Igra sudbine, Epizoda 1228,Igra sudbine 1228 ,Igra sudbine 1229,Igra sudbine Epizoda 1228, Igra sudbine Epizoda 1229,Epizoda 1228 Igra sudbine ,Epizoda 1229 Igra sudbine
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TVTranscript
00:00I'm Bojan.
00:14Boba, nice to meet you.
00:15Nice to meet you, nice to meet you.
00:16Malja.
00:17Bojan, nice to meet you.
00:18You can call him Debeljko.
00:20I mean, he likes it more.
00:21He's an old guard.
00:24But he didn't prove his worth here,
00:27unlike some, like me, and then...
00:31You don't have the laziness to switch to old colleagues.
00:34What do you mean, old colleagues?
00:35Old colleagues.
00:36I'm as old as this company, which is old.
00:38This is new.
00:39Did you see the new inscription at the entrance?
00:40New name, everything.
00:41It's not a neck, it's a neck.
00:43No, no, I don't mind if you like it.
00:46I have a job.
00:47No, you like it, whoever wants it.
00:49Him, to him, anyone.
00:51You can do all that, you're a free woman.
00:54But I would just like you to be...
00:59...empty.
01:02You had a short period of time,
01:05two really catastrophic bad experiences with a gunman.
01:14Believe me, it doesn't even come out of my head.
01:16Well, that.
01:18But...
01:19I'm empty, I don't care.
01:21Really?
01:23I can't talk about the wedding,
01:25because I'm talking and I'm tired already.
01:27Milo, I haven't even said anything yet.
01:29You will.
01:30What am I going to say?
01:31How do you know what I'm going to say?
01:32I have a ball in the bag, so I looked at it a little.
01:34Oh, don't.
01:35What if the ball is wrong?
01:36The ball is not wrong,
01:37and maybe you're right.
01:39Maybe it's better not to do anything at all.
01:41Milo, come on, sit down, sit down.
01:43What's wrong with you?
01:44Why are you in such a hurry?
01:45I'm not in a hurry,
01:46but it's better for me to say some things
01:48than to listen to you.
01:50What things?
01:51Bad news.
01:52And what if they're not bad?
01:54Well, they're bad.
01:55And what if they're not?
01:57What if the news is actually good?
01:59Actually, great.
02:01Impossible.
02:02Milo.
02:03What?
02:04We have a couple.
02:05Don't worry.
02:06Yes.
02:08Hello.
02:09Dr. Vučković.
02:10It's me.
02:11Tell me, what's the problem?
02:12Help.
02:13Yes, yes.
02:14Breathe.
02:15Good, good, good.
02:16Just breathe.
02:17Slowly.
02:18It's hard.
02:19I hear you.
02:20Just breathe.
02:21We'll solve everything.
02:22My heart, my heart is beating.
02:24I understand.
02:25Tell me, for starters,
02:26did you take your regular therapy?
02:28Of course.
02:29Ah, okay.
02:30Come on, hurry up to your mother's.
02:32She must have missed you a lot.
02:34He's gone.
02:36And you, sit down.
02:38How is she?
02:41I said sit down.
02:42Yes.
02:44How is she?
02:47She?
02:49She's good.
02:50She's good.
02:53Her leg hurts a little, and that.
02:56It's not easy, you know?
02:59It's not easy.
03:01And how is she,
03:03like this?
03:05Besides those legs and all.
03:07She has a lot of pain.
03:09A lot of pain.
03:10You know, I think
03:11you should
03:13postpone all this for a while.
03:17I did all this too fast.
03:20You know,
03:21that business with the Bayaders,
03:23my arrival in Belgrade,
03:25big expenses,
03:27no income,
03:28for now,
03:29I have to tell you.
03:31Luka,
03:33what I'm saying to you
03:35doesn't mean I'm a small-time farmer.
03:38What do you mean, small-time farmer?
03:40What are you asking me?
03:43Did I ask you about the guy who hit you?
03:46I'm not asking you.
03:47That's a different question.
03:58I think mom is looking for you.
04:10Knock, knock, knock.
04:12Come in.
04:15Hi, Luka.
04:17Barbara.
04:20Who are you?
04:22I have to tell you something.
04:23Come in.
04:30Are you feeling better?
04:31How's your head?
04:32How's your leg?
04:33Much better.
04:34Much better, good.
04:36That's it,
04:37this is his,
04:38this is also his.
04:40Nothing,
04:41I'm going,
04:42we'll be in touch if you need anything.
04:44See you.
04:47Bye.
04:48Bye.
04:53What were you talking about?
04:55Nothing.
04:58We were talking,
04:59talking,
05:01talking about Akica,
05:02asking her,
05:04how are you,
05:06about the leg,
05:07like,
05:08human.
05:11What's the situation?
05:12I got a taxi!
05:13Good.
05:14Bravo.
05:15Are you ready?
05:16I don't think I'll ever be ready,
05:17but let's go.
05:18Think about it this way,
05:19the next time we meet,
05:21you'll be a mother.
05:22That sounds wonderful.
05:24Thank you, doctor.
05:25You're welcome,
05:26always.
05:27Anytime.
05:28And good luck.
05:29Bye.
05:41Here she is,
05:42and she says
05:43my life is interesting,
05:45but if she only knew
05:46how much I envy you.
05:50No, no,
05:51Kaja asked me to be her friend.
05:53Wonderful.
05:54But wait,
05:55Mile asked Luka
05:56to be his friend.
05:57He's teasing me.
05:58Yes, yes.
05:59Wait, wait,
06:00Mile and Kaja are getting married?
06:02No, no,
06:03you're twins.
06:04You knew that
06:05and you didn't tell us?
06:06You knew that
06:07and you didn't tell us?
06:08I was like a joker.
06:09No, no,
06:10you're my joker.
06:12Hey,
06:13how are you?
06:15And where are the fish?
06:17Huh?
06:18Where?
06:39Life is written in novels
06:43They say that life is not fair
06:48Sometimes it wins,
06:49but often it fails
06:52And everything is unknown
06:54except
06:56destiny
07:02Like in love and in war
07:05There are no rules
07:10You only have one life
07:13and one chance
07:15to become someone
07:17Because the star
07:19shines
07:23Destiny plays
07:25like a wheel of fortune
07:28Sometimes it wins,
07:30sometimes it doesn't
07:33Like in love and in war
07:37There are no rules
07:42Destiny plays
07:44like a wheel of fortune
08:03Like in love and in war
08:17You sit down,
08:18and I'll listen.
08:22I was at a party with my cousin.
08:25She's my family's cousin.
08:28We're very close.
08:30And
08:32she asked me
08:33to help her.
08:35She needs my
08:36detective service.
08:38Ok,
08:39and what is it about?
08:42Well, it's about
08:43a family tragedy
08:45in which her son was involved.
08:47And?
08:49She's worried about her son
08:52and thinks that
08:54that person will
08:55blame him.
08:57And she's sure
08:58that he's not guilty.
09:00Ok,
09:01and what's the problem?
09:03Well, the problem is
09:04the victim
09:06who might blame him.
09:09It's about
09:10him.
09:26First of all,
09:27you made a good impression.
09:28You reminded me
09:29that I need to learn
09:30how to lock
09:31the front door.
09:32And secondly,
09:33what are you talking about?
09:36I was present
09:37in the conversation
09:38between Biljana and Barbara.
09:39Ok,
09:40what does it have to do
09:41with anything?
09:42Barbara is a private detective.
09:43You know that yourself.
09:44Ok,
09:45and?
09:46Biljana asked Barbara
09:47to investigate the woman
09:48who hit her car
09:49and that's why
09:50she ended up in court.
09:52Even if that woman
09:53said that she would
09:54give up the crime.
09:56Wait, wait, wait.
09:57Why is she doing that?
09:58She can't do that.
09:59I don't know what to tell you.
10:00That's how it is
10:01when you're in love.
10:02But she can't do that.
10:03She only
10:04initiated my life.
10:05Hey.
10:06I can't believe it.
10:27Hey,
10:28I think
10:30we need you two.
10:32Well,
10:33we're really happy
10:34to see you two
10:35here.
10:37There's no end to happiness.
10:39And what are you two
10:40talking about?
10:42About some fish,
10:43I don't know.
10:45What kind of fish?
10:46You mean girls?
10:47No, no, no.
10:48About sharks
10:49and barracudas.
10:51Ok,
10:52because if you think
10:53about girls,
10:54I think that Maldives
10:55is not the best place.
10:57We're fully aware of that.
10:58Ok, ok.
10:59Maybe,
11:00but since we're already here,
11:01maybe we can
11:02find some girls
11:03here.
11:05They say
11:06we're single men.
11:07Are we single?
11:08Single.
11:09We're single men.
11:10We're single men.
11:11And precisely because
11:12we're single,
11:13we came here
11:14to catch girls.
11:15Wonderful.
11:16Well, you were lucky.
11:18Well, thank you.
11:20And what are you two
11:21doing here?
11:23Celebrating.
11:24Celebrating
11:25that you're single.
11:27Birthday.
11:28Or...
11:29Or that you're spiritual.
11:30I mean,
11:31I'm not single,
11:32that's why I'm telling you.
11:33You're not single,
11:34right?
11:35You're not single.
11:36What do you mean?
11:37I'm not single.
11:38I'm her...
11:39...
11:40...
11:41...
11:42...
11:43...
11:44...
11:45...
11:46...
11:47...
11:48...
11:49...
11:50...
11:51...
11:52...
11:53...
11:54...
11:55...
11:56...
11:57...
11:58...
11:59...
12:00...
12:01...
12:07Ok,
12:08explain to me
12:09why you accepted that job.
12:10I was bored.
12:12Well,
12:13you were bored.
12:14How could you be bored
12:16at such a job?
12:17Well, I accepted the job
12:18as soon as Kuma asked me
12:20to help her.
12:22Before she told me
12:23to work in the UN.
12:25I don't want to work
12:26behind your back,
12:27that's why I came here
12:28to tell you
12:29to work in the UN.
12:35Ok.
12:37I think it's awful.
12:38But ok,
12:39you did a good job.
12:40By the way,
12:41how could you...
12:42I know what you mean
12:43about me.
12:44And for a reason.
12:45And I know
12:46everything I did,
12:47but...
12:49Ok,
12:50I told you
12:51everything is fine.
12:52Now you did a good job.
12:55Lukašin,
12:57I don't want you
12:58to doubt me anymore.
13:02Sorry
13:03to interrupt
13:05your love affair
13:06with my Marina.
13:09What do you want from me?
13:13I want
13:15to talk to you
13:16seriously.
13:17About what?
13:18About everything.
13:20Are you planning
13:21to protect me
13:22from this man?
13:25We'll talk about that
13:26later.
13:28Ok.
13:29So,
13:30let's get
13:31to the point.
13:33I know
13:34that you accepted
13:35the offer
13:36from the police
13:37to be their
13:38accomplice.
13:40I also know
13:41that you worked
13:42for Ritter.
13:44And...
13:45you worked
13:46for me
13:47in the case.
13:48I worked
13:49for you.
13:50What are you talking about?
13:52About the fact
13:53that I used you
13:54as a puppet
13:55for Ritter
13:56and I hope
13:57you won't be mad
13:58at Marina
13:59for taking part in it.
14:03However,
14:04what interests me
14:05the most
14:09is whether
14:11you want
14:12to start
14:13leading
14:14a normal
14:15life
14:17or will you
14:18continue
14:19to act
14:20like a puppet?
14:22I'm trying
14:23to find a way
14:24to lead
14:25a normal life.
14:28Well,
14:29if that's true,
14:30then it's simple.
14:31All you need
14:32is to stick to us.
14:34And that's it.
14:35Marina, I'm in a hurry.
14:37Bye, Barbie.
14:47I will
14:48doubt you
14:49for the rest of my life.
14:51For the rest of my life.
14:52Simply because
14:54you are
14:55a barbarian.
14:58But
14:59I have to thank you
15:00for doing
15:01the right thing
15:02this time.
15:03And what now?
15:05Now?
15:06With her.
15:07What now?
15:08Well, now...
15:09Nothing for now.
15:10Nothing.
15:11I'll help you
15:12with that.
15:13I'll go to
15:14Panchetta
15:15to talk to her
15:16so she can
15:17ask her
15:18what she thinks
15:19about this.
15:22You're welcome.
15:34Ok, Pablo,
15:35calm down a bit.
15:37You should be
15:38used to
15:39the wild life.
15:42You know
15:43what it's like.
15:44Yes.
15:45But this is
15:46too much now.
15:47I agree.
15:49On the other hand,
15:51I'm a bit
15:52uninterested
15:53in the whole situation.
15:54Yes.
15:56I really don't know
15:57where such ideas come from.
15:58I don't know.
15:59Besides,
16:00there's nothing
16:01to investigate anymore.
16:02She and I
16:03were in court.
16:04We finished everything.
16:05The case is solved.
16:06Well, that's good.
16:07Then you have
16:08no problem
16:09except
16:10the constant problem
16:11with the possessive mother.
16:14Yes.
16:45Hello.
16:46Hello.
16:48What are you doing?
16:50I'm cleaning the dust.
16:51I don't know what you think.
16:53It looks like
16:54you're a bit upset.
16:55I am.
16:56A lot.
16:57Why?
16:59Because of the dust.
17:02You're making fun of me now.
17:04What's wrong with you?
17:05I can't stand
17:06how you're
17:07making fun of me
17:08every time
17:09I see you.
17:10You're making fun of me
17:11every time
17:12I see you.
17:13I can't stand
17:14how there's dust
17:15everywhere I go.
17:17I have a great solution
17:18for that.
17:19I really have to hear it
17:20because I don't have one.
17:21Let Marijana do it.
17:22It's her job.
17:23Marijana,
17:24you see she's not doing it
17:25the right way.
17:27You're such a clean freak.
17:28You know everything
17:29the best, don't you?
17:30I'm not a clean freak.
17:31I don't know if you saw
17:32the toilet this morning.
17:33It's a mirror.
17:34It hasn't been cleaned
17:35for a month.
17:36Okay,
17:37but the woman
17:38didn't come to the bathroom.
17:39You just said
17:40it was her job.
17:41Okay,
17:42we'll suggest her.
17:43No,
17:44no,
17:45we're not going
17:46to suggest her.
17:47We're going to
17:48seriously talk to her
17:49about it.
18:01Cheers!
18:02Cheers!
18:03Cheers!
18:04Cheers!
18:05Don't spill it.
18:06Don't spill it.
18:07There's going to be money.
18:08There's going to be money.
18:09When we're talking
18:10about money,
18:11we're talking about
18:12the fact that
18:13Bojan Debeljko,
18:14so to speak,
18:15got a job
18:16at Cannes Capital.
18:17And now
18:18the two of us
18:19are working
18:20in the lobby together.
18:21Really?
18:22I can't believe it.
18:23Wait,
18:24aren't you
18:25a colleague of mine?
18:26You know,
18:27from hospitality.
18:28Yes,
18:29I was,
18:30but I got
18:31fired in Fejm,
18:32so I had to
18:33get a job
18:34at Cannes Capital.
18:35At Bucharest.
18:36So,
18:37yeah.
18:38Excuse me,
18:39just a moment.
18:40Bojan.
18:41Bojan Debeljko.
18:42Can you show me
18:43a little bit more
18:44enthusiasm
18:45when you're
18:46talking about
18:47that new job?
18:48Not like this.
18:49How can I be
18:50enthusiastic
18:51about changing jobs
18:52and getting a job?
18:53It's not the same thing.
18:54Okay,
18:55but you're forgetting
18:56the most important factor.
18:57What factor?
18:58I don't know what I'm forgetting.
18:59You're forgetting me,
19:00Bojan.
19:01You're forgetting me.
19:02Because it sounds like
19:03you're at some
19:04boring job,
19:05you know,
19:06like you're on a punishment.
19:07Okay,
19:08I didn't mean
19:09that,
19:10but that's what it sounded like.
19:11Okay,
19:12I'm really sorry.
19:13I'm sorry.
19:14Okay,
19:15I accept your apology,
19:16but please,
19:17don't do it again.
19:18I'm sorry.
19:19Do you talk
19:20like that
19:21to each other
19:22at work, too?
19:23No,
19:24no.
19:25We've talked
19:26a hundred times
19:27at work.
19:28Come on,
19:29let's drink.
19:30Come on,
19:31let's drink.
19:32My colleague,
19:33Bojan,
19:34Bojan.
19:35Cheers,
19:36cheers.
19:37Let's drink.
19:38Okay,
19:39okay,
19:40that's how we're going to do it.
19:41Just don't
19:42get upset
19:43about stupid things.
19:44They're stupid things.
19:45We have to react
19:46to such things.
19:47Okay.
19:48We're going to talk
19:49to her.
19:50No,
19:51we're not going to talk to her.
19:52I'm going to talk
19:53to her.
19:54Look,
19:55maybe it would be
19:56best
19:57if Luka
19:58and Aleksandar
19:59took the plunge.
20:00Yes,
20:01they don't even talk
20:02about work,
20:03they talk
20:04about Mariana.
20:05There's nothing
20:06to do
20:07than to talk to Marijana about such things.
20:09Okay, then I'll talk to her.
20:12Hey, I'm sorry, but you're not capable, really.
20:15I'm sorry? Why am I not capable?
20:17Because you don't notice that the house is in chaos.
20:19Everything is perfectly fine with you.
20:21Okay, I don't notice, but you notice, and I want to help you, what?
20:25Great. Then you take this cloth in your hands and clean it. Come on!
20:29What? Me to clean?
20:31Yes, I'll talk to her, and you, if you want to help, clean.
20:33Come on, end of story.
20:35Oh, God.
20:37You can talk now.
20:54Why do women drink coffee while talking?
20:57So they don't fall asleep while someone is talking.
21:00That's good.
21:04Okay.
21:08Black.
21:10Oh, Vuk!
21:12Vukaš!
21:14You're the only man who comes into this house so I don't feel it.
21:18You're like a ghost!
21:20Professional, what can I tell you?
21:22That's how I was born.
21:24I know you, Tico.
21:26I know you, you know me.
21:28Do you want some coffee?
21:30Why not?
21:34Are you in the hallway?
21:38Yes.
21:40Marica, you know I've never been in the hallway.
21:42I've never been back for coffee.
21:44You're not, Vukaš.
21:46You don't exist.
21:48But maybe that day has turned into something else.
21:52No, no, no.
21:54No, no, no.
21:56I've got some interesting information.
22:02I think you could help me with some of your answers.
22:06So I can unravel it.
22:08Come on.
22:10I've turned into Vukaš.
22:12According to my knowledge,
22:16the mother of the man who hit Una with a car...
22:20Okay.
22:22...hired a private detective...
22:26...to spy on Una.
22:28That's right.
22:30To spy on Una.
22:32Well, the woman is afraid...
22:34...that maybe Una...
22:36...could blame that man.
22:40No, no.
22:42That's because people have gone completely mad.
22:44And they haven't.
22:46I know, but I...
22:48I have to check.
22:50What are you doing?
23:14Marjana, is the tea ready?
23:18I totally forgot. I'm sorry.
23:20I have so much work to do that I'm completely lost.
23:24I see.
23:25Let me finish this, then I'll bring it to you.
23:27No, no, sit down, please.
23:29How can I sit down when...
23:30Sit down, I want to talk.
23:33About what?
23:36I wanted to draw your attention to a few things.
23:40What things?
23:43The cleanliness of the house.
23:46I'm really trying, but I can't do it all.
23:49Marjana, the windows haven't been cleaned for a month.
23:52There's so much dust that we're practically leaving traces behind.
23:55I just cleaned them.
23:56No, don't.
23:58What do you mean?
24:01Do you have a problem or you just can't do it all?
24:05I don't know. You tell me what it is.
24:17Look, Mukašen, that story about Una,
24:22and that case,
24:25it's a mess, like an old cauldron of brandy.
24:30You know, Una and Pavle went to court,
24:34and it's all been resolved.
24:37Is it?
24:38Yes.
24:39And how?
24:40What do you mean, how?
24:42How did they resolve it, or what?
24:44What do you mean, how did they resolve it?
24:46What are you talking about?
24:49They went to court, and Una said she wouldn't blame him.
24:54Don't worry, it's all over.
24:58How do you know all this?
25:01How do I know?
25:05Una lives here, right?
25:07Yes.
25:08No, Pavle came for her, and they went to court together.
25:12Really?
25:13Yes.
25:14And how is he?
25:15Pavle?
25:16Yes.
25:17I can tell you he's a very nice guy.
25:20He's very cultured, you can see he's well-educated.
25:23Well, it's possible that he's cultured, well-educated, nice,
25:28but it's obvious that his mother had some bigger problems with him,
25:34which she hired a detective for.
25:37And today she can hire a private detective, whoever she wants.
25:42Thank you for such a delicate opinion of my profession.
25:46Well, I didn't say anything bad, Vukasin,
25:49I'm just saying that you shouldn't worry so much.
25:52Don't worry.
25:53Don't worry.
25:54I don't know what to do.
25:56What don't you know?
25:58Wait, I'll tell you.
26:01Here.
26:02See, I only filled in four words.
26:06Enough.
26:07I just started, what's wrong with you?
26:09Double beat.
26:10He won't do it.
26:11Please.
26:12What can I say?
26:14Well, to be honest, I've never worked for so many people.
26:19Do you think you can't do it?
26:23I'm trying.
26:25It doesn't look good enough.
26:28Well, I really don't know what to say.
26:31Maybe it would be fair to say you can't.
26:34But I'm trying.
26:36Well, it doesn't look good enough, I don't know.
26:39Maybe it's a matter of organization.
26:41Maybe you didn't organize yourself well.
26:44No, I don't think it's a matter of organization,
26:47because I think anyone else in my place would have the same problem.
26:50Marijana, anyone else in your place would find a way to stop him.
26:54Or he would ask for help.
26:56I'm not trying and I'm not taking the blame.
26:59I just can't do it.
27:01Okay.
27:02I just want to ask you to put a little more effort into all this in the future.
27:09Don't be mad, I'm telling you this with the best intentions.
27:13Yes, I understand, thank you.
27:15Okay, it's important for me that you understand.
27:17Can I go now?
27:18Of course.
27:32I'm sorry.
27:39Are you normal? Just tell me, please.
27:41What are you talking about?
27:43No, no, no, this time you overreacted.
27:45Is it possible that you hired a private detective to follow Una?
27:50First of all, lower your tone.
27:52And secondly, you're acting like I hired someone to...
27:56steal.
27:57No, how would you call it?
27:59I hired our friend, Barbara.
28:01She's involved in this, so why not?
28:03So why not? That woman is going to Una.
28:07She's just investigating a little, nothing more.
28:10Mom, mom, you can't do that, that's not normal.
28:14Pavle, I'm worried, and that's completely normal.
28:17I'm tired of that excuse, really.
28:20Well, if you're not going to tell me anything.
28:22I have to find myself, I just wanted to make sure you're okay.
28:25Well, I'm okay, can you see me?
28:27I'm missing something.
28:30That woman is suspicious, suspicious.
28:32Mom, you know her, she has nothing to be suspicious of.
28:36And everything is suspicious to you.
28:38That's not your thing, you don't care.
28:40Well, I do care, I do care.
28:42How is it that she doesn't sue you,
28:44and doesn't charge you with anything,
28:46and you there, as they say,
28:48accidentally get some position in court, how?
28:50Biljana, that thing is solved.
28:52It's over.
28:53I don't know why you're still dealing with it.
28:55Yes, yes, yes, it was solved the first time,
28:58so you had to go to court.
29:00Yes.
29:18Yes?
29:19Good day.
29:20Good day.
29:21Good day.
29:23Am I bothering you?
29:24No, no, no, not at all.
29:26I wanted to ask you,
29:28if you want me to make you a burek.
29:30There's a fantastic bakery here,
29:33if you want to go there.
29:35I don't eat burek.
29:37You don't eat burek?
29:38No.
29:39You eat burek?
29:40Well, not me, but we can go to a tea.
29:44I'm sorry.
29:46I mean, it's okay to go to a tea,
29:49but I'm sorry about the burek.
29:51It doesn't matter.
29:52I mean, we still don't know each other.
29:54Well, it doesn't matter.
29:55The intention is important.
29:56Yes, that's right.
29:57I agree that the intention is the most important.
30:00I think it's terribly important
30:02that people eat properly at work,
30:04which leads me to another reason why I'm here.
30:06And that is?
30:07That is to tell you that I'm traditionally
30:10in charge of getting food,
30:12so I want to tell you that I'm at your disposal.
30:22I'm glad you took the time for me.
30:24I was surprised by your invitation.
30:27I'll get straight to the point.
30:29We found out that your magazine was not a part of the acquisition
30:33that we recently did.
30:35It was not a mistake.
30:37No?
30:38You should have read the contract carefully.
30:42So you did it on purpose?
30:44No, no, no.
30:45I just didn't have the time to read it.
30:48So you did it on purpose?
30:50No, no, no.
30:51I just didn't have the time to sell the magazine.
30:57So you want to say that the magazine
30:59was never a part of the acquisition?
31:01Never.
31:04Then we obviously made a mistake.
31:07Obviously.
31:08I became the owner.
31:10Of course.
31:11Don't get me wrong.
31:13We don't want to take anything that's not ours.
31:15You can't.
31:16Of course.
31:18I'd like to talk to you about something.
31:22About what?
31:24I'd like to give you a suggestion.
31:41Give me your hand.
31:43Mom.
31:44Please.
31:45Stop putting your nose where it doesn't belong.
31:50You know,
31:52many sons would be grateful
31:54to have a mother who cares a lot.
31:57I'm not sure.
31:58Mom, this is not normal for me.
32:00What's normal for you?
32:02It's not normal for someone to go around
32:04and hire a private detective.
32:06It's like we're in a movie.
32:07People do that.
32:09People.
32:10When they're interested, they come and ask.
32:13As if I told you.
32:14Did you try?
32:16Maybe I overdid it a bit,
32:18but I really had the best intentions.
32:21Mom,
32:22if your best intentions lead you to go around
32:25and ask about my life,
32:27then what can I tell you?
32:28As if we're strangers.
32:30I don't believe that.
32:31And they're right.
32:33But that's stupid.
32:34You have no reason not to believe them.
32:37And even if you don't believe them,
32:38you can't do that.
32:40Even if I see that she's problematic?
32:43I can't stand this conversation anymore.
32:45Mom, I grew up as a man.
32:47And I can't stand this relationship with you anymore.
32:54Where are you going?
32:55I'm going, mom.
32:56I'm going.
32:57I'm going to take a little break from you.
32:59How?
33:00In the middle of the story?
33:03Mom, it's not in the middle.
33:05This, between you and me,
33:07has been going on for a long time.
33:09Too long.
33:10I can't take it anymore.
33:12Bye.
33:33What's the offer?
33:35I'll be honest with you.
33:36Please.
33:37Why are you here?
33:38It wouldn't matter to us if we came to visit the magazine.
33:40I mean, that was the original idea of the purchase.
33:43I understand you, but...
33:45No, listen to me.
33:46Please.
33:48That magazine is on our plot.
33:50And it's completely stupid that the magazine is not ours, right?
33:53Listen to me.
33:54No, listen to me.
33:57We are ready to make a special deal
33:59if we buy that magazine,
34:00so that the acquisition is complete.
34:02Senka, I understand you completely,
34:04but that's also impossible.
34:05You haven't heard the offer to the end.
34:06And I'm not interested.
34:07Not because I don't want to sell it,
34:09but because I can't.
34:11Of course you can, the question is just what.
34:14The magazine was sold.
34:16Excuse me?
34:17Last week.
34:36Yes.
34:42Excuse me, do you have a minute?
34:45Of course.
34:46Sit down.
34:53Tell me.
34:55I give up.
35:06I give up.
35:15I'm sorry, did I bother you?
35:17Not at all, come in.
35:21We didn't expect you, where are you from?
35:24I have a problem.
35:30Alright.
35:32If it's not a problem,
35:33I would like to know who bought the magazine.
35:35Of course it's not a problem.
35:37The buyer is Miki Tambor.
35:42Man, if you only knew.
35:44You don't make me look pretty.
35:46You don't make my life look pretty.
35:48Of course.
35:49You don't.
35:56Easy there.
35:58Serbs.
36:01Alright.
36:02Come on, tell me the picture.
36:04What happened now?
36:07I thought I wouldn't tell you.
36:09I really wanted to keep quiet.
36:11You wanted to keep quiet.
36:24Marijana and I noticed
36:27that the house isn't in the best order.
36:30But I know it isn't.
36:31Alright, if you know,
36:32then don't try too hard,
36:33and everything will be OK.
36:34I can do it,
36:35because there are a lot of you.
36:38When Samuna and Andrija lived here,
36:40everything was in such a mess.
36:43None of us want everything to be perfect.
36:47I don't even have a minute of rest.
36:49I never sat down.
36:50It seems to me that you all think
36:52that I take the blame.
37:01I'm sorry.
37:07You can stay here for a day.
37:09No problem.
37:10What's the problem?
37:11I'll tell you everything,
37:12if it's not a problem to sit down.
37:14Please sit down.
37:15I'm sorry.
37:16And?
37:32Why did you call me?
37:36You know very well
37:37why I called you.
37:40What did I do now?
37:56Why isn't he with you?
37:58Why?
37:59Why isn't he with you at all?
38:01Why?
38:02Don't kill the speaker.
38:04I'm sorry.
38:05I'm just transferring the information
38:07I found out.
38:20Can you handle these procedures?
38:22Did you get it?
38:23What do you mean,
38:24to feed him, right?
38:26Yes.
38:27As if you're feeding him.
38:29As if you're feeding him.
38:30Yes, yes.
38:31I mean, you're free.
38:32Everything I'm telling you,
38:33translate it into the language
38:34you understand.
38:35Of course.
38:36And use the terminology
38:37that suits you.
38:50So the offer was great.
38:52The one that doesn't refuse.
38:55Yes.
38:56Of course.
39:09Okay.
39:10He wanted to talk to me.
39:12Indiscreetly.
39:15Indirectly.
39:17Yes.
39:19Um...
39:20Same.
39:27Yes.
39:50No problem.
39:51What are you talking about?