Death Streamer 2024

  • 3 hours ago
Transcript
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00:04:23What?
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00:04:27Hi.
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00:04:53Wait.
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00:05:09What's your name?
00:05:11Why?
00:05:12Why?
00:05:14Why do you want to know my name?
00:05:16Just so I know what to call you.
00:05:19When...
00:05:21When what?
00:05:23When we talk.
00:05:25That's what I mean.
00:05:26Is that what you want to do?
00:05:28Talk?
00:05:31Maybe.
00:05:34Talking might be nice.
00:05:37I mean, we could do other things.
00:05:40Your heart's beating quickly.
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00:06:40Drink.
00:06:45Aren't you drinking?
00:06:47Yes.
00:06:49Later.
00:06:52Don't I get to order my own drink?
00:06:55No.
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00:07:15Drink.
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00:07:21I think I'd rather order my own drink.
00:07:24Drink it.
00:07:27I...
00:07:29I don't know you.
00:07:31What if...
00:07:33What if I...
00:07:35Drugged me?
00:07:37I did.
00:07:39What?
00:07:41I drugged you.
00:07:43Something very special.
00:07:46Now drink it.
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00:07:53Wait.
00:07:55Hold on.
00:07:57Okay.
00:07:59I'm holding on.
00:08:03Now listen to me.
00:08:06You were meant to come here.
00:08:08To find me.
00:08:10That's all that matters.
00:08:13It's all you were ever born for.
00:08:16To be here with me.
00:08:18Right now.
00:08:22Now drink.
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00:08:34Drink.
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00:08:59What was in that drink?
00:09:02I was.
00:09:04My blood.
00:09:06Your...
00:09:09What?
00:09:11How'd you like it?
00:09:15I liked it.
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00:10:17Lovely.
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00:10:27Is something wrong?
00:10:31Everything's perfect.
00:10:35Just like you.
00:10:37Just like you.
00:10:39Aah!
00:10:41Aah!
00:10:43Aah!
00:10:45Aah!
00:10:47Aah!
00:10:49Aah!
00:10:51Aah!
00:10:53Aah!
00:11:07β™ͺ
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00:11:39And now it's time for episode 225
00:11:44of Alexander's Church of Chills.
00:11:50Watch in horror as we reveal ghosts.
00:11:56Monsters.
00:11:59Mutants.
00:12:01And the Walking Dead.
00:12:06Welcome to Alexander's Church of Chills,
00:12:09episode 225.
00:12:11Alexander Jarvis here,
00:12:13along with my grizzly gals Edwina and Juniper.
00:12:20Click like, subscribe, join our Patreon page.
00:12:23Smash those buttons.
00:12:25This episode?
00:12:27Death in the rat house.
00:12:29And?
00:12:30Haunted baby hands in Evermount Hospital.
00:12:33Ooh, and?
00:12:35The man who ate his family.
00:12:38With recipes.
00:12:40It's Church of Chills.
00:12:44β™ͺ
00:12:47Okay, and cut.
00:12:49Want to do another one?
00:12:51Why?
00:12:52For safety.
00:12:53Maybe we can make it better.
00:12:55Seriously?
00:12:58Who do I look like to you, Stanley Kubrick?
00:13:01No.
00:13:02Not even slightly.
00:13:04Thank God.
00:13:05All right, finish it up, send it out.
00:13:07Uh, you check the feed.
00:13:09I'm gonna start work on 226.
00:13:13After I take a piss.
00:13:15Because that's how I roll.
00:13:19Well, good luck.
00:13:22Thanks.
00:13:32Okay, you girls ready?
00:13:34Yeah?
00:13:35All right, let's get this down.
00:13:37All right?
00:13:38Okay, Junie, start recording.
00:13:41Okay, this is Church of Chills,
00:13:44episode 226, segment 3, pre-record rehearsal.
00:13:48The vile vivisectionist.
00:13:51And...
00:13:55The next terrifying tidbit
00:13:57straight out of Victorian history is called...
00:14:00Dr. Jonas Hope, the vile vivisectionist
00:14:03of St. Pinker's Hospital.
00:14:05Back then, doctors didn't know
00:14:07that they needed to wash their hands before surgery.
00:14:10And the most well-known butcher...
00:14:13I mean surgeon, was Dr. Jonas Hope.
00:14:21This guy loved nothing better
00:14:23than spending his days
00:14:24chopping off poor people's arms and legs.
00:14:26Well, everybody needs a hobby.
00:14:29But then, one day,
00:14:31a patient came in who had been
00:14:33freshly crushed under a falling brick wall.
00:14:35Oops.
00:14:36I'll say, oof.
00:14:38The doctor proceeds to cut off
00:14:40both of this poor guy's arms and legs.
00:14:43Of course, without benefit of anesthesia.
00:14:46And he survives.
00:14:48And then, a demented light dawns on the doctor.
00:14:52Okay, hold on. Hold on.
00:14:54Wait. Cut. Cut, cut, cut.
00:14:56Oh, come... Jesus Christ.
00:14:58Stop recording, Junie.
00:15:01First of all,
00:15:03I am the only one who gets to call cut here.
00:15:06That's not true. I call cut all the time.
00:15:09Yeah.
00:15:11Yeah, you sure do.
00:15:13But you're not supposed to, all right?
00:15:15The director calls cut.
00:15:17The director, me, I'm the director.
00:15:19And guess what? The director calls cut.
00:15:21Really? Since when?
00:15:23Since when? Since always.
00:15:25That's the rule. The director calls cut.
00:15:27No, she means, since when are you...
00:15:29Is... this...
00:15:32what you're doing here...
00:15:34Does this make you the director?
00:15:36That is what you mean, isn't it, Junie?
00:15:38Well, actually, I was referring
00:15:40to the general role of a director,
00:15:42but sure, yeah, whatever. Let's go with that.
00:15:46Okay, well, why don't we go
00:15:48with my interpretation of your remarks?
00:15:50No, no, no. How about we go with the fact
00:15:52that I created the show, and my name is on it?
00:15:54Alex.
00:15:56And the fact that you two, you work for me,
00:15:58and I am the director,
00:16:00and I'm the one who gets to call cut.
00:16:02Alex!
00:16:04What?
00:16:06Why don't you just ask Eddie why she called cut?
00:16:08Because I know why Eddie called cut.
00:16:10Really? Yeah.
00:16:12You want to bet on that?
00:16:14I'm willing to bet, hmm?
00:16:16Light of my life?
00:16:18A criterion in collection of your Jeff Sprango DVDs?
00:16:20Are you kidding me? I wouldn't bet that.
00:16:22Oh, goddammit.
00:16:24Okay, so, how about this?
00:16:26No more calling cut.
00:16:30For this episode.
00:16:34Deal.
00:16:36Okay, great.
00:16:38Wait, what happens if I win?
00:16:40You girls can have everything I own.
00:16:42No, no.
00:16:44Wait, that's a trick.
00:16:46You don't actually own anything, you fucker.
00:16:48Okay, so what then?
00:16:50You've got to be nice to us.
00:16:56Wait, for how long?
00:16:58Forever.
00:17:00Seriously?
00:17:02A week.
00:17:06Okay.
00:17:08But just hold on a second, okay?
00:17:12Okay.
00:17:24What is this?
00:17:26That is why Eddie called cut.
00:17:30You're an independent arbiter.
00:17:32Smile when you call me that, stranger.
00:17:38You may proceed.
00:17:40Finally, thank you.
00:17:44I wanted to point out that
00:17:46there are around two paragraphs missing
00:17:48about how patients were treated in those wards.
00:17:50That was all great stuff.
00:17:52Yeah, yeah, it really is.
00:17:54As indeed all of your stuff is, Eddie.
00:17:56You're brilliant.
00:17:58But the show, it's coming in long.
00:18:00And it's got to come in on time.
00:18:02And one of us has to be an adult here.
00:18:04Right?
00:18:06And you, my love,
00:18:08you're an adult.
00:18:12Junie, please.
00:18:19Eddie's going to bitch about the ward material being cut.
00:18:24There it is.
00:18:26So much for having to be nice to you two bitches.
00:18:30Don't give me that sourpuss look, Eddie.
00:18:32Now let's reset for take two.
00:18:34Without any calling cuts.
00:19:04And now,
00:19:06it's time
00:19:08for Alexander's
00:19:10Church of
00:19:12Jills.
00:19:15The next terrifying tidbit
00:19:17straight out of Victorian history
00:19:19is called
00:19:21The Church of Jills.
00:19:23And it's going to start
00:19:25right here,
00:19:27right here,
00:19:29right here,
00:19:31right here,
00:19:33right here,
00:19:35right here.
00:19:37The next terrifying tidbit
00:19:39straight out of Victorian history
00:19:41is called
00:19:43Dr. Jonas Hope,
00:19:45the Vile Vivisectionist
00:19:47of St. Pancras Hospital.
00:19:49See, back then,
00:19:51doctors didn't understand that they needed to
00:19:53wash their hands before surgery,
00:19:55and the most infamous
00:19:57butcher
00:19:59surgeon
00:20:01One day, a patient had come in who had been crushed by a falling brick wall.
00:20:05Oops.
00:20:06I'll say, oops.
00:20:08Dr. Jonas proceeded to cut off both of this poor guy's arms and legs.
00:20:15Of course, without benefit of anesthesia, and he survives.
00:20:20And then, suddenly, a demented light dawned on the doctor.
00:20:27He began to wonder just how much he could remove from a human being and have that patient
00:20:32survive.
00:20:36He had plenty of raw material, a hospital full of it.
00:20:42The good doctor selected patients to bring to his special ward, downstairs in his basement
00:20:48where he conducted his diabolical experiments.
00:20:52And as for the screams, well, there were always screams coming from St. Pancras.
00:20:58But all good things, and some horrible ones, come to an end.
00:21:02About 10 years later, some busybodies started to ask questions.
00:21:07And when they went to ask Dr. Hope these questions, he disappeared.
00:21:12So they cut the heavy locks of that door and headed down into that basement.
00:21:16And what did they find down there?
00:21:19At first, what they found didn't seem to be living at all, let alone human.
00:21:27They more resembled lines of damp leather bags with tubes coming from them, leading
00:21:35to bottles.
00:21:36Tubes to bring in food and remove waste.
00:21:39What were in those sacks?
00:21:41Just a brain.
00:21:42Bits of skull.
00:21:44But no jaw.
00:21:46No tongue.
00:21:48No eyes.
00:21:50No ears.
00:21:51No skeleton.
00:21:53No muscles.
00:21:56Just a few essential organs laced together.
00:21:58God knows what those brains were thinking.
00:22:02And the doctor succeeded no less than 33 times.
00:22:10But what about Dr. Hope?
00:22:12Where was he?
00:22:13As it turns out, Dr. Hope had been using a cesspit to dispose of his discarded limbs.
00:22:20When searchers closed in, he'd attempted to use it as an escape route.
00:22:24He didn't get very far.
00:22:27They found him down there, what was left of him.
00:22:31And of course, they couldn't explain the condition of the doctor's body.
00:22:35The fact that it appeared as if it had been torn, beaten, strangled, and by many groping
00:22:47hands.
00:22:50Nor could anyone explain the look of stark terror on Dr. Hope's face.
00:23:05What's the word that sounds like repugnant, but it means that you don't want to, um, you
00:23:18know, um.
00:23:21Reprehensible.
00:23:22Reprehensible.
00:23:23I would have thought of it, but thank you.
00:24:06Hey, Alex?
00:24:09What?
00:24:10Take a look at this.
00:24:13There's a video that's got over half a million hits since yesterday, and growing.
00:24:30Oh yeah, good for them.
00:24:37Yours truly is not in the market of sending traffic to somebody else's bullshit website.
00:24:42Yeah, we've got our own bullshit website to worry about.
00:24:51She's got good taste, though.
00:24:53She is cute.
00:24:55What?
00:24:56We never put up anything that's fake.
00:24:59Of course we do.
00:25:01Bigfoot, found alien footage, all that shit is fake.
00:25:04So this, this is different.
00:25:07It's viral marketing.
00:25:08You can tell.
00:25:09Oh, okay.
00:25:15Yeah, see?
00:25:16There.
00:25:17How convenient.
00:25:18The name of the dumbass S&M club right there for everybody to see.
00:25:21A drink, a blowjob, and a moira.
00:25:25How scary.
00:25:28You ever been to one of these clubs, Junie?
00:25:30Seriously?
00:25:31It's like trying to go to a nude beach.
00:25:35You expect Sports Illustrated, but you get people like me.
00:25:42Ew.
00:25:44Yuck.
00:25:45Yeah, thanks.
00:25:47Point is, that's fucking staged.
00:25:49We could use some of those nice juicy hits.
00:25:52I'm telling you that this sort of thing flows the other way.
00:25:55It sucks our viewers to them, not the other way around.
00:25:58Now, sugar pie, honey bunch, can we please get back to work?
00:26:04And don't give me that sourpuss look.
00:26:22I'm sorry.
00:26:52Hmm.
00:27:23What?
00:27:24Eddie, go get Alex.
00:27:26I need you to go get Alex.
00:27:28He's asleep.
00:27:30What's going on?
00:27:33He's asleep.
00:27:34What's going on?
00:27:43Is this live?
00:27:46Alex!
00:27:50Alex!
00:27:51Get down here!
00:27:53Alex, wake up!
00:27:58Jesus fucking Christ!
00:28:02How many fucking times have I told you to stop doing that?
00:28:05Be nice!
00:28:06Fuck.
00:28:07Ugh.
00:28:09What a piece of work is man.
00:28:13How noble in reason.
00:28:16How infinite in faculty.
00:28:19In form and movement.
00:28:21How express and admirable.
00:28:23Enough!
00:28:25Enough!
00:28:27What?
00:28:28Guys, guys, Alex, come here.
00:28:31Hellfire House is live streaming again.
00:28:33Are you fucking kidding me?
00:28:35That's why you woke me up?
00:28:37Just watch.
00:28:49I'm sorry.
00:28:50I'm sorry.
00:28:51I'm sorry.
00:28:52I'm sorry.
00:28:53I'm sorry.
00:28:54I'm sorry.
00:28:55I'm sorry.
00:28:56I'm sorry.
00:28:57I'm sorry.
00:28:58I'm sorry.
00:28:59I'm sorry.
00:29:00I'm sorry.
00:29:01I'm sorry.
00:29:02I'm sorry.
00:29:03I'm sorry.
00:29:04I'm sorry.
00:29:05I'm sorry.
00:29:06I'm sorry.
00:29:07I'm sorry.
00:29:08I'm sorry.
00:29:09I'm sorry.
00:29:10I'm sorry.
00:29:11I'm sorry.
00:29:12I'm sorry.
00:29:13I'm sorry.
00:29:14I'm sorry.
00:29:15I'm sorry.
00:29:16I'm sorry.
00:29:17I'm sorry.
00:29:26Well, this one's in a hurry.
00:29:34They must be giving him some sort of hypnotic drug.
00:29:37Oh, so...
00:29:38You don't think it's actually his blood?
00:29:44Look, I don't know what this is.
00:29:46So you don't think this is a real-life, honest-to-gosh vampire live-streaming his killings?
00:29:51Alex, there doesn't have to be a real-life vampire for killings.
00:29:54Oh, okay. Yeah, that makes sense.
00:29:56All the stuff where he's turning into a vampire, that's fake.
00:29:59But all the stuff where he's killing these chicks, that's real?
00:30:01That's what you believe? Seriously?
00:30:05I don't know, Alex. There's something about this.
00:30:46Interesting. Always surprises. I'm impressed.
00:30:57Usually when a woman marks herself in this way,
00:31:02the canvas of flesh quite overwhelms the illustration.
00:31:16These are quite lovely.
00:31:23Do you have any tattoos? I'd love to see them.
00:31:27I'm afraid not, my dear.
00:31:46Wait. Wind it back.
00:32:00What?
00:32:00The part where he's biting her. Wind it back. I want to see something.
00:32:03Yeah, yeah. Hold on.
00:32:09Did you catch it?
00:32:11Catch what?
00:32:12Just slide over.
00:32:17Jesus Christ, Alex. What the fuck?
00:32:24Yeah, this is getting weird, even for you.
00:32:27Just wait a second, okay? Fuck.
00:32:33There. You see it?
00:32:36See what? It's her jugular.
00:32:39No. God, no. Okay.
00:32:43The jugular is a vein in the neck right here,
00:32:46which you're probably thinking of as the exterior carotid arteries,
00:32:49which are here and here in the neck.
00:32:53But this, that's the axillary artery.
00:32:59It runs under the collarbone and provides blood to the shoulder and the arm.
00:33:05He's never going to let us forget that he took a year of med school.
00:33:09Two and a half. Get it straight.
00:33:12Okay, so whatever the fuck this, um,
00:33:14monetary... Axillary. Axillary artery.
00:33:17Okay, axillary artery. So?
00:33:21So? Why bother?
00:33:24If this is just viral marketing,
00:33:28why bother with this obscure anatomical detail?
00:33:32It makes more sense dramatically to just go for the throat.
00:33:36Okay, so doesn't that mean that somehow or other this is all real?
00:33:46Yeah. I guess it does.
00:33:51Oh, fuck. Okay, so what do we do about it?
00:33:57We're going to air it on the next show.
00:34:27So
00:34:42and now it's time for Alexander's church
00:34:49of chills.
00:35:04What is the point of this nonsense?
00:35:07Just watch, my lord.
00:35:10How did this happen? These dabblers.
00:35:16How did they find us?
00:35:17I don't know. I can't seem to track them down.
00:35:21They keep themselves hidden, just as we do.
00:35:25No, not as we do.
00:35:31They're close.
00:35:48Oh.
00:36:03In case you were wondering, the two Carnage House streams,
00:36:06they're both over 3.5 million hits. Go figure.
00:36:10Jesus, take a look at these numbers. 780,000, 790,000.
00:36:15Well, I scored that high.
00:36:16That's not them, mastermind. This is us.
00:36:19Are you kidding me?
00:36:21Hey, guys, take a look at this. Found another one.
00:36:24Another one what?
00:36:26Another Carnage House killing. This one's different.
00:36:29What do you mean? Different how?
00:36:31It's old. It's gotta be the first one.
00:36:34Look. Okay, see one and two? They're both over a million hits.
00:36:39This one only got seven.
00:36:43Why would they pull that back?
00:36:45It must be some kind of rehearsal.
00:36:49Maybe it wasn't meant for streaming, or maybe something went wrong, or...
00:36:57Okay, well, that seems to be everything on the punch list.
00:37:05We should check the mirrors.
00:37:07Of course.
00:37:14Oh, the new sign isn't in place.
00:37:29Well, there's something there.
00:37:31Quirr... Quirrheim?
00:37:35Yes, it's the name of the home.
00:37:38But it's an old word. It means house of blood.
00:37:45Oh.
00:37:46Not my blood. Blood of my family.
00:37:54All right.
00:37:56Oh, excuse me.
00:38:00Okay, well, it seems that everything's in order.
00:38:03So it seems.
00:38:05A little rough around the edges yet.
00:38:08I can see its final form starting to peek through its chrysalis.
00:38:15Uh, well, yes, I suppose.
00:38:21Okay, well, that is everything.
00:38:27Oh, God.
00:38:29What was I thinking?
00:38:31You have to sign the deed.
00:38:36Is this completely necessary?
00:38:45Okay, well, uh, I think that's everything then.
00:38:59So I'm gonna get going.
00:39:03Can't be leaving yet.
00:39:05I have to christen the place.
00:39:09Oh, no, um, no, I really don't have time for that.
00:39:14Please.
00:39:26Um, well.
00:39:33To extraordinary things.
00:39:36Yeah, to extraordinary things.
00:39:44So.
00:40:09Oh.
00:40:11Wow, that is strong.
00:40:14Stuff.
00:40:17Yes, well, I found it necessary.
00:40:21Necessary?
00:40:22Necessary for creating a connection between us.
00:40:27Don't you feel connection between us?
00:40:31Yeah, no, I, uh, I, well, I, uh, I really should.
00:40:35I gotta, I have to go.
00:40:37Oh, well, that would be a terrible waste.
00:40:41Wouldn't you agree?
00:40:45There we are.
00:40:47A sad how so much finer you appear without those rags wrapped around you.
00:40:54A sacrifice perfect for the gods.
00:40:58Ready to be laid on the altar.
00:41:04Yes, this was all meant to be.
00:41:08Yes.
00:41:10Take her.
00:41:12No.
00:41:14No.
00:41:16No.
00:41:18No.
00:41:20No.
00:41:22No.
00:41:24No.
00:41:26No.
00:41:28No.
00:41:30No.
00:41:32No.
00:41:34No.
00:41:36No.
00:41:38Please.
00:41:44No.
00:41:46No.
00:41:48No.
00:41:50No.
00:41:52No.
00:41:54No.
00:41:56No.
00:41:58No.
00:42:00No.
00:42:02No.
00:42:04Jesus. Some fucking rehearsal.
00:42:11Hey, Ron. I've heard that name before.
00:42:31It's some big ol' stately home or something, isn't it?
00:42:35Beats me.
00:42:53You'll find that your machines no longer work. For now.
00:42:59What the hell?
00:43:04Fuck, he's right.
00:43:05Yes, I am. So do I have your attention now, Mr. Jarvis?
00:43:13Ladies.
00:43:14Holy shit. Alex, if he knows our names...
00:43:19Okay. You have our attention. What can we do for you?
00:43:26What you can do for me?
00:43:28I was thinking more along the lines of what you've done to me.
00:43:33By making public what I've chosen to keep private.
00:43:38I suspect you have no idea to what extent your thoughtlessness has inconvenienced me.
00:43:44What do you mean we made public?
00:43:48You livestream your thing to hundreds of thousands of people.
00:43:52Don't light that cigarette. In fact, I want you to stop smoking altogether.
00:43:58It's a sordid habit. A habit of weak men. And it pollutes the body.
00:44:06Dude, it's just a cigarette.
00:44:07Put it down.
00:44:14Okay, I'm sorry.
00:44:17Mr. Jarvis, I plant my seeds very cautiously.
00:44:22That's why no one outside of my circle knows about us.
00:44:26That is, until now. Because of you.
00:44:30You've chosen to imprudently scatter those seeds to the wind.
00:44:34I'm sorry. I didn't understand.
00:44:38I don't understand.
00:44:41I don't suppose you're willing to share why you want to do this seed scattering?
00:45:02To threaten us?
00:45:05I don't threaten people.
00:45:08If I considered you a danger to me, you would never have seen me coming.
00:45:14Then I don't know what to explain?
00:45:17Or, um...
00:45:21I don't know.
00:45:25I guess I'm done.
00:45:27I mean, I'm done guessing.
00:45:30Renfield.
00:45:33Junie, what?
00:45:34I'm afraid I didn't quite catch that, young lady.
00:45:38Um...
00:45:41Renfield is a character in the novel Dracula?
00:45:46It's an awful novel.
00:45:47Yes, I'm familiar with the work.
00:45:51Renfield is...
00:45:53How would you describe him?
00:45:56The groveling, lunatic servant of the vampire.
00:46:01I thought that...
00:46:04Maybe you thought about us like that.
00:46:07You're not far from wrong, Miss Colbert.
00:46:10But upon examination, it's obvious to me that you're all thoroughly trivial creatures.
00:46:18Not even useful to me as Renfields, as you put it.
00:46:26Of course you agree.
00:46:31Don't you?
00:46:34I don't know.
00:46:35Don't you?
00:46:38Yes.
00:46:43Yes, I agree.
00:46:46I mean, I...
00:46:48I can see exactly.
00:46:59They're gone.
00:47:02The sunlight.
00:47:04Shit, that's why he's gone.
00:47:06For now.
00:47:09Fuck.
00:47:27Alex.
00:47:30Alex.
00:47:32What?
00:47:33So what the fuck do we do now?
00:47:36Okay.
00:47:39I'll tell you what we're gonna do.
00:47:41The footage of the contractor lady.
00:47:44We air it tonight.
00:47:46Are you fucking crazy?
00:47:48Haven't we pissed him off enough?
00:47:49He obviously didn't want it aired.
00:47:51There's clearly something on there that he didn't want anyone to see.
00:47:54So we're gonna let people see it.
00:47:56Seriously, Alex, you're fucking mental.
00:47:59Juniper, what are you doing?
00:48:00What does it look like I'm doing, Alex?
00:48:03You really think you're gonna be able to outrun this guy if he wants to find you?
00:48:06I think I have a better chance of outrunning him if I fucking run.
00:48:09God damn it, where are my shoes?
00:48:11Where are my fucking shoes?
00:48:13Can you please just calm down?
00:48:14I am calm.
00:48:17Okay.
00:48:21Alex, I want my money.
00:48:24I need my money.
00:48:25Jesus, Juni, we didn't even discuss...
00:48:27Cut the bullshit.
00:48:29You always said we were equal partners in this.
00:48:31We have money.
00:48:33I'm dissolving the partnership.
00:48:36I need whatever part of the share that is mine, okay?
00:48:38So go get that cash box, Alex.
00:48:41I need my money.
00:48:43Juni, can we just talk?
00:48:45Talk about what?
00:48:47Fine, Eddie, fine, yeah, go ahead, talk.
00:48:49Talk about what?
00:48:50I just don't think that...
00:48:52That's right.
00:48:53There's nothing to talk about.
00:48:57Enough.
00:48:58Go get the cash box, Alex.
00:49:00Alex.
00:49:07Fine.
00:49:16Seriously, Alex?
00:49:18You keep the key in the lock?
00:49:20What do you want from me?
00:49:21I would have lost it otherwise.
00:49:22Jesus Christ, hurry up.
00:49:23Hey!
00:49:26I don't have time for this.
00:49:28We don't have time for this.
00:49:31Shit, I didn't realize how broke we were.
00:49:33Seriously, take a look around.
00:49:36Fine, fine, fine.
00:49:37Okay, $850.
00:49:40That's my share.
00:49:41I'm taking it.
00:49:44Juni, please.
00:49:45Juni, wait.
00:49:59Alex?
00:50:10Take care.
00:50:19I love you guys.
00:50:23Do me a favor and run.
00:50:39Eddie.
00:50:41So?
00:50:46So...
00:50:49So we do what I fucking said, okay?
00:50:51We air it tonight.
00:50:52And we try to figure out why the fuck he didn't want anyone to see it.
00:50:55And shit.
00:50:56I don't know.
00:50:57I don't know what the fuck else.
00:50:58I'm not fucking Van Helsing, Eddie.
00:50:59There are no more fucking Van Helsings.
00:51:01Jesus Christ, Alex.
00:51:02Why the fuck are you yelling at me?
00:51:05What did I do?
00:51:07What do you want from me?
00:51:09I don't know.
00:51:10I don't know.
00:51:11I'm sorry, okay?
00:51:12I know it's not your fault, but I'm just...
00:51:15I'm just...
00:51:17It's crazy.
00:51:18I...
00:51:48Shit.
00:52:06Jesus Christ!
00:52:08Reading room.
00:52:09Oh.
00:52:11Well, I'm sorry I scared you.
00:52:14But, I mean, you scared me to death.
00:52:16I'm so sorry.
00:52:17I didn't mean to creep up on you.
00:52:20It's...
00:52:21It's okay.
00:52:22I was just wondering if I might be able to help with this.
00:52:26I...
00:52:28I'm not sure.
00:52:32Oh, I'm so sorry.
00:52:34It's always getting tangled up in everything.
00:52:37Here, let me...
00:52:38It's...
00:52:39It's okay.
00:52:42Hmm.
00:52:43Crime?
00:52:44Yes.
00:52:45I'm trying to find...
00:52:46Local history.
00:52:47Hmm.
00:52:50I'm sorry?
00:52:51I think I can help you.
00:52:54Really?
00:52:55Yes.
00:52:56I'll be back.
00:53:16Here it is.
00:53:25Kurheim Vampire Colts.
00:53:27Holy shit, it's here!
00:53:29Got it!
00:53:31Seriously, thanks.
00:53:32I would have never found this on my own, I swear.
00:53:34You are a fantastic librarian.
00:53:37Who said I was a librarian?
00:53:46Christ.
00:53:48Why does stuff like this always happen to me?
00:54:16Let's do this.
00:54:19Let's just do this.
00:54:22Okay.
00:54:39Jesus Christ.
00:54:41I'm sorry.
00:54:43Okay.
00:54:45Okay.
00:54:52Come on, you piece of shit.
00:54:54Come on.
00:54:55Ow, God!
00:54:57Damn it!
00:54:59Oh, please forgive me.
00:55:00Please forgive me.
00:55:01Okay.
00:55:03Okay.
00:55:08Okay.
00:55:13Okay.
00:55:43Okay.
00:56:13Okay.
00:56:43Okay.
00:56:46Okay.
00:57:12Hey, Alex.
00:57:14I love what you've done with the place.
00:57:19What do you got?
00:57:31That's the place.
00:57:33It was built in 1880.
00:57:35Whatever he's doing now, he was trying to do the same thing back then.
00:57:39He just couldn't make it work.
00:57:41Wait, what is this book?
00:57:44Death Cults Through the Ages.
00:57:46Let me read this to you.
00:57:48This is a quote.
00:57:50So speaks Signior Artur Valinor of the family Valinor.
00:57:56I have labored in the shadows for a very long time to bring forth a great change in the world,
00:58:02a change that will be forged in passion and blood
00:58:05when the final sacrifice is performed before the great convocation of my followers.
00:58:10The world of the living will be overthrown, and the lord of the eternal night will rule.
00:58:15Here, listen to this.
00:58:19Multiple reports, screams in the night, and horrible odors coming from the Kruerheim Mansion.
00:58:24Kruerheim Mansion?
00:58:26Right, that's that big closed-up place out by Regency Park.
00:58:29It's right here in town.
00:58:31Police conducted a raid in the summer of 1892.
00:58:34In the basement, they found the torn, decayed, and partially devoured remains of over 200 women and children.
00:58:43Evidence suggested unholy, ritualistic acts conducted both before and after death.
00:58:50Lovely.
00:58:52No trace was ever found of Valinor or his followers.
00:58:56Ownership of the mansion was passed to a single relative who has sealed up the property.
00:59:02It has been maintained unoccupied for over a century.
00:59:07Alex, look at this.
00:59:11Don't you see, Alex?
00:59:13It's them. All three of them.
00:59:16They haven't aged.
00:59:18Yeah, yeah, I see.
00:59:20This is what he's trying to do. It's what he's been trying to do since...
00:59:24since back then.
00:59:27This motherfucker isn't just looking for blood and tits, he's trying to destroy the whole fucking world.
00:59:32I mean, he hasn't had much luck though, right?
00:59:34Because it's been, what, like a hundred and something years?
00:59:37Goddammit, don't you get it?
00:59:39They didn't have live streaming back then.
00:59:42Don't you see what he's doing?
00:59:45He needs some...
00:59:47critical mass.
00:59:50That's what all this is about.
00:59:52Look. See?
00:59:55The stars. Just right.
00:59:58The number of worshippers. Just right.
01:00:01The sacrifices. Just right.
01:00:03The rituals. Just...
01:00:09Jesus Christ, Alex.
01:00:11Don't give me that look.
01:00:14Don't tell me you suddenly don't believe it!
01:00:17This is what's happening! Right now!
01:00:19Okay, right. So, what are we supposed to do?
01:00:22Go over there and stake him through the heart?
01:00:24They would kill us in two seconds!
01:00:26We can't just let this...
01:00:28Okay, let's just think about this, okay?
01:00:33He didn't want anybody to know this stuff, right?
01:00:36To know who he is, where he lives, what he's trying to do.
01:00:40So we do, like I said.
01:00:42We put it up and let people see it.
01:00:44And maybe, you know, maybe that screws the whole thing up.
01:00:48It blows up the ritual.
01:00:49Alex.
01:00:50Come on. We got to get this streaming before sunset.
01:00:52Jesus, I don't know if we have the time.
01:00:54It doesn't matter. It's fine. Come on.
01:00:56We'll get it streaming and just let it go. Come on.
01:00:58And now, it's time for Alexander's Church of Chills.
01:01:28This is an emergency broadcast.
01:01:31Listen, this is Kruerheim, built in the 1800s.
01:01:37It has been the scene of nightmares and murders.
01:01:41It still is.
01:01:43This man is Arturo Valinor, only he's not just a man.
01:01:47He's something else.
01:01:51One of the undead.
01:01:53A vampire who feeds on human blood.
01:01:56He is there right now at Kruerheim.
01:01:59And what he was trying to do back then, he is still trying to do right now.
01:02:03He's trying to destroy the whole fucking...
01:02:07What the hell?
01:02:09Alex, the feed.
01:02:10What happened to the feed?
01:02:12How should I know?
01:02:15It's him.
01:02:17Some of you, no doubt, have been tuning in to Mr. Jarvis' Church of Chills.
01:02:23We here at Kruerheim have been enjoying it all evening.
01:02:27But now, we have other business to attend to.
01:02:31I'm sure all of you will accept our invitation to take part in this...
01:02:37ritual.
01:02:55Jesus.
01:02:57Alex, do you know how many people are watching this right now?
01:03:00Christ, Eddie, I don't think right now is the time for that.
01:03:02185.
01:03:04187.
01:03:05And that's just us.
01:03:06What the fuck?
01:03:09How did he even know that we were going to be streaming?
01:03:11What are the numbers on his stream?
01:03:13No good.
01:03:14He's locked us out again.
01:03:37Oh, my God.
01:03:39No.
01:03:55Holy shit.
01:03:57The sacrifice.
01:03:58Fuck.
01:03:59It's Junie.
01:04:00Oh, my God.
01:04:02Fuck.
01:04:03What do we do?
01:04:04Oh, my God.
01:04:05Fuck.
01:04:06You fucking leave her alone, you asshole.
01:04:36Oh, my God.
01:04:37What do you want from us?
01:04:40What do I want?
01:04:43What does a cat want with a mouse?
01:04:49Come on.
01:04:50Let's go.
01:04:51Come on.
01:04:52Come on.
01:04:53Get in.
01:04:54Get in.
01:04:55Get in.
01:04:56Get in.
01:04:57Get in.
01:04:58Get in.
01:04:59Get in.
01:05:00Get in.
01:05:01Get in.
01:05:02Get in.
01:05:03Get in.
01:05:04Come on.
01:05:26He's gone.
01:05:34β™ͺβ™ͺ
01:05:43β™ͺβ™ͺ
01:05:53What a terrible shame.
01:05:56So pale and pure.
01:06:02Oh, if I had the time to truly enjoy...
01:06:09your untouchable...
01:06:13delights.
01:06:15Who are these?
01:06:17You long-teared prick!
01:06:19-β™ͺβ™ͺ
01:06:24-β™ͺβ™ͺ
01:06:32-β™ͺβ™ͺ
01:06:39-β™ͺβ™ͺ
01:06:47-β™ͺβ™ͺ
01:06:55There's someone down there.
01:06:57-β™ͺβ™ͺ
01:07:07-β™ͺβ™ͺ
01:07:17-β™ͺβ™ͺ
01:07:27-β™ͺβ™ͺ
01:07:37-β™ͺβ™ͺ
01:07:47Who's there?
01:07:49-β™ͺβ™ͺ
01:07:57What?
01:07:59I thought I told you to stop smoking.
01:08:01-β™ͺβ™ͺ
01:08:04I said...
01:08:06-β™ͺβ™ͺ
01:08:08Put it out.
01:08:10-β™ͺβ™ͺ
01:08:11Junie.
01:08:13-β™ͺβ™ͺ
01:08:17Junie, what happened?
01:08:19Are you okay?
01:08:21-β™ͺβ™ͺ
01:08:22Yes, I'm quite all right.
01:08:24Everything turned out just as I'd planned.
01:08:29I was worried for some time that you two fools
01:08:32wouldn't play your appointed roles.
01:08:35But in the end,
01:08:38you performed the final sacrifice,
01:08:41admirably.
01:08:43-β™ͺβ™ͺ
01:08:44I don't understand.
01:08:46What's going on?
01:08:48-β™ͺβ™ͺ
01:08:49Yes, I was worried about that.
01:08:52Alex, you idiot, it's not Junie.
01:08:55What?
01:08:57-β™ͺβ™ͺ
01:08:59-β™ͺβ™ͺ
01:09:01-β™ͺβ™ͺ
01:09:03-β™ͺβ™ͺ
01:09:05-β™ͺβ™ͺ
01:09:07-β™ͺβ™ͺ
01:09:09-β™ͺβ™ͺ
01:09:11Listen to them.
01:09:13The children of the night.
01:09:15-β™ͺβ™ͺ
01:09:17What music they make.
01:09:19-β™ͺβ™ͺ
01:09:21-β™ͺβ™ͺ
01:09:23-β™ͺβ™ͺ
01:09:25-β™ͺβ™ͺ
01:09:27-β™ͺβ™ͺ
01:09:29-β™ͺβ™ͺ
01:09:41You
01:10:11You
01:10:41You
01:11:11You
01:11:41You
01:12:05You
01:12:11You