La Promesa Ep 443 Completo - La Promesa Cap 443 Completo - La Promesa RTVE Serie
La Promesa Ep 443 Completo - La Promesa Cap 443 Completo - La Promesa RTVE Serie
La Promesa Ep 443 Completo:
La Promesa Cap 443 Completo
La Promesa Cap 443
La Promesa Ep 443
La Promesa Ep Completo
La Promesa 443 Completo
La Promesa Completo
La Promesa RTVE
La Promesa Ep 443 Completo:
La Promesa Cap 443 Completo
La Promesa Cap 443
La Promesa Ep 443
La Promesa Ep Completo
La Promesa 443 Completo
La Promesa Completo
La Promesa RTVE
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FunTranscript
00:00♪
00:03♪
00:06The wheels have the radios broken.
00:09Man, between the ones that are broken,
00:11the ones that are rusty and the ones that are missing,
00:14you might as well buy some new ones.
00:17No.
00:18These will do.
00:20I'll build some new radios with the rods of some umbrellas.
00:24Ah, well, look.
00:25There are old umbrellas in the van.
00:27They might be useful to you.
00:29I'll look for them later.
00:30When I'm done with this,
00:31I'll start working on something else.
00:33Of course. You have work to do.
00:35The chain is full of robin.
00:38I've seen it.
00:39I'll try to save it by putting it in gasoline.
00:42So you're going to have work for several days.
00:44You're going to be entertained with that bike of yours.
00:46I don't think I'll finish it in a couple of weeks.
00:48Wow.
00:49I was hoping you'd learn how to ride very soon.
00:52Santo, couldn't you help him?
00:54Uh, no.
00:55I don't even touch that chain for all the gold in the world.
00:59Don't worry, Maria.
01:00This is a piece of cake.
01:02As soon as I put it in gasoline,
01:03I'll rub it with a brush later.
01:05Ah, well, look.
01:06I can help you with that.
01:07You don't need a lot of knowledge.
01:09And you're working on the rays and the rods of the umbrellas.
01:12Are you sure you want to take care of this?
01:14Look, if you help me with the saddle,
01:16I'm happy.
01:17I don't want to get you in trouble.
01:19I got in because I want to.
01:21Besides, we took it out of a dead rat
01:22and the sooner we start,
01:23the sooner we can ride the bike.
01:25That, of course.
01:28What are you doing, looking at this mess?
01:30As soon as Mrs. Arco sees you,
01:31she's going to be happy.
01:32She's in a dog mood today.
01:33As if that were a novelty.
01:36Yes.
01:37We'd better get back to work as soon as possible.
01:43I'm going to work, too.
01:44And I'm going to take this to the attic.
01:49Marcelo, wait.
01:50Wait.
01:52I have to talk to you.
01:54What's wrong?
01:56Marcelo, it's not the newspaper.
01:58I don't understand.
02:00What's in today's newspaper?
02:01You're in search and capture.
02:03What?
02:05And besides the photograph,
02:06did the newspaper say anything else?
02:07No, I don't know.
02:08I haven't been able to see it well.
02:09Have the gentlemen seen it?
02:10I don't know.
02:12But if they haven't seen it,
02:13they won't take long to do it.
02:14Your face occupied almost the entire page.
02:17We have to destroy that page anyway.
02:20You know it.
02:21I'm not lost, Teresa.
02:22And not just that newspaper.
02:23There's another copy.
02:25Another one?
02:26Yes, another one.
02:27The one that archives the major.
02:29But Don Ropulo is under arrest.
02:30But Mr. Pellicer will do it.
02:31And what do we do?
02:32I don't know.
02:37I guess we have to wait.
02:40Wait until tonight
02:41so that the major archives the newspaper
02:43and tomorrow destroy the page with the photograph.
02:45And what do the gentlemen have?
02:47Watch what they do to him.
02:50And pray that no one sees the photograph.
02:58I didn't see Romulo in a bad mood.
03:00But that place is not a place for a man his age.
03:03Will we ever stop talking?
03:05Bad things are coming, Cruz.
03:07Yes, I know.
03:08But everything will change.
03:10For now, what we have to do
03:12is everything possible to keep him free.
03:14Well, but without making too much noise, Alonso.
03:17We're not going to start an unnecessary scandal
03:19with Mr. Domo.
03:20Well, if we have to make noise, we will.
03:22What for?
03:23Has it served any purpose?
03:24So many calls and so many telegrams?
03:26All we've done to free Manuel?
03:28The truth is, no.
03:29We would bother important people.
03:31And all for an employee.
03:33Romulo has been faithful to us for many years.
03:36You yourself have admitted it.
03:37Well, more faithful to you than to me.
03:40I'm glad you played with my supposed death.
03:42We needed discretion.
03:44At the cost of hiding it from me, right?
03:47It looks like you're taking pleasure in deceiving me.
03:49It was the only way to save Pia, and you know it.
03:52Brave excuse.
03:54You have a very bad idea, Alonso.
03:55It's not an excuse.
03:56It's a fact, Cruz.
03:58By the way, now that Pia is safe,
04:01I don't want her back here.
04:03And why is that?
04:05Because I, who am the lady of this house,
04:07have decided so.
04:09That's not a reason.
04:10And she needs to work.
04:12It has already become clear to me that you do not need me
04:15to protect that woman's interests.
04:17So mind your own business.
04:20Cruz, don't be unfair.
04:22I've already told you that we needed to be very discreet.
04:24Of course.
04:25And since I'm a gossip and a gossip,
04:27you have to leave me alone, right?
04:28It's not that.
04:29Then what is it?
04:30You have to understand the situation of that poor woman.
04:33Her life and that of her son were in danger.
04:35I understand that perfectly, Alonso.
04:37What doesn't fit in my head is that you leave me aside
04:39as if I were a plague.
04:41So you know what I'm telling you?
04:42Then you decide.
04:43But now I'm going to decide.
04:45Pia is not coming back.
04:47I see that this is not against Pia, but against me.
04:50It may be.
04:51And now she's going to pay so you can punish me.
04:54So maybe you'll think twice before cheating on me again.
05:08Come.
05:09What's up?
05:11Where are you taking me?
05:13Where no one can hear us.
05:16What do you want?
05:17What's wrong with you?
05:19What's wrong with me?
05:21And you're going to act like a fool.
05:23I don't know what you're talking about, really.
05:25Telling Mrs. Candela and Mrs. Simona who I am.
05:28They know.
05:29Lope, what are you saying? But you told them yourself.
05:31Yes, yes, but I thought they hadn't believed it.
05:34So now you're telling people that I'm Duques' daughter
05:36to see if they believe it or not.
05:37No, no, it wasn't like that.
05:39Let's see, they started to realize that you get very serious
05:41when your mother came.
05:42And they started asking me a lot of questions.
05:44Well, it was enough not to answer.
05:45Don't you know how to be quiet or what's wrong with you?
05:47Yes, I know, Vera.
05:50But in the end it's true that I got away.
05:52But I assure you that I thought they hadn't believed it,
05:54but they started laughing.
05:55I'm laughing a lot with all this.
05:57Vera, I did it to get out of the way, I promise you.
06:01I thought they had taken it as a joke.
06:03And now what do I do, Lope?
06:05What do I do?
06:06Well, what we're going to do is talk to them
06:07so that they don't say anything.
06:09They're going to talk and the whole palace will find out.
06:11No, that's not going to happen, I promise you.
06:13Don't you know Mrs. Candela and Mrs. Simona or what?
06:16They'll tell everyone who goes through the kitchens.
06:18Well, I'm going to talk to them.
06:19They're trustworthy.
06:20If we tell them it's a secret, they won't open their mouths.
06:22That's what I told you, look.
06:25I can't trust you anymore.
06:38I'm sorry to receive you like this, sir, in these conditions.
06:44It's the same cell you visited me in a little while ago.
06:49I bring you a book.
06:50Thank you very much, sir.
06:52I know better than anyone that the hours in this place can seem eternal.
06:56Who was going to tell us a few weeks ago that we were going to stay in such a hotel?
07:02Do you need a blanket?
07:05Don't you have anything else to warm up?
07:06That's all there is, sir.
07:09At least I see you have a hot coffee to warm up.
07:11Well, yes.
07:12Hachicoria, but still hot.
07:15Hachicoria?
07:20He gave me a coffee and wouldn't let me die of cold.
07:24But he didn't give you anything else?
07:26No.
07:27He gave me a coffee and wouldn't let me die of cold.
07:30But at least they have allowed me to stay alone in the cell.
07:35The sergeant told me that they didn't make distinctions between people here.
07:38That you are being tortured.
07:39I'm not going to allow something like that.
07:40I'm going to talk to him right now.
07:41I thank you, sir, but you'd better not.
07:43How can I not do it?
07:45I'm not going to allow something like that.
07:46No, listen to me.
07:48Sergeant Burlina is very much his own.
07:50And if he pressures him, then maybe instead of improving things, he makes them worse.
07:55That man hasn't managed to take the measure yet.
07:59Of course, he has a peculiar character.
08:03I assure you that when they told me that they were letting me go because they had found the real murderer,
08:07at no time did I imagine that they were referring to you.
08:09I didn't imagine it would end here either.
08:15Why did he say that you were the one who killed Gregorio?
08:19The important thing is that you are free and you can continue with your life.
08:23Your life also matters.
08:24I don't have a woman waiting for me to marry me.
08:27In fact, no one is waiting for me.
08:29Don't say that.
08:31In the promise, there are many people waiting for you.
08:34They can continue without me.
08:35I have already lived most of my life.
08:37It is unfair that it prevents you from enjoying your best years.
08:41You didn't kill him, did you?
08:43Look, that doesn't matter now.
08:45Look, that doesn't matter now.
08:47The important thing is that this is over.
08:50But how is it going to matter?
08:52Mr. Baeza, I'm not going to allow you to spend the rest of your life in bars just to get rid of me.
08:56I'm an adult.
08:57Let's say this is like an early retirement.
09:04You can try to take away all the importance you want, but it won't convince me.
09:08This is a real mess and I'm not going to allow it.
09:10But you are innocent.
09:12It is unfair that you are locked up.
09:13The point here is not that they lock up an innocent person or another,
09:16but that they lock up the real murderer and we are neither.
09:20Well, in a way, I do have some guilt.
09:24For God's sake, Mr. Baeza, you won't go back with the scoundrel who allowed me to get involved in this matter.
09:28But it's the truth.
09:29No, it's not.
09:30I got involved because I wanted to.
09:31I should have prevented it.
09:36That doesn't justify me being locked up, nor does it justify you being locked up.
09:40I assure you that I'm going to do everything I can to get you out of here.
09:43I don't think it's going to be easy.
09:45Well, no.
09:48And even less after your imprudence, to put it mildly.
09:53But I promise you, Mr. Baeza, I'm going to deal with the murderer.
09:57And you won't have any other choice but to set him free.
09:59I appreciate it.
10:00But why don't you let him be?
10:02Isn't he old enough with his marriage?
10:06Yes, I have.
10:07Yes, I have.
10:10But why would I marry Hanna knowing that you're taking my place?
10:13But I do this to a good cause.
10:17I know.
10:20But I also know that it's something I can't allow.
10:38Doña Petra.
10:39Don't you have any manners, María Fernández?
10:42Excuse me.
10:46May I come in?
10:47Come in.
10:49And now talk.
10:51What about the fact that Doña Pia is not going to work at La Promesa again?
10:55That's a decision made by Mrs. Marquesa, who is in charge of this house.
11:00And you haven't said anything?
11:02I tried to mediate, María.
11:03But Mrs. Marquesa insisted that she doesn't want her back here.
11:06And what do you mean she doesn't want to give her a job?
11:08With how good she is?
11:09Why?
11:11Pia is going to have to look for a job elsewhere, María.
11:14No one is going to give a job to a woman with a small child.
11:17Even if she presents herself as a poor widow,
11:20she feels sorry for her.
11:22The widow of a criminal.
11:24That only makes things worse.
11:26She can always leave her son to the woman she loves.
11:29But she doesn't want to give him a job.
11:31She can always leave her son to the woman who raised him.
11:34And shut up, she's a mother.
11:36And separate her from her son?
11:37What solutions you have brought!
11:41María Fernández.
11:43Pia's life is not my problem.
11:45This is a decision of Mrs. Marquesa and there is nothing more to talk about.
11:48And what was Mrs. Marquesa thinking?
11:50She doesn't have a bit of humanity.
11:53Have a little respect when you talk about Mrs. Marquesa.
11:56The one who doesn't respect us is us.
11:58Otherwise, she wouldn't leave Doña Pia on the street.
12:01Mrs. Marquesa is the owner of this house, María.
12:03And therefore she is the one who decides who works and who doesn't here.
12:07So be very careful with what you say or you'll end up on the street like Pia.
12:12You're having a good time with this whole thing, aren't you?
12:15What do you mean?
12:17Because you're enjoying seeing Doña Pia on the street.
12:19Without a job.
12:21And without a place to die.
12:24You've come in through that door saying nonsense and from what I see you're going to leave like this.
12:27No, it's nonsense.
12:28Everyone here knows that you're the one who doesn't want Doña Pia around.
12:32That's not true.
12:34Come on, Doña Petra.
12:37You can think whatever you want.
12:39But now get out of here.
12:43So I'm leaving.
12:44But first I'm going to tell you something.
12:47You may be enjoying seeing Doña Pia suffer.
12:50But one day you'll be the one who suffers.
12:53I've done nothing but suffer and be ignorant.
12:58And now get out of my sight.
13:00Now.
13:03Come on!
13:05And close the door!
13:17Rómulo is still resigned to his fate.
13:19Rómulo is still resigned to his fate.
13:22He's willing to remain locked up as long as I remain free.
13:25He's going to go with his principles until the end, regardless of the consequences.
13:28We have to do something for him, Father.
13:31It doesn't look good, Manuel.
13:33He's been accused of a very serious crime.
13:34It will be difficult for him to remain free.
13:36I know.
13:39I think what matters is to get him to renounce his confession.
13:42No.
13:43That would only serve to lock you up again, son.
13:46I don't care.
13:47You don't care? How can you care?
13:49But we'll do everything we can. Don't worry.
13:52Father, you should see how they keep him in that cell.
13:55He doesn't even have a sad blanket to cover himself from the cold.
13:58We'll try to improve his conditions.
14:01That's not enough.
14:03We must find the real murderer of Gregorio.
14:08And as soon as possible.
14:10I promise I'll do everything I can.
14:15Okay.
14:20Good.
14:23Now, if you'll allow me, I'm going to the service area.
14:27I want to give Mr. Rómulo some souvenirs.
14:30Father.
14:31Wait, Manuel.
14:33I just remembered that we received a letter for you.
14:37A letter?
14:38Yes.
14:43Does it have the seal of the Marquises of Mujer?
14:44Yes, we saw that.
14:45We thought it was strange that they wrote to you and not to us.
14:48We have a good friendship with them.
14:57Yes, it's strange.
14:59In fact, I think I've received a letter from the Marquises in my life.
15:02Is it because of your detention?
15:04They know you've been in the barracks.
15:06No, mother, it's not that.
15:08In fact, it's not even from the Marquises, it's from Jacobo, his son.
15:11Oh, your running mate from when you were a vagabond.
15:13Yes, that one.
15:15And what does it say?
15:17Does he know anything about the detention?
15:19No, mother.
15:22He writes to me because he has just arrived in Spain after a while living abroad
15:26and it seems that he wants to celebrate a snack at his palace with his lifelong friends.
15:32Well, I think it's a great opportunity
15:35to show that in the house of Luján everything is great.
15:40Please, mother.
15:42Please, mother, don't go on like this.
15:44Your mother is right.
15:46If someone has heard the rumor that you were detained,
15:49they will see that everything has gone to nothing.
15:52You know what?
15:54They are right.
15:56Yes, it will be a snack with trusted friends.
15:59There won't be many people.
16:01I think it's a wise decision on your part, son.
16:05It's time for you to go out a little more, to get some fresh air.
16:08And if along the way you meet a young woman, the better.
16:12Actually, I don't need to meet any young woman, I already know one.
16:15And I think it's the right time for Hanna to accompany me.
16:20But what are you saying?
16:22That it is the perfect time to introduce Hanna to society.
16:25Let's see, Manuel, how to introduce her to society?
16:28You can't go to the Palace of the Ships accompanied by a snake.
16:31But what do you want?
16:33To see how they take her to the service rooms?
16:34Stop it, Manuel.
16:36We've come this far with this nonsense.
16:38You know what?
16:40This letter was sent to me, not to you.
16:42So, I think I'm going to invite whoever I like.
16:47See you later.
16:53Come on, man, what we were missing.
17:04Come on.
17:09But is this the luggage you are carrying?
17:11Yes, I'm just wearing some clothes.
17:14And are you sure you won't be short?
17:16You yourself told me that the trip would take you several days.
17:20Are you sure you have written everything down?
17:23Yes, Mr. Arcos, I have reviewed several times the list that Mr. Baeza dictated to me.
17:27Very good, then go now.
17:29And one thing, I don't want you to entertain yourself too much.
17:31I'll go straight to do the errands and once I'm done, I'll be back.
17:34I hope so.
17:36Don't be hasty and you'll end up wandering around.
17:39Don't worry, it will be going and coming back.
17:45Why are you dressed like that?
17:47Mr. Baeza left me some errands.
17:51And what exactly did he order you to do?
17:54I'm going to pick up some things for the Marquis.
17:57First to Puebla de Tera and then to Villalquino.
18:00It's strange that you didn't tell me anything.
18:02Well, you already know that Mr. Baeza doesn't always find out about everything, neither you nor me.
18:09Come on, boy, go now, I see that you are going to lose your management.
18:13Yes, Mrs. Arcos.
18:15See you later.
18:29See you later.
18:44I have found Mr. Romulo with great strength and more courage than I expected.
18:49And won't he be disappointed with what he confessed?
18:53It seems not.
18:55I just can't imagine that man killing anyone.
18:59Neither you nor anyone who knows him, Curro.
19:02And I assure you that I will not allow him to be sentenced for a crime that he did not commit just to save me.
19:07And that sergeant that you gave him the list, doesn't realize that?
19:12You have to think that after all he is a civilian guard and he has a duty.
19:16He cannot invalidate a testimony just because he has a palpitation.
19:20Mr. Baeza has declared himself guilty and that is the only thing that matters.
19:24And what are we going to do? Why can't we keep our arms crossed?
19:28I gave you my word that I'm not going to do it.
19:31But Mr. Romulo wants us to move on with our lives and you know what?
19:35I think he's right.
19:37We can't be complaining all the time.
19:43So precisely for that, to honor Mr. Baeza's wish,
19:49I have a plan for the two of us.
19:52Jana, I'm going to introduce you to my friends.
19:56It's time to introduce you to society.
20:13You are very quiet today, miss.
20:16It seems to me.
20:18I have little to tell you.
20:22There is always something to tell.
20:25Another thing is that you don't feel like talking to me.
20:30No, that's not it, Simona. I don't want to bore you by talking about me and Pelayo.
20:34You never bore me.
20:36Talk to me about the count or whatever you want.
20:39I'm here to listen to you.
20:41About the count?
20:44Well, I haven't seen him in days.
20:47Not to eat or dine?
20:49Not for that.
20:52The house is big, but I don't know if it's big enough.
20:56It's clear that I ran away so as not to have to give myself an answer.
21:00Well, if that man is doing that, he's not very brave.
21:05One thing is to have doubts and another is to run away that way.
21:10No, he's behaving like a coward.
21:13And time goes by.
21:16And soon I won't be able to hide my belly.
21:18Yes, and not just the belly.
21:21Then the dizziness, the suffocations, the cravings ...
21:25I know, I know.
21:27And as for Mrs. Marquesa, I'm sure she's one of the first to realize it.
21:32That's why if Pelayo doesn't do anything, I'll have to move the file.
21:36And what are you going to do, miss?
21:39I'm going to ask him to break his promise.
21:42Miss, if he does that,
21:44if he does that, that man will never want to be the father of the child.
21:49That's what he's making me understand with his silence.
21:52And if Pelayo doesn't talk, I'll have to do it for him.
21:55Yeah, but think that if he does, what happened to this man is over.
22:00As he is working, I think it's all over and more than over.
22:04Yes, he has had plenty of time to think about it and make a decision.
22:09And I'm not going to give him another day.
22:12And what are you going to do?
22:15Take care of your son alone?
22:18I have no choice.
22:22But do you know how much that will cost you?
22:26Yes, I have already thought about it.
22:29Rumors all over the country, that they look down on me wherever I go.
22:33That Cruz takes advantage of me to get me in trouble and ...
22:36A great disgrace for my father.
22:39And you still want to do it?
22:42Well, no, I don't want to, Simona, of course not.
22:45But it's what I have to do.
22:48Do you see another solution?
22:51No, no, and ...
22:53And I'm no one to give advice.
22:56But I'll only tell you one thing.
22:58That rushes are bad advisors.
23:01But you yourself have said that Pelayo has had enough time.
23:05Yes, yes, I'm sorry if I repeat myself.
23:07But think.
23:10He is asking the count to be the father of a creature that is not his son.
23:17Okay.
23:20Okay, and I'll think about it before I take that step.
23:23Okay.
23:34Hanna, it's not going to be a gala dinner or anything like that.
23:38Just a snack with Jacobo and my friends.
23:41Manuel, let's see, I don't know them anymore.
23:43But if I've only heard of them once.
23:45That is precisely why the time has come for you to meet my fiancée, don't you think?
23:50I don't know.
23:54My love, what are you afraid of?
23:58They are trustworthy people.
24:00They will treat you with the same affection they treat me with.
24:03Yes, but they will be used to talking to dukes and marquises, not just anyone.
24:09You are not just anyone.
24:11That's what I think.
24:13Besides, you have much more class than many noble daughters I know.
24:17Exactly.
24:19What if I'm not up to it?
24:22It's a meeting of friends, you don't have to be up to it.
24:26We just have to go there and enjoy.
24:29Yeah, but surely you want to talk about your things and I'm not going to have anything to contribute.
24:34Let's see, Hanna.
24:36For example, now, you have nothing to contribute when we talk about him and me.
24:39That's it.
24:41Many times it makes more sense what you say than what comes out of our mouths.
24:44It's not the same with you.
24:46I know you very well.
24:47And you will meet my friends.
24:49And you will like them very much, you'll see.
24:53They will like a maid very much.
24:58They will like a maid who saved my life from a fatal accident.
25:02A maid who assisted a doctor in an operation.
25:06There has been a death.
25:09And a maid who knows all kinds of herbs and has lived this life more than many of the roosters out there.
25:17Besides, nothing would happen if you were a simple maid.
25:22But you are much more than that.
25:24Exactly.
25:27Much more.
25:29Maybe I'm a maid, but I'm very good at keeping company.
25:48Dear.
25:53What brings you here so late?
25:55I've been busy with some business in Lujan.
25:58How did the dress test go?
26:00Good, good, no more.
26:02Have you had time to send the telegram to your friend from Guidiriz?
26:06Yes, I did, so I hope that colonist Abate Farias talks to him about our wedding today.
26:12How good.
26:13It would be great if he was the one in charge of the social echoes of our link.
26:17Well, let's see what my friend tells us.
26:20I feel that everything is finally going well.
26:24I hear you are happy, yes.
26:26I have reasons.
26:30And this is one of them.
26:34What is it?
26:36Open it.
26:43And this date?
26:45I don't know.
26:47That's right, the date of our wedding.
26:50In two months we will be husband and wife.
26:53Ah?
26:55But is it final?
26:57What's wrong?
26:59It seems like you're not happy that we're getting married.
27:02Yes, yes, yes, but well, there are two months left.
27:04I don't know, I'm a little dizzy.
27:06Don't worry, two months is a long time.
27:08What's wrong with you?
27:10Is it that you're nervous about the date?
27:14No, no, it's just that there's not much time left.
27:17But everything is in order.
27:19The banquet is ready.
27:21You're going to talk to your friend about Kityriz and you've already done the dress test.
27:25Yes, but there are many things to prepare.
27:27But don't worry.
27:29The most important thing to decide is the date.
27:32And it's already done.
27:34It's already done for you.
27:35No, because you haven't consulted me.
27:37Didn't I consult you on the wedding menu?
27:39No, but this is different.
27:41I had to take the date on the flight.
27:43I found out by chance that there was a gap in the Cathedral of Seville.
27:48And of course, I rushed to book it.
27:50In the Cathedral of Seville?
27:52On the main altar.
27:54As you will understand, I could not miss this opportunity.
27:57No, of course.
27:59Not everyone gets married in the cathedral.
28:01No, in fact, very few people.
28:03And between them, you and me.
28:05What?
28:12Well, Manuel has insisted that I have to meet his friends.
28:16Well, what are you complaining about?
28:18That he's great, that he wants to show off as a girlfriend?
28:20And you're also going to meet very important people.
28:22Teresa, I don't measure people's importance based on their titles.
28:25You're right. One is no more for inheriting a title or a family farm.
28:28Well, more than important, I meant interesting.
28:31And I'm sure Mr. Manuel's friends are.
28:32How lucky you've been, Pájara.
28:34Luck? Well, I don't see luck anywhere.
28:37What do you mean?
28:39You're going to attend a postman's snack and eat the best sweets.
28:42And you're going to find out about the nobles.
28:45I don't know.
28:47Woman, why are you so cross?
28:49Well, because until now I had gone to this kind of party as a servant and not as a guest.
28:54Let's see, don't turn around anymore.
28:56You have told us that there will not be so many people at that meeting, right?
28:58No, Manuel has promised me that there would not be more than six people, so ...
29:02Well, I hope it's a normal snack.
29:04Well, you better tell us.
29:06Will it be the best situation for Manuel to introduce you to society?
29:09With few and good friends.
29:11At an informal meeting.
29:13That's what I was thinking.
29:15Yeah, but ...
29:17I don't know, I think everyone is going to be aware of how I speak, of what I say ...
29:20Oh, I think you're giving yourself a lot of importance.
29:23Those people will have something better to do than be aware of you.
29:25I mean, and more if there is a good condom.
29:28Well, I don't think so, María, because I am the fiancée of his friend.
29:31And I am a maid.
29:33So they will want to see how I speak, how I take the covers, if I behave well, badly ...
29:38Or rather, they will be talking about their things.
29:41Which is what you do when you get together with good friends.
29:43Of course, that's how it will be.
29:45Because a snack is not enough.
29:47I wish they had invited me to a dance in a palace.
29:49What are you saying, María?
29:51Yes, like in fairy tales.
29:53And so I would have something more to tell you.
29:55I'm not going to hear those things.
29:57Well, over time you will have to attend that kind of dances, parties and events.
30:01So go getting the idea.
30:03Because it is the life of the nobles and you are going to be one of them.
30:06So try to have as much fun as you can.
30:08And get rid of that Moinanda face that anyone would change for you.
30:11So enjoy and don't overwhelm yourself.
30:20When you have something to tell me, Mr. Pellicero, do it before.
30:23Do it before.
30:25It is very late and I should already be in bed.
30:28What do you want?
30:30We have to square the shifts for tomorrow.
30:33I already did my job.
30:35And I have squared the shifts of the maids.
30:38Have you made any available in case I need any reinforcement?
30:41As always, Mr. Pellicero.
30:43The shifts that worry me the most are those of food and dinner.
30:47But if you look at the shifts well, you will see that at those hours there are always two free maids.
30:51Better.
30:53Marcelo is still very green and I am worried that he will make a mistake.
30:57Well, if he is not able to assume even the slightest responsibility,
31:01maybe we should put him on the street, don't you think?
31:04It's not that either.
31:06The boy is already starting to carry out his tasks safely.
31:08You just have to be a little more patient.
31:10And we can always keep pulling some of the available maids.
31:13Well then, I'm going to rest.
31:16Wait.
31:18Mrs. Petra.
31:19Do you know when my son will return?
31:21I imagine it will take several days because the orders of the Marquis were from different towns.
31:28I see.
31:32You know, I still find it very strange that Mr. Baeza did not inform me of that trip.
31:38Well, if you miss him so much, why don't you visit him in the barracks and ask him?
31:44His directors were very clear about us.
31:48We have to focus on getting the job done and making sure his absence is not noticed.
31:54And that is why I left Santos.
31:57Precisely to meet Mr. Baeza's directives.
32:01And now if you don't mind, I'm leaving. I'm very busy.
32:04Yes, I know that you are always very busy.
32:08And not only with your tasks.
32:12What do you mean, Mr. Pellicer?
32:14Mr. Pellicer.
32:16Come on, Mrs. Arcos. We have already talked about this matter.
32:19It is very clear that your only intention is to get me in trouble with my son.
32:23And that takes your time.
32:25Come on, Mr. Pellicer.
32:27When Santos came to this house, his relationship was already quite bad.
32:31And you have made it worse.
32:33Blame me if that is your wish.
32:36But don't fool me anymore, Mr. Pellicer.
32:39This is only your responsibility.
32:42And now if you don't mind, I'm going to rest.
32:54Have a good rest.
33:24Good morning.
33:25Good morning.
33:32Here I bring you your breakfast.
33:35I guess you are used to something more succulent.
33:39But we can't afford many expenses here.
33:42I can see that.
33:44Would you leave a relative of yours without a blanket in a place as cold as this?
33:49No relative of mine claims to have killed anyone.
33:55It's been a bad night.
33:59The truth is that these beds are not the most comfortable.
34:03They say that hard mattresses are good for the back.
34:07That's what they say.
34:09I prefer my wool mattress.
34:11Although you have no choice but to get used to what there is.
34:14Yes, that's what I propose.
34:16Because I see that this is going to take a long time.
34:19You know, recently I went through the promise and talked to some of the servants.
34:25And for what? If you can tell me if you have already had the culprit.
34:28Let's say that there are still some loose ends to be resolved.
34:33For example, the whole matter of the false death of Mrs. Adarre.
34:37I already told you the reason why that farce was set up.
34:41Let's say that I have reached a dead end.
34:43So I have decided to start again from the beginning to see what escapes me.
34:48You have not reached any dead end.
34:50You have the murderer here.
34:54Ah, I see.
34:56I imagine your job is to doubt.
34:58That's right.
35:00I have to contrast testimonies, look for contradictions.
35:04Have you found him?
35:05Not for the moment.
35:07I was talking about the death of Mrs. Adarre with the ladies Expósito and Fernández.
35:14I would not tell you anything different from what I already told you.
35:17Your testimonies coincide exactly with his.
35:20The truth has a way.
35:22Yes, it may also be that you tell them what they have to tell.
35:25After all, those women are your subordinates.
35:28What would I do with something like that?
35:30That's what I would have to find out if I found out that they were lying to me.
35:33I think you're wasting your time.
35:36In any case, it's my time.
35:43Well, now I would like to ask you about another matter.
35:46The death of Mr. Castillo.
35:48We have not talked enough about this subject.
35:50Come on, Mr. Baeza, don't be so protestant.
35:53You have something better to do here than to talk.
35:55Well, ask me what you want to do.
35:57How exactly did the death occur?
36:00I already told you.
36:01I shot him in the chest.
36:03Did you do it with the gun that Mr. Manuel was carrying?
36:06No, no, I did it with a private weapon of mine.
36:09A weapon that I had kept in a drawer for years.
36:11Can you tell me why an old man has a gun?
36:15Because you never know.
36:17Where is that weapon now?
36:19I got rid of it, I threw it away.
36:21Where? I need to find it.
36:23I don't remember, but maybe I could point it out on a map.
36:27I'll bring you one right away.
36:29I'll bring you one.
36:51No matter how many times I turn it, I can't get it into my head.
36:56Mr. Baeza killed someone, it's impossible.
36:59But if he turned white when he went to the kitchen,
37:02he wouldn't be surprised that he was a rabbit.
37:05No, he wasn't.
37:07But it's clear, because he said he killed Gregorio.
37:10To save Mr. Manuel.
37:12What a man.
37:14Well, I think that when the river sounds, it brings water.
37:17And it seems to me that in this case it brings a lot.
37:19Why do you say that, Mrs. Petra?
37:21Because no one confesses to a crime as big as this.
37:26Just because.
37:27Because yes.
37:29Are you calling Mr. Baeza a murderer?
37:31No, I haven't said that much.
37:33But I don't defend him like others do.
37:36And what are you basing yourself on to say that?
37:38In my instinct, Mrs. García, that I don't usually fail.
37:41In your instinct, she says.
37:43It's a shame that judges don't sentence you for your instinct.
37:45María.
37:47Did he tell a lie?
37:49María is right.
37:51He didn't murder someone seriously.
37:53He has evidence to accuse someone.
37:55And what greater proof than a confession.
37:57That was to free Mr. Manuel.
37:59To get him out of the dungeon.
38:01Of course.
38:03Time will tell.
38:05Are you also a fortune teller?
38:07With the witch I wouldn't be surprised.
38:09No, María Fernández.
38:11I only have two fingers up.
38:13And if a king recognizes his guilt,
38:15why should I defend him?
38:21María Fernández.
38:23María Fernández.
38:25I just received a complaint from the Count of Ayala.
38:27Apparently, your room wasn't made in time,
38:29or to your liking.
38:31Why are you telling me?
38:33Didn't you have to make that room?
38:35I think it was like that yesterday.
38:37No, not today.
38:39Today I had to make, according to the quadrant,
38:41the room of Miss Catalina and Miss Martina,
38:43but not that one.
38:45So who didn't make the room of the count as it was supposed to be?
38:47I didn't have to either.
38:49Neither did I.
38:50Mr. Arcos, you should know.
38:53Well...
38:55Right now I don't remember
38:57the maid assigning that room to him.
38:59But in any case, the Count of Ayala
39:01should have spoken to me
39:03if he has a complaint about any maid,
39:05and not with you.
39:07The count will complain to whoever he wants, Mr. Arcos.
39:09You should know how things work around here
39:11after working so many years on this.
39:13Don't give me that look, Mr. Pellicer.
39:16It's not my fault.
39:18Oh, no? And whose fault is it?
39:20You're responsible for making the maid's rooms.
39:22And if there's a room that hasn't been put in that quadrant
39:25to clean it, it's your fault.
39:27The rooms were all assigned, as usual.
39:30And there must have been another maid
39:32who hasn't read the quadrant properly.
39:34I see.
39:36You, as always, are blaming others, aren't you?
39:39Let's see if you start at once
39:41to take responsibility for your own mistakes.
39:43But how dare you?
39:44She's strong.
39:48If it's hard for a relationship to work,
39:50imagine everyone around you talking about you.
39:53Let's see.
39:55It's normal for people to talk about a relationship
39:57as peculiar as Jara and Manuel's.
40:00And especially at the beginning.
40:02A noble with a maid.
40:04You always have to talk about that.
40:07And how's your sister doing?
40:10She's strong.
40:12She'll hold on.
40:14Nothing on her side.
40:16She has more arrests.
40:18And nothing is going to stop her.
40:22She's got character, yes.
40:24So,
40:26do you think that wedding will work out?
40:28Yes.
40:30For what concerns them, yes.
40:32Another thing is what my uncles, the Marquises, are trying to do.
40:35And what can they do?
40:37Everything in their power to cancel the wedding.
40:39I assure you.
40:41I hate social norms.
40:42Manuel is a man of his word.
40:44He should be able to do whatever he wants.
40:46I see.
40:48But I think my aunt has...
40:50Do you want to play badminton?
40:52I want a rematch for the defeat the other day.
40:54I'm still tired.
40:56The game we played yesterday left me exhausted.
40:59Yes, me too.
41:01It was very tough.
41:03Did you play yesterday?
41:05Because I didn't know anything.
41:07Yes.
41:09In the afternoon.
41:10Yes, I don't know.
41:12Maybe we forgot to tell you.
41:14I thought that when you told me
41:16you couldn't come to the wedding dress test,
41:18it was because of something...
41:20important.
41:22Well, it wasn't that important.
41:26But it was fun, right, Curro?
41:28Yes.
41:29Yes.
41:36The girls jumped between Mr. Pellicer
41:39and María Mandrajo.
41:41Why?
41:43Because it's known that the room of Count Ayala wasn't made.
41:45Whose fault was it?
41:47I imagine it was María Mandrajo's.
41:49She wouldn't do well on the board.
41:51Although that woman won't admit
41:53she was wrong in life.
41:55No, that never happened in this house
41:57and it won't happen now.
41:59It's better not to cross paths with her
42:01than what's left of her.
42:03It's better that she doesn't cross paths with me
42:05because in the end I won't be able to contain myself
42:07and I'll end up telling her four things about Doña Pia.
42:09No, no.
42:11What's least convenient for you now
42:13is having her with her.
42:15You're right.
42:18You have to be focused
42:20on the snack with Don Manuel's friends.
42:22María, I promise I don't stop thinking about that.
42:24I've gotten so involved that...
42:26No, woman.
42:27You know why?
42:29Because he loves you.
42:31Yeah, but sometimes we do things
42:33for the people who love us the most
42:35and who hurt us.
42:37I don't think this is one of them.
42:39What's going to hurt you
42:41meeting Don Manuel's friends?
42:43I don't know, María,
42:45but maybe I'll say something I shouldn't
42:47and I'll put it in a bad place.
42:49No, I don't think that'll happen.
42:51Besides, Don Manuel is very proud of you.
42:53I wish I could be as proud of him as he is of me.
42:55What are you saying, Hanna?
42:57Enough.
42:59And move on.
43:01María, but...
43:03I'm still afraid of being with those men.
43:05I'm sure that even though they're men,
43:07they're good people and that's why they're Don Manuel's friends.
43:09I know, María.
43:11That's it. You're looking for trouble, Panoé.
43:14Maybe it's true.
43:16Of course it's true.
43:18Don Manuel wants you to know his world
43:20because he's in love with you.
43:23And not everyone is that lucky.
43:25Why do you say that?
43:27No reason.
43:29No, I know you.
43:31You told me the other day
43:33that you had a good time with Salvador, right?
43:36Yes, it wasn't bad.
43:38Are you sure?
43:42Yes, well, it wasn't much,
43:44but I don't know.
43:46You don't know what?
43:48You haven't discussed it with him
43:50and you haven't told me.
43:53No, Hanna,
43:57the happiness that we felt before,
43:59Salvador and I being together,
44:01wasn't there anymore.
44:03Well, it was just a meeting.
44:05Maybe he was tired
44:07or maybe you were.
44:09I don't know.
44:11I'm not talking about that.
44:13If Salvador and I don't want that, I'm sure.
44:15But...
44:18I don't know, it's not the same as before.
44:27I don't know.
44:35How was the dress test?
44:37Did your mother like it?
44:39Yes.
44:41We have to do some retouching,
44:43but yes.
44:45Well, it always happens.
44:47Will there be more tests
44:49or is this the last one?
44:51I think one or two more.
44:53Yes.
44:55I'm sure your mother was very happy
44:57to have a moment like this with you.
44:59Although, well,
45:01in this case it was the opposite of normal.
45:05Why? What do you mean?
45:07That it is natural
45:09that the mother accompanies the daughter
45:12to do the dress test.
45:14Yeah, but as you know,
45:16my father died, so my mother was left widowed.
45:19Yes, a tragedy.
45:23But well,
45:25you got through and that's what matters.
45:27I'm sure your mother loves
45:29that you're helping her with everything.
45:32Yes.
45:38Martina, is something wrong?
45:40What could it be?
45:43I don't know, you seem pretty cold to me.
45:50No.
45:54Actually,
45:57I'm worried
45:59about Curro.
46:01About Curro?
46:04Yes, I can feel it.
46:08I don't know,
46:10I feel it distant, with me.
46:12Well,
46:14I understand that it's normal
46:16for him to be exhausted
46:18with all the problems he must have.
46:20Because of the memories
46:22of everything that happened to him in the war.
46:24Yes, and not just that.
46:25What do you mean, not just that?
46:27No, of course, what he has here in the promise
46:29is not trivial either.
46:32Are you talking in general
46:34or are you referring to something specific?
46:36Come on, Martina,
46:38Curro has already told me about Jana.
46:43I admit that I was stunned
46:45when he confessed to me that Jana is his sister.
46:52I don't know if I'll be able to forgive you.
46:54Vera, you were lying to me for months
46:57and I forgave you.
46:59Lope, the last thing I expected at this moment
47:01is for you to blame me for this.
47:03No, Vera, I'm not blaming you for anything, really.
47:05I defended my life,
47:07that's why I didn't tell you.
47:09Because I was afraid that all this would come to light
47:11and look where you are.
47:13I should never have told you.
47:15That's over.
47:17That's still happening.
47:19I can't get it out of my head.
47:21And since Matilde arrived,
47:24and haven't you thought that it's time
47:26for Matilde to return to her house?
47:28I understand that it was a decision of Mrs. Marquesa
47:30not to work here at the palace again,
47:32but if you could mediate with her ...
47:34Unfortunately,
47:36I'm afraid I can't do anything about it.
47:38Her condition as a mother, a widow ...
47:40I am aware
47:42that it will be difficult for her to find a job.
47:44Perhaps we are condemning her to indigence, sir.
47:46We have brought you some dresses for you to choose from.
47:49Yes, thank God.
47:54We would have loved to call the fashion designer,
47:56but there was no time,
47:58so you will have to choose
48:00between one of the dresses of my sister Leonor.
48:02I hope you will look like a glove.
48:04They are beautiful.
48:06But what the hell does that woman have in her head?
48:08She has not respected me,
48:10she has slept with the first one who passed.
48:12Why don't you tell me all this on your way to your room?
48:14And without raising your voice.
48:16Leave me alone.
48:18I'm not for your advice
48:20to calm down and think things over calmly.
48:21I don't want to.
48:23But, sir ...
48:25Leave me alone, I said!
48:27It's true that I love him, but ...
48:29I don't really know who he is.
48:31What do you mean?
48:33That I don't know him.
48:35The only references I have of him
48:37are because he was a friend of Cruz.
48:39I see.
48:41It is not a baggage of precisely trust.
48:43Leave us alone until we call you.
48:48I have not asked you to take the newspaper.
48:52No, of course, sir.
48:54Why are you so interested in taking it?