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00:00But how is it possible that in that town no one will remember your parents?
00:08I don't explain it either.
00:10Pasegos is a very small village and everyone knows each other.
00:13In those places, each one knows the life and miracle of the others.
00:17And they even tend to get into fights.
00:20Well, my parents, as if the earth had swallowed them.
00:25No one remembers a couple with a small child who lived there like two decades ago.
00:31No.
00:32Maybe you asked a few people and it was a coincidence that they were not the ones who knew the most gossip about the town.
00:38No, Mrs. Arcos.
00:39I interrogated half of the town.
00:41And many of those people were, well, the typical old lady who knows everything.
00:45And nothing?
00:48No one knew the name of Ricardo.
00:51And much less the last name Pellicer.
00:54And that's not a very common last name.
00:57Yeah.
00:58I don't know, Santos.
01:00You mentioned ...
01:02You mentioned your mother's death.
01:05Because a mother who dies leaving an orphan or a small child is ...
01:10It is a very sad event that is easily forgotten.
01:18Everyone swore that had not happened.
01:22In fact, I was so frustrated that I decided to go to the cemetery to see if I could find the grave.
01:28And?
01:35I didn't find it.
01:42Do you understand now why I'm so upset?
01:45It's not for less.
01:48What's going on, Mrs. Arcos?
01:51I don't know, Santos.
01:53But even if you don't want to talk to him,
01:56the only one who has the answers you're looking for is your father.
02:04Well, it's clear that ...
02:07that all paths lead me to him.
02:09But I do know that he's not going to tell me the truth.
02:13Then entrust yourself to patience.
02:18Because it is evident that your father ...
02:20Your father has deceived you.
02:22In a deliberate way.
02:24And you're right, Santos. If you go face to face with him,
02:27he will try to deceive you again.
02:32So what you have to think about very well is the next step.
02:35But for now,
02:37caution, Santos.
02:40A lot of caution.
02:43Agree?
02:47Agree.
03:09Why did you do it, Pelayo?
03:12There was no need to admit in front of everyone that ...
03:16the son of which I am pregnant is yours.
03:20Of course there was no need.
03:23If I did it, it was simply because I wanted to.
03:26But lately you have made it very clear to me that you are not able to assume
03:30the paternity of my son.
03:33And I regret it, Catalina.
03:36I am not one to judge you. We all make mistakes.
03:39That's a saying.
03:42We both know that ...
03:44not all mistakes are of the same kind.
03:47Of course, we agree on that, but not so much because of the mistake itself,
03:51but because of its consequences.
03:53A consequence for life.
04:01Catalina, you know too well
04:03the pain I felt when I found out that you had slept with another man.
04:08But I have realized that it is more a matter of hurt pride.
04:12Understandable.
04:17But my love for you is much stronger than that pride.
04:21And I would be a fool if I lost my future.
04:27Because I can't imagine life without you by my side, Catalina.
04:31I don't want to live it without you.
04:35But are you sure that this is an absolute robbery and ...
04:39and then you will regret it?
04:42The only thing I'm sure of is how much I love you.
04:48And I commit myself to you,
04:50to love that baby as if it were mine.
04:57I apologize for my last doubts and indecisions.
04:59I have been a bit cruel and insensitive to you.
05:05Well, enough with the big words.
05:09The eyes don't lie, Catalina.
05:12Neither mine, nor yours.
05:24You know that I love you with all my soul, right?
05:27You know it.
05:29And I will love you with all the consequences.
05:59Come in.
06:04Come in.
06:09Hanna.
06:12I thought they were my parents.
06:15You were prepared to argue, weren't you?
06:18Unfortunately, it is the only thing we do lately.
06:22And I already found out about your last quarrel.
06:27From what I see, the informants on the service floor are still working perfectly.
06:32Well, from what I've been told, it wasn't a cordial conversation that went unnoticed.
06:38I have a house full of spies.
06:41Tell me what happened this time.
06:46The same as always.
06:48No news, variations on the same.
06:50Or on the same.
06:52But I'm sure I was the center of the conversation again.
07:05You are always at the center of everything.
07:09Especially in the center of my heart.
07:13Manuel.
07:14I'm serious.
07:17I want you to tell me. I want you to give me details. Why did you go?
07:23The same as always, I've already told you.
07:26My parents don't accept that we get married, that's all.
07:31But they will have no choice.
07:33Because I'm willing to argue with them every time I need to.
07:38In the end they will accept.
07:40Even if it's just not to listen.
07:46Hanna, you are the most important thing in my life.
07:50And I plan to fight with nails and teeth if necessary.
07:54I give you my word.
07:57Yes, I'm excited.
08:00But that doesn't mean that I'm suffering a lot because of all this.
08:03And that's my fault.
08:06No.
08:08It's not your fault.
08:11If there is a culprit here, it is my parents for their clumsiness.
08:16If you accept our love, all this would be easier.
08:20But I want you to keep one thing clear.
08:23You and I are not the culprits, but the victims of all this.
08:30Don't forget it.
08:45I love you.
08:57It is so difficult to leave things in their place, Pardes.
09:01Merya, what are you supposed to be doing here?
09:05Mr. Argos, I came for one thing.
09:07Yes, but you shouldn't be here.
09:09The assigned tasks should not be changed.
09:11Because it takes a lot of work for me to adjust the schedule so that you can come and fix it.
09:15Yes, but there has been an unforeseen event.
09:17Well, you tell me which one.
09:19It's Mrs. Margarita.
09:21She asked me for a handkerchief because she is a little affected.
09:25You?
09:27The poor woman is crying and I offered to help her.
09:36Since we are here, I would like to tell you something.
09:40Say it.
09:45I would like to tell you that I quit.
09:51Are you saying goodbye?
09:54Yes, I prefer to see it that way. Yes.
09:59And can I know the reasons?
10:02They are personal reasons.
10:04Come on, you don't want to tell me.
10:06I would rather not do it, Mr. Argos.
10:11It has been a decision that has been very difficult for me to make, but at the same time I have meditated for a long time.
10:17At La Promesa they have always treated me very well and I have always felt at home.
10:21Well then ...
10:23Then I don't understand why you want to leave.
10:26I have already told you that I prefer not to talk about the reasons.
10:29But right now it is the best thing I can do.
10:33Okay.
10:34Don't tell me if you don't want to.
10:38But I understand that you have had to go through some weight.
10:41Because one does not leave a job as good as this one just because.
10:45And more if, as you say, you feel so comfortable here.
10:49A lot.
10:51But I have to leave it.
10:53Seeing discretion is an admirable virtue.
10:57But it is also confidence in your superiors.
11:00Please, Mr. Argos, don't insist.
11:02I have told you that I cannot tell you more than what I am telling you.
11:08What is nothing?
11:12And I'm sorry I can't be more explicit with you.
11:15But it is that my decision involves other colleagues, so ...
11:18I think the most sensible thing is to maintain discretion so that it does not affect them.
11:23I see.
11:24You have had a problem with Lope, with your boyfriend.
11:27That's it, right? A lack of love.
11:30No. It's none of that.
11:34I suppose you are aware that it is not easy to replace a maid overnight.
11:41You make it very complicated for me, Vera.
11:44And I hope you have thought about it.
11:46Yes, Mr. Argos, I know that perfectly.
11:48That is precisely why I wanted to let you know in advance
11:51so that I could find a replacement and reorganize the service.
11:56I see that you have things very clear.
11:59And I really can't do anything to make you reconsider your departure.
12:06No.
12:09And now, if you'll excuse me, I have to take this to Mrs. Margarita.
12:30Why did you leave like that in the middle of breakfast?
12:34I'm not in the mood to listen to Ignacio's comments.
12:37And much less Lorenzo's jokes.
12:40The truth is that those two can be very annoying.
12:43They enjoy making firewood from the fallen tree.
12:46And they don't know about the mass at noon.
12:48What don't they know?
12:49Well, what is it going to be, Alonso? What is it going to be?
12:52That absurd idea of Manuel to bring that whore to this floor.
12:56Yes, that is a nonsense.
12:58For most people, with two fingers in front, it is.
13:01But it seems not for our son.
13:03This time he has exceeded all limits.
13:06I haven't been able to keep an eye on him.
13:08Thinking of such a trick.
13:11Sitting down with that whore at the table?
13:13Where has something like that been seen?
13:15And what does he intend to do later?
13:16Also sit down with the boys of the Colmado?
13:19Or the gardeners? Or the horses?
13:25The truth is that we have done wrong with Manuel.
13:28Why has he become a capricious, unable to understand his obligations?
13:32He should assume his role. He is the future Marquis of Lujan, for God's sake.
13:36Anyway, this attraction of your children for the lower classes is worth studying.
13:43First it was Tomás.
13:45Then Catalina brings us that immoral whore.
13:48And now Manuel wants to marry a maid?
13:51He should be more responsible, yes.
13:54And now you're laughing?
13:56Manuel and Catalina are spoiled brats.
13:59Is it so difficult to find a partner among their equals?
14:02There is no one in the family for whom they feel minimally attracted.
14:06What a mania to mix with the whore.
14:09It can't be.
14:12Well, I've been telling you for a long time.
14:14But of course, everything is fine for you.
14:17Everything is fine until the fire starts to burn your feet, of course.
14:21If I hadn't been so permissive with your son's eccentricities,
14:24we wouldn't be in these circumstances now.
14:27I assume my part of the blame.
14:29I have given too much freedom to Manuel.
14:31I just wanted him to be able to choose.
14:33That he didn't feel drowned by the ties, but ...
14:36Well, you see how well that strategy has worked for you.
14:38I didn't count on him wanting to marry a maid.
14:42I didn't contemplate that possibility.
14:43You have to contemplate all the possibilities, Alonso.
14:47Look, I'm not going to be the one to justify Manuel.
14:50In honor of the truth, he was not educated to be the heir to the marquise.
14:55That's true.
14:57It was Tomás who received the proper preparation.
15:00And Manuel didn't see the possibility until his brother died.
15:03Well, let's hope that sooner or later he will end up understanding it.
15:07What happens is that he is more stubborn than a mule.
15:09And we already know that by facing him, we can only get him to curl up even more.
15:13And what are we going to do?
15:15Wait with our arms crossed for Hanna to have breakfast with us?
15:17Well, I don't know what we have to do, Alonso.
15:19But I do know what I don't.
15:20Well, tell me.
15:21What we can't do is let ourselves be carried away by impulses.
15:24Well, my blood boils, Cruz.
15:26Well, you temper it, dear.
15:27You temper it.
15:29You are not willing to piss her again.
15:31Head before heart.
15:34Right now we have to be very smart.
15:36If we don't want to risk losing our son forever.
15:39Get it in your head.
15:41Well, I don't agree.
15:44This way we would only give him false hopes that things can be the way he wants them to be.
15:48False hopes? You have been feeding his false hopes for years.
15:53Those who sow winds reap storms.
15:55And now it's time to bite the hand that feeds them and endure.
16:02That's right.
16:03I would like a portrait with my wife so that she can preside over the hall of our palace.
16:09No.
16:10No.
16:11We would prefer you to paint it in person, yes.
16:18No.
16:19Well, it's not a problem if we have to wait.
16:23No.
16:24It will be worth it.
16:34Look, aunt, I'm not the one to lecture you.
16:36Look, aunt, I'm not the one to lecture anyone.
16:39But I have the firm suspicion that the Count of Ayala wants to marry you to get his share of the promise.
16:46And that has made him overcome his reluctance to the commitment.
16:51In another way, the fixation he feels for Martina is sick.
16:54He has done everything possible to get rid of her.
16:57And nothing guarantees that he will continue to do so until he gets it.
17:02I'm sorry to be so crude with you.
17:04I am the first to understand that a person can make mistakes.
17:07But it seems dangerous to forgive someone who does not regret their actions.
17:13And the Count seems not to regret anything.
17:23It has been difficult for me, but I have finally achieved it.
17:26Manuel Benedito will paint us an oil portrait.
17:30That is no longer inaccessible.
17:32It is framed in a commission from the Americans of the Hispanic Society.
17:36Yeah.
17:38But Benedito is making a good name for himself.
17:40In fact, he has already painted a few portraits of high society personalities and they are all delighted.
17:46And who knows, maybe history and time will put Benedito in a more prominent place than his teacher Sorolla.
17:57What's wrong with you?
17:59Do you know this painter?
18:00If you want, we can find another one that is more to your liking.
18:02No, no, no.
18:03No, the truth is that I do not know the work of that artist, but I fully trust your judgment.
18:09Well, then I still understand less your face of concern.
18:13I was just thinking about another matter.
18:17How can you know what it is?
18:21Well, it all seems very strange to me.
18:24Until recently I did not know you and now we are going to get married.
18:30That's how lovesickness is.
18:32Yes, it has strongly impacted me.
18:36But even so, there are many things about you that I do not know, Ignacio.
18:40No, you can get to know us little by little, we have our whole lives ahead of us.
18:47Let's see, what do you want to know?
18:49Do you know that I have two sisters?
18:50Yes, Angelina and Pilar.
18:53You have told me a lot about them, but I do not mean your family.
18:57I mean, for example, your sentimental past.
19:04Are you jealous?
19:05No, not at all.
19:07It's just curiosity.
19:09I don't know, I think a man your age must have some great love behind him.
19:16You are my great love, Margarita.
19:18Well, yes.
19:19I mean someone else.
19:21You've been waiting all your life for me to show up.
19:24Yes, and you finally did it.
19:26Thank you, Ignacio.
19:29Let's see, Margarita, of course there have been other women.
19:32I'm not a Trappist monk, but I am a gentleman.
19:36And it is not elegant to air these matters and much less the names of those involved.
19:41But really, no other woman has stolen your heart so far?
19:49If you are so interested in knowing it ...
19:52Yes.
19:53I lost my mind over a woman.
19:56So you were really in love?
19:58I was in love.
20:00She never belonged to me.
20:02Poor thing.
20:04The truth is that it was very difficult, yes.
20:06So much so that I decided to put earth in the middle and dedicate myself to traveling the world.
20:12And you managed to forget her?
20:15With time and distance, yes.
20:17But it wasn't easy.
20:19My heart broke.
20:21And I thought I was still like that.
20:23Like a child.
20:26Until you arrived.
20:29And I felt that flame again.
20:33With the difference that this time, that love was corresponding.
20:41In this way I have been able to prove that love can mean pain.
20:45Pain.
20:47But also joy.
20:49And excitement.
20:51Like ours.
21:01Life has given me a second chance, Margarita.
21:04I would be a fool if I didn't take advantage of it.
21:16I love you.
21:21How are you?
21:24Fine.
21:29Vera, I can't stop thinking about what you said yesterday.
21:34I need to know if what you said about leaving the promise was serious or if it was just a slip-up.
21:39Do you think I'm for chances, Lope?
21:42If I said it, it's because I'm going to do it.
21:46But my love, you can't leave for a silly thing.
21:49Silly thing?
21:51Do you think it's silly that you betrayed my trust and you revealed my secret?
21:55And you told the cooks who I am.
21:57No, it's not silly and that's why I've apologized hundreds of times.
22:00But Mrs. Simona and Mrs. Candela are not going to say anything.
22:03I promise you.
22:04Your secret will not reach anyone's ears, my love.
22:06Please trust me.
22:11Lope, after everything you've done to me, you can't ask me to trust you.
22:16So what's going to happen to us?
22:22Does this mean the end of our relationship?
22:28I don't know.
22:30The fact that my secret can be revealed changes everything.
22:35So as you can understand, I'm not in the mood to think about romantic matters.
22:40Are you going to throw everything we have away because of a slip-up?
22:45Forgive me, please.
22:47Forgive me.
22:49My love, forgive me.
22:50You don't have to keep asking for forgiveness.
22:53I've already forgiven you.
22:56Then ...
23:04Isn't it worth fighting for what we have?
23:06Because what we have is precious.
23:09Lope, be realistic.
23:11As soon as it becomes clear that I am not a simple maid and that I am the daughter of the dukes of Carril,
23:15they will throw me out of the promise.
23:17I'd rather leave before all that happens.
23:19That's not going to happen.
23:21The cooks are not going to say anything, my love.
23:25Please get rid of the idea of leaving the promise.
23:27It's not a simple idea.
23:30This morning I spoke to Mrs. Arcos and I have conveyed my intentions to her.
23:37When I have a replacement, I'm leaving.
23:40Goodbye.
23:57Wouldn't it be better if we portrayed ourselves in the garden?
24:01It's more ladylike in the living room, isn't it?
24:04Well, honestly, I think it's an abuse.
24:08I don't understand why.
24:09Well, because we are going to take over the living room with all the painters and that can cause many inconveniences.
24:16You're right. Seen that way.
24:19In fact, maybe we could expect to be settled in your palace.
24:23I just met Pelayo and Catalina, who were going to take a walk in the gardens. Are they happy?
24:29Can I know why you say it so outraged?
24:32Man, it surprises me that they are leading such an embarrassing situation, never better said, with so much fuss.
24:39The disdain with which Catalina is assuming her pregnancy is insulting.
24:45I don't understand why you say that. What would you prefer? That she was bitter?
24:51I don't know. Maybe, I don't know, some guilt.
24:57However, my niece has allowed me to give moral lessons about the way she treated my wife or how she educated Curro.
25:03And now she refuses to show her lack of decency to the four winds.
25:07Well, it seems to me that it is very good that she shows her chest, the thing has no turning back.
25:11Yes, she is showing her chest and belly.
25:13Please, Lorenzo, to comments of bad taste, you are unbeatable, of course.
25:18Look, words are words. They neither hurt, nor kill, nor get pregnant.
25:24The truth is that Catalina's pregnancy has caught us all by surprise.
25:28No, not so much. It has never seemed good to me so much closeness between the count and my niece, there in front of everyone.
25:35In any case, Catalina's pregnancy is almost the least of the problems that the Marquises will have to face.
25:42I consider that Manuel's romance with that maid is much worse.
25:46You're right. It seems that in the promise, two scandals overlap with each other.
25:53I admit that I'm having a great time with all this.
25:57Lorenzo, please. Margarita.
25:59If you want me to lie to you, I lie to you. But it's the truth.
26:02Not even in my best dreams would I have imagined that I would have so much fun in the same house.
26:07It is a very unpleasant moment for the family. So we have to have a little understanding.
26:12And I have it. But understanding is not ruled by enjoyment. There is time for everything, right?
26:17Yes.
26:32So things are going well with Salvador?
26:35Very well. And even more so after our last meeting.
26:38Right. Can you pass me the spoons?
26:42Are you going to have a soup now?
26:45You don't say it very convincingly.
26:48And how do you want me to tell you?
26:50With a smile, at least.
26:52Sure. If you want, I'll jump on the trampoline.
26:54Sorry. I didn't want to get into where they don't call me.
26:58No, don't worry. You're right. It was weird.
27:04Because nothing happened. Special. Neither good nor bad.
27:08I understand.
27:10And the fact is that Salvador and I put everything on our side, but nothing.
27:12When the work has no milk, no matter how much you milk it ...
27:17Yes, it is another way of saying it. More vast, but yes.
27:21Sorry. Sometimes I'm very rude.
27:24I don't know. The comparison was not well brought.
27:28The fact is that I miss the closeness and trust I had with Salvador when I lived here in La Promesa.
27:36I don't know. Since I haven't had that, look what I would like.
27:40Have you ever fallen in love?
27:43Don't tell me, girl, to steal your heart.
27:45I'm in love. But as it comes, it goes.
27:49That's because it's not true love.
27:51I guess.
27:54But I confess that I would like to fall in love and be reciprocated.
27:58That now is not the time.
28:01I see.
28:03Yes, because of your situation with Teresa, I think it is impossible, right?
28:06To everyone's eyes, I am a married man.
28:12Marcelo, and what was that so serious that happened?
28:15Why did you have to take refuge here in La Promesa and pretend to be married?
28:19Don't even try, Maria.
28:21But you don't want to tell me?
28:23Yesterday I was talking to Teresa Igua and I didn't notice.
28:27Don't talk to me.
28:29I don't know. It seems that I am a gossip.
28:32And all I want is to understand the best.
28:34And all I want is to understand the best.
28:37If my sister hasn't said anything, I haven't either.
28:41Something very big has to be done for you to keep that silence.
28:45Stop insisting, Maria, please.
28:49What I can tell you is that I am not a criminal.
28:53And I have never hurt anyone on purpose.
28:56Come on, look, we already have a wheel made.
28:58Good job, Marcelo.
29:00His effort has cost, but yes, it is ready.
29:02We are all going for a ride with the bike.
29:05Exactly.
29:29Miss.
29:30Miss Expósito.
29:32How are you?
29:34Fine, fine.
29:36I think you're lying to me.
29:38Well, I'm not going to deny that I've had better times, but ...
29:44It seems that this cell is very humid.
29:47Do you sleep well? Are you cold?
29:49No, no, not at all.
29:51Especially since Mr. Manuel brought me that blanket.
29:53So you sleep well for sure.
29:55Yes.
29:57And do you eat well?
29:58Don't insist, Miss Expósito.
30:01I don't look for ghosts where there aren't any.
30:03Besides, it's quite tedious to be here alone,
30:07to waste the visits talking about myself.
30:10And I assure you that I, as a subject of conversation, am very boring.
30:14Besides, I still have a lot of the ones he brought me.
30:17I'm not going to go hungry.
30:19Well, as soon as he's done, I'll bring you more.
30:23You don't know how much I like that you come to visit me so often.
30:27It cheers me up.
30:29It cheers me up to see you too.
30:31You are always so kind and with such good predisposition that you like to see you.
30:36And tell me,
30:38are you still so nervous about the snack you have to attend with Mr. Manuel?
30:44No, I'm not nervous because there won't be a snack anymore.
30:48Well, I'm sorry.
30:50Well, the truth is that I had made illusions.
30:53But,
30:55I don't know, I think it was a good time because Manuel and I are better than ever.
30:59I'm glad to hear that.
31:01But I guess it's not just the two of us in the world.
31:06I notice a certain resentment in that comment, even pain.
31:10It may be.
31:12Manuel is very irascible because of the continuous discussions he is having with his parents and
31:17he ends up paying with anyone, even with me.
31:19Yes, the man must be going through a hard and tiring moment dealing with this issue every day.
31:25Well, I'm afraid that all this affects us both.
31:28No, there is no need.
31:31We have fought a lot for our love, so
31:35it hurts me to confess that I am also a little exhausted.
31:38Well, you are going through a very complex moment.
31:42You are releasing a pulse with the Marquis gentlemen and
31:47neither of you can get out of this confrontation happy.
31:51I know.
31:54And, look, I shouldn't say this because I owe Mr. Marquis, but
32:01you have love on your side.
32:04There is nothing more important.
32:09Hold on.
32:11Every minute that passes is less.
32:42Julia, wait.
32:45Where are you going?
32:47Were you avoiding me?
32:50I thought I would find Martín in the gardens, but I guess he's in his room.
32:56Wait, Julia.
32:57I'm just trying to stay away from your pain.
33:01Are you mad at me for something?
33:04No.
33:08Come on, Julia.
33:09This morning we crossed paths.
33:11You didn't even address me.
33:14I was in a hurry.
33:16I see. In a hurry.
33:19I think we have enough confidence for you to tell me what's wrong with you.
33:28Come on, Matilde.
33:30Be honest with me, please.
33:32Honesty?
33:34Do you really think you are willing to ask me for honesty?
33:36Yes.
33:38I don't know what this is about. I don't understand.
33:41You will find it very funny to have lied to me about all this about Hanna.
33:45But I don't find it funny at all.
33:46Look, Julia ...
33:47I don't look at anything. I work.
33:49You will find it very funny to laugh at me like that.
33:51But I think it's a terrible pleasure.
33:52I haven't laughed at you.
33:53Stop the farce.
33:56How are you so sure that I'm cheating on you?
33:58Because it's obvious.
33:59No.
34:00It's not.
34:01It's obvious.
34:05Julia, tell me who told you that I'm cheating on you.
34:12You wouldn't have told anyone, would you?
34:18No.
34:19Of course not.
34:22I've just been thinking about it and ...
34:26what you told me seems so impossible to me
34:28that I assumed it was a lie.
34:31But ...
34:33maybe I'm wrong, I don't know.
34:35Because the alternative is that Hanna and you are ...
34:37Stop it, Julia.
34:40There is only fraternal love between Hanna and me.
34:42And that's it.
34:43And I don't want to keep talking about this.
34:48Sure.
34:50If you say it with that vehemence ...
34:54I will have drawn wrong conclusions.
35:01Then don't do it.
35:26The news of the pregnancy has completely misplaced us.
35:30It's not something we had planned either.
35:32No, it's clear.
35:34You have acted without a shred of head.
35:36And this news is a disgrace for the family.
35:39For me, it is also a personal disappointment.
35:43I was not expecting this from you, daughter.
35:46And I feel that you have abused my trust.
35:50I am as guilty as she is, if not more.
35:53Of course you are.
35:56I haven't trusted you for a long time, Pelayo.
35:58And once again, your actions have given me the reason.
36:02We didn't have to give you so much freedom of movement.
36:06That you went alone to the Count's palace, without a carabiner, and to your free bedroom.
36:10It was more than obvious that this was going to happen.
36:13Well, I understand your reproaches, but we are talking about a pregnancy.
36:17It's not a crime.
36:20A pregnancy out of wedlock is a shame.
36:23Owned by immoral women.
36:25Immoral.
36:28I understand your anger, Marqués. It is more than justified.
36:31That is why I reiterate my apologies with all humility.
36:35I wish I could step back to fix this mess, but I'm afraid it's too late.
36:40I'm afraid that when I should have stepped back, it was before dishonoring her.
36:47But it is true that at this point,
36:50the best thing is to celebrate that wedding as soon as possible.
36:53If we can turn this pregnancy into a premature birth.
36:58I'm with you, Cruz.
37:00It is the most sensible thing.
37:02It is not the first birth that is a few months ahead.
37:06And it is what is going to happen to both of you.
37:10I will do whatever it takes, whenever Catalina seems very clear.
37:15I also think it's for the best.
37:18Well, in that case, I commit myself to getting down to work as soon as possible
37:22to celebrate an unforgettable wedding.
37:27Unforgettable, but only for a few, Mr. Conde.
37:30Given the circumstances, it is best to organize a wedding as intimate as possible.
37:36The less striking the link, the less margin we will give for speculation.
37:41Look, we agree on that.
37:44I have never liked multitudinous celebrations.
37:48All I care about is the love I feel every year.
37:51Nothing else.
37:52Well, that romanticism will be better if you leave it for when you are alone.
37:57In short, there is no longer any danger of you getting pregnant.
38:00Because you already are.
38:04Anyway, it has been made clear, right?
38:06We have to do the relevant management to celebrate that wedding as soon as possible.
38:17Well, it's no longer an iron mass, it looks more and more like a bicycle.
38:21A bicycle without wheels.
38:23Well, Marcelo put it on today. He already has it ready.
38:27I don't get on one of those for all the gold in the world.
38:30I have a lot of appreciation for my teeth.
38:33Well, anyway, there is still a bit left for it to be ready.
38:35The pedals are still missing and the handlebar needs to be straightened.
38:38Just a little bit.
38:39Yes, and a little patience, Marcelo can't go faster than he goes.
38:43The truth is that the boy is making an incredible effort.
38:46How crazy it seems.
38:47For some things, he takes care of it, for others ...
38:55Have you been with Mr. Baeza?
38:57How did you see him?
38:58Is he in a good mood?
38:59They have already found the real culprit.
39:01It doesn't seem that your name is coming.
39:03It didn't go well, did it?
39:04Let's see ...
39:05Honestly, I'm more worried about what had gone wrong.
39:09Mr. Baeza has made an effort to pretend that everything is fine, but it is evident that he has lied to me.
39:14And I don't want to lie to you, but ...
39:17I've seen him worse than the last time I saw him.
39:20I think all this isolation and confinement is costing him.
39:24And what have you noticed that is so bad that it is getting worse?
39:27Did he have a fever?
39:28Cough.
39:29Mouth.
39:31Well, what he had was a very hoarse voice and also a very bad cough.
39:36Let's see if he was going to have what he had the other time, that he had such a bad time.
39:40Did he have his lungs taken?
39:41I wouldn't know how to tell you, but it could be.
39:44In any case, the next time I go, I'm going to bring him a coat.
39:47Because I know he has a blanket there, but I don't think it's enough.
39:50Well, if anything, he'll deal with it.
39:52And in a good mood, how is he?
39:54It is important that he does not lose his morale and that he does not come down.
39:57Well, I wouldn't know how to tell you either, because ...
40:00When Mr. Baeza is with me, he is just as kind and polite as ever.
40:05Mr. Rómulo, he's not even in the picture.
40:07Let's see if he gets out of the dungeon soon, because that's the only important thing.
40:12Yeah, I think that's going to be complicated because I was talking to one of the guards there.
40:17And what he told me is that the longer he spends locked up, the harder it will be for him to be released.
40:24As little as I have been able to hear the gentlemen, they also show pessimism.
40:28There is no solution, at least in the short term.
40:31But the contact of the Marquis will be useful for something.
40:34The street has told us that this man is going to miss the phone.
40:37I have faith in that.
40:39And also that Manuel is doing everything possible to get him out of there.
40:44Although I already tell you that it is not easy.
40:46Or something we will have to do.
40:47Because we cannot let that man consume himself little by little in that hole in the world.
41:08Doña Simona has prepared coffee.
41:10I thought you might want some.
41:13Thank you for the detail, Santos.
41:15Now I have to go. I have a lot of work to do.
41:39Did you tell them you had a lot of work to do?
41:42Yes.
41:49But first he's going to tell me what's going on.
41:56Okay.
41:58I admit that I am very affected by the wedding of Count Ayala and Doña Margarita.
42:03And that?
42:07Count Ayala and I have known each other for a long time.
42:12Yes, I understand that he is a friend of Doña Cruz all his life.
42:17That's right.
42:19And I had the opportunity to get to know her well.
42:23In fact, I came to develop a relationship with him.
42:27A relationship for the rest of my life.
42:29I came to develop a relationship with him.
42:32A very close relationship.
42:36And that's why I know firsthand that Count Ayala is a clean man.
42:41Do you really believe that?
42:44It's not that I have any special affection for Doña Margarita, but ...
42:48That woman must know things she doesn't know.
42:51This wedding is not good for anyone.
42:54Especially for her.
42:57Seriously?
43:00I know Count Ayala too well, believe me.
43:04And he's not a good person.
43:08How good is he?
43:16It doesn't matter, Santos.
43:18No.
43:20It doesn't matter, Mrs. Arcos.
43:22You speak with pain.
43:24A pain that can only house a broken heart.
43:30You can trust me, I guarantee it.
43:41Count Ayala and I have been in a relationship for a long time.
43:48As a result of which my son Lidia was born.
43:50As a result of which my son Lidia was born.
43:55Are you telling me that Count Ayala is Feliciano's father?
43:58Yes, but that man never had a relationship with his son.
44:02In fact, it was only after his death that I met him again.
44:07He made me hope that we could relive what once was between us.
44:14But instead, he cheated on me again.
44:16He cheated on me again.
44:19And this is what you think Mrs. Margarita should know?
44:24Yes.
44:26I think she should know the man she's going to marry.
44:29Of course.
44:31She should know the truth as soon as possible,
44:33so that man doesn't keep cheating on everyone.
44:36I understand that this is an advice.
44:40You would tell me the same thing.
44:43If I wasn't so involved in the matter.
44:46Because I'm not.
44:48And I can see things a little better from the outside.
44:54You're right.
45:27Sergeant.
45:29Good afternoon.
45:31Thank you for coming to the promenade.
45:33I was told this morning in the barracks that you had been there looking for me.
45:37Yes, but you didn't have to come this far.
45:39Don't worry.
45:41This palace was on my way.
45:43I had to cover an altercation nearby.
45:44May I ask what this is about, if I may be so curious?
45:48Some day laborers without land were committing acts of sabotage against the landowners,
45:54burning crops.
45:56It is normal that there were not many.
45:58Let's hope there are no other men who follow your example.
46:00That is the main problem, the contagion.
46:02I am concerned that these acts of sabotage are becoming more and more frequent in the Andalusian countryside.
46:08It is seen that the anarchists are gaining strength outside the cities.
46:12Anyway, what is so important that you had to tell me?
46:17Yes.
46:21Take it.
46:25There are three names on this list.
46:30Who are they?
46:32They are the people with whom Gregorio fought the day I mentioned him for the first time.
46:37I see.
46:39And how did he do it?
46:42I have asked around here and there.
46:44In the village, especially in the tavern.
46:46Sergeant, it took me time and money.
46:48Well, you shouldn't have done it.
46:50Investigations are a matter of the Civil Guard,
46:52and not something you should do on your own.
46:55I am very sorry for my intrusion,
46:57but as I have already told you several times,
46:59my greatest desire is to prove Mr. Baeza's innocence as soon as possible.
47:03It is up to you if you want to find and interview those men.
47:08But I assure you that there is a very real possibility
47:11that one of those three people is the real murderer of Gregorio.
47:14You know, I am still puzzled by your confidence in Mr. Baeza's innocence.
47:23Sergeant, I have known Rómulo since I was born.
47:26And I assure you that if that man has declared himself guilty,
47:29it was only to free me from prison.
47:32We have already discussed this, sir.
47:35Yes.
47:37Please look for the men on that list.
47:41Have a good afternoon.
48:03How long did it take you in Puebla de Tera?
48:06In Puebla de Tera?
48:08You were there, weren't you?
48:10Ah, yes. Yes, I was also in Villalquino, in addition.
48:13In Puebla de Tera. Forgive me, I got lost for a moment.
48:16You were able to fulfill the order that Mr. Baeza gave you.
48:19That's right. I had thought of getting closer to the block to put it in order.
48:23I see.
48:25It is true that I have a lot of accumulated work.
48:27I don't know if I will find the space to do it today.
48:29Well, tell me what you have to tell him and I will take care of transmitting it to him.
48:36Now?
48:38Yes, yes, now. When the shift is over, I will go to visit him in the cell.
48:41So tell me whatever it is, if it is so important.
48:44Don't worry, father.
48:46Thank you very much for the offer, but I prefer to do it myself, personally.
48:50Stop lying!
48:53You have been avoiding me since you arrived.
48:57No. No, it's not true.
49:00I already told you that yesterday I arrived very tired and that today I had a lot of homework.
49:03I have told you to stop lying and you deceive me again.
49:07But why do you get like this?
49:09Don't treat me like I'm stupid, Santos.
49:11Yesterday I was talking to Don Ropulo and he confirmed to me that he had not given you any orders.
49:19Where the hell have you been during these days?
49:23Answer.
49:27I swear that even if you are my son, my pulse will not tremble to kick you in the street.
49:33I swear.
49:59All right, ma'am?
50:01Yes, everything is perfect.
50:04And is there any news about your wedding?
50:10About my wedding?
50:12With the Count of Ayala.
50:14Yes, I know it's with the Count of Ayala, Petra.
50:16I just missed a personal question.
50:20It was just in case I could help you with something, ma'am.
50:27No, not everything is in place yet.
50:31In fact, Ignacio has commissioned one of Sorolla's best disciples to make our first portrait of the newlyweds.
50:39I see.
50:41You will be a beautiful bride.
50:44Well, I find it strange to be a bride at my age.
50:50There is no age for love.
50:54I must admit that I am a little nervous about my next birth.
50:58But you are already an experienced woman.
51:01I can, but this time it is different.
51:05The first time I married Fernando ...
51:09Well, I didn't know anything about life.
51:11Everything was new and exciting, but now things are different.
51:16Well, but I suppose that now you will also be excited.
51:22Yes, yes, of course.
51:24But I also have other mixed emotions that I don't know how to identify with.
51:30I see.
51:32And not all are good emotions.
51:37I understand.
51:39Like the first time, none.
51:43But I believe, ma'am, that a wedding must always be a reason for joy.
51:49Petra, I notice a certain ring-ting-ting in your tone.
51:54Yes.
51:57That's right, ma'am.
51:59Because I have not tried to hide it.
52:04Well, what do you mean?
52:07Speak clearly.
52:09Go ahead, I am very glad that you can start your life again after the sad death of Don Fernando.
52:16Yes, ma'am.
52:17Petra, to the point.
52:19First of all, I ask you to excuse my frankness, ma'am, but ...
52:27I think that Count de Ayala is not the most suitable person for you.
52:31What?
52:33What do you mean?
52:37Something that only I can tell you, ma'am.
52:42Because I know Count de Ayala very well.
52:46Too well.
52:49And if you allow me, I am willing and delighted to tell you everything.
53:02Isn't badminton a couple sport like tennis?
53:06Yes, the thing is that we asked Julia, but she couldn't come.
53:10I wasn't thinking of Julia.
53:12Hanna, I'm sorry.
53:14Well, since you can't play, don't worry.
53:17Why can't she play? Is she bad at it?
53:19No, but she's a maiden.
53:21And my fiancée?
53:22It's an invention of Lope.
53:25It's one of his secrets, one of the best kept.
53:28I see, I see.
53:29If it's so secret, it's better to leave the recipe here.
53:32It's a way of speaking.
53:34Besides, we are with trustworthy people, right?
53:37Yes, yes, of course.
53:39Miss Expósito is not a fragile porcelain doll.
53:44She doesn't need protection.
53:46She's a stronger woman than you and me.
53:49She doesn't make the mistake of keeping her locked up in a glass cabinet as if it were a trophy.
53:55I imagine her giving herself airs of grandeur, all because she's my son's lover, as if she saw her.
54:00I don't even know what tasks to assign her.
54:03Put her to clean the paintings, but with her hands naked,
54:07so that the manure under her nails can't be removed.
54:10Let's see if my son opens his eyes at once.
54:12I have many ways to get rid of you.
54:14I already sent you to a asylum.
54:16And I locked you up in jail, remember?
54:19I'm not scared of his games.
54:21Because I know what he's made of.
54:24If you knew, you wouldn't be so calm.