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Short filmTranscript
00:00♪♪
00:30-♪♪
01:01-¡Ah!
01:02I know perfectly well that you're taking revenge
01:04because I came to the kitchen.
01:06But I don't care, huh?
01:08Even if I have to throw up every day,
01:10I'm going to keep selling the promise until you give up.
01:12I didn't care if she stayed a few days,
01:14but this is taking too long, isn't it?
01:16Well, I can talk to Julia,
01:18but I'm afraid she'll have to stay a few more days
01:20to... to restore the painting.
01:23Ah, right. The painting.
01:26So no, I don't have to talk to Julia.
01:29No, better not.
01:31So we'll have to put up with her a little longer.
01:33I've been postponing my wishes for all my life
01:35because of social conventions,
01:37because of my parents' wishes,
01:39because... because of the good of the family,
01:42because of the Marquesado, and I'm fed up.
01:44It's over.
01:47From now on, I'm the owner of my life,
01:50and I want to spend it with you.
01:53It's time to stop hiding and face it.
01:56It's stupidity. That's what it is.
01:58Maybe not.
01:59Maybe it makes sense to adopt that brave stance.
02:02So you're going to support this stupidity now?
02:04The truth usually finds its way out.
02:12What I'm talking about is that all this is destroying me inside.
02:16That before, I wasn't well enough to have to face this now.
02:23I love you very much and you know it.
02:26But I can't go on.
02:29Lying like this is destroying me.
02:31Having her in front of me makes me very uncomfortable.
02:33I don't know why, but your mother intimidates me.
02:37Don't worry, Lope.
02:39You won't have to put up with her for much longer.
02:41I'm sure that when she realizes she's broken a bone,
02:44she'll leave so she doesn't have to come back.
02:46Yeah.
02:47Yes, La Verilla has found her place in the promise.
02:51She's also found a hole in the heart of someone I know.
02:55Wait a minute.
02:56Does Vera have a boyfriend?
02:58Yes, Lope.
02:59Lope?
03:01Our cook.
03:03Ah, yes. Lope.
03:08Vera and Lope are dating?
03:10Yes, ma'am. And they come and go.
03:12They're a solid couple, like a yunkee.
03:14Are you surprised, ma'am?
03:16Well, the truth is yes.
03:17At first glance, I wouldn't have said those boys had anything in common.
03:21Well, yes, they do.
03:23In fact, they seem to have been born to be with each other.
03:26And they're not sticky.
03:28They've been together all day, making out like a yunkee.
03:31Yes, it's nice to see them so affectionate and such a good couple.
03:36I see.
03:37Who was going to tell you, right?
03:38The maid and the cook.
03:40Well, you see.
03:41You never know where you're going to find your shoehorn.
03:45Speaking of the king of Rome, who appears through the door.
03:49Were you talking about me?
03:51The lady didn't know you were dating.
03:54Come on, Lope.
03:55Stay with us for a while and join the chat.
03:58No, I can't, because I have a lot of work in the kitchen.
04:01No, no, no.
04:02Take five minutes off.
04:05The cooks tell me that you and Vera are like soulmates.
04:09You've found your half-orange in that girl.
04:12Well, uh ...
04:14Well, boy, don't be shy.
04:16It's the same for you.
04:17I'm a little embarrassed to talk about something so personal,
04:19but it's such a beautiful story that everyone loves to hear it.
04:23But it looks like you've already told her everything, right?
04:26It's not strange that these couples arise among their companions.
04:30It's normal.
04:31They spend all day here.
04:33Where else are the boys and girls going to meet?
04:36Sure.
04:37Well, I don't think the lady is interested in those gossip.
04:40Yes, yes, yes.
04:41Of course I'm interested.
04:43You see, we like these entanglements as much as the lords.
04:46And so much.
04:47It seems that the avatars of love are equal to all of us, right?
04:51Oh, and so many avatars.
04:54Has Lope himself had another adventure before meeting Vera?
04:57Mrs. Candela, please.
04:59Ah, so you're in love with Don Juan.
05:01It's not that, ma'am.
05:03Well, the same is a little exaggerated.
05:05The fact is that first Lope is in love with María Fernández, another of the maidens.
05:09But María fell in love with Salvador.
05:11I guess he's another cook.
05:13No, a lackey.
05:14But also the partner of the service area.
05:16But until recently, because he has gone to work in another house.
05:19I don't think the lady is interested in all those details.
05:22Yes, yes, yes.
05:23Of course she is.
05:24Well, maybe we're going a little too far.
05:28And we're giving her the impression that Lope is a flowerpot.
05:32And nothing further.
05:33Lope's only love affair is Vera.
05:36The fact is that this story seems beautiful to us.
05:38And we love it.
05:40It's nice to see you in love.
05:44How beautiful is love.
05:46As long as it is sincere, of course.
05:49I hope you take care of that maid as the cooks say.
05:53What do you mean, ma'am?
05:55What are you going to refer to?
05:56Does the lady want to know if there is a wedding in sight?
05:59Am I wrong?
06:00That's it.
06:02Do wedding bells ring?
06:05I don't know, ma'am.
06:08It's all very premature.
06:43It's all very premature.
06:44It's all very premature.
06:45It's all very premature.
06:46It's all very premature.
06:47It's all very premature.
06:48It's all very premature.
06:49It's all very premature.
06:50It's all very premature.
06:51It's all very premature.
06:52It's all very premature.
06:53It's all very premature.
06:54It's all very premature.
06:55It's all very premature.
06:56It's all very premature.
06:57It's all very premature.
06:58It's all very premature.
06:59It's all very premature.
07:00It's all very premature.
07:01It's all very premature.
07:02It's all very premature.
07:03It's all very premature.
07:04It's all very premature.
07:05It's all very premature.
07:06It's all very premature.
07:07It's all very premature.
07:08It's all very premature.
07:09It's all very premature.
07:10It's all very premature.
07:11It's all very premature.
07:12It's all very premature.
07:13It's all very premature.
07:14It's all very premature.
07:15It's all very premature.
07:16It's all very premature.
07:17It's all very premature.
07:18It's all very premature.
07:19It's all very premature.
07:20It's all very premature.
07:21It's all very premature.
07:22It's all very premature.
07:23It's all very premature.
07:24It's all very premature.
07:25It's all very premature.
07:26It's all very premature.
07:27It's all very premature.
07:28It's all very premature.
07:29It's all very premature.
07:30It's all very premature.
07:31It's all very premature.
07:32It's all very premature.
07:33It's all very premature.
07:34It's all very premature.
07:35It's all very premature.
07:36It's all very premature.
07:38It's all very premature.
07:39I've never come to the water to run
07:43In the promise you will be a matter of luck
07:58Married ring
08:05I also love you very much Teresa
08:10You are the only thing I have
08:16And that's why it hurts me to see you with so much left over because of me
08:19My heart breaks
08:22I know you're honest Marcelo
08:24But unfortunately love has very little to do in this situation
08:28Something helps
08:29What would really help
08:31Is that you get more involved in your tasks
08:34I get involved?
08:35Well, even more
08:37I need you to pay attention as if it were the most important thing in your life
08:40I need you to strive to the limit of your abilities
08:43I'm telling you that I already do that
08:44But not enough
08:47Don't you realize that I have interceded for you among the service leaders
08:51And that every time you make a mistake
08:53Not only do you put yourself in evidence, but also me
08:58I need you to think about me
09:01You don't know how hard it is to have to face you every two by three
09:05I'm sorry
09:11And to top it all
09:13To top it all, everyone thinks I replaced Feliciano too soon
09:17And the more comparisons they make between you and him
09:20The more pain it causes me
09:25This is too much
09:27You'll see how all this is going to change
09:29I promise you that I am doing my best
09:36Please, Teresa
09:44No one should have any more complaints about you
09:47No one, do you hear me?
09:49No one will have any more complaints about me
09:52I will do my best to do things well and delicately
09:57But please don't leave me
10:01I need you to be by my side
10:06I hope you enjoyed today's visit, ma'am
10:09If you have learned something from the recipes of these humble cooks
10:13I am satisfied
10:15The truth is that I thank you very much for your time and dedication
10:18And I have to say that yes, I have enjoyed this unconventional snack
10:23And forceful, you will see the barbarity of energy it will give you
10:27Lope, we can also prepare a mushroom for the lady, right?
10:30With some of the leftover meat
10:32Ma'am, a mushroom, right? With some of the leftover meat
10:34Yes, that way you can eat them in the palace when you feel like it
10:37Of course, I will prepare the mushroom for you
10:40No, no, it won't be necessary, I have eaten too much
10:43Besides, I don't think I can taste a bite again
10:47If this is not difficult for us, Lope will do it in a jiffy
10:50Yes, but you don't have to overdo it, not even in a good way
10:54Wise words, ma'am
10:56Well, if you don't have anything else to offer...
10:59Have you forgotten something, ma'am?
11:02Yes, I thought I saw Vera and I would like to talk to her about the notes we took today
11:07Of course, ma'am
11:08Vera! Come closer, do me a favor
11:14Is something wrong?
11:15No, the Duchess wants to see you
11:18Yes, that's right
11:23Well, thank you very much, it has been a pleasure
11:25The pleasure has been ours, ma'am
11:28Come in
11:37They are lovely, Mrs. Candera and Mrs. Simona
11:40Yes, and that Lope is too
11:44What's that about you being the girlfriend of a cook?
11:48Who told you that?
11:49The cooks, who are lovely and gossipy
11:53I see
11:54And the servant himself has also confirmed it to me
11:56Lope is not a servant, he is the cook of the palace
11:59What else? He is a nobody, and you are the daughter of a duke
12:03No, I'm not that woman anymore
12:05You can't give up your identity, you can't give up your lineage
12:09Yes I can, and I have already done it
12:13Please, I beg you, go home with me
12:17Mother, I remind you that for a father I am simply the person who almost takes him to ruin and puts him in jail
12:24But everything has a remedy, yes
12:27And I have already found it here, in the promise
12:30No, like a vulgar maid, no, you can't say those nonsense
12:36A vulgar and happy maid
12:40And you know what? I don't regret the decision I have made, no matter how much you insist on me changing my mind
12:47So don't insist, and leave things as they are
12:51Do you want me to accompany you to the exit, Lopes?
12:55No, I already know the way
13:20A man got off the horse and approached me
13:25And he demanded that I give him my brother
13:28I thought they were going to kill me, just like they had done with my mother
13:34But I thought they wouldn't be able to kill a baby
13:42That's terrible
13:44Yes, Manuel
13:47But what is even more horrible is that the person who killed my mother belongs to this palace
14:02The same ring that your grandfather, the Baron of Linaja, left you in inheritance
14:11Manuel
14:16I'm going to see Mrs. Pia
14:18I just finished my homework and Mr. Romulo gave me permission to go
14:23What's wrong?
14:26Are you okay?
14:29Yes
14:30Manuel, what's on your hand?
14:36A table
14:38Come on
14:47So you haven't stopped thinking about the suspicions I told you about your grandfather, the Baron
14:55I can't get it out of my head
15:00Manuel, we said we had to leave the past behind
15:03I know, but...
15:07I've taken out the ring and I've got a lot of memories
15:16Who would have thought there could be so much pain and suffering behind a ring?
15:25You know what? It's over
15:29I'm never going to wear it again
15:32But it's a ring, and it's a jewel, so it's not your fault
15:36But I suspect it won't be pleasant to see it every day, right?
15:40No
15:44I'm not going to let anything get in the way between us
15:49And I'm not going to let anything spoil our happiness, my love
15:53I want to get married and spend the rest of my life with you
15:58Me too
16:01But I don't know why I feel like you're worried
16:10A little, but it's not because of us
16:14Mrs. Pia's case has me at a loss
16:19You see, I can't stop thinking about the conversation I had with Rómulo about Gregorio
16:24What you're still thinking about is the possibility of meeting him
16:29I know it's dangerous, but I think I can find a way to leave Pia once and for all
16:34Yeah, but first we have to locate him, and it's not that easy
16:41Do you have something on your mind?
16:45What makes you think that?
16:47Manuel, I know you perfectly well, and I know what each of your smiles mean
16:56And this one makes you think I'm imagining something?
17:03I can't fool you, it's the thought
17:07Then why don't you tell me what you're thinking?
17:14Let me mature it a little more
17:17I have to give it another thought, I still don't know if it's something feasible
17:21Or an illusion as a result of my desire to end this as soon as possible
17:26Okay, but keep me informed
17:29Yes
17:31And whatever you're going to do, count on me
17:36Yes
17:40This kiss is for me to let you ask questions
17:42No
17:52Honey, I swear that when I arrived, they had already left and told your mother everything
17:56Well, with how gossipy you are, Mrs. Candela was to be expected
17:58And Mrs. Simona is not short either
18:01It was an imprudence to have left her alone with your mother
18:03Lope, you haven't done anything, so don't blame yourself
18:05No, Vera, I had to have planned it
18:07They didn't just tell her that, don't believe it
18:10What else did they tell her?
18:13Well, they started to get hot and told her my story with María Fernández
18:16Really?
18:17Yes, really
18:19Vera, I love those two very much, but they're big mouths
18:22Your mother is going to think that I'm not a man of trust and that I go from flower to flower
18:24Come on, Lope, don't exaggerate
18:25I'm not exaggerating
18:27I have to talk to them because they have put me at the feet of the horses
18:29They said it was a Don Juan, a Don Juan
18:32A Don Juan
18:34What is your mother going to think now?
18:35She has had to take a horrible image of me
18:38Lope, she was going to take it anyway
18:41Even if you were the best person on earth
18:43You will never be enough for my mother
18:46And you don't care about that?
18:48The only thing I care about is you
18:49Yes, Vera, but ...
18:50No, but nothing
18:52Sooner or later she will find out
18:55In any case, I'm going to talk to them and I'm going to tell them that they are corrupt
18:58Come on, don't tell them anything
19:00I'm sure they have done it with the best of will
19:03To talk about something
19:04It's not easy to have a conversation with a whole church
19:08I guess
19:09And with all the love and all the effort they are putting into it
19:11The last thing they deserve is to take a rag to dust
19:14If the poor knew how little they care about my mother's cooking
19:17What's more, it disgusts them
19:19You saw the face he made when he heard the recipe of the roosters
19:23Lope, let him be
19:26And did he say anything else about me when he left?
19:31Well, what was to be expected
19:34That is to say, nothing good
19:36No, nothing good
19:37Oh my God, Vera
19:39But Lope, I don't care about all this
19:43Now this is my new life
19:44And neither my mother nor my father have anything to say about it
19:49I am no longer the daughter of the dukes of Carrera
19:51Now I am Vera
19:53A maid and a woman happily in love
19:57But I'm the only thing you want to be with you
20:01And it's better that my mother finds out about all this
20:04So the cards are on the table and everyone knows what to do
20:09Seen like this?
20:10No, this is how it should be seen
20:20I love you, love
20:21And me
20:35I just met Manuel
20:38Yes, we finished Villar's game
20:40That we had left in the middle this morning
20:43And because of your expression, I guess you've lost
20:47Well, you're wrong
20:48I hit him in the head
20:51Well, then I don't understand your attitude
20:54Lately, there are reactions of yours that make me a little out of place
20:58If you say it because of Julia, it's better, right?
20:59Well, yes, yes, I work, I say it because of Julia
21:03It's just that you can't answer in such an abrupt way to a guest
21:06That the poor woman was left livid
21:08I was fed up, Martina
21:10Because apparently, that girl doesn't know how to talk about anything other than that damn war
21:14Yeah, yeah, but that doesn't justify your tone
21:18I don't think she wants to bother you
21:20No, no
21:21Well, she should have been more tactful
21:25She's trying to be kind
21:28I don't know, Martina, but she got the opposite
21:31In fact, I've always tried to be polite
21:34To answer in a kind way
21:37But not anymore
21:38Not anymore because I made it very clear how much I was uncomfortable with her questions
21:42That we're talking about the war
21:43Not about the fashion of Paris
21:45Not about the last premiere of the theater
21:48It's irritating
21:57See how she puts you?
21:58Yes
22:03Curro, I ...
22:07I know that that war has affected you a lot
22:10And that it still affects you
22:13I know you've had to live terrible experiences
22:17And I can't even imagine
22:20The amount of horrible images you'll have in your head
22:25And that will probably accompany you for the rest of your days
22:31That's right
22:33I'm going to have to live with those images
22:36Yes, I know
22:42I stand on your feet
22:44And I get hot
22:47Really
22:52But I think you also have to put yourself in Julia's shoes
22:57Because she is completely oblivious to your pain
23:01And without eating or drinking, she's had a good time, right?
23:06It's just ...
23:08Imagine
23:10That you're the guest in a house and they talk to you like that
23:18It's okay
23:20Yes, I admit that ...
23:22My ways were beyond Curro's
23:27I'm sorry
23:28What? No, no, no
23:30You don't have to apologize to me
23:33It's her
23:35Right?
23:37It's okay, it's okay
23:38I'll do it as soon as I can
23:42Thank you
23:44And ...
23:45She will understand your reasons perfectly
23:49She's very smart
23:52Thank you
23:58Well
24:00I'm going to leave your clothes clean around here
24:02Thanks for making me the slip in the promise
24:05You're welcome
24:07It's true that if I did it to you, well ...
24:10I would run an unnecessary risk
24:12That, of course
24:14Anyway, try not to get obsessed
24:19Here, thank you
24:20If I had my son closer ...
24:23I've been hiding for weeks and this is making me eternal
24:26Well, don't worry because your son is fine
24:28Mr. Baeza and I will make sure to get in touch from time to time with Lavin
24:32And for him to tell us how it's going
24:34And I thank you because I know it's not easy
24:37What's more, you have to put yourself at risk with that bastard you let go
24:42If Gregorio showed up, he would attack anyone
24:45And he's going to show up sooner or later, but he's going to show up, I know
24:50Unless ...
24:52We meet him before
24:55I thought it was very clear that he wouldn't look for that man again, Hanna
24:58Yeah, but ...
25:00But what?
25:03I don't know, Manuel is planning something
25:06Something like what?
25:08I tell him I don't know what it is, he hasn't given me details, but ...
25:10I'm convinced that if it's about him, it's a good idea
25:14Besides, Manuel is not going to stop until he makes Gregorio's threats
25:17But I don't want him to put himself at risk for me
25:21Well, don't worry, Manuel knows what he's doing
25:25Anyway, I have to go now
25:30I'll leave you here
25:34Take care
25:37Thank you
25:40See you
26:02Well, a friend of the count is going to compose a waltz in our honor
26:05Will it be the dance that will open your wedding?
26:07Of course, what better than to start dancing a waltz composed by an ex-professor for the two of us
26:12Right, dear?
26:13Yes
26:14And can I know the name of the composer who will be in charge of the piece?
26:17His name is Gaetan Chauvigny, he is a French composer that I met on one of my trips
26:21And I have a certain friendship with him
26:23Which is the same one who composed a piece for the link of His Majesties Alfonso XIII and Doña Victoria and Eugenio
26:31I thought you were preparing an intimate ceremony, but I see that you shoot high
26:35Being intimate does not mean that we give up giving the relevance that a moment like this deserves
26:40After all, a wedding is something you do once in a lifetime
26:43Well, in the case of Margarita, more than once
26:46But I'm putting the same illusion as my first wedding
26:50And not only will we share a composer with the royal family
26:53Also, and thanks to the mediation of one of my sisters, we will have the presence of Orfeón Pamplonés
26:59Who also sang at the wedding of the kings
27:01I hope that the similarities between both links remain there
27:04You don't need me to remind you of the tragic end of the wedding of the kings
27:08With that undesirable anarchist of Mateo Morral attempting against their lives
27:12Fortunately, we don't have enemies of that style
27:16At the moment, but time to time
27:21Are you still awake at this time?
27:23Well, pleasant tertulia after dinner
27:27Besides, we were waiting for you
27:30For us, why?
27:32Man, I'm dying to know your impressions after returning to social life
27:38I hope you haven't had a bad drink
27:40You have worse drinks with your own family, I assure you
27:44So it went well?
27:46It was fun, right Pelayo?
27:49That's right
27:51And who attended that request?
27:53Authorities or members of the royal house?
27:56Yes, not in vain, the groom is a relative of Queen Victoria Eugenia
27:59Oh yeah? Is he English?
28:01Half English
28:02There were also members of the European royal houses
28:05They will be the ones who are fighting us right now, but there are not many
28:08There was even a photographer and a journalist to immortalize the moment
28:12And portray it together?
28:14Well, I don't know, I certainly haven't done anything to avoid it, I don't want to hide
28:18My intention is to behave normally and whoever doesn't like it, don't look
28:26I love you
28:42Santos!
28:45I'll go now
28:48Where are you supposed to go without the regulatory uniform?
28:51Sorry Mrs. Petra, but my father has sent me to pick up firewood
28:55Do you have to go? Why doesn't Marcelo do it, who has just arrived?
28:58He's coming too, apparently many hands are needed
29:01They have hired a truck to pick up as much firewood as possible and put the warehouse back
29:05Which is practically empty
29:07And they have hired a truck just for that?
29:10Well, in fact, they are also going to transport straw and fodder bullets for the animals
29:16And when will you be back?
29:18Well, I don't know, in fact I don't even know where we are going to pick up firewood
29:22I understand that it will be the small forest next to the river
29:25It may be, if everything goes well, we should be back by the afternoon
29:32You weren't aware of this?
29:34No, as always I am the last to find out about things
29:39Although the truth is that I admit that the lackeys are not in my competition
29:45The truck is here
29:47Come on, don't keep them waiting
29:49And the sooner you leave, the sooner you will return
29:53Do you want me to bring you a gift from the forest?
29:55A flower, a stick, a round song?
29:58Be very careful, I will be satisfied
30:02That's always Mrs. Petra, don't worry about me
30:06Come on
30:17Good morning
30:23You are up early this morning
30:26I wanted to go for a ride
30:29I suppose you arrived late from that party last night
30:32That's right, I haven't slept much but it pays off
30:36I love the first hours of the day
30:39I like the freshness of the earth before the sun rises
30:42Me too, everything seems new and even the countryside smells better
30:50How did it go last night for Pelayo and you?
30:53Good, very good
30:56Did you enjoy the evening?
30:58A lot
30:59I'm glad
31:03It seems that this morning you don't want to talk to me
31:08Are you still upset about the jam business?
31:12I'd rather not talk about it, father
31:14Yes, daughter, but I'd rather you make an effort and we try to get closer
31:21I'm going to be late to go out for a ride
31:23Catalina, please
31:25Okay, what do you want?
31:27To explain my reasons so as not to leave you in charge of the business
31:35I know that in a way I'm being a little unfair to you
31:39And you still keep your 13
31:41I have my reasons
31:42Yes, Cruz, those are your reasons
31:46Always Cruz
31:48Stop being afraid of your wife
31:50No, it's not fear
31:52No?
31:53No
31:54Then what is it?
31:59Look, father
32:01I understand that you will keep me away from the business as a punishment for everything that happened with the guns
32:06Or because I abandoned it overnight
32:09I even understand that you like the way Lorenzo manages it
32:13Because after all, it doesn't give losses
32:15What makes me desperate is that he does all this so as not to upset his wife
32:18For the love of God
32:22Father, you have what you have chosen
32:35I love you
32:43Simona, read the letter in full, I don't want to get everything wrong
32:46That, I also want to know how Virtudes is doing
32:48A little patience, I want to give her a wink first
32:53I'm happy like a worm
32:56Well, you can tell, you have a smile that doesn't go away
32:59And what is that due to?
33:00Well, I have to meet Salvador, it's his day off
33:03And I feel like kissing him
33:05But don't cheat, more than the bill
33:07My Candelani, that a rib would break
33:09What time have you been with Salvador?
33:11Well, he talks to Petra and as soon as he finishes eating, I go out to kick
33:15Good, well, perfect, because that way we have time to finish the cookies
33:19And you take them
33:20Really?
33:21Yes
33:22Of course, we are making cookies for a king here
33:24A wonderful detail, because they are also his favorite, the chocolate ones
33:27Of course, there are a lot
33:29Well, where is the meeting of the couple going to be?
33:32In the Plaza de Lujan
33:34Do you want me to tell him something about you?
33:36Well, yes, if possible, tell him that when he has free time, he should come to see us at La Promesa
33:41I miss him
33:42Yes, we love him a lot
33:43I was going to tell him that, but now also from you
33:49Are you okay, Simona? Are you okay, Virtudes?
33:51Yes, yes, everything you tell me in the letter is good
33:54Then why are you sighing?
33:58Can I read the letter?
34:00No, they are personal things
34:02Oh, how mysterious
34:04No, you can tell something, right?
34:06Come on, get out of that little mouth
34:09Well, it's okay
34:11Let's see
34:12Do you remember that in the last letter, my Virtudes told us that she was working for a seamstress?
34:17Yes, of course
34:18Well, apparently she has made great progress
34:21And every time they give her more complicated orders
34:24She doesn't just sew
34:26The truth is that Teresa's lessons have gone very well
34:29And the boy says something
34:31How is Dorfito?
34:32That he is to eat
34:34That he is very happy there in the field
34:37And my in-laws too
34:39They are very happy to have him there
34:41They don't know how envious I am of them
34:43But that's wonderful, Mrs. Simona
34:45In the end, everything went well
34:47And that boy is going to have a very happy upbringing, you'll see
34:50Yes, that's the most important thing
34:53Maria, a man has brought this for you
34:56For me?
34:57Really?
34:59Bring it here
35:05Candies?
35:06And those delights, who sends them to you?
35:08Well, there's a note
35:17Salvador
35:18Oh, what a detailer, the boy
35:22That's the love of the good
35:25Yes, love of the good, but ...
35:27But he's not coming
35:29Why? What happened?
35:31Well, nothing, an unforeseen event arose to the count of Matesán
35:35And he can't take the afternoon off
35:37Oh my God
35:38With the desire that I had to fuck him
35:40Well, I know it's not the same, Maria
35:42But if you want to hug us
35:44One after the other
35:48Can we put our hands in the candies?
35:51Can we put our hands in the candies?
35:53Because the pains with sweets are less
35:55Well, yes, I know
35:58Do you like them?
35:59No, thank you
36:00I do
36:01Come on, I'm going to kiss you
36:05Thank you, Maria
36:06Take these letters to the box office as soon as possible
36:09The one that arises the most is the one that is addressed to my friend José María Lavilla
36:12Admiral of the Spanish Navy
36:14The poor man has just got widowed
36:16Oh yes, yes
36:17I remember your wife Mrs. María Cristina perfectly
36:20She was an elegant and generous woman
36:23I know
36:24She left an impossible void to fill
36:26And since I already had news of the sad event
36:29Well, I got ahead of myself
36:30And I have ordered your luggage to be prepared
36:32Because I suppose the burial will take place in San Fernando
36:35You are as efficient as ever
36:37But I'm afraid that this time I'm not going anywhere
36:40I thought you would like to convey your condolences directly to Don José María
36:45It would make sense if it were with my wife
36:47But as things stand, I don't think she wants to accompany me anywhere
36:51I understand
36:52That's why it's important that the missive arrives on time
36:54Because it is precisely to excuse my presence
36:59And...
37:00And changing the subject
37:02Do you have any news about Mrs. Pia?
37:04How is she doing in that cabin?
37:06Precisely, yesterday he was visiting Miss Expósito
37:09And he found her well, taking into account her circumstances
37:12Yes, every time I think about how bad it will be for her
37:15Yes, the truth is that she lives in fear
37:18Knowing that this man is out there
37:21Well, she is a strong woman, she can handle it
37:23I hope you are right, sir
37:25I put myself in her place and I doubt that I have the same strength
37:28Well, no, I rectify, I'm sure I wouldn't have it
37:31I get the impression that something worries you
37:34Something, Rómulo?
37:35Everything worries me
37:37In case I had a few disagreements with my wife
37:39I keep arguing with my daughter Catalina
37:41But I'm sure the waters will soon return to their course
37:44Today I have tried to get closer, and it has been useless
37:48In a way, I feel that I have failed you
37:50I know, sir, I'll take care of it
37:53Really?
37:54Well, I don't know the specific details of the conflict you have with your daughter
37:58But I dare to say, without fear of making a mistake
38:02That sometimes one is forced to do what is not correct
38:06And he has to sacrifice his own principles to avoid bigger evil
38:11Are you trying to tell me something?
38:14No, I was just philosophizing, sir
38:16I thought this could still be of help
38:20Good
38:22You can go now
38:23With your permission
38:37Why is this tea so dark today?
38:39Have they left the herbs longer than usual?
38:42No, I understand that they have prepared it the same
38:44In fact, I don't see any strange color
38:46Am I making it up?
38:47If I say it's darker, it's darker
38:50Can I tell them to prepare it again?
38:52No, give it a good splash of milk to see if it brightens up a bit
38:57Ma'am
39:04This is colder than an ice cream
39:06I can assure you that both the tea and the milk are very good
39:10I'm sure you'll like it
39:12Thank you
39:13You're welcome
39:14Thank you
39:15Thank you
39:16Thank you
39:17Thank you
39:18Thank you
39:19Thank you
39:20Thank you
39:21Thank you
39:22Thank you
39:23Thank you
39:24Thank you
39:25I can assure you that both the tea and the milk were hot
39:28Are you going to take me the other way around?
39:31Of course not
39:32I'll tell them to heat it up again right now
39:35I just want a tea, like every day
39:37It's not that hard, I say
39:40Good morning
39:41Good morning
39:43What's the matter, mother? Why are you so relieved?
39:45I'm fed up with useless maidens
39:48Mother, being upset won't get you anywhere
39:51Look around you, it's a beautiful day, why don't you take advantage of it?
39:55Weren't you going to leave the palace?
39:57Yes, but I'll do it after lunch
40:00I've met with some engineers
40:02I have doubts about the new design of my project
40:06You mean your little plane, right?
40:08Exactly
40:09It's the one you love so much
40:11Damned puppets
40:12Ma'am, I've asked them to prepare it again
40:16You know, mother, I think I'm going to sit here with you for a while
40:20Let's see if I can get that to work
40:22Hanna, please, can I have a cup of that tea?
40:25Don't even think about it
40:26It's loaded and cold, come on, it's better in cold water
40:30You know, that's making me want to sing it even more
40:34Please
40:35I'm going to sit here with you
40:38That's making me want to sing it even more
40:41Please
40:46Mother
40:50Put aside your bad mood
40:52You're more beautiful when you smile, I knew it
40:54I'm not even kidding, Manuel
40:56What I'm telling you is completely true
40:59Look, actually, you get ugly when you frown
41:04You lose part of your natural charm
41:08I'm sure that if you smile, the next tea tastes better
41:14Manuel, even if you look at me like that, that tea is horrible
41:17And you're not going to convince me otherwise
41:21Mother, I do it for you
41:24And for those around you
41:27And I'm particularly talking about father
41:31I don't know what happened between you two, but I assure you that father is wrong
41:35Really wrong
41:36Manuel, leave him
41:39I'm sure everything can be fixed if you put a little good will
41:42If you're going to continue with this nonsense, let's leave this conversation right now
41:47Besides, you're not the right person to teach me what an exemplary marriage is
41:52Or do you want me to remind you how yours ended?
41:54Ma'am, do you want a napkin?
41:56Don't interrupt me
41:58Did I ask you for something?
42:00No, forgive me
42:07Hey, Teresa
42:09What?
42:13I'm sorry
42:15What?
42:19I'm sorry I questioned your relationship with Marcelo
42:24I'm sorry
42:26I'm sorry
42:28I'm sorry
42:30I'm sorry
42:32I'm sorry
42:34I'm sorry
42:37And I'm sorry if my comments have hurt you
42:43Do you forgive me?
42:47Of course, Maria
42:49Don't worry, everything is fine
42:55Maria, what are you doing here?
42:57Wasn't it supposed to be your day off today?
42:59Yes, it was
43:01I was supposed to meet Salvador, but it's known that his boss has asked him for a job
43:06And we had to cancel the appointment
43:09I'm going to have to put up with the urge to hug him for another time
43:13That's for another time
43:15Because very soon he's going to start hitting on you
43:20Tyra, come on
43:24What happened? You're naked
43:27We fell into the river
43:28But it looks like they threw a barrel of water on you
43:31Wait a minute, how did you fall?
43:33Ask your husband
43:35Yes, I tripped and fell, it was a stupid accident
43:37No, it was a stupid accident, Marcelo
43:39And thank God there was a rock
43:41If I didn't drown and Santos tried to help me, he fell too
43:45Next time I won't move a finger for you
43:47The water was frozen
43:49Yes, it was, and the guys took a long time to get us out of there
43:54Don't worry, they're all useless
43:55Come on, come on
43:57You're shaking, boy
44:02Better?
44:03Yes, thank you, Mrs. Arcos
44:05Now I'm much better than you
44:08You should take better care of yourself, Feliciano
44:10You could catch pneumonia
44:12You're right
44:18See what I'm telling you?
44:32You're beautiful
44:36What are you doing here, Manuel?
44:37And you?
44:39I came to get some fresh air
44:43Well, we're lucky to have met
44:49I'm from Lujan
44:52And I can't wait to tell you
44:55My managers are from Lujan
44:57And I can't wait to tell you
45:00My managers are giving results in Lujan
45:03I don't know what managers you're talking about
45:06I know how to attract Gregorio
45:10But have you located him?
45:11Not exactly, I haven't located him
45:13But I've found out that from time to time he drops by Lujan's tavern
45:18So I left him a note in an envelope, quoting him in a remote place
45:22So in the end you're going to meet him
45:24Manuel
45:26But what are you going to tell him?
45:28Because I don't know how you're going to get them to let Mrs. Pia go
45:31I have a plan
45:33Manuel, I need you to be careful
45:37He's a very dangerous criminal and I can't let anything happen to you
45:40I have everything under control
45:44Look, I've managed to locate a man who was in the same prison as Gregorio
45:49And he has confirmed the same story that Mr. Baeza told us
45:52You mean...
45:53Yes
45:54Yes, the death of that inmate in strange circumstances
45:56And whose evidence pointed out that Gregorio was behind it
46:00Hanna has given me a series of decisive details that can bring that man back to prison
46:05But let's see Manuel, what kind of details are you talking about?
46:11I prefer to keep you out of it for the moment
46:14I promise I'll tell you everything when this is over
46:16I know
46:18Let's see, and why do you think Gregorio is going to meet you only because you are Don Manuel de Luján?
46:25It's true that you made the possibility that he doesn't come, but I've left him a bait that...
46:28It's hard for him not to bite
46:31I made it very clear in the note that I wanted to talk about Pia Adarre
46:35And I hope that's enough to attract the curiosity of that bastard
46:40Manuel, please, I need you to tell me where you met her
46:44In the old slaughterhouse in Ruinas
46:48I'm going with you
46:49No
46:52Hanna, and no one can find out about this
46:54And when I say no one, it's no one, not even Mr. Baeza
47:01Hanna, give me your word
47:06Okay, I promise you
47:09But in return, promise me that you will take care of yourself, Manuel
47:12Please
47:14I promise you
47:20Hanna, you have to be patient with my mother
47:24I'm sorry, I'm sorry for her
47:27But please be patient
47:30You know she has argued with my father and she is quite irascible
47:33Yes, for one thing or another she is always irascible
47:36And in the end she always ends up paying for it with us, the servants
47:41I'm learning a lot from the relationship and from my parents
47:46Especially what I don't want to happen to us
48:12Be careful
48:15There has been a change of plans, Mrs. Arcos
48:18In the end, Mr. Marqués will not go to the burial of the wife of his friend, Admiral La Villa
48:23They don't need to prepare the lady's luggage
48:26If I'm honest with you, Mr. Baeza, it was something I already imagined
48:30Because it was not normal that Mrs. Cruz had not told me anything about it
48:34That's all, Mrs. Arcos
48:36I will be in charge of transmitting the menus to the kitchens
48:39that we have agreed on
48:42And I will also tell them the budget they have for the meal of the week
48:46Okay
48:48By the way, Mr. Baeza
48:50Do you know if the visits of the Duchess of Cádiz to the kitchens are going to be prolonged?
48:55If I'm honest, I don't know
48:57I know the same as you
48:59The Duchess will come from time to time to sign up for the palace recipes
49:02Neither the Duchess nor the Marquess have been able to confirm the periodicity of these visits
49:09In other words, the visits can be prolonged indefinitely
49:14That's right
49:16Are these visits a nuisance to you?
49:19Well, the truth, Mr. Baeza, yes
49:22It bothers me that a lady from the court of the Duchess of Carril passed by the service plant
49:28But it still bothers me more than a semi-office
49:30Well, but you offered it yourself
49:33It was a matter of courtesy, Mr. Baeza
49:36But that doesn't mean that I can't use my office for months without knowing if I can or can't
49:41Because I don't know when the Duchess will need it
49:43Oh yes, I understand
49:45I also find all this extravagant, so to speak, in some way
49:48But even if I agree with you, the Marquess has given her good opinion
49:54And we have no choice but to obey
49:57Obey and shut up
49:58Obey and shut up
50:00That's right
50:02Excuse me, but have you called me?
50:05Yes, come in. I have to give you some instructions for tomorrow
50:08Well, if you don't need anything else from me, Mr. Baeza
50:12Thank you
50:16Are you feeling well, Santos?
50:19More or less
50:24But you are burning
50:26You have a high fever
50:29It was the fall in that damn river
50:31What happened?
50:33We went to the forest for firewood and we fell into the river
50:36Well, it was Marcelo who fell into the river
50:39And Santos, to rescue him, fell too
50:42And that useless Marcelo doesn't even know how to walk
50:45Does it hurt?
50:47A little, the head
50:49And my throat bothers me a lot when I swallow
50:51Oh my God, let's hope it's nothing and he recovers with a little rest
50:56That Marcelo doesn't even look where he steps, Mr. Baeza
51:00It's a danger to everyone
51:03I'm sure it's nothing
51:05Tomorrow I'll wake up and I'll be fine
51:09Well, I'll leave you alone so you can discuss your matters
51:22A few days later
51:26Well, the two of you were delighted with that request
51:29It's a shame I didn't find them so they could tell me first hand
51:33Well, or second hand, what I've told you is what happened
51:36Sister-in-law, Pelayo and Catalina really enjoyed that party
51:41And they're not around?
51:43I think Catalina went out early this morning
51:46She has always liked the company of animals more than that of people, please
51:50Don't be malicious, sister-in-law, be happy for your stepdaughter
51:54It's true that Catalina was very relieved to have attended a social event after so much confinement
52:01And above all, that everything would have gone perfectly
52:04Well, the truth is that it surprises me
52:07Because those publications did not leave neither Catalina nor the count in a good position
52:12You know how high society works, one rumor covers another
52:15The gossip about Catalina and Pelayo will have become old
52:19And according to your own stepdaughter, that request was full of members of the European royal families
52:25So they would have much more juicy gossip
52:27And who was the boyfriend? Because all he said was that he was a relative of Queen Victoria Eugenia
52:32He would be a grandson of Queen Victoria of England
52:35Who had at least nine children and they all gave him grandchildren, so there are plenty of candidates
52:39And at your wedding? Is there going to be a member of the royal family?
52:43Again with our wedding, captain? Anyone would say that you are going to cancel your invitation
52:46It makes me curious, I have never been to a wedding of such ... not so young people
52:58Who is calling at this time of night?
53:04House of the Marquises of Wuhan
53:07Yes sir, he is here
53:09Right now sir
53:10Please
53:15It's for you, captain of the mate
53:26Tell me
53:30Yes, yes my commander
53:41Tomorrow at 1 o'clock I want you available to make some telephone conferences
53:46The captain is not going to say anything
53:48But we are going to find out what is so important that the commander Alcaraz wanted to communicate to you
53:53I'm going to call the doctor
53:55Because I don't want to risk that cold grabbing your chest
53:58I'm not a child anymore, father
54:00Given your background, the precise thing is to act with prudence
54:04They will suspect something if they have called you
54:06At the moment they are that, they are suspicions
54:08That for your sake I hope they never confirm
54:11I will investigate what was the origin
54:13Do it yes, but do it discreetly, Alonso can't know this, okay?
54:17Your husband is not going to find out
54:19This time I'm going to be the one who decides the recipes
54:22And we are going to start with the desserts
54:24Well, at this point, Lope can help you more than me
54:28That the boy has wood as a baker
54:31How timely
54:33Since you are well, you will be in charge of replacing Santos
54:37With the care of Mr. Curro, while Deva remains in charge
54:40You have been in charge of his training
54:42I say that he will be prepared, right?
54:44Yes, but he still has many things to learn
54:47It will have to be enough
54:49Among the guests, on the part of the groom, the couple formed by the count of Añil and Mrs. Catarina de Luján stood out
54:55The two young men were the center of attention throughout the evening
54:59We already know why
55:00But we don't know where Gregorio is, right?
55:03Anon has located him
55:05And in fact, he has mentioned him in the old slaughterhouse
55:08And he couldn't have mentioned him in the town square with all the people?
55:11Bad news, Hanna, huh?
55:13Marcelo!
55:17You have nothing to say
55:19Hi, Teresa
55:21But you're in a bad mood
55:23I thought...
55:24No, I've seen this better, don't think
55:26Go with Mr. Curro
55:28What? If you do it unintentionally, I didn't notice
55:31That's your problem, you don't realize anything
55:33Before I asked you about Manuel and I want to know how everything is
55:36It seemed to me that I saw a certain fear in your gaze and it seems to me that it has to do with Gregorio
55:42It is possible that...
55:44That this afternoon the whole nightmare ends