klass 95 Capitulo 37 Completo en Español
klass 95 Capitulo 37 Completo en Español
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Short filmTranscript
00:00Let's go, okay?
00:01Kelly, what's going on?
00:02Let's go. I'll explain later.
00:06What happened?
00:08I had to come here to pick you up.
00:10Nothing.
00:11They're waiting for us.
00:12Let's go.
00:13Excuse me, miss.
00:14Who's paying for the coffee?
00:19Kelly, you know I'll wait for you at the agency.
00:21Okay, get out of the way.
00:25I'm sorry.
00:26I'm sorry.
00:27I'm sorry.
00:28I'm sorry.
00:31Sir, I left my wallet at home.
00:35I don't have change.
00:37I'll pay for it.
00:39Kelly, please, please talk to me.
00:41I'm begging you.
00:42I have nothing to talk to you about.
00:44Look, we'll talk, whether you like it or not.
00:46You're not going to make a scene here.
00:48I don't want a scene. Let go of me!
00:50Please, please.
00:52Look, I haven't eaten all the crap I've eaten
00:54to get scared by a lying gringo.
00:56Don't say that.
00:57I'm not a liar.
01:00You know what?
01:01I regret believing you a thousand times.
01:03I regret waiting for you.
01:05Why don't you go back to the woman who made you come back?
01:07John!
01:08Kelly, please.
01:10Look, here's the money. Thank you.
01:14Kelly, Kelly, stop, stop, stop, stop.
01:16Please, please, please stop.
01:19Please stop.
01:21Look, let's go to my hotel.
01:22Let me explain why I'm here and I can't tell you.
01:26I don't believe you.
01:28Linda, please.
01:30I'm going to tell you if I go to jail,
01:33but I can't stand the idea of losing you.
01:36Please.
01:43Kelly, please.
01:44Let me talk to you.
01:46I don't want to talk to you.
01:47You and I can't leave things like this.
01:50Please, let me explain.
01:52Kelly was right.
01:54Brian, the love of his life,
01:56the consul who lost his job because Edgar set him up,
02:00was in the city and didn't tell her.
02:02But if he didn't come for her, why did he come?
02:05Brian came to put an end to this story.
02:09What do you mean, put an end to it?
02:11This story isn't over yet.
02:13But it's not far off.
02:15And the arrival of the gringo has a lot to do with it.
02:18And the arrival of the gringo has a lot to do with it.
02:48Let's go.
03:19No, it's beautiful.
03:21It's considered. I like it.
03:25What's up?
03:28I see you're not going to give up to come up with something.
03:31I'm leaving.
03:32Hey, it's a long story.
03:36Look, it's...
03:38It's a job I have to do so we can be together.
03:43Be together?
03:44You came here and didn't even look for me.
03:47Did you forget?
03:48Yes, because I was supposed to do the job in silence
03:51before seeing anyone else.
03:54What job?
03:57I...
04:00I have to turn someone over.
04:04Who?
04:06I need you to promise me that you won't tell anyone
04:10that you'll be with me in this
04:12and that you'll trust absolutely everything I tell you.
04:15You're forgetting things.
04:17You're the one who lied here, not me.
04:20I promised I'd wait for you.
04:22I promised I'd only be with you.
04:24And I kept my promise.
04:27But you...
04:30Done.
04:31Look, I'm going to turn Edgar over.
04:37Turn him over to who?
04:40The United States government.
04:42The DEA.
04:44So they can give me back my job.
04:46My life.
04:49I have to prove to you that Edgar,
04:51besides being a very dangerous person,
04:53is still laundering dollars and having deals with the mafia.
04:58So he can pay for separating us.
05:01Look, if I manage to turn Edgar over
05:04and have him extradited,
05:06I'll be able to ask for my job back
05:09and then we'll both be able to get married.
05:12And we'll be together forever.
05:17I don't know.
05:20That's very difficult.
05:23Besides, Edgar is not stupid.
05:29No one said love was easy.
05:33I found it.
05:35I'm not going to let it go.
05:37I would like to be romantic, you know?
05:40You know?
05:42And be able to believe everything he's telling me.
05:45That we're going to get married.
05:49But life has shown me something else.
05:52Well, let me show you
05:55that things can work out.
06:00And what if he's already out of that?
06:02What if he's not a mobster anymore?
06:06How are you going to prove it?
06:07People like Edgar never get out of that.
06:10I'm going to investigate him.
06:12I'm going to follow him everywhere
06:14until I have the information I need to turn him over to the DEA.
06:19For both of us.
06:29I don't want to lose you.
06:37I don't want to lose you.
06:52I think I lost my hand.
07:08Fuck.
07:21It's all there, right?
07:26Edgar.
07:28There it is.
07:30I think the rats ate it.
07:32No, don't fuck with me.
07:33No, no, no. Take it off, take it off.
07:34Take it off.
07:39You scared the shit out of me.
07:41Take it off.
07:43There it is.
07:46Go get it.
07:48I'm going to get it.
08:04I'm going to get it.
08:09Well, check it well.
08:11Hey, do you think Huesito is going to be satisfied with this?
08:15Because when he died,
08:17he already had this building lined up in dollars.
08:21No, man, don't exaggerate.
08:23Well, let's give him this.
08:24First, thank him for not investing all the money.
08:26We'll compensate him for the rest in furniture, art, stuff.
08:29Let me know to see that they are not wet.
08:31No, how generous.
08:32I told you that Huesito is going to keep his chickens.
08:35Hurry up, man.
08:37Check the bills.
08:41Do the gringos not have an inventory of these bills?
08:44Because look, they have Huesito's mark everywhere.
08:48If Huesito falls, he falls alone.
08:50Someone hurry up, I have to take that to him
08:52before I fall again to the office.
09:03How are we going to do to see each other?
09:06It's dangerous here.
09:08We're going to come up with something.
09:11The important thing is to know how we're going to make Edgar fall.
09:16Well, I have to infiltrate him.
09:18Find someone to get to his office and spy on him.
09:24But,
09:29you stop thinking about those things.
09:32It's better that you don't know anything.
09:36I can't infiltrate.
09:39What are you talking about?
09:41Did you forget what he did to you?
09:44No, I don't forget anything.
09:47That's why I need him to fall, but I don't trust anyone else.
09:51Yes, but he's not going to trust you.
09:55Believe me, he does.
09:57He still likes me.
09:59Even worse.
10:01I'm not going to leave you alone with that guy.
10:04Then we could,
10:07I don't know, think of someone who is close to him.
10:11A friend.
10:13My mom.
10:15No.
10:16No, you leave your mom out of this.
10:19Besides, Edgar doesn't have friends.
10:22Not to mention that the other day he had to call Nicolas Rocha to read him.
10:27Nicolas is the link.
10:30He's always calling me, he's always telling me things.
10:34What happens is that we have to check how the car is, right?
10:37That it is in good condition.
10:39The engine, chassis, that the doors are in perfect condition.
10:43If you need, I can go around and check how it is.
10:47They call me Niki Lauda Rocha.
10:50At your service.
10:52Well, sir, I'm going to get the pass, I'm going to do the course.
10:54And when I have it, I'll call you and make you an offer.
10:57Miss, here we are pending. When you like.
11:02Did you say driving course?
11:06Pitirrocha Automotive Teaching Center.
11:09Here we are at your service.
11:11Whenever you want, I can teach you how to drive properly.
11:14Well, I'll call you and I'll take that course.
11:17And so little by little we are getting closer to Edgar.
11:21He's not going to suspect anything.
11:22He's not going to suspect anything.
11:24But it's very dangerous.
11:26And I don't want you to get into trouble.
11:29Do you think the people at the embassy don't know that you and I saw each other?
11:33If you yourself told me that those people know everything.
11:36I don't know.
11:38Tell them that ...
11:40You deceived me to get closer to Edgar.
11:44My God.
11:46What a perverse lie.
11:48I need him to pay for everything he did to me.
11:51And no one is going to do that job better than me.
11:58I hope I'm not wrong.
12:02Come and I'll explain to you what we need.
12:05Come.
12:21Kelly arrived at this hotel feeling sad.
12:24Destroyed.
12:26Frustrated.
12:28And she turned out to be an agent of the authorities of the United States.
12:32Well, at least she felt that way.
12:39And we can't underestimate the reach of this woman.
12:42I mean, because she started with a phone call from Barranca asking for opportunities.
12:47Yes, to participate in the project.
12:48You could contact me with Chayo.
12:51The Miss of the Queens.
13:01That's divine. Perfect.
13:06And now she was ready to infiltrate a narco and hand him over to the authorities of the United States.
13:19Are you sad about Kelly?
13:22Well, remembering all this story does make me feel bad.
13:27Is that sadness named?
13:30The Versito.
13:32That apparently we have not forgotten.
13:40Well, it makes me very sad to think about everything that had to happen to him.
13:45See simply because of them.
13:46Because of them.
13:49No, but wait.
13:51Is it anger or ...
13:54Could there be a kind of rebirth of that love?
14:02Shall we continue telling the story?
14:08Please.
14:11Well then, let's talk about some news from the country, because not everything was beauty.
14:16In 1996, the FARC guerrilla had taken the military base of Las Delicias.
14:22There were strikes everywhere.
14:32And on a trip from the president to the United States,
14:36eight bags full of heroin were found on the presidential plane.
14:40It seems incredible, but it was.
14:42We went from everything was behind my back,
14:45to drugs on the presidential plane on a trip to the United States.
14:50Casual.
14:52Normal.
14:54That is, eight bags of heroin and no one had any idea how they got there.
14:58Nothing happened here.
15:00In the country of the Holy Heart, everything was impune.
15:03It is that the Colombians had already gotten used,
15:06we had to get used to whatever happened, life went on.
15:09Especially Edgar, the Domingues, the Sepúlveda,
15:13and the rest of the models,
15:15who had found in beauty a pinch of amnesia,
15:18and their passport to heaven.
15:24What happened?
15:26What happened?
15:28Hey, they're asking me how many monsters we're going to have tonight.
15:32How many what?
15:34Churritos, those divine moms you're with.
15:36What's up?
15:38The ones who get scared when they see us.
15:40Speak for yourself, Bermudez.
15:42Yes, yes, yes.
15:44That's exactly what I'm in for, Bermudez.
15:46I'm going to take a lot, a lot, a lot, all divine, okay?
15:48Look, Guitar, don't forget.
15:50Very divine.
15:52Good music, whiskey, snacks, food.
15:55It's going to rain, right?
15:57We're going to get it tonight, partner.
15:59Well, well, well.
16:01Goodbye.
16:03We're going to get it tonight, partner.
16:06Do you really want to be that guy's best friend?
16:09You're both going to vote for me.
16:11No, I'm not the one who's sending you to Piquito
16:13and I'm not coming tonight.
16:15I remind you both that we are partners.
16:18You two also voted for him.
16:20Or did you forget?
16:22Someone had to bring suitable female staff for us.
16:26Please.
16:28Not only be divine, but also have a good attitude.
16:32Be willing to serve my partners in a good way, okay?
16:36How could you offer an event for today, Friday,
16:40when most of the girls are with the Italians?
16:43Come up with something, man, with so many women.
16:46I don't know, tell your Vanessa, your Ulma.
16:49No, how could you?
16:51She has a commitment today with the agency.
16:53The one who has no commitment is Kelly.
16:56You know perfectly well that I don't trust that girl.
16:58Forget it.
17:00Well, it was an idea.
17:02Because I do believe that you should talk,
17:04you should make peace.
17:06But find solutions, man.
17:08I'm not going to be bad with that, okay?
17:17Mr. Edgar.
17:19Mr. Edgar, he has been called several times from the club
17:21and they sent him this.
17:23It's for him to pay for the action.
17:25There is the account and there is the deadline to pay it until Monday.
17:27They have also called several gentlemen
17:29to confirm the attendance tonight at Gatoblo.
17:32Damn it, how many times do I have to tell you
17:34not to eat in the warehouse?
17:36That's exactly what I wanted to talk to you about.
17:39Hi, Edgar.
17:41I'm glad you're here.
17:43Do you want a bonfire?
17:45No, thank you very much.
17:47Let's go to my office, please.
17:56No, no, no, don't touch anything.
17:58Go ahead.
17:59Elber!
18:01Don't touch that.
18:03Left, left, left, left, left.
18:12You didn't have to come, man.
18:14I was going to take what's yours.
18:16I don't trust you, you know that.
18:18Elber.
18:20Yes, Edgar.
18:22I gave the money to the lady.
18:26Look,
18:27there's everything I owed you.
18:29Take it and go fulfill your dreams.
18:42You son of a bitch,
18:44get out of here.
18:46With two dollars?
18:48No, these creeps are smart.
18:51There's everything I owe you.
18:53Elber, do me a favor,
18:55take that from here, I can't stand the smell.
18:58You're going to have to put up with it.
19:00Because I'm not leaving until you pay me what I owe you.
19:02Or better yet, what you stole from me.
19:04There's the money, what do you want?
19:06Don't you believe me?
19:08Do you want to go to La Caleta?
19:10So you can see, there's nothing else there.
19:12So better take that or...
19:14Or what? Are you going to kill me?
19:16I don't have relatives, I don't have children,
19:18I don't have nephews, nothing.
19:20But I call the chicken ones.
19:22And I already told you,
19:24if one day I don't call early to ask for my chicken,
19:25you call the police.
19:27And blame Edgar for everything that happens to me.
19:32Besides, I left you an envelope full of evidence.
19:35So what did you say?
19:37I'm going to get rid of the bones easily.
19:40No, sir.
19:45Look,
19:47to make it clear,
19:49this is what you owe me.
19:56I'm not going to come out right now with ideas
19:58to pay me in cash or with other crap.
20:01Because I want my money,
20:03my dollars,
20:05in cash.
20:07In cash.
20:09You can pay me weekly,
20:11or monthly,
20:13or whoever you want.
20:15But I don't have money, bones.
20:17I don't have more.
20:19I have everything invested.
20:21Businesses, enterprises, bets.
20:23I bet you you're going to find a way to pay me.
20:25Otherwise, I'll take you to the club,
20:27to your house,
20:29to the bar where you have Sundays,
20:31until I pay you the last dollar.
20:33Do you understand?
20:37And don't forget that I'm still at the hotel on your account.
20:40I'm going to take these bones to pay for my chickens.
20:46Excuse me.
20:48Let's go, guys.
20:56With things like this,
20:58Edgar only had one business hope.
21:01His partnership with Nico.
21:04And he wasn't the only one who had his eyes on Nico.
21:07I mean, I don't know, but suddenly Nicolas became fashionable.
21:15Exactly.
21:17As we are all partners in this,
21:19we want to know what's coming.
21:21What is that genius that you are going to tell me?
21:23What is that genius that you are going to sell now?
21:26Okay.
21:28I'm going to present you
21:30the new genius.
21:32First, I would like to tell you that it has not been easy
21:36to get such a large inventory of this product.
21:39It comes from the other side of the world.
21:42It is sold out worldwide.
21:45A star product.
21:48I had to borrow the underpants,
21:50but I have a warehouse full of this product.
21:56A beauty.
21:58With your permission.
22:03There is Chaito,
22:05Laurita, Paulina, Juanita,
22:08walking down the street with her divine bag
22:11and from one moment to the next she rips her bag
22:14and suddenly...
22:15Thief. Thief. Thief. Thief.
22:18Thief. Thief. Thief. Thief.
22:21How about this beauty?
22:23How about this beauty?
22:25Thief. Thief. Thief. Thief.
22:28Thief. Thief. Thief. Thief.
22:32The Ampa is afraid.
22:35Yes, gentlemen.
22:37Because they will not threaten any of my women again.
22:40The Ampa is afraid of this product.
22:44We are talking
22:45that we have more or less 500,000 potential customers
22:50only here in Bogotá.
22:53With the only ad I launched,
22:56I have already received threats.
23:00The Ampa is afraid of Nicolás.
23:05Let's see, look.
23:07We are going to end the total crime of a city.
23:11And how much does that wonder cost?
23:12No, I don't have the exact data.
23:15But I think
23:17approximately
23:19that it will leave us
23:21an utility of 800%.
23:23Ah!
23:25Yes, which means that if I buy it for two,
23:28I can sell it for ten.
23:30According to my statistics and the study we have carried out,
23:33in approximately three months,
23:35only three months,
23:37we must have sold all the product.
23:39We will not have a single wallet in the warehouse,
23:42but on the street we will be hearing all the time,
23:45what? Thief! Thief! Thief!
23:48This is a beauty.
23:50And in the meantime, I'm going to bill.
23:52Of course, with you.
23:54We are all going to bill.
23:56But when do we start?
23:58No, I wanted to present the promotional video,
24:00the marketing strategy,
24:02but I'm ready to go out tomorrow.
24:05Well, tomorrow, Nicolás.
24:06Right now, Nicolás.
24:08Start tomorrow and tell us.
24:10Perfect. Good.
24:12Well, I wanted to take the opportunity
24:14to apologize in general,
24:18but especially
24:20I wanted to apologize to you, Joaquín.
24:23The bad episode I made you go through
24:26with Edgar.
24:28Nicolás, let's not talk anymore.
24:30We want results.
24:32And a very important recommendation.
24:33Keep away from that character.
24:35At least until the business grows.
24:38Suddenly we can buy the part.
24:41Edgar, don't worry.
24:43I don't know him.
24:45Nothing at all.
24:47Who is that man?
24:49I don't know him.
24:51Well, we won't take up more time.
24:53Tomorrow we start.
24:55You have to coordinate things.
24:57Yes, sir.
24:59Ah, I'm leaving.
25:00You don't accompany me to anything.
25:02Regulo, don't you realize?
25:04I'm trying, but ...
25:06You can go.
25:13Okay.
25:15Well, I won't take up more time.
25:17Here I leave you
25:19the video if you want to review it.
25:21Here is the proposal.
25:23Anything, please let me know.
25:25See you later.
25:31Bye.
25:33Bye.
25:45Can you explain what just happened?
25:47Aren't you going to tell me
25:49if you think this is a big deal or not?
25:51No, this is the most absurd.
25:53It's the most megalomaniac,
25:55the most ridiculous thing I've seen in my life.
25:57It's the best way to break down
25:58in a few days.
26:00And what?
26:02You have to bet that it will go wrong.
26:04To break down,
26:06get out of the partner
26:08and at the same time,
26:10we get out of this problem.
26:18Ocolas, good to see you.
26:20I need to talk to you.
26:22Come on.
26:24Right now?
26:26Yes, yes, now.
26:28No.
26:30I have to talk to you
26:32from partner to partner.
26:34All right?
26:36Yes, yes, all right.
26:38Sure?
26:40Sure.
26:43Excuse me.
26:54Take this.
26:56Yes, ma'am.
26:58And can you take that too?
27:00Oh, no, mom.
27:02That's already exploitation.
27:04I'd rather let me travel right now.
27:06Oh, sweetie.
27:08If you want, I'll help you.
27:10I can take that with great pleasure.
27:12No, don't worry, Najeeb.
27:14Don't worry.
27:16If something is sweet,
27:18we can make several trips.
27:20Rather, you check there
27:22that no one eats anything else.
27:24If you're telling me that
27:26so I don't know the Italians,
27:28since they're so close to you,
27:30why don't you invite them
27:32to eat at your house?
27:34And you make them eat goat
27:36with pepitoria and artayuca?
27:39Come on, sweetie.
27:41Yes, ma'am.
27:46At this time,
27:48we can say that we have carried out
27:50more than 30 campaigns.
27:52The calendar.
27:54We also have a contract
27:56with big brands.
27:58And international models.
28:00But Vanessa is the only international model
28:02you have.
28:04No, we have three more.
28:06But our big bet is Vanessa.
28:08You have to be very grateful
28:10to have her.
28:12Who will be our new model?
28:14Tonight you will meet them personally
28:16and you will be able to choose
28:18which one is more suitable for the campaign.
28:20Hello.
28:22Sorry.
28:24I brought you some delicacies
28:26because I imagine that with so much work
28:28you don't even know what you want.
28:30No.
28:32No, Elenita, thank you.
28:34I'm not going to eat.
28:36Are you okay?
28:38And you?
28:40No, Elenita, thank you.
28:42For the gentlemen.
28:44That's better.
28:46It's round.
28:48It looks like an orange.
28:50An orange.
28:52What is it called?
28:54A bunuelo.
28:56Delicious.
28:58You are very beautiful.
29:00We are characterized by being elegant.
29:02Smiling.
29:04What's wrong?
29:06Smile, please.
29:08Winner's composition.
29:10Exactly, girls.
29:12I'll give you a five-minute break, okay?
29:17Hello.
29:19I'll be there in five minutes.
29:21Wait for me.
29:23What's up, girls?
29:25What's up?
29:27I have a party for you tonight.
29:29It's going to be great.
29:31There will be passports, drinks,
29:33some friends, the best.
29:35Are you up for it?
29:37Give me the viper and I'll send you the address.
29:39What's yours?
29:41What's up?
29:43What?
29:45What are you doing?
29:47I'm writing down the girls' information
29:49for a list they asked me for.
29:50If we already have all their information here,
29:52please, Najib,
29:54don't interrupt them
29:56when the girls are taking their class.
29:58And you,
30:00remember I told you to come tonight?
30:02We're going to have a very important event
30:04to get you more work,
30:06to expand your photo catalogs,
30:08to help you with some jobs,
30:10advertising,
30:12the things we're used to doing here
30:14at the agency.
30:21Dividend?
30:23It's Guitar.
30:25We've been partners for just a few days.
30:27We can talk about dividends at the end of the year,
30:30if you want.
30:32No, no, no, Nicolas.
30:34I need money now, fast, and a lot of it.
30:36I need it by the end of this month.
30:38I understand you.
30:40And that's exactly what I'm working on.
30:42Tomorrow we'll launch our campaign,
30:44our marketing strategy
30:46for our anti-theft wallets.
30:48Careful, thief, thief.
30:50It's a beauty.
30:52But I have to go to work right now,
30:54otherwise how do I answer everyone?
30:56No, no, no, Nicolas.
30:58Brother, that's mine, mine.
31:00That's not how it works.
31:02Better give me back the money.
31:04I'll see what I can do with it.
31:06Let's see, Guitar, wait a minute.
31:08What money?
31:10I didn't take your money and put it under the bed.
31:12No, I invested it.
31:14We have it.
31:16Because this is ours.
31:17We're going to fight the insecurity of the city.
31:19Which city?
31:21Of the whole country.
31:23So please, don't worry about me.
31:25Let me work, okay?
31:27Well, Guitar, let me know if you need anything.
31:29And we're going to start praying
31:31because this is going to be a lot.
31:33We're going to get rich.
31:35Hello?
31:37Yes, I'm coming out.
31:42Excuse me, who are you talking to?
31:44What's up, Nico? How are you?
31:45How are you, Charlie?
31:47Your eyes are so happy.
31:49What a miracle.
31:51So you can see.
31:53I wanted to ask you
31:55if the offer for the driving classes is still up.
31:57Imagine that tomorrow they give me the car.
31:59Well, Kelisita,
32:01what happens is that right now I'm a little busy
32:03with some business.
32:05But I'm going to take your time.
32:07What do you think if we see each other tonight
32:09and we talk about it?
32:11No, what happens is that I can't tonight
32:13because I have an event at the agency.
32:15Is there an event?
32:17What do you mean?
32:19Didn't you invite him?
32:21He's going to go all over the world.
32:23No, no, no, Kelisita, but I'm surprised.
32:25You know that's my house.
32:27So, see you there.
32:29All right, Nico, see you there.
32:31Bye, take care.
32:33Shit.
32:35You left the keys.
32:37Wait, I'll open it for you.
32:39Oh, thank you.
32:41How are you?
32:42Go to the patio.
32:44Go to the patio and unload
32:46while I do some arrangements.
32:48Here.
32:50Okay, ma'am.
32:52Aren't you going to get ready, Kelisita?
32:54Yes, yes, yes, I was going to bathe.
32:56It's late.
32:58We have time just to put on makeup and leave.
33:00Kelly, my daughter, what happened to Brian?
33:02Don't you say he arrived?
33:04No, aunt.
33:06Well, since I'm so busy,
33:08I imagine I see him everywhere.
33:10But he was in the United States,
33:12I thought you were going to be with him.
33:14Oh, me too, imagine.
33:16But hey, you don't have to think about that,
33:18you have to think that tonight we have an event
33:20and that tomorrow they give me the car.
33:22But my daughter, do you see us?
33:24How are we?
33:26A year ago, who would have imagined
33:28that we were going to be so good.
33:30Vanessa, a whole international model
33:32and you with so much work that you already have your new car.
33:34Oh, blessed be the hour
33:36that we decided to come here.
33:38We decided?
33:39We decided.
33:41We decided, Kelly.
33:43That life is already behind us.
33:45Come on, mommy, better go to the bathroom
33:47and get dressed up.
33:49There's a lot to celebrate today.
33:51Yes, yes, yes.
33:53Celebrating is what we have today.
33:55Let's see how this is.
33:57Two, three, four, five, six, seven, eight.
33:59Come on.
34:01Two, three, four, four, five, six, seven.
34:03Backwards.
34:05Come on.
34:07Turn around, turn around, turn around.
34:10Bravo!
34:15Thank you, thank you.
34:17Can you come live with me, please?
34:19No.
34:21I don't want to say what I could do.
34:23This routine every day of my life.
34:25Well, I don't have any problem
34:27going where you tell me any day of the week,
34:29every day if you want.
34:31It's just that I just got back the money you owed me
34:33and I was thinking of setting up my gym again.
34:35Seriously, how are you going to set up
34:36a gym again with such a routine
34:38like the one we just did?
34:40Well, the idea is to mix a little of what I have.
34:42No, mix nothing.
34:44Who wants to make weights
34:46when you can't let go in such a wonderful way?
34:48Look, the other day, when we recorded that session,
34:50I sent it by mail to my son, who lives in Miami.
34:52He was ecstatic.
34:54He said that if you lived there, you would be a millionaire.
34:56But there must be a lot there, just like me.
34:58Of course, but they are some muscular gringos
35:00who are more fun in a car underneath.
35:02This is Candela, Bernie.
35:04I don't know if you know,
35:06but look, at least I can swear to you
35:08that with women, it would be crazy.
35:11Why don't we do something?
35:13We go to the agency tonight
35:15and you talk to my son, Salomón.
35:17He will be delighted to advise you.
35:19I don't know if it's such a good idea
35:21for me to go to the agency.
35:23I'm not asking you.
35:25The whole world will be there.
35:27You're just going with me, you're my partner.
35:29Or what?
35:31Well, I'm so old and ugly that I don't deserve to go with you.
35:33No, not at all, Mimi.
35:34How dare you say that?
35:36Don't say any more.
35:38I'll pick you up at eight,
35:40so get ready because we're going to the agency.
35:42Wonderful.
35:44Answer.
35:46I'm going to change.
35:50Mimi?
35:52She's leaving?
35:54Yes, well, at least that's what she told me.
35:56And, well, she invited me.
35:58Oh, well, that's not necessary
36:00because I'm calling her to tell her that she's very invited.
36:02What do you mean?
36:04I thought your parents were going to leave.
36:06No, no, no, they're not going to leave.
36:08My dad hasn't been feeling very well lately
36:10and I don't think it's a very good idea
36:12with so many people out there.
36:14He probably found out that his grandson
36:16is not Nicolas's idiot,
36:18but the one from the sweatshop.
36:20No, no, no, wait, why?
36:22First, he hasn't found out anything.
36:24And second, I wish I knew
36:26that Nicolas is not my son's father.
36:28And when are you going to tell him?
36:30I don't know.
36:32He's been through a lot
36:34and I don't think he can take it anymore.
36:36Of course.
36:38Because being my son is always going to be worse
36:40than being a moron who steals from him,
36:42who supports him, who makes him get into trouble, right?
36:44I don't know what else you need
36:46to send that idiot to jail.
36:48You probably know he's guilty
36:50and that's why you haven't done it,
36:52but you didn't shake hands with me, did you?
36:54Berni, please, really,
36:56don't think this is something against you, okay?
36:58Too many things have happened.
37:00I'll tell you later.
37:02You know what?
37:04I don't even know if I want to know those things.
37:09Tulio!
37:20Oh, I'm starving.
37:22Moni, look at this.
37:24Moni, that dress looks divine on you.
37:27Of course not.
37:29From now on I'm not going to eat anything, Laura.
37:33I don't want to go to any event.
37:36What do you mean? Are you crazy?
37:38No, you're going to receive the people.
37:40Please, I'm not going to go like this.
37:42Moni, this is a three o'clock event, okay?
37:44Come on, I'll help you get dressed, okay?
37:47So you can cover up.
37:49Do you agree?
37:51No.
37:53Oh, I'm sorry to bother you, girls,
37:56but where is Miss Chayo?
37:58No, she hasn't arrived, Elena.
38:00Why? Did something happen?
38:02No.
38:05Yes.
38:07The thing is that...
38:09you know that I'm with this agency project until the day I die.
38:13This is like my life project.
38:16But I can't stand that Mrs. Nayibe anymore.
38:20I can't stand her anymore.
38:22But what do you mean, Elena? What happened?
38:24No, I'm at a point where if you want to continue with her,
38:27it's her or me.
38:29No, no, no.
38:30Sit down, please.
38:32And tell us what's going on.
38:34Sit down.
38:36Calm down.
38:38You know I don't like to speak ill of people.
38:40I'm not one to make things up.
38:42I'm not one of those people.
38:44But she's stealing information from the agency.
38:47She gets in between my things.
38:49My things appear elsewhere and things don't move on their own.
38:53I'd like to know what role she plays here.
38:57What does she do?
38:59Um...
39:01Well, Nayibe helps us with all the models.
39:05With the regents, too.
39:08She even brought some very pretty girls, right?
39:10With all the logistics, with the agenda...
39:13No.
39:15I'm sorry, but I'm the one who has the agenda.
39:19And I have it perfectly, from head to toe.
39:23She loves to say that she's Mrs. Chayo's personal assistant,
39:26that she's her right-hand woman.
39:28No, no, that's not true.
39:30No, she's not her right-hand woman, Lenita.
39:32But you pay her.
39:34No, we don't pay her.
39:36You know perfectly well that I'm the one who makes the payments here at this agency.
39:40Nothing happens to her.
39:42But I imagine she must make money doing business here and there.
39:47Or maybe she commissions with the girls she brings, or with Kelly.
39:52Yes, but nothing else.
39:54I promise you that I'll talk to her.
39:56Or rather, I'll tell her not to even look at her,
39:59not to get close to her, not to do anything to her.
40:01Well?
40:03No, my dear girl, it's not that she doesn't look at me and doesn't mess with me.
40:06It's just that I'm already here.
40:08So, is it her or is it me?
40:11Elenita, how can she ask us today,
40:15when we have such an important and big event,
40:18to tell her to leave?
40:21I'm going to talk to her, okay?
40:23But let's hope this happens today and we'll talk tomorrow.
40:27Please don't make this crisis today,
40:30precisely because we need her more than ever.
40:33Elenita.
40:50Lucy, take good care of the gentlemen.
40:51Whatever they ask for, got it?
40:53Do you really want to get us drunk?
40:55Where are the girls?
40:58No, man, please, let me take care of them.
41:01This is your house.
41:03And besides, now I'm going to give you food so you don't get so hard on the drink.
41:06Edgar, come on, I want you to tell us the truth.
41:08Are you going to bring the girls or not?
41:10Yes, but of course.
41:12Give me a second, please.
41:16Ayide, how are you?
41:17Hey, how are you?
41:20What's up?
41:22What happened to the girls?
41:24I didn't get any of them to come.
41:26Ayide, that's not an option.
41:28Calm down, calm down.
41:30They didn't come, but I have the solution.
41:32Look, I helped distribute them and I kept a few,
41:35so tell them you have a surprise for them
41:38and that they are the special guests of tonight in Chicoa.
41:41No, no, I can't risk it.
41:43What if we get there and they get us out?
41:44They're not going to get them out, they're not going to dare.
41:47Don't you see that it's going to be full of photographers,
41:49press, international guests?
41:51Do you think they're going to want a scandal?
41:53No, no, no.
41:55You get there and say that they arrived at the club,
41:57that they arrived at the club.
41:59No, I can't risk it, man.
42:01Oh, then I frankly don't know what to say.
42:03Because I'm out of arguments with the girls.
42:05Just tell me,
42:07are they going to prefer to come here to be with some green devils
42:09and stay at the agency working?
42:11No?
42:12What do the girls want?
42:14Well, to work, right?
42:16Well, then yes.
42:18Then yes, I don't know anymore.
42:20I'm taking them.
42:22Miss Anastasia is right.
42:27Oh, Lola.
42:29Spectacular.
42:31My beautiful Laurita.
42:33Dad, what a joy to have you here.
42:36Do you think I'm going to miss this?
42:38Seeing them become the stars of the city.
42:41Hello, Mom.
42:43You too.
42:50I can't believe your dad dared to leave the house
42:53because in Miami we never leave the apartment.
42:57No, well, he's been euphoric all day.
43:02Which makes me too happy.
43:04Well, my love, the happier we will be
43:06when we solve the problem with that Zulano.
43:07But well, we're not going to talk about that tonight
43:09because tonight is very happy and spectacular.
43:11Oh, welcome.
43:13Welcome, welcome.
43:15Well, gentlemen.
43:17Now the surprise I had for you has arrived.
43:19I'm going to ask you to please come with me
43:21because the real party is not here.
43:23And where? What are we going to do?
43:25You trust me.
43:27Pack your things, get ready.
43:29I need you to be well presented.
43:31I'm going to take you to an unforgettable party.
43:33I'm going to take you to an event
43:34that you couldn't even imagine in your dreams.
43:36Come on, please.
43:38Come with me, man.
43:40Come on, come on, come on.