Episode 2 - The Great Indian Kapil Show Season 2
Episode 2 - The Great Indian Kapil Show Season 2
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FunTranscript
00:00:00Finally, let's see some videos of you.
00:00:30Good evening and welcome to The Great Indian Kapil Show.
00:00:36Arsena ji, India ki ek quality hai, itni diversity ke baad bhi, kya kamaal ki unity
00:00:47hai.
00:00:48Aap dekho, south mein garam tawa pe paani chidak ke dosa bana rahe hote hain, north
00:00:52mein garam tawa pe ghee daal ke paratha bana rahe hote hain, lekin jab se humara culture
00:00:56mix hua hai, kabhi paratha mein se dosa khushbu aati hai, kabhi dosa mein se paratha khushbu
00:01:00aati hai.
00:01:01Maza aa raha hai.
00:01:02Acha north aur south dono hi jagah lungi chalti hai.
00:01:07Aur ek cheez maine dekhi, jahaan-jahaan lungi pehante hain, wahan ki population pata nahi
00:01:10kyu zyada hai.
00:01:11Aur aurko idea nahi hai.
00:01:14Aur hamari filmon se, lungi ki position jo hoti hai na, usse pata jalta hai ki hero
00:01:20ka mood kya hai.
00:01:21Jab tak toh lungi niche hai, tab tak pata hai ki hero shant hai, hero khush hai.
00:01:26Lekin jaise hi usne lungi uthaa ke yahaan baand li, toh samjho ab ye gusse mein hain,
00:01:31villain ko dodha-dodha ke maarega.
00:01:35Jaise bhojpur filmon mein lungi ka style alag hai, woh uthaa ke bolta hai na, toh hari
00:01:39maai ka rukki abhi batawat bana.
00:01:42Toh udhar south ka hero bolta hai, me amma aagundi pade chittamat.
00:01:49Lekin feelings, emotions same hai.
00:01:50Aap dekhne south wale dimaag wale khel zyada khelenge.
00:01:53Jaise chess mein aapne dekho agar Vishwanathan Anand sahab hain, Ramesh Prabhu Pragananda
00:01:57ji hain.
00:01:58Aur baaki maar pitai sari Punjab-Haryana ke isse aayi hai.
00:02:01Boxing aur kushti mein saare medal hamare hain.
00:02:04Is baat ke liye bhi taaliyan.
00:02:08Baaki jo kabaddi hai, kabaddi toh humare politician bhi achi khel lete hain.
00:02:12Aap dekho election se pehle aisi kabaddi khelte hain, doosri team wale ko apni team mein
00:02:16kheech lete hain.
00:02:18What a player.
00:02:20Honeymoon pe jo young couple hote hain na, zyadatab north mein jaate hain.
00:02:23Thandi jagah hain, banda theek rahta hain.
00:02:27Garmi mein, honeymoon ke aaya, banda karte hain.
00:02:29Hata hai yaar.
00:02:34North mein kyunki thandi-thandi jagah hain, Shimla, Manali, Nainital.
00:02:36Lekin jin ki shaadi ko 20-25 saal ho jate hain, wo phir south jaate hain.
00:02:40Kyunki wahan mandir bade hain.
00:02:43Wahan pe jaake bhi liye haath jod ke bolte hain, Prabhu, 20-25 toh humne apne dam pe nikal
00:02:47liye.
00:02:49Ab aap hi ke upar bharosa hain, aap nikal baate hain.
00:02:53Shaadi shudha aalmi dhara hota be dhara.
00:02:55Lekin, ek baat pakki hai, jab north aur south milte hain, toh maza double ho jata hai.
00:03:00Aise hi aaj yaha north aur south se do superstars aa rahe hain, toh zordaar taaliyan se swaagat
00:03:04kijiye.
00:03:06Mr. Antia.
00:03:09Mr. Saif Ali Khan.
00:03:19Yeh neela neela paani.
00:03:21Yeh haan.
00:03:22Yeh haan.
00:03:23Yeh haan.
00:03:24Yeh haan.
00:03:25Yeh haan.
00:03:26Yeh haan.
00:03:27Yeh haan.
00:03:28Yeh haan.
00:03:29Yeh haan.
00:03:30Yeh haan.
00:03:31Yeh haan.
00:03:32Yeh haan.
00:03:33Yeh haan.
00:03:34Yeh haan.
00:03:35Yeh haan.
00:03:36Yeh haan.
00:03:37Yeh haan.
00:03:38Yeh haan.
00:03:39Yeh haan.
00:03:40Yeh haan.
00:03:41Yeh haan.
00:03:42Yeh haan.
00:03:43Yeh haan.
00:03:44Yeh haan.
00:03:45Yeh haan.
00:03:46Yeh haan.
00:03:47Yeh haan.
00:03:48Yeh haan.
00:03:49Yeh haan.
00:03:50Yeh haan.
00:03:51Yeh haan.
00:03:52Yeh haan.
00:03:53Yeh haan.
00:03:54Yeh haan.
00:03:55Yeh haan.
00:03:56Yeh haan.
00:03:57Yeh haan.
00:03:58Yeh haan.
00:03:59Yeh haan.
00:04:00Yeh haan.
00:04:01Yeh haan.
00:04:02Yeh haan.
00:04:03Yeh haan.
00:04:04Yeh haan.
00:04:05Yeh haan.
00:04:06Yeh haan.
00:04:07Yeh haan.
00:04:08Yeh haan.
00:04:09Yeh haan.
00:04:10Yeh haan.
00:04:11Yeh haan.
00:04:12Yeh haan.
00:04:13Yeh haan.
00:04:14Yeh haan.
00:04:15Yeh haan.
00:04:17Wow!
00:04:30Thank you all sir.
00:04:33Welcome!
00:04:34Welcome Sir.
00:04:36Welcome my friend.
00:04:38Bahu Bahu suwagat ai sar.
00:04:39Bahu Bahu kamal ke lag rahe hain vaagreyo.
00:04:42Sir.
00:04:43You always look so dashing.
00:04:45Your entry that we were going to do today, we needed models.
00:04:48We had 50 ready, but we had a budget of 5.
00:04:55We did that final which would be ready in the barter system
00:04:57that it will go to the photo, no money.
00:05:02Because everyone has their own style.
00:05:04You see, Ajay Devgn sir gets happy when he gets two bikes.
00:05:07Akshay sir gets happy when he gets an entry from a helicopter.
00:05:11We were confused about NTR sir, how to get him an entry.
00:05:13Why?
00:05:14Because he does larger than life films.
00:05:162000 dancers are dancing behind him.
00:05:19The population of a small village is 400-500.
00:05:22When he was shooting, he brought so many singers.
00:05:24There are not so many people in our village.
00:05:29He signs 10-10 songs together.
00:05:31RRR, first we need to clap for him.
00:05:38Do you know how he got an entry in RRR?
00:05:42He brought a zoo of lions, cheetahs and bears.
00:05:46Sir, when I came with Rajmali sir last time, I couldn't ask.
00:05:50I was hesitant.
00:05:51Like the writer wrote that you have to fight with a lion.
00:05:54Yes, sir.
00:05:55Weren't you tensed that he wrote it?
00:05:57Otherwise, I...
00:05:59Sir, forget this.
00:06:01People were thinking that the entry of the interval
00:06:05that you were talking about, cheetahs, bears, etc.
00:06:09So, people were actually thinking
00:06:11that I was actually sitting with animals inside.
00:06:16People were asking me, how did you sit?
00:06:18I said, it's all VFX.
00:06:21They said, no.
00:06:22It's not VFX, sir. You really sat inside.
00:06:26So, I had to say the entire movie of RRR to explain.
00:06:30Okay.
00:06:36But sir, you both have come today.
00:06:37Saif sir, it's great that you got an entry and you got an entry.
00:06:41It was my dream, sir.
00:06:42I used to get everyone's entry, but I never got one.
00:06:44I would have got you an entry.
00:06:46Seriously?
00:06:47What kind of entry would you like?
00:06:48With boys or girls?
00:06:49As you wish, with girls.
00:06:51With boys.
00:06:55You go, I will give you one.
00:06:56Wow.
00:06:57I am just...
00:07:03Ladies and gentlemen,
00:07:04today's guests are very pure-hearted.
00:07:09They don't discriminate.
00:07:12Whether they are heroes or heroines,
00:07:14they take everyone's side.
00:07:18Even if a 70s heroine comes to them,
00:07:20they treat her with the eyes of a 2024 heroine.
00:07:26They are so talented,
00:07:28that they romance even with a chair.
00:07:30And they are so heartless,
00:07:31that sometimes they even look at their own wife in a wrong way.
00:07:38Ladies and gentlemen, please welcome one and only Mr. Kapil Sharma.
00:08:02Welcome everyone to Bollywood.
00:08:07Come on, guys.
00:08:23It was great!
00:08:25It was great, sir. Thank you, sir.
00:08:27You are welcome, sir.
00:08:28I got an entry just because I gave you the most.
00:08:30Wow!
00:08:34Sir, can I come to the South as well?
00:08:35Star, as an entry?
00:08:37Of course, of course.
00:08:38But it won't be like that, sir.
00:08:39You'll have to say a dialogue in Telugu.
00:08:41You'll have to give an audition.
00:08:42Yes, if you teach me.
00:08:43Yeah, yeah, why not?
00:08:44There's a dialogue in Devra.
00:08:45Yes, sir.
00:08:45You'll have to say it in Telugu with a spurt.
00:08:47Yes.
00:08:48Okay?
00:08:50Devra adi ginna dinte.
00:08:54No.
00:08:56One at a time.
00:08:57Slowly, sir.
00:08:59Devra.
00:09:00Devra.
00:09:01Adi ginna dinte.
00:09:02Adi ginna dinte.
00:09:04Adi ginna.
00:09:06Seppi nadani.
00:09:08Seppi nadi.
00:09:09Seppi nadani.
00:09:10Seppi nadani.
00:09:11Okay.
00:09:15Your Telugu is sounding a bit Punjabi.
00:09:19It's okay, sir. It's in English.
00:09:23It was good, but it was fun, sir.
00:09:26What do you mean?
00:09:27I'll teach you a Punjabi dialogue.
00:09:29Will you say it?
00:09:30Sure, sir.
00:09:30The Punjabis will enjoy it.
00:09:31Yes, definitely.
00:09:32Do you want to see Ms. Archana and say it?
00:09:33No, no.
00:09:34It's a romantic dialogue.
00:09:35I had told you that boys are scared of you.
00:09:39I can't even call her Ms. Archana.
00:09:41I just know her as Ms. Birganza.
00:09:42Oh.
00:09:46So, you can call her Ms. Birganza.
00:09:48Yes.
00:09:49Ms. Birganza.
00:09:51Ms. Birganza.
00:09:52Whenever I see you.
00:09:54Whenever I see you.
00:09:55I see you.
00:09:56Yes.
00:09:57I have nightmares.
00:10:00Oh.
00:10:02I have nightmares.
00:10:03I see you.
00:10:10You all know Saif sir.
00:10:12He's a stylish English speaking man.
00:10:15Come on.
00:10:16When he played that character in Aankara
00:10:18we forgot that he is Saif Ali Khani.
00:10:20If you could say a dialogue
00:10:22for the Bhojpuri for your fans
00:10:24seeing Ms. Archana.
00:10:25In Bhojpuri.
00:10:26You have to say that your smile is like AK-47.
00:10:33Like AK-47.
00:10:34Yes.
00:10:38In one go, the whole neighborhood is gone.
00:10:40In one go, the whole neighborhood is gone.
00:10:42Gone.
00:10:46That's great, sir.
00:10:47Thank you, sir.
00:10:48These are our pan-India stars.
00:10:50Give them any language.
00:10:51They all know it.
00:10:52Thank you, sir.
00:10:56We are meeting you after a long time.
00:10:58First of all, congratulations to you from the whole of India for winning the Oscar for Natu Natu.
00:11:10Sir, you have won the Oscar.
00:11:12Yes.
00:11:13But when you were rehearsing, you didn't know that you would win the Oscar.
00:11:16Absolutely.
00:11:17At that time, you didn't know why you were dancing so much.
00:11:19Because when I saw you dancing, I couldn't breathe.
00:11:22Really.
00:11:23But it was there, sir.
00:11:24Was it very difficult?
00:11:25No, it was very difficult.
00:11:26I mean, the step wasn't difficult, sir.
00:11:29But the synchronization between the two was a little difficult.
00:11:34And Rajmouli is a taskmaster.
00:11:35So, I won't be able to say anything to him.
00:11:37Right.
00:11:38I just did it.
00:11:39Like, I have been thinking for the last five minutes whether I should be made to sit or...
00:11:44Yes, yes.
00:11:45Come, come.
00:11:46I can say anything to you.
00:11:47Please.
00:11:48Please.
00:11:51Please.
00:11:52Come, sir.
00:11:53Thank you so much.
00:11:54Please, please.
00:11:56Thank you, sir.
00:11:59Mr. Saif, just keep one thing in mind.
00:12:01This N should not be covered.
00:12:02No, not at all.
00:12:03Keep it here.
00:12:04This will affect our cheque, sir.
00:12:06Please.
00:12:07I am meeting Mr. Saif after a long time.
00:12:09I have seen that as Mr. Saif's children are growing up, he is getting younger.
00:12:13Yes.
00:12:15You see, there is a five year difference between him and Ibrahim.
00:12:21Sir, Aamir Khan had come to our show the other day.
00:12:23He says, when other actors have kids, they sometimes ask me what to do.
00:12:28My own kids say that they don't listen to me.
00:12:30Yes.
00:12:31So, Ibrahim is also coming in films, I think.
00:12:33Do they listen to you?
00:12:35I think they should listen to Aamir.
00:12:39Yes, Ibrahim has just started.
00:12:41The film has not been released yet.
00:12:43Actually, they don't ask much.
00:12:45Okay.
00:12:46But my daughter, Sara, she talks to him a lot.
00:12:49She asks him what to do.
00:12:52Sometimes, she brings scenes.
00:12:53Like, read with me and give some ideas.
00:12:56But in future, I think, with Ibrahim too.
00:13:00I have worked with Ibrahim in a film recently, Saif.
00:13:03Yeah.
00:13:04He has to be the sweetest boy in the entire world.
00:13:08That's nice.
00:13:09The sweetest.
00:13:10Absolutely.
00:13:12So, I just thoroughly enjoyed working with him.
00:13:15Good. I am very happy to hear that.
00:13:17Good parenting.
00:13:22Sir, both of you have worked in the South and North industries.
00:13:25Now, you are working together.
00:13:26What is the difference, sir?
00:13:28I would like to know from both of you.
00:13:29Breakfast is different.
00:13:30It is the same everywhere.
00:13:32What is the difference, Saif?
00:13:34The difference is that there is a lunch break.
00:13:36They have a lunch break?
00:13:37They have a lunch break.
00:13:38A big lunch break.
00:13:39The timings are very good.
00:13:41The people are very good.
00:13:43The working environment and the conditions are also very good.
00:13:47Rest, it is very similar.
00:13:49Ask them.
00:13:50You are filming here too.
00:13:52What difference do you see, sir?
00:13:53Sir, it's the same.
00:13:55Sir, it's the same.
00:13:56I think also it's the same.
00:13:57Yeah, it's the same, sir.
00:13:58But the process is different.
00:13:59And if Ayaan Mukherjee has to take a lunch break,
00:14:03he feels like he is giving all his property.
00:14:07So, it's not that.
00:14:12Sir, there are some questions from your fans.
00:14:15So, you have to answer them in three seconds.
00:14:17Okay?
00:14:18Since we are talking about North-South,
00:14:19we are celebrating India.
00:14:21So, Antiyar sir, which North dish do you like the most?
00:14:25Vada Pav.
00:14:26Sir, which South dish do you like?
00:14:28Idli Sambhar.
00:14:30Sir, which North place is your favourite?
00:14:33Jaipur.
00:14:34And yours, sir, in South?
00:14:35Kochi.
00:14:36Sir, which North heroine is your favourite?
00:14:38Sridevi, always.
00:14:39No, Sridevi is my answer for the South.
00:14:46For the North, Sridevi ji.
00:14:47For the South, Sridevi ji.
00:14:48So, it just means there is actually no difference
00:14:51between the North and South in India.
00:14:53I don't think so.
00:14:54Absolutely.
00:14:55Never.
00:14:59So, friends, we have another guest from Devraj.
00:15:03I would like to invite him to the stage with your applause.
00:15:06Please welcome, very beautiful and very talented,
00:15:08Jhanvi Kapoor.
00:15:39A big round of applause for Jhanvi.
00:15:51As you all know, today we are celebrating North-South India.
00:15:55We are talking a lot about North-South.
00:15:57And the combination of North and South,
00:16:00Jhanvi Kapoor is a living example of that.
00:16:04Her father, Mr. Goni Kapoor, is from the North.
00:16:07And her mother, the legendary Sridevi ji, is from the South.
00:16:12Jhanvi, I wanted to ask you something.
00:16:14What is your father's quality and what is your mother's quality?
00:16:19Actually, to be honest,
00:16:21when I came into this world,
00:16:23I couldn't understand the cultural difference in my family.
00:16:29Because my father had already converted.
00:16:32He used to eat idli and sambar instead of aloo paratha in the morning.
00:16:37Even his voice had a slight South Indian accent.
00:16:46But honestly, by the end of it,
00:16:48my mother started fighting like a North Indian.
00:16:53She used to argue with my father in a very North Indian way.
00:17:01Mr. NTR, did you know that it was Jhanvi's dream to act with you?
00:17:04Yes, it manifests.
00:17:06Wow.
00:17:07The power of her manifestation.
00:17:09We have to know the process, sir.
00:17:12Because we can also manifest in the future.
00:17:14That I am sitting there and you are sitting here.
00:17:17What are you saying?
00:17:18Or let it be the great NTR show or something like that.
00:17:22Sir, he is the same person.
00:17:24So Jhanvi, when your producer, Mr. Devaraj, came to know
00:17:27that it was your dream,
00:17:28did he give you a cheque or did he say,
00:17:30I fulfilled your dream, you give it to me?
00:17:32No, nothing like that.
00:17:34Nothing like that?
00:17:35Sir, when he was shooting in Hyderabad,
00:17:39I sent him good food twice.
00:17:42Sir, it's been a day since I came here.
00:17:44He didn't get anything.
00:17:46He didn't even get a piece.
00:17:49Forget about him, he didn't even deliver the restaurant.
00:17:55Last time when you came, I made an offer.
00:17:57Should I send home-cooked food or not?
00:17:59We don't offer, we just send.
00:18:01Whether he eats or not, it's a matter of later.
00:18:04In fact, he sent me a paya curry with his own hands.
00:18:08And that changed my life.
00:18:11Mr. NTR, like you make food with your own hands,
00:18:13do you feed the heroine or have you ever fed Mr. Saif?
00:18:17I asked him many times.
00:18:18Oh, you asked him?
00:18:19Yes, there were dietary restrictions.
00:18:21Okay.
00:18:22So it was a little difficult for me to make it.
00:18:24The project couldn't develop.
00:18:25I understand.
00:18:26It was about cooking and tequila.
00:18:28I said, either we shoot or drink tequila.
00:18:31Neither can happen.
00:18:32I said, okay, later.
00:18:37Recently, there's a lot of news about Devaraj.
00:18:40There's a lot of excitement.
00:18:41I heard that you and Janhvi had a shoot in Thailand.
00:18:44Yes.
00:18:45For a song.
00:18:46Your family also went there.
00:18:47Yes.
00:18:48So you told the director,
00:18:49wife and kids, put an action scene here.
00:18:52We'll do the romantic somewhere else.
00:18:56For now, the director wasn't there to speak.
00:18:58Okay.
00:18:59Only the choreographer had come.
00:19:00So there was no choice.
00:19:01There was no choice.
00:19:02But the song was also very beautiful.
00:19:03When he used to speak,
00:19:04I used to have an action sequence at home.
00:19:07That's why I did something.
00:19:13You must be aware of the fact that
00:19:15these days on social media,
00:19:16people enjoy commenting.
00:19:18They also make very interesting comments.
00:19:20So we have a section, sir,
00:19:21Comments Ki Khujli.
00:19:22I want to show you.
00:19:23Comments Ki Khujli.
00:19:24Please have a look.
00:19:26This is Janhvi's photo.
00:19:27It's a very beautiful photo.
00:19:28Janhvi, where is it from?
00:19:29This is a home photo.
00:19:31I took it at home.
00:19:32Do you stay so ready at home?
00:19:33No, no.
00:19:34I was going out.
00:19:35But I took the photo at home.
00:19:36Okay, okay.
00:19:37Very nice picture.
00:19:38Thank you very much.
00:19:39Let's see the comments below.
00:19:42Ms. Janhvi, don't put such a photo.
00:19:44Recently,
00:19:45there has been a blockage in my heart.
00:19:50Janhvi,
00:19:51this is a very beautiful photo.
00:19:52I took it at home.
00:19:53Okay.
00:19:55The doctor has asked me
00:19:56to keep my heartbeat normal.
00:20:00You flirty man.
00:20:03Who is this?
00:20:05You were talking about me.
00:20:06Look at the world, sir.
00:20:09Show me more.
00:20:11Ms. Janhvi,
00:20:12your ring finger is empty.
00:20:13You give me your measurement.
00:20:15As soon as the weight of gold falls,
00:20:17I will buy a ring for you.
00:20:22Someone has even replied to that.
00:20:24Take out the onions
00:20:25that your mother has sent to buy.
00:20:31Show me more.
00:20:33Only a fit girl like you
00:20:34can give such a pose.
00:20:36Otherwise, we have to hold our breath.
00:20:40I think this is common to many of us.
00:20:42I am also holding my breath.
00:20:44Anyone can hold their breath in a photo.
00:20:46Hold your breath in a two-hour episode.
00:20:49We know how to do it.
00:20:55Show me more.
00:20:57Mr. NTR has uploaded this photo.
00:20:58Hashtag Bangalore Diaries.
00:21:00Mr. Shetty is with you.
00:21:02Don't worry.
00:21:03Let's see the comments below.
00:21:06I saw Baba Ramdev
00:21:07in a pant and shirt for the first time.
00:21:18Someone has written,
00:21:19you do Anulom Vilom,
00:21:20oxygen reaches to the brain.
00:21:23This is Rishabh Shetty
00:21:24from Kantara.
00:21:25Got it?
00:21:26From Singhade.
00:21:33Show me more.
00:21:35Mr. Saif has uploaded this photo.
00:21:36Oh, Ms. Kareena has uploaded it.
00:21:38Actually, Mr. Saif is not here.
00:21:40And it's a happy birthday indeed.
00:21:42Sara.
00:21:43Very nice picture, sir.
00:21:44Thanks, sir.
00:21:45Let's see the comments below.
00:21:47Saif Ali Khan.
00:21:48Saif Ali Khan Pro.
00:21:49Saif Ali Khan Pro Max.
00:21:50Saif Ali Khan Pro Max.
00:21:52Saif Ali Khan Lite.
00:21:54All versions available.
00:22:03Well done, sir.
00:22:04Well done.
00:22:05Everything is working.
00:22:06Yes.
00:22:09Show me more.
00:22:10Wow.
00:22:11Your kids are so cultured.
00:22:14Even after reading two cakes,
00:22:15they are looking at the camera.
00:22:19In our country,
00:22:20we would have looted the cake
00:22:21and two kids would have
00:22:22been beaten up by their father.
00:22:28Show me more.
00:22:30If a kid has to get rid of
00:22:31the habit of sucking his thumb,
00:22:33then he should wear loose necklaces.
00:22:35Then he will be holding
00:22:36necklaces all the time.
00:22:39Someone has replied to that.
00:22:40Sir, don't believe him.
00:22:42I have tried it.
00:22:44Our kid has not stopped
00:22:45sucking his thumb.
00:22:47He has stopped wearing necklaces.
00:22:50He has stopped wearing necklaces.
00:22:56Earlier, he used to
00:22:57only suck his thumb.
00:22:58Now, he is naked.
00:23:03That's hilarious.
00:23:04Show me more.
00:23:07Mr. and Mrs. Mahi's day out.
00:23:08I have read his comments.
00:23:09They are very bad.
00:23:10Have you read them?
00:23:12Very bad.
00:23:13Let's see the comments below.
00:23:15Mr. Jhanvi, sit down.
00:23:16The third umpire
00:23:17can't see the match.
00:23:20Rajkumar Bhai's shirt is yellow.
00:23:22Jhanvi's dress is also yellow.
00:23:23Even the ground is yellow.
00:23:24Is everything really yellow
00:23:25or have I turned yellow?
00:23:30Someone has replied to that.
00:23:31This is all green.
00:23:32Tell me the truth.
00:23:33How much have you drunk?
00:23:37Show me more.
00:23:39Rajkumar Bhai is getting
00:23:40so happy as if
00:23:41he has won four wickets.
00:23:42He has won four wickets.
00:23:48We overacted a lot
00:23:49during this match.
00:23:50Why?
00:23:51Because he said
00:23:52that he will pan on you
00:23:53only when you will jump
00:23:54and give reactions.
00:23:57So, we said
00:23:58that we will be here
00:23:59for half an hour
00:24:00and we have to recover.
00:24:01So, we used to get up
00:24:02and dance like this
00:24:03with short hair.
00:24:05So, was this a reaction
00:24:06of a sixer
00:24:07or a white ball?
00:24:08Nothing was happening.
00:24:09Nothing was happening.
00:24:10Yes, actually
00:24:11the entire stadium
00:24:12is quiet.
00:24:13Both of them are excited.
00:24:14They are the owners
00:24:15of both the teams.
00:24:17Let's see more.
00:24:18They look excited.
00:24:19Yes.
00:24:20Mr. Anteer has posted a photo.
00:24:21Backstage bromance.
00:24:22Getting up for
00:24:23roar of RRR in Mumbai.
00:24:25Nice picture.
00:24:26Let's see the comments.
00:24:27So many boxes.
00:24:28It seems that
00:24:29he has got the payment
00:24:30for RRR in cash.
00:24:35No, he has got
00:24:36a lion and a bear
00:24:37which he has caught
00:24:38for RRR.
00:24:41Let's see more.
00:24:43The way both of them
00:24:44are happy,
00:24:45it seems that
00:24:46Raj Mauli will pay
00:24:47for the party.
00:24:50Let's see more.
00:24:52Is it over?
00:24:57Daddy.
00:25:05Daddy.
00:25:07Daddy.
00:25:11The entire cast
00:25:12of Devra has come.
00:25:19She is the senior chef
00:25:20of our cafe.
00:25:21Chef Manju.
00:25:24Greetings, Mr. Anteer.
00:25:26Hi, Jhanvi.
00:25:27My chef has come.
00:25:31Hi.
00:25:32My chef?
00:25:33What is my chef?
00:25:37What should I say
00:25:38to Kareena Kapoor?
00:25:40Okay?
00:25:49You know, sir,
00:25:50I still go to the park
00:25:51wearing a saree.
00:25:52And the boys say
00:25:54that you are my
00:25:55darling.
00:26:02She is telling the truth, sir.
00:26:03I have watched
00:26:04the four boys' group.
00:26:05One made
00:26:06her change her knee
00:26:07day before yesterday.
00:26:08And you lost your teeth while eating Rekh's ice-cream.
00:26:14So tell me, what's on the menu?
00:26:16What's on the menu?
00:26:18You work in a cafe.
00:26:19Yes.
00:26:20Today, we have idli bhaturas on the menu.
00:26:24With mehndu vada ki roti, sambar ka saag.
00:26:27And along with that, shahi idli, karahi idli,
00:26:31matar idli and mushroom idli.
00:26:34This looks like the menu of my house.
00:26:38What kind of menu is this, ma'am?
00:26:40Sir, this is Devra's menu.
00:26:45Just like how he has done a combination of South Indian
00:26:48and North Indian in the film,
00:26:50I have also made it in the same way.
00:26:59But can I tell you something?
00:27:02Our movie combination will be better than your menu.
00:27:04Yes.
00:27:06Sir, what kind of cafe are you opening?
00:27:07You are talking on the gas.
00:27:14Wow, Manju. Wow.
00:27:20Oh, my God.
00:27:22Oh, my love, don't you ever miss me
00:27:26Don't you ever walk with me
00:27:29Oh, my love, don't you ever feel like hugging me
00:27:32Don't you ever dance with me
00:27:36For whom, for whom, for whom?
00:27:39For whom, for whom?
00:27:41For whom, for whom, for whom?
00:27:44For whom, for whom, for whom?
00:27:47Sir.
00:27:48For whom, for whom, for whom?
00:27:52Wow.
00:27:56Sir, how did you like our rowdy performance?
00:28:01Very good.
00:28:03Too good.
00:28:04We spent Rs. 14,000 on your make-up and costume.
00:28:07You didn't dance for Rs. 5.
00:28:09Hello.
00:28:11Sir, he is Sanjay Dutta from Meerut.
00:28:13Look at him carefully.
00:28:15Oh, hello. I have checked the hook of the dance here.
00:28:18Was your hook open?
00:28:25Mr. NTR, tell me. Who am I looking at?
00:28:32You look just the way you are.
00:28:33Will you become more hot than me if I slap you?
00:28:41Oh, my.
00:28:43One second.
00:28:45How are you looking hot?
00:28:47Sir, look carefully.
00:28:49Get him boycotted.
00:28:50He looks like South Indian Brahmin.
00:28:55Look here.
00:28:56Sir.
00:28:58I am Raju.
00:28:59Raju, the viral coffee guy.
00:29:01You must have seen me somewhere on social media
00:29:04while making reels.
00:29:06Yes, sir. You may not remember.
00:29:07But in RRR, when you had the interval scene
00:29:10where all the animals jump.
00:29:12His leg got stuck. He didn't jump.
00:29:19He doesn't know that you are talking so much.
00:29:23NCRJ and Saif Ali Khan are getting worried.
00:29:29Saif Ali Khan is getting worried.
00:29:31No, he isn't.
00:29:32He is getting worried.
00:29:34Oh.
00:29:35How many times have I told you?
00:29:36Until your Hindi is correct, talk in gestures.
00:29:39Oh, really?
00:29:40Yes, do it.
00:29:41Do it.
00:29:41Okay, okay.
00:29:48Even your gestures have a wrong smelling.
00:29:54Sir, my Hindi and gestures are correct.
00:29:57Can I talk?
00:29:58But what will you do with your face?
00:30:02People who get 10 marks right away.
00:30:03You can show your face there.
00:30:04Your hair is better than your face.
00:30:07Sir, I will tell you.
00:30:09We have prepared a poetry promotion for your film.
00:30:13Oh, wow.
00:30:14So, let's start.
00:30:15Yes, do it.
00:30:15I have said.
00:30:16Do it.
00:30:16Do it there.
00:30:18You did it here yesterday as well.
00:30:23I have said.
00:30:23Do it.
00:30:24If you see your neighbour,
00:30:27your wife will leave you.
00:30:29Oh, wow.
00:30:30Your wife will come to the theatre,
00:30:31break all the records.
00:30:32Oh, wow.
00:30:35Yes, wow.
00:30:36I have made a poem in Morocco.
00:30:39Okay.
00:30:40For you, NCR.
00:30:41Wow, what have you made?
00:30:44I love everyone.
00:30:47Wow, wow, wow.
00:30:48Wait.
00:30:49Wow.
00:30:51I love everyone.
00:30:53NCR number one.
00:30:57Wow.
00:30:59Wow.
00:31:01What a sharp nose, sir.
00:31:03Wow, wow, wow.
00:31:05I have made a poem.
00:31:06I told you not to wear this colour.
00:31:07I thought you have come in a parrot's costume.
00:31:12I have made a poem.
00:31:13Raju, I need your attention.
00:31:15Attitude is like a burger.
00:31:17Wow.
00:31:18Wow, wow.
00:31:19Come here.
00:31:19Attitude is like a burger.
00:31:22And face is like a stale bread.
00:31:24Yes.
00:31:26Seeing Saheb Ali, I said, wow.
00:31:30Wow.
00:31:33He is saying, how.
00:31:36How.
00:31:37But I don't even need your attention.
00:31:39Okay.
00:31:40I have made a poem.
00:31:41Yes, go ahead.
00:31:42You will find such people at the river bank.
00:31:45Wow.
00:31:46You will find such people at the river bank.
00:31:49Jhanvi, will you dance with me at the river bank?
00:31:51Wow.
00:31:52Wow.
00:31:54I have made a poem on the same topic.
00:31:57Okay, you too.
00:31:58There is a loan of 10 lakhs on your house.
00:32:02There is a loan of 10 lakhs on your house.
00:32:05I dream of Jhanvi.
00:32:06Should I put it on your ear?
00:32:10Do you want to talk?
00:32:11I have made a poem, I have made a poem, Rishabh.
00:32:13Whenever there is an anti-R, it spreads.
00:32:16Wow, wow, wow.
00:32:19Whenever there is an anti-R, it spreads.
00:32:22Whenever this person is insulted, I enjoy it.
00:32:29Sorry, it was good.
00:32:32I have made a poem.
00:32:33Wow.
00:32:34I have made a poem that on the first day of the first show..
00:32:35..everyone will go to see Devara.
00:32:37They will go.
00:32:38You go away.
00:32:40Otherwise, the gents and the ladies bouncer will beat you up.
00:32:42Wow, wow, wow.
00:32:44What are you doing?
00:32:46They are making fun of me.
00:32:48When the ladies guard comes, they will really beat me up.
00:32:50Okay, we are going. Bye, bye.
00:32:52Let's go.
00:32:53Let's go and make a poem.
00:32:54All the best for me.
00:33:01Sir, a few days ago we met Mr. Salim Khan.
00:33:06He said that once my son Arbaaz came to me.
00:33:09He was a little confused.
00:33:10He said, dad, should I play cricket or sing?
00:33:14So Mr. Salim said, you play cricket.
00:33:15He said, have you seen me play cricket?
00:33:17He said, no, I have seen you sing.
00:33:20Isn't it?
00:33:23Sir, you had two options.
00:33:25Yes.
00:33:25Either you, Mr. Nawab Patodi, could have become a great cricketer like your father.
00:33:29Yes.
00:33:30Your mother is such a legendary actor.
00:33:32So did Mr. Sharmila see you play cricket?
00:33:35I mean, your first love was acting from the beginning, sir.
00:33:38People used to say that I have my mother's cricketing ability.
00:33:43I mean, genetically I have come from there.
00:33:45From the Tagore family.
00:33:47First of all, I didn't have the mental focus that I needed at a young age.
00:33:52So mentally, I didn't suit cricket, you know.
00:33:57And I enjoy acting a lot.
00:33:59And I think I chose the right profession.
00:34:01And we also enjoy watching you.
00:34:04So I think I chose the right profession.
00:34:05Absolutely.
00:34:07Like, there are actors and politicians in Mr. NTR's family as well.
00:34:12Sir, was this your first love?
00:34:14Otherwise, you could have chosen a different career.
00:34:17Sir, I was 17 years old when my first movie opened.
00:34:23I was 17 years old.
00:34:25I just wanted to become an actor, sir.
00:34:27I never saw the other option as an option.
00:34:31You never thought of shifting your fans to voters, is that right?
00:34:35Not votes, sir, but they are giving tickets.
00:34:37Yes.
00:34:39So, I am meeting so many people.
00:34:41There is so much exchange of talent.
00:34:44And when people sit and enjoy your acting and movies,
00:34:48it gives them a lot of happiness.
00:34:49So, I am happy being an actor.
00:34:52I think I have chosen wisely.
00:34:58Sir, we have heard that the CM of Andhra Pradesh, Mr. Chandrababu Naidu
00:35:02is in your relationship.
00:35:03Yes.
00:35:04So, I had a question for Ms. Archana.
00:35:07She was saying that if a writer comes to you to narrate a film
00:35:09and you don't like it,
00:35:11has she ever said,
00:35:12you didn't like the script, so my tender has been halted?
00:35:18Do people approach you like that?
00:35:20No.
00:35:21See, I told you not to ask questions like that.
00:35:24Is it her doubt or yours, sir?
00:35:26What?
00:35:26Is it yours or hers?
00:35:28It's her question and her doubt.
00:35:30Sir, it was hers. Her uncle is the tenderer.
00:36:11Oh, my God!
00:36:18Oh, my God!
00:36:41Oh, my God!
00:36:44Oh, my God!
00:36:45Long live the Queen Mother!
00:36:48Motappa.
00:36:55Motappa, give her 10,000 gold coins.
00:36:58Motappa!
00:37:05Queen Mother, may you always be sweet sixteen.
00:37:11May you always be sexy.
00:37:12Oh, God!
00:37:15Motappa, give her 20,000 gold coins.
00:37:22Queen Mother, may Saif Ali Khan fall in love with you.
00:37:32What are you looking at?
00:37:33Give her 50,000 gold coins.
00:37:38Queen Mother!
00:37:39Queen Mother!
00:37:45What have you invested? 10,000, 20,000, 50,000?
00:37:50Do you even realise?
00:37:52You have incurred so many losses because of this tenderer.
00:37:55Our treasures have become empty.
00:37:58Give her the gold coins.
00:38:00I have promised her and you know it.
00:38:02My promise is my rule.
00:38:10Thank you, Queen Mother.
00:38:11If you could do me one more favour.
00:38:13I am married, but I have not been able to go on a honeymoon.
00:38:16If you could arrange for Switzerland..
00:38:22Do you know that our Queen Mother
00:38:24had gone to Bandhup for her honeymoon?
00:38:30And you will go to Switzerland.
00:38:32Get out of here.
00:38:36Queen Mother, look at this.
00:38:38Who all have come to the Netflix empire today?
00:38:42The king of the Natu Natu empire, NTR.
00:38:48The king of the Ole Ole empire, Saif Ali Khan.
00:38:53And the princess of the Boney empire, Chandi.
00:38:58He said Boney.
00:39:02Motappa, you told me about them.
00:39:06Tell them about us too.
00:39:08She is our Queen Mother.
00:39:11She often gets gas when she drinks milk.
00:39:17What are you doing, Motappa?
00:39:19Tell them what I have done for the empire.
00:39:22What you have done?
00:39:25Our Queen Mother has done a lot for our kingdom.
00:39:28Not just for humans, but for animals too.
00:39:30For horses, elephants, buffaloes, cows.
00:39:33The cow's milk is distributed throughout the empire
00:39:35but she herself doesn't drink it.
00:39:36Because she often gets gas when she drinks milk.
00:39:44Motappa, Shatappa.
00:39:48What are you saying?
00:39:50What happened?
00:39:54Malfunction.
00:39:55Malfunction.
00:39:59Why doesn't the Queen Mother come to her kingdom
00:40:00after making a good bond with her?
00:40:04Wait a minute, Queen Mother.
00:40:05Balu Dada.
00:40:09What are you doing here?
00:40:11Actually, we saw Devra's trailer.
00:40:14Yes.
00:40:15It was great fun.
00:40:16We will get 1000 crores.
00:40:17A big round of applause.
00:40:21NTR, tell your director to give us a job too.
00:40:27Because after Bahubali 2, Raja Goli
00:40:30didn't make a single film with us.
00:40:37We have been unemployed for the past seven years.
00:40:41This is a very bad time, sir.
00:40:44The Queen Mother is very cunning.
00:40:50You know, she picks up any child and declares him as Bahubali.
00:40:54Yes, yes. She picked up a cat child the other day
00:40:57and declares him as Biliyendra Bahubali.
00:41:03Biliyendra.
00:41:06He is in such a bad shape.
00:41:08Yes.
00:41:08I don't know which razor Raja Goli used to shave his head.
00:41:14He is not getting a single hair on his head.
00:41:20You know, Queen Mother, I respect you a lot.
00:41:23Really?
00:41:24Yesterday, I had gone for a meal.
00:41:25Someone had invited me.
00:41:27I went there. They kept rice in front of me.
00:41:28I didn't eat a single grain of rice.
00:41:30I folded my hands and got up.
00:41:31Why? Because with rice, there is the Queen Mother.
00:41:35Queen Mother.
00:41:36Queen Mother.
00:41:40That's great, Mutafa.
00:41:43I am very happy with you, Queen Mother.
00:41:47Here.
00:41:48This is empty, Queen Mother.
00:41:49I will slap you so hard under your ear.
00:41:54Yes.
00:41:56We have come here on Netflix.
00:41:58And you are making a joke on Instagram's wordplay.
00:42:03That too, of Kiku Sharda.
00:42:11Raja Goli, reach the gate number 21 for boarding as soon as possible.
00:42:18Raja Goli is coming here.
00:42:20NTR sir, you know Raja Goli.
00:42:23Tell him to make Bahubali 3 and take us in it.
00:42:26He will definitely listen to you.
00:42:27He is coming here.
00:42:28We will hide for a while. Please talk to him for us.
00:42:30Okay? Please, just talk to him.
00:42:53Raja Goli.
00:43:01Sir, greetings.
00:43:04Greetings. Greetings. Greetings.
00:43:08Congratulations.
00:43:11For your film, Devra. Congratulations.
00:43:15Looks good, Pramod.
00:43:18Good, nice.
00:43:19Kapil, can I speak in Hindi?
00:43:21Yes, please, sir.
00:43:23So...
00:43:35Yes, Hindi, sir.
00:43:35Can I speak in Hindi?
00:43:36Hindi, Hindi, please.
00:43:37Can you?
00:43:38Can you?
00:43:39Yes. Okay.
00:43:40Wow.
00:43:45I can speak in Hindi, yes.
00:43:47So, give my regards to your baby.
00:43:51Is this Hindi?
00:43:52Yes.
00:43:54You are speaking in English even after asking for Hindi.
00:43:57It's Hindi, right?
00:44:01Only the Hindi is Hindi, sir.
00:44:04English is in front and back.
00:44:06Everything is Hindi.
00:44:07This is my style. This is Raja Goli style.
00:44:09Raja Goli.
00:44:11Raja Goli style means it's like my films.
00:44:13I give suspense.
00:44:15If I order food, Archana ji,
00:44:18you know, I tell the cook to make food at home.
00:44:20Suspense.
00:44:23What?
00:44:25Then if I go and have a bath in the bathroom,
00:44:27you know, I enter the bathroom,
00:44:29I switch on the shower, I remove my clothes.
00:44:31I take out my clothes.
00:44:32The shower thinks that I am going to take a bath.
00:44:34But no, I wash my clothes.
00:44:35Suspense.
00:44:41Mr. Kapil, my horse is here.
00:44:43Do you have a problem with that?
00:44:44It's a cycle, sir, I think.
00:44:46It looks like a cycle from the naked eye.
00:44:47After VFX, it looks like a horse.
00:44:51And when the film is released,
00:44:54this will be like a chariot.
00:44:56A chariot.
00:44:59Sir, I have a small question.
00:45:01Why do you use VFX everywhere?
00:45:04Because I know how to do it.
00:45:10You know comedy, so you do comedy.
00:45:12Like, if I knew how to do VFX, I would have done it.
00:45:17And Kapil, I want to tell you,
00:45:18I am making commercial films.
00:45:19And I want to take you as an action star.
00:45:22Seriously, sir? Thank you, thank you, sir.
00:45:24I am doing comedy for the sake of thanking you.
00:45:28This is the comedy.
00:45:30Why I came here, NTR.
00:45:33Now, I am making RR2.
00:45:36It's a film which I am making,
00:45:37which is like, you know, in India.
00:45:41What?
00:45:42Pan, Pan India film.
00:45:43Yeah.
00:45:44It's a Pan India film I am making.
00:45:46It's a Pan India film I am making.
00:45:49Sir, you are not making Baahubali 3.
00:45:51If you make it, everyone will like it.
00:45:52I know, I know, it's a good idea.
00:45:54But I know it's not your idea.
00:45:58How do you know, sir?
00:45:59I know. Like, when I bring things in VFX,
00:46:02I also make things disappear in VFX.
00:46:03They are hidden behind the counter.
00:46:04But they come out, come out, come out, come out.
00:46:06Come out, come out, come out.
00:46:09That's their idea.
00:46:17How did you know that we are hidden here?
00:46:20I saw you hiding behind the counter after removing it from VFX, okay?
00:46:26And I also saw the kiss that the Queen Mother gave you.
00:46:29No, no, not a kiss.
00:46:32I was hiding behind her beard.
00:46:34You were hiding.
00:46:35Yes, and I have to hide behind my kiss.
00:46:41I was hiding behind my kiss.
00:46:42I was hiding behind my kiss.
00:46:44I was hiding behind my kiss.
00:46:53Listen, for the last time, I'm telling you,
00:46:56I'm not making Baahubali 3.
00:46:58No?
00:46:59No.
00:46:59First, I'll make RRR 2, 3, 4, 5, 6, 7, 8,
00:47:02and then Baahubali 3.
00:47:05We'll be ruined by then.
00:47:09You can do one thing.
00:47:10You can cast us in the next RRR movie.
00:47:14We can also do a dance.
00:47:15Yes, we can do it.
00:47:37I could have taken you with me after seeing the dance.
00:47:45Please, Raju.
00:47:46No, no, not possible.
00:47:48It's been seven years and you haven't done a film.
00:47:51Queen Mother,
00:47:53you don't have to be so formal.
00:47:55I'll talk to her.
00:48:02Are you a robot?
00:48:08Shall we take something and do it?
00:48:10What do you mean, take something?
00:48:14You do one thing.
00:48:15We'll do whatever character you give us.
00:48:17Tell us a story.
00:48:19So, the story is, NTR is coming on a bike.
00:48:21Yes.
00:48:22He looks at Jhanvi.
00:48:23Okay.
00:48:24Okay?
00:48:25It's a commercial.
00:48:26Then, VFX, VFX, VFX.
00:48:32Then, Saif is coming to meet his crush.
00:48:35And then, VFX, VFX, VFX.
00:48:38So, Crush calls him to his room.
00:48:40He says, I want to kiss you.
00:48:43Then, VFX, VFX, VFX.
00:48:51Everywhere, VFX, VFX.
00:48:53That day, he called us home for dinner.
00:48:55And he kept a banana leaf.
00:48:57He said, eat. I said, there's no food.
00:48:59He said, act. We'll put it in VFX.
00:49:04Fast, fast.
00:49:10Enough is enough.
00:49:12Enough is enough.
00:49:22Let's make a movie without VFX.
00:49:24Yes.
00:49:25The story is, NTR comes to the jungle.
00:49:30Okay?
00:49:32Okay.
00:49:34Here comes a lion.
00:49:35Lion?
00:49:36Real lion, lion.
00:49:38This will be fun.
00:49:39Sir is here and the lion is here.
00:49:41The lion is very angry.
00:49:50Lion, NTR is here.
00:49:53Lion about to jump.
00:49:54Then, you come in the middle.
00:49:58Me?
00:50:01You.
00:50:06And you tell the lion,
00:50:07I'll have to eat before he attacks.
00:50:12Sir, this is a movie. I'll die early.
00:50:14Early? Not in a movie.
00:50:15You'll die in real.
00:50:16Because this is real.
00:50:23But...
00:50:24No, sir. Not so real.
00:50:25Real? You wanted real, no?
00:50:26No, no, but...
00:50:27No, no, this is real.
00:50:28He will miss you, fatso.
00:50:29He will miss you.
00:50:33But, sir, I...
00:50:35I...
00:50:36Don't keep me in action.
00:50:38You know, my husband is very narrow-minded.
00:50:42So, he won't be able to see the action.
00:50:43If there's something lip-to-lip romantic...
00:50:46Lip-to-lip.
00:50:48Okay.
00:50:50So, Saif Ali Khan is bathing in the pond.
00:50:54Okay.
00:50:55And you are standing outside
00:50:57and looking at him with longing eyes.
00:51:00Looking at him with which eyes?
00:51:01With longing eyes.
00:51:03And here...
00:51:07A lion is standing here.
00:51:09And he is looking at you with longing eyes.
00:51:17Real.
00:51:18Lion.
00:51:19Real lion.
00:51:20Queen Mother, you don't have to worry.
00:51:22I know.
00:51:24This lion has eaten me a while ago.
00:51:26Okay.
00:51:27His stomach is full.
00:51:28Okay.
00:51:29He won't eat you.
00:51:30No, no, he is not that lion.
00:51:32He is his brother.
00:51:39The lion that ate you was hungry for two days.
00:51:41He is hungry for four days.
00:51:49I have a problem with my date.
00:51:50Okay.
00:51:52So, I won't be able to do this.
00:51:53Can I leave?
00:51:54No.
00:51:55I had to go to the parlour as well.
00:51:56No, no, no.
00:51:57Do it before you leave.
00:51:58No, no.
00:51:59We have a rehearsal with the lion.
00:52:00No, no, no.
00:52:01I had to go for a haircut.
00:52:02Haircut?
00:52:03Beard.
00:52:04Beard.
00:52:05I will tell the lion
00:52:06to cut your beard before he eats you.
00:52:09It's okay, sir.
00:52:10No, no.
00:52:11I have a problem with my date.
00:52:12Let me go to the parlour.
00:52:13No.
00:52:14I have a rehearsal with the lion.
00:52:20Sir, what is this?
00:52:21This is a spoon.
00:52:23It is a spoon, but it is green.
00:52:25I will make it a gun.
00:52:33This is a spoon, not a gun.
00:52:37Oh!
00:52:43I want to tell you another talent of Jhanvi
00:52:46which you don't know.
00:52:49What is it?
00:52:50She can feel and tell you
00:52:52what is lying there.
00:52:55No way.
00:52:56What?
00:52:57Is that true?
00:52:58Really?
00:52:59I don't know where did you get this fact from?
00:53:01We have a great team of one person
00:53:07I will ask for some props.
00:53:08Jhanvi won't look at them.
00:53:10She will stay in front of them.
00:53:11She will just touch them and tell what it is.
00:53:13Okay.
00:53:24There is no animal inside, right?
00:53:31Guys, you are going to see this unique talent.
00:53:34Even I don't know what is inside it.
00:53:36Let's see.
00:53:42Okay, one, two, three, start.
00:53:47Jhanvi!
00:53:49What happened? Is it an animal?
00:53:54My God, Saif!
00:53:55How is she going to touch it, man?
00:53:57What do you mean? It's an animal?
00:53:59No, it's not an animal.
00:54:00No, it won't hurt at all.
00:54:01What does that mean?
00:54:02There is nothing there.
00:54:04It's fine.
00:54:05Go, go more in. Much further in.
00:54:06Go, go, go.
00:54:07It's going to be a little creepy.
00:54:09Oh, no, Bliya.
00:54:10Go deeper.
00:54:11No, it's moving.
00:54:23Don't scare me, man. What are you doing?
00:54:26You are giving a city cable reaction on Netflix.
00:54:36What is it?
00:54:39Jelly slime.
00:54:41Yeah.
00:54:42Yes, it's true.
00:54:44Right?
00:54:52It's not 20 rupees of sugar.
00:54:53It's a cloth worth 400 rupees.
00:54:57Cactus flower.
00:54:58Cactus.
00:54:59Cactus flower?
00:55:00Sorry, it's a cactus.
00:55:01Cactus flower is a movie. Is it a cactus?
00:55:02No, it's a pineapple.
00:55:03Yeah.
00:55:04Pineapple.
00:55:07Oh.
00:55:20What?
00:55:28It's a watermelon.
00:55:29Oh, yes.
00:55:31Yes, it's true.
00:55:33Yes.
00:55:41Wow. Wow.
00:55:48Oh, God.
00:55:52Yeah, really.
00:55:57Why does this box look hot?
00:56:04No, something is moving.
00:56:14Yes, something is moving.
00:56:17Oh, my God.
00:56:29How did he get in there?
00:56:31From underneath.
00:56:32How is he inside this?
00:56:33Sir, like Archana does a magician show after this.
00:56:38We got all the props from there.
00:56:45Thank you. Thank you very much.
00:56:48But you know, it was more round than a watermelon.
00:56:51It was a bit like this.
00:56:53Thank you very much.
00:57:01Thank you, Janhvi.
00:57:02Please come.
00:57:04Saif sir, NTR sir, please wait for a minute.
00:57:06You have seen Janhvi's talent.
00:57:08Now I will show you the talent of my two superstars.
00:57:11They will show each other some stars' names.
00:57:14Just by taking their names.
00:57:16And the other one has to act and tell which actor he is.
00:57:21Oh.
00:57:23Saif sir.
00:57:25I will act.
00:57:27No, you have to hold this board like this and put it here.
00:57:30You don't have to read it.
00:57:32Janhvi.
00:57:36Wow.
00:57:48Salman Khan.
00:57:50Wow.
00:57:52Lovely.
00:57:54Don't praise him, praise me.
00:57:56Praise you?
00:57:58You are so excited.
00:58:00What?
00:58:02I did it, sir.
00:58:04I apologise from the depth of my heart.
00:58:06Please praise me, sir.
00:58:08Again me?
00:58:10My role is not difficult.
00:58:12You just have to stand.
00:58:17Shah Rukh Khan.
00:58:23Signature.
00:58:25The last one.
00:58:27Shah Rukh Khan.
00:58:35Do you watch movies, sir?
00:58:37Yes, sir. Of course.
00:58:39So you follow all the action?
00:58:41Yes.
00:58:43This is a little difficult, sir.
00:58:45I will show you the action sequence.
00:58:48What happened?
00:58:50I will just keep letting you do it.
00:58:57Okay, pump, pump.
00:59:00Oh.
00:59:02And you have to...
00:59:10Sunny Paji.
00:59:12Sunny Paji.
00:59:18Sir, now watch.
00:59:20The real test will come now.
00:59:21Okay.
00:59:23Now you have to show it.
00:59:25And Saif sir has to play it.
00:59:27Ready, sir?
00:59:28Yes, sir.
00:59:39Rajini sir.
00:59:42I don't like this.
00:59:45Very nice.
00:59:47Now I can praise him.
00:59:49Superb, sir.
00:59:53Oh.
00:59:54Oh.
00:59:58Bunny.
00:59:59Aloo Arjun.
01:00:06The last one.
01:00:11Oh.
01:00:23Hulk.
01:00:26Hulk.
01:00:27No, no.
01:00:29Indian hero.
01:00:30Indian hero.
01:00:33Okay, bike.
01:00:34Motorbike.
01:00:36Why do you pick it up like that?
01:00:37Who picks it up like that?
01:00:43According to me, only one person can pick it up.
01:00:45It's me, sir.
01:00:49Superb, sir.
01:00:50Very nice.
01:00:51Come.
01:00:57Sir, there are some things that we have heard and some that we don't believe.
01:01:00But when the stars are in front of us, we ask so that we don't pay too much attention to the rumours.
01:01:06Clarify.
01:01:07Clarify.
01:01:08So, NTR sir, you did a double role in Andhrawala and Adurs.
01:01:13Now you are doing a double role in Devra as well.
01:01:15Yes.
01:01:16I have heard that you have become so used to double roles that if someone offers you a Kathi role,
01:01:19you say, put two roles in one Kathi.
01:01:27Sir, when I did a double role in Andhrawala, I tried a lot to convince me.
01:01:33Okay.
01:01:34But that didn't happen.
01:01:36Adurs was a movie where I also liked to do a dual role.
01:01:41And when Shiva sir narrated this movie to me, it turned out so well that probably I felt that I should listen to my director and not say no to it.
01:01:55And I agreed, sir.
01:01:59It's very challenging, right?
01:02:01It is very challenging, Archana ji.
01:02:03Do you think you should get paid double when you do it?
01:02:06Jhanvi, we have heard about you that once you were dating a girl as a boy.
01:02:13What?
01:02:14No, I know where this story has come from.
01:02:17So basically, I had a friend who had a breakup and she was trying to make her ex-boyfriend jealous.
01:02:25Oh.
01:02:26So I, like a true friendly sister, thought that I should wear a sweatshirt and take a back shot of me and post it on Instagram.
01:02:35Oh.
01:02:36So that your ex-boyfriend will be stunned to know who this boy is with whom she went on a holiday in Swiss Alps a week after the breakup.
01:02:45But the sad thing is that her ex-boyfriend didn't read it and he didn't even message her.
01:02:50After the photo shoot.
01:02:55Saif sir, one last question about you.
01:02:59There are a lot of jokes.
01:03:00In your house, between husband and wife, there are a lot of jokes about the TV remote.
01:03:04I have heard that between you and Kareena, there are a lot of jokes about the AC remote.
01:03:08It's not a joke, but there is a compromise.
01:03:10Why?
01:03:11I don't like to sleep in the summer.
01:03:13And she likes a little warmer.
01:03:15So there is a compromise of 19 degrees.
01:03:19Okay.
01:03:20Nobody has won.
01:03:21No, I am happy also.
01:03:23I hope she is happy also.
01:03:26What temperature would you rather have it at?
01:03:28No, 19 is okay.
01:03:2919, 18 would be great.
01:03:30But 19 is okay.
01:03:31What difference does it make in one degree?
01:03:33It makes a difference in one degree.
01:03:35It's a very cleverly thought out system.
01:03:37It makes a difference in one degree.
01:03:38Between sleep and no sleep.
01:03:42How many degrees do you sleep in, Archana ji?
01:03:4324.
01:03:44Wow.
01:03:45He sleeps outside.
01:03:49In Mud Island, there is very less need of AC.
01:03:52She praises Mud Island so much.
01:03:54I don't know, maybe she wants to sell the land there.
01:03:59I don't know, she praises it a lot.
01:04:00You live in Mud Island?
01:04:01Yeah.
01:04:02Have you ever been to her house?
01:04:03No.
01:04:04Sir, go there sometime.
01:04:05She has a pair of crocodiles.
01:04:07Real crocodiles?
01:04:08Yeah.
01:04:09What?
01:04:10She used to come on crocodiles like this.
01:04:17Prandir, what do you and your wife fight about?
01:04:22AC.
01:04:23Again AC?
01:04:24It happens in my house.
01:04:25Then get two.
01:04:26Or there is no compromise.
01:04:27No compromise.
01:04:28Who wins?
01:04:31Because my wife is extremely sweet.
01:04:33She does not want to...
01:04:34You know she is watching, right?
01:04:36That's why you are saying that.
01:04:38No.
01:04:39Try your best.
01:04:40She loves you a lot.
01:04:42You will be successful.
01:05:01Only 5 minutes are left.
01:05:02You have to go.
01:05:03Guys, thank you.
01:05:04Thank you so much.
01:05:05Thank you so much for coming.
01:05:08Thank you, Saif.
01:05:10A big round of applause for our guests.
01:05:11It was fun.
01:05:15Before you go, it was lovely having you here.
01:05:19All the best for your film.
01:05:20Thank you, Archi.
01:05:21Made cross a thousand crores like they said.
01:05:23Wow.
01:05:24Thank you so much.
01:05:25It's always wonderful being here.
01:05:27I was here on RRR.
01:05:29Now I have come for Devra.
01:05:31It's a lucky stage for me with Kapil sir.
01:05:33He is like my luck master.
01:05:35Thank you so much.
01:05:36Thank you so much.
01:05:37And this movie should also go on.
01:05:38Thank you so much.
01:05:39Sir, it will go on for a long time.
01:05:41There are many languages from North to South.
01:05:44But there is one laugh that has no language.
01:05:47You just have to smile.
01:05:49Anyone can be yours.
01:05:50So laugh and keep watching the Great Indian Comedy Show.
01:05:54Only on Netflix.
01:05:55Good night.
01:06:03Hello, Mother India.
01:06:07Rohit, you were runner-up in the World Cup in our first season.
01:06:10You have won the World Cup this time.
01:06:12Do you agree that we are lucky for you?
01:06:15But you have to agree that after I came here,
01:06:18your show has become number one.
01:06:22After winning the World Cup, who partied the most?
01:06:28Who is the most popular person in the world?
01:06:30Rohit bhai.
01:06:33Mr. Harsh, who are you?
01:06:35I will give you whatever you give me in love.
01:06:43Forgive me, I did a very bad acting.
01:06:47Is your mouth small?
01:06:49Okay, you do it.
01:06:50It's your comedy program.
01:06:51You have to pay the school fees of the kids.
01:06:54Who is Gajini?
01:06:56Who is Gajini?
01:07:01This is my real title.
01:07:25Gajini.
01:07:26Gajini.
01:07:27Gajini.
01:07:28Gajini.
01:07:29Gajini.
01:07:30Gajini.
01:07:31Gajini.
01:07:32Gajini.
01:07:33Gajini.
01:07:34Gajini.
01:07:35Gajini.
01:07:36Gajini.
01:07:37Gajini.
01:07:38Gajini.
01:07:39Gajini.
01:07:40Gajini.
01:07:41Gajini.
01:07:42Gajini.
01:07:43Gajini.
01:07:44Gajini.
01:07:45Gajini.
01:07:46Gajini.
01:07:47Gajini.
01:07:48Gajini.
01:07:49Gajini.
01:07:50Gajini.
01:07:51Gajini.
01:07:52Gajini.
01:07:53Gajini.
01:07:54Gajini.
01:07:55Gajini.
01:07:56Gajini.
01:07:57Gajini.
01:07:58Gajini.
01:07:59Gajini.
01:08:00Gajini.
01:08:01Gajini.
01:08:02Gajini.
01:08:03Gajini.
01:08:04Gajini.
01:08:05Gajini.
01:08:06Gajini.
01:08:07Gajini.
01:08:08Gajini.
01:08:09Gajini.
01:08:10Gajini.
01:08:11Gajini.
01:08:12Gajini.
01:08:13Gajini.
01:08:14Gajini.
01:08:15Gajini.
01:08:16Gajini.
01:08:17Gajini.
01:08:18Gajini.
01:08:19Gajini.
01:08:20Gajini.