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00:00A few days later...
00:10Yes? Are you comfortable, honey?
00:13Yes, I'm great.
00:16Please stop bothering yourself so much, Antonio.
00:19I'm not bothering you at all.
00:20In any case, you're the one who needs it.
00:24I can't get out of the decision you've made for me.
00:27You deserve it, honey.
00:30Well, I'm going to start taking things out of the way
00:33so they don't bother you when you walk.
00:36But don't worry, Antonio.
00:38You're going to end up like this.
00:40Oh, yes.
00:42Let's see.
00:45Where are you going? Where are you going?
00:47No, no, no, no, no. Don't move.
00:49Of course not.
00:50I'm going to get a glass of water.
00:52Well, I'll get it for you. I'm here, right?
00:55Yes, please. And...
00:57Can I take a book?
00:59I'll get it for you.
01:04But honestly, I don't think you have your head right now
01:06because you're making a lot of effort.
01:08Do you want me to read it to you?
01:10Antonio, what can I do, then?
01:12Well, to be calm, honey.
01:14What they've done to you is not a small thing.
01:16Come on, I'll leave you the book, okay?
01:18Well, I'm going to prepare the things for the cure
01:21and to settle the house a little bit.
01:22I'm sure you'll start getting visitors.
01:24Yes, and you never stop.
01:28Well, it's better to have the house in a state of emergency.
01:33And what did Dr. Quiroga tell you
01:36when he sent us the final report?
01:38Well, at the beginning of this week.
01:40Oh, well.
01:43Quiet.
01:45Is everything going to be fine?
01:46Yes, yes. I have no doubt.
01:54Come on.
01:59Pietro, please, again.
02:03I have to practice, Antonio.
02:06Please, sit down.
02:07What you have to have is patience.
02:09Didn't the doctor tell you that it's normal
02:11that at first you can't walk well,
02:12but that in a little while you'll do it wonderfully?
02:14Okay, two steps, just two.
02:18Enough to get pregnant.
02:23Come here.
02:52Did something happen to you yesterday with Paula?
02:55Why do you ask?
02:57Because she left very early today,
02:58as if she didn't want to see you.
03:02No, nothing happened to Paula.
03:04Or well, yes.
03:07But in reality, the one who happened to me
03:09is Rodrigo.
03:10And can I know why?
03:13Because he doesn't respect my will, Maruja.
03:16When it comes to him, I don't like him at all.
03:20Because maybe I could expect it from Paula,
03:23but not from Rodrigo.
03:26He's been working with me for many years,
03:28being my right-hand man.
03:30I thought I knew him better.
03:32You mean that...
03:33I mean what I've been saying a thousand times.
03:36That your children are difficult
03:38and disrespectful.
03:40And it's because of your permissiveness
03:42with them since they were born.
03:45Emiliano, I'm tired of that damn canteen.
03:49You seem to forget
03:51that Paula and Rodrigo are no longer two children.
03:54And that the education of children is a matter of two,
03:56especially from a certain age.
03:59Of course, if you hadn't been so busy
04:01with your skirt mess,
04:02maybe things would have been different.
04:04Look, look what I'm telling you.
04:10I didn't expect to see you like this, Dad.
04:12I imagined you jumping with joy.
04:17Jumping with joy?
04:19For what?
04:21The renewal of the patents.
04:23You cared more than your own life.
04:25I guess you've already thanked your friend Fermin.
04:29You have the guts to come with a knife.
04:33You're a useless guy who almost ruins us.
04:36But you don't.
04:37You take it as a joke.
04:40I just wanted to...
04:41You alone, you alone.
04:43You're just a useless guy, Ivan.
04:46You're worthless.
04:48And you have the shame to ask me
04:50to give you more responsibilities in the company.
04:52Listen to what I'm telling you.
04:54Never again.
04:55Do you hear me?
04:56Never again.
04:58Go away, go away, go away.
05:00Oh, poor Ivan.
05:01I'm so sorry.
05:03You're not even able to listen
05:05when the truth is told to you.
05:07Listen to what I'm telling you.
05:08It's the last time you cheat on me.
05:11The last time.
05:12Now go away, go away.
05:14Go to hell.
05:15That's what you're good for.
05:17You can't treat your son like that.
05:19You can't kill him like that.
05:22You'll only lose him.
05:24Lose him?
05:25He's already lost.
05:26But you're going to defend him, right?
05:28Aren't you?
05:29What's wrong with you?
05:30What's wrong with you, Maruja?
05:31Does your conscience bother you?
05:33That's it, right?
05:34Because you know perfectly well
05:36that the only person to blame for Ivan's death
05:38is you.
05:40Me.
05:44Do you know what the real problem is with Ivan?
05:49That he has lost his mother.
05:51What a shame.
06:00Well, yes.
06:11I've told you a thousand times
06:13not to call me Moderna, Juana.
06:15I could fire Fermin.
06:17So what?
06:19I'll tell you again.
06:21Today we'll go to the mayor's office
06:23and I'll pay you.
06:24But I don't like you pressuring me like that.
06:27Yes.
06:29Yes, of course.
06:30Everything is in order.
06:32Thank you very much for calling.
06:34Of course.
06:35See you later.
06:36Is there a problem?
06:37No, not at all.
06:39A payment that we were waiting for, but nothing serious.
06:42Great.
06:44Well, I come from Emiliano's office.
06:48And that?
06:50Emiliano has always been a very grateful guy
06:52and he wanted to show me his gratitude
06:54for helping him with the thorny matter
06:57of the patent renovations.
07:01This gold.
07:04What a detail.
07:05Excessive, I would say.
07:07But I haven't done any repair
07:09because, apart from being a gem,
07:11I've had to swallow my principles
07:13to be able to help him.
07:15You'd do anything for him.
07:17Yes, yes.
07:19The truth is that there are people
07:21with whom, for whatever reason,
07:23you create a bond that lasts
07:25no matter how much time passes.
07:29Speaking of bonds,
07:32I'm going to have to make a little trip
07:34to visit my aunt.
07:36Visit?
07:37I didn't know the existence
07:39of an aunt visiting.
07:41When you told me at the wedding
07:43that you didn't have anyone you wanted to invite.
07:45Well, it's just that we haven't spoken in many years.
07:47We had a meeting,
07:49but now she's very sick.
07:50They just told me.
07:52I thought you were
07:54talking to a supplier.
07:56Yes, yes.
07:57This was before.
07:59Look, Fermín,
08:01my aunt has little time left in life
08:03and she has sent me to call.
08:04I would like to be able to say goodbye to her
08:06and see her for the last time.
08:09Okay, I'll go with you.
08:12You don't have to.
08:14My God, you don't have to.
08:16My aunt lives in Muro de Bellos,
08:18in the Pyrenees,
08:19and she has a very complicated access.
08:21It will also be for you.
08:23Yes, but I don't want you to leave
08:25your obligations in La Moderna.
08:27Besides, between some things and others,
08:29it will take days.
08:30Family is the most important thing, Lázaro.
08:32I insist, I'll go with you.
08:37Well, in this case,
08:39I'd rather not go.
08:41Don't look at me like that.
08:43If anything happened in La Moderna,
08:45I would feel very guilty.
08:47Besides, we just got back from the honeymoon.
08:50No, I'm staying.
08:53Okay, as you wish.
08:55Go alone.
08:58When are you leaving?
09:00This afternoon.
09:01As soon as I finish organizing everything
09:03so that Teresa and Cañete can replace me.
09:05And make the luggage, of course.
09:08Well, if you'll excuse me,
09:10I have a lot of things to do.
09:21I'm going up the walls.
09:23I didn't sleep last night.
09:25Leon, don't shut up.
09:27Leon doesn't shut up, it's true.
09:29I can't stop thinking about the meeting
09:31between Elías and my mother yesterday.
09:33And all this because of you.
09:35Because of us?
09:37Yes, I don't know how you did it.
09:39But I'm sure that you two are behind all this.
09:42That laugh of Elías and my mother,
09:45stuck in my brain all the time.
09:48My God.
09:49Then, to finish it,
09:51they went for a walk.
09:53A walk of hours.
09:54Because when we went to see Pietro,
09:56when we got home,
09:57they were still out.
09:58Come on.
09:59It's not like I'm taking your sleep away.
10:01Of course I'm taking my sleep away.
10:03Of course I am.
10:04Because now,
10:06they have an appointment to go to the retreat.
10:08Come on, they are going out.
10:10I just hope that they spend a lot of time
10:13until they have that appointment.
10:14So that I have time to think about something,
10:16to think about Rosano.
10:18With all this.
10:19And if I don't make it,
10:20you two will find out.
10:22Don't tell me.
10:23If there has been any unworthy management,
10:25I have only been a mere spectator.
10:28Are you okay?
10:29Yes, yes, sorry.
10:30Go on, go on.
10:31The words of Cañete have impressed me.
10:34I think Troutrini would hurry me.
10:36Because, as far as I know,
10:37Elías has planned to visit Leonora this afternoon.
10:40This afternoon?
10:41But if this afternoon is very soon,
10:43I don't have time.
10:44I have to go,
10:45I have to go to the lunchroom,
10:46to go back in,
10:47to go back in something.
10:50Very nice of you, man.
10:51What do you want me to do?
10:52Well, don't drain the bulk
10:54of your responsibility.
10:56I did it for your own good, Miguel.
10:58Haven't you seen the advantages Trini has
10:59when she thinks I'm neutral?
11:01Well, no, I haven't seen them.
11:02Well, she's pretty blind.
11:04I become the voice of prudence.
11:06I set distances,
11:08so Trini won't realize
11:09that we're in a relationship.
11:11She'll even trust me.
11:13I don't know, I don't know.
11:14Yes, Miguel, yes.
11:15Or in the end it won't be worth it
11:17if we manage to get Elías and Leonora intimate
11:19and Trini sends her mother back to Fuencarral
11:21so they don't get back together.
11:22In that case,
11:23anything would have been worth it.
11:25You said it, Miguel.
11:27All in order to get rid of Leonora.
11:29Repeat after me.
11:31All in order to get rid of Leonora.
11:34Do it yourself.
11:35All in order to get rid of Leonora.
11:37That's it, very good.
11:38This is going the right way, Miguel.
11:39All in order to get rid of Leonora.
11:41All in order to get rid of Leonora, of course.
11:43All in order to get rid of Leonora.
11:45All in order to get rid of Leonora.
11:48That's it.
11:50Thank you very much.
11:52I hope to see you again soon.
11:58Have a good day.
12:09Good morning.
12:10Good morning, Mrs. Teresa.
12:12What brings you here?
12:13Well, I was curious.
12:15I wanted to see the news.
12:17They're all at your disposal.
12:19I must tell you that I'm glad to see you so often.
12:22Well, from now on,
12:23I'm going to have to schedule more of my visits.
12:26Does that occur to you?
12:28No, but I'm going to have to take care
12:31of Mrs. Lázara's work
12:33and it's going to take me longer.
12:35Is something wrong with Mrs. Lázara?
12:37No, not her.
12:39Her aunt.
12:40She says she has to go see her.
12:44And is there anything wrong with that?
12:47No, but...
12:49Look, we asked her about something else
12:52and we didn't say she had a family.
12:55I see.
12:56Well, I can't help her much, Mrs. Teresa.
12:59I don't know Mrs. Lázara very well.
13:05Is there a problem?
13:08I don't know if you could call it a problem
13:11or something that has no solution.
13:14A woman, right? Everything has a solution.
13:16Well, except for death, of course.
13:18No, I'm afraid not.
13:20My father has no solution.
13:24He still doesn't accept my relationship with Rodrigo.
13:27Yes.
13:29They had a fight yesterday
13:31and although Rodrigo stood up for him,
13:33I don't know how he would have been encouraged.
13:38And are you waiting for him to arrive to ask him?
13:41For him to arrive, yes.
13:42But he doesn't arrive.
13:43And that scares me.
13:45I don't know if my father had something to do with it.
13:48Do you think he would have forbidden him to come to the gallery?
13:52That or that he has had an affair with him again.
13:55I don't know.
13:57My father is capable of anything.
14:12I can't say anything else.
14:15That's what there is, mother.
14:17I don't like what I hear, Rodrigo.
14:19I don't like anything.
14:20You didn't listen to me.
14:22I told you to apologize, to swallow your pride.
14:25And I did, but in my way.
14:27And I assure you that it didn't go so bad.
14:30Oh, no?
14:31No.
14:32Because I have been able to reaffirm my feelings for Paula
14:34and I have done it publicly.
14:36Son, you are playing with fire.
14:38Don't you realize that you wouldn't have gotten where you are without Mr. Emiliano?
14:42And why do I want to be where I am if I have to give up Paula for that?
14:45You are obsessed.
14:46You don't reason.
14:49What you are doing will have consequences.
14:51I know, mother.
14:52You don't need to remind me.
14:57Well, I, no matter how much Pietro is at home,
14:59I'm not going to take the stamp off here until it's completely healthy.
15:02Because you never know.
15:05Girl!
15:06No, no, no.
15:07Retirement, no, please.
15:08With Elías, no.
15:09What are you doing?
15:10What's wrong with you?
15:12Oh, I had other plans.
15:14Esperanza, I'm sorry.
15:15No, no.
15:16I've already realized.
15:17And what were you saying about retirement?
15:19You were mentioning Elías.
15:20No, I was thinking about what will happen in La Moderna when Elías retires.
15:25Yeah.
15:27But hey, what are those voices?
15:29Hey, you know I'm sometimes a little loud.
15:32Yes, I'm a little loud.
15:34Oh, really.
15:36Well, I was thinking.
15:39How things are, huh?
15:41How much I miss Antonia.
15:43And how little I miss Mrs. Lázara.
15:46And Mrs. Lázara hasn't left yet.
15:48Oh, Antonia.
15:49I hope she comes back soon.
15:50That would be a good sign.
15:51But she now has to be with her husband.
15:54And where is Mrs. Lázara going?
15:56To the Pyrenees.
15:58To see a second or third or fourth aunt.
16:01To the Pyrenees?
16:03Could it be Transylvania?
16:04Like the good vampire she is?
16:06There with her relatives?
16:08And so we lose sight of her for a while.
16:10Because Transylvania is further away than the Pyrenees.
16:12Esperanza, one day you will forget that she is Don Fermín's wife.
16:16No, woman, I don't forget.
16:18And you neither.
16:19Because, of course, with that watch on, all the time remembering it.
16:25What's wrong with my watch?
16:27That it has been bought by the manager.
16:30And I never expected that from you.
16:33I'm sorry, but I haven't let myself be bought by anyone.
16:35I don't know if you know that rejecting a gift is very ugly.
16:39And I don't allow you to talk to me like that.
16:42Sorry.
16:44Let's leave the subject.
16:45What do you know about Pietro and Antonio?
16:48That they don't have a watch either.
16:50Esperanza, don't tell me that I'm going to end up in a contract.
16:53Well, very little is known.
16:55Because the truth is that they don't leave the house much.
16:57And it's true that Pietro, well, he's having a hard time walking.
17:01But he has taken to the letter not to hurry.
17:05The truth is that I was very impressed when I saw him.
17:08I saw him very regular.
17:10Well, but Antonio told us that the doctor had told him that it was normal after such an operation.
17:15Yes, yes, whatever you say.
17:17But come on, I'm not going to stop praying until I'm good at everything.
17:22I think I have the enemy at home.
17:24I mean, Herminia, because ...
17:26Yeah, yeah, yeah.
17:27Yes, tell me Esperanza.
17:29But hey, if you have any complaints, send them to me directly and that's it.
17:32And you, pray whatever you want, no one hurts you.
17:36Ah, one more thing.
17:38I don't want them to tell Antonia how much we miss her, because I don't want to pressure her.
17:43For now, a lot of spirits and a lot of collaboration.
17:47Promise me.
17:49Of course.
17:54I have not forgotten that I continue to work for Don Emiliano
17:57and I confess that I am worried to meet him again, but I am prepared for everything.
18:03So that he fires you even?
18:04Even for that.
18:06And for him to fire me?
18:09You hadn't thought about that, right?
18:11I'm your mother.
18:13Leaving me on the street will be a good punishment for both of us,
18:16because I haven't managed to convince you to forget Paula.
18:19I don't think it gets to that extreme.
18:21Don Emiliano has a lot of consideration for you as a servant and as in charge of the service,
18:26and Madruja would have something to say about it.
18:30Mother, no matter how hard you try, Don Emiliano, the whole world,
18:35I will not regret loving Paula and being honest.
18:38I'm already realizing it.
18:40And it relieves me that you also know the truth, because you have never hidden anything from me.
18:44Don't try to justify yourself, Rodrigo.
18:46I understand that you are angry.
18:48Well, it doesn't seem so.
18:49You don't know what you've done.
18:51You don't know who you're facing.
18:53I think I know.
18:54People like Don Emiliano have many weapons.
18:57You think you know them, but you don't know half of them.
19:00You don't know how it is.
19:02I know better than you think.
19:07Really?
19:11So?
19:14What do we do now, Rodrigo?
19:17What do we do?
19:20What are we going to do?
19:24What are we going to do?
19:32The look on your face when Ballesteros said cut, you were frozen.
19:38He wasn't the only one, everyone was talking.
19:41What Laurita did was great.
19:44You're too much, but I love it.
19:47I'm glad you finally decided to come.
19:50Yes, I didn't feel like it. I was tired and I had to skip a singing class.
19:55Of course it was hard for you to decide.
19:58I'm sorry, I don't want to offend you.
20:01It's what your sister said.
20:05It was hard for you to make a decision.
20:08Yes, it was a long night.
20:10By the way, how's the editing going?
20:12Well, very advanced, that's what I understood.
20:16So very soon we may have a premiere.
20:19And is it true what they say about you having Ballesteros tied up to direct your next film?
20:24Ballesteros is a vain and unbearable guy, but he is the fashion director.
20:29In fact, they say that in a short time it is possible that he will jump to Hollywood.
20:33So we have to take advantage of it.
20:35In any case, I don't take him to a party.
20:39You have to be brave to work with him again, of course.
20:43Let's say that the presence of Ballesteros attracts financing.
20:46I couldn't face it alone after the failure of The Shadow of Love and the costs of The Clumsy Feet.
20:52With this film you will make money, you will see.
20:55I am satisfied with covering expenses, although Ballesteros says it will be a success.
21:04Man, Mr. Ballesteros.
21:06We were talking about you, we were waiting for you.
21:10Oh yeah?
21:12Yes, I told him to take a break and come to tell us how everything is going.
21:21I hope everything goes well and that your aunt's is not a false alarm.
21:26And I hope to be able to return as soon as possible.
21:28I imagine, because you are light in luggage.
21:31Oh no, don't believe me, I have more suitcases in the taxi.
21:33I asked him to stop to leave, to say goodbye to you.
21:37It will be very difficult for me to spend these days without you by my side.
21:41If you don't mind, I'll call you often to see that everything is going well.
21:45And to hear your voice.
21:47I wouldn't like anything more, Celo.
21:49But I think it won't be possible.
21:51I've already told you that communications in the Pyrenees are very complicated.
21:54I don't know, I don't even think I can tell you where I'm from.
21:58Are you sure the station has a telephone line?
22:01Yes.
22:03I hadn't thought of that.
22:05Well, I'll try from there.
22:07Serena, I know that the trip is long and heavy and that the reason is not pleasant,
22:11but by making you nervous you don't gain anything.
22:14Yes, I know, I'm very sorry.
22:17It's just thinking about my aunt and ...
22:19Having such a big heart makes you even more attractive to my eyes.
22:24Wait a moment, please.
22:34I've brought Teresa and Cañete to say goodbye to you
22:38and, above all, to assure you that everything will be fine in your absence.
22:43That's right, I have no doubt.
22:45And we wish you a good trip.
22:49Well, see you soon, dear.
22:52Have a good trip.
23:03Bye.
23:09Hey, have you seen that?
23:12What?
23:14Well, Mrs. Lázara has gone there and a lady has come and started walking behind her.
23:20Teresa.
23:22No, no, I say it because it looks like they were together.
23:25And it won't be your imagination.
23:27Well, yes, it could be.
23:29But it is that Mrs. Lázara lately, well, she gives a lot to imagine.
23:33Don't you remember that yesterday she asked us where she could get a gun?
23:37But let's see, Teresa, Mrs. Lázara seems dangerous to you.
23:40Well, look, what I think is that she is scared.
23:43She will be restless.
23:45Come on, how would anyone be if he has his aunt on the deathbed?
23:54Man, Mr. Director, I stand at your feet
23:57and I would like to inform you, if it is not inconvenient,
24:01of a matter that will surely be of interest to you.
24:06Well, then you will say.
24:08Well, I think it will interest you too.
24:10Well, it turns out that here where you see me,
24:13I also did my spirits as an actor in my youth.
24:16Let's see, it's not out of modesty, but the result was remarkable, extraordinary.
24:22So, well, you know, if you need a solvent actor, here I am.
24:26But then you have experience.
24:28Oh yes, yes, a lot.
24:30Yes, yes, very observant.
24:32Yes, sir.
24:34Yes, I was a star in the parish theater group.
24:37I was doing it for many years.
24:39Yes, well, what I mean is that I was playing the star that guided the wise men.
24:43And the truth is that I edged it.
24:45Yes, I got an extraordinary star.
24:47And was the paper long?
24:49No, not very long, rather fleeting.
24:51What was intense, very intense.
24:53Let's see, you hear that I don't want to boast,
24:54but not everyone has the ability to interpret the star well.
24:58Because it all depends on the brightness, which has to be just right.
25:02Yes, in the presence and a very fine cadence of movement.
25:07And that's where one really sublimates, reaches art and magic.
25:11Of course, that's ...
25:13Well, we're going to take that into account.
25:16Thank you very much.
25:18Yes, we will speak to you very gratefully.
25:21You will not regret it.
25:22You will regret it.
25:24Well, if you'll excuse me, excuse me.
25:33Have you ordered the champagne?
25:35Yes, yes, and after this nice interruption I continue.
25:38As I told you, it was a great success for me to give Laura more prominence.
25:43Yes, yes, my sister is worth a lot.
25:47I'm sure the film will improve remarkably.
25:49And that's why I want to propose a toast to her.
25:59Laurita has a depth in her gaze that makes the camera fall in love.
26:03Few times have I seen so much truth in an actress.
26:05Yes, it's never seen before, of course.
26:07Yes, Laura, it's never seen before, but what I want to see is the finished film.
26:13When? Soon, very soon.
26:15Before you think.
26:17And we have all the elements, especially one, to make it a success.
26:19Well, two.
26:21Laurita and me.
26:23I have enjoyed like a child filming her last scenes.
26:27I'm not very emotional, but I have to say that I was even moved.
26:33Yes, that feeling, that tear, that ...
26:37If you'll excuse me, I have to go.
26:39And that?
26:41Well, I think something has gone wrong with me.
26:43I'm going with you.
26:45No, no, no, please, calm down.
26:47Better stay with them.
26:49Goodbye.
26:51Agustín, I have an idea.
26:53I see it, I really see it.
26:55Tell me, tell me.
26:57Imagine.
26:59But everything we touch, you and me,
27:04unites us like an arc.
27:09That a single voice starts from two strings.
27:13In what instrument did they tense us?
27:15And in what hand does that sound pulse us?
27:24I need that handkerchief, Pepita.
27:26I'm going out and I want to take the bet.
27:28Are you sure it's not in your room?
27:35Mom!
27:40And that?
27:42What?
27:43That book.
27:45And that way of closing it.
27:48It's a poetry book.
27:50I was very focused, I didn't hear you coming and you scared me.
27:55Since when is it poetry?
27:58I did it when I was a child.
28:01And now, I haven't done it in a long time.
28:04But yes, I like it, I like it a lot.
28:06Who is the author?
28:08Rilke?
28:10Rainer Maria Rilke.
28:12You've never read it?
28:14You need to look at the cover to know who the author is.
28:18Mr. Duyvan, your handkerchief.
28:20You were right, it wasn't in your room.
28:22If anyone ever listened to me in this house...
28:25And where are you going now?
28:27To a café that García Alba organizes in his farm, outside Madrid.
28:30And you told your father, Iván?
28:32And why should I tell him?
28:34Because he doesn't know.
28:35And why should I tell him?
28:37Because after the fight you had with him...
28:39That's not going to change my plans.
28:41Look, Mom.
28:43I don't know if Dad has left me for impossible.
28:46But he did.
28:48Pepita, leave us alone.
28:55It's time for the sermon.
28:57Call it whatever you want, but you're going to listen to me.
29:00I'm sorry you had to fight with your father again.
29:03I know.
29:05But I know that the contempt you show
29:08is nothing more than a facade.
29:11You need his recognition.
29:13Like everyone else in this house.
29:15And he keeps trying to guide you.
29:18So what you should do
29:20is stop going out, spending money,
29:22and giving your father reasons
29:24to accuse you of being a scoundrel.
29:29That's it.
29:30I don't want to be late for the chapel.
29:33That's it.
29:35Go to that damn chapel
29:37where there will be wine and liquor
29:39so you can keep drinking until you faint.
29:41Don't you feel ashamed?
29:43Don't you feel ashamed?
29:45Because I would.
29:47You're trying to teach me
29:49how to face something
29:51you've never faced in your life.
29:53You're letting Dad treat you the way he does.
29:55He's not much better than me.
30:01At least
30:03I enjoy my life the way I do.
30:06Can you say the same?
30:17Goodbye, Mom.
30:19They're waiting for me at the farm.
30:30Goodbye, Mom.
30:57Oh, bonbons!
30:58What are they made of?
31:02Liquor.
31:04My favorites.
31:06Don't get too excited.
31:08Don't get too excited
31:10or they'll ruin our trip to the retirement home.
31:12Speak softly.
31:14My daughter is sleeping.
31:16I don't think she'll wake up.
31:18I'm awake.
31:20I was there.
31:22I heard you and I said
31:24I'm going out to see Elías.
31:26You don't have to.
31:28Take a bonbon, woman.
31:30Elías will think you're making him look bad.
31:34What a clumsy girl.
31:36Please, Elías.
31:38Hold the boy.
31:40Be careful.
31:43Oh, my little thing.
31:45Oh, my little thing.
31:47Look at you.
31:49How grumpy the boy is
31:51when he's with you.
31:53I have a gift for the kids.
31:55It's in my personality,
31:56in my character,
31:58in my magnetism.
32:00It's a special energy
32:02that happens to the people around me.
32:04Even to the kids.
32:06How wonderful.
32:08I've also been a balm for my grandson.
32:10A balm and a blessing, I'm sure.
32:12What I'll say is,
32:14why did you hold me in your arms?
32:16I mean, like a child,
32:18like a baby.
32:20I think it's terrible
32:22that you accepted Elías' bonbons.
32:23Take them off.
32:25Shut up, shut up.
32:27Were you saying something?
32:29Nothing.
32:31It's just the stain.
32:33Come on,
32:35look at that sleepy face.
32:37Come on, let's go.
32:39It's a short walk.
32:41I want to put him to bed early.
32:43He's going to sleep tonight.
32:45I'm telling you, he's going to sleep like a baby.
32:47My grandson Elías
32:49has gone crazy.
32:51Well, well, well.
32:53It's not just the stain.
32:55When he was a teenager,
32:57he had a gas problem.
32:59But gas, Elías.
33:01That was it, that was it.
33:03Smells and thunders
33:05that the neighbors said,
33:07what's going on, what's going on?
33:09And a girl there, red, red, red,
33:11like a tomato,
33:13that said something was going to happen to her.
33:15And suddenly,
33:17and that's it.
33:19Okay, enough.
33:21Elías isn't interested in the past.
33:23Come on.
33:25Let's see, Elías, do you put him in the car?
33:27Yes.
33:28You have such good hands.
33:30What a little thing.
33:34Let's see, little one.
33:37Like this, carefully.
33:39There we are.
33:41Very good.
33:44Let's see, grab him there.
33:46See you later.
33:50When Miguel comes,
33:51he's going to find out.
33:53He's going to find out.
34:08Pietro.
34:10Oh, my God.
34:12Hello, Antonia.
34:14I've already had a headache.
34:16I'm very happy,
34:18but please, don't be so brave.
34:19Come with me.
34:21Come with me.
34:23I don't pretend to be brave,
34:25I really feel better.
34:27I'm very happy, honey,
34:29but I'd rather have you sitting down.
34:31Leave me alone for a few minutes, please.
34:36I've already had a headache,
34:38but I'm in pain in my buttocks
34:41for being sitting for so long.
34:45I can't wait to go back to the lab.
34:47There will be time for that.
34:51Time?
34:53It seems you don't want me to come back.
34:55What nonsense is that?
34:57Of course I want you to come back.
34:59I loved going to see you at the lab,
35:01but I loved our life.
35:04We're going to get it back, Antonia.
35:07Don't worry.
35:09And I'll go back to the lab.
35:13I hope so.
35:15What does that mean?
35:17That this nightmare is over.
35:19I promise.
35:23Well, come on.
35:25Let's stop the drama.
35:27I have a lot to do.
35:29One moment.
35:31I want to ask you something, Antonia.
35:33Yes, tell me.
35:35I was thinking
35:37that I should tell Lucia
35:39and Giancarlo, right?
35:41No.
35:43Why not?
35:45Because I've already done it.
35:47I told them you had surgery
35:49and that everything went well.
35:52You're a wonderful woman.
35:54Yes.
35:56I'm going to clean the blankets.
35:58Sit down.
36:00I'll help you.
36:02No, please sit down.
36:04I don't want to tell you again.
36:06Don't be so brave.
36:08I told you, I'm not brave.
36:10I just want to be distracted, Antonia.
36:13I want to help you.
36:15If you really want to help me,
36:17you have to rest and recover as soon as possible.
36:20So please, be patient and calm.
36:23Are you okay?
36:28Who could it be at this hour?
36:30I don't know. Maybe it's news from the hospital.
36:42Hi.
36:44Oh my God.
36:45I almost didn't finish at the bookshop today.
36:51What a mess with the reception of some beggars.
36:54A little more.
36:56Hey, I don't hear any of the two beasts.
36:59What happened to them?
37:01Well, they're not here.
37:03And where did they go?
37:05They're with the butler you asked for.
37:07The butler? What butler?
37:09Trini, I don't understand you.
37:11They're in the retreat with Elias right now.
37:13And this is your fault.
37:15Elias and your mother are hanging out, as you said.
37:18Besides, your mother is fine with going out for a while
37:22and not being locked up here all day.
37:25Well, I don't know, really.
37:27You'll see.
37:29She's going to be more fierce and she's going to wonder
37:31if she fits more in Leon's care.
37:33Well, I don't know, I don't think so.
37:35But well, tonight I'm very tired and you're going to sleep on the couch.
37:38You're not serious, are you?
37:40Yes, I'm serious.
37:42Because it's easier to sleep Leon in bed than in the crib.
37:45On the couch.
37:47You're not doing this to punish me.
37:51No, no, my love.
37:53Do you want me to punish you?
37:55Punish you for what?
37:57For encouraging Elias and my mother to be in the retreat right now?
38:02But how can you think that?
38:04Of me? Oh, please.
38:06Look, since tonight I have nightmares
38:09that my mother's relationship with Elias
38:11becomes a relationship,
38:13I swear, look,
38:15since I gave the wolf his ears,
38:17I swear, I swear
38:19that I'm going to take measures.
38:22What measures?
38:24Yes, look, I don't know which ones, but measures, measures, I swear.
38:27Come on, let's see.
38:32Take it.
38:37And I'm going to sleep, you know why?
38:39Because I deserve it.
38:41Goodbye.
38:46Everything to free me from the horror.
38:48Everything to free me from the horror.
38:50Everything to free me from the horror.
38:56Marta.
38:58Oh, honey, what a surprise.
39:01What a joy.
39:03Well, are you going to let me in
39:05or do we take a chair and chat here?
39:07Yes, yes, come in, come in.
39:09Pietro.
39:11What a joy to see you so campy.
39:14I didn't expect to see you like this.
39:17Hug me.
39:19But what are you doing here?
39:22And my question is, how did you find out?
39:25Well, one that has a sixth sense
39:28and communicates through telepathy with you.
39:30Come on, sit down.
39:32Careful.
39:34You wouldn't have told him, would you?
39:36Didn't we agree not to tell him?
39:38No, no, no, it wasn't me.
39:40But it seems to me that he is already aware of everything.
39:43And why couldn't you tell me?
39:46Well, honey, because we didn't want to worry you.
39:50Yeah, and so that I wouldn't go back from Salamanca.
39:53Or am I wrong, Antonia?
39:55Well, there was no need for you to make such a long trip.
39:57You're exaggerating.
39:59Yes, Salamanca is here next door, as they say.
40:01I didn't want you to have the obligation.
40:03Obligation, no.
40:05Well, rather, obligations with both of you.
40:07How am I not going to be with you right now?
40:10With everything you've done for me.
40:11I wouldn't forgive myself for that.
40:13Now you're exaggerating.
40:15No, it's true, Antonia, I have to be up to it.
40:17Well, shut up, you're going to make me cry.
40:20I've missed you.
40:22And I've missed you. So much.
40:24And now?
40:26How did you find out?
40:28Telepathy, I've already told him.
40:30Telepathy.
40:32It couldn't have been Esperanza.
40:34This woman doesn't stop gossiping.
40:36Well, look, even if it seems like a lie,
40:38and without precedents,
40:40this time it wasn't her.
40:42And who was it?
40:44You're heavy with the subject, Pietro.
40:46Marta, who?
40:48Well, it's fine.
40:50It was Miguel who told Salvita.
40:52And even though he told her not to tell me anything,
40:54he told me right away.
40:56What a Salvita.
40:58I've tied you up short.
41:00I can imagine.
41:04It's fine, Antonia.
41:06I just hope you don't get mad because we haven't told you.
41:09Get mad? Me?
41:11Seeing Pietro like this, you're a bull.
41:13How can I get mad, Antonia?
41:15Not even a bit.
41:17Come here, honey.
41:24I can imagine how bad it must have been for you.
41:27But now I'm here and I'm going to help you get over it.
41:31I'm glad you came.
41:35You're welcome.
41:59You don't know how much I wanted to see you.
42:02And I wanted to see you.
42:03You know, I'm very proud of you.
42:06That you were able to tell all the truths.
42:09That you didn't give up our love.
42:12It's the most beautiful thing they've done for me in my life.
42:15I wouldn't give up your love for anything in the world.
42:17Nor would I give up yours.
42:19Are you calmer?
42:21After everything we've been through these days, yes.
42:24I am.
42:26Yes, since your father found out about us,
42:28it's been difficult days.
42:30Yes, but we shouldn't listen to him.
42:31And yes, to our feelings.
42:33Nothing will work with our love.
42:35Nothing or no one.
42:37That's it.
42:39Not my family, not your mother,
42:41nor that we belong to different social classes.
42:43Our love is above those conventions.
42:46I love hearing you say those things.
42:49But Paula, we have to be smart, be prudent.
42:52You need your family, you need your father.
42:57My father and I have more in common than he thinks.
42:59What happens is that we express them in a different way.
43:03I would love for my father to accept ours.
43:06And I would love for my mother to accept it.
43:09She's suffering a lot and she's afraid that there will be reprisals against her.
43:14I think we should talk to them.
43:16Both of them.
43:18Yes, because I can't keep avoiding your father forever.
43:22Tomorrow, when our spirits are calmer,
43:25we'll go and talk to them.
43:26Tomorrow, when our spirits are calmer,
43:28we'll go and talk to them.
43:41You don't need to go through everything again.
43:44It's perfect.
43:46It has to be.
43:48The guests tonight are illustrious.
43:50And composable, I understand.
43:52Because not everyone can close the Madrid Cabaret for their exclusive use.
43:55They don't lack money.
43:57In fact, tonight they're all having dinner in a restaurant that they've also closed for themselves.
44:00What a level!
44:02And when they get to Las Rodas de Oro, what are they going to do?
44:04Well, there's still a lot left for that, but just in case,
44:06I'm going to offer them the Madrid Cabaret.
44:08And speaking of eating,
44:10you and I should have dinner.
44:12Tonight is going to be long.
44:14Why don't we go where the employees have dinner?
44:16No, I prefer a tent standing here,
44:18so I can keep going over the things so everything is in order.
44:21But you should go have dinner with the employees.
44:25Do you know where the tavern is?
44:27The usual one, I suppose.
44:29If not, I'll find them.
44:36Good night, Mrs. Maruja.
44:38Good night.
44:51How can I hold my soul
44:53so it doesn't touch yours?
44:59I don't know how I dared to come here.
45:06I do know that.
45:08And I want you to know that, too.
45:13And curiously, you've come tonight
45:16when we can be alone for a couple of hours
45:17without anyone bothering us.
45:21I don't think it's a coincidence.
45:26It's our fate.
45:31I don't believe it.
45:34This situation is very embarrassing for me.
45:39I've never done anything like this.
45:43I must see myself again.
45:47I love you.
45:55Well, in that case, blessed madness.
46:17I love you.
46:44Rodrigo and I,
46:45both of us,
46:47are aware that we shouldn't hide our relationship from you.
46:50We regret it with all our hearts.
46:52We beg you.
46:54We beg you to trust us and give us a chance.
46:57I haven't asked you about begging.
46:59How are things with Laurita?
47:01Before yesterday, we shot the last scene.
47:03Ah, yes.
47:05Yes, something has come to me.
47:07Esperanza says you approached her.
47:09Paula, what you have to have is patience.
47:11A lot of patience.
47:13Let her trust you.
47:16As for Rodrigo...
47:18Please, I ask you to give him a chance to rectify himself.
47:21Miguel,
47:23I don't know if you're aware,
47:26but if all goes well,
47:28we'll be relatives.
47:30Relatives of what?
47:32If I marry your mother-in-law,
47:34I'll be your father-in-law.
47:36I know you might think
47:38that I'd like Rodrigo to marry Paula
47:40to ensure his future in the Pedraza family.
47:43But nothing more than that.
47:45What would she say?
47:47That she couldn't take the pressure?
47:49That her spirit is too free to accept...
47:51What?
47:53The marriage?
47:55I wonder if she has already arrived
47:57to the lost village she was going to.
47:59Don't you think it's strange
48:01that she hasn't mentioned her family?
48:03Teresa, we all have an older relative.
48:05Maybe you don't see him often, but...
48:08Listen,
48:10there's also that woman.
48:12What woman?
48:13The one in the gallery.
48:15Ma'am, before you say anything,
48:17regarding what happened this morning,
48:20I'm aware that I was expecting something different.
48:23But if I'm forced to make a decision,
48:26my choice will always be your daughter.
48:29It's been a nice experience,
48:31but I don't think I'll do it again.
48:33And what are you going to do with all that talent
48:35that God has given you?
48:37Are you going to throw it away?
48:39Yes, a gift to lose my sister.
48:41That's what I have.
48:44Paula, I'm just asking you to be brave
48:47and don't let yourself be carried away by euphoria.
48:50Look, in this life,
48:52every decision we make
48:54is another step that takes us to the place
48:56where we deserve to be
48:58or to failure.
49:00So you have to be very careful with what you dream of.
49:02It was a mistake to kiss her.
49:04Do you know why?
49:06Why?
49:08Because since then I've only wanted to do it again.
49:10Agustín, what happened?
49:11Third death.
49:17Agustín, it's not me.
49:19I'm sorry, I'm sorry.
49:21But what happened? Who called you?
49:23And why did you run away?
49:25Ballesteros has decided to drive me crazy
49:27and he's getting it.
49:29Don't die.
49:31What took you so long?
49:33I've been looking for Chicory,
49:35and there wasn't any.
49:37You came to see Dr. Quiroga, right?
49:39They already have the definitive diagnosis.
49:41Bad news, Marta.