
56:06A woman?
56:08She's a maid, for God's sake.
56:10If you gave her a chance,
56:12they would learn to appreciate her.
56:14That won't happen in a million years, Manuel.
56:16She won't even listen to my reasons?
56:18Well, that's exactly what she told me
56:20when she broke into my bedroom.
56:22What did she do?
56:24She said nothing but nonsense.
56:26But what the hell do you think you came out of?
56:28Reality has nothing to do
56:30with what you pretend.
56:32In that case, I regret to tell you
56:34that we are all going to suffer.
56:36I'm going to marry the woman
56:38I want to spend the rest of my life with.
56:40And I'm not going to remorse her for anything.
56:43Look, Manuel.
56:46We can understand that you've fallen in love
56:48with the wrong woman.
56:51But you can't forget what your position is.
56:54My position?
56:56As the heir to the Marquis of Lujan,
56:58you have a social responsibility
57:00and a last name to honour.
57:02And that prevents me from sharing my life
57:04with whoever I choose?
57:06I know that perfectly well, Father.
57:08Yes, I know.
57:10In fact, it was that desire
57:12to fulfil my obligations
57:14that made me make the biggest mistake of my life.
57:17I married Ximena de los Infantes.
57:19Again with that?
57:21I've learned
57:23and I've discovered that I have the right to be happy.
57:25No one is opposed to that.
57:27Then stop worrying about the happy Marquis.
57:29I'm not going to disappoint you.
57:31I'll be the future Marquis of Lujan.
57:33That's a good starting point.
57:35But I'll be the Marquis of Lujan married to Hanna.
57:38Or I won't be.
57:51There's nothing of the sort
57:53in my relationship with Manuel, Mr. Pellicer.
57:55This is a real love.
57:57Yours has no name.
57:59You're the most shameless woman
58:01I've ever seen in my life.
58:02She didn't look like our father.
58:04What do you mean by that?
58:06She was out of her mind.
58:08It was my mother who had to
58:10pamper Gaita with that, I'm telling you.
58:12Really, I didn't realise.
58:14You never realise anything.
58:16My God, how are these two?
58:18He's so clumsy.
58:20It's so strange.
58:22Why would they get along so badly
58:24if they're in what people say is the best stage of a couple?
58:26How can she be so obtuse?
58:28It's obvious.
58:30You think?
58:32It's obvious.
58:34Don't be silly, Cruz.
58:36Ignacio has his own fortune, he's not small.
58:38Therefore, I'm the one who wins
58:40with that marriage, not him.
58:42I see you've made your own calculations.
58:44Being in love doesn't mean she's stupid.
58:46I see.
58:48You're one of us now.
58:50In fact, I think there's enough trust
58:52to start pampering us.
58:54Don't you think?
58:56You're right.
58:58My relationship with her is special.
59:00In fact, you have no idea
59:02how much I love her.
59:04I say it between the two of us.
59:06I don't think they hurt each other.
59:08It's true.
59:10But her father doesn't think the same way I do.
59:12What happened to Santos' mother?
59:14She died of appendicitis when he was very young.
59:16Poor thing.
59:18I don't even know who he is.
59:20I only know his name is Adriano.
59:22What else do you want to know?
59:24I don't know his last name, title,
59:26maybe I know his family.
59:28No, you don't.
59:30Why are you so sure?
59:32Manuel, he's the Marquis of Wuhan.
59:34And as he would say,
59:36nobility forces.
59:38I haven't told you.
59:40Yes, but precisely because of that,
59:42because of his personal circumstances,
59:44he should understand me better than anyone else.
59:46No.
59:48You're not thinking of bringing back his past, are you?