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00:00If you don't know the answer, who doesn't know the answer?
00:17I know every answer.
00:19I have the answer to every question.
00:24Okay.
00:27For me and for Tihomir, there are no more chances.
00:33He is where he is.
00:35He is happy there.
00:38He has his son next to him.
00:45He is fighting in NATO.
00:47He is a surgeon.
00:49He is happy there, across half the world.
00:56I tried for three months to somehow get to him,
01:03to make him understand, to beg him,
01:07to try to fix our relationship.
01:12Then I realized that there is no more O in that relationship.
01:20And then I decided to let him go.
01:29I came back here to continue my glamorous life.
01:37I'm sorry it's like that, Pančić.
01:40I couldn't do it.
01:42What can we do, kids?
01:44It's all life.
01:47Somehow everything has its time.
01:52And milk, and accommodation, and marriage.
01:57And life as a whole.
02:06We have to get back to work.
02:08Of course.
02:09We have to thank you for sharing this with us.
02:12Of course.
02:13With whom?
02:14Even if I don't want to share it with you two.
02:18We are all sorry that Tićan is not here.
02:21But what you say is true.
02:28We have to move on.
02:31You are right.
02:33I'm right about what? When I wasn't here?
02:40And how are you?
02:45Let's go outside.
02:47Outside!
02:50Come on, follow us.
02:52Let's go.
02:55Just don't work, okay?
02:56Bye.
02:57Let's go.
03:27Let's go.
03:54What happened in Koledin?
04:00There was a deputy director of the police,
04:05director of the international cooperation,
04:07and one of my friends from Vienna,
04:09who was a Serbian officer in the Interpol.
04:14And several criminal leaders.
04:17Okay.
04:20They told me that a big action is being prepared
04:24for the illegal export of goods from the EU
04:26to countries that are under EU sanctions.
04:29And Serbia should be used as a port boiler.
04:34Wait, how will it be used as a port boiler?
04:38Marinko, the goods will be repackaged here as domestic goods,
04:43and the goods are not domestic, do you understand?
04:45Yes, I know.
04:46But I don't understand, what is your father's connection with that?
04:51Well, they told me that the name Mikija Tambure
04:56appeared among the suspects in that action.
05:00Did you get any evidence for that?
05:03There is no evidence.
05:04Only suspicions and speculation.
05:06But...
05:09They are old-timers.
05:11They wouldn't call me to a meeting
05:13if they didn't have any basis for that suspicion.
05:16Yes, but on the other hand, it doesn't have to mean anything.
05:19It doesn't have to mean anything.
05:21But just mentioning his name gets me off track.
05:24Okay, I understand that.
05:27You know that I'm always available 24 hours a day, day and night.
05:33You're free.
05:34I know.
05:35And thank you.
05:36Let's go.
05:37Let's go, we have to work.
05:38Come on.
05:39Come on, take this.
05:44And thank you.
05:46Okay, see you later.
05:47See you.
06:13Andrija Bošnik is a serious businessman.
06:16He built an entire empire.
06:18He owns a lot of companies.
06:21He built all of that without a pump, but he still found a scandal in the middle.
06:25Because of some illegal activities?
06:28No.
06:29His?
06:30Because of serious threats.
06:31Who did he threaten?
06:33No less, no more than the journalist.
06:35I understand why he threatened the journalist.
06:38It's a complicated story.
06:40It's not important to us.
06:42What's important is that we know that he's a powerful, dangerous man.
06:45He's obviously very aggressive.
06:47Wait, wait.
06:48Do you think he can do something to our Pavlo?
06:51I don't believe that he would personally meddle in that.
06:53But who knows what he can do.
06:55What exactly are you aiming for?
06:57Well, he can make him sue Pavlo.
07:00But Pavlo said that he wouldn't do that.
07:03He said that he wouldn't do it.
07:05But Pavlo said that he wouldn't do it.
07:08You're so naive.
07:10She can go to court at any moment.
07:12To sue him, to get sued.
07:14That would be a great loss.
07:17Eh?
07:18Then you'll have to help your brother.
07:20You'll have to dig up everything you can about that bastard.
07:23To find out what he's up to.
07:25If Pavlo sues him, I don't know how he'll get out.
07:28He'll probably ask for a huge sum of money for that loss.
07:31Why should I help him?
07:34Why doesn't his mother, the perfect doctor, help him?
07:39She loves him so much.
07:42This was very ugly.
07:44And it's not fair to him.
07:46Look.
07:48If you want to help your 30-something-year-old son so much,
07:54you should try and help him yourself.
07:56No. No.
07:58I'm sure you know that.
08:03Come on.
08:33Excuse me, can I have a cup of coffee?
08:41Do you have something for me?
08:43Yes.
08:45We have a problem.
08:47Okay, I thought we solved all the problems so far.
08:49Sit down, please.
08:51Don't worry. This has nothing to do with our relationship.
08:53I have to admit that I was a little worried and scared a few days ago, but...
08:57Everything is fine.
08:59So, strictly professional?
09:00Exclusively and only.
09:03The last acquisition of CanCapital before Andrej's departure.
09:06So, that big export-import company with a huge amount of goods and property?
09:10Exactly.
09:11What about it?
09:12It's a procedural thing, but...
09:14But as soon as you came here, there must be something, so explain.
09:18The acquisition is not quite correct.
09:20Some papers are missing.
09:32CanCapital, a company with a huge amount of goods and property.
09:36Great, great.
09:38A very, very good campaign.
09:40This idea is excellent.
09:42But I think we have room here to make this message even more concrete, so to speak.
09:50Uh-huh.
09:51To really hit the emotion, you know?
09:55Yes.
09:56You really did a great job.
09:59This is all great.
10:00I'm sorry to say this, but I have the impression that you're afraid to be direct to the end,
10:07and I don't know why, because you really have everything to blow.
10:11Yes.
10:12You hear her?
10:13Uh-huh.
10:14Yes.
10:15I thank you here, I killed myself, and you don't even listen to me.
10:18I'm sorry, Gala, I'm begging you.
10:20Okay, nothing, I'm sorry.
10:21You see, if these thank-you speeches bother you, I can stop.
10:24No, look, it never bothers me.
10:26That's for sure.
10:28Well, what is it?
10:29Well, nothing.
10:30It's not a gift, it's something from the stars.
10:32Come on, Lenka, we don't know each other.
10:34Tell me, what is it?
10:37A palm tree.
10:41How is that possible?
10:42Believe me, I'm asking myself.
10:43Okay, give me more details.
10:44The delivery of the property went without any problems, but the problem is the warehouse.
10:48And what's the problem?
10:49There is not a single paper that proves who actually owns that warehouse.
10:54I checked everything.
10:55Well, okay, that's a little weird, but ...
10:59That's what I'm saying.
11:00Well, maybe that's not such a big problem.
11:03I doubt it, I think it will be a big problem from now on.
11:06No.
11:07Ask everything about it, please.
11:09I've already started.
11:14And Senka ...
11:16I'm glad we're working together again.
11:18You're really the best operator I've ever worked with in my business career.
11:28Bye.
11:51Hey.
11:53What's up?
11:55Nothing.
11:57What's up with you?
12:00Nothing.
12:03It's not nothing, look.
12:05I know you enough now that I can see that something is wrong.
12:09Just tell me what.
12:11What do you think what could be?
12:14I don't know.
12:16Maybe some problem with the father.
12:19Bingo.
12:22What did he do again?
12:24What did he do?
12:26What he didn't do?
12:28He didn't do anything good.
12:30Again, the loop with his criminal business.
12:35And no matter how hard I try to get him away from them, they somehow come back,
12:39constantly come back, come back, come back.
12:41In fact, they don't come back,
12:44but he does, all the time.
12:47It's no use.
12:49A criminal is a criminal.
12:51And that's it.
12:52There's no help.
12:54I know.
12:57It's very hard and I can really relate to you.
13:02I know.
13:19Look, there are two solutions
13:23to your situation.
13:26One,
13:28is to
13:30get
13:32out
13:34of here.
13:37Okay, what's up with her?
13:40I'm worried about her.
13:41I mean, for us, for everything.
13:43How will this all work out, honestly?
13:45I don't know.
13:46Wait until now.
13:47I mean, I don't see what the problem is.
13:50Well, the problem is that so many things have happened,
13:53both on a business plan and in private.
13:55And now we're all working together, and it's all a bit confusing.
13:58Okay, okay.
13:59Tell me,
14:00what exactly doesn't suit you here?
14:03Well, first of all, I don't know.
14:05It's strange to me that I suddenly live in Vili Kanački.
14:08I mean, I live in Vili Kanački.
14:10First of all, that's completely crazy to me.
14:12That's it.
14:13Okay, and what's bothering you here?
14:15Well, nothing bothers me.
14:16That's not the point.
14:17I'm just saying, it's strange.
14:18I mean,
14:19she lived here until recently,
14:21now I live here.
14:22And we work together, and all that in such a short period of time.
14:26So?
14:27So what?
14:28Is it normal for you?
14:30I'm telling you,
14:31it's normal for me,
14:32everything that suits you,
14:33and in which you feel comfortable.
14:35And what the market will talk about,
14:37you don't really care.
14:38Well, okay, yes.
14:39I mean,
14:40it's just...
14:41I mean,
14:42when you don't know,
14:43how things develop at Kanački.
14:45Well, that's the thing I don't know the best.
14:48I'm just starting to get to know them.
14:51I mean,
14:52so many things are happening at the same time,
14:54and I don't have time to react to everything, you know?
14:57I understand.
14:58So, everything is the same for them.
15:00Nothing changes.
15:01Well, I don't know if it's the same.
15:02I'm telling you,
15:03I've been completely out of that flow so far.
15:05I mean,
15:06I got a little insight when I was with Strahinja,
15:09but I mean,
15:10this is now a completely new dimension, you know?
15:13Yes.
15:14Well,
15:15I have a suggestion.
15:16Okay.
15:17I think you should just talk to Alex.
15:20You think so?
15:21Yes, I do.
15:22Everything you said to me,
15:23you should just talk to him.
15:25You mean,
15:26I should just
15:27throw my emotions at him?
15:29Oh,
15:30he did listen to me,
15:32with one ear,
15:33but you listened to me.
15:34Shut up, I'm not listening to you.
15:35Please, come on.
15:36Shut up, shut up.
15:37Well, it's nothing complicated.
15:38I think you know now
15:39what's best for you.
15:41I know.
15:42Hm?
15:43Don't worry.
15:51What do you think?
15:52Two solutions?
15:54Yes.
15:55And those are?
15:57First,
16:00you can sit with your father and talk.
16:04Second,
16:05second,
16:07you can become
16:09a daily alcoholic,
16:11continue to drink as much as you want,
16:14and do everything you're doing now.
16:16That's it.
16:17Irma,
16:18do you know how many times
16:19I've talked to him?
16:20Hm?
16:21A hundred times.
16:23And every time,
16:24I turn out to be a fool.
16:25I can't
16:26get to him at all.
16:28Do you understand?
16:29I don't want to be a fool anymore.
16:30It doesn't make any sense.
16:31There's absolutely no point
16:32in talking to him
16:33and trying to...
16:34I understand.
16:35I know that.
16:36I know that it doesn't make any sense.
16:37I just think
16:38you should solve it with him.
16:41I mean,
16:42if you don't,
16:43I don't know what to do.
16:44I don't know what to do with him.
16:47I mean,
16:49if you say
16:50that he's such and such,
16:51that you can't talk to him,
16:53that you have to solve
16:54some things
16:55by yourself,
16:58you have to accept that
17:00and move on.
17:05You shouldn't allow
17:06Jacqueline to feel
17:08all that nervousness,
17:10all your problems.
17:11I mean,
17:12it's not good for the baby,
17:14I know.
17:18No one should suffer
17:19because of my problems,
17:20I know that.
17:21Well, you shouldn't
17:22suffer
17:24any of your problems.
17:28I think
17:29that the biggest problem
17:31is that
17:32this situation
17:33came to you
17:34in an awkward,
17:35delicate
17:37period.
17:38You're a little sensitive
17:39than usual
17:40and that it's actually
17:43the hardest.
17:48How do you read me
17:49in the book?
17:52You're right.
17:54And I have to
17:56leave
17:57as soon as possible.
17:59Yes.
18:01And maybe
18:02you and I
18:03should go
18:04for a coffee
18:05or are you going
18:06to continue
18:07with the cleaning?
18:14Give me the coffee.
18:32Here you go.
18:34It's small and compact.
18:36You can put it in your pocket.
18:38You should try it.
18:40Maybe you'll use it
18:41for work.
18:43Look, I used
18:44similar models.
18:45I'm sorry.
18:47I can try this one.
18:48Where can I find it?
18:49You can find it
18:50on the internet.
18:52Good evening, sir.
18:54Hello, Ljubojsa.
18:55Have a seat.
18:56Good evening, director.
18:58Did you come to drink?
18:59No, I came to talk
19:00about this job.
19:02I need a manager
19:03here in the locale.
19:04Really?
19:05Yes.
19:06That's nice.
19:07You see,
19:08the years are coming
19:09and I need help.
19:10Nice, nice.
19:11Sit down.
19:14Žilja,
19:15can you take a look
19:16at those changes
19:17of shifts?
19:23Of course.
19:26See you, director.
19:30How are you, Ljubojsa?
19:32Great.
19:34How are you?
19:35Good.
19:37Do you want to eat something?
19:38No, I'm not hungry.
19:39No, I'm not hungry.
19:41Do you want to drink something?
19:42No.
19:44I already drank mine.
19:47I just came to talk.
20:01Why are you saying
20:02we haven't seen each other?
20:03Come on.
20:05Come on, I'm telling you.
20:07I'm really happy
20:08that we're going to meet.
20:10I have to hang up.
20:11Bye.
20:12Bye, bye, bye.
20:20I haven't stopped all day.
20:22A lot of work?
20:24You can't imagine.
20:26Do you want me
20:27to give you something
20:28to eat?
20:31Do you know
20:32that it really shows
20:33that you're tired?
20:34What did you do
20:35all day?
20:37What happened?
20:39What do you mean?
20:41You're acting
20:42like a real mother.
20:46I don't understand
20:47this comment.
20:49Okay, sorry.
20:51I ate.
20:52I'm not hungry,
20:53but maybe
20:54I shouldn't have.
20:55No, you're not.
20:57Where did you eat?
20:58In a restaurant?
20:59It's next to work.
21:01They probably
21:02don't prepare food like me.
21:03I hope you know
21:04that it's true.
21:06I should go out
21:07tonight
21:09to hang out
21:10with my friends.
21:12Oh, that's nice.
21:13When are you going?
21:15I don't know if I'll go
21:16because I'm tired.
21:18Tired
21:19or upset?
21:23This will be different.
21:26That's not good.
21:33I don't know.
21:46So?
21:49How are your business
21:50going in the grey economy?
21:53What grey economy?
21:55The grey economy
21:56you talked about
21:57recently.
21:58What is it?
22:00Don't you remember
22:01you told me about it?
22:04Here.
22:05Take it.
22:07Do you really have cash?
22:097,000 euros.
22:10Here,
22:11take it.
22:14I'm just more worried
22:15about where you're getting
22:16all this money from.
22:18You've been working
22:19in the police for so many years
22:20and you still haven't learned
22:22how to deal with
22:23ex-convicts.
22:24You don't need to ask.
22:28The grey economy
22:29is
22:30the mother.
22:33Yes, yes.
22:35Please, forget about it.
22:36I was probably drunk
22:37when I told you all that.
22:39I think you know
22:40what you're talking about.
22:44Do you forget
22:45where I work?
22:48In the police,
22:49information
22:50comes to me
22:51very easily and quickly.
22:52Wait.
22:54What kind of information?
22:56All kinds of information.
22:58Like, for example,
23:00about your jobs.
23:03In the grey zone.
23:05I hear you're doing
23:06very well.
23:08Don't worry.
23:10You forgot
23:11what happened
23:12the last time
23:13when you trusted
23:14other people
23:15and not me.
23:24Wait in front.
23:31Sit down.
23:34Sigh.
23:53Night.
24:03Night.
24:08You know
24:09you don't have to say anything
24:10if you don't want to
24:11until your lawyer comes.
24:14I have enough experience
24:15to know my rights.
24:18And I think
24:19I don't need a lawyer
24:20to talk
24:22to my son.
24:25You also know
24:26that we're not here
24:27to talk
24:28like father and son.
24:30Do you know
24:31why you were brought here?
24:33You tell me.
24:36You were brought here
24:37because of the disappearance
24:39of Lepomir Ničić.
24:44You know very well
24:45that I have nothing to do
24:46with the disappearance
24:47of the Dominican.
24:51It would be good
24:52if you paid attention
24:53when you speak
24:54in front of an official.
25:00Lepomir Ničić
25:01is a journalist
25:02who died
25:03on Thursday
25:04at 12.30
25:05in the Central European Time.
25:10He died
25:11at my house.
25:14You were brought here
25:15because of the basic doubt
25:17that you are responsible
25:18for his disappearance.
25:21Don't be sorry.
25:27Why are you doing all this?
25:32I closed the prison.
25:33Do you remember?
25:35I'm begging you.
25:36Don't do the same thing
25:37twice.
25:38Wait.
25:39Wait.
25:40Wait.
25:41Sit down for dinner.
25:42I'm begging you.
25:43I can't eat.
25:46And you, Milorad,
25:47watch what you're doing.
25:50Soon you'll be a grandfather.
25:53You'll have grandchildren.
25:55Think about
25:56whether you want
25:57that child to grow up
25:58with the knowledge
25:59that my grandfather
26:00is a criminal.
26:02I'm begging you.
26:33I'm so dead.
26:47What happened?
26:53We have to talk.
27:02We have to talk.
27:14Where are you?
27:17What happened?
27:20What's...
27:22What's going on?
27:23What happened?
27:24What do you want?
27:26If it's because of the music,
27:27I'll accept it.
27:28Just one block
27:29of Evgenian songs.
27:30Wait, Milo.
27:31It's not that.
27:33What is it?
27:36I'm calling off the wedding.
27:37I'm calling off the wedding.
28:00Good evening, Sofia.
28:07Good evening.
28:23What was that?
28:25Sorry.
28:27I just...
28:28I can't...
28:29I don't want to drink tea.
28:31We both know
28:32that it's not tea.
28:33Don't drive me crazy.
28:37I'm not in the mood.
28:39I'm not in the mood either
28:40for a fight,
28:41but if you don't tell me
28:42what we're going to do,
28:43we're going to fight.
28:44I don't know.
28:45What do you want me to tell you?
28:46I want you to tell me
28:47what problems we have.
28:48Sofia, you young bit****.
29:05Look at you,
29:06you're all dressed up,
29:07honey.
29:08Oh, so,
29:09where are you going?
29:10See that,
29:11ungrateful guest,
29:12she's a curse.
29:13You don't know
29:14who cursed you
29:15and when the curse
29:16will be on her.
29:17Don't worry, there won't be any guests.
29:32You really are incorrigible!
29:36It's worse this way.
29:48You look fantastic.
29:50Really?
29:51It's because it's a mask. It's a facade.
29:53It's a mask?
29:54Yes, it's a facade because I have to act.
29:56I act like it's great, but in reality I'm acting like a lover.
30:11I think we have to change the tactics of our work.
30:15I think we have to change the tactics of our work.
30:18In what sense should we change the tactics?
30:22In the sense that you should take a more active role in all this.
30:29I think we have to change the tactics of our work.
30:43Why do I need this break now?
30:45Especially today.
30:48Why especially today?
30:52I need you.
30:59I need you.
31:11I need your help.
31:29I need you.
31:34I need you.
31:37I need you.