若草物語―恋する姉妹と恋せぬ私― 第1話 2024年10月06日
Category
🎥
Short filmTranscript
00:00Ah
00:17You know don't get that
00:20Oh
00:50Oh
01:20I'm thinking of going up to 8.
01:22Got it.
01:23Are you ready?
01:25Cake, please.
01:26Aoki, are you okay?
01:27Sorry.
01:28Aoki?
01:29Yes, I'm okay.
01:30Sorry.
01:31Let's go.
01:32Yes.
01:33Let's go.
01:34Test!
01:35Test!
01:36Ready...
01:37Go!
01:39What did you just say?
01:46Please marry me.
01:55Cut!
01:56Cut!
01:57Let's go to the next scene.
02:20Marry me. Lose weight. Lose hair and grow hair.
02:34Does it look like that?
02:36It's interesting, isn't it?
02:37It's not interesting.
02:39Have you ever thought about why you should resist such an ad?
02:43Well, maybe not.
02:46When you live surrounded by such ad, your values are ingrained.
02:54You have to lose weight. You have to lose hair.
02:57But you have to grow hair.
03:00You have to meet the right person.
03:03I see.
03:04What happens when such values are ingrained?
03:07What happens?
03:08You feel inferiority towards yourself.
03:11Gradually, it will accumulate in your heart and bind you to yourself.
03:18That's how a difficult society is created.
03:22You are really born from the mouth, Ryo Machida.
03:29Well, such a twisted place may be suitable for a script.
03:34I wonder if the world will change ten years later.
03:39At that time, my sister was writing a script for Asadora.
03:42A script for Urekko?
03:43The leading role is Eri.
03:58What time are you going home?
04:04Oh, no! It's starting!
04:06Oh, no!
04:07It's starting!
04:08Just put it on. I'll do it later.
04:09Okay.
04:16Let's play a game.
04:19Don't tell me that Miharu is hesitating.
04:21She is a foreigner.
04:23She is serious about Takahiro.
04:27Miharu, you are worried about him.
04:31If you were my sister, which one would you choose?
04:35I would choose marriage.
04:39I can't imagine my life without a job.
04:42I want to have my own family.
04:44I want to be a successful fashion designer.
04:47I want to marry a rich man.
04:49I want to get everything.
04:50I want to be a powerful couple.
04:52Isn't it hard to have both?
04:54It's not harder than having no money.
04:56Ryo is here.
04:58I'm late.
04:59No, you are not.
05:02We made this.
05:03We can use it for the drama.
05:05What do you think?
05:08Can I eat it?
05:09Yes, you can.
05:12What's this?
05:13We used it for the drama.
05:15I got it!
05:16Someone is going to marry in the drama.
05:18Miharu? Kanako?
05:19Just give me a plate.
05:21Okay.
05:28You are bad at acting.
05:30It's a cake for Miharu.
05:32Wait.
05:33It's a spoiler.
05:35I wanted to know.
05:37Okay.
05:40Kanako, that's...
05:46We can share it if you cut it into three pieces.
05:52Let's eat.
05:53Let's eat.
05:58Is she the script writer?
06:00I think so.
06:03I'm going to write a script for a modern society.
06:09What kind of person is she?
06:10I don't know.
06:11She's a female director.
06:12So, I don't know much about script writing.
06:14I think she's a good actress.
06:17A good actress?
06:19Is there such a person?
06:20She's always like that.
06:28I'm worried about what to wear next week.
06:30I bought a blue dress.
06:32It's been a while since we met.
06:33I'm looking forward to it.
06:34A job?
06:35No.
06:36She's a high school classmate.
06:37There's a girl who's getting married next week.
06:39She's so excited.
06:40It's the first wedding of the year.
06:42That's not true.
06:44It's the wedding of the year.
06:47Do you swear to your father's contract?
06:54I swear.
06:55I swore.
06:57How many times?
06:58Four times.
06:59I wish I was the fourth father.
07:01I had money.
07:02I went to an art class.
07:05I got a divorce in six months.
07:09I will never get married.
07:16I will never get married.
07:21I will never get married.
07:42I'm looking forward to Asadora's shooting.
07:44We're shooting at a location on the weekend.
07:47I'm sorry.
07:48I'm sorry.
07:50I'm sorry.
07:51I can't wear my clothes on the set.
07:55Have you read the script?
07:57This is the line.
07:59It's after the waterfall.
08:02I didn't realize.
08:03Don't forget to call the office on the deadline.
08:07Okay?
08:08Okay.
08:09I'm sorry.
08:10Go back to your seat.
08:11If you're so strict about it, I'll quit.
08:14Kitani, do you remember why you quit last year?
08:17You should have been more strict.
08:19Yes, yes. I read the manuscript of the 7th episode that just came in.
08:22I'd like to proceed with the entry work with that, so let me know if you have any problems.
08:26I've already summarized it.
08:28As expected, you read it all.
08:31So, I'd like to make a suggestion.
08:35Do you want to be a director?
08:36What?
08:37When?
08:38From today.
08:39What?
08:40Director Shiozuka is so busy that he can't shoot the 7th episode.
08:43I'll talk to the writer, Kurosaki-san.
08:45At this rate, the shooting will be stopped, so only the 7th episode.
08:48Are you going to be a director while shooting?
08:51Ryo knows about the work.
08:54A director is someone who takes this kind of chance.
08:59You'll do it, right?
09:00I mean, you're an office worker, so you have to do it.
09:04I understand. I'll do it.
09:06All right.
09:07Then, when Kurosaki-san comes later, let me introduce him.
09:09Yes.
09:10The second meeting room at 1 o'clock.
09:13Oh, Kurosaki-san,
09:15be careful of what you say.
09:19You always say a lot of things.
09:22I understand.
09:24Yes.
09:44Kurosaki-san.
09:45Yes.
09:46I'll be there.
09:47Yes.
09:48Yes.
09:49Yes.
09:50Yes.
09:51Yes.
09:52Yes.
09:53Yes.
09:54Yes.
09:55Yes.
09:56Yes.
09:57Yes.
09:58Yes.
09:59Yes.
10:00Yes.
10:01Yes.
10:02Yes.
10:03Yes.
10:04Yes.
10:05Yes.
10:06Yes.
10:07Yes.
10:08Yes.
10:09Yes.
10:10Yes.
10:11Yes.
10:12Yes.
10:19I want you to have a good eye for things like that, okay?
10:22Yes, ma'am.
10:23If you stick to the rules 100, you'll get a lot of money.
10:26Even if I have a good eye, I can't stick to it without money.
10:29You have to increase your part-time job.
10:31I don't think so.
10:33But you have money, right?
10:37I got this.
10:41Is it real?
10:42It's real.
10:45I'm sorry I'm late.
10:46I'm sorry.
10:49Hey, look at that.
10:51That bag is expensive, too.
10:53Is he rich?
10:55He has a bad feeling.
10:57He won't come even if I invite him to a drinking party.
10:59By the way, it's 7 o'clock now.
11:027 o'clock?
11:04Is he like a son with a box?
11:06But he has a good taste.
11:08I don't have a day off, no overtime, and I don't have at least 250,000 yen.
11:19If this is a job that meets all the conditions, I don't have a full-time job right now.
11:25Huh?
11:27So you want me to get a job that's irregular and unstable again?
11:32In the first place, I was hired because I was irregular.
11:37You want me to do the same thing over and over again?
11:39Then I'll give you priority to a full-time job.
11:43I don't want to do it anymore.
11:46I'm trying to get a job.
11:50I don't know how you guys feel about us.
11:56Don't make fun of me.
11:58Is something wrong?
12:02Nothing's wrong.
12:04I don't know what's going on.
12:11Are you all right?
12:13I'm sorry.
12:15It's not fair for us to have a job that's irregular.
12:20Just because you're working at Hello Work,
12:23we're going to be treated like civil servants for the rest of our lives.
12:29It's because of this position that I'm suffering.
12:32I can't change it so coldly.
12:34Mr. Machida is kind.
12:37He's always involved with strange people.
12:40Oh, Seiko and the others were using it.
12:43It's over.
12:44I'm sorry.
12:45Thank you for your hard work.
12:47Thank you for your hard work.
12:48Thank you for your hard work.
12:50Recently, women have more guts than men and continue for a long time.
12:55I'm in my fifth year and I'm still young.
12:58It's good for a girl to be energetic.
13:01After all, men are not as good as women in essence.
13:06This work needs a woman's point of view.
13:10If you have anything, please tell me.
13:12I'm very welcome to that.
13:14Then what is a woman's point of view?
13:17Oh, that's right.
13:18I used to write my own script.
13:21It's pretty good.
13:24I don't write anymore.
13:27What kind of work do you want to do?
13:29What kind of work do I want to do?
13:32I want to do something that I don't want to do.
13:36For example?
13:38The story of a woman who fell off a cliff.
13:43Why is that?
13:45It is said that life is 100 years.
13:48If a woman falls off a cliff in her 30s,
13:50she will be in the sea for the rest of her 70 years.
13:54I don't want to do something that I don't know if I'm supporting a woman or making her miserable.
14:01I remember writing a similar work.
14:04I'm in trouble.
14:05I'm sorry.
14:07It's good to be energetic.
14:09If you're a director, you have to be that energetic.
14:12But you need to change your point of view.
14:16This kind of drama is popular in the world.
14:19Do you know why?
14:21I don't know.
14:22I'll give you a hint.
14:24Yes.
14:25Cinderella.
14:28Yes.
14:29No, Cinderella.
14:31Oh, Cinderella.
14:34I don't know why.
14:36Feminism is popular these days.
14:39If you keep that in mind, you'll be able to follow the trend to some extent.
14:43However, women have a desire to be a princess.
14:49Even if you sing a song of independence on the surface,
14:52you can't forget to fulfill that hidden desire.
14:57A rich man sees a poor woman.
15:00There is still one element of this pattern.
15:05You're right.
15:07In the end, it's still acceptable to hide a classic woman like Cinderella.
15:14Cinderella.
15:17Does it make sense to do Cinderella now?
15:21A poor woman is pulled up by a rich man.
15:24It's a reproduction of a distorted structure.
15:26Women's poverty will not disappear.
15:28You're talking nonsense again.
15:30This is a traditional event of the theater club.
15:33But I'm the one who writes the script.
15:35If you don't like it, you can change it.
15:39I think I can say what Ryo says well.
15:47Ms. Kakitachi, are you closing the store today?
15:50I'm sorry. I'll be right back.
15:51Then let's go to my favorite store.
15:56You too, director.
15:57What? Me too?
16:00Yes.
16:02It's thin. It's transparent.
16:05Don't play with it because you're a genius.
16:10Well, it's more expensive than I thought.
16:15I'll calculate the part-time fee.
16:21It's tight.
16:23How much is it?
16:24It's close to 10,000 yen for 3 meters.
16:28I'll pay you that much.
16:30What? Are you sure?
16:34I don't come here with my college friends.
16:37It's interesting.
16:39By the way, what are you going to do this Wednesday?
16:42Wednesday? What was it?
16:44It's the first anniversary.
16:46Are you going somewhere?
16:48Oh, sorry.
16:50I was in the semi-academy.
16:52I see.
16:54Then it can't be helped.
16:59Don't you have to go?
17:00It's okay. I'm a semi-academy student.
17:04Mr. Kurosaki is a little famous in my store.
17:08He's very popular.
17:09Stop it.
17:11Is Mr. Matsuda dating anyone right now?
17:15No, he's not.
17:17It's better not to fall in love or get married.
17:21That's more experience.
17:24I had a lot of experiences when I was your age.
17:28Did you have such an experience?
17:30You're rude.
17:31I'm still active.
17:33But you're married now.
17:36That's right.
17:39Anyway, I've learned a lot from the women I've been dating.
17:46There's a part that you have to fall in love.
17:50Fall in love?
17:51It's a waste if you don't fall in love.
17:55If you're a man who makes things, it's a win-win.
17:58But I'm busy doing this job.
18:01I don't have time for romance.
18:04Don't make excuses for your job.
18:06You're a pain, Mr. Kurosaki.
18:12I'm tired.
18:21I'm tired.
18:27Give me an answer.
18:35I'm going to a wedding.
18:37A wedding is a place to meet.
18:39That's right.
18:40Let's go.
18:52Don't do that.
18:54You have to use your knees.
18:57Look at me.
18:58Let go of your hand.
19:02Megu-no is throwing with her wrist.
19:05OK?
19:06OK.
19:07Then you'll get a better score.
19:14I'll get a good score of 180.
19:19Can I introduce Taiga to my sisters?
19:27I think you should wait a little longer.
19:32I'm fine.
19:34I want to get married someday.
19:37But at this time,
19:40Megu may be fired in the next update.
19:46At the same workplace,
19:48it's inconvenient for a couple to be together.
19:53Megu may be fired.
20:00You want to continue your current job, don't you?
20:03Yes.
20:04But...
20:06Come on.
20:07Throw it.
20:17No.
20:18Use your knees.
20:33Are you enjoying the wedding?
20:36I want to get married.
20:38No, I don't.
20:40I was in an alliance with Ryo.
20:42You were in an alliance.
20:43It's a marriage alliance, isn't it?
20:46Ryo,
20:48don't you write a script anymore?
20:50Ryo always writes for Eri.
20:54I don't want to talk about it.
20:59I thought I was going to cry.
21:01I want to throw up here, too.
21:04Did Ryo get a boyfriend?
21:06No way.
21:07He's never been interested in love.
21:09It's a waste if Ryo doesn't fall in love.
21:12It's a waste.
21:13We'll be 30 years old in three years.
21:16I'm getting impatient.
21:18Now, let's welcome the bride and groom.
21:26It's starting.
21:27Let's go.
21:28Hurry up.
21:30Let's go.
21:31Please count down together.
21:34Three, two, one.
21:37Go ahead.
22:02Ritsu.
22:04Long time no see.
22:07Why?
22:08What?
22:20I didn't know there was someone who could avoid the weapon.
22:22It was a momentary break-up.
22:24Is that so?
22:25Ritsu was there.
22:28It's been a long time since we've been in this combination.
22:30I know.
22:31Did you two date?
22:33No.
22:34It's a perfect match.
22:36Sorry to keep you waiting.
22:38Let's welcome the guests.
22:41It's starting.
22:42Let's go.
22:43See you, Ryo.
22:44See you.
22:48Aren't you going to the show?
22:50I have to go to work soon.
22:56It's been nine years.
23:00Yes.
23:03I'm glad.
23:05I was worried that you would ignore me again.
23:08Are you still in Sapporo?
23:09Yes.
23:10I came back to Tokyo last week.
23:11What do you do?
23:12I work at a newspaper company.
23:13Newspaper company?
23:14No way.
23:15It's a different story.
23:16I'm in the culture department.
23:17I write articles and interview writers.
23:21It's a simple department, but I like it.
23:24You're like Ritsu.
23:26I see.
23:27You're really Ritsu.
23:29What about you?
23:30What do you do?
23:31I make TV dramas.
23:32Are you a writer?
23:33Not at all.
23:34I don't write anymore.
23:35But I'm going to make a director debut.
23:38I'm in the middle of a TV drama.
23:40That's great.
23:41I'm sure I'll see it.
23:47I'm sorry.
23:48I have to go.
23:49Come to my house next time.
23:50Megumi and the others will be happy.
23:52I want to see you.
23:53I have a bad day this week.
23:55I'll call you.
23:56Have you changed your number?
23:57Yes.
23:58See you.
23:59See you.
24:00See you.
24:05See you.
24:30Good morning.
24:35Makoto?
24:38Don't you have to go to school?
24:39It's okay.
24:40I'm a student.
24:48A woman?
25:01It's empty.
25:05What?
25:06I was reading the script.
25:08I thought my life was over.
25:10The people in the drama are dazzling.
25:14I don't have a boyfriend.
25:15I don't have anyone I like.
25:17If I go to this world, I can't be a character anymore.
25:22It doesn't change the reality.
25:27You should go home early.
25:29It's early tomorrow.
25:30Yes.
25:31See you.
25:32See you.
25:34See you.
25:37I'll give you this.
25:40Can I?
25:43See you tomorrow.
25:55Thank you, Mr. Kakitani.
26:01Mr. Kakitani, can I talk to you for a moment?
26:03Oh, you're still here.
26:05I have something to say.
26:07Can I change it?
26:10Well...
26:13Mr. Kurosaki said he wanted you to say it.
26:18I don't know how he feels.
26:22But you should do it this time.
26:26Being a director is a job to make a script work.
26:31This is your first time.
26:33Concentrate on shaping Mr. Kurosaki's world view.
26:38Okay?
26:41Yes.
27:01I am in love with you.
27:21I read it.
27:22How was it?
27:23It was interesting.
27:24Especially, when Cinderella said she didn't want to wear high heels anymore,
27:27and her feet hurt, she got angry with the prince.
27:28I knew it.
27:29Also, it's great that I get to wear sneakers with my sisters at the ball.
27:34I'm so glad.
27:36You have talent, sis. You might be a genius.
28:00Makoto...
28:02She's a woman.
28:04She's got two legs.
28:12When did you get here?
28:14Who's Makoto?
28:19You know who's stronger in love, right?
28:23Oh, you mean who's in the lead?
28:27I thought it was going to be me.
28:33I thought I was going out with him because he was rich.
28:41Are you being honest?
28:43But I was wrong.
28:45He had two legs.
28:48The other woman was crazy.
28:51She knew about me and followed me on social media.
28:54That's scary.
28:55He's to blame for everything.
28:58Why is it like a battle between two women?
29:01I don't like that either.
29:02Why don't you play with me?
29:06What?
29:08Do you want to play?
29:25That's amazing. You're good at it.
29:28I can do it.
29:30Are you still worried about that?
29:32Don't worry too much about it.
29:36I'm sorry.
29:54Ready?
29:55Yes.
29:57I can't believe I'm being fooled by a man at my age.
30:01I'm so stupid.
30:02What are you talking about?
30:04You're still young.
30:06It's a waste if you don't fall in love.
30:09Cheer up.
30:19Is it okay to take a break?
30:22You two can go.
30:24Aoki, wait a minute.
30:26Okay.
30:27I'm sorry.
30:30I got caught in the middle of the shoot.
30:35I understand.
30:36If you're so worried about it, can I change it?
30:39Take the original selfie and say it's a two-shot.
30:42I'll talk to Kurosaki tomorrow.
30:46A reporter from the magazine is here.
30:48Okay.
30:49Ryo, I'm counting on you.
30:51Yes.
30:53We're in the middle of the shoot.
30:55We're in the middle of the shoot.
30:57Please cut to 1.
31:00Mr. Ichikame, please come a little closer.
31:08Director.
31:09I came close.
31:10This is a gift.
31:13Director, I'm going to shoot now.
31:15Is it okay?
31:18Is this in?
31:19Is it okay?
31:25Please play the VTR.
31:27It's on.
31:29Ready.
31:31Action.
31:33What's going on?
31:37Takahiro lied to me?
31:40He's a con artist?
31:42He didn't look like one.
31:45I can't believe I'm being lied to by a man at my age.
31:49I'm an idiot.
31:51Wait a minute. What are you talking about?
31:54Love and marriage aren't everything in life.
31:58It's a waste if you don't enjoy it.
32:04Cut.
32:05Cut.
32:08Director.
32:09Director.
32:11Yes.
32:16Did you change the lines?
32:18Yes.
32:20Did you?
32:21Did you?
32:23I did.
32:24You did?
32:25Yes.
32:26Why?
32:28It's a waste if you don't enjoy it.
32:32I feel uncomfortable.
32:36Uncomfortable?
32:38I'm often asked this question.
32:40It's a waste if you don't enjoy it.
32:43It's a waste if you don't enjoy it.
32:46It's a waste of life.
32:48I feel uncomfortable.
32:50You don't need a script if you can change the lines easily.
32:56But you said you wanted to make a work that fits modern women.
33:01I thought it would be better if love and marriage were women's happiness.
33:06I really...
33:07Are you misunderstanding?
33:09What?
33:10You're talking like a female representative.
33:13How many people think like you?
33:18That's...
33:19TV is for the masses.
33:24A minority like you shouldn't make a work to protect yourself.
33:31I'm in a bad mood. I'm going home.
33:38Director.
33:39How about a check?
33:41Director?
33:48Director?
34:16What time is it?
34:197 o'clock.
34:27Are you going home?
34:29I can stay here until morning.
34:35See you.
34:36See you.
34:48I'm going home.
35:09I'm on my way home.
35:11Do you want to take a bath first?
35:13Do you have a bath bomb?
35:18I got it.
35:20I'm sorry.
35:23I love you, too.
35:32I was surprised.
35:33We were on the same train.
35:35Let's go home.
35:40Someone is there.
35:45Ritsu?
35:46Ritsu?
35:47Why?
35:49I promised Ryo, but I couldn't get in touch with him.
35:52I heard this cake is delicious.
35:54It's delicious.
35:57Ritsu has been in Hokkaido since college.
36:00Do you work there?
36:01Yes.
36:02I work for a newspaper company in Tokyo.
36:04I've been in Sapporo for five years.
36:06I became a resident here.
36:08Why did you go to a university in Hokkaido?
36:11You and Ryo became classmates.
36:14We didn't get along in summer in Tokyo.
36:24What's wrong?
36:26It looks delicious.
36:27I want to eat it.
36:30Where is Eri today?
36:34I haven't heard from Ryo.
36:43I want to eat it.
36:49I want to eat it.
36:58Ryo.
37:03I'm sorry.
37:04It's okay.
37:05I met May and Meg.
37:08I'm sorry for the trouble.
37:10I'm sorry.
37:11It's okay.
37:13It's okay.
37:17I heard about Eri.
37:23She died two years ago.
37:27Yes.
37:31But it's unlikely to happen.
37:35The police said so.
37:37Yes.
37:41I'm sure she's doing well somewhere.
37:46Yes.
37:49Do you have a job?
37:54I don't think I'm suitable for it.
37:58I don't think there's any point in clinging to this industry.
38:02To be honest, I don't know what I'm aiming for after Eri's death.
38:09A job.
38:11That's why you quit writing?
38:13There's no one to sympathize with me anymore.
38:19Oh, this.
38:20I left home after a long time.
38:23I was going to give it to Ryo.
38:26Take a look at it when you get home.
38:28I'll be late.
38:30See you.
38:35Don't let me down this time.
38:37Okay.
38:39See you.
38:40See you.
38:47What did you just say?
38:49Ryo, you're late.
38:51Yes.
38:52That sword is cute.
38:54What?
38:55Will you marry me?
38:57From your boyfriend?
39:00Yes.
39:02Look at that!
39:03The cake we ate the other day is on TV!
39:05You're right!
39:06Did you know about it?
39:08I'm home.
39:09Welcome home!
39:10You're late.
39:11Did you see Ritsu?
39:12She said she was waiting for you at the station.
39:14You should have told me earlier.
39:16She was waiting for me in front of my house.
39:18I'm sorry.
39:19Aren't you going to watch the drama?
39:21Ritsu brought me a cake.
39:23I'll eat it tomorrow.
39:30I'm sorry.
39:46I heard about Kurosaki.
39:49I'm sorry I left my seat at the wrong time.
39:53Let's apologize together tomorrow.
39:55I'll call you when I have time.
40:00Okay.
40:31Good job, Eri!
40:36Cinderella 2.0 has been released!
40:42I was so nervous.
40:43Really?
40:44Yes.
40:45Do you have a message for me?
40:47To Ryo Machida, the screenwriter.
40:51Thanks to you, I was able to play Cinderella.
40:58Your screenplay will be a great ally for those who can't speak up in this world.
41:05I hope you will continue to build your old values and create a lot of interesting works.
41:10No matter what people say, it's my dream for you to be a screenwriter.
41:16I'm a big fan of Ryo Machida.
41:18I'm Eri.
41:20I'm Naso.
41:21Good job!
41:22Ryo, are you listening?
41:28I'm sorry.
41:35I'm so sorry.
41:41I was going to talk to you about the change of lines.
41:48I'm sorry I said it in a strange way.
41:54I'm sorry.
41:58I didn't know what was going on.
42:01So, I cut it out.
42:05You said that love and marriage are not everything in life, right?
42:12I don't know about you, but there are more people in the world who don't fall in love or get married.
42:20So, I'm glad you used the original lines.
42:24Yes, I'll do as the script says.
42:28In the first place, do you know the unmarried rate of women's disability?
42:33It is said that it continues to increase, but in fact, it is less than 20%.
42:37In other words, most women still choose to get married.
42:44Even if love and marriage fall apart, there are only a handful of women who can achieve happiness.
42:50So, I want you to make a drama based on your values.
43:07Do you understand?
43:12Do you understand?
43:15Ryo.
43:19I don't think so.
43:22What?
43:25I think there are a lot of ordinary people.
43:30Even if love and marriage fall apart, there are only a handful of women who can achieve happiness.
43:37Ryo.
43:38Kurosaki is the one who makes it impossible to see such people.
43:44I don't want you to decide the happiness of women with such narrow values.
43:48I told you that a minority like you can't reach the top when you make a drama based on your values.
43:55I don't know how many of you are in the majority, but please stop making fun of me because I'm right.
44:02When did I make fun of you?
44:03You always make fun of me.
44:06You're making fun of me in your heart.
44:07Stop it, Ryo.
44:20Do you understand?
44:22Then I'll write it.
44:23You can write it.
44:25I'll quit my job and become a script writer.
44:30I'll go up to the same stage as Kurosaki and break the old values.
44:39It's not your fault this time.
44:42I'll take responsibility and quit.
44:44See you.
44:52I'm sorry.
44:59I'm sorry.
45:00I'm sorry.
45:01I'm sorry.
45:02I'm sorry.
45:03I'm sorry.
45:04I'm sorry.
45:05I'm sorry.
45:06I'm sorry.
45:07I'm sorry.
45:08I'm sorry.
45:09I'm sorry.
45:10I'm sorry.
45:11I'm sorry.
45:12I'm sorry.
45:13I'm sorry.
45:14I'm sorry.
45:15I'm sorry.
45:16I'm sorry.
45:17I'm sorry.
45:18I'm sorry.
45:19I'm sorry.
45:20I'm sorry.
45:21I'm sorry.
45:22I'm sorry.
45:23I'm sorry.
45:24I'm sorry.
45:25I'm sorry.
45:26I'm sorry.
45:27I'm sorry.