La sbandata - (Smell of Flesh (1974)) sub

  • 2 days ago
Salvatore Cannavone (Domenico Modugno) is a Sicilian cobbler-cum-shoe salesman who has worked for thirty years in New York City. He returns to his hometown where, although of modest means in America, he is considered a wealthy man and becomes the center of attraction.

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Transcript
00:00:00The following footage is from a group of people who live in Sicily.
00:00:16What are you doing in Sicily?
00:00:18Stay here, we'll open a store and make a corporation.
00:00:21What corporation? I barely speak English.
00:00:24If you let me, I can go back to Italy and become a gentleman.
00:00:28I can even buy the milk of the birds.
00:00:30What Italy? This is the brain of the world.
00:00:32I don't give a damn about the brain, I've always worked with my hands.
00:00:35By the way, if you give me those 250 dollars for...
00:00:38What the fuck, no problem.
00:00:42Here, take it.
00:00:49Hi, Sammy.
00:00:51Hi, everybody.
00:00:52Salvatore?
00:00:54So, are you leaving?
00:00:55Goodbye.
00:00:56Goodbye? I don't want to see you anymore.
00:00:59Bye, Tony.
00:01:01This is the worst American coffee ever.
00:01:03From tomorrow on, it's espresso.
00:01:06You're crazy, you're always drunk.
00:01:08I'm not drunk.
00:01:09No.
00:01:17You're crazy, you're leaving.
00:01:18Goodbye, with Marconcetta.
00:01:20He's crazy.
00:01:21He's crazy.
00:01:26SICILY
00:01:49And where to, Mac?
00:01:50Sicily.
00:01:51And when are you coming with this concrete?
00:01:53To the airport, please.
00:02:23SICILY
00:02:48Oh, what a beautiful brunette.
00:02:51Signorina, do you want to come with me to Italy?
00:02:54No, she doesn't want to come.
00:02:58But where will be the place for the tickets?
00:03:08But I say, can't I bring them myself?
00:03:10Can't I?
00:03:11Okay.
00:03:16How good is this?
00:03:17How much I like it.
00:03:18You're beautiful.
00:03:19Come on, gentlemen, hurry up.
00:03:21Let's go, we can't wait for anyone.
00:03:23You're beautiful.
00:03:28What a beautiful movement of feet, feet, feet.
00:03:33For a hundred years, you can say that I've only seen feet.
00:03:36These are really thighs, but it's better that I don't look at them.
00:03:39Otherwise, my head turns.
00:03:41It's better to go back to the feet.
00:03:43What ugly shoes.
00:03:45What ugly shoes.
00:03:46What ugly shoes.
00:03:48Yes, but what beautiful thighs, though.
00:03:51Ah, the women.
00:03:53They suck your bones if you let them fuck you.
00:03:55But let me look better.
00:04:00They'll rip them off and maybe they'll send you to the other world.
00:04:05But what a beautiful ass.
00:04:07And if I bend a little more?
00:04:09Yes, Signor Ostris, a little more.
00:04:11Ah, nothing.
00:04:17As soon as you get distracted, they fuck.
00:04:20Nothing, it's all the women's fault.
00:04:46Excuse me, I have to make a cinematographic shot.
00:04:50I can't see a shit.
00:04:52There must be fog.
00:04:55The cover, the cover is still on.
00:04:57Shut up, shut up.
00:04:58You can be quiet for pleasure.
00:05:03What assholes sold it to me with the cap.
00:05:05I'll smash it in the face.
00:05:07Would you like a cigar?
00:05:08Oh, thank you.
00:05:09I smoke cigar.
00:05:11I don't smoke.
00:05:12I don't smoke.
00:05:13Would you like a cigar?
00:05:14Oh, thank you.
00:05:15I smoke cigar.
00:05:19So you're Italian?
00:05:21I am Siciliano.
00:05:24Are you in business?
00:05:34What line are you in?
00:05:37Ah, scarpe, shoes.
00:05:41Oh, Italian shoes.
00:05:43Marvelous.
00:05:44A great bargain too.
00:06:10And then garlic.
00:06:11What garlic?
00:06:12Garlic in a box.
00:06:14Tintonic powder that tastes like muff.
00:06:16It makes you want to eat.
00:06:19In America, everything is put in a box.
00:06:22And I'm there to do it, to nail it, to cook.
00:06:25But they never put their feet in a box.
00:06:28Although sometimes it would have been necessary.
00:06:30Because in a hundred years,
00:06:32I have seen them of all colors and of all smells.
00:06:41Salvador, it's useless that you look.
00:06:43You have no money to pay.
00:06:45Meanwhile, I solved the American.
00:06:47I put my dick in the box.
00:06:50Excuse me, sir.
00:06:51Here you are.
00:06:53And now the cameraman is off.
00:06:57Would you like a cigar?
00:07:00Oh, thank you.
00:07:01I don't smoke.
00:07:02I don't smoke.
00:07:03I don't smoke.
00:07:04I don't smoke.
00:07:05I don't smoke.
00:07:06I don't smoke.
00:07:07I don't smoke.
00:07:08I don't smoke.
00:07:09Would you like anything else?
00:07:10Thanks.
00:07:14Here you are, sir.
00:07:40Of course I saw her Irish.
00:07:43She deserved a monument.
00:07:50Resolve?
00:07:52We don't talk much.
00:07:54But for the rest, the bones sucked me.
00:08:10A barrier of fear, but ...
00:08:19Peace.
00:08:23Love and peace.
00:08:39This film is dedicated to my little brother Salvador.
00:08:42I miss him.
00:08:45And to my brother,
00:08:46here it is!
00:08:47My brother!
00:08:48I haven't seen him in years!
00:08:50Don't touch!
00:08:51I must pay for the first fight!
00:08:53Help!
00:08:54Turi!
00:08:55Don't put your finger in his eyes!
00:09:01So you broke him, hold on!
00:09:02What were you doing?
00:09:03But what there is a black man.
00:09:04But you are not my brother,
00:09:05it's him,
00:09:06that's my brother,
00:09:07Salvador!
00:09:08I'm innocent!
00:09:09I'm a peasant!
00:09:10What do you want?
00:09:11Ah!
00:09:12Stop!
00:09:13He's tired from the trip.
00:09:14Salvador!
00:09:15My brother!
00:09:16My brother!
00:09:17Where is he?
00:09:18Who am I?
00:09:19Who am I?
00:09:20The wolf!
00:09:21I would have been born right away.
00:09:22The wolf!
00:09:23The worst has changed.
00:09:24Always ugly.
00:09:25Always the same face, the same mouth.
00:09:26The wolf!
00:09:27The wolf!
00:09:28The wolf!
00:09:29The wolf!
00:09:30The wolf!
00:09:31The wolf!
00:09:32The wolf!
00:09:33The wolf!
00:09:34The wolf!
00:09:35The wolf!
00:09:36The wolf!
00:09:37The wolf!
00:09:38The wolf!
00:09:39The wolf!
00:09:41The wolf!
00:09:42The wolf!
00:09:44The wolf!
00:09:45The wolf!
00:09:47You were just a bad guy in my house.
00:09:56The wolf!
00:09:58I was so very bad in your house.
00:10:06I'll be right back.
00:10:07Where are you going?
00:10:08Just to take a look at my relatives.
00:10:10You never know.
00:10:11Serve me without ceremonies, please.
00:10:13Don't be shy.
00:10:14Don't be shy.
00:10:15I married Peppino Le Santi, but he remained a widow in Meschina
00:10:18before they had time to procreate.
00:10:20Did Peppino Le Santi die?
00:10:22Yes, in 1940.
00:10:23A blow.
00:10:24Of blood?
00:10:25Of the opera.
00:10:26Like in New York?
00:10:27My dear friends, thank you, but now I have to go.
00:10:29Salvatore is tired.
00:10:33Chocolates for everyone.
00:10:37I'll take this one.
00:10:38Salvatore, what are you doing?
00:10:39Give them all away.
00:10:40See you tonight.
00:10:42Invite everyone.
00:10:43To Poltoya.
00:10:44Good, good.
00:10:45Federica.
00:10:46Tonight you'll give me everything.
00:10:48I'll come from house to house to find you.
00:10:50What a day.
00:10:51Mariuccia.
00:10:53Thank God I got something back.
00:10:56Did you see, Raffaele, how many people?
00:10:58Not even when my mother died.
00:11:00Yes, but then they ate less.
00:11:03Sadness.
00:11:04Of course it's not happy.
00:11:05But how do you console them one by one?
00:11:10My home air.
00:11:11Yours.
00:11:12But what are you going to stop a lot?
00:11:16What a splendor.
00:11:19Salvatore.
00:11:20What a mess America.
00:11:22What is this genuine stuff made at home?
00:11:25A sponge.
00:11:26Salvatore.
00:11:27Salvatore.
00:11:28What are you enchanted by?
00:11:31But of American, you have the auge.
00:11:33Who is the servant?
00:11:35Ah, Salvatore, holy devil.
00:11:38It's my daughter Mariuccia, your niece.
00:11:40But how many times do I have to introduce her to you?
00:11:42But the trip, the people, the confusion.
00:11:45But Mariuccia.
00:11:46The lady doesn't recognize me.
00:11:47Mariuccia doesn't remember who she is.
00:11:49In fact, the fool.
00:11:50A swindler.
00:11:51I don't even look like your daughter.
00:11:53What a beauty.
00:11:54The reunited family.
00:11:56I brought you some presents.
00:11:59Come, come.
00:12:00Come to the head.
00:12:01Today on the trip.
00:12:02I told you a lady.
00:12:03He brought other gifts.
00:12:05Here.
00:12:06A little bit of fine whiteness.
00:12:08Like those who bring mass to America.
00:12:10What magnificence.
00:12:11You shouldn't have bothered.
00:12:12Today is my day.
00:12:14Let me see the light of life.
00:12:16You didn't have to.
00:12:17It's an exaggeration.
00:12:18But there's nothing for me.
00:12:19Yet the brother is me.
00:12:21Do you like Mariuccia?
00:12:22Mariuccia.
00:12:23Uncle, uncle.
00:12:24Well.
00:12:25So much fear from the girl.
00:12:26He remained speechless.
00:12:27And he brought you all these beautiful things.
00:12:29Say thank you, uncle.
00:12:30Uncle, I.
00:12:31Uncle, I, uncle, I.
00:12:33What?
00:12:34Come on, lift this face.
00:12:35Let me see these eyes.
00:12:37You're ugly.
00:12:38A dove.
00:12:46Jesus Christ, Rosa.
00:12:47But you are fabulous.
00:12:49It was thirty years that we didn't eat like this.
00:12:52Salvatore, you're confusing me.
00:12:54You're too good.
00:12:55It's Nunu.
00:12:56Do you remember Nunu?
00:12:57What?
00:12:58He died in 1954, the year that fell on us.
00:13:00Fell on us and died?
00:13:01No, he destroyed all the vineyards.
00:13:03He died of pain.
00:13:04Ah.
00:13:05And Mr. Giustino.
00:13:06Do you remember Mr. Giustino?
00:13:08In the 60s.
00:13:09A broken hernia and amen.
00:13:11Poor guy.
00:13:12How was York?
00:13:13And Cosimo Presto.
00:13:14A connoisseur.
00:13:15Oh.
00:13:16Three years ago, a thief.
00:13:17He only found the dome.
00:13:18He didn't know anything about him.
00:13:20How was York?
00:13:23No, uncle.
00:13:24You have to give me water.
00:13:26Water hurts and wine makes you sing.
00:13:28You're like a ghost.
00:13:30It's not my wine.
00:13:31It's Mariuccia's.
00:13:32She has a party tonight.
00:13:33But you have to taste it.
00:13:34No, how can I?
00:13:35Mariuccia, I have the plate.
00:13:36Eat, Salvatore.
00:13:37For today, it's all paid.
00:13:38And Calogero.
00:13:39Do you remember Calogero?
00:13:41He died in 1949.
00:13:43Abroad?
00:13:44No, in the cemetery.
00:13:45He was shot.
00:13:46Where?
00:13:47In Poblete.
00:13:48In Poblete.
00:13:49He had the fat in his heart.
00:13:50How was York?
00:13:52But in this country, there were only dead people.
00:13:54How was York?
00:13:56Like your wife cooks.
00:13:57Now she cooks things.
00:13:58Quiet.
00:13:59Beautiful.
00:14:00But I want to rest.
00:14:01I feel twenty years old.
00:14:02I feel.
00:14:03You know, this is Mariuccia's room.
00:14:04But for now, the girl will stay with us.
00:14:06Say it.
00:14:07And now I say it.
00:14:08Of course, the house is small.
00:14:10But now that you are there,
00:14:12you could buy the upper floor
00:14:14and give us a little system.
00:14:16If you say so.
00:14:19Salvatore would like to live there.
00:14:22Ah, you would be fine there.
00:14:24Like a Pope.
00:14:25Above, a little water.
00:14:26Rosa, go get the water for Salvatore.
00:14:28I have to pee.
00:14:29Where is the toilet?
00:14:30The toilet?
00:14:31The toilet is in my house.
00:14:32You caught this vice in America.
00:14:34Salvatore, these are anti-hygienic crap
00:14:36that the citizens do for lack of space,
00:14:38air, countryside.
00:14:40And they have to breathe the smell of gold.
00:14:42Yes, but where do you fish?
00:14:43Ah!
00:14:44What?
00:14:45For a manegomio?
00:14:46I just wanted to pee.
00:15:14Oh!
00:15:15Oh!
00:15:16Oh!
00:15:17Oh!
00:15:18Oh!
00:15:19Oh!
00:15:40Ah!
00:15:41Ah!
00:15:42Ah!
00:15:43Ah!
00:15:44Ah!
00:15:45Ah!
00:15:46Ah!
00:15:47Ah!
00:15:48Ah!
00:15:49Ah!
00:15:50Ah!
00:15:51Ah!
00:15:52Ah!
00:15:53Ah!
00:15:54Ah!
00:15:55Ah!
00:15:56Ah!
00:15:57Ah!
00:15:58Ah!
00:15:59Ah!
00:16:00Ah!
00:16:01Ah!
00:16:02Ah!
00:16:03Ah!
00:16:04Ah!
00:16:05Ah!
00:16:06Ah!
00:16:07Ah!
00:16:08Ah!
00:16:09Ah!
00:16:10Ah!
00:16:11Ah!
00:16:12Ah!
00:16:13Ah!
00:16:14Ah!
00:16:15Ah!
00:16:16Ah!
00:16:17Ah!
00:16:18Ah!
00:16:19Ah!
00:16:20Ah!
00:16:21Ah!
00:16:22Ah!
00:16:23Ah!
00:16:24Ah!
00:16:25Ah!
00:16:26Ah!
00:16:27Ah!
00:16:28Ah!
00:16:29Ah!
00:16:30Ah!
00:16:31Ah!
00:16:32Ah!
00:16:33Ah!
00:16:34Ah!
00:16:35Ah!
00:16:36Ah!
00:16:37Ah!
00:16:38Ah!
00:16:39Ah!
00:16:40Ah!
00:16:41No, no.
00:16:44You can't do this, Uncle.
00:16:50It's a shame, you know.
00:16:56Tell him I'll be right back.
00:17:02Look what can happen to you.
00:17:04After thirty years in America, one goes back to the country.
00:17:08Your hands run faster than your thoughts.
00:17:13How are you? Did you have a good trip?
00:17:16Riccardo, are you happy I brought you with me?
00:17:19Of course, if I left you there, you don't know how it would end.
00:17:22What do you care? If I see you, I don't see you.
00:17:25Mariuccio, by any chance, is your nephew or mine. Let's think about it.
00:17:30As you said, sorry.
00:17:31What are you laughing at?
00:17:33Laugh in your own face.
00:17:35These things are serious.
00:17:38Who tells him to leave the crest? Do you tell him?
00:17:42When I'm drunk, I don't know what to do.
00:17:47Hey, Frank, be careful. Light hand, don't cut too much.
00:17:52Excuse me.
00:17:53You want to get a haircut?
00:17:54What haircut?
00:17:56Then you give me a modern shampoo,
00:17:58like those that give a little tone,
00:18:00that make the hair a little more vigorous, a little more...
00:18:03Black, like your brother.
00:18:05What my brother? What are you saying?
00:18:07What do you want to make me look like that broccoli face?
00:18:09Because it's not beautiful.
00:18:10A little bit.
00:18:11Maybe I'm not beautiful. A guy.
00:18:13Virile.
00:18:14Me.
00:18:15How is your freedom?
00:18:16It's standing.
00:18:17The great faithful, eh?
00:18:18Listen, Peppino always has the history drug.
00:18:20He has it, he has it.
00:18:21Hey, what are you doing?
00:18:23Shut up, let me do it.
00:18:25You see, I've been taking care of you for 20 years.
00:18:2720 years, you see.
00:18:28Magnifico, you remind me of Rodolfo Valendino.
00:18:3120 years, eh?
00:18:33I'd give you 20 years in jail.
00:18:35Like a whore, do you agree?
00:18:36Yes.
00:18:37But how, he's not happy?
00:18:39No, he's an asshole.
00:18:40He pays for everything, too.
00:18:42Salvatore!
00:18:44They go to America, but it's useless.
00:18:46Bosses are born and bosses remain.
00:18:48I say we could make a jump right now.
00:18:51Where?
00:18:52From Mastro Gallara.
00:18:54Salvatore!
00:18:56Goodbye.
00:18:59How long will it take to grow the pots?
00:19:06In short, they want 10,000 dollars.
00:19:08No, 6 million.
00:19:09Salvatore!
00:19:10Welcome, make yourself comfortable.
00:19:11Hey, Don Ciccio!
00:19:12You can come, don't compliment me.
00:19:14Let's shake hands.
00:19:15Come, come, let's have a drink.
00:19:18Make yourself comfortable.
00:19:19Please, please.
00:19:20Would you like a coffee, a drink?
00:19:22No, thank you, but I really don't have the honor.
00:19:24No, don't be rude, consider yourself welcome.
00:19:27Yes, the president said that if you want to be a partner, we accept you.
00:19:30Sure.
00:19:31Oh, thank you very much.
00:19:32Now we are in democracy.
00:19:34Can I offer a drink?
00:19:35Our circle is open to all gallants.
00:19:38Even the workers.
00:19:39Yes, sir.
00:19:40Even the illiterates.
00:19:41Those workers who have made their way, like you in America.
00:19:46Even if the father was starving.
00:19:49Thank you in the name of the good soul of Papa.
00:19:51Therefore, now this is called the Circle of Order and Liberty.
00:19:54But once it wasn't called the Circle of...
00:19:56Once!
00:19:57But then the war...
00:19:58But then the country went to hell.
00:20:00And we renamed it the Circle of Liberty.
00:20:03And since according to us today there is too much freedom,
00:20:07we thought we would add a little order.
00:20:11Make yourself comfortable, make yourself comfortable.
00:20:13Come, come.
00:20:14After you.
00:20:16May I?
00:20:17Excuse me, may I?
00:20:18Here we are.
00:20:19I don't give a damn about anyone here.
00:20:21If our father was starving, why would I go out and talk to him?
00:20:24He can see that my father is more starving than him.
00:20:27Maybe I don't look like the Lord.
00:20:30Partner in the Circle of Lords.
00:20:32My mother, it's impossible, I think.
00:20:34What an honor.
00:20:36Of course, if you saw the good soul of Papa,
00:20:38sitting with the lawyer, the doctor,
00:20:40arguing with the pharmacist, the marshal of the carabinieri.
00:20:44You still have the will, uncle.
00:20:45There is still.
00:20:46They are satisfactions.
00:20:48And now you are elevated to the rank.
00:20:50If I say the will that I have left,
00:20:52they kick me out of this house.
00:20:56Of course, now that you have become a partner in the Circle,
00:21:00you have set up the house almost as an obligation of society.
00:21:04It's not that you can live on the floor,
00:21:06now you're a gentleman.
00:21:07What an idiot.
00:21:08I'll give you a van.
00:21:09I won't be sorry if it's just one.
00:21:11You know very well where I am.
00:21:12No, I don't know.
00:21:14Come on, give it to me.
00:21:18I'll give it to you.
00:21:48I'll give it to you.
00:22:01I'll see if you put on the underwear I brought you from America.
00:22:05Did you put them on?
00:22:07Or didn't you put them on?
00:22:09Shut up, you scoundrel.
00:22:10Uncle is sleeping.
00:22:18I just can't sleep.
00:22:21Maybe it's the heat.
00:22:26I have the thighs of Mariuccia.
00:22:30At your age, some shows hurt.
00:22:38I still haven't found out the location of my brother's house.
00:22:41What?
00:22:43I was thinking of Mariuccia.
00:22:45But we don't give a shit, Mr. President.
00:22:47You know how little I care about Mariuccia.
00:22:52Scopa.
00:22:56And this is not Scopa.
00:23:01Salvador, move away.
00:23:12Scopa.
00:23:14What a bunch of shitty players.
00:23:16What do you mean, shitty?
00:23:18This one too.
00:23:20When did Spariglio teach you that?
00:23:22I'm the boss of Spariglio, just like my daughters.
00:23:25Damn you.
00:23:27Cornutazzo.
00:23:29Yes, he said.
00:23:30That ballerina of your wife.
00:23:32Scabolo.
00:23:33And your mother.
00:23:34Take back what you said.
00:23:35An excellent retreat.
00:23:37What should take you, a lot of ladies.
00:23:39And thank God we're in a circle of gentlemen.
00:23:42A lot of ladies.
00:23:44How dare you, Caruso.
00:23:46I'll make you chew on your testicles.
00:23:48I'll kill you.
00:23:49I'll kill you.
00:23:50I'll kill you.
00:23:53You're all scum.
00:23:54You're hurting me.
00:23:55I'll kill you.
00:23:56I'll kill you.
00:23:57Drink.
00:23:58You know you have nothing.
00:23:59I don't like it.
00:24:00Don't be an idiot.
00:24:01Every time I pass out, you give me this shit.
00:24:03Cigarette.
00:24:04So, can we start playing again?
00:24:07Maybe for a quarter of an hour.
00:24:09It's become a habit.
00:24:12After you.
00:24:13After you.
00:24:14We would miss you.
00:24:15We would miss you.
00:24:16After you.
00:24:17Honor to merit.
00:24:18Gentlemen.
00:24:19I'm worse than my brother.
00:24:21And yet you eat so little.
00:24:24Did you go to the private bathroom?
00:24:25Maybe I went.
00:24:27I'm stethic.
00:24:28What are you doing?
00:24:29Don't you sleep?
00:24:30You can see that even rest is a fatigue.
00:24:32You're not old.
00:24:33In short, you should find a woman.
00:24:35But what woman?
00:24:36Magimonio Presto or never.
00:24:38No, but what Magimonio?
00:24:39Not a woman, not a gianguilla.
00:24:41One that when you're thirsty, you drink.
00:24:43Without having to keep it.
00:24:45Of course, here in the country it's not easy.
00:24:47But there are real ones.
00:24:48Who?
00:24:49What do you mean, who?
00:24:50The botanists.
00:24:51But go fuck yourself.
00:24:52On the contrary, you should act like a gentleman.
00:24:56And what do gentlemen do?
00:24:57They cut it?
00:24:59You have to find a servant.
00:25:01A servant?
00:25:02Sometimes the servant is better than the woman.
00:25:05But...
00:25:06Which is not that you can kiss her like a botanist.
00:25:08With the servant you can do whatever you want.
00:25:10You pay her.
00:25:11During the day she gives us a hand to finish the housework.
00:25:14And at night, she does the bed ones.
00:25:17Bed.
00:25:18But if I can shit.
00:25:22Ah, but the Havana are not finished.
00:25:24No.
00:25:25Why?
00:25:26No, no, nothing.
00:25:27Of course, not offering them lasts forever.
00:25:30But with the servant,
00:25:32we would need a room more, maybe smaller.
00:25:35It's not that Mariuccia can continue to sleep in perpetuity with us.
00:25:38Come, come, I'll show you.
00:25:40But no, what are you showing me?
00:25:42You have to see so you realize.
00:25:44Those sleep.
00:25:45Come and do it slowly.
00:25:46Fuck off.
00:25:48I told you, slowly.
00:25:52Look, look.
00:25:59Look how we have to be.
00:26:02Poor little girl.
00:26:04But don't be shy.
00:26:12Also because,
00:26:13if I get the urge to move the bed with Rosa,
00:26:16what do I do? I send her out.
00:26:17To who, Rosa?
00:26:18But no, to Mariuccia.
00:26:20Ah, listen, but you often get the urge to move.
00:26:24Salvatore, but uncle, what are you doing?
00:26:27Calm, calm.
00:26:28It was just a curiosity of the older brother.
00:26:31Do you want it?
00:26:32No, I don't like it.
00:26:35He stole, he likes it.
00:26:37Havana, the house, the extra room,
00:26:39he's making me crazy.
00:26:42He wants to move the bed,
00:26:43and I move the house.
00:26:47Mariuccia.
00:26:50I almost buy this house.
00:26:54There in the end, precisely, I want the cess.
00:26:57But holy devil, I don't know what it costs
00:26:59to have one to keep the shit at home.
00:27:01So we have to make a black well in two gardens.
00:27:03And let's make this well black, white, of all colors.
00:27:06And so we ruin the garden too.
00:27:08Yes, but preventive, change.
00:27:10I said maybe I'll make you work for free.
00:27:12He said no, no.
00:27:13And I want a tub too.
00:27:14Yes, there's a tub in the tub.
00:27:16You don't have to wash yourself,
00:27:17and not even to shit in the closet, okay?
00:27:20But it's all waste food,
00:27:21all thanks to God,
00:27:22that goes in two tubes.
00:27:23It's me who pays.
00:27:24But if you put it on this floor, tub.
00:27:26Come on, come on.
00:27:27Where?
00:27:28In Parrucci, if you.
00:27:30You eat.
00:27:31It's pink.
00:27:32You know you're a civil person.
00:27:34I don't know how you got married to this buffoon.
00:27:36It wasn't my fault.
00:27:37You were in America.
00:27:38Too bad.
00:27:39Life.
00:27:40And maybe I don't appreciate you as much as you deserve.
00:27:42And I bet it makes you work more day than night.
00:27:45I have my place.
00:27:47Ah, Salvatore, you don't think about my meal.
00:27:50And how jealous you are.
00:27:52I spoke like this, in theory.
00:27:54It would be missing only that you spoke in practice.
00:27:56Well, if we want.
00:27:57Because you don't do much in practice.
00:28:00And what are you laughing at?
00:28:01Do you want a slap?
00:28:02Fool.
00:28:03Happy?
00:28:04You made the girl cry.
00:28:06What a fucking education we give ourselves.
00:28:08But who tickled you?
00:28:09Tarantula?
00:28:10No.
00:28:11It's just that all these jobs at home make me happy.
00:28:14I don't know.
00:28:15They make me feel all upset.
00:28:16Son of a whore.
00:28:17What a way to express yourself.
00:28:19I speak like Queen Elizabeth.
00:28:21But you're pissed off.
00:28:23No, I'm very calm.
00:28:25But you were hurting us in America.
00:28:28They wanted to buy the house.
00:28:34And I bought it for them.
00:28:38And right away.
00:28:40But what I want, I still don't know.
00:28:48Three o'clock.
00:28:49And I still can't sleep.
00:28:51Christ.
00:28:53What is it?
00:28:59How many cigars did I smoke?
00:29:02I was thirty years younger.
00:29:04And nothing happened.
00:29:11Doctor, I wanted to tell you ...
00:29:13Come, Don Salvatore.
00:29:14Tomorrow I'm going for a walk.
00:29:16If you want, you can accompany me.
00:29:18So we can talk calmly.
00:29:19They did.
00:29:20They did.
00:29:21Three in the morning.
00:29:22Two in the evening.
00:29:23Five.
00:29:24We lost another part.
00:29:25Twenty-one to four.
00:29:26We won.
00:29:27If Don Salvatore didn't marry you in America ...
00:29:30What marriage?
00:29:31Even a forester is like a melon.
00:29:33You don't know how long you haven't cut it with a knife.
00:29:35Does the lawyer know that you married a French woman?
00:29:38It's not a matter of a forester or a foreigner.
00:29:40Even to get married.
00:29:41Whoever gets married is happy one day.
00:29:43Whoever killed a pig is happy for a year.
00:29:45Buy yourself a trojan rather.
00:29:47A botanist.
00:29:48No, a trojan.
00:29:49It costs less.
00:29:50And when you fatten it, you cut it and make sausages out of it.
00:29:55Don't put the horns on your armpits.
00:29:57Don't touch me, Don Salvatore.
00:29:59That ballerina of your wife.
00:30:01And of your mother.
00:30:03An accident.
00:30:05An accident must take you.
00:30:07A lot of lethargy.
00:30:11I'm happy with everything.
00:30:13But this is the bed when it moves.
00:30:17But what do I do when it moves and sends me out of the room?
00:30:22What am I supposed to do?
00:30:26I'm calm, I have to stay.
00:30:28It's not like I'm in a hurry.
00:30:30And not even for a second.
00:30:32I'm almost spitting.
00:30:38Salvatore.
00:30:40Raffaele.
00:30:41What is it?
00:30:43Nothing.
00:30:44Did you lose your mind in the dark?
00:30:46Of course, inside this huge castle.
00:30:48What are you doing, sleeping?
00:30:49What am I supposed to do, dance?
00:30:51Wouldn't it be bad if you made this bed dance a little more?
00:30:55Salvatore, once and for all, everyone takes care of their mattresses.
00:30:58Yes, exactly.
00:30:59Exactly a shit.
00:31:01What are you saying, Raffaele?
00:31:02No, none of this concerns you.
00:31:04When it concerns me, you tell me.
00:31:06Good night.
00:31:07Good night.
00:31:10What do you want me to tell you?
00:31:11Insomnia, sometimes, is like a disease
00:31:14that can occur in old age and youth.
00:31:16Man is born and consumes his life,
00:31:18going from one type of disease to another.
00:31:20Keep it in mind.
00:31:22Do you understand?
00:31:23In your case, it's insomnia from old age.
00:31:27What can I tell you?
00:31:28A friend like me is in less of a pause.
00:31:30No, doctor.
00:31:31No, I'm sorry, we're not really there.
00:31:33And since I came back, it seems to me that I have to relive.
00:31:37It will be the air of the village,
00:31:40but I feel a frenzy,
00:31:42an anxiety,
00:31:44an insomnia.
00:31:46I don't know.
00:31:47To do.
00:31:48Here.
00:31:49But to do what?
00:31:52But I came back to pass in peace
00:31:54these last years that I have left,
00:31:56to rest.
00:31:57Do you understand?
00:31:58This smell, eh?
00:32:00Do you know how the peasants do
00:32:02to dig from the walls where they collect the year?
00:32:04They leave them dry for all of May and June.
00:32:07Then suddenly,
00:32:09water,
00:32:10water at will.
00:32:11And then,
00:32:12the awakening.
00:32:14The frogs are irritated.
00:32:16The leaves open up and you seem to hear the noise.
00:32:19And then when the cicada begins to flower,
00:32:21the scent commands everything.
00:32:24And who is this that you hear?
00:32:26And who is this woman?
00:32:28Here.
00:32:29Take two compresses of these
00:32:31before you go to bed.
00:32:33They will make me sleep.
00:32:34And if they don't make me sleep,
00:32:36wash this will away.
00:32:38What will?
00:32:39To fuck, Don Salvatore.
00:32:42They say that to die is better than to suffer.
00:32:44But to fuck is better than to die, isn't it?
00:32:48The menopause.
00:32:51You will have the menopause, dear doctor.
00:33:00Here we need a sleeper for the shit.
00:33:07Cold showers are needed.
00:33:09I feel like I'm 18 years old.
00:33:12And maybe you're in the age of development.
00:33:19Raffaello, you destroy me.
00:33:21I'll give you the practice.
00:33:23I'll give you the practice.
00:33:26San Raffaele did the miracle.
00:33:28So, Mariuccia,
00:33:30where are you, beautiful?
00:33:32The practice.
00:33:34Very good.
00:33:49Is that you, uncle?
00:33:51You couldn't sleep in this heat, could you?
00:34:00Do you want some fresh air?
00:34:05You can breathe here.
00:34:11Beautiful.
00:34:13What are you doing?
00:34:15Please.
00:34:17I have to go.
00:34:19Just a moment.
00:34:21But in my bed.
00:34:23Your bed, my bed, it's always a bed.
00:34:26What are you telling me?
00:34:28I have to tell you a lot of things.
00:34:30But you have to talk to me in bed.
00:34:32Sit down, I have to talk to you.
00:34:34I have to talk to you.
00:34:36I brought you the vest,
00:34:38but you didn't wear it.
00:34:40I brought you the socks,
00:34:42but you didn't wear them.
00:34:44And the underwear,
00:34:46you didn't wear them either.
00:34:48Let me feel better.
00:34:50I'll wear them.
00:34:52Don't worry.
00:34:54Don't touch me.
00:34:56Don't touch me, or I'll feel bad.
00:34:58What are you doing?
00:35:00Why are you still sleeping?
00:35:02The sun is beautiful.
00:35:04Here, have some coffee.
00:35:06You have golden hands.
00:35:08You did a good job.
00:35:10Mariuccia, golden hands.
00:35:12How do you know?
00:35:14Good morning, uncle.
00:35:16Did you sleep well?
00:35:18I wanted to thank you for the gifts
00:35:20you brought us from America.
00:35:22It's pure silk.
00:35:24It's a lady's shirt.
00:35:26A real husband's shirt.
00:35:28She let us work at the post office
00:35:30to make it for you.
00:35:32The post office?
00:35:34What's going on here?
00:35:366.19.
00:35:38Sconzo, Scopa and Settebello.
00:35:40All the fortunes.
00:35:42Settebello, a lady's shirt
00:35:44made by the Sconzo's daughter.
00:35:46The girl has golden hands.
00:35:48The girl has golden hands.
00:35:50Leave it.
00:35:52It's lucky that Mariuccia
00:35:54had all these virtues.
00:35:56Scopa, 10.
00:35:58Scopa, another Scopa.
00:36:02What are you doing?
00:36:04I'm working.
00:36:06I do what I can.
00:36:08If you were the uncle of America
00:36:10you'd have a lot of money.
00:36:12The uncle of America?
00:36:14What does that have to do with anything?
00:36:16It's a way of saying
00:36:18that the uncle came from America.
00:36:20It's a coincidence.
00:36:22It has nothing to do with anything.
00:36:24Scopa, Scopa, Scopa.
00:36:26You're so lucky.
00:36:28I'm lucky?
00:36:30You never go with women.
00:36:32What do you know?
00:36:34You started by asking me for Havana.
00:36:36Now the mail.
00:36:38It's like you're under a spell
00:36:40if you don't understand these things.
00:36:44A little perfume
00:36:46to get rid of the cigarette smell.
00:36:50It's lucky that Columbus
00:36:52comes to see me at night.
00:36:54If not,
00:36:56I'd have to buy this ticket.
00:37:02Can you bet it's coming?
00:37:08What can I do
00:37:10if you're doing something impotent?
00:37:12And you too.
00:37:14You could find an excuse.
00:37:16Maybe you want to drink.
00:37:18To pee.
00:37:22Snoring.
00:37:46Maria Santissima!
00:37:48What is it?
00:37:50What are you doing?
00:37:52I like to sleep on the floor.
00:37:54Do you need anything?
00:37:56No.
00:37:58Are you well?
00:38:00Like a Pope.
00:38:02All right.
00:38:06Sacramento di ciudadano.
00:38:12A saint.
00:38:14You're a second father for my daughter.
00:38:16I am.
00:38:18I'm happy to help that flower.
00:38:20It smells.
00:38:22We can go this morning.
00:38:24Wake her up.
00:38:26I can't leave her here.
00:38:28I have to finish the can.
00:38:30I'm alone.
00:38:32What are you doing?
00:38:34I know this smell.
00:38:36A girl can come out with her uncle's blood.
00:38:40Mariuccia!
00:38:42Mariuccia, wake up!
00:38:44I'm alone.
00:38:46I'll take you for a walk.
00:38:50How did my perfume end up in the coffee?
00:39:04What if she moved?
00:39:06What's with the long face?
00:39:08I'm so happy.
00:39:16Can they see us?
00:39:20Can they see us?
00:39:26Do you want to move your feet?
00:39:28Calm down.
00:39:30I'm in a hurry.
00:39:32You're rude.
00:39:34Be quiet, please.
00:39:36She wants to wash her feet.
00:39:38Don't you see she's washing her feet?
00:39:40Let's go.
00:39:42How long will it take?
00:39:44I don't know.
00:40:14Let's go.
00:40:44To your health.
00:40:48Cheers.
00:40:52Cheers.
00:40:54Ice cream?
00:40:58Nice.
00:41:00Better than in America.
00:41:02It's delicious.
00:41:04With the price it would be even worse.
00:41:08You like it?
00:41:10Please, uncle.
00:41:12Don't look at me like that, with what we've paid for.
00:41:17You do your duty and don't argue.
00:41:19In America, these things don't happen.
00:41:21And I'll never travel with this line again.
00:41:24Wait, wait.
00:41:26There would be no other way.
00:41:29Stop, stop!
00:41:33And he didn't turn it off.
00:41:35Please.
00:41:38And where do you want to try it?
00:41:39If we have more sardines in the box.
00:42:02One, two, three.
00:42:04It's there.
00:42:05How is it there?
00:42:14Jesus, Joseph, Saint Anna and Mary.
00:42:18How wonderful, how wonderful.
00:42:21How elegant, how rich.
00:42:24You shouldn't have absorbed me.
00:42:25With a pogemon I turned it off.
00:42:27What a chic thing.
00:42:29But what are these for?
00:42:30To wash.
00:42:31And my size is right, it's perfect.
00:42:32We're dirty.
00:42:33You're an angel, uncle.
00:42:35But there are four things.
00:42:37What do you want them to cost?
00:42:38Well, I would need four things too.
00:42:40Go on.
00:42:51I'm sorry if I woke you up.
00:42:53I wanted to thank you again.
00:42:56Oh, no.
00:42:58No, please, no.
00:43:00Just a moment.
00:43:02Just a moment, but don't do it like last time.
00:43:05Let's do it differently now.
00:43:07No, but you made me do a mortal sin.
00:43:10What mortal sin?
00:43:12Let's imagine, this is a toy.
00:43:16It was better if we didn't wake you up.
00:43:18Give me a kiss.
00:43:19A kiss, a kiss and you'll feel better.
00:43:23So I'll feel worse.
00:43:31How is it possible that we can't talk to each other?
00:43:34It's okay.
00:43:35I'll eat you.
00:43:37No, please.
00:43:39Let me take a step.
00:43:41No, I'm sorry.
00:43:43I shouldn't make you feel sorry.
00:43:46No, good boy.
00:43:48And now you make me kneel.
00:43:51Leave me alone.
00:43:53No, no, no.
00:43:54Everything will be fine.
00:43:58Quiet.
00:44:00Let's not talk.
00:44:02Let's not talk.
00:44:04Uncle.
00:44:08Uncle.
00:44:13What are you doing? Go to sleep.
00:44:15Go to sleep.
00:44:45A bottle of vodka and a glass of wine.
00:44:47I'll kill you all.
00:44:50They seem a little small.
00:44:52No sir, they're like the ones on the floor below.
00:44:54Are you sure?
00:44:55Of course.
00:44:56I'm not wrong.
00:44:57I walk with a double decimeter in my hand.
00:44:59Do you think I measure my eyes?
00:45:00Do you think I work to fuck customers?
00:45:02Like a whore.
00:45:03What are you saying?
00:45:04No, I meant that if the wood is not well aged,
00:45:06then they carry it on paper.
00:45:08I don't know if the speech is clear.
00:45:09It's very clear.
00:45:11It's clearer than that.
00:45:16Come on, kids.
00:45:17Get to work.
00:45:18Come on.
00:45:19With every minute that passes,
00:45:20it's my money that goes away.
00:45:22Come on.
00:45:23What are we waiting for?
00:45:24The wood in the mouth.
00:45:25Get to work.
00:45:26Come on.
00:45:27Let's work.
00:45:28What do we have to do?
00:45:29A girl from a family.
00:45:30A serious girl.
00:45:31She's good.
00:45:32Honest.
00:45:34She doesn't have to do certain things.
00:45:36They ate you with their eyes.
00:45:37They ate you.
00:45:38You made the egg.
00:45:40You showed us the thighs.
00:45:43Uncle, what can I do
00:45:44if they look at me?
00:45:45Get down, get down, get down.
00:45:46Don't fall,
00:45:47or you'll hurt yourself.
00:45:50A drink.
00:45:52A drink.
00:45:55Six and seven.
00:45:56Fuck you.
00:45:58That's all that's missing.
00:45:59And I can't do it.
00:46:00But how do I do it?
00:46:05I tried everything.
00:46:07We did all the games.
00:46:09But nothing practical.
00:46:13A president should have
00:46:14his ass on his head,
00:46:15not mine.
00:46:16And then they say
00:46:17that the world economy
00:46:18is going to explode.
00:46:19It's stronger.
00:46:21But I'm not giving up.
00:46:22It must be mine.
00:46:25What is this?
00:46:27What is this?
00:46:28The way you throw cigars?
00:46:30All...
00:46:31All shabby.
00:46:33Crazy things.
00:46:37Why didn't you come tonight?
00:46:42Come on.
00:46:43You first.
00:46:45No, first the ladies.
00:46:46It's a waste of time.
00:46:49What does it mean?
00:46:51You told me
00:46:52not to show my legs.
00:46:57The others are a show, though.
00:47:02Let's go.
00:47:07Let's go.
00:47:12Let's go.
00:47:17Let's go.
00:47:22Let's go.
00:47:27Let's go.
00:47:32Let's go.
00:47:37Let's go.
00:47:42Let's go.
00:47:47Let's go.
00:47:52Let's go.
00:47:57Let's go.
00:48:02Let's go.
00:48:07Let's go.
00:48:12Let's go.
00:48:17Let's go.
00:48:22Let's go.
00:48:27Let's go.
00:48:32Let's go.
00:48:37Let's go.
00:48:42Let's go.
00:48:47Let's go.
00:48:52Let's go.
00:48:57Let's go.
00:49:02Let's go.
00:49:07Let's go.
00:49:12Let's go.
00:49:17Let's go.
00:49:22Let's go.
00:49:27Let's go.
00:49:32Let's go.
00:49:37Let's go.
00:49:42Let's go.
00:49:47Let's go.
00:49:52Let's go.
00:49:57Let's go.
00:50:02Let's go.
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