Scandal in the Family - (Peccati in famiglia (1975))

  • 2 days ago
Genres - Comedy, Drama, Mature | Sub-Genres - Erotic Film | Release Date - Feb 21, 1975 | Run Time - 97 min.

Peccati in famiglia or Sins in the Family/Scandal in the Family is a 1975 Italian erotic drama film directed by Bruno Gaburro. The film starred Michele Placido, Simonetta Stefanelli, Jenny Tamburi and Renzo Montagnani.

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Transcript
00:01:00What jerk was that?
00:01:13That was your father.
00:01:44Good morning.
00:02:00Good morning, Signora Piana.
00:02:02Good morning.
00:02:03Hello, Signora.
00:02:04Welcome home.
00:02:05How's everything been, Anna?
00:02:07Just fine.
00:02:08And you?
00:02:09Not bad.
00:02:10I'm glad we're here.
00:02:11So are we, Signora.
00:02:12Have a good trip?
00:02:13Splendid.
00:02:15Francesca will help you, won't you, dear?
00:02:16And don't run off the way you usually do.
00:02:18Oh.
00:02:19Get that suitcase in the back seat.
00:02:20No, Andrea, I'll take that one.
00:02:21I'll take your hat, Signora.
00:02:22Francesca's hat.
00:02:23Thanks.
00:02:24Welcome home.
00:02:25Look at you, Francesca.
00:02:26You blossom like a rose.
00:02:27You've developed into quite a young lady.
00:02:28My, my, you've matured.
00:02:29Why, do you find it unnatural for a girl to grow up?
00:02:30Very sad thought.
00:02:31Oh, where'd my handbag go?
00:02:32Senor Carlo.
00:02:33How have you been feeling, Nando?
00:02:34Can't complain.
00:02:35I guess I'll be going.
00:02:36Bye.
00:02:37Bye.
00:02:38Bye.
00:02:39Bye.
00:02:40Bye.
00:02:41Bye.
00:02:42Bye.
00:02:43Can't complain.
00:02:44I'll give you a hand with the bag.
00:02:45You look marvelous.
00:02:46Just marvelous, Nando.
00:02:47Yeah.
00:02:48A resolution.
00:02:49From today on, no more vices.
00:02:50Ah.
00:02:51Here you are.
00:02:52One and two and the lighter.
00:02:56No more.
00:02:58I'm through.
00:03:00That's two packs of cigarettes and a lighter.
00:03:02Yeah.
00:03:03Well, remember that and don't forget it.
00:03:05Because when you went back to town last year, you swore you'd give me two lighters and one
00:03:08pack of cigarettes.
00:03:10Once and for all, I'm finished with vice.
00:03:27Ah, that was quick. How did you know I'd be here?
00:03:30Been using radar?
00:03:35Any new boys in town?
00:03:38Or just the same morons from last year?
00:03:41Right. Why should I ask you? You have other interests.
00:03:44I can't say I envy you.
00:03:48You look just awful in this. Let's have it.
00:03:52Well...
00:03:56Here I am.
00:04:01Did you miss me much?
00:04:03If you only knew. Did you miss me?
00:04:06No.
00:04:12God knows last year the harvest was something else.
00:04:14I remember.
00:04:15What do you expect? We only had three, maybe four days of rain.
00:04:20The grapes were dry, not much sugar, the wine was better all around.
00:04:24Terrific wine.
00:04:25You can't find a glass of that wine anywhere in town. Not for love or money.
00:04:28The whole vintage was bought out just like that.
00:04:30As a matter of fact.
00:04:31And the hogs are looking good this year, Senior Carlo.
00:04:35When you go back, why don't you take some...
00:04:37Only the thighs.
00:04:38You don't mean thighs, you mean hearts.
00:04:40But I have an idea, Senior Rapiero is going to want more choice.
00:04:42That's just my guess. I mean you know her better than me.
00:04:59What are you up to, you little rascal?
00:05:01Naughty boy.
00:05:03You get out of the way or I'll throw this dirty water on you.
00:05:06You're too young for things like that.
00:05:34Senior Carlo, you listening?
00:05:37Yes, yes, I hear you.
00:05:38I was mentioning the poplars.
00:05:39Oh yeah, the poplars.
00:05:40You can cut them down if you want, get pulpwood or anything you like.
00:05:44The trouble is, ain't no water.
00:05:46Poplars, you know, gotta have water.
00:05:47That's right.
00:05:48Time was, we used to get rain regularly in this part of the country.
00:05:51Suppose it was those atomic bombs, I don't know.
00:05:54You recall those cloudbursts we used to get.
00:05:57You rule back.
00:05:58I remember them very well.
00:06:01You rule back.
00:06:02I remember them vividly.
00:06:30Well, look who's afraid.
00:06:57Come here.
00:06:59Come here.
00:07:00Aren't you silly?
00:07:02Scared of thunder?
00:07:04Yes.
00:07:05Well, you shouldn't be.
00:07:10Not with Rosa here to protect you.
00:07:16You're my little treasure.
00:07:18I didn't realize that.
00:07:30But you're a naughty little boy and you know it.
00:07:35I'll never be naughty again.
00:07:37Hold tight.
00:07:40You rascal, Carlo.
00:07:50Of course, we got lots of problems.
00:07:52There's a question of space for the cattle.
00:07:55But Senior Carlo, you listen to me.
00:07:57No, no, no.
00:07:58I'm not listening to you at all.
00:08:00My head's up in the air.
00:08:01Will you give me a chance to get settled?
00:08:04You've been at me since the minute I got here.
00:08:06Bothering me with the poplars and the forage and the irrigation.
00:08:12You want all the answers.
00:08:14You...
00:08:15I'm sorry, Mando.
00:08:16I know how much work needs to be done.
00:08:18But just let me get settled.
00:08:20I know my work by now.
00:08:22Don't worry.
00:08:23Nothing will be overlooked.
00:08:24Not a thing.
00:08:25Who was that I saw up in the window?
00:08:26Well, that's the new cook.
00:08:28You told me that old Anna...
00:08:31I did?
00:08:32Yeah.
00:08:33Yes, yes.
00:08:34Perfect.
00:08:36Perfect.
00:08:38She makes a very good first impression.
00:08:40Yeah, I noticed.
00:08:41We'll have time to talk later.
00:08:44La, la, la, la, la, la, la, la, la, la.
00:08:49La, la, la, la, la, la, la, la, la.
00:08:52Mm-hm-hm-hm-hm-hm-hm...
00:08:56Mm-hm-hm-hm-hm-hm-hm-hm...
00:09:01What are you up to?
00:09:03Oh.
00:09:04With Señorino.
00:09:05Right.
00:09:06And you're Little Elena.
00:09:08My goodness, you've changed.
00:09:10Talk about change.
00:09:12You were a little girl, and now you're much more, much more oomphy.
00:09:18You were no more than two feet off the ground, but you've grown just like a weed.
00:09:22Now you're a womanender.
00:09:24Well, naturally, it's been ten years.
00:09:26Ten fruitful years, to say the least.
00:09:29Ah, well, shows I should have been keeping abreast of the times, so to speak.
00:09:36What these walls here could tell us, the men and women.
00:09:40There was Rosa, for example.
00:09:42She loved you just like a mother, do you remember?
00:09:45Ah, much more.
00:09:46More.
00:09:46Oh, yes, much more.
00:09:48What's happened to you over the years?
00:09:50I got married.
00:09:51Ah, marvelous.
00:09:53Tell me about your husband.
00:09:54My husband died some years ago.
00:09:56I'm afraid I'm a widow, Senor Carlo.
00:09:57Happy to hear it.
00:09:59I mean, I'm sorry.
00:10:00I loved him so much.
00:10:02I feel sorry for you.
00:10:04I really do.
00:10:05I hope I'm as talented as Rosa.
00:10:06Oh, she was very talented, but I'll bet you're a better cook.
00:10:10Your hands are so delicate.
00:10:12But she had so much more experience.
00:10:15You have any children?
00:10:16No, I'm all alone.
00:10:17Ah.
00:10:18Oh, Senor Carlo, if you could have met my husband.
00:10:21Two eyes, two shoulders, a pair of hands.
00:10:23Two of everything, huh?
00:10:25They don't come like that anymore.
00:10:29What good is remembering?
00:10:40Yoo-hoo.
00:10:46It's hot tonight.
00:10:50What's on your mind, sweetheart?
00:10:53Huh?
00:10:53You seem preoccupied.
00:10:55Me?
00:10:56What is it?
00:10:57Nothing, not a thing.
00:11:01Take a bath, you'll feel better.
00:11:02I don't bath.
00:11:04Well, have a shower then.
00:11:06Here, take your shirt off.
00:11:07I'll massage your back.
00:11:09Nothing the matter with my back.
00:11:13Tell me, Piero, aren't you destroyed with all this heat?
00:11:17No, I don't feel the heat.
00:11:21And I don't have any desire to go to sleep.
00:11:23Guess what I've got?
00:11:24A beautiful body.
00:11:25Oh, thank you, darling.
00:11:26Huh?
00:11:29It's true how well built you are.
00:11:32You're prettier than a picture and fresher than a rose.
00:11:35You're a rose, darling.
00:11:38They got bombardiers after us.
00:11:40God, the insects.
00:11:42Let's move away from the window.
00:11:43Can't see anything anyway.
00:11:44It's night.
00:11:45Where's the insect repellent?
00:11:47Oh, I was looking for this.
00:11:49It's from Milo.
00:11:50And who is Milo?
00:11:51You mean you don't know Milo?
00:11:52He's my nephew, our nephew.
00:11:55Is he coming here?
00:11:56Of course he's coming here.
00:11:57Since my brother died, there's no more family to look after the poor kid.
00:12:00Oh, poor thing.
00:12:01And when I think of his father throwing away all that money
00:12:05and leaving his boy without a roof over his head.
00:12:10Here, I'll do it.
00:12:13There you are.
00:12:14Feel better?
00:12:15Yes, feel better.
00:12:18You know, darling, you've got a better...
00:12:20Stop it. I don't like it.
00:12:23Here, it's a sad situation.
00:12:25I don't want to be bothered having that boy around.
00:12:27How do you know?
00:12:27He might be very nice.
00:12:28I don't know.
00:12:29But if he's anything like my brother was...
00:12:31Why don't you take off your shirt, darling?
00:12:32No, no, no.
00:12:34Let me do it.
00:12:35But when I think...
00:12:37When I think how much my brother just threw away...
00:12:39Now, now, he's dead.
00:12:41Yeah, rest in peace.
00:12:42I'll tell you this.
00:12:43I'm willing to have the boy in the house,
00:12:45but he's going to have to start looking for a job.
00:12:48We've got enough mouths to feed.
00:12:50Listen to the richest man in town.
00:12:53Forget it.
00:12:54And let's have a little cuddle.
00:12:56Pierre, I cannot cuddle tonight.
00:12:58Cuddle?
00:12:59Waiting for my nephew?
00:13:01I got too much on my mind to cuddle.
00:13:03Look, dear, I'm sorry.
00:13:05Really.
00:13:07I would have, but telegram, nervous stomach, pop.
00:13:11Nothing.
00:13:12Also, there's a heat.
00:13:14I need some fresh air.
00:13:20Shall I put repellent on you?
00:13:22Yes, spread it all over.
00:13:30Yeah, like that.
00:13:32Beautiful.
00:13:35You like it?
00:13:37Yes, I do.
00:13:39Lower.
00:13:40Spread it lower.
00:13:43In front.
00:13:45That's right, sweetheart.
00:13:50Amazing.
00:13:55Just amazing.
00:13:57Oh, that's nice.
00:14:00Oh, that's perfect, darling.
00:14:02Try it higher.
00:14:04That's it.
00:14:05Now you're doing it.
00:14:08Carlo.
00:14:10Carlo.
00:14:15Pierre, you see what you do to me?
00:14:17You drive me absolutely wild.
00:14:20Pierre.
00:14:22Pierre.
00:14:23I'm going to tear you apart.
00:14:30Pierre, tonight we're going to cuddle.
00:14:32No.
00:14:37Oh, Carlo.
00:14:40Carlo.
00:14:45Oh, no, it's not possible.
00:14:48It's just not possible.
00:14:52There's another woman.
00:14:53Probably that buxom thing who schedules appointments for you.
00:14:57Listen, can't we both behave like rational people?
00:15:01I know.
00:15:02I'm not exactly a saint.
00:15:03I've never been one, I admit it.
00:15:05But there's no need to start these insane insinuations.
00:15:09I don't know.
00:15:10It's the insect repellent that did it.
00:15:12You fool around with your hands all covered with repellent.
00:15:15You fool around.
00:15:16That stuff is potent.
00:15:17No wonder it wilted.
00:15:18A warning.
00:15:19If I ever find out there's someone else.
00:15:21Don't be silly.
00:15:22There isn't anybody.
00:15:23It's the kind of thing that might happen to anyone.
00:15:30Good night, dear.
00:15:31Things will straighten themselves out in the morning.
00:15:33Forget it.
00:15:45Anybody home?
00:15:48Ciao.
00:15:49Ciao.
00:15:49What about the cigarettes?
00:15:50I got them, thanks.
00:15:51No way.
00:15:52Don't you want the one with my name and address inside?
00:15:54Hello, Carlo.
00:15:55Great to see you.
00:15:56Go on, get out of here.
00:15:58Haha, long time no see.
00:16:02Oh, you're gigantic.
00:16:05You used to be so little.
00:16:08You're so grown up, you make me realize that.
00:16:13It may sound ridiculous, but you remind me of myself at your age.
00:16:16Come on, Milo.
00:16:18Bye.
00:16:21Did you make any time with her?
00:16:22Come on, uncle.
00:16:23I was hitchhiking and she gave me a ride.
00:16:25What are you telling me?
00:16:26You let a woman get away?
00:16:28No, this way.
00:16:29I want you to meet the tribe.
00:16:30Look, at least you got her address.
00:16:32What's the point?
00:16:33She's a married woman and happily, too.
00:16:36My friend, women, married or unmarried are all the same.
00:16:39My wife and my daughter.
00:16:45Hey there, wake up and meet Milo.
00:16:48Happy to meet you.
00:16:49Oh, I'm glad you arrived.
00:16:52Ciao.
00:16:53Ciao.
00:16:54I'm sure he was anxious to know us, but you might have learned to put down his baggage.
00:16:57Oh, of course.
00:16:59I must have been carried away.
00:17:00Come on, I'll show you where you'll stay.
00:17:03See you later.
00:17:05Probably will.
00:17:06So long.
00:17:07Come on, Milo, don't mind them.
00:17:09They get too much sun and forget their manners.
00:17:11They both deserve a good sunburn.
00:17:16It's only too obvious who's behind these mass demonstrations.
00:17:19Need I say more?
00:17:20No, no.
00:17:21Marvelous.
00:17:22Marvelous, Eleanor.
00:17:23That quail we've just eaten is the most tender I've ever had.
00:17:26Next we're going to hear it's a secret conspiracy.
00:17:27Milo, do you enjoy hunting?
00:17:29What do I see?
00:17:30I must admit, I've never tried.
00:17:31You'll love it.
00:17:32Man is by nature a hunter.
00:17:35Except men like Father Eminio.
00:17:36He doesn't even own a gun.
00:17:38Oh no, I own a gun.
00:17:39But I'm not allowed to have a shooting license.
00:17:42Talk about wit.
00:17:43Carlo, I asked you about that flock of investments.
00:17:46What advice can you give me?
00:17:47None at all.
00:17:48What do you mean?
00:17:49None at all.
00:17:50Armando, you ought to know by now, I'm not out in the country to talk business.
00:17:53I'm in civilian clothes.
00:17:55I can't give advice to you.
00:17:56I think like a farmer.
00:17:57I dress like a farmer.
00:17:58I talk like a farmer.
00:18:00I relax with my family.
00:18:01I swim.
00:18:01I play cards.
00:18:02I don't want to hear a word about what's going on in my factories.
00:18:06You got many?
00:18:07Dad told me there was only one.
00:18:08You're behind the times, Sonny.
00:18:09There are three.
00:18:10One, two, three.
00:18:10I've expanded.
00:18:11I didn't know.
00:18:12I don't mean that Dad brought me up to be lazy.
00:18:14Only I bet if I'd had you as a father.
00:18:16Yes.
00:18:17Modesty aside, if you were my son, you might have learned how a top executive operates.
00:18:23Take, for example, your aunt.
00:18:24I've taught her business administration.
00:18:25And she's put her knowledge to very good use.
00:18:28Darling, show our guest what you bought with that pittance I threw you.
00:18:31Oh, gorgeous.
00:18:32Like it?
00:18:3340 carats.
00:18:33That's a lot of cabbage.
00:18:35Not bad for a small pittance.
00:18:37Where money's involved, I only wish I had a nose like yours.
00:18:41Oh, go on.
00:18:42You've never needed to stick your nose into business.
00:18:45Not with your gold-plated future.
00:18:47What does that mean?
00:18:49Nothing.
00:18:50Just fooling.
00:18:51What I mean to say is in marrying you, Armando married a treasure.
00:18:54Well, if you'd like a doctor's advice, you'll stop playing around with your health.
00:18:58Hold it.
00:18:58Who's playing around here?
00:18:59You are in sports and I guess in other affairs.
00:19:02We'll have to ask Pieta about that.
00:19:04Uh-oh.
00:19:05What kind of talk is this?
00:19:06So sorry.
00:19:07Please don't worry, senor.
00:19:08As a priest, I've come to accept certain things as nothing terribly unusual.
00:19:11Where would the church be without sinners there, Father?
00:19:14Milo, the more I look at you, the more I see how little you're like Carlo.
00:19:18You're completely different.
00:19:19That's true.
00:19:21Milo really is special.
00:19:22Quite a ladies' man.
00:19:24As opposed to his uncle there.
00:19:25Thanks.
00:19:27He's embarrassed.
00:19:29What do you think?
00:19:31I don't think.
00:19:33Of course, you have your own tastes.
00:19:36Like a passion for flowers.
00:19:40This is for you.
00:19:42Take it.
00:19:43Flowers are the one gift you can't refuse.
00:19:46Father Emanio, more dessert?
00:19:47Well, second thoughts are best.
00:19:49Andrea.
00:19:49I don't see how you can refuse it, Carlo.
00:19:51With my heart condition, I have to be careful.
00:19:54Oh, heart trouble.
00:19:55The disease of the great industrialists.
00:19:57But everything else functions perfectly.
00:19:59Isn't that right, Pieta?
00:20:00Carlo, please.
00:20:01Father Emanio is a man of the cloth.
00:20:03And a man under the cloth, too.
00:20:04Right, Father?
00:20:06I'm sure he knows more about these things than the rest of us.
00:20:09Confession must be a great eye-opener for a priest.
00:20:12Oh, it is.
00:20:13But I doubt if I get the wealth of variety priests in the city must have to listen to.
00:20:17That's only because in the provinces, these things are kept under the table.
00:20:20But they exist all the same.
00:20:22Very few of us have clean hands nowadays.
00:20:24If we really opened up and brought the true facts out into the light of day,
00:20:28the amount of what we'd find would surprise us.
00:20:33I find the country bores me to death.
00:20:34You're looking for new ideas, darling?
00:20:35This is hardly the place.
00:20:37No, no.
00:20:37You'd be surprised at what we could find right under our very noses.
00:20:40Pastoral innocence is a myth.
00:20:43In the country, natural instincts are bathed with our second thought.
00:20:46Nature is the great liberty.
00:20:47Would you get it?
00:20:49He's read a book.
00:20:50Sounds like a very good book.
00:20:51What's it called?
00:20:52It's the book of nature.
00:20:53Just look around you at what's going on all the time.
00:20:55Seeds germinating, bees pollinating, animals for- breeding.
00:21:00It's the impulse of life itself.
00:21:01And you never get a few of this in the city.
00:21:04I can't tell you when I last saw a bee in the land.
00:21:06You wouldn't know a bee if it landed on your nose and stung you.
00:21:10I'm not a weekend naturalist.
00:21:12You should hear me talking to my foreman, Nando.
00:21:14I sound like an expert.
00:21:15He's not the foreman.
00:21:16He's the overseer.
00:21:17See, he hasn't even got the vocabulary right.
00:21:22Thanks.
00:21:23But are you out of your head?
00:21:25It's forbidden.
00:21:26Vincenza, for heaven's sake.
00:21:28One cigarette isn't going to harm the kid.
00:21:30It's your business, after all.
00:21:32I realize that.
00:21:33But these prohibitions just make for difficulty.
00:21:35I'm not going to let you get away with it.
00:21:37But these prohibitions just make for difficulties.
00:21:39They're useless.
00:21:40Talk things over.
00:21:41Explain.
00:21:41Rationalize.
00:21:42That's the way I handle Francesca.
00:21:44Otherwise, kids will go right ahead and indulge anyway when you're not looking.
00:21:47I've never forbidden Francesca anything.
00:21:49She knows what she should do and what she shouldn't.
00:21:51And the result is, I can honestly say she doesn't have any vice.
00:21:57He's a good-looking fellow.
00:21:58Who's that?
00:21:59Milo.
00:22:00Milo?
00:22:04Good-looking fellow?
00:22:05Yes.
00:22:05Awfully good-looking.
00:22:07Poor, but handsome.
00:22:08It runs in the family.
00:22:10Poverty?
00:22:11Good looks.
00:22:12Of course.
00:22:14I like your house a lot.
00:22:15Beautiful place.
00:22:15Sit down.
00:22:16Thanks.
00:22:19I hope those children aren't too boring.
00:22:21Well, I wouldn't call Fedora and Francesca exactly children.
00:22:24No?
00:22:26Father, my sins would take a month to confess.
00:22:30That sounds like a boast.
00:22:32May I welcome you here to our house?
00:22:35Tell the truth, Milo.
00:22:38Did you expect to find such an affectionate auntie?
00:22:40No, I didn't.
00:22:40It's all a surprise.
00:22:42You're so good to me.
00:22:43You, auntie, and Francesca.
00:22:50How about a little kiss for your aunt?
00:22:52Go on, you're part of the family.
00:22:55Don't be a scaredy cat.
00:22:56She won't bite you.
00:22:58That's it, Piera.
00:22:59I guess a boy is what she always wanted.
00:23:01I did too.
00:23:03But Francesca was all we could manage.
00:23:05Well, we resigned.
00:23:07So...
00:23:38So...
00:23:55Well, cousin Milo, it's about time you gave me a welcoming kiss.
00:23:59Oh, what are you doing?
00:24:02Stop it.
00:24:03Stop it, don't get fresh.
00:24:05No.
00:24:07Milo, I told you.
00:24:08Stop.
00:24:10Oh, Milo, don't you dare.
00:24:13I warn you, no.
00:25:37Ah, you're gonna have to go.
00:26:07So...
00:26:37So...
00:27:07So...
00:27:19Who owns these beautiful tits?
00:27:21They're all mine.
00:27:24Gorgeous.
00:27:37Oh, my God, they're solid gold.
00:27:55What are you looking for?
00:28:00I'll help you find it.
00:28:03I was looking for a...
00:28:05You've got a dress on.
00:28:07What happened was I heard somebody screaming like a maniac.
00:28:10So naturally, I came immediately.
00:28:12And when I got here, the screaming was over.
00:28:14So I...
00:28:16Hey, is anybody hurt?
00:28:18We'll go to the room.
00:28:19Does somebody want the john?
00:28:22What's the reason for this?
00:28:24No clothes on and incessantly screaming.
00:28:28I'll be off to mass.
00:28:29Run along.
00:28:30I was just taking a bath.
00:28:31Well, next time, have a common sense and decency to put a towel over the keyhole.
00:28:49Look, bring us another bottle of wine.
00:28:51Same year.
00:28:52And let me know how much all this comes to.
00:28:54Good, there.
00:28:55Here you are.
00:28:56Take this.
00:28:57Thank you, sir.
00:28:57Wait a second.
00:28:57Better take this, too.
00:28:58A little present for you.
00:29:00Ciao.
00:29:03That's too much of a tip for this sort of place.
00:29:05You make the rest of us look like cheapskates.
00:29:08You don't have to be that stingy.
00:29:11Why bother?
00:29:12We never come here as a rule.
00:29:14Am I right, dear?
00:29:15It's not the sort of place we like.
00:29:17No, I'm afraid we like clubs that are more interesting.
00:29:19In the city.
00:29:20Real nightclubs.
00:29:23Listen, Vincenzo, places like this are much more pleasant
00:29:25and much more real than anything in town.
00:29:30That's what I mean.
00:29:33That's the real thing.
00:29:37That's born and raised in the provinces.
00:29:40Take a good look at it.
00:29:42That's grade A pride.
00:29:43Really, Milo, what on earth's the matter with you tonight?
00:29:45Obviously, I'm mad about you.
00:29:48Very funny.
00:29:50Glad I amused you.
00:29:51I think you've only imagined it.
00:29:52I didn't expect you to believe it.
00:29:54I like the way you make out.
00:29:56Honestly, I never imagined anything so super.
00:30:00Stop this.
00:30:03Come dance with me.
00:30:06All right.
00:30:29Leave your fingernails alone.
00:30:52Will you behave yourself, that young lady?
00:30:54And sit up in your chair.
00:30:56Imitate Francesco.
00:30:57Wow.
00:31:29Milo, permit me to compliment you.
00:31:54Thanks, but I'm lousy at fast dances.
00:31:56He hates having people rush him.
00:31:59Want to dance, Francesca?
00:32:03Yes.
00:32:08I haven't danced now for simply ages.
00:32:10Shall we dance then?
00:32:11Yes.
00:32:30Having a good time?
00:32:35Absolutely smashing.
00:32:39Listen, let's go back.
00:32:41But it's much too early.
00:32:42The band isn't finished.
00:32:45I get it.
00:32:47Auntie, if you want to make Uncle jealous, try not to be so rigid.
00:32:50I'm not rigid.
00:32:51Are you?
00:32:56Is that better?
00:32:58Much better.
00:33:29Move in close and watch carefully.
00:33:47Yeah.
00:33:49When I was a young fellow, I made every shot a bullseye.
00:33:52I really don't need those horns, idiot.
00:33:56Missed.
00:33:57It isn't that funny, is it?
00:33:59Give the gun to me and let me set an example for you.
00:34:05You big fake.
00:34:10Not bad.
00:34:11All right, I'm trying over again.
00:34:12Take it from me.
00:34:13You're not going to make it.
00:34:15This will only embarrass you.
00:34:18Where, Francesca and Milo?
00:34:20You're asking me.
00:34:26I'll bet you wish you were with my mother instead of me.
00:34:35What?
00:34:36Are you crazy?
00:34:37I saw you two dancing together.
00:34:39You got all excited.
00:34:40Get lost.
00:34:48Listen, Francesca.
00:34:50Don't tell me you're jealous.
00:34:53Are you kidding of my mother?
00:34:57The fact is, you're barking up the wrong tree.
00:35:01What does that mean?
00:35:02She's inhibited.
00:35:03Go on, that shows me how little you know your mother.
00:35:06I'll do all I can to make up for her absence.
00:35:25She's right here.
00:35:27So you can pretend you're making love to her as well.
00:35:30It's more exciting.
00:35:35Do you wish mother was really here?
00:35:37I wonder what it would be like with her.
00:35:57Yes, I'll pass it to you.
00:36:15It's for you, Signora.
00:36:18Hello?
00:36:19Who's speaking?
00:36:20I can't hear you.
00:36:21What's wrong, Francesca?
00:36:23Nothing's wrong, but I began to feel lonely.
00:36:27What's the matter with you?
00:36:27If you feel lonely, go and see your friends.
00:36:29Don't call me up while I'm at the hairdressers.
00:36:33It's just that I wish you were here with me.
00:36:38The poor baby misses me.
00:36:40She's all alone.
00:36:41Every girl needs her mother.
00:36:42Out with those rollers.
00:36:45But darling, you know I love you very much.
00:36:48You know that, don't you, Francesca?
00:36:51And I love you, mother.
00:36:53So you see, there's no reason for either of us to feel lonely.
00:36:56Darling, I'll be home early.
00:36:59And we'll sit down together and have a nice long talk, all right?
00:37:03And I'll hug you and kiss you just like when you were little.
00:37:08I love you.
00:37:09I love you, sweetheart.
00:37:11Wait for me and give me a great big kiss, all right?
00:37:23I bet you can't catch me.
00:37:26Oh, I'm sure I can.
00:37:27Let's have a race.
00:37:28Come on.
00:37:29I'll race you to shore.
00:37:42Hello, everybody.
00:37:43We bring you light music for a summer afternoon.
00:37:52So...
00:38:08Carlo.
00:38:09Are you sleeping or just pretending?
00:38:11I wasn't sleeping.
00:38:12That is, maybe I was.
00:38:13I don't know.
00:38:15You were sleeping.
00:38:15That's the only possible reason you could have for ignoring what's going on under your nose.
00:38:19I feel that that boy and Francesca are just a bit too friendly.
00:38:25It's normal at their age.
00:38:27Of course, they're friendly.
00:38:30It worries me.
00:38:31They're not babies.
00:38:33Of course, they're not.
00:38:34Open your eyes and you'll see.
00:38:36They're together almost continuously disappearing.
00:38:38I don't know where.
00:38:39Morning, noon and night.
00:38:41Honestly, Piera, they're just a couple of kids.
00:38:44And right now there are three of them.
00:38:45So don't worry.
00:38:47And now don't tell me they're having an orgy.
00:38:49Piera, you'd be suspicious of my grandmother.
00:39:01How about that?
00:39:02How much have I offered?
00:39:06Hey, you're looking.
00:39:09That nephew of yours is a menace.
00:39:12Signora.
00:39:13Oh, thank you.
00:39:17You better send him away before you regret it.
00:39:20Tell Milo.
00:39:22Tell him that with a cousin, you just don't.
00:39:24I was beginning to think you'd come across one of my relatives you like.
00:39:27Leave it to me.
00:39:28Leave it to me.
00:39:29We'll have a heart to heart talk.
00:39:32Signora, if you don't need me, I'd like to go swimming.
00:39:36Yes, take all the time you want.
00:39:38Naturally, you're too high minded to think of these things.
00:39:49That's right.
00:39:50Wouldn't even enter my head.
00:39:53Sunday is the one day of the week when the family is all together.
00:39:58Church in the morning.
00:40:09Good morning.
00:40:12Morning, sir.
00:40:13Preparing soup, are you, Eleanor?
00:40:16For me?
00:40:19For you and for the rest of the family.
00:40:21There are others, aren't there?
00:40:23That's right.
00:40:25You got good looking potatoes there.
00:40:28You don't have to explain it all, Eleanor.
00:40:30You're frightened.
00:40:30You're shy.
00:40:32I've got things to do.
00:40:33Just a minute.
00:40:34I haven't finished.
00:40:34Won't you let me finish what I have to say?
00:40:36Signorino.
00:40:37Call me Carlo.
00:40:39Eleanor.
00:40:40Eleanor.
00:40:44I swear to you, when it comes to vegetable soup, no one makes it like you do.
00:40:52Eleanor, you're trembling.
00:40:54Signorino, if you say you love me, I'll believe you.
00:40:59But I don't want to because there's some men that is certain employers.
00:41:08Who say things they don't mean to.
00:41:11And many girls get in trouble over it.
00:41:14No, don't say that.
00:41:14I only want to do what's right.
00:41:17Because you know what they're like.
00:41:19Innocent.
00:41:21But they begin talking to them, the employers.
00:41:25And they say they're in love and everything.
00:41:27No.
00:41:27To get them interested.
00:41:30But then they betray them because they didn't really mean it.
00:41:32Listen to me, my dear.
00:41:34There are those who mean it.
00:41:37And those who are willing.
00:41:39Only they pretend they don't understand.
00:41:42They're frightened.
00:41:44Or embarrassed.
00:41:46They don't know the others are embarrassed as well.
00:41:48More so.
00:41:48But they're willing too.
00:41:51Honestly, I don't know what I'm talking about anymore.
00:41:53I don't know who they are or what they want.
00:41:56Oh, God.
00:41:58Eleanor, what do you see?
00:42:00What do you see in my face?
00:42:07I'm leaving, Signorino.
00:42:08You're not quitting, are you?
00:42:10No.
00:42:13I've got to bring in some fresh eggs.
00:42:16You've got to?
00:42:18Yes.
00:42:21Help me get them.
00:42:37How about the barn?
00:42:50Yes.
00:42:58Quick, hurry.
00:42:59Let me help you.
00:43:01Pull, pull hard.
00:43:03Yes, good.
00:43:04You're so strong, Eleanor.
00:43:06Yes, up here.
00:43:07That's it.
00:43:08Up we go.
00:43:10No, that's far enough.
00:43:11Stop.
00:43:11Oh, Eleanor, my darling.
00:43:13Oh, you're so beautiful.
00:43:14So wonderful.
00:43:15Where is it?
00:43:16Where is it?
00:43:17Up here in the halo.
00:43:19Oh, the farmer's beautiful daughter.
00:43:21Oh, my darling, you drive me crazy.
00:43:25Hey, you're getting away from me.
00:43:30Why are you wearing these on a hot day like this?
00:43:33Oh, my leg.
00:43:34Oh, yes, your leg.
00:43:36You're everything, Eleanor.
00:43:42Let go of me.
00:43:45Where are you going?
00:43:49Hey, come back here.
00:43:55Gotcha.
00:43:59Hey, you can't catch me.
00:44:02Not a minute apart.
00:44:04It's getting to be.
00:44:05Why, what are they doing?
00:44:06Playing games with each other.
00:44:08What, hide and go seek?
00:44:09Hardly.
00:44:10Oh, well.
00:44:14It's not proper.
00:44:16I'll bet that you and Milo haven't spoken yet.
00:44:20No, no, I haven't spoken to him yet.
00:44:22First, because I haven't had a chance to.
00:44:24Second, and more important, it'll take some effort to go and say, hey, Milo,
00:44:28my wife is convinced you've got the hots for Francesca.
00:44:31Be on your way.
00:44:32I know you'd have some excuse.
00:44:35You're a fine businessman, but too stupid to see what's going on in your own house.
00:44:40Take a look.
00:44:41It might surprise you.
00:44:51Don't tell me that's beginner's luck.
00:44:52Here, take over for me.
00:44:54Carlo, don't be like that.
00:44:55I'm outclassed.
00:44:56Armando.
00:44:57Yeah, I'll be right with you.
00:44:59What do you want?
00:45:00There's something I want to talk to you about.
00:45:01But I got a turn coming up.
00:45:02I won't keep you.
00:45:05Carlo, it's my turn.
00:45:06What's wrong?
00:45:06It's just I'm not as good as I once was.
00:45:09At pool?
00:45:09Why worry?
00:45:09Come on, not that.
00:45:11In the sack.
00:45:12Ah, it's serious.
00:45:15I get into bed with Piera and pooh, pooh, pooh, pooh.
00:45:19Pah, pah, pah.
00:45:21And I'm worried about her.
00:45:23It's nothing you should worry about.
00:45:25It's, in a man your age, it's...
00:45:28You'll find it's not as spry as it was a couple of years ago.
00:45:31It's off now and then.
00:45:32You can't react.
00:45:34Don't be alarmed.
00:45:34It happens to everybody.
00:45:36Does it?
00:45:36Does it happen frequently or...
00:45:38No, once in a while.
00:45:39It's natural.
00:45:41Armando, the fact is, I've got a girl.
00:45:43This is just between us.
00:45:45And I'm crazy about her.
00:45:46I mean, she's got as well as...
00:45:48And I would like to roll around in the hay.
00:45:52Why not?
00:45:54But haven't you got a medicine that can...
00:45:58Sorry, Carlo, but there's no medicine for what you've got.
00:46:02There's nothing for it at all.
00:46:04If you want, you could buy an aphrodisiac.
00:46:07No.
00:46:08No?
00:46:09No.
00:46:10No.
00:46:11No.
00:46:12No.
00:46:12No?
00:46:13No.
00:46:14Primarily because professional ethics prohibit it.
00:46:17But also because with your heart condition,
00:46:19any artificial sexual stimulation would probably be fatal.
00:46:23No, you're wrong.
00:46:25I'm not that far gone.
00:46:25Oh, yes, you are.
00:46:26No, I'm not.
00:46:28I got a heart as strong as an ox's.
00:46:31Milo, I'm leaving.
00:46:32It's late.
00:46:33Milo, what's between you and Francesca?
00:46:37Francesca?
00:46:38Yeah.
00:46:39But not a thing.
00:46:40Why?
00:46:43Ah, you mean it?
00:46:44Not a thing?
00:46:45No.
00:46:46What should there be?
00:46:47Not a thing.
00:46:50The broad I'm interested in is Fedora.
00:46:51Oh, Fedora.
00:46:54I'm sorry.
00:46:54I know she's only a baby, but there's something...
00:46:56Come on, she's a pretty big girl.
00:46:58She's got a head of hair like a dirty poodle.
00:47:00What the heck's the matter with that?
00:47:01It happens to be the sky.
00:47:01Milo, she isn't your type at all.
00:47:04You know me.
00:47:04I couldn't care less.
00:47:06And what the hell?
00:47:07She's rich, isn't she?
00:47:09I don't know anything about her money.
00:47:10I'm not interested.
00:47:11Don't be like that, Milo.
00:47:12You sound just like your father.
00:47:14He did nothing but throw away money and good opportunities.
00:47:18I admit in your case, there's nothing to throw away.
00:47:21Why make a thing about it?
00:47:22There are plenty of men who'd be happy to marry her bank account.
00:47:25Take her papa, for instance.
00:47:27He went and married Vincenzo.
00:47:30Armando was as poor as they come.
00:47:32And up beyond his shoulders in debt, working his way through medical school.
00:47:36Maybe.
00:47:37Only I still got my dignity.
00:47:39Forget it, Fedora.
00:47:41Just wait till I tell your Aunt Piera.
00:47:43Aunt Piera?
00:47:44Since when is it her business?
00:47:47You're not actually going to tell her?
00:47:48She'll get a bad opinion of me.
00:47:50Don't worry about her.
00:47:51Not at all.
00:47:52In her book, you're okay.
00:47:54But she doesn't suspect I...
00:47:56Piera just likes to snoop a little.
00:47:58She thinks she's clever about men, does Piera.
00:48:01Everything's got an answer.
00:48:02She knows it all, does Piera.
00:48:05You know what wives are like.
00:48:06They're too smart for our own good.
00:48:23Carl, for God's sake, what do you want?
00:48:33You should know by now.
00:48:34Not again.
00:48:35The doctor said...
00:48:35I don't care if you did.
00:48:36But I do.
00:48:38It could happen.
00:48:40And I never see you again.
00:48:41Nothing's going to happen.
00:48:42And besides, it's no longer your heart.
00:48:47Then whose is it?
00:48:48It's mine.
00:48:49Is it?
00:48:50So you take care of it.
00:48:52Pleasant dreams.
00:48:53Ciao.
00:48:54How about just a little more...
00:48:54Good night.
00:49:23Will that be all?
00:49:47No.
00:49:49If you could, I would like my uncle to remain home tonight.
00:49:51Could you arrange it?
00:49:53I can't arrange anything.
00:49:54I don't understand.
00:49:55You can if you really make up your mind to it.
00:49:59What do you mean?
00:49:59I don't...
00:50:00My dear, do I need to explain?
00:50:02If you could accommodate me a little, that'd be fine.
00:50:06Otherwise, I'll go and tell my aunt.
00:50:09You do get the picture, or don't you?
00:50:16But I don't know what...
00:50:17I'm not interested.
00:50:18If you don't do what I tell you, you'll regret it.
00:50:20I'll tell my aunt about you and Uncle Carlo.
00:50:23Did you hear me?
00:50:34I'll see he doesn't go out.
00:50:51She's easy to handle.
00:50:53You know how to shift?
00:50:55First up, second, third, fourth, and fifth on the outside.
00:50:57To put her into reverse, you push it up above first and let go.
00:51:00These are the lights, and you lower the high beams like that.
00:51:03You got a tape deck right here.
00:51:04And this little lever makes you go...
00:51:07But you won't be needing that.
00:51:08You're not going to try to make out with your aunt.
00:51:10Now, if you were with Fedora, that's another story.
00:51:14I thought you were coming too.
00:51:15No, I don't think so.
00:51:16I don't feel good.
00:51:17I think I'll go to bed.
00:51:19It's not your heart.
00:51:20No, no, no, no.
00:51:20It's my stomach.
00:51:22I'm not going to go myself.
00:51:23Don't stay for my sake.
00:51:25And besides, Milo will look after you.
00:51:27No.
00:51:28He knows nothing about the car.
00:51:30Don't be silly.
00:51:30He's got a driver's license, Piera.
00:51:32He knows how the gears operate.
00:51:34He'll be just fine.
00:51:35You'll see.
00:51:38Your stomach?
00:51:38Yeah.
00:51:39I'll ask the maid to concoct something for it.
00:51:42Something hot.
00:51:42I feel much better just thinking about it.
00:51:45Really, Carlo?
00:51:45Don't worry about it, darling.
00:51:47I'll go to bed right now and feel a lot better in the morning.
00:51:50Ciao.
00:51:52Ciao, darling.
00:51:53Have a good time.
00:51:54Ciao.
00:51:55Go straight to bed now.
00:51:56Don't worry.
00:51:57Ciao.
00:52:50Thanks.
00:52:59Milo.
00:53:02Is something the matter?
00:53:04You've been sitting here all evening.
00:53:06You haven't been dancing at all.
00:53:08I know.
00:53:08I'm sorry.
00:53:10I don't feel like it.
00:53:11This just isn't my scene.
00:53:12That's all.
00:53:13Frankly, I'm like a fish out of water.
00:53:15You are silly.
00:53:17Look around.
00:53:17Who are they?
00:53:18And who cares who they are?
00:53:20It's not who they are.
00:53:22No, rather, it's what they have.
00:53:27I didn't mean I wanted to change you, Milo.
00:53:30I just want you to let me help you.
00:53:37Have we found something we can drink to?
00:53:49To our agreement.
00:53:50And to a wonderful woman.
00:53:52And may I add also to our friendship?
00:53:54Jerry, you've just made the whole evening.
00:53:59God, wasn't that party dreary?
00:54:01I thought it was interesting.
00:54:02A new world.
00:54:04A fantasy of champagne, caviar in the moonlight.
00:54:09Don't mention champagne.
00:54:11I just adore champagne.
00:54:13It always makes me feel so happy.
00:54:15And it makes me lightheaded.
00:54:18Look, Milo.
00:54:18From now on, we'll drink only champagne.
00:54:20Agreed?
00:54:20You bet.
00:54:21Let's include that as part of our pact.
00:54:27How about that?
00:54:28The monster's thirsty.
00:54:29Champagne for the monster!
00:54:45They must be here.
00:54:46Go on, blow it again.
00:54:48It doesn't work.
00:54:53Look, I'm afraid I'll bother the peasants.
00:54:55And when you bother a peasant, he hits you.
00:55:01We're helpless.
00:55:02That's right.
00:55:06With your permission, or without it, I'm going to bed.
00:55:12Comfy?
00:55:14May I suggest you press that little lever there beside you?
00:55:18You push it and the seat becomes a chair's long.
00:55:21Just like that.
00:55:23Might as well.
00:55:24You just push this little thing.
00:55:26Easier said than done.
00:55:29Hey, I can't do it.
00:55:30That one always sticks.
00:55:44You're beautiful.
00:55:49Hey, Beethoven, let's hear the vocal.
00:56:00The band's too loud.
00:56:02How much you want?
00:56:03Full, please.
00:56:06Your bet.
00:56:15I'll drive.
00:56:18So
00:56:40That's 20.
00:56:47Good night now.
00:56:48So
00:57:03All right.
00:57:04Can I drop you anywhere?
00:57:05No, but just move over, will you?
00:57:10I'll back you out.
00:57:18So
00:57:48Not at all.
00:57:57Francesca.
00:58:00Francesca.
00:58:02Hey.
00:58:06Wake up, will you?
00:58:07Leave me alone.
00:58:14Your mother's gone to the hairdressers.
00:58:17Oh.
00:58:19Your father is having a go at Eleanor.
00:58:22Bully for him.
00:58:27Now we can go on with our game.
00:58:28Can we really?
00:58:30Sure.
00:58:32Our bed's waiting.
00:58:38Later, later.
00:58:39Hurry up.
00:58:40I'll be here.
00:59:16So
00:59:46So
01:00:16So
01:00:46So
01:01:16So
01:01:46So
01:02:16Why should I try to make excuses? It would be pointless. Nothing I could say would help,
01:02:38so I'm sure you feel terrible. Now you hate me, don't you? And you should. But I want
01:02:51to tell you this, that if Francesca hadn't thrown herself at me, hadn't tempted me, I
01:02:58understand me. Francesca's not responsible. I don't blame her. I don't deny it was my
01:03:03responsibility. Nobody else's. I'll make good. I'll marry her. You can't do anything about it.
01:03:12You're still her cousin. There's only one thing left for you. Disappear. What's in here should
01:03:23help to soothe your masculine dignity, but I want you far away, as soon as possible. And I
01:03:30don't want to hear any more from you.
01:04:30Severance pay isn't what I wanted. Please spare me just a minute, because there's something I want
01:04:48to say. You're completely wrong. Understand? I wanted you, Pierre, in place of Francesca. You're
01:05:03the one I'm in love with, and only you. Each and every time I was pretending it was you.
01:05:09It must sound funny. Only being in your bed made it easier to, made it easier to pretend I was
01:05:25loving you, not her. Now you know how things really were. That is, how they still are. I'm
01:05:43leaving now. I'm leaving, but not before I've made love to you. No. No. Let me go. Milo. No. Milo.
01:06:08Milo. You're hurting me. That's it. Go ahead. Call for help and you'll cause a scandal. Is that what you
01:07:26Piera. Piera. Where are you hiding? Darling, where are you? What is it? We're going to the stud farm, so hurry
01:07:55up, because this year this robber's got a time limit, as well as putting the price up on us. No, the charges are
01:08:01exactly the same as last year, except that this year money isn't worth anything. I couldn't buy cigarettes with what
01:08:07you paid last year. This stud not only impregnates, he smokes. Let's make jokes about it, eh? Are you coming or aren't
01:08:14you? Hurry up. Get your clothes on. I don't feel like going. What do you need me for anyway? You ought to miss the
01:08:20show. It's bound to be quite a spectacle. Well, if you happen to change your mind, you can always join us. Now you have
01:08:37got to stay. It's what I want. The important thing is, I need you. I beg you. Stay.
01:09:07I'm sorry, I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I
01:09:37I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. Let's go home.
01:09:47Oh
01:10:18No, it's Milo fresh aren't you you better get out of here or else I'll show for your uncle I
01:10:25Wouldn't do anything. So silly if I were you Elena
01:10:27I found out about you and my uncle and what I said then still stands you better not try anything
01:10:32Why is it any of your business? Anyway, I thought it was obvious Oh
01:10:35Eleanor I love you
01:10:40Impossible
01:10:41Kiss me
01:10:43Stop it now one minute one minute. You're trying to blackmail me in the next you're after me without any clothes on
01:10:50I've explained that darling. Just imagine what it felt like my heart burning with passion unable to say anything tortured
01:10:55But Eleanor I've wanted you madly since that first day
01:11:00But I didn't notice anything
01:11:02Naturally because it's my uncle you love I was just a nobody nothing but a poor foolish relation. No Milo. Don't say that darling
01:11:09I love you so wildly. You have no idea. I don't you can't guess how completely you've become my passion
01:11:14I can't let me show you you darling just once just once or twice how much how much I adore you my own Ellen
01:11:21Yeah, do you want it? Oh, yes
01:11:25I'll put out the light
01:11:27I
01:11:46Will darling
01:11:49I'll be going tomorrow
01:11:51I'll be sent away
01:11:53Milo I won't say anything. I swear. I won't tell anyone if I don't tell your uncle then who's going to tell him I
01:12:02Am
01:12:14I'll explain something. What possible reason is there to tell it's easy. I couldn't keep living with this on my conscience
01:12:21I must confess. Look uncle's been so damn good to me. There must be no the only reason behind it is I couldn't face
01:12:27uncle
01:12:30What about me I mean Carla would never pardon me
01:12:36Yes, you're right especially if he finds out for me
01:12:40You do it. I
01:12:43couldn't you
01:12:46Must I be the one
01:12:48You have to you mustn't behave like a common slut
01:12:51Darling uncle's always been so good and kind and generous
01:12:56He'll appreciate your honesty
01:12:58But Ellen if you like I'll tell him no
01:13:01perfect
01:13:02Tell everything you will yes, just what happened
01:13:07Every detail the whole story
01:13:10Yes
01:13:15I
01:13:26Made love with Milo. That's why I'm crying. He fell in love with me the first day
01:13:30He saw me that's why but you'll have to pardon me because I confessed it to you
01:13:35When did it happen?
01:13:37Last evening you came to my room. Oh, I'll fix that little hypocrite's ass, and I hope you're ashamed of yourself
01:13:44No, no, I was in bed already. I swear at first
01:13:46I thought it was you but I began to feel and he was different. But by then I couldn't help it
01:13:51Besides it happened only once I'll murder him
01:13:54He's not happy with a wife and daughter of that old idiot Armando. No
01:13:59In his uncle's house. He's got to start something. I
01:14:03Don't understand you different how just different maybe not the first time it happened, but
01:14:10But the others
01:14:13The others how many others seven? Oh good Lord. Now. Wait, you told me it only happened once
01:14:20There were seven times but all in one night. Oh
01:14:27Come with me. I've got something I'd like to show you you'll see I'll give a demonstration. I'll show them all
01:14:35Seven times that's nothing child's play. He's got no balls. No balls. Huh? I'll show you
01:14:45Tell me you love only me
01:14:48That's right, and I love you I'll prove it to you seven times nothing
01:15:04I
01:15:21Stricken in the prime of life
01:15:23Well, anyway, it was a painless way to go. There's no need to remind us
01:15:29Is there sorry father?
01:15:35My feelings go to those poor women in distress
01:15:38So bereft and all alone. Yes, but fortunately there is a good man in the house
01:16:04Oh
01:16:34Oh
01:16:44Thanks for all you've done for me I did. Mm-hmm. You wait for me. Won't you till next summer? Ciao?
01:16:56But I don't understand what you mean Milo, uh-huh. Call me signorino
01:17:04I
01:17:34I
01:18:04You