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FunTranscript
00:00♪
00:05♪
00:10♪
00:13Milagro.
00:15Good afternoon, Catalina.
00:17How are you?
00:19Fine, fine.
00:21Are you sure?
00:22Yes, yes. It's nothing.
00:24♪
00:26It's just that...
00:28I asked Ricardo for a few things and I just realized I forgot to ask him for something else.
00:33Something else?
00:34Yes, a silly thing without importance.
00:37It doesn't fit me.
00:39It's either a silly thing or it's something so urgent that you don't even have a moment to be with me.
00:44Leave that for later and let's go for a walk.
00:47Would you like some fresh air?
00:50Catalina, I'm sorry, but I don't feel like it.
00:53We have things to talk about.
00:56What better way than to approach them in the field, far from eyes and indiscreet ears.
01:02I really don't.
01:04Catalina, what a joy to find you.
01:07And Margarita, do you want something?
01:09Well, I wanted to talk to you about the book you told me about.
01:12If I don't interrupt anything, of course.
01:14No, no, of course not.
01:15In fact, I have some matters to attend to and I was leaving.
01:18Catalina.
01:22Are you sure I'm not bothering you?
01:23No, of course not.
01:25What book are you referring to?
01:27Emilia Pardo Bazán's. What did you say?
01:30The Broken Box.
01:32Well, it's not a book, it's more like a short story.
01:36Well, no, it seems to me like a story for children.
01:38No, it's that kind of story.
01:40And what do you think if you come for a walk with me and we talk about it?
01:43I want to leave the reading of a very boring novel that I'm reading and you give me some recommendation.
01:48Sure, sure. I was going to the garden.
01:51Perfect, then.
01:57Shall we go?
01:58Yes, yes, yes.
02:22Do you have something to tell me about this?
02:25Where did you get it from?
02:27Hanna brought it to me.
02:29She didn't have much time to throw it in my face.
02:31How could you do something like that?
02:33We agreed that we had to get rid of her.
02:35Yes, but not in such an obvious way.
02:37My father said that there are many ways to skin a cat.
02:40Well, you have chosen the worst of all.
02:42At least I have tried.
02:43You won't solve it with money, Alonso.
02:46You should have seen his face when he broke into my bedroom.
02:48And how did you prevent it?
02:50Do you want the pan for the mango? Thanks to you.
02:53Don't you realize?
02:55That girl knows perfectly well that by marrying Manuel, she will have much more money than you can offer her.
02:59Perfect. So what can we do?
03:01Well, I don't know.
03:02But I expected more decision from you.
03:05I'm just trying to get her out of the Provisa before Manuel gets out of his prison.
03:09Well, I'm leaving, Melofias.
03:11I've seen the commitment you're putting to Manuel.
03:13I'm doing everything I can.
03:15But everything is negative.
03:16Alonso, you are the Marquis of Lujan.
03:18For God's sake, shouldn't it be so difficult for you to convince someone of anything?
03:23I'm going to get it.
03:24I'm going to get Manuel out of that dungeon.
03:26And I'm going to find a way to get Hanna to leave the Provisa.
03:29At the rate you're going, you just need to send a mercenary to scare him.
03:32Don't be ridiculous.
03:33Ridiculous?
03:34But you just showed him the cards we have.
03:37Come on.
03:38I'm worried that you're not doing just as well with our son.
03:41Cruz, enough.
03:42You have no idea what you're saying.
03:45If you know how to get rid of Hanna, do it.
03:48But don't doubt my interest in bringing my son back.
03:51Don't do it.
04:06Good evening, Mrs. Arcos.
04:10Why are you looking at me like that?
04:11Did I do something wrong?
04:12I don't understand you, Mr. Baeza.
04:14I think so.
04:16For some time now, you've been more distant from me than you're used to.
04:21Distant?
04:22Well, to put it mildly.
04:25Dry, cold, bitter.
04:28Wow.
04:29And that's the way you have to deal with it.
04:33Lacking those qualities.
04:35No, I don't want to deal with it.
04:36What I want to know is the truth.
04:39The truth.
04:41So you want to know the truth.
04:45Well, listen to me then, Mr. Baeza.
04:48In this palace, a network of lies has been woven around Mrs. Darre.
04:53And I've been the last to find out.
04:56Don't be silly.
04:57It has nothing to do with you.
04:59What do you mean?
05:01You suspected from the beginning that Mrs. Darre was alive, but you didn't like that.
05:07Why do you say that?
05:09Are you going to make me verbalize it?
05:12These are too serious accusations, Mr. Baeza, to be made out of the blue.
05:18It is clear that you were the one who brought back the undesirable Gregorio.
05:25As you can imagine.
05:28Don Gregorio didn't need my help to get out of jail.
05:31No, but to introduce him into a palace without being seen.
05:35Despite the fact that the entire service was attentive to keep him.
05:39You're crazy.
05:41And you have no proof.
05:43You're right.
05:44Maybe at first I didn't do that.
05:46But when we made Mr. Castillo believe that Mrs. Darre was dead, then yes.
05:52But how has Mr. Castillo been in the palace?
05:56Maria Fernández saw him.
05:58When?
05:59A moment ago, she went down to the service floor for a glass of milk and saw him talking to Mrs. Petra,
06:03who was on the stairs leading to the garden.
06:05She did everything possible to hide it, but yes, someone saw her.
06:10Someone I'm convinced of, you're not going to reveal my identity.
06:16For you to take it against that person?
06:18Of course not.
06:20Well, that person lies.
06:22But even if it were true, there is nothing to reproach, Mr. Baeza.
06:27Because that man had the right to know the truth.
06:29Well, then there is nothing to reproach me either.
06:32There is nothing to reproach me, because I had to avoid at all costs that you confirm that Mrs. Darre was alive.
06:40I should have been aware.
06:42Because you, with that absurd conspiracy, have put the security of this house in danger.
06:47The Marquis was aware of everything and that is more than enough.
06:51It is clear that everyone knew.
06:53The Marquis, you, Maria Fernández, even Hanna's magazine.
06:56Yes, yes, both were at my service.
06:59They were following my orders, as it should be.
07:02Don't justify them.
07:04Because I should have been aware of their movements.
07:07Only now do I understand those outings and their stay at the house of the Duke of San Rafael.
07:12Yes.
07:14Don Gabriel López Carrillo, Duke of San Rafael, Colonel of the Glorious Spanish Army.
07:20An excellent excuse created exclusively for you.
07:23Wow.
07:25I'm going to have to feel flattered.
07:27That I reproach myself for not informing you about Mrs. Darre seems simply ridiculous to me.
07:34I will never forgive you this offense, Mr. Baeza.
07:37Well, for God's sake.
07:39I will have to live with it.
07:42I think we have already told you everything.
07:46Well then, I'm going to rest.
07:53Good morning.
08:16Good morning, Sergeant.
08:24Good morning.
08:28I hope this coffee is as good as it is served this morning.
08:32This one has been prepared by the Chief for the comrades.
08:36If I bring you that coffee, it is for your good disposition.
08:40You know that I am the first interested in collaborating.
08:43And that all these issues are clarified.
08:46Very sensible.
08:48What do you need from me this time?
08:53Well, you will see, Mr. Luján, there are a couple of issues that call my attention powerfully.
09:01You will see.
09:04I mean the fact that you bought two train tickets for the express that goes to Madrid.
09:10And the fact that you took out an important amount of money from the bank.
09:17I understand that those matters call your curiosity.
09:22You will see, I have been asking here and there and I understand that you are not very keen to visit the capital.
09:32No, the truth is that no.
09:35Well, the union of both elements has made me think, look where, that I had thought of an escape plan.
09:48Look, I understand that you ask that question.
09:53And yes, I had thought of escaping.
09:57But it is not the kind of escape that you believe.
10:01Enlighten me.
10:03What kind of escape are you talking about?
10:06Well, it is not the kind of escape that you believe.
10:09It is not the kind of escape that you believe.
10:12It is not the kind of escape that you believe.
10:14Enlighten me.
10:16What kind of escape was it then?
10:20I had not thought of running away from justice, Sergeant.
10:24It was something more romantic.
10:27A clandestine meeting?
10:28No.
10:31Look, I'm in love with a woman.
10:34And my intention was to marry her in secret and go to Madrid.
10:38And the reason I did all this in secret is ...?
10:45We belong to different social classes.
10:48And my parents do not accept this relationship.
10:53Were your parents aware?
10:56Then no.
10:58Now yes.
10:59Now yes.
11:03You see, Mr. Manuel, it is not that I doubt what you say,
11:07but it will be convenient for me that this story is very timely.
11:12It is not a story.
11:14It is the truth.
11:15Ask Father Samuel if he wants.
11:17Ah yes.
11:19Mr. Fermin's substitute, just arrived in Lujan.
11:24I understand that he still does not know half of his relatives.
11:27I know.
11:28And that was perfect for my plan.
11:30My intention was to get married in secret,
11:32travel to Madrid and consummate my marriage.
11:35So, on the way back, my parents could no longer oppose.
11:39I understand.
11:41And what went wrong?
11:45My mother found out everything.
11:48Wow.
11:51And then all that money was to spend the honeymoon in Madrid?
11:55No, Sergeant.
11:57I had no intention of spending a luxurious honeymoon in Madrid.
12:01That money, as I have already told you other times, was for Gregorio.
12:05To leave Mrs. Pia alone at once.
12:08Sure. So it was only for the bribe.
12:11I prefer to call it incentive.
12:14So that you could start a new life away from her.
12:17A very generous incentive.
12:20It was cheaper to kill him.
12:23It was cheaper to kill him.
12:26Killing him was never an option, Sergeant.
12:29And I've already told you.
12:31When I left the slaughterhouse, Gregorio was still alive.
12:35You can ask me a thousand times if you want.
12:39Because a thousand times I will give you the same answer.
12:49It is a great joy to have you here with all those we have suffered for you.
12:53I'm very sorry for the suffering you have caused.
12:56Don't worry, Mrs. Pia.
12:58All that is compensated with the joy of seeing her so alive.
13:02Besides, we know why you had to organize that party.
13:06Because there are people here who are not very trustworthy.
13:10Good morning, Mrs. Arcos.
13:13Good morning.
13:15What a surprise.
13:16I thought I would never see you again.
13:19Well, I'm very sorry to have disappointed you.
13:21Don't worry, it's a courtesy visit.
13:23Well, you could stay, Mrs. Pia.
13:25Not all your due time, Maria.
13:27Well, you can only see Vivita happy.
13:30It seems like a dream to me, Mrs. Pia.
13:32It seems incredible to me that she is here.
13:34In fact, until I touch her, I will not believe it.
13:37I'm alive, Lope, I'm alive.
13:39Even I find it hard to believe it.
13:41So much that she is not.
13:43And after the hell she has lived.
13:45And on top of that, being far from her son, Dio.
13:47Of course, it has been the hardest.
13:49The confinement in the cave, the fear.
13:51That, as if she could overcome it.
13:53Yes, it is the worst thing that can happen to a mother.
13:55Being far from her children.
13:57You know it well.
13:58Mrs. Pia, I remember when I entered the room
14:00and I found her lying on the floor so stiff.
14:02I'm so sorry, Vera.
14:03I felt so cold.
14:05I wanted to feel her warmth.
14:07I am very sorry for the damage that could have been caused.
14:09And I wish I could have done it another way.
14:11But I didn't know how.
14:12Don't be upset anymore, Mrs. Adarre.
14:14I didn't know you from the dead.
14:16But I'm glad you're not.
14:18Come on, I'm glad you're alive.
14:20Do you understand me?
14:21We understand you a lot, Marcelo.
14:24Well, that's it.
14:25What I mean is that everyone here missed you a lot.
14:27Thank you very much, Marcelo.
14:28And delighted to meet you.
14:30And Mrs. Pia, isn't she going to stay?
14:32Yes, stay.
14:34I wish I could, but it's not that easy.
14:36I have to talk to the gentlemen,
14:37who are the ones who have the last word.
14:39I'm sure they will be delighted to have you back.
14:41Well, with everything that is happening with Don Manuel,
14:43I don't know if this is the best time to ask.
14:46You are absolutely right.
14:48The matter is out of the question.
14:50And I, in a way, feel guilty, Simona.
14:53You? Why?
14:54Because Gregorio came to this house looking for me, Teresa.
14:57And that's why Don Manuel got involved,
14:59and now he linked him to death.
15:01Come on, they killed him.
15:02He never told me.
15:03Candela.
15:04I'm sorry.
15:05Maybe it's not a pressure to do anything.
15:08Hey, by the way,
15:09do you know where Mr. Pallicer is?
15:12No.
15:13No, no, I have no idea.
15:15And how is Dieguito?
15:17Well, to eat him with potatoes.
15:20Give us more details.
15:22He must be beautiful like a calf.
15:24He would be very happy when he saw him after so long.
15:27His eyes came out of his eyes.
15:29I think he didn't even believe it was me.
15:31Yes, I hugged him more than I ate him.
15:33And I hugged him more than I breathed.
15:45Come on.
16:13Hannah.
16:16Hey.
16:18You have to cheer up, sister.
16:22I know.
16:25But I come here and see everything I was working on.
16:33Manuel is a man full of illusions and full of dreams.
16:37And I need him to get out of the dungeon
16:39because I need him to buy it all, do you understand?
16:42And he will do it.
16:44You'll see.
16:46We have to trust.
16:50I know.
16:51But I don't.
16:56Hannah, come here.
16:59Come.
17:13I feel protected with you.
17:18What's wrong?
17:20No, nothing.
17:22What's wrong?
17:24Well, yes.
17:27Hannah, I found out that Julia is making inquiries
17:31about how well you and I get along.
17:35What?
17:36And I asked Martina directly.
17:38And also some lackeys.
17:41But why?
17:42Well, I don't know.
17:44I guess she saw something.
17:46Something like the hug we just gave each other?
17:51It's true that lately we have lowered our guard too much.
17:54With everything about the wedding and everything about Manuel, well ...
17:58It wouldn't be good if they found out about us.
18:00Neither for you nor for me.
18:02It's true that I ...
18:04I have my head somewhere else.
18:06I know.
18:07I know and I'm sorry.
18:08I shouldn't have told you anything.
18:10I need you to talk to Miss Julia and make things clear.
18:13Now they can't find out that we are brothers.
18:16Yes, I know.
18:17Right now, with Manuel arrested, it's not good for us.
18:19There will be new fronts.
18:21I have enough with what I have, Curro.
18:24On top of that, I have to face the Marquises alone and ...
18:27They are not making it too easy for me.
18:30What?
18:32Why do you say that?
18:34Because they have offered me money to get me out of here.
18:38Are you serious?
18:41I'll talk to them.
18:42No, Curro.
18:43Yes.
18:44No.
18:45Don't complicate things any more.
18:47Right now, we just have to think about Manuel.
18:51By the way, I don't know how he is either.
18:54Well, that's why you don't suffer anymore, sister.
18:57This afternoon, I'm going to see him.
19:00Really?
19:01Yes.
19:02I'll see how he is and I can give him the message you want me to give him.
19:05Can you tell him that I want to go see him and ...
19:09and that I want to talk to him?
19:11Miss Catalina told me there was no problem,
19:13but it looks like Manuel doesn't want her to go.
19:17I'm sure it's not that he doesn't want you to go.
19:20It's just that ...
19:22he doesn't want you to see him in that situation.
19:25Curro, if I only need to talk to him and give him strength ...
19:29It will come out of this, Hanna.
19:32They have no proof against him.
19:35Um ...
19:36There's something I haven't told you, Curro.
19:41Gregorio and Manuel saw each other the same day he died.
19:46What?
19:48Manuel was helping us protect Mrs. Pia from that monster.
19:53So ...
19:55Is it true what they say?
19:56That Mrs. Pia did not die and that man came to look for her?
19:58Yes. Yes.
20:01Manuel just wanted Gregorio to stay away from her
20:03and that he offered him money for her to leave.
20:05And ...
20:07Do you think he could have killed that bastard?
20:11Of course, my pulse would not have trembled.
20:15No, no, no, I don't believe you.
20:19Curro, I'm serious.
20:20Look, I was with Manuel in the front.
20:23And I know what he's capable of.
20:24And I would never do something like that.
20:26Unless ...
20:27he has no other option.
20:28Curro, I'm not doubting it.
20:30Manuel told me he hadn't done anything.
20:32And I believe him because he would never lie to me.
20:34But I'm just saying that ...
20:36Yes, and that you wouldn't blame whoever did it.
20:38And that for people he could be guilty.
20:42And that it would have been logical for him to have done it.
20:45But please don't tell Manuel about all this.
20:47Don't transmit my worries to him.
20:50Right now we have to think about him.
20:53And I need to get him ...
20:55behind his back and ...
20:56that I support him.
21:01Why don't you bring him a letter that I write for him?
21:05A letter?
21:07Yes, I can write it now.
21:09I need to tell him how I feel.
21:13And I also need to tell him that I love him.
21:18Okay.
21:20I love you.
21:27It must have been very gratifying
21:29to reunite with everyone again.
21:31Yes, well, at least I was able to explain to you why I did what I did.
21:35Although it has also been shocking, Mr. Baeza,
21:37because I was able to know the pain they went through
21:40when I pretended to be dead.
21:42I didn't imagine it.
21:43Well, I was more worried about surviving, to be honest.
21:46Well, I assure you that everyone was very distressed.
21:49Yes, well ...
21:52Anyway, everyone appreciates you a lot.
21:54You don't have to be frustrated about that.
21:56Everyone is delighted to see you so happy.
21:59Well, I'll stick with that idea.
22:00With that and that Dieguito is fine.
22:02And that we were finally able to get rid of Gregorio.
22:06And wherever they go, now that everything is clear,
22:08will they stay in the cabin?
22:10Will they come here to Palacio?
22:11No, no, no.
22:12The boy cannot come to Palacio, that is a reality.
22:14So I think I'm going to accept the offer Lavin has made to me
22:17and I'll go with them to his house.
22:18I think it's a very good idea.
22:20Yes, he will consider it a home.
22:22Well, that's where I am now, Mr. Baeza.
22:24In forming a home.
22:25Yeah.
22:26And regarding your situation here,
22:28I must confess that I have not been able to address the issue with the Marquesas.
22:32Well, I understand that this is not the best time, of course.
22:34No, no. Of course not.
22:35Everything has been very mixed up since the discovery of Mr. Manuel's relationship
22:38with Miss Expósito.
22:40In addition, there is the unjust detention.
22:42Well, I hope it ends soon.
22:44By the way, I went to see him yesterday, didn't I tell you?
22:46Ah, no, no, I didn't know.
22:47Yes, to jail. It was a short time and we didn't have much intimacy,
22:50but I saw him very whole.
22:51Although he knows everything that comes his way, of course.
22:53I shouldn't have allowed him to get so involved in this matter.
22:56No, not this matter, Mr. Baeza, my matter.
22:58My life and my son's were in danger.
23:00And now I'm worried about the luck that Mr. Manuel may have.
23:03Let's trust justice, although sometimes there are no reasons for it.
23:06Why do you say that?
23:07Do I have to remind you?
23:09That killing him, like Gregorio's criminal,
23:11he was released after trying to kill her.
23:14Was that justice?
23:17Mr. Baeza, do you know if Mr. Pellicer is there?
23:21Because I haven't seen him and I guess he's still angry with me.
23:25Well, I wouldn't know what to tell him.
23:27In fact, he is still somewhat resentful of me.
23:30Well, I could tell him that I would like to talk to him.
23:34Look, I'll come to the palace tomorrow at the same time.
23:36Tell him I want to see him, please.
23:38Go ahead.
23:50Simona, I heard that Doña Pia has come. Where is she?
23:54Oh, she just left, miss.
23:57What a pity, I wanted to see her.
23:59After everything that has had to happen.
24:01Well, well, don't worry.
24:03Doña Pia will come back, visit us and you will be able to see her.
24:06And I guarantee you that she is not a piece.
24:09That woman who doesn't care about anything or anyone.
24:13Oh, Simona.
24:20That's it, that's it.
24:25Don't cry.
24:36Don't cry.
24:41You are not like this because of Mrs. Darri.
24:45You have been with a heartbreak for a few days.
24:53It's just that I have tried to get Pelayo back and I can't, Simona.
25:01It was because of love.
25:03It was all for Don Pelayo.
25:07You know what I'm telling you?
25:11That boy should kiss the ground you step on, okay?
25:16You are giving him a second chance.
25:19I know.
25:20Well, I do know.
25:22Anyone who didn't have a heart as big as yours,
25:25I would have sent him to fry asparagus.
25:29But you have known how to forgive him.
25:31And that is a virtue that does not abound precisely.
25:37It's just that things have happened that you don't know.
25:44I have made a very serious mistake.
25:48I can't believe it, miss.
25:52What could that be so serious?
25:58I have to tell you something that I have practically not told anyone.
26:07Now you are putting fear in my body.
26:13Tell me what it is.
26:16What's wrong with you, for God's sake?
26:23I'm pregnant.
26:32Are you sure?
26:37I thought Count Daniel was a respectful gentleman.
26:41It's just that I'm not pregnant with him.
26:46Oh my God.
26:49Oh my God.
26:51Do you see how I'm not as good as you thought?
26:57Don't worry, miss.
26:59Here is your Simona for whatever you want.
27:03To take care of her.
27:05As always.
27:15Don't worry, miss.
27:18We'll see each other again.
27:29Have you ever seen such shamelessness?
27:32What happens to you this time, miss?
27:34That shameless bitch.
27:36I don't understand.
27:37I don't understand why the saint had to come and relieve the whole service.
27:40Do you work here?
27:42And the promise should not be welcomed.
27:45Even if it were only because between her and Mr. Baeza they kept us all deceived.
27:49Including you, I suppose.
27:52That's right, I wasn't the saint either.
27:54Well, then you should be as outraged as I am.
27:58We are both heads of the service and we have been slandered.
28:02Where is our authority, Mr. Pellicer?
28:07We can't allow something like this.
28:09And we must raise a complaint, Mrs. Cruz.
28:11Because she is also outraged by the betrayal of her own husband.
28:16Because she can't let it be, Mr. Arcos.
28:19No, we must not.
28:20And I'm sure that Mrs. Marquesa will stand by our side.
28:24And we must not allow the slander of Pia to return to the promise.
28:28I'm sure that's what she wants.
28:31Why does she always have to get into everything?
28:36What did you say?
28:37I mean, why does she always have to get into everything around her?
28:41I don't do such a thing.
28:43Yes, she does.
28:44With Mrs. Darre and my son,
28:46whom she has been slandering with gossip about her mother's death.
28:49They are not gossip.
28:50You told your son that his mother ...
28:52I know exactly what I told my son.
28:55Why do you have to get into a matter that neither goes nor comes to you?
28:59Am I interrupting something?
29:00Here, Mr. Pellicer, who reproached me for telling your son the truth.
29:08What are you talking about, Mrs. Arcos?
29:11Well, Mr. Pellicer told your son that his mother had died of tuberculosis.
29:16And a few days ago, you escaped, which had been appendicitis.
29:21Two diseases that are difficult to confuse, don't you think?
29:25Because in fact, they have nothing to do with each other.
29:28Mrs. Arcos.
29:29Mr. Baeza.
29:30Are you also going to blame me for this misunderstanding?
29:33No.
29:34In this case, the mistake was mine.
29:36I had a confusion.
29:38But that was a long time ago.
29:40You have never been very good at retaining medical terminology.
29:43Don't take me for a fool.
29:45Please, Mr. Baeza.
29:46He already did it with the subject of Pia's death.
29:49Mrs. Arcos.
29:50Mr. Baeza.
29:51I'm fed up with lies.
29:53So please tell the truth once.
29:55And you tell your son.
29:57Because the boy has the right to know what happened to his mother.
30:00That boy knows the truth.
30:02His mother died of tuberculosis.
30:04The mistake was mine.
30:05Satisfied?
30:08Is that true, Mr. Pellicer?
30:10That's right.
30:11He has already heard it.
30:12The matter is settled.
30:14So I ask you not to get involved again where you are not called.
30:17And less in other people's conversations.
30:26Mom.
30:47Kuro.
30:51Yes?
30:55Come here.
31:02Come here.
31:05I wanted to see how I treated you around here.
31:09Good.
31:11But I'm glad you came to visit me.
31:14Yes.
31:15Is there any news about the investigation?
31:19Well, they don't have me informed on time, but ...
31:22Apparently, I'm the main suspect.
31:26Yeah.
31:28That doesn't make any sense.
31:29No.
31:30For Sergeant Burdina, my wedding plans are the perfect cover to hide a crime.
31:35What?
31:37What a jerk.
31:38I'm going to talk to him.
31:39Don't even think about it.
31:41Kuro.
31:43If you do it, they'll end up asking about Hanna.
31:47They'll ask who the woman he's going to marry is and ...
31:51I don't want them to get it.
31:58Manuel.
31:59That will be inevitable.
32:01I don't want to expose her, Kuro.
32:05Besides, it must already be happening.
32:07She alone in the promise.
32:10I can't be by her side.
32:12Well, you already have yours.
32:17Kuro, take care of her.
32:20You are her only support right now.
32:27Tell me something else.
32:29How is she?
32:38Well, there is not much more to tell.
32:41She misses you and wants you to leave as soon as possible.
32:44Just that?
32:46And to drive you crazy.
32:48Come on, Manuel.
32:49You don't want me to get dizzy here.
32:53Besides,
32:55I wrote you a letter.
33:01Where, surely, I have written you all those beauties you are looking for.
33:11The service was very excited.
33:13Well, some of them, the truth is that they were scared to death.
33:16It is not easy to assimilate that someone returns from his grave.
33:19No, it is not.
33:21And they were very upset to be victims of a deception of that caliber.
33:24No, no, believe me.
33:25The vast majority assumed that ...
33:27Well, that it was the right measures, given the circumstances.
33:30Thanks to that, Pia is alive.
33:32Yes, everyone thought that bastard was capable of anything.
33:35I hope your murder is resolved soon.
33:37Because my son can't spend more time in that dungeon.
33:40By the way, Mrs. Adarri approached the barracks yesterday
33:45to make a sworn statement before the sergeant and explain his false death.
33:50I understand. And the sergeant asked about Mr. Castillo?
33:53Well, no. He already made a statement about it at the time.
33:57Unfortunately, this statement will not shed light on this matter.
34:02Let's hope that his testimony will help you.
34:05And I also went to visit Don Manuel to thank him for everything.
34:09I am convinced that as soon as I can, he will do it with you.
34:12It is not necessary. My only interest was to get rid of that criminal.
34:15Dead the dog, the anger is over.
34:17I can't agree more, sir.
34:22Gentlemen, Sergeant Burdina did not know who was coming.
34:25I asked him.
34:26Tell my wife that the sergeant is here.
34:29And also let the captain know.
34:34Well, I don't know. I could only tell you a quick dish.
34:37Well, yes. It makes a delicious ratatouille.
34:41I would have thought of something a little more elaborate.
34:44I know it's a simple dish, but it's cooked in a truly sublime way.
34:48A sublime pisto? I don't want to despise it, but we can't offer that at our banquet.
34:54Then tell me what you had in mind.
34:57Oh, the Wellington salami?
34:59That already sounds much better.
35:01It makes it delicious.
35:03In addition, the meat melts in the mouth and has that spicy point of Dijon old mustard.
35:08Perfect.
35:09Here you are.
35:10Look, here he comes.
35:12Mrs. Margarita, Mr. Count.
35:14You have come at the right time.
35:16I called you because we want to make you a proposal.
35:20You tell me.
35:22As you know, Mrs. Margarita and I are going to get married.
35:25And we want to offer a banquet that is worthy of that alliance.
35:29I was aware. I wanted to congratulate you.
35:33The point is that we have decided to dispense with the person in charge of the banquet
35:38and we want to give you that opportunity.
35:41Me?
35:43Are you serious?
35:45It's fabulous news.
35:47I'm sure you'll be up for it, Topi.
35:49Thank you, ma'am. I'll do whatever I can to not let you down.
35:52I hope so.
35:53Keep in mind that the Florinata of the Andalusian Society will attend.
35:56Of course, of course. It's an honor.
36:00We don't have time to lose. There is a menu to complete.
36:04Do you want us to think about it now?
36:06What a better time, right?
36:08We had thought about Solomillo-Wellington. What do you think?
36:12I'm sorry to interrupt, but I have something to tell you.
36:16If it's not urgent, we're busy.
36:18Yes, it is urgent.
36:20I had an appointment to go to the barracks to see Manuel,
36:22but due to an incident he had to go before and left without me.
36:25And?
36:27I'm about to go to her and I wanted to inform her mother.
36:30But you alone?
36:32Yes.
36:33Well, don't talk to me. You can't go alone, it's a horrible place.
36:36If it's necessary, I'll go with you.
36:38But I'm telling you I'm leaving now.
36:39Yes, go ahead, daughter.
36:41Ignacio, do you mind? We can close the menu at another time.
36:45Sure, no problem. I'll stay ahead with Lope.
36:49I think it's a perfect idea.
36:51Well, thank you very much, dear.
36:56And thank you too, Lope.
37:06Don't worry. When I left the barracks, I was receiving the visit of your cousin Curro.
37:11We appreciate the difference you have with him.
37:13Don't get confused. I try to be as fair as I can.
37:17Regardless of what his family is and his position.
37:22What do you mean? Are you going to treat him as if he were a vulgar rapist?
37:27I have come to inform you of the progress of our investigations.
37:31Well, that's what interests us the most.
37:33I don't have good news.
37:37Why? Speak.
37:39I will not entertain you in detail.
37:41I will only tell you that all the evidence points to your son as responsible for the murder of Don Gregorio Castillo.
37:47My God!
37:49Entertain us in detail.
37:52Please.
37:54All right.
37:55Well, to begin with, he confirmed that he met El Finado on the same day of his death.
38:01I only intended to help one of our employees, Mrs. Adarre.
38:05I know. I already made a statement to Mrs. Adarre.
38:07But how did you allow our son to get involved in such a murky matter?
38:11Cruz, this is not the time to talk about this.
38:13Your husband is right.
38:14Continue that, Gento.
38:16The suspect has also admitted that he was wearing a short gun,
38:20coincidentally of the same caliber as the one that killed Gregorio Castillo.
38:24Just in case, on those dates he made some strange money movements.
38:30And he also made the purchase of some train tickets for Madrid.
38:34All this has an explanation.
38:36That's what he says.
38:38That the money was an incentive for Mr. Castillo,
38:41and that the train tickets were to leave Luna de Miel.
38:44But I see myself obliged to verify it.
38:48And...
38:49And?
38:50And I don't want to run into problems to do so.
38:55I am aware that you are a very influential family.
38:58Are you insinuating something?
39:00I am stating that you have been carrying out management at the highest level.
39:06And I don't want you to get in the way.
39:08What do you mean exactly by that?
39:10Whatever you do,
39:12your son Manuel may spend a long time in jail.
39:40What are you doing here?
39:42I've already had coffee. I didn't order anything.
39:45Yes, but...
39:46Does Mrs. Margarita usually have tea at this time?
39:49Mrs. Margarita is not here.
39:51She went with her daughter to see Manuel.
39:53Wow.
39:54I'm so sorry. It's unexpected.
39:56In that case, maybe you'd better have a relaxing infusion.
40:01I don't want anything.
40:03Why do you take care of this?
40:05Isn't there any maid available?
40:08Look at that.
40:10You are aware of Margarita's departure, right?
40:12You didn't come to offer me tea.
40:17You can retire for me, Petra.
40:22I have heard that the preparations for the wedding banquet are not going too well.
40:28Where do you get that from?
40:30Well, to begin with, I find it strange that your fiancée is not here with you,
40:34helping you to organize her wedding.
40:37What else can excite a bride more?
40:42And it is curious, Ignacio, how reality sometimes insists on putting us in our place.
40:49And how it shows us how little we are for the rest of the world.
40:54Excuse me.
40:55Excuse me.
41:01Well, are you going to be hired for the banquet, yes or no?
41:04Well, I don't know, Mrs. Simona. It has not been clear to me.
41:07Well, they have already sent you, because they want to confirm it, right?
41:10That's what I thought.
41:12They have spoken of a Solomillo Wallington, yes.
41:14I'm not surprised. This dish is embroidered.
41:16Worthy of the best banquets.
41:18Come on, come on, you can do it.
41:20Your love for Tulope.
41:22Someone who would also love the Solomillo is the Duchess of Carril.
41:26It is true. In addition, it is a recipe that does not bring great difficulty.
41:30Next time he comes, we will explain it to him.
41:32Let's see if he comes, because he has not been around for a few days.
41:35What will happen to him when he does not give signs of life?
41:38Maybe he has found out that they have detained Don Manuel
41:41for the murder of Gregorio and does not want to be linked.
41:44There you go. You are all right.
41:46Yes, well, it can be that or anything.
41:48Anything.
41:49I don't think the family of the Duchess of Carril
41:51has to stay away from the promise to remain silent.
41:54How do you know that?
41:57Do you know something about that family that you haven't told us?
42:00No. No, no, I don't know anything.
42:02But all families have their troubled and secret affairs under the carpet.
42:06And the Duchess of Carril's, I don't think it's less, I say.
42:09You are the one who is giving things for done, Vera.
42:12I don't think that under the carpet of the Duchess of Carril
42:15there is anything worthy of mention.
42:17Yes, sure.
42:18Vera, why don't you come with me to the pantry?
42:20I have to get some canned food.
42:23Yes?
42:24Sure.
42:37Come in.
42:41May I, Mrs. Arcos?
42:43Come in, Santos.
42:48Come in.
42:51I just wanted to know how your day has gone.
42:55Well, it started badly.
42:57Then it got worse.
43:00And only now it seems that it is straightening a little.
43:06Well, I'm glad for the part that I get.
43:10And why has it started so badly?
43:13Well, actually, the penalties almost started last night.
43:19What happened?
43:21Well, I had a disagreement with Mr. Baeza.
43:24And now, Santos, what about?
43:28He thinks I'm not trustworthy.
43:32And that's why they kept me out of that stupid plan
43:36of standing by and pretending to be dead.
43:39But you are the key master of this house.
43:42You must be aware of everything that happens.
43:45Yes, well, it seems that this is not so important.
43:49In fact, your father was not aware either.
43:52And he, like me, is the head of the service.
43:56I suppose he would also blame him, Mr. Baeza.
44:00Rather, this afternoon they both blamed me.
44:04But that is a ruin, Mrs. Arcos.
44:07My father would rather stand by his friend
44:10than admit that he was wrong.
44:12Well, Santos, we don't just argue about that.
44:16What else happened?
44:18If you don't mind, I'd rather not relive that moment.
44:24I'm sorry it was so unpleasant.
44:27We must admit that when my father and Mr. Baeza get together,
44:31they can be truly unbearable.
44:34Because they are both determined to defend Pia.
44:37And that woman has not acted precisely honestly.
44:40Of course not.
44:42I still remember the service crying for her death
44:45and my father determined to make that pathetic tribute.
44:48Yes.
44:50And how quickly they have forgotten the pain
44:53that caused their false death.
44:55And now they receive her as if she were a real heroine.
44:58It's hard to believe, Mrs. Petra.
45:02I assure you that if she had been a servant,
45:04now that she had committed such a mistake,
45:07she would have been skinned alive.
45:10Do you think so?
45:12I'm telling you,
45:15the people who go with the truth ahead
45:17are doomed to loneliness.
45:20I leave her.
45:25But you know that you can always count on me.
45:30I will never leave her.
45:35Thank you, Santos.
45:41Have you seen her like me?
45:43She has not had time to make the Duchess of Carría fall from a donkey.
45:46I don't know so much.
45:48She has dropped the fact that the Duchess had astute affairs.
45:51And that, said by a lady, is a very serious accusation.
45:55Has she not referred to her personally?
45:58Or to the family?
46:00I don't know.
46:01But I recognize that there is something strange about Vera.
46:04It's as if she had a grudge against the Duchess of Carría.
46:07And why is that?
46:08With how well this lady has always treated her?
46:11Well, no. Very well.
46:13She has always treated her with deference, with a lot of affection.
46:16And Vera, far from showing, is always grateful with the cup loaded.
46:20Well, we don't care about that.
46:22Let's finish the eggs for dinner.
46:24But this is the last one, right?
46:26Yes.
46:27What are you doing there?
46:40Julia?
46:41Curro.
46:46Are you here to see your cousin Manuel?
46:49And how is he?
46:52The truth is that he does not lose his spirit.
46:55But his situation is getting more and more complicated.
46:58Look at it on the bright side.
47:00He is whole and that means that he trusts that his innocence will be proven.
47:03It's a matter of time before things get clear.
47:06May God hear you.
47:08Come on, Curro.
47:09You have to stay whole too.
47:10And you have to do it for him.
47:11Now is when he needs you most.
47:14Yeah.
47:15I know.
47:16Yes.
47:17But ...
47:20But what's wrong?
47:23It's not just because of my cousin Manuel that I'm so restless.
47:27I'm also like this for you.
47:29Yes.
47:31I've found out that you've been asking about me for a while.
47:35And about a certain maid.
47:43For nothing.
47:44I'm just curious about the relationship you have with that Hanna.
47:50And why with her specifically?
47:53Because it is obvious that there is something special between you.
47:56The way you treat her ...
47:58No, no, Julia.
48:00I treat all the members of the service equally.
48:04I have seen with my own eyes the intimacy you have.
48:08What?
48:09What have you seen exactly?
48:13I saw you with her in the studio.
48:15Hugging.
48:20Yes.
48:21Yes, it's true.
48:23But ...
48:25But what?
48:26That ... it was a consolation hug.
48:29About Manuel.
48:30After all, she is his fiancée.
48:34Are you sure you don't have anything else with her?
48:36What?
48:37What do you mean by that?
48:39Look, Curro.
48:40I barely know that girl.
48:41She told me a story about my allergic reaction and her treatment was exquisite.
48:45And, of course, I am aware of her relationship with Don Manuel.
48:49And then?
48:50I'm worried that she might get close to you.
48:54That's what I'm interested in.
48:55No, no, no.
48:56For God's sake, Julia.
48:57Really, no.
48:58Don't try to fool me, Curro.
48:59That wasn't a consolation hug.
49:01Julia, really, it's not what you think.
49:03Of course not.
49:04That girl is taking advantage of your generosity.
49:06And now I understand better the rejection caused by the Marquis.
49:08No, no, Julia.
49:09No, really, no.
49:10Maybe we should warn them.
49:11Tell them that she is also approaching you.
49:13Put them on alert and make them break their promise.
49:15No, you can't say anything.
49:16But why?
49:17Because Hanna is my sister.
49:33Come on, hurry up, they're waiting for you upstairs.
49:40Hanna.
49:41Hanna.
49:42María, finish with the trays.
49:43They have to be put up.
49:44As you wish.
49:45Mrs. Simona, the plate, please.
49:47Come on, María.
49:48Now it seems that everyone is in a bad mood.
49:52Wow.
49:53So another night preparing dinner.
49:56With the servants, Mr. Expósito.
49:59I imagine you will be counting the days for them to serve you upstairs, right?
50:05Sir.
50:07How can we help you?
50:09I come to talk to one of the maids.
50:11But I'm glad you and Mrs. Arcos are here.
50:14And if you tell me who you are ...
50:16She's here.
50:19In front of me.
50:22Hanna Expósito, I have to talk to you.
50:28You all know the uncomfortable situation that has occurred because of your alleged relationship with my son.
50:34It is a scandal that we cannot afford.
50:39Go ahead, I don't wish you any harm.
50:42On the contrary, I wish you all the best.
50:47But far from here.
50:50You are fired.
51:09Thank you very much for your interest, Your Excellency.
51:13Thank you again, thank you.
51:16What did he tell you?
51:18Is he going to help Manuel?
51:20His advice is that we find him a good lawyer.
51:24I don't know why, but the more I treat him, the more I am interested.
51:28We already trust each other fully.
51:30To the point of telling each other secrets.
51:33Like which?
51:35It seems that our wedding is not a priority.
51:37Well, of course it is a priority.
51:38But visiting my nephew at such difficult times is not something that should be delayed.
51:43In the end, it seems that everything is more important than your own wedding.
51:46Do you know what I'm telling you?
51:48That I am seriously thinking about postponing the wedding.
51:51This is the payment that corresponds to you.
51:53Thank you very much.
51:55And I take away a recommendation so that it is easier for him to find work in another house.
52:01I thank you from the bottom of my heart.
52:03This afternoon I learned that Hanna was leaving the promise because you fired her.
52:07That firing was the only way out.
52:09Look, if we really want to end what Manuel has with that whore,
52:13we're going to have to change our strategy.
52:15That won't be enough, Cruz.
52:17We're going to need a miracle.
52:18You mean the subject of your wife's death.
52:21Lies and their shortcomings.
52:23It may be.
52:24But I was forced to lie to Mrs. Alcos.
52:26And I hate to lie.
52:28I would say so, seeing how well you lied about Pia.
52:32There is another possible explanation for all this.
52:33That when you came to look for me, you already knew what you were waiting for.
52:37And I don't know, maybe you saw in me a simple way to solve this whole situation.
52:43A bit of Pelayo swallows everything.
52:46And here, peace.
52:47And then glory.
52:49And she also has a special crush on the Duchess of Carré.
52:51Something's going on between them.
52:53I see Vera as usual.
52:54I don't believe you either.
52:56Let's see, Lope.
52:57If we ask you, it's because we're worried about you.
52:59What's up with that, mom?
53:00Of course, Vera.
53:01For us, she's like our little girl, too.
53:03And something very strange is happening to Vera, huh?
53:05And you're also very strange.
53:06You're both very strange.
53:07She's her mother.