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English subs for episode 171 of Sueños de libertad featuring scenes of Marta and Fina

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TV
Transcript
00:00Good afternoon, Marta. I'm sorry if I bother you, I'm leaving.
00:08No, don't worry, Isidro.
00:18They're bells, right?
00:20That's right, yes. I've transplanted them from the garden to decorate the interior of the house.
00:25They're so beautiful that there's a light of what they deserve, right?
00:29They're beautiful. My mother loved them, didn't she?
00:33Jasmine was her favorite flower, because of the smell.
00:40Marta, if they bring you too many memories, I can return them to the garden.
00:45No, don't worry.
00:47Then I'll put them in this pot.
00:52One and this one.
00:55I see it very dilapidated.
00:59And I get the impression that it's because...
01:03Because it's dealing with very difficult things to fit in. Am I wrong?
01:12It's aware of everything, right?
01:18I still can't believe that something so frightening could happen to our family.
01:25Yes, it's very difficult. So many years thinking that Lázaro was...
01:29Well, the other version.
01:32You can say that.
01:34Believing that Valentín had killed Clotilde,
01:36when in reality it was my brother Jesús who put an end to the lovers' relationship by killing him.
01:43What's the point of being hot-headed?
01:46Now that everyone knows that my father and Jesús have been lying to us for the last six years,
01:50there's no need to pretend.
01:52I understand your anger, Marta.
01:54It's very difficult to go back to the past and start from the lie. It's very painful.
01:59I can only think of my worthy aunt and my cousins.
02:03All that unnecessary pain.
02:06So many years paying for a lie.
02:09That leaves them with the consolation of knowing that they are innocent.
02:12Because of my father and my brother, we will always have a moral debt with the Merinos.
02:20And then there is my brother Jesús,
02:22who has gotten so involved in the role of victim for so many years that he has ended up believing it.
02:26Otherwise, he could not have been able to continue living.
02:29Something has happened to me, it can't be believed.
02:32And to go on, I feel that I have to think that we do not share blood.
02:38Look, I don't think neither your father nor your brother have come to imagine the harm they have done, you know?
02:45And how many people?
02:47The consequences of these acts go far beyond the Merinos and the Reina.
02:52You say it, and finally.
02:54Sorry, I don't want you to misinterpret me.
02:56No, there is no need to justify yourself.
02:59We both want the best for your daughter.
03:03And I have asked for some space precisely for that.
03:07So as not to harm her.
03:10I know we have never spoken in these terms, Isidro.
03:13And maybe it's time to do it.
03:17I know he had a conversation with Fina.
03:19And that I advise him to stay away from me and my family.
03:23And he did well.
03:27I confess that I myself have doubts as to how far I would go, out of ambition.
03:32I'm terrified.
03:34Believe me, I'm afraid to look like my father and my brother more than I thought.
03:40To look like my father and my brother more than I thought.
03:43No, Marta.
03:44And I know you're afraid too.
03:46That's it.
03:48But it's still time not to be like your family.
03:51How?
03:52Look, if you really don't want to be like your father and your brother, stay away from them.
03:57Fina is what I love most in this world.
04:00But I also know that you love her madly.
04:03Go live together, far from here.
04:06Take back that idea of ​​traveling to Barcelona.
04:09Do something, but far away.
04:11Isidro, I ...
04:13What's wrong?
04:14That you are not willing to leave her in Persia?
04:18Look, Marta.
04:20There are times in life when we must choose.
04:24I know that her happiness and that of my daughter depend on being together.
04:31But if you are not willing to leave her in Persia,
04:34if you are not willing to leave behind all that corruption that one day will also sprinkle on you,
04:39then yes.
04:42Then I prefer you to leave my little one.
04:54Dear Dolores, I hope you come.
04:57My name is Gaspar.
04:59I manage the canteen of a perfume factory in Toledo
05:02and my life is a mixture between the aroma of my kitchen and that of the perfumes of the factory,
05:06tradition and sensitivity.
05:08Basically, I'm a normal man, looking good.
05:17Basically, I'm a man,
05:20graceful
05:22and well-treated.
05:24Treated.
05:26And if I have decided to respond to the announcement,
05:28it is because I am also looking for a sincere friendship with someone special
05:31and, why not, with time, maybe love.
05:34Why do you ask me for advice if you do what you want afterwards?
05:39Well, if I do this, it's better as a sport.
05:43To practice, in case an unknown attractive girl comes to the canteen one day.
05:48Because, let's see, about the announcement, I doubt that I will meet her one day.
05:53And if you do it, to know that you find yourself.
05:55Yes, yes, I know, I know.
05:57Yes, I don't know anything about her, I don't know how she is,
06:00or what she thinks.
06:03But what if it turns out to be the love of my life
06:06and that I have found this announcement is a sign?
06:09Yes, a divine sign from heaven.
06:11Well, no, not divine, but I don't know, you never know.
06:14Besides, what do I lose by writing the letter?
06:17That's how I entertain myself, I practice.
06:19At one point I had to ask Tassio for help for the letters on soles.
06:23With this I already have an advance.
06:25But, Gaspar, do you know how many letters this woman will receive?
06:28Many, many, many.
06:31But, what if there aren't many?
06:35What if she likes mine?
06:37Well, girl, I don't know, anyway, I don't think she'll answer me.
06:40Because I'm running out of soles, soles, soles.
06:43I'm going to burn her because of this.
06:45No, bring that letter, bring it.
06:49Let's see, let it be known that this method does not seem to be reliable to me,
06:53but you're right.
06:55And love can arise where you least expect it.
07:00Are you going to help me?
07:01Well, if it's not that bad, Gaspar.
07:03And as a girlfriend of your little liars that I was,
07:06I know that what you write, you write it from the heart.
07:10I also want you to fall in love with someone.
07:13That you also left me a mark.
07:17Come on, let's see it.
07:24The graceful and good treatment ...
07:26Gaspar, please, let me finish.
07:33Well, what? It's a joke, right?
07:36Gaspar, it's perfect.
07:38Come on, no, really.
07:40It's not very soft and very direct.
07:42No, no, Gaspar, I'm telling you the truth.
07:44This letter says a lot about you.
07:46Because it shows that you are excited and that you want to please,
07:49but without taking anything for granted.
07:51It shows that you are interested in meeting her,
07:53but little by little, doing things right, without hurry.
07:57Perfect.
08:00But have you really seen all that there?
08:03Yes, Gaspar, yes.
08:07The beginnings are a beautiful time in any relationship.
08:10The most beautiful, I would say.
08:12Because then comes reality and that's it.
08:15Well, sometimes reality is much better.
08:19Or not, Gaspar.
08:21Or much worse.
08:23And then things happen that are alien to the relationship
08:25and make everything wobble.
08:28If I thought like you,
08:30it had been a long time since I had thrown the towel.
08:33Well, I haven't taken a shit.
08:35But you have to keep going.
08:37And the truth is that I like being in love
08:40and feeling butterflies in my stomach.
08:45And with this, I have a heart.
08:48Well, that's it, Gaspar.
08:50What are you waiting for to send him this letter?
08:52Come on.
08:53I really do.
08:55What is the worst that can happen?
08:57That he doesn't answer you?
08:59Or that in the end he only remains in friendship.
09:01Only in a friendship?
09:03Look, it's not you and me.
09:05Do you regret having this beautiful friendship?
09:09No.
09:11Well, come on, buy a stamp.
09:18I love you.
09:38May I?
09:40I was just going to go to the store to see if you were there.
09:44The promotion sale went very well.
09:46If you wanted to see me for that.
09:49No.
09:56Today I had a brief conversation with your father.
10:01About me, of course.
10:03Yes.
10:05And he gave me some good advice.
10:08You know that my father is very protective of me.
10:11Like any father.
10:14Well, surprise me, what did he tell you?
10:17To run away.
10:19To get away from my family.
10:24And does that seem like a good advice to you?
10:28Yes, it is.
10:30Because he told me to run away with you.
10:33Let's start a life together.
10:39But Marta, you can't give up all this now.
10:42And I don't want you to give up something you've fought so hard for.
10:49I want to stay.
10:53But I don't want my family's meekness to take over me.
10:57And for that I need you by my side.
11:00I need your love.
11:02Your advice.
11:04Your kisses, your hugs.
11:06Because you are my home.
11:09And I know that with you I am protected from the influence of my family.
11:15And I understand that you want to distance yourself after these days.
11:19Or that you rebuke me for being who I am.
11:22For wanting to be in front of all this like a queen.
11:29But for me, you are not a queen.
11:33You are Marta.
11:35Marta Asecas.
11:37The woman who has fascinated me since I was a child.
11:42A woman with principles.
11:44Who achieves everything she sets her mind to.
11:48And when I think of us,
11:51I don't know if I can take any more of the admiration,
11:55the desire,
11:57or the love I feel for you.
12:00And there is no family bond that can destroy that.
12:07I love you.
12:15There's no one left in the factory, right?
12:17Very good.
12:18No one's coming.
12:20Alone.
12:37I love you.

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