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00:00How are you, Pietro? Don't you want to get up and have breakfast?
00:19No, he told me he wanted to rest a little more.
00:21Well, he is getting used to this good life, yes.
00:31You're together again, Antonia. You and me.
00:38Life can turn around, but in the end it will always have me here.
00:44I know.
00:47I've missed you, Marta.
00:51These two weeks have been very hard, I'm not going to lie to you.
00:55Since Pietro began to have memory loss, until the tumor was diagnosed, it has been horrible.
01:01Well, if you had told me, I wouldn't have had to go through this bad taste alone.
01:05Why do you think I'm here?
01:07To live your life.
01:08And you are part of it.
01:10Sit down.
01:13I didn't want to worry you, I already told you.
01:15But I haven't been alone, eh. The girls from La Moderna have accompanied me a lot.
01:19Well, and Mr. Fermin, if it hadn't been for him, Pietro was still waiting to get well.
01:24How glad I am that he is married and that he is happy. He deserves it.
01:28Well, yes.
01:29Tell us about Salamanca.
01:31Well, very well. Studying and passing the exams with pride.
01:36Well, from time to time I also help him a little in the bookshop.
01:40I'm so proud of him, girl.
01:43And how is he doing? Is he still studying law?
01:45Yes, yes, yes. And applying.
01:48In addition, have I ever told him to go with the tuna?
01:53You can't imagine how much I love him, Antonia.
01:58How happy I am for you.
02:01Well, what about his father? Have you accepted him yet?
02:04Well, there he is. But come on, he'll have to do it.
02:08Because I'm not going to separate from him, like you and Pietro.
02:12And now that he's not here, what have the doctors said?
02:17Well, Dr. Quiroga, who operated on him,
02:20we still need him to give us the diagnosis,
02:22but it is assumed that he will not give it between today and tomorrow.
02:25But the nature is that he has come out well, right?
02:27Yes, yes, it is assumed that yes, yes.
02:29Maybe, well, there are some sequels and he has to be rehabilitated
02:32or that they give him some medication,
02:34but I think I want to know now what to do with him.
02:37Well, but in the meantime, we are here to take care of him.
02:40This week I will stay here and so I can lend a hand.
02:43Oh, that's great. It's going to be great, really.
02:46You could take the opportunity to go to La Moderna
02:48or pay a visit to Laurita and Inés.
02:50You know they are now movie stars.
02:52Well, glad, Antonia. I live in Salamanca, not in China.
02:56Well, I'm going to wake up the sleeping bag.
02:58I'm going to prepare the chicory.
03:01This is not having breakfast with your wife, but ...
03:04Well, it's not bad.
03:06At least they do it in company.
03:08And so we make sure that he eats something before going to work.
03:11The truth is that it has been very strange for me to wake up this morning
03:15and not have Lazaro by my side.
03:18After so many years living alone,
03:20I have come to realize that I am not alone.
03:23I have come to realize that I am not alone.
03:27After so many years living alone,
03:30I did not imagine that it would be so easy to get used to the opposite.
03:33I miss her, come on.
03:35That means that your marriage works like a clock.
03:38Well, you can't imagine how much.
03:41I am immensely happy.
03:44Well, now I thank you for breakfast,
03:47but I have to leave as soon as possible.
03:49Does La Moderna have a lot of money?
03:51Well, yes, imagine.
03:53Antonia is not here and now Lazaro neither.
03:56So yes, we are a little tight.
03:58And on top of that, Emiliano doesn't want me to pass by his house.
04:00What are you doing together?
04:02Business, by the way.
04:04I haven't asked you about the shoot.
04:06How are you doing with Laurita?
04:08Try not to exploit her too much.
04:10Here the professional is you.
04:13Before yesterday we shot the last scene.
04:15Ah yes, yes, something has come to me.
04:17Esperanza says you approached her.
04:20You know how Esperanza is, she is very exaggerated.
04:23But it is true that at the end the team applauded me.
04:26Agustín, Ballesteros, I don't know.
04:28It was a little embarrassing, but very exciting.
04:30Well, that's fantastic. And I guess nothing usual.
04:33Well, Laurita, you didn't respect the guide.
04:36That's not very professional.
04:38And they applauded you because it was the last scene.
04:40They always do.
04:42Sure, I guess improvising is not the right thing, right?
04:47No, I guess not.
04:49But the director liked it and gave it for good.
04:52I guess that's the important thing.
04:54Yes, after all, that's what counts.
04:57You are both wonderful.
05:00So take care of each other.
05:03Please.
05:05I'm leaving.
05:08Bye.
05:16Inés, what's wrong with you? Why did that happen?
05:20You know it perfectly.
05:22No, if I knew it perfectly, I wouldn't be asking you.
05:25Why did you make a fool of me in front of the guy?
05:28Where are you going now?
05:29To singing class. I have to keep exercising my vocal cords.
05:32I thought they were healed.
05:34Any more questions or do you want another round of applause?
05:37What?
05:50Your mail, sir.
05:54Wait, wait. Don't go.
06:01I want to talk to you.
06:05Well, what?
06:07What do you think about this morning?
06:10That unimaginable speech that my daughter gave us.
06:13Do you really want to know?
06:15What I want to know is how it is possible that you were not able to convince your son.
06:20I thought you were giving him more respect.
06:23I could say the same about you about Paula.
06:28But I'll tell you one thing.
06:31You're right about one thing.
06:33They're both adults.
06:35It's not so easy to influence their decisions.
06:38Much less to threaten them.
06:40And what do you want me to do?
06:42Cross my arms and watch the chronicle of an announced failure?
06:46Because that's what will happen. You know it.
06:49I could also leave them separately.
06:52They could even continue to be friends if they wanted to.
06:55What I'm not going to do is allow that relationship to go further.
06:59And much less in a moment as delicate as the one that the company has.
07:03Because what image would I be giving?
07:05What image would I be giving if I let my daughter, impossible successor,
07:09marry a guy who doesn't even have a last name?
07:12And I won't tell you when they find out where he comes from.
07:15What did you think of Maruja's reaction?
07:18She was so stretched, with that stubbornness.
07:21Anyone would say that he agreed with them, that he understood them.
07:24I'm alone, Pepita. I'm alone.
07:27I only have you.
07:29I've already told you what I think.
07:32But what are you thinking about?
07:35Look, I know Paula.
07:37She doesn't run away from confrontation. On the contrary.
07:40If she feels attacked, she gives it back to you with more force if necessary.
07:45Remember what happened when she insisted on studying engineering in England.
07:50Yes, I remember. She got away with it.
07:52Indeed. She even surpassed my file.
07:55No, I've already learned that lesson.
07:58You have to be patient with Paula.
08:01A lot of patience. Let her trust you.
08:03And when she least expects it...
08:06As for Rodrigo...
08:08Please, I'm asking you to give him a chance to rectify himself.
08:12I'm not an idiot, Pepita.
08:14If I fire Rodrigo right now, Paula will leave with him.
08:17And then I'll lose her forever. No, Rodrigo must be left alone.
08:21What else can I tell you?
08:24You've surprised me a lot.
08:26I thought you were more docile, more manageable.
08:29It's not easy for him.
08:31He considers you like a father.
08:38What we're going to do is make it difficult for him.
08:43We're going to take advantage of any chance we have...
08:46to create doubts for them.
08:48To undermine their relationship.
08:51Because they think their destiny is to be together.
08:55We're going to plant that field of mines...
08:58until they look like a real madman.
09:00Until they have no choice but to repent.
09:04They will be the ones who end up breaking the relationship.
09:07And then we'll be there to pick up their pieces...
09:11and to tell them how much we love them...
09:16and help them reconcile.
09:22Come in.
09:28Dear Fermin, friend and partner.
09:31Emiliano, Pepita.
09:33Sit down.
09:36More coffee, please.
09:38Yes, sir.
09:39Thank you, Pepita.
09:41I came as soon as possible.
09:43You told me over the phone that you had the documents ready, right?
09:46I have them. I have them.
09:49I have them. I have them.
09:51But, well...
09:53I wanted to ask you about Lazara's trip.
09:55Has she arrived at her destination?
09:57It's too soon to have news about her.
09:59It's a long and complicated trip.
10:01But I've made sure that she'll call me as soon as she can.
10:05It's going to be difficult to find phones in those villages.
10:08Yes, it's not going to be easy.
10:12A while ago...
10:14I just recognized her in front of my nieces...
10:16that Lazara has left and I've missed her.
10:20I thought that falling in love...
10:22was a sin as a young man.
10:29We have to find something we can use.
10:32Something really useful...
10:34so that Elias seduces my mother-in-law once and for all.
10:38The questions didn't work, Miguel.
10:40What was Mussolini's opinion going to help us?
10:43We've just finished building the mosque in Cordoba.
10:46How do you see it, Elias? Have you noticed any progress?
10:49Well, the truth is that...
10:51the other day, when we left for the retreat...
10:54she was very nice.
10:56She kept telling me that she remembered a squirrel.
10:58What do you think? Is it good or bad?
11:02Well, a squirrel is an adorable animal.
11:07Adorable.
11:09Yes, but we're still, in any case,
11:11very far from being able to call...
11:13what we have in common.
11:15It's clear that the questionnaire didn't work.
11:17And we're stuck.
11:19We have to find something new, surprising...
11:22to turn the situation around.
11:23Yes, yes, because I would do anything to get that woman.
11:27Let's see...
11:28Sorry, sorry, it's just that...
11:30every time I hear it, and...
11:32even though I'm the most interested in this being like this...
11:35it's just that when I imagine you together, everything moves.
11:38Gallo's career.
11:40Gallo's what?
11:41Gallo's career.
11:42I can't think of anything new or original...
11:45to surprise her.
11:46Well, I understand that the king was a great fan...
11:49and that many aristocrats don't miss him.
11:52They even organize bets.
11:54Leonora will love that.
11:56Don't tell me she also likes bets.
11:58No, aristocracy.
12:00Keep in mind that she's from Fuencarral...
12:02and she hasn't seen much of the world.
12:04What do you think?
12:05Well, I think it's a metaphor for my situation.
12:08I'm Galgo and Leonora is the hare.
12:10Very sharp. Yes, sir.
12:13It will be a distinguished atmosphere...
12:15so you should behave like a gentleman.
12:19Open the taxi door.
12:21Let her pass first.
12:25Fill it with slippers, even if they don't fit...
12:27and praise her style.
12:29That was in her answers.
12:31Leonora loves gentlemen. Can you?
12:33Don't worry, Miguel.
12:35I'm a gentleman.
12:37We'll make you a list with all the details.
12:39Yes, but a list...
12:41won't be a long list.
12:43An encyclopedia.
12:44Don't worry, it'll be shorter.
12:46The Decalogue of the Perfect Gentleman.
12:48You have to make her believe...
12:50she's walking next to a prince.
12:53Good.
12:55Miguel, I don't know if you're aware...
13:00but if all goes well...
13:02we'll be relatives.
13:04Relatives of what?
13:06Relatives, Miguel.
13:08If I marry your mother-in-law...
13:10I'll be your father-in-law.
13:12So, from now on, you can call me...
13:14political father.
13:16Well, since we trust each other...
13:17political father is fine too.
13:19But since we've known each other for so long...
13:21call me father-in-law.
13:23But I'll leave it to you.
13:25And you'll give me the Decalogue...
13:27that one.
13:28Gentleman.
13:30Well, let's go.
13:32Did you hear that?
13:34If he's my father-in-law...
13:36then he'd be Trini's father.
13:38Political, Miguel.
13:39Just political.
13:40I don't care.
13:41He'd kill me anyway, and rightfully so.
13:42You can't back out now.
13:44Repeat after me.
13:45Everything is...
13:46Everything is to get rid of Leonora.
13:48Again.
13:49Everything is to get rid of Leonora.
13:50You got it?
13:51Everything is to get rid of Leonora.
13:53Everything is to get rid of Leonora.
13:57What's wrong, Miguel?
13:58Are you okay?
13:59It's a long story.
14:01I'd rather not know.
14:02Well, I need your help...
14:04because in the absence of Mrs. Lanzara...
14:06Mr. Fermin has asked me to take care of his functions.
14:08So, let's get to it.
14:10This is a sealed copy...
14:12of the renewal of the patent.
14:16Any questions you may have...
14:17ask me.
14:20Emiliano, I'm not a man of science.
14:22For me, synthetic fiber is an enigma...
14:24as is, for example...
14:26the operation of the telephone.
14:28I know they are two inventions...
14:29that mean progress, but...
14:31I have nothing to say about them.
14:34Besides, you know full well...
14:36that I would follow you...
14:38as far as necessary...
14:40as long as...
14:42my wife could also come.
14:44Naturally.
14:45Of course.
14:48There's something else I wanted to talk to you about.
14:52Business...
14:54or pleasure?
14:56Neither.
14:57It's a family matter.
14:59It's a family revolt...
15:01to be exact.
15:03Don't tell me Paula...
15:05is still challenging you.
15:07Doesn't she support you with the business?
15:09It's much worse than that.
15:13Paula thinks she's in love with Rodrigo...
15:15my assistant.
15:16And I say she thinks...
15:18because I'm convinced that sooner or later...
15:20she'll get over it.
15:21Well, if you're convinced it's temporary...
15:23you just have to be patient...
15:25and let time pass.
15:27Why are you asking me this?
15:29Because I'm at a crossroads, dear Fermin.
15:34If I behave harshly and forbid it...
15:37I risk losing her.
15:39But if I allow it...
15:41I'll be showing weakness...
15:43not only to Paula, but to everyone.
15:45And besides, I'll be encouraging her...
15:47to perpetuate what she says she feels.
15:51Damn it!
15:53She's got a devilish temper.
15:59Why are you laughing?
16:00It's not funny.
16:01Oh, Emiliano.
16:03When you got to the boarding school...
16:05you were just a fool...
16:06who didn't lift a finger off the floor.
16:08But there was no one to blow you off.
16:11And you faced much older guys...
16:13knowing you were going to lose them.
16:16As long as it was a fair cause.
16:18Yes, of course.
16:19For example, that they looked down on you...
16:21or that you were the opposite.
16:23And that's when you came to the rescue.
16:26And that's where our friendship was forged.
16:29You had the audacity...
16:31and the shame I lacked.
16:33Indeed.
16:34And you, the calm I needed.
16:36That's why we made a good team.
16:38In fact, I think we still do.
16:40Don't we?
16:42Emiliano...
16:44My advice is...
16:45to let the waters take their course.
16:48Whatever happens, happens.
16:51Fermin, you say that because you don't have children.
16:54And because you're in love with your wife.
16:57My nieces are like two daughters to me.
16:59Oh, really?
17:00Yes.
17:01Well...
17:02what would you think if one of them...
17:04wanted to marry someone like Rodrigo?
17:06The son of a maid?
17:08A nobleman?
17:09Would you allow it?
17:10Inés was in love with Cesar Morel.
17:12The owner of the Madrid Cabaret.
17:14It's not the same.
17:16It's not the same.
17:18Cesar Morel has a business.
17:20Then he was just an employee.
17:22And even though he's redeemed himself now...
17:24at that time...
17:26he wasn't a trustworthy man.
17:28I mean...
17:30no.
17:31I wouldn't have allowed it.
17:33You see?
17:34But Rodrigo...
17:35Rodrigo is different.
17:37You've always said he's like another member of the family.
17:40Besides, he's your helper.
17:42That means he's your complete confidant.
17:45He is.
17:47Or he was.
17:50But he's not the man I imagine married to my daughter.
17:54No.
17:56I'm sorry, but no.
17:58I see.
17:59Well, then...
18:00we just have to wait and see who's smarter.
18:03If your daughter...
18:05or you.
18:06Do you want to bet?
18:09No.
18:14Where do we start?
18:16With the suppliers.
18:17We can finish this in a jiffy.
18:19Yes, because you and I get along very well.
18:22Just well?
18:24And since Mrs. Lázara is planning to be away for a few more days...
18:27it's going to be very clear...
18:29that Moderna is in very good hands.
18:31I wonder if she's already arrived at that lost village she was going to.
18:35We'll ask Don Fermín when he gets there.
18:37We'll ask him every morning.
18:38Which shows how much he trusts us.
18:41I'm not sure.
18:43When we're done with this, you'll see.
18:45No, I don't mean that.
18:46I mean, I'm not sure about the meaning of his trip.
18:49Don't you find it strange that he hasn't mentioned that he had a family?
18:53Teresa, we all have an older relative.
18:57Maybe you don't see him often, but...
19:00Well, listen.
19:01There's also that woman.
19:03What woman?
19:04The one who followed her around the gallery.
19:07See you soon, darling.
19:10Have a good trip.
19:22I think they knew each other.
19:26What if that woman has something to do with Mrs. Lázara's trip?
19:30Maybe Don Fermín should know about this.
19:32Are you listening to yourself, Teresa?
19:34I'm listening, Teresa.
19:35What are you going to tell Don Fermín?
19:37That you saw a woman crossing her eyes with his wife?
19:40And that you thought it was suspicious?
19:41Do you know what he's going to say?
19:43That I'm obsessed with her.
19:45And rightly so, Teresa.
19:47If I had an aunt that I really value and died for,
19:50I'd like to go to her funeral.
19:52Even if it was the end of the world.
19:54Come on.
19:55Let's put these lists together and stop being so contrived.
19:59Let's see.
20:04Marta!
20:05What a surprise!
20:07I thought you were in Salamanca.
20:09You're so pretty.
20:10You're also very pretty.
20:12And every time I tell any of my colleagues
20:14that I've seen a famous woman, they die of envy.
20:18By the way, is Laurita here?
20:21No, no.
20:22She's gone out to do some errands.
20:24Who?
20:25You? Why did you come?
20:26Well, I spent a few days with Antonia.
20:28She's a very nice person.
20:31Who? You? Why did you come?
20:33Well, I spent a few days with Antonia and Pietro.
20:35And I want to help them as much as I can.
20:37Well, it looks like the operation went well, right?
20:40Yes, yes. Thank God, yes.
20:43Come in.
20:44And by the way, do you know if Laurita will be here soon?
20:49Well, I don't know.
20:51But why do you say that?
20:53Well, I wanted to say hello and also congratulate her.
20:56The other day I read an article in a film magazine
20:58where they talked about the intrepid spy.
21:01And well, they mentioned Laurita.
21:03They said she was an emerging star.
21:06I didn't expect that.
21:08Yes, me neither.
21:11So it's true?
21:12Yes, it's true. Yes.
21:14She did it very well.
21:16Much better than me, in fact.
21:18How can she do it better than you, Inés?
21:21You are the protagonist.
21:23She is taking her first steps.
21:25And you...
21:26Yes, but everyone loves her.
21:30And...
21:31I'm ashamed to say it, but...
21:34I feel like...
21:36like a destroyed princess.
21:39Because everything she does is extraordinary
21:42and everything I do is extraordinary.
21:46And the truth is that it's not easy to be there.
21:52Yes.
21:53And Inés...
21:55When she worked at La Moderna,
21:57every time Pietro brought out a new cake,
21:59all the customers went to get it.
22:01As if there was no tomorrow.
22:03But, as time went by,
22:05they asked for the delicious cakes again.
22:10And the moral of the story is...
22:13The moral of the story is that Pietro's ensaimadas
22:15were always unmatched and they never stopped asking for them.
22:18And here, you are the ensaimada.
22:21You are comparing me to an ensaimada.
22:25No.
22:34Pepita!
22:35Has Don Fermín left already?
22:37Yes, ma'am. A few minutes ago.
22:39And Don Emiliano has taken the opportunity to accompany him on his way to his office.
22:42It's a shame.
22:44Because I wanted to invite him and his wife to dinner and...
22:47I wanted to tell him personally.
22:49Doña Lázaro is not in Madrid.
22:53And how do you know?
22:55Well, I just heard that he was telling Don Emiliano.
22:58Apparently, he has gone on a trip.
23:00It must be something urgent.
23:02Because otherwise, he would have informed me.
23:05Let's hope it's nothing serious.
23:07I don't know anything else, ma'am.
23:09But if I may say so,
23:11Don Fermín did not seem excessively worried.
23:15So, regarding that lunch?
23:19I will invite him anyway.
23:21I suppose he will appreciate our hospitality.
23:24And so I will be able to get to know my husband's best friend a little more.
23:27Especially now that they are partners.
23:29Do you mind if we prepare a squid stew and an onion soup for...
23:33Excuse me.
23:35Since when will you wash the menu for my guests?
23:39Well, I've been collecting some recipes to have another variety now that we've come to Spain.
23:43Well, you've wasted your time.
23:45Because that's not in your competence.
23:47Yes, ma'am. Excuse me.
23:49When you know what I want,
23:51I'll tell you the ingredients so you can go buy them.
23:54And now you can leave.
24:06I told you you can leave.
24:08Can I ask you a question?
24:13What do you think about what's going on with Pablo and Rodrigo?
24:20I'm sorry. I'm sorry if I'm abusing your trust.
24:23But I need to know.
24:26Why?
24:27Because we are both mothers.
24:29And both of us are concerned about our children.
24:32For their well-being, for their future.
24:35And also because I think that we see him in a very different way
24:39than his husband does.
24:42How dare you talk to me like that?
24:45And how dare you compare yourself to me?
24:50Although you're right about one thing.
24:55We are both mothers.
24:58And our bond with our children is different.
25:01It's hard to explain.
25:03Yes.
25:05As if they were always our little children, right?
25:08As if we always had to protect them.
25:14For once, I agree with you.
25:17It's been a long time since this whole story got out of hand.
25:21Both you and me.
25:24Do you think we have time to solve it?
25:27I mean, before your husband does it his way.
25:30I don't know, Pepita.
25:32I honestly hoped you would convince Rodrigo.
25:35I also hoped you would do it with Paula.
25:40I know you might think that I would like Rodrigo to marry Paula
25:45to ensure his future in the Pedraza family.
25:48But nothing further from the truth.
25:50I'm aware that it wouldn't work.
25:52That I wouldn't be able to handle the pressure.
25:55That his spirit is too free to accept...
25:57What?
25:59The farce of marriage?
26:01The farce of this society?
26:05Although now they think they can do anything.
26:08But reality would put them in their place.
26:11Nobody would take them seriously.
26:13Especially Rodrigo.
26:15These stories of rich and poor only work for nobles.
26:20Then we can be together in this.
26:27I've made a list of candidates for possible husbands for Paula.
26:32Nobles, bankers, businessmen.
26:35The flower of society.
26:40Although I know very well
26:42that none of them will treat her as she deserves.
26:47And that no one will ever love her as your son does.
26:53But you can't have everything.
26:56And by supporting them, we wouldn't do them any favor.
27:00No, ma'am.
27:01We would be pushing them to the precipice.
27:06I never imagined that one day we would be in the same boat.
27:13Yes.
27:15But you're going to the winery.
27:17And I'm going to a luxury room.
27:21Of course.
27:24Get out.
27:26Excuse me.
27:43Excuse me.
27:48I was told you wanted to see me.
27:52Come in.
27:56Sir, before you tell me anything.
27:59And regarding what happened this morning,
28:02I'm aware that I was expecting something different.
28:05But if I'm forced to make a decision,
28:08my choice will always be mine.
28:10My choice will always be your daughter's.
28:13So I'll understand perfectly well that you want to turn down my services.
28:16In fact, I'm willing to be the one who gives up.
28:20Willing to give up?
28:23Wow.
28:25Why would you do that?
28:27For ethics and respect for her.
28:29Too late.
28:31The respect you had for me, you lost it to me
28:33from the moment you looked at Paula.
28:36You know what?
28:37I'm not going to fire you.
28:40I can't allow it.
28:42You're still a very useful employee.
28:45You know,
28:47the manufacture of synthetic fiber garments
28:50is going to be a real revolution.
28:54A formidable challenge.
28:56For which, unfortunately, I won't be able to count on Ivan,
28:59given his unfortunate behavior.
29:01So you see.
29:03You see.
29:04At the moment, you have no substitute.
29:07Anyway, get to work.
29:09Now the most urgent thing is to fund the contracts I signed with the pioneers
29:13to whom I bought the patents.
29:16You will leave for Valencia today.
29:19Today?
29:20Don't you think it's a bit hasty?
29:22I mean, I would like to study all the documentation in depth.
29:26You will go by train.
29:29I want a receipt signed by each of your payments.
29:32I don't want to have to face lawsuits or complaints
29:34when the factory is in operation, understood?
29:36Understood.
29:37Good.
29:40Good thing you finally listen to me on one thing.
29:54As I was telling your wife,
29:56I came to offer you my apologies and give you an explanation.
29:58Shut up!
30:01Your excuses and explanations are worthless to me.
30:06I think it would be convenient to listen to my version...
30:08I'm not interested.
30:11I'm not interested in your version.
30:13I don't even want to know exactly what happened.
30:16The only important thing here is that you humiliated my son.
30:20Which means you humiliated me.
30:22And no one puts a hand on a stone without suffering the consequences.
30:28Are you okay, sir?
30:31What?
30:32Yes, I'm perfectly fine.
30:34Better than ever.
30:35Come on, go.
30:36Go and don't miss the train.
30:40And let me tell you something, Rodrigo.
30:42I'm not one of those who forget.
30:45Nor one who forgives.
30:48No one.
31:06I'm also glad to see you, Mrs. Serrano.
31:08Have a nice day.
31:13Since that director fired you, you're going to have to deal with me.
31:16I'm going to the workshop.
31:17No, to the workshop for what?
31:19To get the rags.
31:20You'll see when I grab him by the nose.
31:22No, no, he didn't fire me.
31:24It's just that I found out that Antonia was on leave and you were very busy.
31:28So I offered to help.
31:30My uncle didn't want to at first, but I convinced him.
31:33And thank God, because Trini had to run to take care of her baby.
31:36Oh, what a movie star.
31:39And look, you don't get a ring for selling cookies.
31:42If it's worth it, it's a little yes.
31:43Esperanza, I'm not a star.
31:45Besides, this is much calmer than a shoot.
31:49I can't get that scene you shot off my mind.
31:53In which you were pregnant and didn't want to give birth.
31:56That scene you shot off my mind.
31:58In which you were pregnant and didn't want to give birth.
32:02You made me go back to the past.
32:04With that Fernando Collado cap.
32:06You made me relive it.
32:08How well you did it.
32:10If one day I find that bird,
32:13I'll pull out his eardrums with the pliers.
32:16You have to have a lot of courage to face that again.
32:20Even if it's in a movie.
32:23The truth is that it wasn't pleasant.
32:25I managed to get the scene ahead, yes.
32:27But because of a lot of pain, too much.
32:30It was a nice experience, but I don't think I'll do it again.
32:34But...
32:35And what are you going to do with all that talent that God has given you?
32:38Are you going to throw it away?
32:40Yes, a gift to lose my sister, that's what I have.
32:45I understand.
32:46That's the problem.
32:48The cinematographer is a world
32:50and he thinks there's no room for both.
32:52Well, she has earned the right to enjoy it
32:54and I'm just an infiltrator
32:56who's letting herself be carried away by praises.
32:59Why don't you talk to her face down?
33:03Well, maybe you're right, yes.
33:06I'll talk to her.
33:25Misocupida.
33:27What, is he asleep?
33:28Woman of bread and coffee.
33:30Of course, but it has been hard to sing.
33:32I started talking and his eyes were closed.
33:34It must be because of my stubborn voice.
33:36I already worked very well with my grandmother's chickens.
33:39Well, what, are we leaving?
33:41Yes, yes, whenever you want.
33:42I'm very excited because I've never been to a canoe race.
33:45It must be like those horse races that people go to for good,
33:48but for less money.
33:49You don't believe it, mother-in-law.
33:51From what I've been told,
33:52she's one of the new fans of the aristocracy.
33:54Oh, yeah?
33:55Are you sure?
33:56Then I'm going to change my clothes.
33:57No, no, no, there's no need.
33:59You're wearing a flag.
34:06Well, it's true, he's sleeping like a log.
34:09From now on, I'll never doubt you again.
34:12What were you talking about?
34:13Elias, who had the wonderful idea
34:15to invite your mother to the canoe race,
34:17one of the new sensations of the city.
34:20Elias, can we talk for a second?
34:22Yes, of course.
34:23How could you bring my mother to the canoe race?
34:26Can't you see that she's not in the mood for this?
34:28Well, I read it in a newspaper.
34:32It turns out that now relevant personalities tend to go there.
34:36And since your mother went to Carral,
34:38I thought she would be excited.
34:40Come on, daughter, don't make that face.
34:43What did you just call me?
34:45Daughter?
34:46It sounds good, right?
34:47No, it sounds horrible.
34:48Elias, what are you doing?
34:49What are you waiting for? We're late.
34:51I want to see those personalities enter.
34:53Yes, we're leaving now.
34:55Of course, of course.
34:57Goodbye.
35:01What a gentleman.
35:08What madness.
35:09But you know how Elias is.
35:11When he gets something in his head,
35:12there's no way to get it out.
35:14What happened today won't happen again, okay?
35:16Because I don't want them to go out together.
35:18Much less that he calls me my daughter.
35:21That's a way of speaking.
35:22Look, if it doesn't happen,
35:24because he has a lot of hands taking care of Leon.
35:26Well, and to sleep with him too, right?
35:29If in the end they're going to make a good couple.
35:31But what are you saying, man?
35:32That you are beautiful when you smile from ear to ear.
35:37And what I was missing.
35:38I miss Elias.
35:40I'm going.
35:49What are we doing?
35:51Hand out the papers.
35:53One day it's him who threatens us.
35:55And the next day it's you who tries to lower the tension.
35:58On the one hand, I'm glad you're able to agree on something.
36:02But on the other hand, I'm sorry to tell you that it won't help you at all.
36:05Look, Paula.
36:07The idea of revealing yourself can be very exciting, yes.
36:11And be loaded with reasons.
36:14You have to be very careful with the arrows.
36:16Because from a moment on,
36:19you begin to realize
36:21that that tingling in the stomach is no longer felt.
36:25And by then you may have lost everything.
36:27What I have with Rodrigo is much more than an arrow.
36:30It's true love.
36:31Of course, daughter, it's always true love.
36:33Of course, until one day ...
36:37Paula, I'm just asking you to be brave.
36:40And don't let yourself be carried away by euphoria.
36:42Look, in this life,
36:44every decision we make
36:46is one more step that leads us to the place where we deserve to be
36:50or to failure.
36:51So you have to be very careful with what you dream of.
36:54I have always made the right decisions.
36:56No, Paula.
36:57You have always made the decisions that your heart dictated to you.
37:00But only time will tell if you are right or not.
37:04I'm talking about love, mother.
37:07You know what that means.
37:09I got married because our families
37:11fixed my marriage to your father.
37:14I had no choice but to choose, daughter.
37:17Was there anyone else?
37:22No.
37:23Then no.
37:26Is it there now?
37:30Daughter, neither.
37:31No.
37:32Then no.
37:33No.
37:34No.
37:35No.
37:36No.
37:38Daughter, neither.
37:41I was very young
37:43and I accepted my parents' decision
37:47because they assured me that it was what was best for me.
37:50And poor things,
37:51they were right.
37:55I have been relatively happy.
37:58But above all,
37:59thanks to that,
38:01you and Ivan are here.
38:03And that justifies everything.
38:08What do you mean by relatively happy?
38:12Because it is the price that women in our position must pay
38:16to maintain a privileged life
38:18and have a place in society.
38:21Yes, Paula.
38:22Marriage is an institution.
38:24It is a contract.
38:25It is an agreement of interests, yes.
38:29Is that what you have with father?
38:31Yes.
38:36I could do without so much privilege.
38:38Oh yeah? How brave.
38:40Are you sure?
38:42What I'm sure of is that I'll never understand your conformism.
38:46I love you very much, mother.
38:48But don't serve me as a reference.
38:52Wow.
38:54I guess sending Rodrigo and me to the two ends of the peninsula
38:58is an example of how things are going to be from now on.
39:02Separate us every time you can.
39:04Make it difficult for us.
39:07I don't know what you're talking about, daughter.
39:10Father wants me to go to Cáceres to renegotiate the contract with the suppliers
39:13and Rodrigo to Valencia to pay the creditors.
39:19I'm very sorry, mother.
39:21But you are the one who is wrong.
39:24You are the one who is missing something very beautiful.
39:28I'm sorry.
39:50Operator, with the Madrid Cabaret, please.
39:59César Moreno, hello. Tell me.
40:02I'm Maruja.
40:04Do you have a moment to talk to me?
40:08I'm listening.
40:11I can't stop thinking about what happened.
40:16And I can't stop thinking about what can happen from now on.
40:20It gives you vertigo, doesn't it?
40:23I don't know.
40:25It gives you vertigo, doesn't it?
40:29It was a mistake to kiss her.
40:32Do you know why?
40:33Why?
40:35Because since then I only think about doing it again.
40:38About feeling the taste of your lips again.
40:44Are you still there?
40:45I'm still here.
40:47And I feel very flattered.
40:49But I'm not naive.
40:51You have kissed many more women, César.
40:55I'm not going to deny it, but with you it's different.
40:58With you I could...
41:00You could what?
41:03I need to see you again.
41:05You have to find a moment.
41:07It may seem crazy to you, but life is very short.
41:09And when you don't have a certainty as big as the one I have...
41:12I also need to see you.
41:15César, you have to help me.
41:17Can you call me later, please?
41:19Yes, of course.
41:28Iván asked me for a liqueur and I can't find it.
41:30He says you know what it is.
41:35This one.
41:36Thank you, brother.
41:38You were talking to her, weren't you?
41:43I'm starting to worry.
41:45And not only because her son is here,
41:46away from what you have in your hands.
41:48That's how it should be.
41:50Away from everyone but you, little sister.
41:53Come on, I'm going to serve you.
42:06I would say that due to his mood,
42:08the situation with his father has not improved, right?
42:11He hasn't spoken to me since he got into a fight with me.
42:14He hasn't spoken to me since he got into a fight with me.
42:17Well, since he humiliated me.
42:19I'm very sorry.
42:22I don't need your compassion.
42:24Then I'll leave him alone.
42:26Wait.
42:28The other day I was honest with you.
42:30But you're not wrong.
42:32That doesn't make me a vulnerable person.
42:34And much less your friend.
42:37And that I listened to him doesn't make me his friend either.
42:40He thinks he's the only client who tells me about his sorrows.
42:44In case you hadn't noticed,
42:46I'm a practical and direct woman.
42:48And also transparent.
42:51Sometimes it's good and sometimes it's bad.
42:53But I know who I am.
42:56And I know what I want.
42:58At least as of today.
43:00And what do you want?
43:02As of today?
43:04To finish my shift and have a little fun.
43:07And I think it wouldn't be bad for you either.
43:09It's true that you talk to other clients.
43:12Not like I talk to you.
43:30Very good.
43:32Very good.
43:34We got along very well.
43:35We got along very well.
43:37You giving him the bottle and I giving him money.
43:39Well, yes. And never better said.
43:41Because the truth is that I didn't understand at all
43:43that those chimpanzee movements were coming
43:45and you were shaking like a sheep.
43:48Well, the important thing is that it worked.
43:50Well, yes, the truth.
43:52And without the help of my mother and Elias.
43:55And do you know what that means?
43:58That we can get rid of them.
44:05Yes.
44:25Inés, can we talk?
44:30Did something happen to you?
44:32No, I was talking to Agustín
44:33about the possibility of taking a few days off
44:36after the shoot.
44:38Very good. And where are you going to go?
44:40Maybe you could go to...
44:42No, not right now.
44:44It's just that Agustín has received a call
44:46and he had to run away.
44:48Without telling you anything?
44:50No, nothing, nothing.
44:52It must be something serious and from the movie, I guess.
44:54But I'm a little fed up with so many problems.
44:56What did you want to tell me?
44:58Do you know that Marta has returned to the city?
45:00Yes, of course.
45:01And she asked me about you, by the way.
45:03Oh, very good.
45:05And how is it going for Salamanca?
45:07I think he has made the best decision to leave.
45:09Yes, he's doing very well.
45:12You didn't want to talk to me about this, did you?
45:15No.
45:17I wanted to talk to you about the discussion we had this morning.
45:20And that lately we are stuck in a loop
45:22that if it's not for one thing, it's for the other.
45:24But we can't be the same as before, Inés.
45:27It's just that everything we do has its consequences.
45:29Don't say that.
45:31Don't tell me.
45:33In case you've forgotten,
45:35I wasn't the one who fell in love with her brother's boyfriend.
45:37And on the other hand, I accepted it.
45:39And I wasn't the one who wanted to be an actress either.
45:41It was all to do you a favor and give the replicas.
45:43What?
45:45Look, it doesn't matter.
45:47I've been talking to Esperanza and maybe ...
45:49What's the matter? Is Esperanza your counselor now or what?
45:51Can I continue?
45:55Agustín, what happened?
45:57Damn it.
46:00Agustín, my God.
46:02I'm sorry, I'm sorry.
46:04But what happened? And who called you?
46:06And why did you run away?
46:08Ballesteros is determined to drive me crazy.
46:10He's getting it.
46:12It was ...
46:14The editor called me, Ballesteros.
46:16I had argued with him.
46:18He took the negatives and left.
46:20What?
46:22But has he gone crazy?
46:24I can't do that.
46:26When did he stop being, Inés?
46:28I can't take it anymore.
46:53Do you think Erede does it?
46:55What? Wake up and do it?
46:57Like all children? No, man, no.
46:59He just ...
47:01He wakes up and cries because his parents are useless.
47:03Well, maybe right now he's having nightmares
47:05with the sheep chimpanzee.
47:07Well, let's try something else, I don't know.
47:09The lion kangaroo.
47:11Yes? Are you sure?
47:21Look, I regret to say this,
47:23but I'm hoping that your mother and Elias arrive as soon as possible.
47:28Me too.
47:38Be careful.
47:43You look great.
47:45Even in pajamas.
47:47What's wrong with my pajamas?
47:49It's very nice.
47:51I don't know.
47:53Antonio bought it for me on the trail.
47:55Do you want to sit there?
47:57No, thank you.
48:00Marta, and you?
48:03What have you been doing all day, besides taking care of me?
48:10Well, I went to visit Inés and Laurita.
48:15Be careful.
48:17I told you they were going to become film stars.
48:20Yes, really.
48:24Esperanza, you?
48:25How's it going at La Moderna?
48:28Don Fermin told me about my substitute, Herminia, is her name, right?
48:32You can't imagine what that woman is like.
48:35A thousand times worse than the sister.
48:37Antonia.
48:41Honey.
48:43What took you so long?
48:45I've been looking for chicory,
48:48there wasn't any left,
48:50and I had to go to the market.
48:52I'm going to prepare it.
48:54Well, it's getting very late, I'm leaving now.
48:57I'll walk you to the door.
48:59No, no, no, don't get up, for God's sake, don't force yourself.
49:03Yes, yes, yes.
49:05I'm like a bull.
49:07Well, be careful.
49:10Well, goodbye Marta, goodbye Antonia.
49:13Let's go, let's go.
49:23You came to see Dr. Quiroga, right?
49:27Yes.
49:29And they have the definitive diagnosis.
49:36Very bad news, Marta.
49:40Very bad.
49:53Good morning.
50:12Good morning.
50:14Shouldn't you be on your way to Valencia?
50:16And you on your way to Cáceres?
50:18You can also get to Cáceres from here, right?
50:23Yes.
50:27You can't imagine how hard it has been for me to convince the car driver
50:31to leave me here in the middle of nowhere.
50:33I had to give him a good tip.
50:35I'll make it up to you when you grow up, you'll see.
50:41Your father wanted to keep me away from you for a few days,
50:44but he didn't count that he had learned to intuit his intentions
50:47and above all, anticipate his movements.
50:49And what happened to the creditors?
50:51I've already mentioned them in Madrid.
50:53There's no complaint, so it's settled.
50:56You're very smart.
50:58And your meeting with the suppliers?
51:00I spoke to them on the phone.
51:02It's settled too.
51:04So I thought that while you're in Valencia and I'm in Cáceres,
51:08we can take advantage of the time.
51:11Any suggestions?
51:16From now on, we'll have to get used to my father's tricks.
51:20I'm curious to know what the next one will be.
51:23He won't be able to come with us.
51:31Let's go.
51:53I don't know.
51:59Those studies could take Rodrigo to study abroad,
52:02far away from the city.
52:04Even if he stayed here, he wouldn't have time to be in a relationship with anyone.
52:07Right now, that scholarship is your best chance.
52:09I'm tired of having to play hide and seek.
52:12Let's not think about that.
52:14We're alone, together and free.
52:17And we have all day to enjoy our love.
52:20I haven't slept since the doctor called.
52:21She doesn't sleep. Look at her, she has red eyes from crying.
52:25It's time for her to tell me.
52:27I change so much when I'm away from the Madrid Cabaret.
52:29You look like another one. You laugh, you dance.
52:32I want to sink the Madrid Cabaret.
52:34That Don Nadie de César must pay for what he did.
52:36And what better way to do justice than taking it to ruin?
52:39I know that his heritage is limited exclusively to that place.
52:42We're going for César Morel.
52:44Why don't we sit down and have a drink together?
52:46Because I don't think it's appropriate for us to be sitting here together.
52:49I couldn't wait another minute to kiss you again.
52:52I see him so happy, thinking that everything went well,
52:55that I'm losing my strength.
52:57But Pietro has the right to know what's going on.
52:59I know, he has to tell him.
53:01Are you sure that all the trains arrived without incidents?
53:04Hey, did he tell you if he had thought about being away for a long time?
53:07I'm not commenting on what I say to my friends.
53:09It's not nice, don't you think?
53:11I can't wait to get back to work.
53:14What's up, Antonia?
53:16Ballesteros.
53:17How are you, Samarú?
53:19How are you?
53:21Yes, yes, and how is the editing going?
53:25Very well, yes, yes, I understand.
53:28I'll tell him, but he won't like it.
53:30Where did you tell me your wife had gone?
53:32To visit a relative who lives in Huesca, in a lost village of the Pyrenees.
53:37Let's hope he manages to get that relative out of the financial trouble.
53:40What do you mean a financial trouble?
53:42You have to be faithful, Samarúja.
53:47I told you I had heard something.
53:49You were right, I've heard it too.
53:51And this time closer.