Sueños de Libertad - Capítulo 170 HD
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00:00But I just want to make him happy.
00:09There is no one as pure and disinterested.
00:11Well, maybe not in his world, but there are things beyond that they do not know.
00:17The Merlins have recovered what one day was from our father.
00:22I don't know what to tell you.
00:24I accept with one condition, that we both contribute a part of the capital and how much
00:29we would be talking about.
00:31A third of the initial investment.
00:33I hope that even if they have already chosen a lucky one, I really value myself for the
00:37next vacation.
00:38Count on it.
00:39Don't tell me you're thinking the same as me.
00:43He doesn't have a girlfriend, he lives with a boy.
00:45Equal to women because he likes men, right?
00:49But what?
00:50But I don't want to leave him without asking you that from now on I want it to be the
00:56most important mission of your life, to watch over the well-being of my beloved daughter,
01:02Maria.
01:03Why is this written here?
01:05Because I wrote that letter.
01:08So both of them will have a hard time, right?
01:11A lot, especially because the ecclesiastical court will also have to listen to our version.
01:16The important thing is that this letter can be your salvation.
01:20I want to help you, son, by giving you the key to your freedom.
02:26Dreams of freedom.
02:44What are you doing here?
02:46You don't imagine it?
02:48I guess Maria told you what our intentions are, right?
02:55Dare to look me in the face at least.
03:03Do you want to ask for marriage nullity when we get madly in love,
03:07no more, no less than nullity?
03:09What do you think you're going to be able to argue in court?
03:12Come on, tell me.
03:13Or are you going to tell me that you didn't marry me absolutely convinced and in love?
03:17That love happened in history.
03:19Right now, all I need is to erase my mind from your step in my life.
03:23Begoña, find out that this will never happen.
03:27We are married in holy marriage and we will be together until the end.
03:31And what do you gain from that, Jesus, if you hate me and despise me?
03:35And I'm in love with someone else.
03:37Do you really want to continue in this relationship just out of pride?
03:39It's not pride, it's the law of God and men.
03:42And my punishment is towards you.
03:43And towards you, Jesus.
03:45Because you know I'm not going to change my mind.
03:47I'm not going to forgive you and I'm not going to get close to you again in life.
03:50What do you want? To fill yourself with anger until you shoot me again?
03:55Do you want to end up ruining your life by killing me?
03:58My life was ruined by the arrival of my brother.
04:00And that my wife, my dear wife, succumbed to his charms.
04:04You started this war.
04:07Your violence had nothing to do with it.
04:09Not even your controlling desire.
04:12Jesus, I loved you.
04:14But you have been ending my dignity.
04:17And that's why you ended mine.
04:21At least admit that you liked my brother from the first moment you saw him.
04:25Admit it!
04:30See?
04:32I tried to hold on to you, Jesus.
04:34To you and the family we were trying to form with Julia.
04:37But the lies started.
04:39And then I found out about Elena and your mistreatment.
04:42Don't look for excuses.
04:43The adulteress and the one who has abandoned the marital home is you.
04:47Our marriage is dead.
04:49It's dead and buried.
04:51The ecclesiastical court will never accept nullity.
04:56If you're so sure, I don't know what you're worried about.
05:01And you're very confident, aren't you?
05:03Why?
05:05What are you going to claim?
05:07I can claim so many things, Jesus.
05:09That you tried to kill me.
05:11That I married a liar because I didn't know your sterility.
05:14I didn't know any of that either, Begoña.
05:16It's very easy to prove that Julia is not your daughter.
05:18How dare you?
05:19You forced me.
05:21So you're looking for a good lawyer.
05:22Because with everything you've done, you can't get away with this.
05:24I haven't done anything that can be proven.
05:29Wait a minute.
05:31Didn't you tell Andres about Clotilde and Valentín?
05:36Tell me you haven't.
05:38Have you?
05:40Answer me!
05:41Answer me!
05:44What does this mean?
05:45This has nothing to do with you, Doctor.
05:47Get out of here!
05:48Leave her alone.
05:50This is my consultation and you don't even work in this factory.
05:53You have no right to be here.
05:56Get out or I'll call the Civil Guard right now.
05:59Get out!
06:05We'll talk later.
06:06We'll talk later.
06:17Are you okay, Begoña?
06:18Did he hurt you?
06:21This can't go on like this.
06:25Either you report him or I will.
06:37Hurry up.
06:38The sooner we leave, the better.
06:41Are you nervous?
06:42A little.
06:43I had to supervise a case that was reversed.
06:45Andres!
06:47Your brother.
06:50Jesús, what do you want?
06:52Where are you going?
06:53I have to go to my cousin's husband's funeral in Guadamur.
06:56You were there when his father gave me permission.
06:59I see.
07:00And you?
07:01Nowhere.
07:02I don't have time for you.
07:03And you?
07:04Nowhere.
07:05I don't have to tell you what I do or don't do.
07:09Isidro, go there. I'm in a hurry.
07:11And call the guys. I need them.
07:13Okay. I'll be late because I have a long journey to the village and then back.
07:17Have a good trip, Isidro.
07:34And those stamps?
07:36Now you collect stamps as a father?
07:38And what are you doing here?
07:40For a walk?
07:41You were the one who influenced Begoña to ask for the marriage annulment, right, you bastard?
07:45Begoña is very free to make her decisions.
07:47And I have nothing to say.
07:49So don't interfere.
07:51Oh, what a romantic act, huh?
07:53Are you going to ask both of them at the same time to marry you together?
07:56Well, you know you're wasting your time.
07:58I don't see it that way.
08:00You won't get anything.
08:01The ecclesiastical court of Toledo is very serious.
08:04And they don't care about the love affairs like yours.
08:07It's possible.
08:08We both have reasons to argue it.
08:10So you have no doubt that we will fight to be free.
08:13And to be together once and for all.
08:15You?
08:16Yes.
08:17And what can you say?
08:18If you begged Maria to marry you when you could prevent it?
08:21You married her consciously, even if you already had a lover.
08:25You can't have everything in this life, little brother.
08:28You've talked to her, haven't you?
08:29Of course.
08:30Your wife always comes to tell me the humiliations to which you submit her.
08:33And a good husband, what a good husband is said, you are not, Andrés.
08:36If you are so outraged, forget us.
08:41I'm going to destroy you.
08:42Go ahead.
08:43Hit me in front of all your workers.
08:46So the bastard who has lost his direction will know.
08:49I swear you won't get away with yours.
08:51Even if it's the last thing I do.
08:54Time will tell.
09:00This week I'm a little tense, Mariano.
09:02I've had some really big fights there in the bathroom.
09:05And if you could trust me, the bottles of wine.
09:10Well, if there's no money.
09:11There are no bottles, friend.
09:13But man, don't do this to me, please.
09:15I'm sorry, Gaspar.
09:19But...
09:21Well...
09:25I'm sorry.
09:26Well...
09:31How is it that there is no wine to dispatch?
09:35Well, you see.
09:36He doesn't want to leave me trusted.
09:38The cheap guy.
09:40But don't you have a reserved money for the suppliers?
09:43Well, yes, but when an unforeseen event arises...
09:47But come on, they're expensive.
09:49I already wanted to send it to Freire and Esparragos.
09:52And sometimes they look bad.
09:54Gaspar, come here for a moment, please.
10:01How unexpected.
10:03Is it because of my salary?
10:04Or because of the advance you gave me to buy me clothes?
10:07No, no, no, that has nothing to do with it.
10:10But let's see, Gaspar.
10:13Did you need someone in the canteen or not?
10:17This morning with the raffle, yes.
10:20But, I mean, no.
10:21Then why did you hire me?
10:24Because you were very desperate, Mateo.
10:26Man, and if a friend can't help another friend, you tell me, right?
10:29But isn't it a cost that you run out of white?
10:31Well, nothing happens, man.
10:33In the end, everything comes out.
10:34God squeezes but does not drown.
10:36Besides, we are not going to allow Claudia to have a bad time in her state.
10:39Man, being how the poor woman is overwhelmed.
10:41But what you can't do is a bread with some cakes.
10:43Just for us.
10:44Well, that's it.
10:45Who can allow you to go to another town?
10:47Far from the people who love you and who will take care of you.
10:50It's not, Mateo, not.
10:52Gaspar, you are a beautiful person.
10:56But I can't allow you to make a sacrifice of this caliber.
11:00No, what sacrifice?
11:01But I do it with pleasure, really.
11:04I promise you.
11:05And you're going to spend a week losing money in your business.
11:08No, no, no way.
11:10Look, look, it's fine.
11:12I thank you very much, but I imitate you.
11:15Mateo, I really want you to keep working with me, really.
11:17No way.
11:18No way.
11:19And besides, the only thing I feel is the money you've lent me.
11:21Well, I've had to spend it on a shirt and pants.
11:24But come on, I promise you that I'm going to give this back to you, huh?
11:26Until the last penny.
11:27But no, it's not necessary, man.
11:29The trouble I'm in, and all because of the rat, and I'm dizzy.
11:32But no, no, Gaspar.
11:33Look, I'm very happy that we were able to talk about this.
11:38I was there with the fly behind my ear, huh?
11:42Okay.
11:44But the hours you've worked today, I'll pay you, huh?
11:46Shut up, please.
11:49I thank you very much for what you've done for me.
11:52And Claudia also thanks you.
11:56But I can't stay here.
12:00I'm going to look for my life, Gaspar.
12:18I love you.
12:48Okay.
12:59Isidro.
13:01Where are you going?
13:03I was looking for you to take a look at the car.
13:05It makes a strange noise.
13:06I had to go out to do a message.
13:09If you want, I'll take a look at it now.
13:10No, no, no.
13:11There's no need.
13:12I left it in the workshop.
13:13Back from the factory.
13:14I just needed that now, for the car to break.
13:18And where was that message?
13:19In the middle of nowhere?
13:21I had to go to a friend's garden.
13:23It's in a well.
13:27It's very easy to prove that Julián is not your daughter.
13:30How dare you?
13:31You forced me.
13:32So you're already looking for a good lawyer,
13:34because with everything you've done, you can't get away with this.
13:36I haven't done anything that can be proven.
13:40One moment.
13:42One moment.
13:45Haven't you told Andrés about Clotilde and Valentín?
13:49Tell me you haven't.
13:52Have you?
13:54Answer!
13:59Jesús, what do you want?
14:01Where are you going?
14:02I have to go to my cousin's husband's funeral in Guadamur.
14:05You were there when his father gave me permission.
14:08I see.
14:09And you?
14:10You're not going anywhere.
14:11I don't have to tell you what I'm doing, old man.
14:15I can't believe it.
14:16Damn it.
14:22You're drinking at this hour.
14:24What do you want? To sleep on the couch again?
14:27I don't think I can sleep at all tonight.
14:30Well, if you keep drinking like a drunkard, you're going to fall flat.
14:33How can I not do it?
14:41Have you told Andrés where we buried Valentín?
14:44Are you crazy?
14:45How can I say anything else?
14:47Because lately my father, my dear father, has been attacking me.
14:51And I wouldn't be surprised if he did something like that.
14:53Well, I haven't done that barbarity.
14:56Nor would I ever do it.
14:57I've had enough already.
14:59Well, we'll have to see about that.
15:00Because maybe you'll end up betraying me yourself
15:02so that Andrés and my wife are happy and eat perdiz.
15:05I believe it all.
15:06Jesus, I don't want you to be condemned,
15:09nor do I want to be condemned by an accomplice.
15:12Why are you telling me all these things?
15:15Because I had my suspicions and I have finished giving them to you.
15:18What suspicions, Jesus?
15:21I know Andrés and Isidro are up to something
15:23and that they are moving the earth.
15:25I just hope it's not for the bonfire.
15:30Since 1928, our brand has tried to reach all Spanish homes
15:34at the same time as...
15:37At the same time as...
15:40At the same time as we tried to change the history of our country's perfumery.
15:44At the same time as we tried to change the history of our country's perfumery.
15:47The last batches of soap have arrived
15:49and I've started making the inventory.
15:51Thank you very much, Jacinto.
15:52Do you want me to explain to you how I'm doing it?
15:54How...
15:55No, no, it's not necessary.
15:56It's just that I have to go now to the inauguration of the store.
15:58It's true, of course, today is the inauguration.
16:00Yes, the inauguration of the enlargement.
16:03And I don't get this in my head.
16:05You've prepared a speech and everything.
16:08Well, I had written a few words, but...
16:10Mrs. Marta wants me to say this writing from the board.
16:13Yeah, and there's no way, right?
16:15And especially with the nerves because of the lack of time, am I wrong?
16:18No, no, you're not wrong.
16:20Yeah.
16:21Mrs. Marta trusts me, she gave me this opportunity
16:23and I can't fail her.
16:24Yeah.
16:25You know what can make you fail?
16:27Repeat a speech like a parrot that you don't feel
16:29as if it were a school lesson.
16:31Yeah, but what do I do?
16:32If that's what the board wants me to say...
16:34Well, I'm sorry to meddle, but I think what Mrs. Marta wants
16:37is for you to represent her in terms of conditions,
16:39not that you obey without resisting.
16:43In moments like this, Carmen, where there is no time
16:46and there is so much at stake,
16:48the best thing is to be authentic.
16:50And I'm telling you, one person set up a little number
16:53to hire her in a store run by women
16:55and look at me, I'm still here.
16:58And all for an auction of authenticity.
17:01That's right.
17:03Come on, why don't you show me what you had prepared?
17:09Isidro, what does this look like?
17:12Didn't Isidro tell you that he had to go to a funeral?
17:15Well, I just saw him at the factory talking to my brother.
17:18Well, he'll be late and he'll be out later,
17:20don't be so suspicious.
17:21They were going to leave together in the car,
17:23but when I arrived, they hid and each went to one side,
17:27I think you're starting to see things that aren't.
17:36Are you sure they left together in the car?
17:46Don't shoot your imagination.
17:57It's impossible, Jesús, impossible.
17:59Andrés and Isidro don't know anything.
18:01And he didn't miss anything in front of Isidro about Valentín?
18:04Something that didn't matter to him?
18:06Look, I've always told him
18:07that he shouldn't have so much confidence in a simple driver.
18:10No, I've never missed anything.
18:13But...
18:17But what? Speak.
18:20The day after transferring Valentín's remains to the bonfire,
18:25something happened.
18:28Don't scare me, Father.
18:30Yes, Isidro had to open the car
18:32and inside the trunk he found Valentín's ring.
18:38There you have it.
18:39That made him suspect,
18:41but he told me that you had found it.
18:44Why did he lie to me?
18:45Because he knew it was a big trick, right?
18:47Because he didn't want you to get nervous unnecessarily.
18:50Unnecessarily?
18:52Yes, I justified everything.
18:54I told him that you had found it among the things of Clotilde
18:58because you assumed that Valentín had given it to him
19:01and wanted to get rid of those painful memories.
19:04And are you sure he believed him?
19:06Because I don't.
19:07But we can easily verify this.
19:13Ask.
19:14Ask if my brother is at the factory or not.
19:19Come on, ask.
19:21Ask.
19:28Damián de la Reina speaking.
19:30I want to talk to my son Andrés.
19:32It's urgent.
19:36And...
19:37Does he know where he's gone?
19:40Did you know he knew?
19:42Yes, ask.
19:47Yes, I'm still here.
19:49Yes, I understand.
19:56Andrés has gone out...
19:59and...
20:00nobody knows where.
20:02I see it.
20:03It's not my imagination.
20:05What's happening is clear.
20:06Either we do something about it or we'll both end up in jail.
20:09Jesus, don't rush.
20:11Let's not do anything until we're sure.
20:13Don't rush me, Father.
20:14They're looking for our death sentence
20:16and we have to stop them at all costs.
20:25Perfumerías de la Reina has been offering its clients
20:28a range of modern perfumes and touch products
20:32that seek to empower women
20:34through a groundbreaking aesthetic
20:36and the most avant-garde fashion.
20:38We've expanded throughout Spain
20:40and luckily we haven't stopped growing.
20:43That's why I'm so proud to present to you
20:46this new expansion of our central store in Arenal
20:50that without a doubt would not have been possible
20:53without your support and affection.
20:56Perfumerías de la Reina would not be what it is today
20:59without you.
21:00Thank you very much for coming
21:02and enjoy the afternoon.
21:05You did very, very, very well.
21:07Really?
21:08Of course.
21:09Your speech is much better than what's written.
21:11It has more soul.
21:13You put yourself in the place of the clients.
21:15It's very good, really.
21:16Yeah, but I was afraid that Doña Marta...
21:18Carmen, the important thing today is that you show
21:20that you are capable of showing the position you hold.
21:23And you're only going to show that with confidence and passion.
21:26And I honestly, it's what I see in your speech.
21:29Oh, thank you very much.
21:31By the way, you're gorgeous.
21:33Yes?
21:34Yes, but maybe showing a little more body.
21:37Oh, you think?
21:38Just enough.
21:39Just enough to make it elegant.
21:41Listen to me.
21:42Do you allow me?
21:43Yes, yes, of course.
21:45Look.
21:46This, like this.
21:49Do you have a fork?
21:50Yes.
21:51Yes?
21:52Yes, yes.
21:53Leave it to me.
22:01Okay.
22:02Do you have it?
22:03Yes.
22:05Now, yes.
22:09You're perfect.
22:10Spectacular.
22:11Look, I trust you, huh?
22:13Trust yourself.
22:14And if not, trust the mirror and judge for yourself.
22:18Hey.
22:19Hey, it's true, huh?
22:20With these two touches you've given me, I look like...
22:24I don't know, more glamorous.
22:26You are beautiful and very elegant.
22:28Oh, thank you very much.
22:30I'm going running.
22:31Come on, to triumph.
22:32Tomorrow you tell me all the details, huh?
22:34Thank you very much.
22:35You're welcome.
22:36Really.
22:37Good luck.
23:02María, you can't go on like this.
23:04You're going to have a nervous attack.
23:07I'm sorry.
23:08I'm desperate.
23:10Come on, calm down.
23:12Calm down, I need your help.
23:14I can't, Gemma.
23:15I need to be alone, really.
23:17María.
23:18Keep turning the subject around in an obsessive way doesn't do you any good.
23:22And I'm lost and I need your help to start organizing the charity evening.
23:28Gemma, I already told you that I don't care about that act.
23:32I know you're doing it for me and to entertain me and I appreciate it, but...
23:36No, but nothing, María, really.
23:38I'm serious, I need your help.
23:41Listen to me, it's very important to me, please.
23:45And why do you care so much about the Casagrande?
23:48Let's see, the cause seems important to me.
23:52But above all, I want Joaquín and the others to see that I can be up to it.
23:57Now that the shifts have changed for the Merini.
24:01And for that, I need the help of the most elegant and polite lady in this house.
24:09Really?
24:10Are you really not going to lend me your wisdom, the true lady of the queen?
24:17You're one of a kind.
24:20I know you're right about something.
24:23Of course I am.
24:24I'm so glad to hear that.
24:26Wait a minute, I'll be right back, okay?
24:30Okay.
24:37Are you going to tell me why you asked me out or not?
24:39You know, I'd like to talk about your relationship with Claudia.
24:43Well, we love each other madly.
24:46I'm going to make her my wife and we're going to start a family, I already told you.
24:49You don't need to repeat it, son, that's obvious.
24:52Then there's nothing more to talk about, because there's no one who's going to separate us.
24:55Don't be so impatient, sit down.
24:58It's not my intention.
25:00I've been thinking about it.
25:03And I'm not going to oppose that relationship.
25:05What's more, I'm going to respect what you decide to do with your life.
25:10And that change, what is it due to?
25:13Because I've seen you together and that love you have for each other is sincere and very beautiful.
25:17And it excites, even me.
25:20It's true that your mother and I understand each other and get along very well, but...
25:24That way you two look at each other, to be aware of each other, is extraordinary.
25:31I may be very skeptical, very pragmatic, but I don't have a heart to deny you happiness, son.
25:39Father, that attitude makes me very happy and I appreciate it with my soul, but what is mother going to think about all this?
25:48I'll take care of your mother.
25:50She made me come to fix your situation because she doesn't want to hear it anymore.
25:54But there's nothing to fix here.
25:58Take it.
26:00This is for you, a little drawing so you can start your life without worries.
26:04No, no, no, I can't accept this.
26:06Don't be so stubborn, son.
26:07It's just that your father can't give you a wedding gift.
26:11No, no, no, don't cry.
26:13You're going to make me cry.
26:15And I'm not going to forgive you for that, especially here on the street.
26:19Come on, take it.
26:22And spend it wisely because from now on you will have many obligations, my son.
26:31Son.
26:37Let's see, I've been looking at all these magazines and the most commented social act of recent times was one organized by the Dukes of Alba.
26:44Man, don't play with little girls.
26:48Cayetana de Alba is the woman with the most noble titles in the world.
26:51Well, since we're getting into it, it's better to think big.
26:54The action in question was the extension of the Duke's niece.
26:59They threw away the rest.
27:01Food, drinks, crystal, mantel, everything.
27:05Dances, they were even surrounded by the best paintings of the best painters.
27:09A dream, come on.
27:11It's very good, but what does this have to do with your charity act?
27:15Oh girl, it was to get ideas.
27:18And they also put a flamenco board with Antonio the dancer.
27:21What do you think?
27:22Well, as long as you don't put Gasparel de la Cantina dancing, who doesn't have much art either.
27:29I thought we could serve coffee and some uglies, which are pretty good for me, really.
27:34And also some pasta, but I need more ideas.
27:37You're going to make the uglies.
27:39What do I do?
27:41Look, I think you should take care of all the pecking somewhere, other than the canteen.
27:45The Azucena, for example, they make everything delicious.
27:48Serve it at home.
27:49And they have some French-style cakes, delicious.
27:53What a good idea. Well, I'll write it down.
27:55And most importantly, the guests.
27:57What's wrong with that?
28:00Well, I don't have a relationship with the ladies of Bien de Toledo.
28:03Let's see, I know their names, yes, but you did treat them better when you collaborated in the parish, right?
28:11Yes, I have their phones, but it would be a bit strange to call them like that and I'm not going to go.
28:16And how are you not going to come if I ask you?
28:19Gemma, because I'm not in the mood, please don't ask me if it's impossible.
28:23Well, I really think it's an opportunity for you to prove that you are still the Lady of the Queen, the wife of Andrés de la Reina.
28:30Look, if it were him, he would kick me, Gemma.
28:33Well, but at the moment you are still his wife.
28:36María, don't throw the towel.
28:38Show him that you are the best wife he could wish for.
28:44So what?
28:46Are you going to come to the charity vigil and show all of Toledo who you are?
28:55I'm going to do it for you.
28:58And because you are right, I will always be the wife of Andrés de la Reina.
29:04What did you say her name was?
29:06Azucena? Azucena.
29:08With a French style.
29:19I'm sure the Pope only has to comb this quadrant.
29:23From that hill to these bushes.
29:26Well, he has to be there, yes or yes.
29:28Let's go then.
29:30No, no, I don't want him to get tired.
29:31In the first hour we will find the remains.
29:34We have to be very close.
29:36Come on, Andrés.
29:37What can I do? We are going to solve this together.
29:39No way.
29:41He is exhausted.
29:43And I don't want him to scare you like the other day.
29:45His health is the first thing.
29:47Besides, it is not convenient for us to get home.
29:49Yes, yes, don't suspect it.
29:51Too much we have already played the guy with your brother.
29:54And luckily I was able to pick him up at home before they saw us leave.
29:57And if I tell you the truth, nothing would have happened.
29:58He came alone.
30:00After the scare of the other day.
30:02Oh, what an exaggeration, Andrés.
30:04Do you think I was going to let him go?
30:06No.
30:08Finding out if Valentín is in the cave doesn't matter as much as it does to you.
30:10Promised, right?
30:12Yes.
30:14It hurts too much that I can't bury his son as he deserves.
30:17Hey, what are you going to do when we find him?
30:21The first thing is to notify the Civil Guard to identify the body.
30:24Depending on how you are, I don't know if it will be possible six years ago.
30:28I don't know, yeah.
30:30But I don't know, the injuries are well preserved.
30:33My cousin had a gold amulet.
30:35Let's see if they can identify him with that.
30:38And then Begoña will report all the crimes of Jesús with hair and signals.
30:42Yeah, but it will be his word again against his husband.
30:45Well, plus the body.
30:47If you still doubt that ...
30:49That yes.
30:51We have all witnessed many lies.
30:52We have seen many lies of illegal acts,
30:55such as the falsification of the departure of Valentín's cousin in Brazil.
30:59And we will all support Begoña with our statements, of course.
31:02I myself would have to tell you about Valentín's death, I suppose.
31:06Everything, Isidro.
31:08Now that we can have this proof of charge, we have to go for all of them.
31:12Andrés.
31:14Are you aware that your father will also fall because that's what I'm worse at?
31:20Yes, I know, Isidro.
31:22I have done terrible things to protect Jesús.
31:25And it is justice that pays for it.
31:27Since when have you had the sense of justice?
31:30In that, you are more of a basket than a queen.
31:33I guess.
31:35Anyway, let's go now.
31:37It would be better if we went home before nightfall.
31:39And when we get there, I don't want to go in together.
31:41Now that we are in the final stretch, we must walk with our feet on the ground.
31:52Andrés.
32:05Miriam Velasco.
32:07She looks very young in the picture.
32:09Yes, and yet she has a lot of experience.
32:12But not in perfumery.
32:14No, but she will learn quickly.
32:17And she is the one who has shown me the most desire.
32:19Is that why you have chosen her?
32:20And because I know that she will get along very well with you.
32:23Very well.
32:25I trust your judgment.
32:27Let her come tomorrow if possible.
32:32I'll call her right now.
32:35Ah, and Marta, regarding what you told me this morning,
32:39the old soap cutting room is still unused.
32:43And I think it would be the ideal area to enable the casaguna.
32:46Do you think it would cost a lot to adapt it?
32:49I'm not going to lie to you.
32:51There is still a lot of obsolete machinery in there.
32:55Come on, it would cost a lot to decentralize the space.
33:00Yes, but you value it.
33:02And if necessary, I'll call a company to get all that junk out of there.
33:07I have it in mind. Thank you.
33:16Yes.
33:25Are you here?
33:27Yes.
33:29How have you left your cousin?
33:31Well, as far as I can see.
33:34I imagine what the poor woman will be feeling.
33:38To be alone at the end of life when one needs more than to be accompanied.
33:43Yes, very sad, yes.
33:47Has it affected you a lot?
33:49No, I don't like funerals at all.
33:51And who does?
33:53But you have to cheer up.
33:55Why don't you go see Fina and have dinner with her?
33:58Well, yes, look, maybe I will.
34:01I'm leaving.
34:03Dinner is ready and I'm leaving.
34:06Can you wait five minutes?
34:09Yes, of course. Is something wrong?
34:11No, no, no.
34:12It's just that I was surprised that you came back home.
34:15And well, we haven't had a chance to talk since then.
34:19Fina, knowing how you know what you did to Gervasio,
34:24how can you go back to work near Damien?
34:27I thought it would be impossible for me.
34:30But after evaluating a few things, I think it's the best I can do.
34:35I don't like that humiliation at all.
34:38And sooner or later you will repeat yourself without being so comprehensive.
34:42Don't make a mistake.
34:44But then, if you haven't forgiven him, what are you doing?
34:48Are you punishing yourself?
34:50Are you judging me?
34:52No, no, no. I just want to understand why you came back home.
34:54That's not worthy of the dignity I know.
34:57Well.
35:00For me, the important thing was to recover my husband's legacy
35:06and the position we deserve in the company.
35:09Damien put it as a condition that I return to this house.
35:15Yeah, he's as insistent as always.
35:18But don't you realize that what he wants is to swindle you again?
35:21He's not going to get anything.
35:23Well, I'm not so sure about that.
35:25I am. He can believe whatever he wants.
35:29The disappointment will be harder.
35:38Despite having sold almost all the papers,
35:41we have realized that the money does not reach us
35:43even to settle the place that the nuns have left us.
35:46I understand.
35:48For one thing, we still have a lot of things to buy.
35:50Cradle, bathroom, diapers, anyway.
35:54And we also have to hire someone to take care of the babies.
35:57It seems to be much more complicated than we expected.
36:00But if you called me, it's because I've also been doing my homework
36:04and maybe I can help you.
36:06Sit down, please.
36:12Drink.
36:16Joaquín has found me a small area
36:18within the colony where the cradle house could be organized.
36:21But, well, Mrs. Marta, that's great.
36:24Because then the mothers would not have to move to the nuns' place.
36:27I had not fallen before because it is a place that has been in disuse for many years
36:31and I would go out for a peak to settle the place.
36:33The factory does not have that money.
36:36That's why I had told you that maybe.
36:38So we're in the same boat.
36:41No, of course not.
36:43Because being so close to the colony,
36:45the mothers could organize their shifts to take care of the babies.
36:48And so we would not have to hire anyone.
36:50Well, if the director puts the easy things to do, you.
36:55On behalf of the director, there will be no problem.
36:58In fact, if we all agree, I will talk to Tassio
37:00so that he takes it into account when making the plans.
37:04Well, now that I'm starting to celebrate this, we're taking steps, huh?
37:08See how you had to have faith, doctor.
37:10Let's see, if we have to condition the space,
37:13we will also need money.
37:15You should talk to Gemma.
37:17She was aware and wanted to organize a charity event
37:20where donations were accepted.
37:22Really?
37:24Yes, I think she was already in it.
37:26So, everything in motion.
37:28There can be no more desire for us.
37:31Thank you very much, Mrs. Berta.
37:33Really, thank you very much.
37:36I hear you talk and I get the impression that you're playing with him.
37:40He doesn't deserve it.
37:42But then what do you want to do? What do you want?
37:45You've always been too loyal to Damien.
37:48I was while I thought he was a good person.
37:51He's not anymore.
37:53Isn't it obvious? No.
37:55He's done too many childish things.
37:58Well, I'll tell you.
38:01But I can only tell you
38:05that I'm going to get him to pay for each of his acts.
38:12So, what you're looking for is revenge.
38:16Tell me what you're planning.
38:18Don't put yourself in danger, please.
38:20Tell me what you want to do.
38:25Good afternoon.
38:27See you tomorrow.
38:31See you tomorrow.
38:42It's strange to see you in the bedroom.
38:44I've come to change my clothes.
38:46I see.
38:48You're staying with her, aren't you?
38:50Was it necessary for you to tell her?
38:54I was in a meeting with Jesús.
38:56He asked me and Begoña to ask for ecclesiastical nudity.
39:00What did you expect?
39:02For me to stay in this room without moving a finger?
39:04Jesús is the only one who understands me
39:06because he's going through the same hell as me.
39:08Do you think Jesús can help you?
39:10He's the devil you've been looking for.
39:12Well, at least he's going to do something to stop Begoña.
39:14Neither he nor I are going to let you go out with yours.
39:17It's because I'd rather not meet you.
39:19Very well, then go.
39:21Pack your things and go to that damn apartment with your beloved.
39:24Let's see if, in addition to adultery,
39:26I can report you for abandoning your home.
39:28Do it.
39:30You won't be able to cancel our marriage.
39:32There is no argument.
39:34María, don't talk without knowing.
39:36So what allegation is there?
39:38We got married in love
39:40and I've done everything possible to be an exemplary wife.
39:43I'm afraid there is.
39:45Really?
39:47Tell me, which one?
39:49María, I'd rather not hurt you.
39:51Come on, talk.
39:53If it bothers me, I have the right to know.
39:55It's true. You have every right.
39:57Come on, talk. Tell me.
39:58I got married coerced by your father's letter
40:01to fulfill his last wish.
40:03You don't remember it.
40:05That letter was false.
40:07What are you saying?
40:09Your father's letter.
40:11He didn't write it.
40:15Andrés, please, Andrés, don't go there, I warn you.
40:19They falsified it so I could marry you,
40:21despite my doubts, which were many.
40:23What are you saying? That's absurd.
40:25Yes.
40:26You're not accusing me of doing something like that.
40:28No, I know you didn't do it.
40:30So?
40:32Who could be interested in forcing you to marry me?
40:34My father.
40:36He confessed it to me this morning.
40:40Why?
40:42María, because he's a manipulator.
40:44He thought it was best for this family.
40:50I knew your doubts.
40:53I knew how you felt about Begoña.
40:56I didn't want you to ruin Jesús's marriage.
40:58And that's why he lied to me.
41:00He used me like a puppet,
41:02without taking into account my feelings.
41:04My God, you're disgusting.
41:07God.
41:10María, I'm very sorry.
41:13I don't know what happened,
41:15neither with you nor with me.
41:17But please, stop the manipulations.
41:20We have to keep living.
41:22Damn you, Luz de la Reina.
41:24I wish I had never met you.
41:26Get out.
41:32Don't touch me.
41:34Get out.
41:38I said get out!
41:57Mateo, it's been 20 years since I've seen you.
42:00You'll see how much it's worth.
42:02I hope so.
42:04And what about you?
42:06You've taken the afternoon off at the canteen.
42:08You shouldn't abuse Gaspar's trust, Mateo.
42:10I don't work with Gaspar anymore.
42:12What? What did you say?
42:14Well, actually...
42:16It's just that...
42:18He had hired me to do us a favour.
42:21It was hard for him,
42:23so he helped pay my salary.
42:25This week, the poor man had run out of wine.
42:28My God, Gaspar is so nice.
42:31What are we going to do now?
42:33Just a salary again?
42:35I can't take it anymore.
42:38What's this?
42:40Open it.
42:42It's ours.
42:44For our wedding
42:46and to support our child.
42:48Where did you get the money?
42:50My father gave it to me.
42:51Your father?
42:53I don't understand.
42:55He wants what's best for me.
42:57And after meeting you and seeing us together,
42:59he thinks our love is extraordinary.
43:02He's given us his blessing, Claudia.
43:04No, it's great for me,
43:06but I think it's weird that you accepted this money.
43:09But do we need it or not?
43:11Yes, of course.
43:13Besides, your father gets the money from his ears.
43:15Well, that's it.
43:17Mateo, if you want a game...
43:19What are we going to do with this?
43:21Well, first of all,
43:23we're going to have a nice dinner.
43:25And then we have to think about the long term.
43:27And I thought I'd invest it
43:29in a small business here in Toledo.
43:31A bookshop.
43:33What do you think?
43:35Bookshop?
43:37Paper mill, right?
43:48Yes.
44:11Hi.
44:13I thought there was no one. What are you doing here?
44:15Nothing, I was waiting for you to arrive.
44:16Well, you were right.
44:18I've been myself all along.
44:20I'm passionate, I direct myself to the public.
44:23And they've loved it.
44:25Come on, they laughed at me.
44:27I knew it.
44:29The key was to be authentic.
44:31And I'm sure they praised how beautiful you were.
44:33Well, yes.
44:35Two or three clients asked me about my beauty salon.
44:37And what did you tell them?
44:39That the latest retouches
44:41have been given to me by the best stylist in Toledo.
44:43Exaggerated.
44:44And now tell me the truth.
44:46What are you doing here so late?
44:48Trying to finish the inventory.
44:50Since it's my first time, I'm resisting a bit.
44:52Yes, but it's very late.
44:54Go home, give it to me tomorrow.
44:56No, no, no, I'll leave it done today.
44:58What, are they going to give you so much?
45:00Well, unless I help you.
45:02No, no, no, Carmen, please.
45:04You'll be exhausted.
45:06Yes, come on, we'll do it together.
45:08No, really.
45:10Jacinto, it's the least I can do
45:12after the help you've given me.
45:14You're very generous, Carmen.
45:16You deserve it.
45:19Well, look.
45:21Carmen, darling.
45:23I've seen the light from outside.
45:25I don't understand why you didn't go straight home.
45:27Well, because I came to leave some posters
45:29for today's inauguration.
45:31By the way, you're very pretty today.
45:33Thank you very much.
45:35I hope those bastards from Madrid
45:37didn't throw you a lot of trash.
45:39Really, don't be stupid.
45:41Besides, most of them were clients.
45:42Why don't you invite your employee
45:44to dinner tonight in Toledo?
45:46I don't know, somewhere you like, like El Greco.
45:48Thank you very much, darling,
45:50but Jacinto and I are doing the inventory
45:52and we want to leave it ready tonight.
45:54Well, finish it, come on.
45:56Yes, I can try.
45:58Go without any problem, boss.
46:00No, no, no, I want to give Jacinto some directions.
46:02Well, give them to him, I'll wait for you.
46:04Tasio, really, go home.
46:06Go to the table and I'll go now.
46:08Are you going to walk home alone again?
46:10Well, I can go with her.
46:12I've come here, haven't I?
46:14Tasio, really, go home.
46:16Go get a cold bottle
46:18and I'll go now and we'll celebrate.
46:20Well, if you insist, woman.
46:22I'll see you later.
46:27So, what's missing?
46:29This is the one I can't find.
46:31I've been looking and looking
46:33and there's no way.
46:35I can't believe you were able
46:37to do something like this to me.
46:39That shows once again
46:40how much you care about me.
46:42You've played with my life,
46:44with Maria's.
46:46With everyone's, with yours.
46:48You know how much I feel for you.
46:50Well, I don't.
46:52Do you know why?
46:54Because in the end, I have a moment of peace
46:56to ask for marital nobility.
46:58I hope we get it.
47:01Soon all this will be real, Begoña.
47:04And there won't be a need for Luz and Luis
47:06to go to the cinema
47:08so we can have a little intimacy.
47:10We've been caught.
47:12Caught red-handed by the big day.
47:16We'll be able to live our lives together.
47:18In everyone's eyes.
47:20As long as Jesus leaves us, of course.
47:23They can't do anything from the cartel.
47:27We're going to find Valentín.
47:29I don't know if tomorrow, the day after, I don't know.
47:32But I feel like we're very close.
47:34Deep down, I think
47:36I predict that there will be a trial
47:37and that a great uproar will break out.
47:39It's better if Julia is far from here.
47:41Yes, it's for the best.
47:43And when all this is over, we'll find out where she is.
47:46And we'll go together to look for her.
47:49I promise.
47:56It must be Luz.
47:58She must have left the keys.
47:59Luz?
48:07Hello.
48:08What are you doing, Jesus?
48:09You're not welcome here.
48:10Am I interrupting the party?
48:11I'm afraid I am.
48:12You were playing couples.
48:13How sweet.
48:14Don't be silly.
48:15You'd better go.
48:17Calm down.
48:18I was just joking
48:19so you could relax a little
48:20before you hear the news I have to give you.
48:22Say what you have to say
48:23and get out of here.
48:25Ask me where I'm from.
48:26Jesus, stop playing games.
48:27Come on.
48:28It's not that hard.
48:29You'll see me here,
48:30full of dust.
48:31If you think a little,
48:32I'm sure you'll guess it.
48:33Come on.
48:37You're looking at each other.
48:38That's because you already know.
48:39Lalo Vera, maybe.
48:42Did you think it would be so stupid
48:43as not to notice me?
48:45Isidro and you are useless,
48:47incapable of deceiving me.
48:48I've seen you inspecting the area
48:50and I knew perfectly well
48:51what you were looking for.
48:53What have you done?
48:54Please, and you still ask me?
48:56What have you done, Jesus?
48:57Ending up with the last remnant
48:58of the bastard
48:59who took my wife from me.
49:00That's what I've done.
49:02And you don't need to come back, little brother.
49:04You won't find anything.
49:05The fire has destroyed everything.
49:07Nothing disappears.
49:09Remnants always remain, Jesus.
49:12You're right.
49:19This is all that's left.
49:24You'll never be able to prove that I did it.
49:27You'll never be able to prove that I did it.
49:41By the way, Isidro,
49:42I haven't asked you how was
49:44your cousin's husband's funeral in Guadalupe.
49:46What can I say?
49:48These things are very sad.
49:51Of course.
49:52Are you backing out?
49:53No, of course not, but...
49:55It hurts.
49:56Andres and Marta,
49:57they haven't done anything bad to us.
49:58Luis, try not to think about it.
50:00Last night I told him and Begoña
50:02that they wouldn't find what they were looking for.
50:05What have you done?
50:06How can you be so stupid?
50:08I've moved Roma to Santiago
50:10to get a place.
50:11You can't say no
50:12because you're going to have a drink with the girls.
50:14And do I have to leave everything
50:15every time you move Roma to Santiago
50:16and find a moment for me?
50:19Are you kidding?
50:21I imagine you know why I asked you today.
50:23I imagine it, yes.
50:24What I don't know is the answer.
50:25I'm willing to give you the capital we're talking about,
50:27a third of the initial investment
50:29for the business of the spa.
50:31Finally, Andres and I agree on one thing.
50:34You're a manipulator without scruples.
50:36I'm very sorry, but...
50:38I've invested all your money.
50:41What have you done?