ΔΙΑΦΑΝΗ ΑΓΑΠΗ | ΕΠΣ. 2 HD | DIAFANI AGAPI | EPS. 2 HD
ΔΙΑΦΑΝΗ ΑΓΑΠΗ | ΕΠΣ. 2 HD | DIAFANI AGAPI | EPS. 2 HD
#DiafaniAgapi #alphatv #alpha
#DiafaniAgapi #alphatv #alpha
Category
🎥
Short filmTranscript
00:00[♪ Music plays ♪)]
00:30I said, let's leave this world together
00:40And if the wind breaks his possibilities
00:47And if he gives everything he hides in his soul
00:54There are some who love to the end of their lives
01:02And to the next life from the beginning
01:12And to the next life from the beginning
01:23And to the next life from the beginning
01:53And to the next life from the beginning
02:02And to the next life from the beginning
02:08And to the next life from the beginning
02:33Quietly
02:35I drink it quietly
02:57Mom
02:58Yes
03:00It's okay if she stays with us and we don't leave her alone
03:03But in this phase she doesn't want pressure
03:05What pressure, my love?
03:06It would be good for her to stay with us for a few days
03:08To stay as long as she wants
03:10Anna is not a baby, she is strong
03:12Strong?
03:14If she was strong, she wouldn't have messed with him
03:16No, dad
03:17Have mercy
03:20Okay
03:21Respect for the dead
03:23But I said it from the beginning that it wasn't the right thing to do
03:26Good morning, Anna
03:29What did you say from the beginning?
03:32Leave it
03:33Why?
03:34When you start a conversation, you finish it
03:36Break my head if you want, but I don't want to fight
03:39How much sugar, my love?
03:40No sugar
03:41Did you cut the sugar? You always drink coffee...
03:43No sugar, mom!
03:51Excuse me
03:53Thank you
03:54Did you sleep at all?
03:57What do you want to do today, my girl?
04:00As soon as I lost my husband, I don't want to do anything
04:03Absolutely nothing
04:05I know, my love, but life goes on
04:08You have to try to...
04:10Here!
04:11To get over it?
04:13Should I try to do something that doesn't happen?
04:16Victoria told us that you broke up
04:20I have to go
04:22Because I will be late to open the store
04:25We'll talk later
04:36Did you break up?
04:39We broke up recently
04:42I'm really sorry for what happened
04:44But it was worth it
04:46Enough!
04:48We were in love!
04:50You were in love
04:52If he loved you, he would have been careful
04:54And he wouldn't have risked his stupid life
04:56I've said enough!
04:57Say it now!
04:58Say it!
05:22I'm coming!
05:25Well done!
05:26You should have sent me a message
05:28Sorry, I forgot
05:30I forgive you, but you should give me a certificate of merit
05:36You're kidding
05:37I don't care that you forgot
05:39You're going to fire me
05:41No, no way
05:42Don't turn around
05:44Why?
05:46Don't scare me. Who is he?
05:47A moron who fell on me with his scooter
05:49How did he find me?
05:51He's looking for you
05:52He's mad
05:53I'm going to find my boyfriend
05:55Don't be stupid
05:56I just want to know what he wants
05:58Don't turn around
06:04Where is he?
06:05Look
06:07Really?
06:08Yes
06:09Hurry up, let's go
06:13Hurry up, we're going to be late
06:50I'm sorry for what happened yesterday
06:52But I couldn't make it, you were in the middle of the road
06:54That's not why I'm here
06:56I don't understand
06:57And how did you find me?
06:59Easier than I thought
07:02Wait
07:04I have to go to class, please
07:06I want to tell you something
07:08I'm sorry
07:09I'm sorry
07:10I'm sorry
07:11I'm sorry
07:12I'm sorry
07:13I'm sorry
07:14I'm sorry
07:15I'm sorry
07:16I'm sorry
07:17I'm sorry
07:18I want to tell you something
07:21I'm going to be late
07:22I don't know how to say it without sounding crazy
07:24What do you want from me?
07:26I'm dead
07:29Only you can see me
07:31Go away
07:34Go away, or I'll turn on the lights and lock you in
07:36Come in
07:47Welcome
07:48Did you miss us?
07:49I'm sorry
07:50I hope you've read today
07:53At least one of you should have taken a look at what I asked for
07:57The guy was waiting for me on the street
07:59You're doing it again?
08:00Cut it out
08:01Since you're so eager to talk, tell us about the characters and the characters in the play
08:06Come on, ma'am
08:07She got her diploma yesterday and we got it last night
08:10Come on, Rosa Ikouragio
08:11If you don't remember something, it's your imagination
08:13It's a part of the play
08:18Foti, don't lie to me with your knowledge
08:22Come on, calm down
08:23You're the first one to talk
08:25Well, in playwrights' works, especially in theatrics and painting,
08:29we encounter characters that are fictional characters
08:36You started it well
08:38Go on
08:43These characters are determined by their actions
08:48but also by the relationship they develop with other characters
08:56Come on, Foti, please
09:01but also by the way other people see them
09:05In order to understand them,
09:08we have to re-examine the motives behind their actions
09:15What's going to happen now with the stopwatch?
09:17Do you believe me?
09:18If you believe me now, they won't see me
09:21Look
09:22Look
09:24Look
09:27In the end, you celebrated it last night
09:30Guys!
09:31Hey!
09:32Here, guys, here!
09:33No one hears me, no one sees me
09:35The only one who sees me and hears me is you, I don't know why
09:38It was the only way to understand
09:41I had no other choice
09:43Fotini
09:44Look at me
09:45Either go down or sit down
09:46Look at me, I want you to do something important for me
09:48Look at me, don't be afraid, please
09:50Fotini, look at me
09:51Girl, don't listen to me
09:52Don't be afraid, please, look at me, Fotini
09:54Who says sit down?
09:55Look at me
09:56Fotini
09:57Look at me
09:58Look at me
09:59Look at me
10:00Don't be afraid
10:04Look at me
10:09Fotini?
10:11Fotini?
10:21When you're in a hurry, you never find what you're looking for
10:24Yes
10:27Ah
10:29Here it is
10:33Should I come with you?
10:35No need
10:40Let's go
10:41Finally
10:51Thank you
10:59I couldn't imagine living in Stefan's room otherwise
11:03Yes
11:22Did you know he had left the house?
11:26No
11:36He told me, but...
11:40He asked me not to tell anyone
11:44I don't know
11:45I don't know
11:47I don't know
11:48I don't know
11:49I don't know
12:19I don't know
12:20I don't know
12:27I thought he would have told you
12:30No
12:31Should we start?
12:33Yes
12:49I didn't do it on purpose.
12:51You really got jealous.
12:53I'm just saying what I told you before was fine.
12:55And I was the only one who saw him.
12:57Let me tell you something.
12:59You exaggerated the joke.
13:01It's not even a joke. It's spooky.
13:03It's becoming paranoid.
13:05I'm suffocating. I'm suffocating. He was talking to me.
13:07And I was the only one who saw him.
13:09I don't know what to tell you.
13:11It might be a game of mind.
13:13That's it. You're just worried about the accident.
13:15Come on, cool. Let's go eat.
13:17Okay.
13:19If he comes near you again, ignore him objectively.
13:21Go and leave him alone.
13:47You should go, too. Get some rest.
14:01But you still had to stay with us for a few days.
14:07We should get used to it. At least the house.
14:11I'll do it myself.
14:13Come on, girl.
14:15I'm begging you.
14:35Don't fight again.
14:47Anna.
14:49We're just trying to take care of you.
14:51And...
14:55It's an opportunity to talk about the papers.
14:57What papers?
14:59The bank accounts.
15:01The ownership titles.
15:03What did you do with your divorce?
15:05Did you want to cancel it?
15:23I don't care who's in there.
15:24Please.
15:25I don't care who's in there.
15:27Why did you let him go?
15:29We've been looking for him for months.
15:31Please.
15:33The police officer Leontis.
15:35Yes, I've heard of him.
15:37I found out about him five minutes ago.
15:39Of course I know.
15:41I signed it.
15:43That's what we do at the police station.
15:45You let a murderer go.
15:49If you don't prove it, I'll lock him up again.
16:01So she's a career woman.
16:04A woman who loves her job.
16:06The same goes for you, as they say.
16:08Don't get us mixed up. I'm a cop.
16:10We both serve the law.
16:13Or maybe not.
16:14With what I've learned about you.
16:15Officially, I mean.
16:17Officially, they're interested.
16:20We don't do drugs.
16:22Neither do I. I don't care.
16:25My difference is obvious.
16:27You can tell by my shoes.
16:30Your shoes?
16:31Yes.
16:32My shoes are dirty. They're old.
16:34They're worn out.
16:35They're used to running.
16:37Your shoes are only good for the office.
16:42If I take them off, I know how to run.
16:45Very fast, actually.
16:49Ms. Karali?
16:50Yes?
16:51A package has arrived for your son from Central Piraeus.
17:36Oh, my God.
17:38I'm throwing these away. They're old.
17:41No.
17:42I told you not to do anything.
17:45I'm sorry.
17:51Hello, Spyros. Come in.
17:53Good morning, Arma.
17:56My parents.
17:57Police officer Avgeris, Stefanos' brother.
18:02Do they bother you?
18:03No, they're leaving.
18:13Hello.
18:14We'll talk later, okay?
18:23I don't like to bother them, but sometimes I can't stand them.
18:26They're your parents. We want the best for you.
18:29You should be with us. We don't want to upset our children.
18:34I'm sorry for the mess.
18:36Don't worry about it.
18:39Do you want coffee? I'll make it.
18:41Yes, thank you.
18:43Sit down.
18:54Straight ahead.
18:56Look across.
18:57Across, I said.
18:59Straight ahead.
19:00Straight ahead.
19:12If you keep going like this, I won't see you at the police station.
19:16Kotini.
19:17Latsouris.
19:18Do you want me to throw you an umbrella?
19:20If you're tired, take a break.
19:31George, have you seen Maxim?
19:34He was just here.
19:37He must have left.
19:40Thanks.
20:00You're welcome.
20:05At times like this, we can only turn to God for comfort.
20:15Anna.
20:17I know you don't want to deal with certain things, but they have to be done.
20:22The ceremony, the notice.
20:25Do you want me to take care of them?
20:27What's the point?
20:30God said none of this would happen.
20:33Not now.
20:35There must be a reason for what's happening in our lives.
20:39Even if we don't know it.
20:41But I know it very well.
20:44Stefanos always felt strong, that's why he died.
20:47Don't say that.
20:50From where he is now...
20:51Where is he?
20:53Where is he?
20:55In God's arms?
20:57The only thing he knows is that I'm here.
21:01I'm here.
21:04Alone.
21:08And Stefanos...
21:10Stefanos is missing.
21:16I'm sorry.
21:19Thank you for wanting to help.
21:22Let's do what we have to do.
21:26Anna.
21:31I found it in the hotel room.
21:37I thought you might want to have it.
22:00I'm sorry.
22:30I'm sorry.
22:40To a great policeman.
22:44To a great friend.
22:46To Stefanos.
22:49To Leontas.
22:50Leontis.
22:52To Stefanos.
23:00Another round?
23:01Enough for me.
23:02Guys, don't overdo it.
23:04Tomorrow our mind must be clearer than ever.
23:08We owe it to Stefanos.
23:11Chronopoulos, are you coming?
23:12Yes, of course.
23:17Good night.
23:18Good night.
23:19Good night.
23:23To Leontas.
23:30To Stefanos.
23:35Are you eating or playing?
23:38Sorry, I was thinking something.
23:40What happened?
23:41You didn't speak at school?
23:46How do you know?
23:47At your age, you worry about the boys or the school?
23:52I knew I was going to school, I just didn't feel well.
23:56What did you have?
23:57I don't know.
23:58I had a nightmare.
24:00A nightmare?
24:01Did you have a nightmare?
24:04No.
24:05I know that you are a responsible girl and that I can trust you.
24:08But sometimes you even have precautions.
24:10Shut up. I'm not a virgin.
24:23Fotini, what happened?
24:28He hasn't made a single statement so far.
24:31And now let's move on to the international news
24:33and the following report on how the Middle East can be changed
24:37by Israel's aggressive invasion of Lebanon.
24:40Phone ringing.
24:56Don't do this, baby.
24:59Don't do this.
25:00Stay away from everyone around you.
25:03You need them. Please.
25:10Phone ringing.
25:30I'm going to miss you.
25:35Just like I'm going to miss the team.
25:38How many cases have we solved in less than four hours?
25:42In less than four hours?
25:45Because we owe it to him.
25:47And to the special way he saw things.
25:52How many times have I thought,
25:54well, he's being serious now.
25:56And he wasn't just talking.
25:58But he also gave the solution that no one had thought of.
26:01Yes.
26:03Like back then with cocaine in the lighters.
26:05Do you remember?
26:06Oh, yes.
26:07When he made a mess in the shop.
26:11Like when Nikolaos was killed.
26:14Do you remember?
26:17What does that have to do with anything?
26:19Nikolaos was killed because he went into the bank without a warrant.
26:23No, no, no.
26:24Nikolaos was killed because he followed the lioness
26:27who wanted him to play the commando.
26:29Cut it out, Harry.
26:30And now we have a woman and two orphans.
26:33I would like to make an appeal, if you don't mind.
26:39To the lioness.
26:41The lioness.
26:43A great policeman.
26:45A great man.
26:48A great salesman.
26:49And a great womanizer.
26:51Shut up, you're distracting him.
26:53Because, I say, we're all thinking the same thing.
26:55Almost all of us.
26:56I'm sorry.
26:57Are you jealous?
26:58You were always jealous.
26:59Of course.
27:00How can I not be jealous of a man who got killed while on duty
27:03so that we can sit here and praise him?
27:06You're a great officer.
27:07Yes.
27:14You're a good man.
27:15What do you want?
27:16What do I want?
27:17What do you want?
27:18Is this how you defend your friend, you little woman?
27:20What do you want?
27:21Is this how you defend your friend?
27:22What do you want?
27:23By throwing kicks?
27:24Hit me, you bastard.
27:25What do you want?
27:26Hit me, you bastard.
27:27Hit me.
27:28Hit me.
27:29Hit me.
27:30What do you want?
27:31Why are you here?
27:32Why did you come here?
27:33To throw your ass at a dead colleague?
27:36Go away, Spyro.
27:37Get out of here.
27:38Take him.
27:42Go away.
27:48Thank you for going between us.
27:51You didn't have to.
27:52I did it for Spyro.
27:54He has a family and he doesn't deserve to get involved with a jerk like you.
27:58Come on.
28:28Come on.
28:34Good evening.
28:35The dinner table?
28:37Yes, thank you.
28:38Come on.
28:54Is everything okay?
28:57Is your husband waiting for you?
28:59No.
29:00I'm alone.
29:08When I'm like this, I'm very serious.
29:14I want you to look at me through this sphere.
29:21But you're upside down and distorted.
29:24I want to reveal my stupidity.
29:29I adored her.
29:31She changed my life.
29:33You know that.
29:35And you are mine.
29:55I'm sorry.
29:56I couldn't help it.
30:24I'm sorry.
30:55Yes?
31:00Is everything okay?
31:01No.
31:02Yes.
31:03I'm sorry, aunt.
31:04I'm a little busy with the material.
31:06But who isn't?
31:08Good night.
31:09Good night.
31:24Good night.
31:43I'm dead.
31:46You're the only one who can see me.
31:55No.
32:04You can't stay here.
32:05No.
32:07You can't stay at home.
32:08You're in danger.
32:10What's going to happen here?
32:13Nothing.
32:14Nothing.
32:15Think.
32:20Light.
32:24There's a wall.
32:25Here it is.
32:26This room.
32:27This is where it's going to be, Anna.
32:28That's what I mean.
32:30It's here.
32:33It's pointing at you.
32:34You're opposite.
32:36There's something here.
32:37There's something here.
32:41Come on.
32:42Christmas tree.
32:43Tree.
32:44Anna.
32:45Anna.
32:46Tree.
32:47It's going to be Christmas.
32:48Anna.
32:49Christmas.
32:50It's going to be Christmas.
32:51In two months.
32:53Two months.
32:54There's no time.
32:55No.
32:56Two months.
32:57Think.
32:58Think.
32:59Think.
33:00Damn it.
33:01Look at it.
33:02Look at it.
33:03Look.
33:04Look.
33:05Ghandi.
33:06Ghandi.
33:07Black Ghandi.
33:08Ghandi.
33:09He's a professional.
33:10He's a professional.
33:22ten hours ago
33:31Spiro.
33:33Good morning, Father Tsimmewon.
33:36Why are you waiting for me?
33:38Father Tsimmewon,
33:40I did something that
33:44I'm ashamed to say.
33:46Something
33:48very serious.
33:50Do you need to confess?
33:52Yes, I really need to.
33:56Come.
34:10It was a bad strategy.
34:13He always succeeded.
34:16I remind you that Stefanos was one of my best men.
34:19Yes, I agree.
34:21But it's not enough. He proved otherwise.
34:23Leontis was positive and very sure of himself.
34:25That the right procedures exist to prevent these tragedies.
34:28Right. He asked for your permission and you denied it.
34:31I had my reasons, but you probably don't care to understand it.
34:34I don't care?
34:36I remind you that Stefanos was like a son to me.
34:39And secondly, I don't allow you to judge how I manage my team.
34:43Of course I will judge you.
34:46You have the responsibility for what happened.
34:48Me?
34:55Yes.
34:57Antonis, I need you. I have to do something.
35:02I'm coming.
35:05I'm coming.
35:16You are a burden.
35:18Don't worry.
35:26Pavlidis was bad because Leontis was always better than him.
35:30You are a characterless man.
35:32Did he tell you that his wife is pregnant?
35:34No, why?
35:36He left the service earlier.
35:38He was going to build a balcony for her, a door, a window, something like that.
35:42And?
35:44He goes into the house and what does he find?
35:46No. His wife with someone else?
35:49His ex-wife now.
35:51I feel sorry for him.
35:53He can't stand him anymore.
35:55Go away.
35:57Yes.
35:59A little quieter, so that no one can hear us.
36:04Is it ok?
36:06The table is empty.
36:08Stella, one minute.
36:17About what happened last night...
36:19We don't have anything to add.
36:21Unless you have something else to say.
36:23I'm sorry for the way I behaved, but I wouldn't change a word I said to you.
36:29Everyone thinks I was jealous of him, but they are wrong.
36:33He gave it to me.
36:35He gave it to me because he took advantage of the other person's job and all the advantages he had.
36:41Yes, he had leadership, but he participated in the action.
36:44He was the first to fall into the fire.
36:47Not from Rangousis, who shares his advantages and thinks he is his own.
36:51How did you feel?
36:53Have you ever heard him say nice words to someone?
36:56A thank you? A friendly slap on the back?
37:00Nothing.
37:02Absolutely nothing.
37:21I'm sorry.
37:51I'm sorry.
38:21I'm sorry.
38:29Are you coming?
38:31Yes, I'm coming.
38:46Hi.
38:48What's wrong? Why are you so sad?
38:52I don't know.
38:54I haven't been well lately and I don't think my car broke down.
39:18I'm sorry.
39:49I'm sorry.
39:51Did I scare you?
39:53A little.
39:55Usually no one is here.
39:57That's why I come and go.
39:59What about the psychologist?
40:01I think it's a false myth. Are you looking for her?
40:04No.
40:07Is there a problem?
40:09No.
40:10Then why did you come?
40:12To make sure it doesn't exist. Bye.
40:14Bye.
40:18Bye.
40:48Bye.
41:10I would rather be alone.
41:13Of course.
41:18I'm not alone.
41:48I'm sorry.
42:18I'm sorry.
42:48I'm sorry.
43:09Ana?
43:15Are you okay?
43:17I'm fine.
43:19I'll take you outside.
43:21I'm coming.
43:47Ana?
44:17Ana?
44:35Sit down.
44:37Sit down.
44:47Congratulations.
44:49Your partner was killed and you are fighting like kids in Havana.
44:54Especially now that we should all be united.
44:57What do you say?
45:00Can we forget about it? Like it never happened?
45:04Welcome.
45:08I need to talk to Ana.
45:10I need to tell her how we plan to proceed with the case.
45:13But first, we need to get Stefanos' things together.
45:16And I want you two to do it. Now. Immediately.
45:19Why not Stella?
45:21That's what I'm saying.
45:25I'm not done.
45:29I didn't see you shaking hands.
45:31Chief.
45:33Did we get it?
45:35I don't think so.
45:43You can go.
45:51So...
45:55If we don't waste time, let's split the work.
45:58I agree.
46:00You get Leontis' things together and I'm going for a beer.
46:03What?
46:05Come on, Geri.
46:07Come on.
46:09You don't know anything about humor.
46:11What do you know about humor?
46:31Oh...
46:36Fotini?
46:40Fotini?
46:50Fotini, I know you can hear me.
47:01Calm down.
47:04Don't be afraid. I won't hurt you.
47:06I don't want to hurt you. Calm down.
47:08I'll explain it to you.
47:10I've told you that you're the only one who sees me.
47:13Why?
47:15I don't know.
47:17But it's very important to me.
47:19Well done. Shout.
47:21Tell everyone you see ghosts and they'll inject you with psychotropic drugs.
47:24I didn't come here to lose anything.
47:26So listen to me carefully.
47:28From tomorrow on, I'll be your shadow.
47:30At the grocery store, at school, at the pool, everywhere.
47:33I want a favor from you.
47:35You'll do something small for me.
47:37And you'll disappear from your life.
47:42Did you get it?
47:44Yes.
47:48His cell phone.
47:50Cell phone.
47:53His car keys.
47:59No, I can't.
48:01My stomach is tight.
48:03Coffee break?
48:07Are you in?
48:09I'm in if you're in.
48:11Okay.
48:28I'm in.
48:35There's only one high-rise open at this time.
48:37Okay.
48:39Tell them I broke your cell phone and that you need to make an urgent call.
48:42Yes.
48:46Why are you stopping?
48:48I want to go home. I'm scared.
48:50Come on.
48:52Do you think it's weird that I'm scared?
48:54Here. Look at him.
48:56He's crazy.
48:58And he's right. I'm talking to him.
49:03Here, here.
49:05Listen, I don't have time for this nonsense.
49:07This is bullshit.
49:09You're not crazy. You know that.
49:11I'm dead and you can see me.
49:13Exactly. You're dead.
49:15Please, let's go make the call now.
49:17Answer me first.
49:20What?
49:22How did you feel?
49:24The moment you died.
49:26It wasn't pleasant.
49:28And then there's this?
49:30What?
49:32Isn't there another world?
49:34This somewhere else?
49:36Where are we going?
49:37I don't know!
49:48I was about to discover it.
49:50But something stopped me.
49:55Did you see your life as a movie?
49:59No.
50:02I saw the future.
50:04I saw my wife, Anna.
50:06Someone threatened her with a gun.
50:08Ready to kill her.
50:11It was Christmas.
50:13I don't have time.
50:15I don't have time.
50:18I have to stop them, please.
50:20Can you make the call?
50:22Now.
50:26Come on.
50:36Here you go.
50:41Tell her it's dangerous. Don't trust anyone.
50:44Tell me the number.
50:462-10-41-56-333.
50:53What's she doing? Is she talking?
50:55No. She's calling.
51:02Please.
51:04Anna Karali?
51:06Who is this?
51:08You don't know me.
51:10But I have an important message for you.
51:12You're in danger.
51:14Don't trust anyone, not even your friends.
51:16What is this?
51:18I don't know.
51:20Don't trust anyone, not even your friends.
51:22What is this?
51:24Who are you?
51:26Why can't I trust anyone?
51:28Hello?
51:30You didn't tell me you had a cell phone.
51:32Hello?
51:34I think I got the signal.
51:36Who are you?
51:38What's going on with the cell phone? Turn it off.
51:40What do you want?
51:42Tell her something will happen to her inside the house.
51:44Please, listen to me.
51:46I have an important message from your husband.
51:50My husband?
51:52What are you talking about?
51:54What does my husband have to do with this?
51:56Hello?
51:58Hello?
52:00He's not talking.
52:02But he didn't turn it off.
52:04Well done. You ruined everything. Thank you.
52:06Why don't you leave me alone?
52:08Where are you?
52:16Where are you?
52:18I don't want to see you again. Go away!
52:38Anna?
52:40Anna, are you okay?
52:44Anna, come in.
52:46Please, come in.
52:50Come in. Open your eyes.
52:52Anna?
52:54It's Nikos.
52:56Anna, it's Nikos.
52:58Anna, it's Nikos. I came to see you.
53:00Well done, my baby.
53:02Get up.
53:04Well done.
53:06Well done, my love.
53:08Come on, get up.
53:10Anna?
53:12Try to get up.
53:14Go to the door.
53:16It's Nikos. Come on.
53:18Well done.
53:20Open your eyes.
53:22Well done.
53:24Anna?
53:28In order to find an innocent person,
53:30you have to ask the right questions.
53:32Everything will be fine.
53:34Why did he do it?
53:52What is he afraid of?
53:56What does he love?
54:04What is he afraid of losing
54:06or winning?
54:16The list of suspects
54:18is not endless.
54:26It's often pointless
54:28to search far away.
54:30Everyone can come and go.
54:32Everyone can have
54:34a dark side.
54:52Even the closest person
54:54can hide something
54:56you can't imagine.
55:02Even the closest person
55:04can hide something
55:06you can't imagine.
55:08Even the closest person
55:10can hide something
55:12you can't imagine.
55:14Even the closest person
55:16can hide something
55:18you can't imagine.
55:20Even the closest person
55:22can hide something
55:24you can't imagine.
55:26Even the closest person
55:28can hide something
55:30you can't imagine.
55:32Even the closest person
55:34can hide something
55:36you can't imagine.
55:38Even the closest person
55:40can hide something
55:42you can't imagine.
55:44Even the closest person
55:46can hide something
55:48you can't imagine.
55:50Even the closest person
55:52can hide something
55:54you can't imagine.
55:56Even the closest person
55:58can hide something
56:00you can't imagine.
56:02Even the closest person
56:04can hide something
56:06you can't imagine.
56:08Even the closest person
56:10can hide something
56:12you can't imagine.
56:14Even the closest person
56:16can hide something
56:18you can't imagine.
56:20Even the closest person
56:22can hide something
56:24you can't imagine.